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batfamhyperfixation · 20 days

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Pre-dating, Tim or Bernard not knowing the other isn’t straight

Tim, leaning over to look at Bernard’s phone as they chill in Tim’s bedroom: whatcha doing?

Bernard: imma send Red Robin subtle messages until I trick him into admitting he’s into guys so I can sleep with him

Tim, bi panic, blushing: you’re what?

Bernard, typing out a message on his phone: here how does this sound Tim, ‘gay af to be a detective, what are you inspecting, other men??’, sound subtle enough?

Tim, too dumbfounded to speak:

Bernard: yeah you’re right, it’s perfect, imma send it

*Tims phone goes off, and then both watch it light up, Bernard seeing the message he just sent*

Tim, picking up his phone, typing, and sending a message without saying anything, face nearly bright red as he glances over at Bernard, who is staring at him wide eyed not saying anything

Bernard, looking down at the text Tim sent him back as Red Robin that says, ‘I like you, let’s fuck’:

Bernard: hey Tim I have a couple of questions

#Bernard: first and foremost did you send this as Tim or Red Robin second most are you catfishing me or are you Red Robin #and third probably most important with or without the suit on? don’t get me wrong I’m down for either but like #Tim: woah slow down a minute #Bernard: sorry did you wanna ask something #Tim: yeah that’s how you rizz me up? coulda said something like take me to Arkham cause I’m about to steal your heart but no you sent this #Bernard: hey it worked! I still got you so you have no place to talk cause end of the day mine still enticed you enough #Tim: it definitely wasn’t your message that made me say yes Bernard #tim drake #bernard dowd #timbern #timber #bi tim drake

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factual-fantasy · 1 month

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So with the no fan art of your characters thing…. It seems a bit odd and I’m sorry for saying that,but it intrigues me why someone’s wouldn’t wanna see other people draw their characters

I've been asked this 100s of times, and have had people constantly question this boundary of mine and ask me to explain myself.

I've exhausted all my energy and patience for questions about my stance on fanart. I don't feel like having to defend myself again, and again, and again.. 😞

I don't expect people to understand my stance on fanart, and you don't have to understand it in order to respect it. Just as I don't have to understand anyone else's boundaries to stay behind the line.

I am very uncomfortable with any form of fanart being made for me. Of my FNAF redesigns, my sona, my ocs, you name it, it counts. I don't expect anyone to understand it, I just want people to respect that boundary.

"How are we supposed to show our support for you then?" Comments. That's it. All I look forward to when I post art is reading all the nice comments people have left me. Truly, comments are all I want. Fanart just makes me feel awful.

#my response #i usually delete asks like these because ive already talked about it like 1000 times #but recently ive gotten several people draw fanart of all different kinds of stuff I've made #and then this ask #felt like i had to come back and defend myself just oooone more time 😔#please guys #no fanart just comments is asking so little of people..#and please don't send asks trying to pry into it or understand it #“does it feel like this? or like this?”#ill just delete them #i dont wanna talk about this stuff no more you get what im sayin-

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l-a-l-o-u · 2 years

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my DnD group recently started a second campaign & i’m in love with our player characters!!

#pls feel free to send asks if you wanna learn more about them #i can talk about them forever #mine is Bean and i would die for her #dnd #dungeons and dragons #player character #oc #attempt #adara #bea #tryx #coco

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bandiiey · 9 months

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Hii these are reference sheets I made for the bbq trio as teens. I changed around canon a bit (Nate still living in bbq for example) but yaa.

#Yokai watch #Nate adams #hailey anne thomas #buck hazeltine #Yokai watch 3 #my art #if you have any questions ab them feel free to send me an ask lol #I wanna talk about them

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captainmera · 11 months

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"You looked the most like him."

Names and age of death.

I just wanted an excuse to draw the previous golden guards. Yknow, try make them all look related and/or copy pasted from a similar blueprint that Belos tried to perfect over time.

CALEB JASPER BLOOD-WILLIAMS.. FROM THE TOES.

Gave them names inspired by the Wethersfield witch trials in Connecticut. %D ... except for Stultus, which is just Latin for stupid. (Belos was upset with his face, I guess)

Maybe Belos kept a logbook of the grimwalkes, documenting their demise so he could avoid making mistakes that led them to betraying him.

