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#sequel??? hello???!!!
calmbigdipper · 8 months
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Hi Kid Icarus nation‼️
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thatfilthyanimal · 3 months
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Megamind Rules / Megamind Vs The Doom Syndicate is NOT made by AI
Listen y'all what we're NOT going to do is make shit up and accuse the writers of Megamind Rules / Megamind Vs The Doom Syndicate of using AI to make the scripts. I've been following them on twitter since before the show was even announced; they are against AI as it directly impacts their livelihoods and there was an entire team of writers for the show/movie. Just because you don't like the concept or animation isn't enough reason to just blatantly lie; Brent Simons, Alan Schoolcraft, Eric Fogel, and the rest of the team for sure put their hearts into it. It's not their fault they got such a small budget that makes it look crunchy. The Doom Syndicate were also ALWAYS a concept that existed; they were enemies removed from the original film late enough that they're all over the Art Of book and the 2010 video games. And YES Megamind is isolated and awkward, but the existence of the Doom Syndicate in his past is NOT impossible by any means-- it is entirely possible to feel absolutely alone in a large group of people that make you feel inferior or unsafe. When he said in the movie "it was me and Minion against the world" what he means is Minion was his main support growing up. It would be impossible to have no adults in his life even isolated in a prison, and other villains would absolutely be trying to use his smarts to their advantage. Again, just because the animation is crunchy is no reason to just make shit up and blame the writers of using AI; perhaps the AI is picking up that plot because THIS CONCEPT ALWAYS EXISTED and has fueled countless fanfiction and fan rp blogs that said AI models stole from. :) Thanks for playing!
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blindmagdalena · 2 years
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Say It
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18+ 5.2k homelander x f!reader, second person (no y/n), possessive behavior, dubious consent, mild torture (not of the reader), canon typical violence, psychological warfare, unhealthy relationship. AO3 link
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Homelander finds you in an empty hall with a man he doesn't recognize.
You don’t know the man either, and he doesn’t know who you are. That doesn’t stop him cornering you against a wall to ask your name and tell you about what good money he makes, about how good he’d treat you if you would just let him make use of that pretty mouth of yours.
If he knew who you were, he wouldn’t have done that in Vought Tower, even if the floor is supposedly empty, under construction. You certainly hadn’t thought anyone would be here.
“Well, hey there.” The sound of Homelander’s voice sends a sharp chill down your spine. Anyone else would hear the smile in his voice, but you know better. His jovial tone is a veneer, his smile is thin and stretched too wide. Your heart races. You want to be relieved, but you don’t know what he’s going to do. “What’s goin’ on here?”
“Nothing,” you race to say. The man leaning over you simultaneously stands up straight. His smile looks sincere, maybe even a little awed.
“Wow! Homelander, wow. Big fan!” He says, and you want to shake him. Yell at him to stay away. How does he not see it? Looking at Homelander, you don’t see America’s favorite hero. You see a wild animal without bars, shoulders squared, hands folded behind his back.
“Doesn’t look like nothing,” Homelander throws right back at you, his stare piercing. He hasn’t even acknowledged the man standing next to you. “Sure didn’t sound like nothing,” he says, and that’s when something begins to click with the man who’d cornered you.
Of course he heard everything. He’s The Homelander, and you belong to him.
“Nothing happened,” you correct yourself. You take solace in the idea that if he truly heard everything, he knows that. He heard your rebuffs. You haven’t done anything wrong.
Looking between you and where Homelander is blocking the hallway exit, the man gives a nervous chuckle. He’s finally picked up on the miasma-thick tension in the air. “Hey, listen, I don’t want to—“
“What were you going to do with it?” Homelander cuts in, the weight of his stare leaving you and landing squarely on the man. This man has no idea that he’s fighting for his life right now.
“What?”
“Her mouth,” Homelander answers, his smile still broad, teeth pearly white and sharp. “Let me guess. You wanna fuck it?”
The man’s own mouth hangs open, and he begins to fumble up a response, but Homelander lifts a finger, and starts closing the distance between them with slow steps, like a stalking tiger. “Ah, ah. C’mon. Let’s be real,” he says, voice low. “You wanted to fuck her mouth, right? I mean, I get it,” he says, voice fading off into a mirthless laugh. “I do it all the time.”
You feel your cheeks turn hot, your stomach churning. Beyond the humiliation, it’s like you aren’t even here. Just a useful object to be discussed.
“I didn’t know,” the man says, lifting his hands placatingly. “I didn’t touch her, I swear to god—“
Homelander takes hold of the man’s head and slams him against the wall so close to you, you feel the sleeve of his jacket brush your arm. You throw your hands over your mouth to muffle your own cry of surprise, pulling away from the wall with stumbling steps backwards.
The man looks delirious. His head is sunken back into the perfectly shaped indentation his skull has just made in the wall. “I don’t give a fuck what you swear to god,” Homelander hisses in his face. “You’re talking to me.”
“Don’t!” You plead, horrified. The sound of his skull cracking against that wall is still echoing in your mind. “Oh my god, please don’t kill him!”
“Oh, relax,” Homelander dismisses, laughing airily. It’s frightening how rapidly he can bounce between these moods, looking at you like you’re the one overreacting. “What’s wrong, were you enjoying yourself? Did you want him to fuck you?” He asks, tone remaining perfectly even, despite the way his jaw sets at the thought. His tone drops again, “Is that why you didn’t break his fucking nose?”
“No,” you answer immediately, mortified. “No, no, I didn’t want—“
“Say it. I want to hear you say it,” Homelander cuts you off, his palm pressed over the man’s mouth, muffling the gradually building sounds of distress. “Say ‘I wanted him to fuck me.‘“
You can hear the wall strain with the pressure Homelander is applying. The skin around where those red leather gloves press in has already begun to darken.
“Stop it!” You’re not above begging, but you know what he’s asking you to do. He’s setting you up for punishment. He will use this to justify whatever he deems necessary to keep you under his thumb. “Homelander, please—“
“Tick tock, tick tock,” he taunts, his smile curled up like a snarl. The man’s screams are dulled behind Homelander’s palm, but they’re loud in your ears. Veins are straining in his neck. His nose is covered, he can’t breathe. You’re not sure if he’s turning purple from that, or because of the building force Homelander is pressing against his face with. Homelander practically sings your name, dragging out each syllable. “You gonna let him die?”
A bone somewhere in the man’s face cracks, and it shatters something inside you.
“I wanted him to fuck me!” You sob, covering your ears, screwing your eyes shut. You don’t want to hear this man die. “I wanted him to fuck me! I wanted him to—“ 
Gloved hands close over top of yours. It’s not until you feel how steady and unyielding Homelander is that you realize how badly you’re shaking, each sob tearing through you. When you open your eyes, vision bleary through tears, Homelander’s expression is serene. Amused, even. His golden hair is backlit by the fluorescent bulb above, giving him an artificial halo. He’s beautiful, a perfectly manufactured angel.
Homelander gently pries your hands away from your ears. Even when he’s careful with you, his hands feel like thousand pound machines. Resistance is a joke. He makes that clear every day.
With your hands down, you hear now that he’s hushing you, his lips pursed slightly. He brings your hands down to your sides, and then places his hands on your shoulders. Your ears are ringing. The man is limp on the floor, but you can’t bring yourself to look at his face.
“Well…” Homelander begins, thoughtful. “No more wandering around empty floors, hmm? Next time you want some attention, you can just ask, you silly-billy,” he says, giving your shoulders a subtle little shake. His smile isn’t so thin anymore. He looks delighted.
You’re doing everything in your power just to breathe. You hear him purr a soft ’awwww’ as he pulls you in against his chest, the textured fabric of his suit pressed to your cheek. You know he likes you best like this. Tormented, fully at his mercy. He’s made it clear that you’re a plaything, but what’s important is that you’re his plaything.
Homelander strokes your hair. It’s gotten longer. He prefers it that way. His other hand is splayed firm against your lower back, but when you don’t reciprocate the affection, hands hanging limply at your sides, he does take a moment to lift each of your arms, wrapping them around his own middle before he returns his hands to their positions.
“You made a mistake, didn’t you?” He prompts, giving you an opening. You know that it’s a baited trap, but you nod anyway. You even hug him a little tighter, and you feel him lean into you when you do.
“And you’re gonna make it up to me, aren’t you?” He pushes further. You feel like there’s a giant knot in your stomach, balling up and getting heavier with each word he speaks. Your throat is too tight. You just nod again.
