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#seeing a lot of this going through the tag for one fandom in particular and it's driving me insane

thenerdcommander · 1 year

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New pet peeve unlocked: people messing around with canon characters with their ocs (i.e. making their parents/siblings/spouses/children/etc when they don't have them in canon)

Edit: to be clearer, it's not the characters themselves, but more to the fact that I 100% know nobody who made those OCs went to the original creators to ask if they could do so. Every time I see them it feels like I'm witnessing a breach of consent. It would make me incredibly uncomfortable if someone made a character directly tied to any of mine without asking first and it makes me just as uncomfortable to see it happening to someone else's character too.

#seeing a lot of this going through the tag for one fandom in particular and it's driving me insane #unless it's a video game protagonist the game lets you create you shouldn't be inserting your OC in a place where they're important in the #plot of a show/book/movie/whatever #because they don't exist in canon and aren't relevant or important to the canon story at all #in the grand scheme of the story your character should be completely standalone #disclaimer: I know this is my opinion and not a hard fact. No I'm not going and jumping down anyone's throats about it #I'm not policing anyone on it #I'm just seeing a lot of it and it's driving me batshit in the worst way so I'm simply venting about it #more power to you if you have ocs like this I just wish there was a universal tag for them so I could block it

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the-music-maniac · 5 months

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Not that I read mpreg all that often (not really my thing generally speaking) but I came across some "Sanji is pregnant" fics in the sanzo/zosan tag, and not nearly the same amount for Zoro. It got me thinking about the trope. I think the lack of Zoro fics here is a tragic oversight. I think we as a fandom are absolutely and tragically ignoring the potential comedy gold of Zoro being the one to be pregnant instead.

Because when people write Sanji, the general trend I'm seeing (upon scanning through some of the fics quickly) is that he's cautious about it. Conscientious, careful to make sure things are okay. Which - arguably I could see, Sanji is probably the more practical of the two (not by a whole lot but still)and he didn't have a good childhood. Sanji being pregnant is usually a fic about his heaps of parental issues, childhood trauma and angst - which is fun to read. It's good. It's amazing, even.

Zoro being pregnant is ONE HUNDRED PERCENT gonna be a COMEDY. We're talking about a man who once tried to fight Kuina holding like 20 bokkens. We're talking about a man who got stuck in wax and thought the reasonable solution was to cut off his legs.

The entire crew spends the next 9 months tearing their hair out, preventing Zoro from doing stupid shit (exhibit A: cutting off his own limbs). They spend the same amount of time trying to stop Luffy from gum-gum-grabbing Zoro and yeeting him anytime he needs to get them out of a sticky situation.

The crew (mostly Sanji) is on 24/7 prevent-zoro-from-drinking-alcohol duty (impossible). Chopper is constantly stressed in the later months cause no one puts it past Zoro to get lost somewhere, give birth out in the woods and come strolling back with a baby tucked under his arm. They have to start hiding Zoro's dumbbells.

Franky and Usopp design and build a nursery and spends the entire time suspiciously teary eyed. Sanji tries to pretend he's unaffected but spends an entire night creating a 9 month meal plan of all the nutrients Zoro and the baby are gonna need. Not even a day later, one of the crew finds him up at 2 am making a mountain of food because Zoro made the mistake of offhandedly mentioning he had particular pregnancy craving within earshot of Sanji. In the end Zoro has to sit on him to stop Sanji from running himself ragged.

Robin keeps spouting morbid childbirth facts and quotes from parental advice books in equal measure. Nami keeps going on shopping sprees for cute baby clothes and adding the cost of them to Zoro's debt. Brook keeps writing lullabies and trying to sing them to Zoro's stomach. Zoro 100% uses his pregnancy belly as an excuse to walk around without a shirt 24/7 without getting nagged.

Somehow word gets out that the famous pirate hunter Zoro is pregnant, and at the next big fight with the Marines, half the soldiers refuse to fight him and instead start telling him to sit down, take it easy, shouting advice at him etc. Etc. Zoro loses his shit a little bit and cuts their boat in half.

Mihawk, upon finding out, tells Zoro in no uncertain terms that that is his grandchild and he's expecting them to visit so he can meet the baby when they're born. Zoro vehemently denies that Mihawk is his father (he is). Zeff upon finding out, is almost as bad as Sanji when it comes to being a mother hen. Perona buys even more baby clothes for the baby. She buys one singular shirt for Zoro as a joke, and it coincidentally happens to be the exact same brand of "mama" crop top he was forced to wear in that one filler episode. Zoro tries to chuck it into the ocean (he fails).

I'm essentially saying it would be absolute chaos, and it would be the funniest thing I've ever read. 9 months of Marimo wrangling. Can you imagine the look on Zoro's face if one of the opponents he was fighting were to tell him that he's "glowing"?

PLEASE, I would actually wheeze myself to death. The best part is you can still have plenty of Sanji angst. He still has parental issues except now they're flavoured with "I'm not ready to be a father" and "I'm terrified I'm gonna become my biological sperm donor" and "please don't die because of childbirth complications, that happened to my mother(sort of, I know she died after but it kinda counts), and I can't handle that happening again to you". Lots of cute/tender moments of Zoro comforting and reassuring Sanji. We can even have Zoro angst. He probably views protecting his crew as the one and only job he's good for (not true but that's probably what he thinks). Not being able to fulfill that is probably not helping his self esteem, and that sense of uselessness warring with his need to protect the baby - but the contradictory thing here is that to protect the baby he HAS to sit back and let other people do that FOR him. That plus all the other restrictions, people treating him differently, but him at the same time refusing to view his own child as a weakness. Imagine the havoc that would wreak. Oh my god.

Y'all don't understand, I don't even read mpreg that often and yet this is literally my ideal fic HAHAAAAA

#we already know Zoro would be a good parent considering how he is with kids but pregnancy? different matter entirely #i don't know much about jimbei yet so sadly i can't write much about him feel free to comment any headcanons y'all come up with though #zosan #sanzo #zoro x sanji #roronoa zoro #black leg sanji #cat burglar nami #monkey d luffy #nico robin #op franky #op brook #god ussop #tony tony chopper #mpreg

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syoddeye · 12 days

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sy's reading recs

hi. i read a lot of fanfiction for COD and i love spreadsheets. i try to track my reads, and thought i'd make two reading rec lists. you are currently viewing the non-darkfic list. i've included blurbs from yours truly. the blurbs are short because there are a LOT of recs below the cut. now then.

beyond the read more, you are responsible for reading tags, warnings, and summaries.

pairings are indicated where applicable, although these may change or may not be established yet.

similarly fic ratings may change! again, it's your responsibility to read tags and warnings.

i've checked all the links, but if they're broken, i blame tumblr. there's enough info to find the fic if need be.

do not harass authors with "next part when" bullshit. it's tacky and i hate you.

previous lists: one, two | banner by @/cafekitsune

gaz x reader

Lavender Skies by @yeyinde

Late to the party but gd if you haven't read this, put it at the top of your list. Kebabs, back-up shoes, the feeling of someone knowing you, the pain and sublimity of being in your late 20s...Chef's kiss.

childfree!reader thoughts by @pfhwrittes

Tooth-rottingly sweet bit about finding someone with the same priorities and not being made to feel bad about it. Love it when the boys match-make a lil bit.

The Gym by @secretsynthetic

Very cute piece about meeting trainer!Gaz at a workout class. Kudos to Reader for making it through the class because I would've had to bail if Gaz perceived me for half a second. Love how observant and sweet he is in this.

Pluto by @groguspicklejar

Late to yet another party, but I got sucked in by the premise: 'vampire!Gaz is smitten with a girl who has no desire to be around his kind'. I love how the relationship progresses, the later chapters had me gigglin'. Except for that last chap. I got GOT.

ghost x reader

child free @391780

I tag it from time to time but one of my favorite things to see in fanfic is the love and intimacy of caring for someone. And that's what this is. Among my favorite oneshots I've seen shared in this fandom.

Roommate Simon by @tacticalgirlboss

Roommate Simon could go in so many directions, but I love this particular take. The slow evolution of the relationship from roommate to something else. Made me feel mushy as hell by the end.

Through Me (The Flood) by @peachesofteal

Another drop everything to read fic. Seeing Simon embrace a role he was not expecting to ever fulfill is both heartbreaking and heartwarming at the same time. Me with every installment.

soap x reader

mic work by @glossysoap

I have four words for you: Erotic audio artist Soap. Soap's hard at work (🥁), imagining best friend!Reader as the subject of his latest scripts. He is COMMITTED to his job. submissive Soap by @doeidawn

Dizzying. Schedule time to take a lap after reader. Something about that man begging. It needs to be studied and somehow distilled. Into what? I don't know, don't ask me, I can't think straight after re-reading this. bad reservation by @the-californicationist

I think I summed up my reaction to this in my tags: "reader's getting that michelin star dick". A prompt filled by Cali that made me giggle furiously for a smooth ten minutes after reading.

price x reader

Storm Chaser by @/the-californicationist

Save me, biker!Price...save me... Caution: You may need to lie down after reading. Truthfully, I'm terrified of motorcycles. But I would reconsider for this Price.

A Case of You by @alittleposhtoad

One of my favorite new series. A zombie apocalypse where you're hiding out on a remote island in Canada, and who finds you? Just my favorite man. Really enjoy the pieces of worldbuilding and seeing Price interact with what's left of Reader's community.

Words Like Violence by @deadbranch

BodyguardxBodyguard. Two professionals wanting one another and their jobs kind of getting in the way. Suits. Gear. Gloves. Pure catnip. An appearance from Simon that made me laugh, re-read, then rub my hands together like a raccoon.

141 x reader and other pairings

GhostGaz Week by @dragonnarrative-writes - gaz x ghost

Dragon knocked it out of the park on GhostGaz week. I love all of them, but 'afraid of the dark' and 'sweet talk' are two of my favorites.

An Offer You Won't Refuse by @lovifie - gaz x price

You know that clip of Kylo Ren screaming more? That's me, because this makes me want more GazPrice in my life. Delectable. Mean!Price and Gaz calling in a victory.

SCP!141 by @ghouljams - gen tf 141

Incredibly fun and freaky AU that I think has half of my lil circle of friends on here willing to overlook their personal safety to get at SCP-141....I may or may not be among them.

Fancy by @swordsandholly - 141 x reader

Subtle delicious morsels of worldbuilding and bleak, dystopian vibes with vampires. That should be enough to get you started. Had me at the Reba reference.

Tradie 141 by @/pfhwrittes - mix

The way I would be quickly banned from any worksite if they were real. The Tradie!verse is very, very important to me and I eat up every piece that comes out of P's big brain.

Autumn Embers by @/dragonnarrative-writes - 141 x reader

One of the most nuanced takes on the omegaverse paired with some of the hottest smut. The meta is a good place to start, imho, as it underpins the fic and bolsters the plot.

Mission Shenanigans by @kyletogaz - gazsoap x reader

Here's a taste: “You’ve got your tongue shoved in my pussy and you expect for me to be quiet?” Got it? Scurry on over for the oneshot that made me bluescreen at the end.

Service Dog Johnny by @void-my-warranty - ghoap x reader

Interesting spin on Ghoap x Reader that shows a level of intimacy between Simon x Reader (and by extension, Ghoap x Reader), that goes beyond the sex. Yes, the smut is fantastic, but the relationship dynamic hooked me.

Cool Girl x @/peachesofteal - ghoap x reader

As a former 'Cool Girl', reading this is both therapeutic and painful, and fuck me if I don't run to read every update. You will cry, laugh, tear your hair out, and enjoy it.