And perhaps Hunter eventually gets his hands on the logbook and reads about the former Golden guards/grimwalkers.

Officially he's the youngest golden guard, but I thought; "Ah wouldn't it be horrible if the first youngest one was murdere shortly after he became a GG because he stumbled onto the truth too soon and had nowhere to hide." :,) and it was after that, that the golden guards were put on trials first.

#toh #the own house #the owl house theory #hunter the golden guard #the golden guard #grimwalker #emperor belos #philip wittebane #caleb wittebane #hunter wittebane #wittebane brothers #golden guards #toh hunter #hunter noceda #if you wanna talk about them feel free to send an ask I HAVE THOUGHTS

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textfromthelookout · 1 year

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if you have the time, I wanna know what makes vegeta so compelling to you, whole ass character arc stuff and what not. I wanna hear you go off on your short king.

Anon do you understand what you’ve unleashed? I don’t think you understand what you’ve unleashed. Or if you do understand, I can almost guarantee you aren’t prepared. This is almost 3000 words of me frothing at the mouth. I hope you know you asked for this. Like the reason I was so late answering was because I wanted to do it justice and could not figure out what I wanted to yell about first.

I guess to understand why Vegeta’s development is so fucking staggering to me, you have to understand who he starts as when you meet him.

Vegeta is around 4 or 5 when Freeza destroys Vegetasei. He’s roughly 30 when he comes to Earth for immortality. In between are two and a half decades of being taken from, which he suffers only because he believes wholeheartedly that he will grow strong enough to kill Freeza and take it all back from him. He lands on Earth with little to his name beyond his pride in who and what he is, and power that, while paltry compared to Freeza and the people in his inner circle, surpassed and still surpasses every member of his race.

Right?

One of the biggest things about Vegeta in Z is that there is A Way Things Are Supposed To Go and when they go any other way, he cannot let it go. Losing to anybody other than the people he has known for years can kill him is unacceptable. Even more so if it’s to another Saiyan. Even more so when this Saiyan is such a disgrace to the blood in his veins. The loss is an impossibility and has to be rectified. Vegeta limps off of Earth with two big driving forces now: kill Freeza for vengeance, kill Kakarot to mend his pride (or at least beat him so far into the ground that his superiority is unquestionable).

Namek is where Vegeta gets really interesting. He’s fresh off a stinging defeat that put a couple cracks into his sense of certainty and self. He knows a way to get what he wants (the Dragon Balls on Namek). He’s in a race against the powers that be for it. He has something of an ace in the hole in that he worked out how to sense ki while he was flying half dead through space, so he’s no longer forced to rely on a scouter—on Freeza’s technology. He intends to make a clean break, and for a while it goes according to plan. Zarbon’s a stumbling block, but he makes it work in his favor, takes all the Dragon Balls Freeza collected and escapes with his life to boot.

And then another repeating theme surrounding Vegeta in Z comes into play. He’ll be a hairsbreadth from getting everything he wants before it all comes crashing down around him, largely due to things entirely outside his control. He couldn’t have used the Dragon Balls even if he had decided to press Gohan on what he was doing in the middle of nowhere with a ‘watch’, because he doesn’t have a password. The Ginyu Force thrashes him, Goku shows up stronger than ever. It’s fine though, because now he knows how to get the Dragon Balls to work, so he’ll never suffer defeat again—it’s a moot point.

…Right?

I think that the point in the story where Vegeta well and truly starts to come unraveled as a person is pretty immediately after Porunga dies and Freeza starts cycling through his transformations. Because like, rudimentary or no, Vegeta’s ki-sensing ability still works. He’s suddenly faced with irrefutable proof, that he can feel in the entire essence of his being, that his power is nothing to Freeza. And he lies to himself, because he can’t accept that he’s outclassed by the magnitude he is. Because this isn’t The Way Things Are Supposed To Go. He’s supposed to avenge his people and embody the legend. He refuses to bend, and so, he breaks.

