i feel like judy is a sweet innocent little angel baby and also a feral menace. a saint. a danger to herself and others.
sweet anon the way you are SO RIGHT. like don’t get me wrong — judy rybinski is a sweetheart, an absolute loyal and trusting friend, who is incredibly emotional and down to earth. despite her being my pisces queen, she also has some scorpio rising in her and is an absolute MENACE if needed LMFAOOOOO. this is by far one of my favorite things i’ve received in my inbox 🤣🤣🤣
like …. let’s be for real, the second she started feeling something towards rosie, she’s allowed herself to be more feral behind the scenes than anything. she’s probably an accurate representation of what it’s like to have a crush — he stares at her and she automatically is replaying it in her head and thinking about it all the time, she can’t get her words right entirely around him, she’s blushing like an absolute loon, but she’s also putting herself in places even just to see him. even just talk to him! see if he looks her way! my og lover girl! like judy! girl! got get your mans!!!!
someone said a while back in tags - go get yourself a lawyer, girl and by far it’s the most accurate representation of them i’ve both seen and heard LMAOOOOO. judy is in fact the baby of the group but also one of the ones who can just be absolute insane when warranted and i think it makes a lot of sense for her. shout out to judy rybinski 😌✌️✨
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(Milgram self-insert oc masterpost hehe)
Name: For the sake of posting online I’ll call her Rose!
Color: #E7355B [the pink in the art]
Age: I guess she’d be 20 given when Milgram started huh.
Status: Milgram Staff, Machine Technician
Symbols/imagery: ballet/musical theater, science experiments
Song genre: very similar to Mahiru's, something upbeat and extra pop-y
Tentatively she's number 011? She's not really prisoner but she's also not free to come and go, so I'm not actually sure if she'd get a number (Edit: I've decided she'll actually be 012. Staff is given the 01X range, and even though Es doesn't actively have a number they'd be staff member 011, making her 012.)
Story: Since the project is supposed to be realistic/present day, the mv machine would be brand new and unpredictable tech, so they’d want someone keeping up on maintenance and making sure the brain-invasive process won’t cause any harm to the prisoners. Rose was studying abroad in Japan working on some cool neuroscience tech (irl I know nothing about technology or brains but shh) and she stumbled upon some secret tech/plans from Milgram. Long story short, she was dragged into the experiment to make sure things ran smoothly.
Writer's Reasoning: She’s really fun for me to play around with, as she allows me to work with a character who has a tiny bit of pull over Es’ mindset in conversation but not the final decision (aka mirroring the voting system), and someone who is simultaneously trapped in the prison but has a reason to see all the canon content.* I really enjoy the character interactions and dynamics Milgram has set up so far, so it’s been super fun seeing how things change for better and worse when someone not quite aligned with either Milgram/the prisoners is thrown into the mix!
*As much as I love dramatic irony in fiction, it would drive me crazy if I knew every detail of of the vds/mvs but Rose didn't – and every single Milgram character is The Worst Communicator Ever so I couldn’t justify that she’d hear it secondhand from them...
Story roles:
She’s a bit conflicted -- she’s officially Milgram staff and knows she should remain neutral on the prisoners, since she won’t be allowed to interfere with the process/executions. At the same time, her job description is literally “make sure the machine doesn't hurt them and everyone's safe :)” and she's way too emotional to avoid getting hopelessly attached to everyone 😅
I really enjoy the theory that the machine extracts videos based off of priming, so one of Rose’s duties involves listening in on the interrogation and making sure there’s been enough material discussed/not too much time has passed overall (hence the ringing of the bell happening at different lengths for each vd -- That's her ringing it :3). She then watches the mvs along with Es to make sure there are no machine glitches, and know how to calibrate it better for next time.
(IEdit: I've since decided to add in official trial mvs, but before when I wasn't ready to tackle that:) She has to run some tests on the machine to make sure things are calibrated correctly, so she'd extract little things here and there. It gives me the opportunity to think up lyric snippets and recurring symbols for her without worrying about full encompassing music videos.