Fuck-ass mohawk by @sentientcave - ghoap x reader

Reader finally saying what I'm thinking. Fuck-ass mohawk. Hilarious piece. I definitely didn't finish this and think "oh dang I want Reader to be mean to ME". 👀

"romance" in the age of technology by @/pfhwrittes - soap x gaz

Let it be known that Johnny MacTavish is a giver. A good friend. So thoughtful of others. So while Gaz recovers from top surgery, obviously our Scottish saint takes it upon himself (literally?) to cheer him up. Funny and WHEW.

#sy fic recs #cod fic recs #cod fic #i'mma post the other one at a later date #authors if you want your work removed or tag removed please do not hesitate to let me know!

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londonfoginacup · 2 years

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A New Larrie’s Guide to Tumblr

A probably incomprehensible, certainly incomplete list of what you need to know; whether you’re coming from a different platform or discovering Larry for the first time.

My credentials

Hello! I’m Emmu. I’ve had tumblr since… 2008? Maybe 2009. I moved over from deviantArt and used Tumblr as a personal art blog for many years. I joined the One Direction fandom in 2014, so my 1D blog has 8+ years at this point. That being said, I will get on my soapbox a bit during this. Please excuse me, I’m quite passionate about cultivating a happy and healthy fandom.

What makes Tumblr different

The biggest thing that makes Tumblr, as a site, different from Twitter or Instagram is the rejection of algorithms. The “following” tab on your dashboard is in chronological order (and if it isn’t, you can – and should – change that), and the “for you” tab is both a recent feature and rarely used. Tumblr has very little algorithm, and the algorithm they have isn’t very good. It means that you’ll get the most god awful ads you’ve ever seen on this site, because they don’t utilize your data well. And that’s to your advantage.

Tumblr is a great place because you can curate what you see more than other social media. The people that you choose to follow are the only people that you see on your dash (unless you choose to follow tags, which I guess is an option? @lululawrence says “it is and it used to not do anything unless you went to the search page and then it would like autofill your followed tags options, but NOW they take those followed tags and plop them on your dash... SOMETIMES. usually only on mobile. but if there's only one new post in the tag, it shows you that post OVER. AND OVER. AND OVER AGAIN. IT'S SUPER ANNOYING ACTUALLY. SO I STOPPED FOLLOWING TAGS. lol anyway”).

So, the site is in chronological order. This is its biggest selling point.

There is also the opportunity for long posts. Masterposts. Things that are searchable without having to read through pages of screenshots or condensed twitter threads. You can write a whole lot more without worrying about character limit. People publish whole fics on here (I suggest ao3 for that, but tumblr is technically an option!).

Another important thing to know about tumblr is that the archives on tumblr run deep. There are newer larries here, and a lot of them, but you can also find older larries. People whose 1D blogs go back to 2010 or 2011. You can dive into the archives and read firsthand accounts of what was happening with One Direction or larry at that very time. Doing a bit of research means you find cute fetus pictures of the boys, but also you’re able to figure out for yourself whether something actually happened. Rumors always seem to spread quite easily and fandom memory always seems impossibly short, but here on tumblr you’re able to find out for yourself. That means the next time you hear about how xyz thing happened a long time ago, check out some of those archives and see what you can find.

Also, my personal favorite part of tumblr is that old posts are just as valid as new posts. Find a masterpost about RBB and SBB from 2015? Go ahead and reblog that; bring it back to the circulating dash. People will love that. Find a fanartist that you really like? Search through their tags, reblog anything you want. It’s not considered stalking or weird in any way. We love bringing back old posts here. Tumblr is a website where you’re not meant to just talk about the present.

The cultural difference between Tumblr and Twitter

Speaking of the ways that tumblr and twitter are different, let’s talk for a moment about the 1D fandom in particular.

I’ve held this theory for a while that the twitter (and instagram) algorithm is fracturing the fandom. Because twitter is so dependent on the algorithm, people are more likely to split apart and join smaller and smaller communities based on smaller, more specific opinions. Tumblr, being a place where you don’t just get a post on your dash because someone else liked it, doesn’t have those smaller cliques. There are larries, and there are antis.

(if you get really in the weeds, there are also larry shippers [who don’t believe they’re together but like to read it in fic], and houis [who think they were together but broke up], but I just don’t hear about them as much).

While I do occasionally hear about blouies on my dash, for the most part this is a culture that exists primarily on other sites.

On another note, because tumblr doesn’t have that handy algorithm, we have to work to make it a more active space. Likes don’t do anything here for anyone other than you, and it doesn’t really change anything about what you’ll see on your dash. Think of them more like the bookmark setting on twitter or instagram. Reblogs are necessary to get anything spread. Anything that you enjoy, or that looks interesting for any reason? Reblog it! That’s the only way other people will see it! And leave a happy comment in the tags if you’ve got one (more on that later).

And, while lurkers do exist in this fandom (and we love them), it’s important to get an icon and blog header that make you look like a real person. People on tumblr have long been in the habit of blocking shady blogs, mostly because of a bot problem, so if you want to lurk, you have to look like a lurker. Maybe reblog a post or two to establish yourself, and make sure you don’t accidentally look like an icon-less bot posing as a sugar daddy.

How to set up your account

Okay, so you’ve got a tumblr. Let’s take a minute to fix up the settings so that you’re not getting, well, the worst version of the site.

My advice is to start by going into your dashboard preferences and:

Turn off the best stuff first (it’ll just show you things you’ve already seen)

Turn off “include stuff in your orbit” (you’ll see terrible posts that are mostly NOT in your orbit)

Turn off “Included based on your likes” (again, you’ll see posts you hate)

Turn off “shorten long posts”. It’s a ridiculous setting that, like many things on tumblr, had potential but was rolled out in an incredibly unhelpful and user unfriendly way.

Once you’ve got that squared away, go into filtering and block any tags and content you don’t like, as that is always proper fandom etiquette. Not seeing things you don’t like is your responsibility, not the responsibility of the person posting them. I personally suggest adding the topics you don’t want to see to both the content list and the filtered tags list, as that gives a much better likelihood of posts that are particularly unsavory for you getting caught by the filters. Please also note this might need to be done on both desktop and the app separately as, depending on where tumblr is at the moment, these filters do not always carry over from one application to the other.

Now scroll down to tumblr labs. These are their experimental things. Some are good! Some are very bad. They do change, though, so this might get out of date pretty fast.

Personally, I enabled fast queue

And disabled everything else

ALSO, an important note, if you are using the apple app, you need to go in and turn off the adult content filter. No idea offhand where that is, but it means posts that include tags like “mine” and “girl” are blocked. It’s ridiculous.

Who to follow and how to find them

So, you’ve got a new tumblr and need people to follow. This makes sense! To really fill up your dash, I’d suggest the following

Find one person you like. There’s a good chance you know at least someone from twitter who also has a tumblr, so you can start there. If you’re not from twitter, or are looking to start fresh, you can dive into the search function (I’ve never tried finding someone this way myself, but searching larry stylinson or something similar would probably get you started)

Find the people they reblog from and check out each of their blogs! Follow people that make you happy

Follow some update accounts! Thinking of some off the top of my head, there’s @HLUpdate, @Stylesnews, @dailytomlinson, @HLDailyUpdate, or @neilswaterbottles (there’s definitely more though).

Follow some fanart or fic rec accounts!

I’d always suggest @1d-fanart or @hlcreators for art.

For fic, you could check out @hlficlibrary, @ficsyoumayhavemissed, or @thelarriefics.

Or, recurring fic fests! @onedirectionbigbang or @wordplayfics, which happen every year.

And if you end up not enjoying someone you’ve followed? Unfollow them! It’ll make you happier.

How to interact with posts

Tumblr is all about tags. Do you have a comment or thought? Reblog a post and say your thought in the tags. That way anyone you follow will see it, and the person who made the post will see it. This way a post doesn’t end up with a lot of cluttery additions that don’t mean a lot to the average person reblogging it, but if you browse the tags of posts you’ll find lots of interesting things. Tags can be used to keep track of things, too, of course — some people tag all pictures with who’s in them, or tag art or fic with tags that mean they can find them again. Tags are versatile! But reblog, don’t just like, and tag! The more you interact, the happier content creators are!

What not to do

Don’t repost. If you see something you like on tumblr, reblog it. Even if it’s a really old piece of fanart (like circa 2011). Reblog that old post! Reposting means people don’t get credit, and it doesn’t link back to them. That’s not cool, and in the long term makes fandom less happy.

How to cultivate a happy and healthy fandom

Send happy anons! Ask how people are doing, do question memes, say how much you loved fic/art/edits, etc.

Reblog art. Reblog fic. Reblog what makes you laugh. The more you reblog, the more other people see, the more the fandom moves! Content creators just want their things seen; every time you reblog, their phone gets that little notification and you’ve given someone a bit of happiness.

Unfollow people who annoy you. Follow people who make you happy!

If someone has a take about 1D that you don’t agree with, don’t tell them or send them argumentative anons. Find people who will agree with you, and complain to them privately. Or make your own post, not shading anyone, just presenting your own opinion and theories!

Remember that everyone is a real person. Cut them some slack when you find them being annoying. But also, unfollow. Curate your dash.

#I made this like #in the spring? or summer #and then felt like it was too pretentious to post lmao #anyway maybe this will help someone!#foggy essays #that's a tag that WILL have more in it eventually #once i write my essay about Carolina #...which i was supposed to do back when it first came out lmao

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hiemaldesirae · 2 months

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i have less than 24 hours left before i have to go through one of the most stressful days of my life so. heres a list of my fav radiostatic fic recs in no particular order

clarification: by radiostatic i mean fics where vox is 100% not the dom in the relationship. most of these dont contain explicit sex though, and im not recommending any straight porn fics here because you can easily find those with a click and search through the bottom vox tag lmao

most of these fics are unfinished, so be warned that i will not take accountability if you get attached to these without them being finished properly. in fact ill just laugh at you because then we'll be suffering together

now, that aside- starting off strong with some of the more popular fics:

RHTVS / Radio Healed the Video Star by Aspiring_Forest_Witch

notes: LONG fucking fic. like this guys almost 700k words long fic. one of the best things ive ever read in my life though and it has a plotline thats frankly more engaging than the actual showing of hazbin on amazon. so. you know. if you have the time to read it Please do you wont regret it

Unraveling Emotions by Xaelei

notes: one of my favourite fics ever on god. started my brainrot for dad!husk, portrays one of the most scrumptious radiostatic dynamics and is generally so very well written that i might end up trying to recreate one of the scenes in comic form. genuinely in love with this fic and im so glad i can say i was the first comment on this fic because my God its such a treat to see new chapters drop for this. unfortunately i havent had the time to write out a detailed comment as of now but if someone wants to let the author know that im still in love with their fic and will continue supporting it until i drop dead go ahead for me

Safe with Me by rillyrillo

notes: the prequel and main fic of this series is human radiostatic, though the sequel is set in hell. it comes with gorgeous gorgeous art and frankly one of the most exhilirating endings ive ever had the pleasure of witnessing play out. i recommend you guys check out their other fics too, the art continues in them + their radiostatic is written wonderfully across all universes!