“Good,” he says. You can hear his grin. “There’s my good girl.”
Chapter 2
The first thing Homelander tells you to do is take a shower.
“I can still smell him on you,” he says derisively. “Make it snappy. And don’t bother getting dressed.”
This in and of itself isn’t uncommon. Homelander’s not exactly a germaphobe, but he is sensitive. He always wrinkles his nose when you’ve been around cigarette smoke or alcohol too long. You’ve started bathing daily, sometimes twice, just to abate his temper. He’s significantly more pleasant with you when you only smell of your clean vanilla soap and him. Almost kind. Sometimes you can lose yourself in those moments, and forget everything else. You can pretend he really is the hero, and that you’re both in love. Those are the times that you hold onto.
You keep the shower short for your own sake as much as his. You’re beginning to dread what’s waiting for you on the other side of the bathroom door, worrying that every moment you spend away, he’s making it worse. Beyond some incidental bruising, Homelander has never hurt you, he doesn’t need to do that. He even likes to make a point about calling men who beat their women cowardly.
You think that he also likes pretending he’s the hero.
Stepping out of the shower, you wrap a fluffy white towel around yourself. Even now, you swear you can feel the weight of his stare through the walls. He’s never been shy about the fact he watches you through the walls, sometimes through several floors of Vought Tower. It’s left you with a perpetual paranoia, making your every move careful and hyper aware. You brush your teeth for good measure, but otherwise don’t dally long.
When you open the bathroom door, he’s seated on the bed, hands on his knees, his gaze already perfectly at your eye level. You were right, he was watching. His lips spread slowly into a cheshire cat grin, the kind that highlights the lines at the corners of his eyes. He sniffs in a deep breath, and then exhales from his mouth. “That’s better,” he says, lifting a gloved hand to beckon you to him with two curling fingers. “C’mere.” You approach him steadily. The marble floors are cool beneath your feet, a stark contrast to the cozy rug that encircles Homelander’s bed. He stands once you’re within arms reach, putting his gloved hands on your hips to swap places with you, the backs of your legs brushing up against the edge of the bed.
Your hair is still dripping wet from the shower, droplets of water streaking down your arms. Homelander extends his hand out to you, palm facing up, and you already know what to do. You pull the glove off for him, watching briefly the way he flexes his bared fingers before you move to the other side, sliding off that glove as well. You turn around to set the gloves on the nightstand, but before you can turn back to face him, Homelander presses in behind you, bare hands curling around your upper arms.
Homelander blows faintly on your neck to change the trajectory of a drop of water, rolling it down your chest, where it disappears into the towel. You can hear the amusement in his little huff afterwards. You’ve noticed that it’s the little things for him; quiet moments of intimacy, of complete comfort in another person’s body.
You lean back against him, tilting your head out of his way. You feel his nose graze from the shell of your ear to the side of your throat as he breathes you in. “What was his name?” Homelander asks, his voice a low rumble in your ear.
“I don’t know,” you answer, closing your eyes. You hear Homelander sigh like he’s disappointed, and he turns you around to face him. You open your eyes, but the expression you’re met with isn’t what you expected. Homelander’s eyes are half-lidded, pupils dilated, his lips slightly parted. Where you had expected to see impatience or irritation, there is only heat. Homelander gives a thoughtful hum, moving his hands from your arms. He untucks where you have fastened your towel, and peels it away from your body, exposing you properly. The towel falls to the ground in a heap, and his gaze drifts slowly down, evaluating you. You can hear the dry click of his mouth opening as he says, “You really oughta know the names of the guys you’re fuckin’."
Your lips part, words delayed by bewilderment. “I do. I never fucked that man. I’ve never even—” “Sssshhhh.” Homelander lifts a hand and uses his thumb to caress your nipple in slow circles, coaxing it erect. Goosebumps erupt across your chest, all the way down your legs. He brings his opposite hand up to do the same on the other side, watching with rapt attention. He’s always had a fascination with your more involuntary reactions, teasing your body into responding to him. It’s working. You can already feel a faint pulse between your legs. You keep your focus on his face, your lips pressed tightly together.
Homelander cups both breasts, stroking his thumbs along the tops of them, massaging lightly. There’s something almost clinical about it, despite the intimate familiarity, as if he’s examining you. You make a noise before you can stop yourself, a tight little whimper that escapes the back of your throat.
Predatorily, his gaze snaps up sharp to your face. The corner of his mouth twitches in several almost-smiles, like he can’t quite decide, before settling back into a neutral line. He looks back down at your breasts, and his hands move further down, along your ribs. He pauses there, squeezing in a way that makes your breath hitch. The gesture feels like a reminder that he could break you in half if he wanted to. “Alright. Go ahead,” he prompts, smoothing his hands further down your body. They settle on your hips, where his thumbs press in right at your hip bones, anchoring his grip. He looks back up at you, expectant. “Name them.” You swallow the lump in your throat. “You.”
“I said name them ,” he snaps, voice dropping to a near growl. His thumbs dig hard into your hips and you gasp at the sudden pain, grabbing reflexively at his wrists. His grip on you is infuriatingly gentle, and yet the power in just the press of his thumbs is enough to have you keeling into him. “Say it.” “Homelander!” You cry out, pushing down as hard as you can on his wrists. You might as well be trying to pry a steel vice away. “Just you, it’s only you, Homel–” Homelander swallows the word right off your tongue, kissing you with a fervency that steals the air from your lungs. His thumbs ease up and you suck in a breath of relief through your nose, your grip on his wrists becoming less desperate in turn. Finally, you understand fully what he wants from you. He lets go of your hips so that he can grab hold of your face, leaving a dull ache pulsing where his thumbs had dug in.
“You’re the only one,” you manage to say, slipping in each word between the hungry presses of his lips. Your words only spur him on, make his kisses more feverish. He wants assurance, you realize. To be wanted. “The only one I want.” You’re right. Homelander makes a sound like you’ve wounded him, exhaling a sharp breath against your lips through his gritted teeth. There’s a neediness to the way he holds you, his fingers tangling in your wet hair, pressing his forehead to yours. “More.” Your heart is racing. “I want you. I need you,” you tell him, stressing each word. He groans low in the back of his throat and relinquishes his hold on your face, dropping his hands down to hurriedly unclasp his golden belt. He lets the accessory hit the ground with a thud.
“Don’t stop,” he grits out. You hear the harsh hiss of him yank down the zipper of his pants, and then he’s taking hold of your hand, wrapping it firmly around the length of his cock, closing his own hand over top of yours. He sets the pace immediately, practically using your hand to jerk himself off.
“I–I want you,” you fumble, trying to focus on what he wants to hear from you, and not the way you can feel his cock growing harder in your hand. You wrack your brain for something, anything. “No one makes me– makes me feel the way you do.” “No one,” he rasps, his hand coming up to the back of your neck, pulling you in for another bruising kiss. You open easily when he pushes his tongue into your mouth, licking up the fresh mint taste of you. “I’d rip out their fucking spine.”
With every stroke of your hand, you feel more wetness spread from the head of his cock. He’s fully hard now. You yelp when he abruptly pulls your hand away and pushes you back onto the bed, your legs hanging off the edge. You get up on your elbows and try to move yourself backwards, but he snatches hold of your ankle and effortlessly pulls you right back to the edge of the bed, back to him. “Keep talking.” It sounds equal parts like a warning and a plea, like he’s barely keeping himself together. “You want me to fuck you.”
“I want you to fuck me,” you echo without hesitation, wide-eyed and breathless. “I want you to be mine. You be mine, I’ll be yours.” The corners of his mouth twitch, and you see his tongue roll along his top teeth, over those pronounced canines, like the fangs of a wolf. He moves in between your legs and descends over you, kissing you while grabbing hold of both of your legs, hiking them up around his waist. In your addled mind, you wonder for a moment how he’s managing this, before you remember he can fly . He starts kissing your neck, trailing a line down to your collarbone.
“Mine,” he murmurs. “Yours,” you answer. “Yours.” “Mine.” He’s at your chest now, brushing his lips along the swell of your breasts. Almost tentatively, he flicks his tongue out along your nipple, making you jump. His eyes flicker up to yours, devilish, and he holds your stare as he sucks you into his mouth, swirling his tongue in rhythmic patterns. You bring both hands up to grab hold of his hair, exhaling a harsh breath, the heat of his mouth intense. His eyes eventually flutter closed. Between your legs, you feel his cock prod, eventually settling in the crease of your thigh, where he begins to rock back and forth, smearing his precome.