And it’s sad, y’know? The way he just… stops fighting. For his whole life, he sweats and bleeds and swallows his bruised pride for the sake of survival and hope and what does it get him? I think all the goddamn time about the anime’s interpretation of this, where Vegeta being broken for Piccolo/Gohan/Krillin to witness up close is a deliberate choice on Freeza’s part*. In fact, I may never stop thinking about it. It’s not enough that Vegeta loses his will to fight, he has to know that others know that he gave up, that he can’t do anything against this monster even if he hadn’t. It’s a stunningly cruel blow precisely because he’s so proud and strong.

The man who dies on Namek crying at the feet of both of his bitterest enemies, begging one of them to kill the other for the sake of their race—who in that final moment lets his helpless frustration, his grief, his pride in his people supersede his own personal pride as warrior and prince—is not the same man who fought Goku on Earth. That man is in pieces, and Vegeta will spend every moment for years afterward trying to put him back together with saltwater and desperation. We meme on how death means basically nothing in Dragon Ball, but I go nuts thinking about how, intentionally or not, Toriyama managed to twist that to work with Vegeta’s development.

Because now Vegeta has to reckon with his many abject failures for longer than the few minutes before sweet oblivion, you see. Now it all matters again. As long as he’s alive, he’s still being taken from.

(Bulma’s one of the few—if not the only—person to simply give him something without coercion, or prompting, or obligation. Certainly the first we see. She had every reason to tell him to fuck off, really. She didn’t have to offer him a place to stay.)

Vegeta has a transitive hierarchical logic on strength, which comes up again towards the end of Cell that I’ll touch on when we get there, but for now it will suffice to say that in order to keep moving forward, he has to readjust his purpose in life to focus solely on beating Goku. If he beats Goku, then he beats Freeza, since Goku beat Freeza. Step one, obviously, is attaining Super Saiyan. And he’s so fucking committed to that that he unwittingly locks himself out of it, up until he leaves partway through the three year gap before the androids.

I could write another entire essay on how Super Saiyan can be read as a trauma response and how it differs between all the Saiyans in Cell saga (and especially about Goku on Namek), but this is surely already more than you bargained for when you opened this can of worms, so, Vegeta. When I think of Vegeta’s awakening to Super Saiyan, I tend to default to the original dub’s take (ep129), because it has lived in my head rent free since I saw it and it will not give me peace.

Take this part of my rambling with a grain of salt, I know I’m about to get a little ‘it’s not that deep’ about it, but. Here’s my interpretation of this. Vegeta only attains Super Saiyan once he has done away with distractions—not entirely because now he can focus on nothing but his training, but because he’s inadvertently given himself space to even begin to process all the shit from the last 25 years of his life, even if he fights it every step of the way as weakness. All the self-hatred, yes, but also the aforementioned frustration, the grief, the anger. The helplessness. ‘I didn’t care if I lived. I didn’t care about anything.’

Ultimately the trigger to Super Saiyan is a single moment of all-consuming emotion, so whichever thread of canon you personally subscribe to, the facts are that something happened in Vegeta out there in the middle of nowhere space. And he returns to Earth riding high. I’m not gonna lie, he’s rocking some seriously manic energy when he shows up to waste Android 19, and honestly why wouldn’t he be? He’s latched onto this new power and he doesn’t have to feel anything else. Things are finally going right. He’s invincible. He’s the king again. This is The Way Things Are Supposed To Go.

…

…right?

Super Saiyan is supposed to be a solution for Vegeta, and instead it eventually turns itself into a problem during Cell and the androids. To be fair, he can’t misestimate the strength of an opponent he can’t sense in the first place, but even so, he’s so blinded by the euphoria of succeeding for once in his goddamn life that he can’t imagine that anything can be stronger than him. Androids 17 and 18 are a rude fucking awakening. They are the ultimate pulling-the-rug-out-from-under-you vibe check. All those pieces that he struggled so hard to put back together, kicked apart again without thought or effort. He has a bit of a crisis over it, understandably.

In the interest of brevity, I’m glossing over the intermediary parts between Vegeta coming out of the time chamber (wish we had more info on what transpired in there, personally) and the tail end of the Cell saga, because it’s something of a repeat of what he did with Freeza, except he’s using Goku’s ‘let Freeza power up to 100% to hammer home his superiority’ logic. I made a previous post on my main blog about the post-Cell part of Vegeta’s character arc, which I’ll copy down here with some minor revisions:

The hell of Vegeta swearing to never fight again is that he actually follows through, at least in the beginning.