A Month of Rut by Vylad

notes: this fic is very self indulgent to me. i love the way radiostatic is written in this one because theyre very soft and sweet, but others may not prefer it if theyre looking for freak4freak radiostatic. if you just want something to indulge in and relax with at the end of a heavy day though this is my #1 rec. i read this sometimes when i find myself crying at night lmao

Down, Up, and Back Down by CowboyEnthusiast

notes: made me sob like a baby. 10/10 no notes whatsoever read it for yourself because you WILL not regret it. i genuinely am always at a loss for words whenever i reread this because it is among the most gutwrenching but beautiful and poetic works that ive ever read and i think it deserves some recognition

Mind the Gap by ZLynn

notes: again, to reiterate, i do very much dislike the abusive!staticmoth portrayal i see in a lot of fics. but in this one... it's written so perfectly, i can definitely see it actually happening. i enjoy the way that val does still seem to care about vox, albeit in his own twisted way that eventually breaks and fractures their love and trust, and its just. Ugh. So fucking good

+ with the less popular but still wonderful depictions of radiostatic that i love to indulge in:

i'll give you a show (cause it helps fill the seats) by dead_and_dreaming

notes: absolutely shameless plug from me for my dear mk's work because i cant stop thinking about the way that she's portrayed al here. its actually insane how fucked up that stupid little deer is and i just. i really fucking love the way that their alastor is written, it's genuinely probably my Number One depiction of alastor ever. i demand more of this stupid little freak RIGHT NOW!!!!

Any of the fics by Rachello344 in the Hazbin Hotel Fandom Tag on their profile

notes: so remember when i told you guys i wouldnt be linking straight porn. looks away... okay in my defense though i read the smut for the characterization and their unique dynamics. its sooo interesting to see how their radiostatic is explored here and im honestly refreshed by the depiction of their relationship. im here for it !!!

The Read 'Em and Weep Series by TooManyPseudonyms

notes: so from what i was able to piece together (everything flies over my head when im reading, forgive me for my low media literacy) this is an au set before the hotel where (in the first work) al and vox are in a qpr relationship. in the second work this evolves into a romantic relationship, and the exploration of their dynamic through this is just... Yeah. please read it its 100% worth your time and so underrated it hurts my heart

Uneasy by Saezs

notes: this fic is one of the first radiostatic fics i read (the others being RHTVS and... i think i tried the 666 series, but it didnt appeal to me lol) and its actually just wonderful. i really love saezs's genderfluid vox and how supportive the other vees are of them <3 their portrayl of the characters puts a smile on my face whenever i reread their work

Heat Waves by HappyPRAWN

notes: i'll be fr dsmptsd hit me like a truck when i read the title but it is such an interesting debut! only at one chapter as of me making this post but the way the author wrote this is so engaging and it really makes me wonder what they have next in store for the fic

Do I have your attention now? by Chi_Chi25

notes: wow no way we have the same name... anyway ahem. ill be completely honest this ones a bit of a guilty pleasure for me. this fic is a bit fragmented and short, so for people who click off fics when they see imperfect grammar this one may not be for you. however if you can look past that, it has an engaging storyline and quite the juicy concept :)

Killer Ex by FanGirl48

notes: gorgeous, gorgeous little human! radiostatic oneshot. i love the relationship that vox and al have here... the reasons why they both stayed away from each other even though theyre still so very clearly down bad for each other... anyway. i think about this one a lot and i still go back to reread it sometimes lol

Negotiations by FanGirl48

notes: i didnt realize until i started making this list that this fic was also written by fangirl48.... go off queen keep feeding us (me). this one was a fic recommended to me initially by link nonny, and i can 100% vouch for how good it is. its got appletv interactions, radiostatic plus lucifer trying to navigate heaven, angels... basically everything needed for a very varied and well packed with flavour story

The diary of a Serial Killer by ShippersCave

notes: okay im running out of brain juice at this point but. yeah this fic is soooo self indulgent to me. this ones another human au, with al as a serial killer and vox as the journalist trying to conduct interviews with him. its got SUCH a good dynamic between al and vox, i encourage you guys to check it out and give it a chance even if youre not really into human aus.

My heart's been pierced by Cupid by ShippersCave

notes: pirate/siren au !!!!!!!!! RAAHH !!!!! i dont have to say anything else for this if thats not enough to get you to click then i dont know what is

System Shutdown by Swoolie

notes: i cant believe i nearly forgot about this one LMAO... vox goes onto a temporary hiatus and everyone goes crazy about it. im not really sure if this counts as radiostatic frankly because of the way its tagged but its so good i think you should give it a read anyway

Together in Radio Static by Anonymous

notes: QPR media husbands radiostatic au !!!! i love this one especially because it opens off with vox slapping alastor across the face for leaving him LMAOO (deserved)

What Has Been by Tianren

notes: another human au (YEAH YEAH I KNOW. JUST HEAR ME OUT OKAY i swear im cooking) look, as someone with religious trauma deeper than i can properly express and the worlds fifteenth worst parental issues, the depiction of vox in this fic just really hits home. i really adore the exploration of voxs past and how the themes of religious guilt and cults are woven in so far- and it blends very seamlessly with their human au, despite the characters eccentricities

you're too sweet for me by awestruck_atrophy and moonbeanies

notes: basically, vox and al make a deal where vox tries to help him out of the shackles or whatever that are bound to him because of his stupid dumbass lusting for power. its very intriguing so far and i love the setup and worldbuilding the authors have done, so you should check it out if you want a unique perspective on radiostatics relationship

candlelight by curtailed

notes: the best way i can think of to describe this one is like... fake marriage but instead of fake marriage its. fake roommates??? the author probably puts it better than me tbh. its super interesting so far, i cant wait to see where this one is headed especially with how unique its premise is!

Zero Day by Anonymous

notes: this one is like those time regression manhwas. you know, the ones where the protag goes back in time and proceeds to try and avoid everyone who made their life miserable- only to fail because for some reason now they're paying attention to them more than they would have had they stayed the same person. its certainly very promising, though! i do love indulging in time regression stories, especially when the mc is someone i love like vox. i really cant wait to see which direction this one is headed in :)

Never as Good as the First Time by IComeForFanficsNowin403

notes: okay. so, uh. um. so- this one is in spanish. HOWEVER its premise (serial killer alastor meets television star (?? i think. its not quite clear) at a party hosted by rosie, moves into his neighborhood to keep an eye on the pretty prey) is just so unique i honestly think its worth the experience to pull out google translate and try living the machine translated life. really. give it a chance. also its got beautiful art to go along with, so.. you know. thats just a bonus!

+ honorary staticmoth and one-sided/past radiostatic fic rec:

Freak-A-Zoid by Femalefonzie

notes: this fic deserves every single piece of praise its ever gotten because good lord. its SO good. i was not seeing the radiostatic twist come in, but it *is* mostly staticmoth. and also a/b/o but i mean. who *hasnt* indulged in a little bit of a/b/o before honestly

there are other fics that i personally like to indulge in, but i frankly wouldnt recommend to anyone else because they're either the kinds of fics that i myself can only bring myself to read after ive spent 8 hours at work crying into my pillow and need to look at something entertaining, or when im starved of content and cant be bothered to cook myself so i pull out the translator and start going at it. (technically i should know how to read french by now but. urgh. anywway..)

#ran rambles #radiostatic fic #radiostatic #fic rec #fanfic recommendation #hazbin hotel #honestly ive probably forgotten a few bangers but my brain is melted by now #if anyone wants to add their own recs feel free. these are just my personal likes #ive read stuff by arctic and addicted ofc but those ones are basically known by everyone afaik lmao. swm is known everywhere too #but thats a bit diff because it is part of an expanding series. so #anyway i didnt like some of the more popular fics like 666 or addicted but i know many people like those #and for good reason too because theyre wonderful! just not to my personal tastes and thats fine

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lizzybeth1986 · 4 months

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Drake and Kiara: When You're Fucking Racist

Series - TRR's Alternative LIs - The "Romances" that Didn't Happen

Previous - Hana and Madeleine: When You Reward Your Favourite Bully with One of Her Victims

A/N: Again, apologies for the length. There was a LOT to unpack in this one!! I'm really, really not going to be nice to Drake here. It was harrowing to go through a lot of these scenes again and I honestly don't have the patience or inclination to sugarcoat any of it.

CW: Mentions of gun violence and minimization of trauma. Mentions of racist fan vitriol towards a black character. Examination of the Jezebel stereotype.

Whenever I think about how unhinged the hatred towards Kiara (and especially towards Kiara's attraction to Drake) was, a specific edit comes to mind.

On the surface, it looks quite simple. Kiara in a white wedding dress, Drake right next to her in his blue formal suit. Both of them are smiling at the viewer. The background is a beautiful forest, and the entire picture is bathed in a lovely, muted sepia tone. A sweet, simple wedding scene.

The caption underneath this edit?

Classify under things no one asked for.

Kiara's dream come true!

The tags read "#i barf a little looking at this" and "#i must post to share the suffering". You find out in the comments that the OP created this edit inspired by one of the many fics where Kiara was Drake's stalker, and intended to make her creepy and deranged (but ultimately failed).

The comments are...tbh, things that this fandom has long since normalized and shrugged at when it comes to Drake stans. Multiple puke-face emojis. Multiple gifs signaling disgust. One stan even equates the ship name (Driara) to the word diarrhoea.

"She looks very stalkeresque and white "I drugged Drake so he's marrying me" wedding ready!"

"Well it's close to Halloween so we should expect scary shit"

"THAT is why I made that bitch my Maid of Honor...so she got the message LOUD AND CLEAR...it ain't NEVER gonna happen honey" (right below a barfing gif)

I wish I could say this example of Kiara hatred was the worst of the lot, or even the only one. It wasn't. I'm not sure even an entire essay would be adequate space to explore the sheer levels of vitriol, hatred and double standards dumped on this one character.

Until now, we've seen examples of alternative LIs that were treated with respect. With adulation. Often with kid gloves in case we hurt their poor lill fee-fees. Up until now, no matter what an alternative LI may have done, the LI matched with them wasn't allowed to treat them badly, nor was the MC able to get away with hurting them without punishment.

But in this series, Kiara was, is, and will always be an anomaly.

The Jezebel Stereotype

In most media, black women in particular tend to be subjected to a variety of stereotypes that often have serious, real-world implications. The Mammy, the Sapphire (that over time evolved to what we now know as the "Angry Black Woman" stereotype) and the Jezebel, being the most prominent ones among them. In this essay, I will be focusing specifically on the last.

An article in the Black Then website explains the definition and history of the trope this: "The portrayal of black women as lascivious by nature is an enduring stereotype. The descriptive words associated with this stereotype are singular in their focus: seductive, alluring, worldly, beguiling, tempting, and lewd. Historically, white women, as a category, were portrayed as models of self-respect, self-control, and modesty – even sexual purity, but black women were often portrayed as innately promiscuous, even predatory. This depiction of black women is signified by the name Jezebel."

So it isn't altogether uncommon to see stories where black women are juxtaposed against "pure", "innocent" white/white-passing women, and viewed as lesser. PB hasn't exactly escaped these stereotypes in their stories either - though there are a variety of characters and character types, we can't deny that there was a time when a black woman was made the antagonist, often in ways that were meant to measure her up to the MC/another white woman to her detriment.

(VoS screenshots from the HIMEME YouTube channel, ACOR screenshots from Vika Avey's YouTube channel)

Two very prominent examples of PB using this trope are Scarlett from VoS, and Xanthe from ACOR. There are other black women who serve as antagonists but in a more professional space, but these two particularly are measured on their attractiveness, sex appeal and "purity" in the narrative in comparison to either the MC, or someone close to them.

In VoS, Scarlett Emerson and Kate O'Malley are the sisters of the two male LIs (Grant and Flynn), but their treatment couldn't be any more different. Scarlett's role in the book is pretty short-lived. She's very prominent in the first half of the book as Kate's potential MOH who secretly hates her, before it's revealed in Ch 5 that Tanner was cheating on Kate with her (and that she'd loved him since she was a child). Notably, in that very scene, the MC places most of the blame on Scarlett (rather than on Tanner for choosing to betray his fiancée) by labelling the act as her seduction of him.