You gasp when he grazes you with his teeth, and reflexively yank his hair. That earns you a sharp look up through his lashes, though his pupils are blown black, and he doesn’t actually seem to mind much. He just nuzzles back in against you, minding his teeth and sucking like you might develop something to yield. You reward his gentleness by pushing your hand through his hair, scratching along his scalp with your nails. He rumbles at that, and you take that as encouragement to keep going, watching as his eyes fall shut. You’re just starting to get sore when he switches breasts, leaving you cold on one side and swallowed by a sudden heat on the other. Meanwhile, two fingers press in between your legs without warning. Your whole body jolts, and you feel him smile against your chest. His index and middle finger are swirling circles on your clit, his hands softer than any you’ve ever known, impervious to scars or calluses.
Homelander uses his middle finger first, breaching you in a smooth, albeit impatient glide all the way down to his knuckle. Even the way he fingers you is needy, thrusting his hand back and forth to open you up as quickly as possible, demanding you make the space for him. He adds a second finger and you start rolling your hips, meeting each thrust of his hand. He makes another pleased noise at that. “Feels good,” you tell him. If he likes when you talk, you're going to talk. “ You feel good inside me.”
His eyes open at that, and he lifts off your breast with a wet noise, withdrawing his fingers. You think for a second that he’s done with that, but instead you watch as he lifts those slick fingers to his lips, and sucks three of them knuckle-deep into his mouth, wetting them generously with his tongue. Your stomach flips at the sight, at the shameless way he laps up the taste of you. You can smell yourself on his fingers, and now on his lips. Homelander pulls his fingers out with an obscene slurp, and immediately returns them to your cunt, pushing all three inside. You moan with it, a chill shocking up your spine. Without thinking, you fist your hand tight in his hair and kiss him hard, wringing a noise from his throat that sounds suspiciously close to a whimper. He reciprocates readily, fucking his tongue into your mouth in time with his fingers pumping in and out of you.
You suck the taste of yourself from his tongue. He curls his fingers and gives you his thumb to grind your clit against. You wonder briefly who taught him to finger like this, but the thought disappears as quickly as it had appeared. He shifts his fingers just right and hits a spot inside you that makes you moan loud against his lips. “There, right there, don’t stop,” you keen, feeling an exquisite pressure building low in your belly, stemming from where his thumb is slipping wetly against your clit. He obeys effortlessly, maintaining the exact same pace without so much as a stutter. He’s relentless, his endurance inhuman. When you meet his stare, the intensity in his eyes borders on terrifying. He’s not even grinding against you anymore, focused wholly on taking you apart, feeling you dissolve around his fingers.
“I’m going to make you come,” he breathes, barely above a whisper. You nod fervently, lips parted on shallow breaths, but that’s not enough for him. “ I’m going to make you come,” he says again, voice sharper now, words pushed through gritted teeth. “You’re going to make me come!” You assure him, remembering yourself through the haze of your steadily building climax. “Homelander, I’m going to– you’re making me come! Homelander! Homelander! ”  Your voice crescendos into a scream as your orgasm hits. Your eyes shut, but you snap them back open when you feel a hand on your throat, strong fingers giving a brief squeeze.
“Look at me,” Homelander snarls, teeth bared. “You fucking look at me.” You do. Every breath you take sounds like a whimper, wave after wave of pleasure rolling through you. His fingers feel bigger, heavier inside you, but it’s just the way your cunt tightens around them, quivering. Your hips are still, but he hasn’t stopped moving his fingers. Your pleasure dissolves into sensitivity.
“T-too much,” you tell him, squeezing your knees in on either side of him. That finally snaps him out of it, and his hand stops abruptly. His eyes flicker back and forth between rapid blinks, examining your face. His jaw is tight. You can still feel his hard cock throbbing against your thigh. He withdraws his hand, and you keenly feel the emptiness he leaves in his wake. Homelander takes his hand from your throat and settles it on the bed next to your head. You finally feel his weight sink the mattress down around you as he drops fully from his hover, landing on his shins. He puts his hands on your knees as he sits upright and spreads your legs wide, staring down at his own handiwork. When he glances up at you, his expression is expectant.
Breathing hard, you already know what he wants. You know that he’s not seeking permission, he doesn’t need that. He needs you to want him. Say it. “I want you to fuck me,” you tell him, slipping your hand down between your legs. Spreading two fingers, you open yourself to him. Your heart is thudding wildly in your chest, your body still coming down from the high of your orgasm. His eyes drop to your presentation, and his lips draw back around his teeth like he’s ready to devour you. “Please. Please f–” The ‘please’ must hit him particularly hard. You don’t even get the chance to finish your sentence. You choke on your own words when the fat, slick head of his cock pushes into you with ease. It’s free of friction, but no less a shock, splitting you wide open.
You throw your head back with a breathy cry, grounding yourself by pressing your feet to the bed. He grabs you by the hips, and pulls your lower half slowly into his lap. He enters you now the same way he did with his fingers– a single unrelenting slide until you feel him bottom out. The thatch of hair at his groin presses firmly to yours. He’s girthy, and long enough to touch the deepest parts of you. You try to breathe deeply, but you feel stuffed too full of him to get in a proper breath.
You’re not the only one affected. Homelander’s brows are knitted tightly together, eyes screwed shut, and if you didn’t know better, you’d think him angry. He’s exhaling each breath through his teeth, inhaling through his nose. You can see the strain in his expression, but you know it isn’t from exertion. It’s restraint. He wants to fuck you, not shatter your pelvis. You reach out to gently touch the side of his face, thumb caressing the wrinkles at the corners of his eye. When his eyes open, you’re shocked to see they’re glassy.
He looks stricken, leaning his weight into your palm. His expression is vulnerable enough that he triggers in you an overwhelming urge to comfort him. You hush him softly, thumb delicately stroking the high of his cheek. “It’s okay,” you say, immediately bringing your other hand up to the opposite side of his face, cradling him between your palms. “Good. You’re doing good. Feels so good,” you praise, unsure if you’re helping or hurting his cause. He lets go a frayed breath, pushing into both of your hands now. Luckily for your pelvis, you think it’s helping. He begins to move in earnest, grinding into you with slow, shallow rolls of his hips. Gradually, he begins to build momentum, thrusts becoming longer, deeper. He never takes his eyes off you, instead looking at you like you’re the only thing holding him together.
As Homelander moves, pleasure begins building back up in you. He moves in close to kiss you, and you welcome him. You push your hands up into his hair and cradle him against your lips, coaxing him to move his mouth more freely against yours. You try to ease the tension from him, but you can still hear in his breathing how he’s struggling. “Homelander,” you murmur, nails soothing along his scalp. “That’s it. That’s so good… You fuck me so good. You’re gonna make me come again,” you tell him, voice hitching precariously. He groans against your lips, and suddenly he’s pulling away from you, lifting himself upright, leaving your hands empty.
Taking hold of your legs, Homelander hikes them up over his shoulders. He practically bends you in half when he pushes back close to you, hands falling to the bed on either side of you, just above your shoulders. The position brings him even deeper, and the shift in angle makes you see stars. “Oh, fuck!” You gasp, dropping your hands to twist them up in the bedding below. You know he’s still holding back, but that doesn’t change the fact that he’s fucking you better than any purely human man could hope to. The sound of flesh hitting flesh is loud in your ears. The pressure that had begun building back up is suddenly spiking, each snap of his hips like the strike of a match.
Homelander hisses your name like it’s an expletive. He’s unraveling inside you, moving with speed in place of force to keep himself from breaking you. “Touch me,” he says, but all the bite is gone from his bark. He sounds wrecked, desperate for it. You oblige him, bringing your hand back to his face, tangling the other in his disheveled hair. You touch his bottom lip with your thumb, and he surprises you again when he immediately takes it into his mouth, sucking fiercely at it. It makes your stomach flip. You lick your own lips, fixated on the way his are closed around your thumb while his eyes remain focused solely on you. Each thrust punches these breathy little sounds from you. You know in the morning you’ll be battered and sore from your hips to your cervix, but you can’t bring yourself to care. You’re at his mercy, and for once, he’s at yours. Still sensitive from your first orgasm, you can’t catch your breath. Every grind of his hips hurls you closer to another eruption.