I'm not afraid to admit she can fall into Mary Sue territory every so often by being everyone's friend, because it's less about "aw everyone likes her" and more about "canon is too painful rn and I need a fix-it tool to take care of these guys and give them hugs and tell them someone forgives them and cares about them and unfortunately these characters wouldn't let anyone less than a friend do that." Rest assured she's definitely not perfect and will fuck everything up on occasion :3
Miscellaneous: Whenever I play around with normal au ideas she's still working on the machine (but in a public, more ethical setting), and she's Mahiru's roommate :) Her character isn't super focused on love, but if I had to pick a cover song it'd be Stickybug II. It's very much my vibe, the lyrics fit well enough (better than most songs, at least lol) and it's one of my favorites out of my limited knowledge of unchosen Deco songs! (Edit, I've actually given her non-deco cover songs hehe)
So yeah, I hope she's not too boring without a cool crime to decipher, but I wanted to share since I was really proud of her! It took a bit of tinkering to find a way to fit her into a perfect secret-third-thing role that runs very smoothly with all of canon, so I was very excited!
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I always thought this was Toga (disguised as Camie) simply talking about her ‘disappearing’ technique, but I realize - this could be applied to her life pre-crime.
Hiding herself - her true self - from everyone. Stop thinking for herself, think of nothing at all, just move on automatic, obeying without thought. The whole “not thinking” is the hard part - we have brains for a reason. We have a mind and heart unique to ourselves, thinking our private thoughts - but now you need to shut that away.
When people stop breathing, they die. If Toga ‘stops breathing’, she dies. Toga Himiko dies, then there’s no longer a ‘Toga Himiko’, no longer a self.
Be empty and dead inside, and you can blend in with the crowd. Have no sense of self, and you can be whoever people want you to be. Had Toga stop being herself, then her parents will stop yelling at her, people will accept her.
She can live a ‘normal’ life, but only if she’s a hollow shell.
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wait hold on a ursa takes both zuko and azula away fic??? idk how anyone hasn’t done this concept but hella you’ve tapped into a concept that has to be explored at this point! making it zukka is also just the norm around here too.
ah im glad you like the sound of it! i refuse to believe im the first to think of that idea bc i dont think ive ever had an original thought but there's definitely a lack of ursa exploration in the fandom. the thing with this wip is that it's going to be so ginormous and so multi-faceted that it's actually really hard to explain the plot of? like ursa takes zuko and azula with her but ursa is so damaged by what she's been through and is too busy prioritising survival to be loving anymore and their life on the run is so brutal that zuko and azula - still only 9 and 11 years old which is a big reason of why their relationship is able to heal, bc they're still so young - really lean on each other to cope. initially it's a survival thing, but they grow to just genuinely get on well with and care deeply about each other. and one way they do that is that zuko starts telling azula stories! like the two of them become huge avatar nerds bc of these stories and actually i might just give you a snippet bc this is rlly hard to explain LMAO
Neither of them had any idea how to just be nice to each other, but Zuko wanted to be nice. He wanted Azula to be safe. He wanted to protect her. She was his little sister. She always had been, and she needed him. Now, more than ever.
“You know, Mother used to tell me about our great-grandfather.” Zuko said quietly into the shadows, a whisper to ensure Ursa, always so quick to anger these days, didn’t wake up. “You know he was Avatar Roku?”
For a while, it was painfully silent, to the point Zuko was certain Azula wouldn't respond. Then; “Of course I know. Some of us actually paid attention in our lessons.” Azula sniped, but she sounded a little too cutting, in a way she only sounded when she was unsure. She didn’t like it when she didn’t know what Zuko was leading to.
Zuko turned to face her direction, the cheap blanket scratching his chin and not covering all of his body. At eleven-years-old, Zuko was finally starting to grow into himself.
They were in a town on the outskirts of the Earth Kingdom, barely a speck on the map, and currently, their names were Riku and Aoi. Ursa has been very clear; her children were to never use their birthnames, no matter how alone they thought they were. They were living in a cottage with half a roof, their mother funding the rent by sewing patches onto dresses for a seamstress. She was barely in the house, but Zuko knew even when they left in a few day’s time – as they never stayed in one place longer than a week or two – he would still barely see Ursa. He wondered if she knew how reclusive she’d become.
“She told me stories about all the Avatars. I always wished she’d tell you them too.” Zuko said a little sadly. “I never understood why she didn’t.”
This silence was different, and they both knew Zuko wasn’t just talking about the stories.
“Tell me.” Azula breathed, so quiet Zuko almost missed it.