Thereafter she is either only mentioned, or has blink-and-you-miss-it appearances in one or two chapters. We see her in the "memory" portion of the bonus scene, but we are never shown what her future is like (even as minor characters like Miss Harleney get one!). Her bonus scene shows us how her bracelet ended up on Tanner's boat, and it is an uncomfortable scene to get through. Tanner berates Scarlett for having sex with him a week before his wedding, but it is she who points out that he asked her to come there! Yet the MC and others view her as the temptress who "seduced" Tanner, as if the man had no mind of his own.

The narrative often juxtaposes her with Kate, the pure, innocent, sweet fiancée (and she actually is! No pretence there) and the fandom lapped it up. There were many demands for Kate to be upgraded to LI status, which eventually resulted in PB allowing us to marry her if we chose. As I mentioned earlier, both Scarlett and Kate are sisters to two of our LIs - but one is made an LI, while no one bothers to even imagine what the other's future entails.

An even worse fate greets that of Xanthe, the sole female antagonist in ACOR. The slut-shaming and disgust over her overt sexuality is far more blatant here. And it is extremely ironic for Xanthe to be viewed in this way, because the MC herself is a courtesan and uses wiles to get men to do her bidding. While Xanthe herself is not perfect by any means - she is depicted as xenophobic and callous, going as far as to mock Syphax when he is sent away to a possible death as a gladiator - the MC's targeting of her goes beyond just her "righteous indignation" and develops into a form of hypocrisy. She has no qualms mocking Xanthe for her direct approach or her skimpy red dress (even though the MC herself wears a skimpy red dress and can seduce a man in a temple not too long after).

The end Xanthe meets is horrific in its implications - the black matron of her scholae (who began by promising the MC herself that "you need do nothing against your will") sends her away to sexual slavery in Sicily, while the black man who was one of the few bastions of morality in the book, escorts her, smiling, to the ship that will take her there. As far as the narrative is concerned, the end was well-deserved...even though PB has had no issues allowing white women to do far worse without any punishment.

We cannot view what ACOR did with Xanthe in isolation. They had built up to it early on - from the MC's reactions towards her, her patrons' dismissiveness of her, the MC's LIs' viewing her with derision and zero respect. The MC - despite her own unscrupulousness - is viewed as the "noble whore" to Xanthe, yet it is clear on even a surface read that there is not much difference between the two women.

The Jezebel stereotype, ultimately, is about dehumanizing the black woman it focuses on, so that her actions and choices are viewed as deviant from what is "normal" - feeding into either responses of disgust and derision, or a desire to objectify her. To some readers, it makes whatever awful or comparatively unfair end they meet, more palatable. Scarlett and Xanthe are not viewed as people by the narrative - especially not the way the MC of their books or even white female antagonists are. No one cares for their backstories, coos over their losses, wonders if they are okay. When they meet their inevitable end, the characters and so many in the fandom alike just shrug and move along.

How does a character like Kiara fit into this? Her smarts and linguistic talents are her most prominent traits, and while she does have feelings for Drake, she never really acts out-of-pocket towards him (more on this later). So at least from what we see in canon, there's very little about her that seems to apply to the Jezebel stereotype. Yet, the fandom is not only inclined, but eager, to view her as one. Kiara's feelings have been viewed in a far more predatory light, perhaps more often than any other female character in the series. Why is this so?

A response I have often seen - on reddit, on Kiara's wiki page, at times on Tumblr too - is how there is a "certain something" about Kiara that people "just don't like". Many players who prefer Penelope to her are often very aware of what she has done, but still insist they like her far more than they do Kiara. On a reddit thread about questioning the logic of having Kiara and Penelope as options for the MC's MOH in TRR3, certain players commented thus:

"I don't know why, I just dislike her a lot. Penelope is fine to me, but Kiara irritates me." (said commenter is an Aerin stan)

"I liked Penelope, I thought she was nice. But Kiara got on my nerves."

In her book, The Sisters Are Alright, Tamara Winfrey Harris makes an eye-opening (to me at least!) observation about how misogynoir works:

"Misogynoir, abetted by dehumanizing caricature, is like water. It fills its vessel, taking many forms, and then overflows, creeping unnoticed into the cracks of things, rotting the foundation. It spreads a belief in Black women’s inherent wrongness." (Italics mine).

Now of course, if I were to ask the current fandom, they would come up with a range of reasons. Some that emerged from fandom myths and became more popular than the truth in time, some from PB's excessive pandering to players that hated her. But the root of it all is in a certain "je ne sais quoi" that makes her automatically unappealing, resulting in those readers leaning towards misreading or misremembering her scenes, misrepresenting her motives, or watering down the impact of worse actions from whiter women. It results in a group of writers (who have thus far gone to the extent of retconning the worst of a white woman's actions just to make her look good) leaning into such readings, even when they're not true.

TRR1 Kiara: Pragmatic Courtier or Backstabbing Snake?

"Kiara is fake", "Kiara is a snob", "Kiara is self-serving", "Kiara promised to be friends with us but dropped us like a hot potato the moment we became unpopular". These are some of the most enduring takes about Kiara in the past few years, and readers who say this usually bring up a vague recollection of TRR1 and 2 as proof. Mostly that "Kiara was our friend" in the first book, and left us hanging at the beginning of TRR2.

Is that reading based in fact, though? Let's take a look at TRR1!Kiara and find out.

We are introduced to Kiara (along with Penelope, and standing next to Hana) in TRR3 when we meet Liam's other suitors. Olivia introduces each woman differently, and the descriptor she uses for Kiara is that she is the "daughter of a diplomat and fluent in ten languages" (note: Kiara never boasts of her linguistic skill, Olivia does. Nor are there any scenes of her looking down on anyone who doesn't speak her mother tongue French, unless of course you accidentally ask her to sleep with you).

Both she and Penelope note immediately that the MC doesn't quite fit in - if the MC questions the women about being allies with Olivia, a woman who calls them "harpies", they view that as an overreaction. When the MC tells the ladies at the Derby about getting lost, Kiara finds her tardiness and inability to fit in, a sign that she cannot keep up with the competition. Until the chapters in Lythikos, Kiara's and Penelope's characterizations are almost interchangeable, personality-wise. It is likely the team envisioned them more as European nobility rather than specifically Cordonian (based on Olivia's introductions), and they are both depicted as poised, refined and aware of their place in court.

It's in Lythikos that Kiara, at least, begins to show a more distinct personality (for Penelope it's after the Regatta). Unlike the rest of the court, who watches Olivia's unwanted kiss on Liam with either mild shock or disinterest, Kiara is angered by what she sees as a very obvious power-play - which gives the MC the opening she needs to gain an alliance.

Now this "alliance" scene of Kiara's is interesting, for two reasons. One is that fandom often uses this scene to establish her "double standards" in TRR2, claiming that Kiara opted to be friends with the MC. Yet nowhere in the scene does the MC or Kiara ever suggest a friendship with each other - they both agree to an alliance. Furthermore, this is an arrangement that benefits the MC more - there isn't exactly anything she contributes (or is expected to contribute) to Kiara from her end. Kiara's promise is that she will put in a good word in the MC's favour, and she upholds that promise throughout the social season.

Another is that among the courtiers, Kiara herself is the first person to identify and respond to the MC's potential if she shows it at the Derby and the tea party (though Hana is also a courtier, I view her strictly as an LI in this context - since her support is by default and is founded on a more emotional basis). Not many nay notice this, but there is a distinction between how Kiara responds to an MC in a successful play vs a failplay...in a way that none of the other suitors do. Take note of the screenshots below:

The top two pictures in this collage are dialogues that feature by default. The bottom two, however, are dependent on branch-coding. They only appear IF the MC has managed to win the approval of the King, the Queen and the press. If you don't succeed in the same, she will not mention your performance in the social season at all, nor will she say anything about the value of your alliance.

That is a far bigger deal than most players of this series realize. It means that Kiara has been watching us closely, and has understood our potential over the course of just three court events. Only two other characters are shown tracking our progress this way: Bertrand (who is our sponsor, so he has to keep track) and Queen Regina (who can guess already her stepson's feelings for the MC, which automatically makes her a person of interest). For Kiara to understand the MC's capabilities, and to openly admit she has potential this early in the competition - it takes a high level of rationality, honesty and pragmatism to come to such a conclusion. Unlike Olivia (who lashes out in jealousy at the MC), Penelope (who has to be told why exactly it's good to have allies), and Madeleine (who dismisses us as competition until it's too late), Kiara actually views the MC with a discerning, impartial eye and an objective approach.

So on the surface, it appears as if Kiara is written by a team that likes her! You could almost be convinced that they thought she was cool but were forced to pander to "crazy Drake stans" in their writing later (which is an argument I have heard often). After all, she's established as beautiful, skilled, smart and observant. You wouldn't do that for a character you don't like, right?

But even as early as TRR1, a disdain for Kiara creeps in from the writing that you rarely see for any of the others.

This is especially apparent when you look at how Kiara's proficiency with language is spoken about. It is supposed to be her most visible skill - Olivia identifies her by it, we see her peppering her English sentences with French words (of course, many may argue that she doesn't exactly sound like an actual French person...but let's remember that her writers aren't exactly very used to the language themselves or interested in doing extra research for authenticity!). As we approach the end of the first book, there are at least two dialogue options that result in people doubting her abilities or mocking her for speaking only English and French most of the time.

In TRR1 Ch 16, Madeleine optionally speaks to the MC over phone (believing her to be a reporter taking her interview) about her thoughts on Kiara. Kiara's tendency to speak mostly in French and English is supposed to be a sign that she "exaggerates her accomplishments". Mind you, this is from the same woman who claims to be the best choice for Cordonia despite her poor strategies and her antagonizing potential allies during the engagement tour (TRR2); who complains if the MC doesn't compliment her for mediocre work as a press sec (TRR3). The MC can also choose to diss Kiara in a similar way, treating Kiara like she is a circus performer and her skills as if they are meant for the MC's entertainment. The only solace I could derive from this dumpster fire of a dialogue option, was that Kiara managed to shut the MC up with her multilingual response.

No other time are we allowed to call a courtier's abilities and skills into question. The MC accepts on faith that Olivia is a badass with great fighting skills. Same with Penelope's ability as a seamstress. The MC is never even allowed to have legitimate complaints about Madeleine's work as press sec, besides maybe that she could "be a little nicer". So the fact that the writers not only have other characters doubt Kiara's talent, but also allow people to mock her about it in all three books...is really something.

Another possible indicator of this disdain is the fact that Kiara is the only suitor who never gets a chance to actually interact with Liam on-screen. Even Penelope, a fellow minor character, can approach and talk to him twice...and her gift to him is shown in Ch 18 whereas Kiara's and Hana's aren't. Despite the fact that Kiara is a potential suitor, the story never allows her to interact with Liam. She doesn't exactly have any interactions with Drake in this book either, but honestly nor does any other couple have much time together besides Liam and Olivia.

Drake and Kiara hardly seemed to be a possibility back in TRR1. Drake himself didn't seem to associate with anyone besides the MC and the group in the first book (and even with the group his interactions were infrequent). Kiara herself doesn't have many scenes that aren't related to the court or to the competition, even once she is no longer participating. The closest she comes to any sort of association besides Penelope, is a friendship with Hana that begins sometime before the Fox Hunt. Drake and Kiara never actually have any scenes together, or interactions, or references. It is likely that the idea to pair them up was entirely a Book 2 thing.

On a fandom level, neither Kiara or Penelope garnered much attention or fan reactions. They weren't noticed much, nor did you see their scenes too often. Probably that is why it was so damn easy to remember Kiara's entire equation with the MC wrong. Why certain stans of the book were able to get away with misrepresenting the relationship between her and the MC in TRR1, to hate on her in TRR2. I will not deny, though, that certain dialogue choices from PB (like "I thought we were friends!" in the Fydelia scene) may have had a hand in those beliefs becoming the "truth".