“Yes, yes , fuck yes, fuck me. Make me come on your cock, you’re so good, good boy, fuck me so fucking–” You don’t get the chance to finish the thought. Your mouth falls open on a silent scream, your whole body seizing on an orgasm that hits you harder than any you’ve felt before. Your vision goes to white. Homelander isn’t far behind you. He thrusts a handful more times before he’s lost to the vice-like grip of your orgasm, your cunt milking him for absolutely everything he’s worth. You only vaguely feel him relinquish your thumb and bury his face into the crook of your neck. You’re far more keenly aware of the spill of him inside you, liquid heat that borders on burning. It spreads through you like molten metal, harboring the same heaviness. The two of you stay like that for what could be hours or seconds, you don’t know. Homelander has at least enough thought to lower your legs. He lays himself right back down against you, resting his head on your chest, between your breasts. He’s a solid weight atop you, and each breath feels hard fought.
You feel like you’ve just run a marathon. He moves again, but only to snake his arms around your waist, nuzzling against your breastbone. You muster the energy to move your hand to his face, where you can feel a wet streak down his cheek. Tears?
Shaken, you move your other hand to the back of his head, cradling him against your chest. You stare dazedly at the ceiling, unable to properly process everything that just happened. Embracing him like this, you think you better understand the story of Icarus, and why he was so compelled to fly to the sun, even as it scorched him.
There is an inexplicable feeling that comes along with holding close something that burns so hot.
“I love you,” Homelander murmurs against your skin, words slightly slurred in the hazy afterglow of his pleasure. He doesn’t need to prompt you this time. “I love you, too.”
Chapter 3
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literary-heights · 1 year
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ok hear me out because imagine shen yuan ever so slightly making the changes over the course of years because he doesn't want to be suspicious
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galecstatic · 9 months
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"ends up being a spoiler one day" CASEY WHAT DO YOU MEAN
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lesbiradshaw · 11 months
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bradley giving jake the call sign hangman and saying he’ll lead someone to an early grave only for jake to chase after and end up killing to protect him later is actually so poetic in the sense that it displays the development in their relationship from rivals that view each other as liabilities because of their respective flaws/weaknesses to wingmen that have mutual respect for one another and can see that their differences are actually complimentary to them working as a team.
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starshine-valley · 7 months
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“Kanade! How’s your brown haired girlfriend doing?”
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Which one?
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shinakazami1 · 3 months
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BL3: Moxxi's Heist of the Handsome Jackpot - notes on Timothy + theories
Ok this is more of me just trying to take notes on his character for some future projects in one place ohisafiosfa
1) Timothy's behaviour and appearance
a) Introducing with his name
In Pre-Sequel, Timothy is established to have a face bomb that prevents him from saying his name. When he gets to Roland, he also says his name rhymes with Jimothy.
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But in BL3, he just... introduces himself?
"But my name is just Timothy."
During the DLC, he mentions that his face-bomb stops him from escaping the casino. My best bet is that the face bomb got reprogrammed and can have a limited amount of conditions that might cause it to blow up.
b) Injected with Jack's DNA...or is he
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Timothy is the reason why we believe the body doubles (or at least Tim) has Jack's DNA in them, causing them to talk like him.
"Follow this fine ass! Uh, god."
But as we see the body double in BL2, some get voice lines to say to seem Jack. (BTW I really love @kolbasos ' headcanon that Timothy is the only doppelganger that got plastic surgery).
To me, Timothy was onlymade to believe that DNA thing (as DNA shouldn't have behavioral traits in them), just like he was made to believe he was branded with the Vault mark (headcanon taken from @kitkat578 ).
Kit noticed that if Timothy had the same Vault mark as Jack, we would see it through the crack in the mask. Yet it's just not there!! Not a single blue tint anywhere on that skin!
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Like, even Customer 1345 has some more resembling of that mark than him. The marks could possibly be just afterdoing when people find out Jack is dead and thus the guy just got the marks which even more makes it weird that we can't see Timothy's mark.
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It is plausible that the amnestic anaesthetic mentioned in Pre Sequel tapes is a bit of a key. Timothy might not remember every single operation well enough or might have memories scrapped, so he just has some lies surrounding those moments.
Vault Mark seems like something Jack wouldn't want people to know about - that's why he has the mask, duh. But Timothy knows about it anyway. It's possible that he had some surgery to get the mask hinges on him, and was told he also got the mark just so he would resent Lilith and everybody connected to her.
With the DNA part - I think it's supposed to serve as motivation. Timothy was shit at acting as Jack in Pre-Sequel. Most people knew he wasn't Jack, he even introduced himself as not-Jack, during Space Slam and most people refer to him as Vault Hunter. It's really rare for him to act as the dude he is paid to act as. I think this lie was either told to him or he made it up, as he started at some point to say and think like Jack more. Even if he hates it, giving himself an excuse for it could help him get more and more into the role, or he would talk way more often like Jack.
c) Swearing
A thing that seems to be very silly about Borderlands series is its relationship with cursing. Handsome Jack is a great example of it- he doesn't like some curses. It's why Angel seems to hlt herself sometimes before cursing. Mr. Torgue has a censor wired to his voicebox due to the shareholders so, maybe Jack wants to keep those happy, too.
Timothy seems to be weirded out to being able to say "asshole" instead of a-hole, when referring to Pretty Boy. It's possibly either a voice modulator censorship or another face bomb thing that just like his name, got reprogrammed to only not letting him out.
He gets so happy he says it two times in a row foahissioa (also off top but his planning skills seem to match Rhys' <3)
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2) Moxxi
a) Moxxi seems not to trust Timothy. It may be just due to him working for Handsome Jack for so many years. If there is some other reason though, feel free to tell me :0c
b) Date
Timothy mentions that when Jack got "mega-rich", Jack wanted to win Moxxi back, so Timothy went on a date with her. The issue I have with it, however, is when this date could have taken place.
In Pre-Sequel, when we meet Moxxi for the first time, Timothy says this:
"Holy shi-- hi! I'm uh -- Jack. Obviously. And I need your help. Are you SURE we're not dating? -- Wow!"
Due to his reaction, it feels as if this was really their first meeting. But there are only points in the story where the date could have canonically taken place:
Before Pre-Sequel (I think already after wife's death due to Jack's possible bad behaviour in the break up):
For: - Jack had just gotten rich enough to try to get Moxxi back. - Timothy's reaction can be like this due to just the outfit. Moxxi went on the date just due to hunger so she could have dressed more casually (just like in her garage outfit). - Timothy also at one point asks her to marry him. Iif they already had this date, it would also be an aftereffect to knowing each other better.
Against: - This dialogue really feels like their first meeting. - Timothy seems so focused on getting that second date in-game that it feels like it was their last meeting. But it's not a strong point, since it might just be him wanting to get a second date, who knows.
Before BL2:
For: - Jack got even richer. - They already knew each other so she would know that the body double she is spending time with is Timothy. - This moment could potentially strengthen his crush on her after she tried to destroy Jack in Pre-Sequel, esp since this would mean Timothy also would have died
Against: - Jack doesn't seem like a guy who would want a relationship with someone who tried to kill him ohsoai and he was already getting with Nisha - Jack has a part in the casino called "Foxxxi's" - which shows just how much he dislikes her.
While before Pre-Sequel makes sense, both options are plausible.
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thetomorrowshow · 3 months
Text
took turns a-starin'
shout out to the comment that told Jimmy to get here right now bc his fiance is really sad. sorry
cw: graphic depictions of violence
~
The current pulls him, further and further . . . he doesn't want to go with it, he thinks, yet he floats along, the water cool and cleansing over his many wounds.
He doesn't want to go.
He flails as he falls, reaching out for something, for anything, falling and falling, the dark water growing ever closer below—
He's floating—
He's falling—
He hits it with a crash—
Scott wakes with a gasp of breath.
Something is missing.
What's missing? How can something be missing? He needs to find it, he needs to follow—
He tries to sit up and immediately feels the consequences, his breath stolen in a gasp of pain. His entire body hurts like a boulder fell on him, which wouldn't be good in any circumstance, but he can't really recall being underneath any boulders recently.
The odd feeling that something is missing remains (it's as if. . . .), but Scott pushes it away, takes in a deep breath.
Right. What . . . what happened?
He grits his teeth, gathers what strength he can find and properly sits up, blinking back the fuzzy blackness that envelops his vision.
Dear Aeor, everything hurts. What did he do, fall off a cliff?