There are seven years between Cell and Buu. In every version of the media I’ve gone through—English manga, uncut dub, uncut JP, Kai dub—Bulma says that Vegeta has trained the last five years before the tournament. Which can only mean that there was a two year gap right after the Cell Games where he didn’t train at all.

And like. Can you really blame him. His purpose in life has been cut out from under him not once but twice, first by Goku attaining Super Saiyan and avenging their people by killing Freeza, and then by Goku’s decision to stay dead and deny him the opportunity to surpass him. His strength has proven insufficient time and again no matter how hard he works, overshadowed by that of a boy half his age, who doesn’t even like to fight. His pride hinges on both of those things and even before that was mercilessly trampled on. He has no people. No planet. No purpose, power, or pride.

I really do think the only things keeping him going by this point are inertia and spite. Almost without doubt, this is the absolute nadir of Vegeta’s existence: at least, the nadir for the man he thinks he has to be, or can’t reconcile not being. If he has nothing, if the last things tethering him to his supposed innate nature (to borrow a line from this fic, shameless plug,) are torn away from him, what is left for him to do but accept defeat and submit to change?

What he doesn’t know yet is that that’s okay. He doesn’t know yet, but the seven years that Goku is no longer a presence in his life is perhaps the best thing Goku could have possibly given him. Without Goku physically there to be actionable on (for lack of a better phrase), new things can grow in the spaces where his animosity and aggression burned holes in him. Even if Vegeta is still nursing the embers of that blaze and ignoring the encroaching growth as hard as he can, he is still beginning to care about things that the old him wouldn’t. (coming back to Vegeta’s logic on strength: to Vegeta, Gohan’s victory over Cell is also Goku’s victory, and Trunks’ loss is his own loss. Bulma mentions to Gohan that he’s dead set on making Trunks stronger than him, and why would Vegeta care about that goal specifically unless Trunks’ victory over Gohan is also Vegeta’s victory over Goku?)

And then.

And then all of a sudden, Goku is back in the picture. And when he comes back, so does the Vegeta from before, like a relapse.

Because as much growing as does, he still has seven years to gnaw on the same question he has been for ages now. Why is Goku so much stronger than he is, being what he is? Why is he so inadequate? There is now a window, fleeting as it may be, for Vegeta to get some answers he had no reason to assume he’d ever get. There is now the terrible possibility that he can make things go The Way They Are Supposed To Go. And Goku’s willing to let him take that shot and get those answers, right up until the whole business surrounding Buu disrupts everything and then he isn’t anymore.

Because the thing is, they were scheduled to fight each other before anybody else. Vegeta was not supposed to see the gap between himself and Goku until he was experiencing it firsthand. Picture for a minute the timeline in which the tournament plays out normally. Goku and Vegeta fight, Goku wins, and then Vegeta’s only recourse is to demand answers from Goku—who would surely give them, to the best of his ability!—or to come to his own conclusions and act from there. Either he makes peace with affairs, uneasy as it may be, or he blows up immediately, and Goku is there to stop him before he gets too out of hand. Instead, what happens is that he’s given the opportunity to realize that he’s still inferior, he still doesn’t understand why, and most importantly, that there’s a third option open to him. At the cost of his will, there is a way.

Submitting to Babidi to force Goku’s hand and close the gap is the act of a man who knows that he is running out of time. Whatever pride Vegeta still has would not possibly have allowed this unless he was so desperate for closure that he couldn’t see another way. For ten years he’s been trying to rebuild a sandcastle below the high tide line, and it’s not that he’s too stupid to move farther up so he isn’t freshly shattered at every pass—it’s just that trying to power through in the face of futility is literally all that he knows to do. He has been coming apart stitch by stitch ever since he met Goku, his worldview and his preconceptions of destiny and self dissolving in slow motion under his feet. Goku will only be here for a day. This is the last chance he has, and he knows it. He knows he’s not going to see Goku in the afterlife, even before he asks Piccolo.

What the fuck else was he supposed to do?

The music in the background of this scene is ‘Trapped Between Past and Present’ and if that doesn’t sum up the backbone of Vegeta’s arc in Z, then there’s nothing that does.