TRR2 Kiara - Pragmatic Courtier or Backstabbing Snake (Part 2)

I plan to get into the way the Drake and Kiara angle is framed in canon, but before that it's important to tackle that one elephant in the room - Kiara telling the MC the alliance is over. Because very often, people used this scene (coupled with their misinterpretations of Book 1) as their "justification" to hate her. Often, people would choose the ruder options (such as the Christmas card dialogue) and assume that Kiara was rude by default, rather than as a consequence of the MC's behaviour towards her.

Kiara and Penelope are the first to express surprise at the MC's return (and their reactions are shown as representative of the rest of the court). Kiara in fact is shocked that the MC dared to return (which is kinda warranted! Several people in these early chapters view that as a risky move, a gamble that could backfire on her. That's why Bertrand gets her a press secretary). Their scene with the MC immediately follows the MC's conversation with Liam and Madeleine (and mind you, in the option where the MC can tell her she was set up, Madeleine herself voices disbelief of the same. Conveniently, this is never used as a reason to hate her). Both women let the MC know of their change in status, and therefore the change in their relationship with her.

What gets missed overall, is that Kiara is a lady-in-waiting (which is an actual role with specific duties) to Madeleine, which means her loyalty now has to lie with this woman whether she likes it or not. For her to even agree to approach the MC and explain the situation, is a risk. In at least two dialogue options in this scene, she tells the MC straight-up that they will be in trouble if they're even seen talking to her (this becomes a moot point by Ch4, mostly because Madeleine herself is shown talking to the MC and allowing her into conversations in public, once Hana arrives).

Penelope is often viewed in a better light in this scene because of her obvious friendliness and her sadness at no longer being the MC's friend, but once you have the reveal of her being a traitor, her behaviour in this scene seems wildly disingenuous, and I'm surprised more people didn't call her a fake when the reveal came out. She had to know the allegations against the MC were fake when she rushed to hug her, having been an integral part of that fabrication. It makes her lament when she's caught, in the failplay, ("I can't do anything right. You were never supposed to find out!") that much more chilling. She is eager to have the benefit of the MC's friendship and emotional support, without ever being honest about her role in smearing her reputation.

The other was that - no matter what you may choose to think of this scene - Kiara was placing herself at risk to let the MC know it was over. Approaching the MC was the right thing to do, but what is never spoken about is the fact that it was also a brave thing to do. Rather than ghost the pariah of the court and never give an explanation, she tells her honestly what the situation is, and strives to protect her impulsive friend (who could get both of them in trouble) at the same time.

When you view Kiara's actions from that lens - when you look at the facts - suddenly the claims that Kiara was "fake", "a flip-flopper", "a backstabber", "unscrupulous and self-serving", sound pretty hollow.

TRR2: The Drake x Kiara "Romance" Begins...and So Does the Vitriol

So...an interesting thing about the general reaction to Kiara in the early chapters of TRR2. I was new to the fandom when this book was released. There was an annoyance at Kiara when the first chapter came out, but to my surprise it didn't exactly become full-blown hatred until she started showing an interest in Drake in Ch 3.

This book is often used as a reference by Drake stans when they speak of Kiara as an obsessed, stalker-type, sex-hungry woman - often in contrast to their "pure", "innocent" MCs. Basically...the Jezebel. But the five scenes we see of this ship in the book itself tell a completely different story:

1. Drake Helps Kiara Lift A Heavy Beam (TRR2 Ch 3)

Chapter 3 is perhaps the first time we see an indication of Kiara's attraction to Drake on a physical level. The scene takes place at the barn raising, but only if we choose to stay with Drake over Hana for the barn raising activities. Kiara shows up in a rather pitiable state - her friend Penelope abandoned her for thirty whole minutes, leaving her to lift incredibly heavy beams alone. Drake helps Kiara and mildly chides her for not asking for his help, and Kiara stares at his bare chest, mesmerized.

She isn't exactly alone in this - the MC herself ogles at his bare chest at one point (if we go by the lines in the narrative that read "his muscles glisten in the sunlight" which is def from the MC's PoV). This scene was meant as fanservice for stans who wanted to drool over Drake's physique for a bit, and belatedly build up an alternative (at least for all three male LIs, they were trying to do this in TRR2).

The MC can either point out Kiara's obvious attraction towards Drake, or suspect her of being part of the plot. This will not be the last time the MC or the group will view her with suspicion, with little to no basis in fact. In the option that calls attention to Kiara's attraction to Drake, she is shown covertly sneaking a second look at him. Drake is shown with a visible discomfort at even the idea that Kiara could like him, one that only the MC notices considering she is working in proximity with him.

The reaction to this was instantaneous from several Drake x MC shippers. One or two glances at Drake's chest was enough for Drake stans to begin typing posts in capslock, screaming "BACK OFF KIARA HE'S MINE". The excuses given at the time were that the MC didn't get much opportunity to romance him (Drake was trying to refrain from kissing her in Ch 2 because he felt guilty), and largely-inaccurate judgements of Kiara's character. Jealousy of this kind is sometimes seen as the norm when you have a popular ship and a third angle is created, but this was about to take form in some...very disturbing ways in later chapters.

2. Kiara was Once Savannah's Friend/Kiara's long-standing crush on Drake (Ch 4)

A misconception I often see in the fandom (particularly in relation to how Kiara's feelings for Drake aren't given the same level of consideration that Olivia's for Liam is) is that Olivia's are "more genuine", and Kiara's are "mere lust" or "only physical" and this is probably why she's not given as much respect as Olivia was. Even though, tbh, Kiara was far, far more respectful of Drake and his personal space, than Olivia was of Liam in TRR1.

Leaving aside the obvious problems with that train of thought (viewing sexual feelings as "lesser" just because they're not rooted in some intense emotion), this is not even true, and the first part of the Driara garden party scene is proof enough. Kiara says, straight up, that Drake had been "such a good friend to [Liam]. It's part of why I always liked you." (Bold mine). If the MC voices doubts about this (likely incorporated for readers who would question it as a retcon...and it was a retcon since they didn't interact in TRR1), Kiara tells her that she doesn't wear her heart on her sleeve, which actually matches her practical approach to most things. In fact just a few scenes earlier, when the MC questioned her about wanting a husband (when she'd mentioned earlier about wanting to join the ministry), Kiara informs her that it would never hurt to have both. So it makes sense for her character if she's someone who kept her feelings for Drake a secret, especially while in a competition for winning the Crown Prince's hand. But we cannot, in any honest capacity, claim that Kiara's feelings for Drake weren't deep enough, or lasting enough, or genuine enough. At least based on the evidence we have.

Another point this scene brings up is Kiara's friendship towards Savannah. Up until this point, the only people who did reference her were Olivia, Drake and Maxwell - and Olivia's mockery of especially seemed to imply that the ladies of the court weren't very nice to her. Kiara's account is very different from this, and actually quite affectionate ("she was one of us", "she was coming along so well in learning French"). It's not the closest friendship, but Kiara did care enough to tutor her in the language and clearly missed her. It is possible that this scene was positioned to both build up to the alternative romance and foreshadow Savannah's presence in Paris. There is a lot more that could have been done with this angle, but perhaps that is a discussion for another section.

3. Never-Have-I-Ever (Ch 9)

This is a small option in a drinking game - the MC can get to say "never have I ever had a crush on Kiara", and loses, because Drake says she isn't his type (ironically he claims he isn't her type in the next chapter). It's interesting that he does consider her as not as bad as some of the others in that group.

3. Flirting with Drake in Paris (Ch 10)

For five chapters, we don't see any more hints of this romance. We see Drake in plenty, and we see quite a bit of Kiara. But none of it shows them together.

Kiara's scene with Drake at the tea party, is in some ways a continuation of his diamond scene with Savannah. He knows now where his sister is and what her big secret was, but this scene is where he realises how little he actually knew about her, if even her "noblewoman friend" knew she had intentions to go to Paris and he, her brother, didn't. This scene also takes place at what I call a "rest period" in the story - the group has just come out of a high-intensity altercation with Bastien, and it is one chapter before the major reveal about Constantine. So the MC can relax a little, some of the loose ends of previous stories can be tied up, and we get a vibe check on at least two alternative ships.

Drake is rather civil to Kiara in this conversation, mostly because he's trying to get information about his sister out of her. There isn't much he contributes besides this - it doesn't seem to matter much to him that Kiara was a rare friend among the court to Savannah (tho TRR3 would later retcon this), and when she talks about herself he doesn't pay much attention. Kiara does make an attempt at a light flirtation which goes largely unnoticed.

The MC's response when she first sees them goes three ways - a neutral comment about the petit-fours, a "matchmake-y" comment that points to them that they "look cozy", and a "jealous" comment about interrupting them. The third one especially results in Drake inadvertently confirming he doesn't think of Kiara in a romantic light, and Kiara appearing disappointed. Remember, at this point she doesn't see much evidence that Drake and the MC romancing him are an item.

The follow-up conversation with Drake, too, follows along similar lines. The neutral comment just asks him about the information he gathered from Kiara, the "matchmake-y" one points out she has feelings for Drake and the "jealous" one is... something.

The third response is very obviously crafted for the more possessive Drake stans to get satisfaction from dissing Kiara, perhaps in a more aggressive way than the Maxwell stans could. While the Maxwell MC can pass an insult or two to discourage Penelope, the Drake MC will go as far as to tell him he belongs only to her, and can threaten to "push her into the petit-fours".

Ironically, this scene follows a scene with Olivia about her lingering feelings for Liam - and Olivia's grief, the MC's clear sympathy and Liam's concern for Olivia are all by default. There is a certain level of sensitivity the Liam MC is required to have for Olivia that is never once expected of the Drake MC, and that plays out in very dangerous ways in the next book.

This scene, again, brought forth rather violent reactions, and in fact the language of the MC's responses itself seemed to encourage that kind of response. A poster later compiled an entire set of these responses ranging from mocking, to "back off, Kiara!" to straight up demands for murder (I couldn't link to this post because the names of the people involved were included in it, but I do have quite a few of those screenshots for reference).

After this point, you don't see any more scenes where Kiara actively flirts. In fact for most of the second half you see her and Penelope very rarely. So it does feel really wild in retrospect that "obsessed Kiara" became such a popular interpretation, after one checking-out scene, one flirtation and one rather sweet and genuine compliment of him as a person.

4. Pranking Kiara (Ch 17)

A pattern you would have noticed by now is that there is a bit of a mean streak in Drake for Kiara that is either very dominant or latent, based on whether the MC tries to encourage him, or shows jealousy towards her.

And this isn't necessarily an indicator that he can never be interested in Kiara. A distrust for nobility is almost a norm for him at this point, and let's not forget that Drake's first few interactions with the MC too didn't exactly leave her with the best impression of him either. Kiara initially being on Madeleine's side at the beginning of the story could be a factor in some level of disdain too. Such complications could - in a good story - add layers to a potential romance in the future if that was the direction the writing was going for.

Around the MC who doesn't mind them as a pair, he shows a small sliver of an inclination towards Kiara herself. His response if the MC points out that Kiara was flirting with him (Ch 10) is that he doesn't believe he is Kiara's type, not the other way around. In this scene, a drunk Drake who is encouraged to write a "nice note" to her as a prank, can write "your hair is pretty and your French is totally not stupid". Both of these lines present a sign of a possibility that a romance could happen. His behaviour when an MC casually hints at this possibility, is of someone who may like this woman deep down, but show it in very strange ways (akin to the age-old metaphor of the "boy who pulls the pigtails of the girl he has a crush on"). They wouldn't have even needed to show his responses in this way if they weren't trying to hint at a possibility.