He sits there for a moment, just breathing through it. His left wing is asleep, filled with pins and needles. His right wing must be caught up in some blankets or something, because he can't move it, something binding it to his back. His entire body is sore, his head pounding, his throat and nostrils raw, his limbs aching. He's hungry, too, he notices after a moment. Did he not eat anything for supper?
And that, really, is when Scott realizes that he isn't in his bedroom.
This isn't his bed—it feels like a wooden cot, creaking and stretching under him. His blanket is coarse, pillow naught but another blanket bundled up.
The floor is grass, the walls of whatever hut he's in seem to be made of leaves and branches as his eyes adjust to the low level of light, uneven slats between branches letting in sunlight from outside. It doesn't have a door, either, just vines hanging down one side instead of a wall.
Scott slides off of the cot, his legs almost too weak to keep him up. He steadies himself against the low cot (half bent-over, not quite enough room to stand tall) as his vision once again goes black.
Where is he?
The last thing he remembers—
The last thing he remembers is dying.
Losing against Xornoth, his body burned and broken, Rivendell surrendering to the demon because Scott failed—
"I'm dead," he whispers, wrapping his arms around himself, his vision returning in blurred pulses. "I'm—I died, I fell off the cliff and died, I—"
Is this the afterlife? A hut made of branches on the grass?
Scott limps toward the vine curtain. It feels like his knee got injured again (it feels like his legs are stumps of aching wood), just like it did when he was in the dungeon and fWhip kicked it, and if this is the afterlife shouldn't his body be healed?
He draws the vines to the side, his hand trembling, and steps out into the sunlight.
This is a proper camp, he notices first of all, shielding his eyes from the sun. There are several more huts made of tree branches, and plenty of tents and lean-tos set up. People mill about, cooking over open fires between tents, sharpening weapons, scraping at animal skins. A child sprints by in front of him, bare feet pounding against the ground, another child not far behind.
They look. . . .
They look, for the most part, like Cod. There's a couple of people here and there who clearly aren't—they lack the distinctive scales and fins, but they don't seem out of place, cooking and eating and working with the rest of them.
The camp is set up in the clearing of—of a swampy forest, it looks like. There are small pools of murky water here and there, the leaves of the trees hanging low and weighed down with vines. The camp stretches far, too far to properly tell where it ends, and Scott finds himself wondering just how many people are here.
"Oh! You're awake!"
Scott turns to find a teenage girl beside him, earfins flicking curiously. She's clearly Cod, scales spreading outward from her nose like freckles and mousy brown hair pulled into an intricate braid, and she smiles brightly at him.
"Don't tell him I wasn't with you when you woke up, okay? I'll go get him."
And with that, she walks away, leaving Scott to flounder for a moment before deciding to follow her.
Walking is absolutely not his strong suit right now—which would make sense, he was thrown off a cliff—but he limps behind her, doing his best not to lose her.
She weaves between a group sharing out bowls of some sort of porridge—Scott's stomach growls—then past four or five children drawing with sticks in the dirt.
Scott goes to sweep his hair out of his eyes, only to find it already pulled back—into a braid, and feeling with his fingers he can't even tell which sections of his hair are tied into which. He doesn't have very long hair, but it's somehow been so well done that there aren't any loose strands.
Who braided his hair?
And whoever had hadn't washed it first, he notices, wiping a bit of grime from his hand on whatever it is he's wearing—and at least that's familiar, torn and dirty black mourning clothes. Not that he expects someone to wash his hair while he's unconscious. That would be odd.
How long has he been unconscious? How was he so out of it that even braiding his hair didn't wake him?
How is he alive?
He can't be alive. He shouldn't be alive. He died, didn't he?
The girl gets fairly far ahead, but she pauses, talking to an elderly man for a moment, who points to the left. She follows his pointed finger, and Scott follows her.
It comes to his attention that he doesn't really know who he's being led to. He could be a prisoner here and have no idea, this could be his death.
If he isn't already dead, that is.
He's still unclear on that front.
And then the girl goes around a tent, and Scott goes around it as well, and there's a circle of Cod there, pointing at a map and talking and planning something, presumably.
And Scott sees—
His jaw drops.
No.
This isn't—it isn't possible, it can't be—
Right there—on the other side of the circle, frowning a little bit, scratching at the beard that he hadn't had before—
Jimmy.
Beautiful, perfect Jimmy.
He looks different. He has a beard, for one—not at all long or very thick, but not patchy either, short and even. His hair is a bit longer than Scott remembers, pushed back behind his ears—one of which is half missing, part of the fin cut cleanly off. There's a sword strapped onto his back, the hilt visible above his shoulder.
He looks the same, though. That's his sharp jawline, that's his golden hair (lighter than it was last time he saw it, he knows that somehow, he can tell that Jimmy's been out on the sun), that's the way his brow furrows when he's trying to figure out a problem, it's Jimmy through and through in all the intimate ways that Scott knows him and it can't be.
It's Jimmy. It's really him.
Jimmy's dead. Jimmy was killed by Mythland, buried in a mass grave, the Codlands fallen under Sausage's rule. That isn't him. That can't be him.
Then Jimmy looks up, his eyes (and he sees, wavering in and out, desperate and beautiful brown eyes) meeting Scott's.
"You're awake!" he says, crossing over to him in a couple of long strides, as the people behind him fall back into conversation.
Jimmy.
Jimmy is coming very very close to him, very very quickly.
He takes Scott by the hands, and Scott pulls away at his burning touch, he hasn't been touched in over a month, not in any sort of tenderness, he doesn't know how to handle it—he almost falls over backward, his stomach swooping as his legs are too weak to account for pulling away—and in a smooth action, Jimmy catches him around the waist, sets him back upright.
Scott can only blink at him.
"Hey," Jimmy says softly. "Let's get you back to your bed, all right? We can get you something to eat, and . . . and I'll explain."
There's a lot of explaining for him to do. Scott's honestly almost convinced that he really did die, despite his pain, because Jimmy's dead, and if Jimmy's dead and he's with Jimmy, he's dead too.
But he follows Jimmy back down the same path the girl had taken, bare feet stumbling and body numb.
Jimmy stops in front of a pot of whatever the porridge is that Scott had seen earlier and scoops up a bowl of it. Scott watches, watches his arm move, watches the way his back stiffens when he bends over, then straightens as he stands, the sword strapped there shifting ever so slightly.
This can't be real. None of this can be real. It's been a month—it's been longer than a month, he thinks, since they got the news that Jimmy was dead and he would have to go on without his betrothed, and every morning was a struggle to get out of his lonely bed and every day was a struggle to not break down in front of everyone and every night he cried himself to sleep and Jimmy's just here.
It can't be real.
That pain can't be for nothing.
Jimmy draws back the vine curtain of the hut when they arrive, loops it up on a handy twig above the doorway to keep it open. Then he sits on the edge of the cot, pats the space beside him.
Scott sits. He can't help but stare at Jimmy—he thinks it's Jimmy, and not some trick. Why would a trick add a beard, or bother to lengthen his hair that little bit? The scars where his scales had been (tugged out by the pull of the Void in the End) glimmer here and there, and as Scott looks closer, he realizes that new scales are beginning to push through the scar tissue.
A trick wouldn't give him that.
This can't be real.
Jimmy sets the bowl in Scott's hands, warmth spreading to them near-instantly. "We don't have very many spoons, sorry," he apologizes. "I'll whittle you one if I get a free moment."
With no other way to react, Scott raises the bowl to his lips and drinks.
It's different than he expects—he doesn't recognize the grain, something a bit chunkier than he anticipated, and it's savory, likely flavored with boiled-down fat. Scott can't tell if it's meant to be a breakfast or a supper, and he doesn't really like the slight chewiness, but it's warm and feels good on his throat and in his empty stomach.
This can't be real.
How is any of this real?
"I really missed you, Scott," Jimmy says quietly after a moment, and Scott starts. He hadn't forgotten that Jimmy was there, per se, but he hadn't quite made up his mind about whether or not he was a hallucination. "I wanted to go to you, but . . . it wasn't time yet."
Time yet? Time for what? It wasn't time for his fiancé to contact him to let him know that he wasn't dead?
Unless they're both dead. And this is the afterlife. 
But the longer Scott is awake, the less it feels like the afterlife.