The beauty of his sacrifice is that he still has the mark of evil on his forehead when he dies, even though he’s bucked Babidi’s mind control by that point. He chooses the present. He chooses to symbolically and very literally raze his old self to the ground for the sake of all that his new self cares for. That is why the impermanence of death in Dragon Ball works for him. That’s why I go insane over the Majin arc specifically. New growth roots in ashes, phoenixes and sapling trees both.

Super (and end of Z) is where you get to luxuriate in that growth and watch it pay off, and oh my god does it ever pay off. Without going deep into spoiler territory (formally begging all of you to read the manga here), the later arcs begin to address Vegeta reckoning with his personal sins against the Namekians, and those of his race, who destroyed countless worlds under Freeza. Vegeta and Beerus have a conversation in chapter 69 of Super where things I’ve described in this here essay are worded explicitly into the canon. I think of it to this day. I think of all of the things Vegeta does in Super and I think it’s incredible just how far he’s come.

Before creation comes destruction.

Alright that’s enough pretentious meta. Here’s Vegeta being very happy about a well-earned victory. Isn’t he so fuckin’ cute.

*ep85, or 41 if you prefer Kai

#vegeta #dbz #dragon ball z #dragonball z #wanna hear me talk about dragonball characters? WANNA HEAR ME TALK ABOUT EM SOME MORE?#drop an ask or smth bc boy have I got things to say about Things.#i swear to god i didn't send this ask to myself #basia and breezee if it was one of you you better fess up right now #long post #text from the mod

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deoidesign · 8 months

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Hello I stumbled across your profile and I just say I love your art style! I've gotta ask, how'd your develop it? And do you have any advice for someone who can't decide what they want their art to look like?

Thank you so much!

To be entirely honest, I don't feel like I truly "developed" my style. I feel a lot more like I finally let myself draw it! But I am incredibly deliberate with my work, and I do have clear tendencies and preferences... So I'll do my best to explain how I got to where I am now as an artist.

It's important to remember that "style" is something of a nebulous concept. It changes with you as you grow as a person, and most artists can work in and emulate many art styles! Art really is a form of communication with yourself, and your "style" is a reflection of the tendencies and preferences you have. My art does not look how it looked 5 years ago, and my art will look different 5 years from now too. I've changed, and my art reflects that!

(2012, 2018, 2023; two pieces I remember being incredibly proud of and considered my best work up til that point, and then my most recent piece)

What you need to do, as everyone will tell you, is study the fundamentals (anatomy, perspective, form and structure, lighting and shadow, color, and composition) so you have the proper tools to make the most informed decisions possible about your art, and so you can deliberately break or follow rules as you please for your desired effect. I know it sounds silly to learn rules if you're not gonna be following them anyways, but they help you be much more consistent and intentional! More knowledge is NEVER a bad thing to have!

However, I know it's a bit demoralizing to just be told to study fundamentals. Everyone knows you're supposed to do that, but it takes YEARS to learn, and people want their art to feel how they want it to now (which is very very very normal to want!)

So on that front, I have 2 follow up suggestions that I personally find helpful (of course, everyone is different, so it's not like this is the only way to learn! But, if it resonates with you, it might mean it will work for you too.)

1: Separate study from application

I believe this is beneficial for a few reasons:

If the goal of every piece is learning, it can become frustrating, overwhelming, and boring

It's harder to self critique when there are multiple variables to investigate. I like to study one fundamental at a time

Study (usually) works best with a large quantity of output, whereas application of knowledge (finished pieces) is often more satisfying and effective when you get to take your time

Deliberate practical application of what you've learned in a finished piece helps cement the learning in your mind, and also lets you get satisfying finished pieces with noticeable improvement after a good study session!

I've found that keeping these things separate helps me improve faster and more deliberately, and it takes a lot of the pressure off of both aspects! I'm not worried about my studies looking beautiful, they're just to learn! And I don't feel pressured to critique my finished pieces, cause they're just for fun and to make something pretty. I personally find this helps me have a much healthier relationship with my art.

When studying, copy! Copy things as best as you can, all the time. It gives you something to compare to for self critique (and of course, if you're copying someone else's work and you share the study, ALWAYS give credit, share the original, and say it was for study.) In application, don't copy: reference. Make it yours!

2: Let yourself do the things that feel "easy" or like "cheating"

This one is simpler: nothing in art is easy.