“The stories?” Zuko asked in surprise. He had been waiting for Azula to cut him down, to tell him to go away like she used to. But...
He realised maybe Azula wanted to be nice too. Maybe she was tired of being looked at like a monster by the people supposed to love her.
Maybe she was just a nine-year-old girl who needed a bedtime story every now and then.
“Yes, Zuko.” Azula hissed, and his name was so shocking it was like a curse. “The stories. Tell me about the Avatars.”
So, Zuko did.
“Water, earth, fire, air.” Zuko whispered, remembering how Mother told it. In the shadows, Azula’s eyes burned gold. “Long ago, the four nations lived together, but everything changed when the Fire Nation, the superior nation, began to share its wealth. The Hundred Year War began, and the only person able to stand in the Fire Nation’s way was the Avatar, master of all four elements. But when the world called for him, he fled...”
It became a tradition, after that. Zuko would lie beside his sister on the nights neither of them could sleep, and after an entire day of hiding himself, he’d turn to Azula and just talk. In Kyoshi Island, he told her of Avatar Kyoshi murdering Chin the Great. In Makapu village, he told her of Avatar Roku – Great-Grandfather Roku – battling a volcano. And in the Western Air Temple, he told her of the Avatar who never was.
“He’s out there somewhere, though.” Zuko uttered wondrously. “One-hundred-and-twelve, the last airbender. Can you imagine it?”
“You’re in your head too much.” Azula sighed. She always pretended not to care, but as the months dragged on, she allowed herself more. First, it was in her asking for a specific story. Then sometimes, she’d slip up and laugh. In the fragments of these nights handed over to ancient legends, as scraps of lies left behind in their wake with every new roof they found themselves beneath, Azula was more herself than ever. She could be, in front of her big brother. That was something she learned.
They learned other things, too. They learned that the Earth Kingdom was starving, that the Fire Nation was hated, that people weren’t rebelling; they were suffering. The story changed. When Zuko saw technological advancements that bewildered him in the Northern Air Temple, he stopped saying that the Fire Nation was the superior nation. When he saw children with burn scars and amputated limbs, he changed ‘began to share its wealth’ to ‘attacked.’ When the stories he told his little sister of the Avatar turned into a lifeline, a speck of hope in a world of ashes, ‘fled’ became ‘vanished.’
Zuko learned that a war was a war, that his father was not a hero by any means, that they got out just in time.
And it was hard, but the two had their own rebellions. Zuko and Azula didn’t get on in Caldera, but out here with a string of fake identities behind them and a death sentence at the end of it, they only had each other. Their mother was a wound, their father was a blade, and they were, through it all, still just kids. They leaned on each other in the places they used to bruise. Azula took the softness she tortured her brother over and began to protect it. Zuko took the coldness in his sister he used to despise and chased it away. When Azula drew the curtains and hid in cupboards to hold a flame in her palm and just breathe, Zuko made sure Ursa didn’t catch her. When Zuko lay beside Azula and talked to her until she finally fell asleep, Azula didn't push him away.
Azula, he whispered, and it was a promise that she could still be who she wanted to be.
Zuko, she breathed back, and it was a recognition that, through it all, she still saw him.
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I know I've infodumped this before but not as its own post so let's go. what I'd do if I was in charge of making a live a live anime. I am ignoring the fact that I desperately want it to be a musical because that's not going to happen so ask me about my Separate thoughts about what I'd do if I was in charge of making a The Day The Night Slept The Album-ening of live a live.
ok so my Basic Idea is I'd let the show have a 13 episode (maybe 14? does that happen?) first season. I assume each of the first 7 chapters would need about 2 episodes, but I can see some that end in one like wild west or Definitely present day. I could also see some taking longer though, like distant future and near future. it'd even itself out I think to average to 2 episodes each.
it'd be an anthology series basically. a bunch of non-connected stories, but tied together by one key point. a narrator. see I have a Framing Device idea here and it's that we know odio from the very beginning, but never see his face or know who he is. this is very inspired by princess tutu here but here the stories are actively being Read by somebody outside of it, and occasionally he takes the reins to bend the retelling a bit, likely in the chapter boss' favor. note that while the anime is actually Playing and showing the characters, if the narrator does decide to kick in the characters will likely not be doing what he says they are, and they Definitely cannot hear him. it's an unreliable narrator story, but to the point where it's pretty easy to tell that he's biased. in practice how this probably would go would be like in princess tutu, occasionally when a character reaches a point that justifies his own philosophy in some way he'll cut in and monologue about The Nature Of Man Bringing Only Tragedy or whatever the fuck. also maybe cutting in to give the chapter villains some sympathy for the devil, maybe at the end to close each story out as he turns the last page? I dunno I don't want to be Too obvious but like. odio does sound pretty damn evil by default so maybe it'd be obvious anyway.