"It's difficult to explain," Jimmy says when Scott doesn't respond. "But I've been out here for a while, now. We're leading a rebellion against Mythland, actually. We have a whole system going—fighters, spies, people who have volunteered to stay in the towns to ferry out runaways. We just launched an attack last week that got us fifty new rebels, actually, it was huge. It did kind of give away that we aren't just a little group of refugees, but some sort of organized force, but we couldn't keep totally hidden for long. I mean, we have almost a hundred able fighters, and—"
"You died," Scott interrupts, his voice a croak. "Sorry, but—you died. I can't—how?"
Jimmy bites his lip, one hand twisting his trousers. "It's a long story."
He doesn't look at Scott. He doesn't even look at him.
Scott takes another sip of the porridge, barely managing to swallow around the lump in his throat. His eyes are burning, tears welling up. Jimmy was dead. Jimmy was dead, people saw him die, he—this isn't something that can be explained away!
"Tell it, then."
Jimmy looks at him, now—straight in the eye, and Scott never thought he'd see those beautiful brown eyes again—
"Okay."
-
Jimmy's shaking.
He can't stop, even as Pix gets a fire going. Even as Pix drapes a blanket over his shoulders. Even as Pix puts a cup of something warm in his hand.
"Does it still hurt?"
Jimmy nods. Of course it still hurts, he was stabbed several times and he died and he doesn't know how he's here—
"Well, you woke yourself up fairly well, so it should heal quickly," Pix tells him. "Drink that. You'll feel better."
No, he won't. He can still feel the steel parting his flesh, the cold grasp of death, the blurriness and the fuzziness and he died—
He wants to know how Pix is here. How Pix knew what to do. How he isn't actively dead.
But he can't make himself speak. He can't find the strength to open his mouth.
Pix takes the blanket away with a word of warning, lightly touches his upper back, right around the stab wound.
Jimmy flinches forward, whimpers when the movement sends jolts of pain down his entire abdomen, following the path that he can so vividly remember the sword taking in his body.
"Sorry," Pix mumbles, but doesn't pull his hands away, tracing around the wound and down his back.
It hurts. It hurts to touch, it hurts to move, he shouldn't be conscious let alone alive, all he knows is that some force beyond himself had given him the strength to heave himself out of the pile of bloated bodies and stumble out of town, walking through endless blurred fields until Pix appeared beside him and supported him with an arm around his waist, led him into a cove of trees.
And more than anything, it hurts.
"Do you need water to heal?" Pix asks, a clear frown in his voice, and Jimmy has no idea how to answer that. Water to heal? Heal how?
He just stays still, staring into the fire.
He should be dead. He was dead. Why isn't he dead? Why isn't he dead?
He's still shaking. He's cold, he hasn't stopped being cold since he died, he didn't die because he's still here but he died—
"Drink that," admonishes Pix, setting the blanket back on him. "You nearly died, you need your strength."
"I did die," Jimmy manages, too-loud, too-loud in his echoing, stinging ear. "I—I died, I don't—"
"Not quite," Pix corrects, sitting cross-legged on the ground before Jimmy. "Your flame certainly flickered out a few times, but I kept the embers alive. Long enough that you began to heal."
That doesn't make sense. That isn't how the body works, Jimmy shouldn't have healed at all, he was dead—and how would Pix know any of this?
Pix shifts, frowns. "You've seen the Candles of Pixandria, yes?"
He has. Pix brought him there once, three or four years ago. A seemingly endless cave under the desert, filled with candles, a dry fountain at the center with a special candle set out for each of the emperors.
"They represent the lives of all of the people of the Empires," Pix says, and Jimmy vaguely remembers him saying that before. "When a candle goes out, that life has passed on."
"How do the candles get there?" Jimmy finds himself whispering—more to distract himself than anything else, he doesn't really have the interest, everything just hurts and he can't bear to think about it any longer.
"A good question," Pix says. "I put them there. And when it is time for a person to pass on, I put out the flame. Think of me as a . . . steward. And I have been watching your candle all day and night, fanning the embers, coaxing it into holding on."
Embers. So his candle had gone out. He had died. Or—or almost died, maybe? 
He tries to take a deep breath, bites his lip to keep a noise from escaping when his insides scream in pain. He was stabbed in the shoulder, the blade missing bone and slicing through the muscle and tendons there; his ear was partly chopped off; his thigh was slashed open, cutting a major artery and sending his blood spewing everywhere; he was skewered by a sword, going in just below his shoulder and all the way down his body, passing down through his ribcage, piercing all sorts of vital organs in its path. Short of slitting his throat, all that could be done to kill him had been done.
And it all still hurts. His left arm is still mostly useless; his ear stings and all sound on his left side echoes oddly; his thigh still bleeds sluggishly against his drying trousers; he can feel that his organs definitely aren't doing well. He's probably bleeding internally, actually. That would explain the throbbing pain in his stomach, the coppery taste in his mouth.
It doesn't feel like it's getting any better from when he was killed. It almost—it definitely feels worse, the aching cold beginning to bite.
"Drink that," Pix tells him a third time. "It's just broth, with some herbs for pain. You can have a healing potion once your innards properly begin to heal on their own."
Jimmy would drink it, but he thinks he might throw up said innards if he lets anything into his injured stomach right now.
He shakes his head just the slightest bit. "Can't," he forces out between gritted teeth as another wave of pain hits. "Hurts."
"It's going to hurt, but you need to continue healing. This should help take some of the sting away, give you a bit of warmth."
Right, then. He should probably try to drink it. He owes that to Pix, who apparently somehow saved him.
But as he goes to lift the mug to his lips, it slips from his trembling fingers and falls to the ground, spilling hot broth all over his waterlogged boots.
Pix is saying something, picking up the mug, but Jimmy doesn't hear it. He just stares down at the ground where the broth is soaking into the earth and tries not to cry.
It all hurts so bad. He can barely even think. He shouldn't be alive.
He shouldn't be alive, clinging to this painful not-quite-life, it's a disservice to keep him alive at this point and he just wants to lie down—let the cold take him again—
"—Jimmy? Jimmy? Right, I'm going to pick you up, and we're going to find you some water."
Then there's arms around him, lifting him up, and Jimmy can't hold back the cry of pain as his insides slosh together unpleasantly.
"Shh," a voice soothes. "Sorry if I drop you—I'm sure Scott can lift you just fine, six-foot-something elf and all that—but those of us not quite there might struggle—"
Scott.
Jimmy really, really wants Scott. Just to hold his hand while he drifts off. Just to be here. Just to love him in his last moments.
And then, before he can fully give in to the darkness, head slumping and eyes fluttering shut, he's laid carefully in water.
His gills flap open and Jimmy sighs a little, relaxing into the soothing hold of the water. It feels nice, so very nice against his wounds, cold but not in the way that the darkness is cold—caring, homey, like Scott, like Lizzie.
His head tilts back, pressing into the mud a bit. Last time he got mud in his hair, Scott was jokingly annoyed. He had sighed and shaken his head and clearly tried not to laugh.
He misses Scott.
It hurts less, now. Jimmy opens his eyes, takes in the water's surface just above him, the blurry face of Pix looking down at him.
Then he closes his eyes again, suddenly too tired to care. He could just fall asleep here, despite the pain.
And maybe he does. He isn't really sure. He just knows that he closes his eyes for a very long time, and when he opens them, his entire body feels heavy.
He's underwater, which is nice. He likes being underwater. Sun is filtering in through the surface, the sky bright blue above him.
He doesn't usually take midday naps in the shallows. What brought him here?
He died.
He died, didn't he?
Jimmy sits up, head breaking the surface, and bites his tongue to keep from crying out as the breath is stolen from his chest.
His body hurts. Hurts bad.
He remembers . . . everything. Every wound he suffered, the end that he finally accepted.
He thinks, though, that these wounds used to hurt more.
Jimmy lifts his arm, tests its range of motion. His shoulder still hurts, but he can move his arm, which is nice. It feels almost good to stretch, but he's careful about it, not wanting to push it and reopen the wound that surely still exists.
His thigh looks all right, though, from what he can tell past the hole in his trousers. 
He prods at his stomach, hisses between his teeth at how sore it feels. Right. That one's still bad. Not like it was, though. He thinks, as painful as it is, his insides have somehow stitched themselves back together.
"There we are. Feeling better?"
Jimmy starts; looks up. Pix is sitting under the shade of a nearby willow tree, looking almost relaxed. He stands when Jimmy sees him, dusting off his hands.
"You're practically healed, now, so if you'd like to come out of the water, you can."