If something feels easy to you, most of the time it's not because it's actually any easier... It's because it's part of your natural tendencies and preferences! This took me forever to realize, but as long as you're actually doing some study, then you're learning. You don't need to learn All The Time. When you're doing the "application" portion, you should let yourself do whatever is actually the most fun and feels easiest! This is where your style will start to come through, and where you get to learn about yourself. Take the pressure off, and have fun!!!

The only cheating in art is theft. If you're not stealing, then it's allowed!

My whole life (and yes, still!) I'd get regular criticism about both my style and my subject matter. You will too. You'll see a thousand different styles, and a hundred different things to admire in each. Your heart will ache that you don't draw like others do.

But art is a form of communication with yourself. It's like your voice, or your accent; just something that's a part of you! It can be fun to mimic others', but when you sit to have a conversation you speak naturally. (I know some people want to and do change their voice, but this is a metaphor and metaphors aren't perfect)

Don't stress so much about what you want your art to look like, especially if you're not sure. There's a lot of value to be had in constant experimentation, I think it'd be rather boring to only draw one style the rest of my life. What I draw is what I want to see, right now, for who I am now! It's a part of me and comes naturally, if I let it!

I hope this helps!

#justbrowsing1124 #asks #art tips #drawing advice #drawing tips #art advice #long post here sorry #long post #I could have gone on so so so so so so much more but this took me like 2 hours to write #and I've gotta go to bed! haha #so if you feel like something wasn't properly explained you can send a follow up ask and I'd be happy to elaborate #I love answering questions like this #sorry if it sounds a bit condescending I wrote the post for like... what would have helped me to hear when I was just starting out #so I wrote it basically for how I think would help I guess a kid #sorry about that. the content is still all what I think though #also I realize that i didn't really talk about like... my journey... at all here lol.#I guess if you wanna know my personal journey I'd love to get into it!#but i focused a lot more on the second part #cause yknow #that's kinda what my journey was internally anyways #but yknow no fun progress of my art with notes about what I was doing and why #but fuck that sounds fun if someone did wanna know about that LOL #I am VERY deliberate with my art I could legit analyze every piece #pretentious? maybe. do I care? not at all.#why make it if I dont have a reason?

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telleroftime · 3 months

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Imagine a Kakashi x Reader where Reader not only owns a bookshop in Konoha but they also write their own novels. Kakashi frequents the store to scout out romance and erotica books or any limited-edition copies of the Icha-Icha series and every time he comes into the store the Reader falls more in love with him. So much so their stories grow inspired by him. The masked hero of a poweful village whose heart is sought by many and won by none.

One day Kakashi picks up a book written by the Reader, though the pen name doesn't give them away. He buys it and leaves only to return for more of the series. After a while though he starts to see the pattern. He doesn't want to be too vein but between a "silver haired cat with an all too familiar scar" and a "prince nicknamed the scarecrow" it doesn't take a genius to start assuming he's the muse.

And naturally he tasks himself with the mission to find the author. Like Prince Charming searching for Cinderella, going from bookstore to bookstore to find the author.

And the possibilities from there on are great.

Maybe the Reader gets sick and suddenly there's less books being written and Kakashi pieces together that the owner of the bookshop that suddenly displayed "be back soon" must be the poet.

Maybe the Reader hears rumours from other writers and publishers that Kakashi has suddenly taken an interest in them, only to start teasing him in their stories. A game of cat and mouse between words.

Maybe Kakashi simply finds the Reader writing, studying a specific scene to incorporate into their novel and instantly Kakashi knows who they are.

Ah the possibilities.

#kakashi x reader #naruto #I'm having major Kakashi brainrot #might just be exam stress who knows #but yes I might be starting a new wip because this looks promising #as always if any of you wanna talk about fandoms then send an ask my way #I'm happy to ramble #toonce ideas

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particlegentleman · 1 year

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y'all are free to headcanon whatever you want but any time i see a trans headcanon all i can think about is that everyone would just be constantly misgendering them and stuff. i guess it doesn't really apply here cause the he/she/they pronouns but still, it's all just a tiny bit unusual to me. none of this is intended to be gatekeepy or anything, just don't know where else to share my thoughts on this sort of thing. anyways your art is super good and trans people are awesome <3