His response to a "jealous" MC is to delightedly bask in her possessiveness of him, and to go hand-in-glove with her as she insults or suggests violence on Kiara in any way. Now one could perhaps headcanon this as a behaviour that comes from being unused to female attention focused on him, coupled with his affection for the MC - but when you take into account his behaviour towards Kiara herself in TRR3 as well, there seems to be a blatant lack of consideration or compassion towards her as a human being. Compare this, again, to the way Liam's behaviour towards Olivia is written in canon, and interpreted by the fandom. Liam is expected to be kind to her, even if he's clueless about her feelings or if she is harming him (eg. Even when she kisses him, he cares enough to opt for a reaction that will not publicly humiliate Olivia).

Not so for Drake. He is very happy to follow in the MC's lead, even in hurting Kiara. And in this scene, he pretty much kickstarts it with the suggestion of a prank.

Drake knows where Kiara's room is (thanks to a nameplate on the door, and the familiarity of the hallway, which he likes for the view outside) and wants to prank her. The MC can either accept or refuse. If she accepts, there is one nice option, and two distinctly mean-spirited ones. The first proposes to mess up her book organizational system, and the narrative describes the attempt as "ruining any semblance of order to Kiara's bookshelves". These are materials she likely requires for her career as an aspiring diplomat, or even books she uses to update herself on the world. But to this MC and Drake, her work and interests are little more than a joke.

The second one is not only aggressively mean - it also is an attempt to ruin her personal space with her personal items. Going by the array of haircare the narrative mentions, maintaining her hair is very important to Kiara (I am not equipped enough to speak about black women and their relationship with their hair, but this option did make me very uncomfortable, because of the little I've seen on how essential regular haircare and good products can be for many black women). Not only does the MC suggest using all that product to render Kiara's bed practically unusable, she also insists Drake waste the full bottle of said product. Because, yknow. "It's a prank. Go big or go home". Drake has one moment where he tries to be less mean in this option (when he attempts to use less of her hairspray), but the moment the MC encourages him towards a crueller direction he does not hesitate. In fact, when the MC first suggests this option, he regards her with something approaching awe, and praises her as "an evil genius".

There's a mean streak in Drake here no matter which option you choose. If you do go for the nicer one, he complains at first that it's not exactly a prank and in fact does claim that they "could still put glitter in her cupboard" as an alternative prank. But the other two options encourage the player to give full vent to whatever underlying frustration/enmity/hatred one could possibly have against Kiara, goading a drunk Drake to be merciless towards the things in her room, in her absence.

Maybe, perhaps, one could just view this as a "fun vent" for the "possessive stans". It allowed the Drake MC and her LI the chance to gang up on her, mock her and cause her discomfort through things that were clearly important to her, treat her like the butt of their joke, and get away with it. When you encourage that kind of hatred with your writing, it can go into some very dark, disturbing places. And it did, especially in TRR3.

The overall response to this scene didn't show much, since it was just one small sequence in a larger scene - and most of the focus was on the heartfelt bonding between Drake and the MC when he takes her to his "special hideout" and his reveal about his motives behind calling the MC by her surname.

Many Drake stans, however, took note of this specific section, and took their interpretations in a completely different direction. Questions were asked about why Drake knew about Kiara's room - completely ignoring that he frequented the hallway regardless for its view and her nameplate is literally placed outside her door - and several fans suspected the two to be involved in an affair just on the basis of him knowing where her room was. These suspicions, again, would crop up from the fandom in a more dramatic way in TRR3.

5. Drinks at Homecoming Ball (Ch 19)

This scene takes place in the finale, just before Kiara and Penelope apologize jointly to the MC for their comments in the beer garden.

Drake is, quite predictably, at the bar in this scene. In some ways one could draw a parallel between this one and the "bar" scene between him and the MC in TRR1 - the only differences being that the two were alone in the first, and that he and the MC are free to romance each other now. However this time, the two ladies of the court could also communicate with him about drinks, and he could use his knowledge of alcohol to guess their preferences.

The scene with Kiara is, again, written to be both a possible sign of familiarity and a diss (mostly the second, I think). With Penelope he just vaguely mentions cocktails and focuses on the decoration for the drink - with Kiara he is able to name the specific wine even though in TRR3 he has no idea what tannins are. There are ways one could envision that as a sign that he notices more about Kiara than he lets on.

The diss, of course, comes with his claim that no matter how top-shelf the wine is, it will still always be "old grape juice" (which is a very strange thing to say because most alcohols are fermented from basic ingredients be it fruit or grains - where did he think his high-quality whiskey that he regularly carries around in his personal flask came from??).

Kiara's attempt to impress him is pretty obvious, but the diss isn't something that weighs too much on her mind. There are less indicators here of a dejection if he brushes her aside, unlike the scene in Ch 10 - she just looks a bit surprised he could guess the exact drink she wanted. Kiara in this scene is more likely to shift gears to something more important. In this case, that is apologizing to the MC for what she views as poor behaviour that sprung up under the influence of alcohol, and offering her an olive branch (the specific apology is for her asking the MC if she came to gloat, not for telling her the alliance was over at the beginning of the tour. In that scene specifically she feels she has nothing to apologise for, and I'm inclined to agree for the reasons I stated in that section).

The overall pattern for this ship seems to indicate that it's...kinda there in case the MC doesn't want to pick Drake, but I always feel like they focused a lot more on the jealousy options and didn't spend enough time to see what a possible relationship could look like. They do claim later that Kiara's affections were supposed to be one-sided, but the buildup at least seemed to indicate some small baseline of interest from Drake's end, even if shown in some rather bizarre ways. However, because there seems to be very little respect for this character already, having the MC threaten violence and having her and Drake overreact over what were essentially harmless interactions from Kiara's end really does indicate that the writers didn't mind taking potshots at her whenever they felt like it. Like I've said before, the trashfire that was Kiara's treatment in TRR3 didn't develop overnight.

Smart, Skilled...Disliked?: Kiara and the Writing Team in TRR3

On 25th Sept 2023, PB released a two-chapter series on Storyloom called "Choices Secrets", which involved at least three writers (Andrew, Kara and Chelsa) talking about ideas and plots and backstories that didn't make it to the released book. In one section, Kara Loo speaks specifically about the ending of TRR2:

According to this account, the original idea was to kill off Olivia and possibly use that as a segue into the Nevrakis plot of the book, since her aunt and Justin were the real villains at the end of the series. When they decided to keep her alive in the series, Kara mentions finding "more members of your group get injured, like Drake".

Interestingly, Kara referred to "members" in the plural, and Drake is the only person from the core group to get shot. So it's just as possible that the choice to have Bastien, Justin/Anton and Kiara sustain injuries, was made once they decided to do away with the storyline about Olivia's death.

Olivia got spared because her writers cared for her. Kiara was likely one of the people injured in her stead, and probably the only one out of them (except for the one who was the main villain) who wasn't getting a prominent scene that focused on her being a survivor of the attack until some readers protested (the entire intro of TRR3 was dedicated to Drake recieving tender care from the MC, Bastien gets showered with concern and care from Constantine, Liam and optionally the MC. The MC comes to the estate, makes a perfunctory mention of the injury once and proceeds to emotionally blackmail Kiara into joining the tour. Let's not even talk about Lythikos. That shit warranted its own essay). No matter how much you downplay the situation, the truth is that Kiara got grievously hurt in a terrorist attack and her writers didn't think it was important enough to address.

I often wondered in the beginning, why Kiara was chosen for this. A close friend at the time theorized that perhaps it was done to ensure Madeleine would become our press secretary, because there was no way the MC would be considering her for this position if someone less hostile (like Kiara) was around. Another wondered if we might get opportunities to address palace security through the experiences of the survivors. Being a Drake x Kiara supporter at least by the end of TRR2, I wondered whether it was a coincidence that they both were injured at the same ball, and the possibility of the two bonding over such a painful experience.

Well. Boy was I about to be disappointed.

Because why did Kiara have to be so badly injured, if it was going to amount to nothing? If they weren't even going to address it in her own home? If - after even players who didn't care much for her, noticed the silence around that attack - the best you could offer was a scene that followed the MC and her friends suspecting the victim of this attack??

Had I looked at Kiara's narrative treatment (from TRR1 onwards) closer back then, perhaps I wouldn't have expected so much. It would have occurred to me that maybe they hurt Kiara the most, because they cared for her the least. Kiara is viewed as smart, poised, talented. Madeleine even calls her "one of the more competant courtiers" at some point. But that doesn't always mean that the team that writes her deems her worthy of respect.

For one, the writers tend to lean more into fandom perceptions of her in this book, rather than looking at their own canon. Kiara being a snob is not canon - that is ridiculous considering that she was such good friends with Savannah, and her support of the MC when she fits in well. Kiara acting like her linguistic skill makes her better than anyone else isn't canon either - nor is she obliged to speak in all ten languages on a loop just for the MC's or Maxwell Beaumont's entertainment. Kiara being perpetually mean to her best friend is inaccurate at best - she is often frustrated by Penelope, sure, but she spends far time and energy helping her than anyone else in that court.

Yet the narrative gives both these statements as dialogue options for the MC, where she can bitch about Kiara...but somehow only ever allows the same MC to be nice and caring and loving to Penelope - never once reminding her of the hell she'd put the MC through in the past. And because the fandom expected the Kiara-Penelope friendship to focus only on Penelope, PB got away with having Kiara's "best friend" stay conveniently silent as the MC berated her in her own home. The narrative even threw Kiara under the bus in TRR3 Ch 16, in order to make Madeleine look better in Hana's memories of the TRR2 bachelorette, claiming falsely that Kiara shouted at Penelope so much while drunk, that the latter was brought to tears. There is way more energy spent in painting an inaccurate and negative portrait of Kiara, than there is in showing the truth.

For another, the way the courtiers' and their parents' agreement to join the tour is coded...is extremely suspicious. When you compare both a successful and a failplay, you will find that all the parents have the chance to reject the MC's proposal to join the tour...except for one. Kiara's father, Hakim. In a failplay where you purposely do all the wrong things...out of the entire group of people who are still doubtful about supporting you, only Kiara and Hakim join your tour by default, without any expectation of a reward (Madeleine demands her own department after the wedding). They will be a part of it no matter what you do, no matter your failures, no matter how badly you treat them.

Hakim may have joined mainly to confront his old friend the King, but he still stays on even after Constantine dies. The writers made sure to branch-code things in a way that Kiara and Hakim could never drop out even if the MC was awful to Kiara, and never once acknowledged what it must take for them to do that. After Kiara herself had been fucking stabbed!!!!

Joelle, Kiara's mother, and Ezekiel, Kiara's brother, can reject the offer if they aren't impressed with the MC, but out of these two characters only one is viewed with respect - the one they were going to pair up with Penelope.

The narrative doesn't mind letting the MC mock Joelle for her passionate support of the arts if she doesn't win her approval, and her insistence that it is the sign of a thriving kingdom...and they make her sound petulant and churlish in response to that mockery. This despite the fact that in a successful route, she says one of the most profound political statements in the books:

"Hakim and I don't just want Cordonia to remain stable and peaceful. Those are blessings, naturallement, but our kingdom can do so much more than just survive."

In contrast, when you look at the same failplay, Emmeline and Landon are treated with far more respect from the narrative, even though Hakim and Joelle's plans for the country would benefit Cordonia as a whole. Drake looks up to Penelope's parents as an inspiration, especially if he's going to become a duke. Meanwhile Hakim actually acknowledges Drake and his bravery in a way that none of the other dukes and duchesses did, and Drake never gives a shit.