Practically healed?
From death?
He doesn't understand.
It still hurts. It's not like it really feels too much better.
But he pushes himself to his feet anyways, leans on Pix's arm when it's offered, clutching his left arm around his stomach as if to hold it together. His abdomen feels uncomfortably warm inside, almost over-full in a strange way, and it doesn't seem unreasonable that his organs might burst out of his skin if he moves the wrong way.
"You slept the rest of the night and for part of the day," Pix tells him, as they begin their slow walk back to wherever it is they're going from this clear little pond in the middle of the woods. "You almost died again, I'm sorry for not noticing sooner—I thought you'd be fine after the distance you walked—"
"Roll it back," Jimmy says through gritted teeth, his thigh smarting and stomach panging with each jostling step. "Why are you here? What happened?"
Pix hums. "I'm here to save you, and to pass something on to you. Something you can probably put to far better use than I can."
Save him. Rather nice of one his allies to try and save him, if it is rather belated. He likes it when his friends care about him.
His steps are uneven, right foot falling heavier than the left as he leans a bit more of his weight on Pix. He could really do with a health potion right about now.
At least he doesn't feel cold, now. That's a good sign, right? And it doesn't really feel like his body's falling apart from the inside anymore, which has to be good.
"The Codlands," says Jimmy after a moment, just trying to keep his mind on something other than the pain. "What happened?"
"Mythland won," Pix says, a little blunt but not at all unkind. "Your soldiers fought for far longer than they ought to have."
Jimmy feels a surge of pride, despite knowing that Pix is right. Fighting past the end of the battle just means that more of his people died, probably too many to support the land as it is. But they had defended their country even when it seemed utterly hopeless, and Jimmy knows that whatever the afterlife is like, they'll receive welcome.
Like that one soldier had told him. Unless that was a dream. He could have imagined that. His . . . the end, there, is a bit foggy.
He's pulled out of his thoughts as they arrive at a small, vaguely familiar clearing with the remnants of a fire in the center, a log for a seat beside it, something long wrapped in cloth beside a pack leaning against the nearest tree.
Pix helps him sit on the log, easing him down slowly, which is surprisingly less painful (though still quite painful) than expected. Jimmy just tries to situate himself while breathing in through his nose and out through his mouth. He's fine. He died but he's fine. He's going to be fine.
Holy moly, he hurts.
Pix goes over to the bag, rummages through it. "Right," he says over his shoulder to Jimmy. "I have got a health potion, if you want it. And also. . . ." his hand hovers over the long, covered item.
And Jimmy, despite everything, feels curiosity spark.
-
Scott waits.
Jimmy doesn't continue, seemingly lost in thought, staring at the grass.
"Well?" he says after a few long moments. "What was it?"
Jimmy starts a little, looks back up. "Oh, uh, this sword," he says, gesturing to his back, where the sword is belted. The hilt looks old, so old that the leather of the handle is stained almost grey, wearing thin in places. "It's pretty cool. It's got some kind of enchantments or something, but we haven't figured out what yet."
"Oh," Scott says, for lack of anything better to say. Then, "Are you feeling better?"
"Like it never happened!" Jimmy says cheerfully, but the tight lines around his eyes say otherwise. "The scars haven't gone away, yet—you can look if you want."
This is all so much. So very, very much.
"So," Scott says slowly, "you . . . died?"
It hurts to say. He wants to cry so badly, even though Jimmy's alive and here and he mourned him for so long but he's actually here so he can stop crying.
Jimmy shrugs. "Not exactly? I thought I was . . . er, dead, but apparently I was kind of in a really deep hibernation?”
"And then—what, you just miraculously healed?"
"I don't really understand that part yet, either. But I guess I just have some kind of healing magic, now? Because I can use it, not just on me—I healed a woman who broke her leg, just put my hands over the break and she was good—and I healed you, too! When you washed up!"
It doesn't make sense.
People don't just magically gain healing powers, unless in some defiant act of deus ex machina they rewrite their ending. Jimmy can't have died.
But he did die. Jimmy died. He says he went into hibernation, he says that Pix kept his candle alive, but if he didn't die then why did Scott mourn?
He doesn't want Jimmy to be dead, of course. That's—well, it's just ridiculous. He loves Jimmy, of course he wants him alive. He wants Jimmy here, he's happy that he's here!
None of it makes sense, though.
He just can't put it together. It doesn't fit in his head, it doesn't work. He can't look at his beloved right there beside him (so close he can feel his warmth, can almost sense his chest rising and falling in very real breaths) and know that he's been alive this whole time.
Jimmy, apparently, died? But didn't die. And instead of going to Scott, he's been leading a secret forest rebellion? No communication with him at all? Not even two words? No “I'm alive”?
Scott had waited so long those first couple of days, waiting for news that Jimmy had managed to escape, waiting for Jimmy to just walk through the door. It hadn't happened, and he'd accepted that it never would.
He had sailed across the ocean, heart grim.
He had dressed in black for the first time in years.
He had sat there as Sausage spewed such vile things, spoke of Jimmy as nothing more than the dirt he walked on.
He had sobbed. He had grieved. He had come to face the fact that he would never see his beloved ever again, even denied a final sight at the memorial. He had mourned, and changed, and borne this grievous burden alone.
Yet here Jimmy is.
And here Scott is, beside him, still dressed in the torn remnants of his sorrow.
Softly, carefully, Jimmy lays a hand on his knee.
Scott shifts his leg away.
Jimmy quickly pulls his hands back together in his lap.
And it isn't—
It isn't that Scott doesn't still love Jimmy. He very, very much does. He's still in love with him. He doesn't know that he would be able to stop.
But he doesn't know what to do here, in this strange moment alone with his dead fiancé after mourning him for so long.
"I know it's a lot," Jimmy says after a long moment. "I don't really know what's going on out there. But now that you're here—we can go to Rivendell, and, and we can take back the Codlands! With my rebels, and your armies—or—"
"We can't," interrupts Scott, too loud.
He hadn't thought of Rivendell yet.
It's surely been conquered by now, hasn't it? After all, he silently encouraged them to surrender.
Jimmy's hands drop from where he's begun gesturing. "What?"
"We can't," Scott says, and there are sudden tears in his eyes as he remembers the absolute despair that he'd felt on that clifftop.
He'd been so alone.
He'd been so certain that he was going to die.
He'd been cast from the cliff, knowing that at least if he died he wouldn't have to feel such pain.
For some reason, he's still here.
After failing.
"Rivendell surrendered,” he says hollowly. “The other countries will probably follow."
"Sorry, what?"
"Rivendell surrendered," Scott repeats himself. "I—I couldn't stop Xornoth. I tried. I swear I tried—" and it's all coming out, spilling from him like tar, sticky and burning— "I thought I was Aeor's Champion, and I found both of the artifacts, and I tried to fight Xornoth. But it didn't work, he beat me, and I couldn't let anyone die, so we surrendered—we—and—and Xornoth rules Rivendell now, and probably the rest of the world soon."
Jimmy doesn't answer for a long moment.
Scott doesn't dare look at him, eyes on his lap, on the bowl of porridge that he doesn't feel hungry enough to finish.
They lost.
It's basically over.
And it's all his fault.
"Did that . . . did that give you ice magic?"
Scott blinks, glances around. The grass has frosted over, icicles hanging from the ceiling of the hut.
What?
"Did the boots come with me?" Scott asks. He sets the bowl down and stands, gripping his arms around himself. He'd forgotten about the whole ice problem—he froze Gem, he might have killed her, he has to message her and see if she's all right—
Jimmy frowns. "We found you barefoot. What boots?"
Then why. . . ?
It can't follow him. Did it follow him?
Then he remembers—his room was always frozen, even when he moved to other rooms they froze too, the boots all the while in the Codmade bag in his bedroom.
The ice had followed him, not the boots. It always had.
Great. So now he's cursed, because he put on the magical boots without checking to see if they had a warning label. Wonderful. He's just . . . so happy about this.
And Jimmy's just sitting there, looking up at him with that adorable little crease between his eyes, and he should be dead—
Scott runs.
He slips a bit on the frozen grass but just keeps running, he ignores Jimmy calling after him, out of the hut and away from the camp, running and running through the woods until there's an angry stitch in his side and his body hurts too much to keep pushing.
He collapses on the ground up against a tree trunk, burying his face into his knees. He can't do this.