anyway! that's season one. anthology of short stories. on the final episode I'd leave it hanging on him picking up one last book or something, but I'd let that be told in either a short season (again, do these happen?) or a movie ??? anyway that would start out with the middle ages chapter, which I don't think will have any narration? I'm iffy on this? it'd be cool to see his retrospective thoughts on his own story but also, that's a bit heavy-handed, I'm not sure. anyway the thing is that around the end, when oersted breaks into his soliloquy at the archons roost. there I think we'd get a sort of cut-in, as halfway through our narrator starts reading it out himself. shut book camera pan Blonde Man Jumpscare I think that's the best way to go about the "oh shit the villain is the protag of that story" reveal. also it'd be fun. anyway that'd be either the beginning chunk or the first two? episodes?
from here I'm not Exactly sure how to frame it because all of the endings are Very important, but also kind of. happen at the same time? I do not know how to do this. the easy way would just be to have it remain anthology-ish, and have say the boss rush version of the dominion of hate be one story while the rest is another, but I don't think that fits into the framing device well. mm?? I have no idea. I think we're good without the bad ending of the dominion of hate happening as long as the "if you kill this dude you'll end up just as fucked as him" message gets conveyed in some way or another but I don't think we can skip the whole other version of the DoH.
maybe we can play it less as Actually Happening and more a what if scenario?? more odio just. Fucking Talking Alone Again about what Could be if not for Man's Folly^tm. I think that'd get the point across, be a good intro for the rest of the dominion of hate and stay in universe but it would Not have the added bonus of "ok you kicked around a bunch of jrpg protagonists now what. did that make you feel any better" unless we tried to hammer that home in a different way. and oh boy do I not have a single idea what to do with the armageddon ending. maybe instead just have him mention how if he and the other odios were Still denied he'd have the page burnt entirely or something. maybe at the end. shrugs. there's not a ton I can do here.
eh. anyway the actual dominion of hate would likely be more based in the protagonists than anything, likely picking a main character (Probably Akira) and not having a Narrator as much as just being in the mc's head from time to time. though I Do like the idea of odio still being there Attempting to nudge the protags and them being actually able to hear him this time, it'd have to be used infrequently. or not at all. there is a certain merit to them not knowing anything about him until getting to the archons roost but Us knowing a lot. I dunno. anyway I think this adaptation would have a lot more interactions between the protagonists (desperately needed) and I think that'd take up most of the runtime there, we can incorporate the trials if we want to (trial of heart is necessary to be sure but the rest really aren't, so it can be a good dungeon for the whole team to go through and have some more plot-motivated character moments) but I think Getting The Band Together might already take a good amount of time if we don't rush past good chances for character building or interaction. I want it to feel like the mcs Do actually start to be a team that is the thing I have the Most problems with about the game, though in doing so that will mean we're gonna have to do away with the 4 character party thing unless we want to have them split up sometimes. that's details. the point is that it's going to be All the mcs together most of the time and hopefully it doesn't feel crowded.
anyway from there it kind of goes as expected, except with the aforementioned (we don't need to have the bad ending be its own thing but we do need to mention the consequences). maybe somebody of the team Does try to grant oersteds wish before being held back or something. for similarities reasons I say oboro but this can be wiggled. anyway I also think around the actual Ending ending you'd get more than just one monologue from the mcs, you'd probably get more of like. an actual Conversation I guess? the mcs building off of each other's points to oersted? I dunno I'm spitballing here I do think it would Start Off with akira's ending though and then somebody scruffs him and continues off from there. I dunno the important thing is that everybody should get a word in or perhaps a hug in in the case of pogo. I think that's it though? I probably won't return to the plot device to show like another book being closed or whatever that is purely A Plot Device so it'd be weird to have it come back after oersted was Thoroughly Dead. I will say though if the live a live anime has an ED it's gotta have sin of odio in the A that's the law.
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