Emmeline can accuse the MC of not taking their situation seriously, if she does a bad job at the polo match, and the MC only has the grace to look contrite rather than lash out at her. Landon himself is never judged for coddling his daughter the way he does. Their focus on Portavira rather than the country is respected, and the MC not meeting their demands is viewed as her weakness, not an overreaction from their end. They never get the snarky responses Joelle gets, where the MC can outright call her "a handful" in front of her own husband.

And then there is the matter of how PB deals with the problems of all the court ladies.

(Screenshots from the Skylia YouTube Channel)

The period of the Unity Tour isn't exactly an easy time for anyone. The LIs each deal with their own shit, and the ladies of the court themselves have their own reasons for being reluctant to return. The entire point of this tour is to address their specific concerns as well as that of their families', because without the courtiers themselves we wouldn't have as strong a court.

In Madeleine's case, we have to talk to her through a diamond scene and then educate her mother on her ways of mourning lost opportunities, among other things. In Penelope's case we are required to give her complete protection and emotional security, for her to even bother joining the tour (there is branch coding where she can refuse to be a part of the tour at all). Even for Olivia - who is already an ally - the diamond scene encourages us to stand up to her aunt, by letting Olivia know that it is valid for her to lean on others for support without being considered weak.

But for Kiara? The best we can come up with, while in her duchy, is some version of - "You're smart. You'd know that if you left now, people will say bad things about Cordonia and then it would be your fault". You either manipulate her, or insult her as being a useless excuse of a diplomat. As I mentioned in another essay, Kiara's comfort is a non-factor. The gap between the care we were expected to give to Madeleine and Penelope, and what we deign to give Kiara in Castelserraillan (which is...well...nothing), is massive. And this gap would only increase - not reduce - in the books to come.

It might seem a bit irrelevant to talk about this, especially when this essay is about Drake and Kiara. But it's important to take note of this inherent disdain the writers had towards this one character - and people close to her. Because it is only too easy to pretend that the writers "got scared of the crazy stans".

Of course the stans had a huge, huge role in this. Of course their vitriol and racism succeeded in bringing about (what I consider) one of the most disgusting dialogue options in this series...or perhaps in any series. But I doubt those "crazy stans" would have gotten this far, without a team that didn't mind being cruel to Kiara.

When the Fandom and Canon are both Heartless: Drake and Kiara in TRR3

As I've mentioned in previous essays in this series, playthrough divergences truly begin in TRR3 (eg. While the playthroughs acknowledge who you chose as endgame by end-TRR2, you can still access diamond scenes through a small tweak that allows you to romance other LIs). And whichever LI didn't get engaged with the MC had indications of a new romantic possibility coming up. These were scenes you wouldn't find in your own playthrough with that LI as your fiancé/e.

Kiara doesn't appear in TRR3 until Ch 7, when the entourage comes to her estate Castelserraillan. There aren't a lot of Drake and Kiara scenes themselves, and I will get into why, section by section.

1. Kiara Greets the Group at Castelserraillan (TRR3 Ch 7)

Many Drake stans - once they found their MCs engaged to Drake in TRR2 - seemed to be practically giddy at the prospect of showing off their newly-engaged status to Kiara, and hurting her through the news. They were perhaps more excited about this than their upcoming wedding.

Well, they got that chance in Ch 7. In every other playthrough, she still holds the same feelings for Drake, and compliments his suit as Drake awkwardly fails to meet her eye. In his specific playthrough, Drake defiantly shows off his relationship with the MC, and Kiara shows a slight wistfulness before she forces herself to be normal then wishes the happy couple well. You'd think that would be enough to satisfy the stans who had been baying for her blood all of the previous book.

A throwaway line about Drake knowing where Kiara's room was, had already raised the heckles of a whole bunch of his stans. Kiara's "wistful look" in her first TRR3 scene somehow added fuel to that fire. Suddenly, you got to see a raging torrent of posts demanding to know if Drake had had an affair with Kiara. Fanfic had already been written about Drake cheating on the MC with Kiara by this point - and some of those headcanons and fanfic hinged on making Drake the innocent/vulnerable one, taken advantage of by this sexy, obsessed woman who would be either a danger to him or would be juxtaposed with the "pure", "virginal", "perfect" MC. Drake would never be the problem here, and none of the stans screaming over the possibility of Drake sleeping with Kiara would dream of blaming him for it. No, Kiara was predatory, Kiara was obsessed, if anything happened between them it would be likely Kiara's fault.

This is where it's important to note, again, that none of the more obvious signs of the "Jezebel" stereotype seem to be used in canon for Kiara. While cruel in her own way, the TRR MC doesn't exactly slut shame her or believe Drake will be unfaithful to her, Kiara isn't accused of seducing (or even trying to seduce) anyone, and she actually places respectful personal boundaries for herself in her attraction to Drake, that she never crosses. She may indulge in a light flirtation with him, try to impress him or simply talk to him - but you will never catch her forcing her sexual attention on him like Olivia did with Liam. Yet in popular fanlore, even Olivia's feelings were often cast in a far more noble light in contrast to Kiara's.

In her essay, The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII, Dr Shannon. L Holland explores the historical and contemporary uses of the Jezebel stereotype in depictions of Black women in popular culture and discourse, especially in contrast to white masculinity (which in these contexts, is often viewed as innocent and blameless - and much of the blame lies with the Jezebel figure). The "Jezebel" stereotype "has come to symbolize both a malign, cunning sexual object and an autonomous, liberated sexual agent" - she is at once an independent sexual being making her own choices, and someone who is "incapable" of reining in her sexual appetite...and is therefore often depicted as not only a threat to the "purer" (and often "whiter" or "lighter skinned") woman, but also dangerous for whoever she is "obsessed" with. And we see this time and again in the discourse around Kiara - the fanfic that depicts her in a range of scenarios (stalker, obsessed lover, abusive girlfriend who will break a bottle over Drake's head, at times even descending into murderer to get the man she wants). Which is how we wound up in a position where Kiara even breathing the same air as Drake was viewed as a threat.

It didn't matter that he was flaunting his love for the Drake MC in that playthrough to send a message to Kiara, or that he stayed silent with the others as his wife badgered her into joining the tour. It didn't even matter that Kiara never got a diamond scene the way the two other women did, despite being the most harmed among the ladies. What mattered was that Kiara existed. Her damn existence was the threat.

2. Cheering for Drake's Victory (Ch 10)

Ch 9 of TRR3 was released to players on April 27th, 2018. Immediately after, a mid-book hiatus was announced, mostly to work on some new art (very possibly the red pandas), work on the wedding, and make changes (such as shifting diamond scenes from character-centric ones to LI specific - they'd already started making changes to LI diamond scenes). The book would return 2 months later, in June.

In a livestream before the hiatus ended, the writers had made it very painfully clear that Kiara's feelings for Drake was one-sided. And by that I mean they really emphasized on the one-sidedness of her affection, almost as if to reassure the panicking stans. This would manifest in any future interactions between the two - both in Drake's single and engaged playthroughs - and any hope that such a pairing would even be hinted at was over. But there was one variation that the team had perhaps neglected to edit out.

A small one-word depiction of Kiara cheering Drake when he wins his duel against Neville, joining his friends to praise him. It really isn't much - just Kiara saying "bravo!" before Savannah rushes up to hug him, which is replaced by a scene of Drake himself going up to the MC and passionately kissing her in his own playthrough. What is definitely striking about this depiction is that Kiara was clubbed with his close friends and his sister, rather than the second group of people that largely represented the larger court (Rashad and Queen Regina) who offer their congratulations.

Given the way the writers wrote any remaining interactions between Drake and Kiara, and the fact that this small appearance doesn't really amount to anything, it is possible that this variation was part of an earlier draft that involved other hints, that the writers failed to notice when they put up Ch 10. If they had, I'm pretty certain it wouldn't have stayed in the book.

3. Leaving Court + Wedding Conversations

Remember how I kept stating in this essay that the narrative was going to take their enthusiastic pandering of the "possessive stans" end of the fandom, to some dark, disturbing places? Well, here we are.

Tbh, the writers could have just stopped showing any interactions between the two, or given Kiara another boyfriend if their aim was simply to show that Drake and Kiara would never be endgame. They had done that with Maxwell and Penelope already...oh. I forgot. They actually wanted us to care for Penelope.

Up until this point, Drake's mean streak re: Kiara was present, but not really as obvious as it gets here. PB takes that cruelty several steps further in these two chapters, starting with Ch 11. Ch 11 was fanservice to the people who shouted abuses and "joked" about killing Kiara in every chance they could get. Ch 12 showed this sentiment at its worst, covered it up with enough fluff so it would be harder for people who liked Kiara to notice...and let those players get away with it.

In Ch 11, Kiara approaches the MC and her group to inform them that she is withdrawing from the tour. Drake is the first to respond to this, remaking at the suddenness of the departure. The MC can speculate on a couple of things, ranging from sympathy (that she might be afraid), selfishness (that she is "bailing out" on the MC) and suspicion (that she is hiding something).

In all three options, a pensive Hana expresses sympathy and encourages the group to "reach out". In all three options, Drake will only view Kiara as a suspect.

Mind you - according to Ch 12, Drake is saying this knowing Kiara was injured at Homecoming Ball...and knowing exactly which weapon she was injured with. Aware that she has gone through an event as traumatic as that (if we go by his "just one step at a time" monologue to Kiara), better aware than most how it would feel...he still opts to act like her motives should be suspicious.

This is further emphasized in the Drake playthrough, through the armory scene that the MC takes with Maxwell.

As I've mentioned in the post on this scene, it is divided into three halves. The first half deals with whoever the MC rejected (either Liam, or Drake in Liam's playthrough). The third is buildup to Lucretia's plans to usurp the throne. The second is supposed to be about the excitement among the members of the court for the wedding, and of course as the only people who come for the tour by default (and Madeleine is already taken for the first scene), Kiara and Hakim are used for this scene!

I will only focus on the Drake version of this scene today. There are a few things you notice straight off the bat:

1. Since this is Drake's playthrough, the narrative seems to do away completely with any lingering feelings Kiara may have had are done away with. In this scene she is quite happy about Drake's wedding - in fact, practically chipper. Literally nothing about her behaviour here serves as a reminder that she once had feelings for him.

2. Drake's response to Kiara attending his wedding ties in pretty well with his earlier default suspicion of her. Unlike Hana who is surprised but also happy that Kiara is attending, he seems to voice it as a doubt or a question. While that makes sense and there is continuity, it's pretty awful that he is allowed to suspect her like this and feel no remorse when the truth about her is revealed.

3. Now as I said in the post, this scene is meant to be a buildup to Drake's ice-palace scene. He speaks about wanting a private, country-style wedding in a natural place there, and Kiara's gentle teasing in this scene is supposed to be an indicator of how much he dislikes the usual fanfare. Okay. Fair enough. You're uncomfortable with the fancy decorations and the insane planning, fine.

4. But it's Drake's attitude towards Kiara in this scene that leaves a bad taste in the mouth (unless you were one of those Drake stans that liked to threaten murder on this character ig). The narrative really went out of their way to make him sound uncommonly angry with her, just for asking about his wedding. He angrily hisses at her to keep her voice down the moment she asks about the wedding, and then lashes out the moment she teases him about his love for the MC and his reluctance to be very public about it in that context. Of course, people who either liked Drake or hated Kiara would downplay this scene - either blaming Kiara for not magically knowing his likes or dislikes, or acting like Drake's behaviour in this scene is no big deal.