He can't do this! He's tried all his life to do everything right, be the perfect little firstborn prince that everyone expected him to be. Through his younger brother constantly trying to kill him for the throne, through his parents passing away from an unexpected illness, through the entire courtship mess, through the death of his fiancé, through the battle preparations, Scott has done his absolute best to be perfect! And so far, he's done pretty well, he'd say! He hasn't been perfect, by any means, but he's been good enough, and now he's properly failed for the first time and he doesn't have any clue of how to go forward, especially when said failure was so monumental that his entire country fell under enemy rule because of it!
He was supposed to die. He should have died, rather than live in his failure!
Scott sobs into his knees (and the tears freeze on his cheeks)—they lost, everything is lost, and he hurt so long and so terribly and now he has to hurt even more.
It's all just too much. That's all it is.
He's happy he's alive. He's happy Jimmy's alive.
Right?
It would be easier if. . . .
And how can they even continue on like this? What can even come next? It's not like Scott can defeat Xornoth. Nobody can. Alinar's ritual failed.
He failed. Scott's the first ever hero who actually failed, full stop, and now he has to face the consequences of that without any prior reference for how to do so.
Not to mention, he hasn't bathed in who knows how long, he's wearing dirty and bloodstained mourning clothes that hang from his shoulders like axe hangs above a prisoner's neck, his wing is itching to be free from whatever binding it's wrapped in, his entire body aches, and he's so tired.
It's too much! He can't do this!
Where even is he? Out in some wood somewhere, with bugs and dirt and rudimentary camps, where he doesn't have anything or anyone—
His ears twitch at the sudden sound of soft footsteps, and he quickly stifles his crying. Nobody needs to hear that.
But the footsteps get closer and closer, until they pause just before him, and whoever it is crouches down near him.
"Don't get close to me," Scott gasps out, valiantly ignoring the stuffy quality of his voice.
He's not sure if it's because he doesn't want to be touched, or because he doesn't want to hurt someone by accident. He can't control the ice—he already hurt Gem, he can't hurt anyone else, he can't let anyone close!
"I won't."
Jimmy.
Gentle, perfect Jimmy.
Jimmy, who Scott can't stop feeling strange about because he ought to be dead, but isn't.
Just like Scott ought to be dead, and yet isn't.
Maybe. . . .
"Would it have been better," Scott manages around the lump in his throat, "if we were both dead? And—and in a happy afterlife together?"
A happy afterlife that doesn't, of course, exist. Scott knows what awaits him at the end of this, and it isn't Jimmy.
But he can let himself believe in it, if only for a moment.
Scott hears a bit of rustling, as if Jimmy shifts against the ground.
"I can't say I haven't thought that," Jimmy says eventually, something reluctant in his voice. "I—I spared you the details, Scott, but . . . it was rough. Dying, fully dying—and then hours later, there I am, being forced to live again? I wouldn't wish that on anyone."
Scott basically died, too. But he doesn't think it was as bad for him as it was for Jimmy. All that happened for him is he passed out when he hit the water. Jimmy felt his life bleed out of him, went cold and stiff, felt his heart beating slower and slower until it became too slow for him to hold on to consciousness.
Scott can't imagine how hard that must have been.
It doesn't make him feel any better. Worse, actually.
Jimmy suffered all that, and didn't need Scott's support.
Whereas Scott would have given anything just to see Jimmy one last time.
"It was really, really hard. It still is, sometimes. But I know that if you and I are both still alive, and here, and together, after everything? Maybe . . . maybe we're supposed to do something big. You know?"
Jimmy might be meant to do something big, but Scott kind of feels like he's only alive by chance. Clearly he isn't that favored of Aeor, seeing as he couldn't use the artifacts and is now cursed with ice magic.
He doesn't feel like he has any sort of divine purpose. He doesn't feel like he's alive for a reason.
He's just here.
A failure.
A failure that shouldn't be alive.
"That's what I like to think, anyway," Jimmy continues. "It gives me something. A reason to keep going. I mean, if you think about it, I shouldn't be alive. But I'm here, and that means I have something left to do. I have to do good with the new time I have."
That's . . . that's something. Right?
He's here. By chance, maybe, but he's here.
Perhaps he can do a little good?
Nothing world-changing. He can't stop Xornoth. He can't free Rivendell. He can't even free himself from this curse.
"I can't control the ice," Scott warns, lifting his head a little. He doesn't look up enough to see more than Jimmy's boots, worn and dirt-encrusted. "I can't . . . I can't do it. There are a lot of problems, and I don't know how to solve any of them."
"I know," Jimmy says softly. "I'm here."
Jimmy's here.
Jimmy is here.
Okay.
If—if Jimmy's somehow, miraculously here, and he thinks they can do something good, maybe Scott can try.
"Okay," he says, staring hard at Jimmy's boots. "But—but nobody can come close to me until I figure this ice thing out."
He thinks of how his room never defrosted.
He thinks of how cold he's been lately.
He thinks of Gem lying limp on the ground, hair white.
"Nobody," he repeats. "Nobody can come close. I'm sorry, it's just—I can't hurt anyone else."
"I know," Jimmy says again. "Whatever you need."
"I need to be separated," Scott says immediately. "A—a tent, or something, away from everyone else. Will that work?"
"We'll set one up right here," decides Jimmy. "What else?"
"Nobody comes over here."
"Okay."
"Nobody," Scott emphasizes, for perhaps the billionth time, and finally, he drags his eyes up to meet Jimmy's.
Those beautiful, soft, loving brown eyes.
"Not even you," he forces himself to say. "I'm sorry."
Jimmy doesn't argue. "I'll do whatever you need," he says, maintaining the eye contact. "I just want to help."
There's nothing else, then. That's all he needs from Jimmy. Solitude.
It hurts. He doesn't want to push Jimmy away, after so long of believing him gone forever.
But there's a discrepancy, there. There's pain and grief and confusion and maybe a little anger between Jimmy right here and Scott's need for him.
He doesn't know how to reconcile all of those feelings with the living dead man in front of him.
He doesn't think things between them can just go back to normal.
Everything would be a lot easier if they had both died. There wouldn't be any false loss to mourn, no results of utter failure to live with.
But he's here, and Jimmy's here, and maybe he's right.
Maybe there's something important they need to do.
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orionsangel86 · 1 year
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I dont know anything about The Last Of Us, except what I have seen on Tumblr. Celebrating queer love at an older age is a glorious thing for sure, but getting SPN allumni Misha Collins and Jensen Ackles to guest star as themselves in a future episode per the games nod to Cockles would be the real power move to make all the tumblr gays break down and officially, finally, lose their minds and I am here for it if/when it happens.
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ophanim-vesper · 5 months
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me happy that we're getting a new Moon Studios game:
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me, secretly sobbing, because we probably won't get another Ori game, ever:
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myst1xx · 1 year
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appreciation post for live action frankie’s wardrobe
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robotpussy · 1 year
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"Live-Action ‘Moana’ in the Works From Dwayne Johnson, Disney"
i had to double check this wasn't a april fools joke article.... this movie came out like yesterday?
everybody say it with me! Disney has run out of ideas and we need to work towards the downfall of this empire!
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eunr0 · 2 years
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eye contact
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theocs-strikeback · 2 years
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Welcome!
Welcome to the blog of Star Wars OCs! We're hoping to make this a place for fans to connect via the love of their OCs from across the Galaxy Far Far Away.
Got a bounty hunting Togruta with a golden cyber-eye? Share them! Perhaps a Weequay looking for their way home, and finding a family along the way? Send them our way. Bothan looking for a friend in all the wrong places? Maybe we can help them find one here!
Basically we just want to highlight and boost all the amazing OCs across this fandom via sharing their stories, art, HCs, etc.
If you'd like to share your OCs with us you can fill out our sign-up form here.
There's also a spot on the form to complete if you'd like to be connected with another fan to shout about discuss your OCs and who knows maybe create an AU or seven
If you have questions, you can also send us an Ask or DM!
If you would like to retract your application, and/or want us to delete your post at any point in time, simply send us a message or ask and we will do so. Though any potential reblogs are obviously out of our control.
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childotkw · 6 months
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HI! Consuming Shadows was my first ever tomarrymort fic back in 2018 and I can’t believe when I started reading it it was in its 20-something-chapter and now it’s three chapters away from finishing!!! 60 IS INSANE! Are you going to stop completely with its universe once the fic’s done? I pray for some Snippets, or even a wee epilogue, I— WE can’t say goodbye so soon😭
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