And his explanation in the ice palace scene really doesn't cut it as a reason for why he should be this pissed off at Kiara's excitement. There is no real bitterness or resentment tied in with the fancy trappings that are mentioned in that specific scene - it's just that he likes simplicity better. If Kiara doesn't know him well enough to understand that - it's because he has never properly talked to her. She made attempts to converse whenever she could. You can claim he never owed her a conversation - but in that case she doesn't owe him a complete understanding of his wants either. He could have just politely answered the question and changed the subject, or quickly took his leave.

He is well-versed enough in court etiquette by this point that he could have managed to sound civil enough. That he could have made a quick, polite exit. But no, he gave her the kind of anger that one reserves for someone who is kicking a puppy or stealing candy from a child, instead. And it was Kiara's grace that allowed her to view that awful behaviour in a more positive light.

It's pretty clear this scene - and to some extent the framing of the next - was made specifically for those Drake stans who were screaming and throwing tantrums about a possible affair. It was to highlight that there was no way Drake could ever return Kiara's feelings - and the only way they could do that was by making sure he treated her as rudely and inhumanely as possible.

I didn't think it could get any worse than this, when I saw this version of the scene...but then I saw Ch 12.

The Talk

If you were to speak just about fandom reactions to this scene...the responses to Kiara chronicling her trauma after Homecoming Ball, were pretty positive. Plenty chose the middle option "You're suffering from the trauma of the event. You need help", and cooed over Drake's touching little monologue about "taking it one day at a time".

I admit at the time I was fooled too. But one thing did niggle at me as I played both this option, and the "understandably cautious" one (I would later understand that the latter was not very good either - it has a thin veneer of "validating" Kiara's feelings, but it still has the MC and Drake expecting her to put their needs before her own safety and sanity).

Drake was reassuring to an extent in both options, sure. But why were his responses so different? Why was his answer to Kiara so closely tied to whatever point the MC was making, rather than independent of it? After all, he was the one who should be able to better relate to Kiara - wouldn't he have thoughts of his own here? If the MC chose that horrible final option, Drake would correct her and comfort Kiara instead, wouldn't he? Wouldn't he???

It was only when I (reluctantly) pressed that third option ("not as driven as I thought you were") that I understood what Drake's role in this scene was.

He wasn't going to be there for Kiara. He wasn't even sympathetic to her! It wasn't even going to be about two traumatized people connecting over their trauma. Drake was a puppet. He was there to parrot whatever garbage came out of the MC's mouth.

Because in the third - and most horrific - option, the MC is allowed to minimize Kiara's trauma, and mock her ambitions in the face of what she has just gone through. Drake is allowed to agree with her ("sometimes ambassadors have to work in dangerous areas"). Kiara is forced by the same narrative to find value in these words.

And all of this, stems from a scenario where Drake and the MC go in suspecting this woman from the jump. Where Maxwell is happy to make jokes about her being a suspect. Where the only two decent people in this group - Liam and Hana - are conveniently written out of the scene, ensuring that these ghouls can act the way they want around Kiara, and get away with it.

Not once is Kiara herself ever allowed to know that the group suspected her by default, nor is she allowed to go through with her intention to leave court. The very roots of this scene are rotten.

Very often, when this scene in particular is addressed, not many people actually address Drake's behaviour here - or in the previous chapter. Stans will vaguely, and conveniently, blame the group as a whole rather than their favourites. Such a tactic allows them to never name the specific people or specific actions, and therefore the main people involved in speaking to Kiara the way they did never have to be held accountable. This is particularly relevant in the case of Drake.

It was Drake's idea to interrogate her. He was the one constantly harping about her "suspicious behaviour". He was the one aware of what happened to her yet chose to think of her as shady. He was the one who should have known better, yet was absolutely game to minimize her trauma or engage in emotional blackmail. And neither he nor the MC came out of this conversation feeling anything resembling remorse. Because, apparently, they never did anything wrong.

They got what they wanted. At best, Drake and the MC manipulated this woman (again) into returning to their court. At worst, they badgered and bullied her into that decision. Either way, she was going to return, and the narrative was going to pretend that the MC and Drake were great people for making it happen.

I have heard some justifications over the years for Drake's behaviour here. One is that he "tends to act like an asshole to everyone". Another is that Kiara is a noble so he was never going to see her in a positive light. Which is hilarious to me, honestly, because in the same book you have Drake reassure Penelope - the woman who had made the MC the target of a reputation-ending scandal - and comfort her when she sees Madeleine. If this was really about the chip on the shoulder he had for nobility, why was he so kind to Penelope? And if Penelope's mental health warranted a change in mindset and behaviour from Drake's end, why was Kiara not worthy of that as well?

The truth is this. Drake was allowed to express his mean streak to a black woman, bully a black woman (the pranks), lash out at a black woman (the conversation at the Lythikos Ball), suspect a black woman, and finally minimize her trauma if the Duchess he had a crush on wanted to. While being overly protective and chivalrous to the white woman who actually did harm her. No matter what way you spin it, that is what Drake's behaviour - especially in TRR3 - is.

The way the team trampled over this "pairing" post that miniscule hint in TRR3 Ch 7, would make a rampaging elephant look like a ballerina in comparison. They wanted to make it clear after the hiatus that Drake x Kiara would never happen, in any eventuality, in any future, in any universe. And no matter how much we pin this on "crazy stans" (who do hold some responsibility for sure, for their own veiled racism), it's a fact that the writing team was comfortable doing this. They had already found other ways to pile disrespect on their sole recurring black female character - what was a little more?

TRH and Beyond: Taking Away What Was Left of Kiara's Remaining Fanbase

Given all the narrative back-and-forth and shadiness, I'd have to say the end Kiara got in TRR3 was comparatively...decent. Not great...not exactly satisfying...decent.

Her fighting off the assassins at the boutique ("not again...not again!!") was the highlight of that scene. In Hana's playthrough, Kiara was her MOH by default, and the lines the MC could give if you chose her in other playthroughs was pretty sweet. At the end of the book, her father would make Kiara his heir, after her older brother Ezekiel abdicated. There were still things I was always going to hate (such as the fact that we could lie about "having Kiara's back" - we absolutely did not) about the aftermath, but all in all as a fan...I could maybe envision a fairly happy ending for her with what we got.

The next series, The Royal Heir, would debut on June 2019, almost a year after TRR3's own debut. This would be the first series that would go completely LI-divergent, spanning four books. It started out as an attempt to envision the future (and pasts) of the main characters, as well as tie loose ends...but descended into an incoherent, retconning mess with each book.

Kiara doesn't feature much in Book 1, but is pretty prominent in certain chapters like Ch 7 (Savannah's bachelorette), Savannah's wedding, and the Apple Ball in the finale. You'll often find a marked difference between the way she is looked at for most of the book, and how the MC speaks to her in TRH1's finale.

Savannah's bachelorette, for instance, features all the ladies of the court in Texas, with new "country" looks and engaging with Texan culture. Here, too, you see a sign of PB leaning into popular perceptions of Kiara rather than remembering their own writing, when we see how Savannah praises the MC by default but has very little to say about her former friend Kiara. Since Savannah's return to court in TRR3, the team seemed to have forgotten that other ladies of the court weren't very nice to her, and Kiara was the only one concerned for her. They have Olivia act sweet and caring towards Savannah in both TRR3 Ch 17 and TRH1 Ch 7, conveniently forgetting the insults she piled upon Drake's sister in the first book. Savannah never has to talk about Kiara's friendship at all, other than a teasing comment hinting at her French lessons. Savannah was never expected to have any gratitude or affection towards Kiara even though she was the only woman who cared about her in court before she left.

An interesting thing to note in the diamond scene of the bachelorette is the way the courtly ladies' previous/current "romances" are framed. Kiara's, in particular, warrants a lot of discussion. Unlike Olivia (who can address her feelings for Liam regardless of playthrough, if asked, and can actually show some level of resentment towards him for not picking her), Kiara's feelings are addressed only if the MC isn't married to Drake. If she is, Kiara mentions a fondness for "rugged, down-to-earth men" (which the MC and Penelope perceive to mean hunky and muscular), and avoids mentioning his name at all.

There are two very interesting things to note about this sequence. One is the pattern of how, and how far, are Olivia and Kiara are allowed to address their feelings for these men. Not only is Olivia allowed to be open about her feelings and her bitterness (despite Liam actually romancing her in TRR3!), the narrative demands our respect for her position and plight. The Liam MC lauds her honesty and her decision to move ahead, unfazed even by her anger for something Liam didn't even owe her. In contrast, in the Drake playthrough, the writing makes sure Kiara never mentions him by name. And not only that, when the MC and Penelope tease her about her romantic preference, she is shown to stammer and seems downright afraid of the MC.

The fact that there is such a gap in how Olivia and Kiara are allowed to act about the men they love, and the fact that this gap was normalized so much in fandom discourse that it didn't even warrant a discussion, tells us plenty about the fandom too. The fandom position has almost always been that Liam owes Olivia love, appreciation, kindness. And that Drake owes Kiara nothing, not even common human decency. Which is why the fandom wants Liam punished for the high crime of not loving Olivia back. Which is why Drake is allowed to treat Kiara like an irritating pest at his best, and like utter garbage at his worst...and almost no one so much as bats an eyelid.

Since most of the story of TRH1 seemed to revolve around the ranch, the ladies of the court made minimal appearances and most of those were in keeping with patterns established in TRR3 (except for maybe Olivia's spy scenes). Some of their parents - too - feature in Royal Council scenes: Godfrey and Landon are part of this council and are seen during the MC's announcement - no one from Kiara's family, besides her brother Ezekiel who is dating Penelope, make any appearances in this book. Towards the end of the book, however, you suddenly find a scene or two where the narrative is suddenly, and inexplicably, syrupy sweet to Kiara:

(Screenshots from the Skylia YouTube Channel. 1-5 are from Ch 18, during the council meeting. 7-10 are also from Ch 18, at the start of the ball. The last two are from the finale as buildup for the pregnancy photoshoot)

There are indications of Kiara's diplomacy and good advice in other parts of the book too (such as her suggestions for dealing with the foreign royals at the baby shower) but never were the praise and compliments as obvious as they were in the last two chapters of TRH1. Kiara was given a quippy dialogue to spout at Godfrey, who would later be revealed as the murderer of Queen Eleanor. All three of the MC's dialogue options in response would praise Kiara by default (a rarity). King Bradshaw would shower her with compliments too about her talent and expertise. And when Kiara approached us with an offer for a pregnancy photoshoot, the MC could cheerfully say "for you, Kiara? Of course!" as if they'd been bffs from the beginning.

There isn't any obvious reason why we saw this sudden change, but I can make an educated guess or two. A pattern that commonly emerges with attempts to address something that would benefit Kiara, is that the writers often only do it when enough people complain; that was how we got the horrible Lythikos sequence. Midway through TRH1, I managed to put up an essay exploring Kiara's treatment (centered around the Lythikos sequence in TRR3 Ch 12) in comparison to Penelope's and Madeleine's. It did not receive an immediate fandom wide response, but several readers did come away from that essay feeling like Kiara really got the short end of the stick, compared to all the other court ladies. I'm not sure whether that essay had a direct impact, but those three scenes PB added to the finale chapters do make me wonder. Was the team trying to prove to the fandom that they did like Kiara and wouldn't personally sabotage her, either for their own enjoyment or to pander to a section of the fandom?

If they did, then that plan didn't last beyond these two chapters.

Another possibility of course was to give Kiara something slightly positive before they did her dirty - again - in TRH2 and 3. Because in those two books, they managed to first make her - along with the rest of the council - party to a vote (that everyone was involved in, including the LIs!) that would later prove detrimental for the country. They would then have her be the only heir involved in the notorious Coventus Nobilis, which ensured that anyone who wanted to hate Kiara could tie her to her vote in favour of Bartie Sr, without ever asking any further questions. This was a far more successful attempt, because most of the fandom already believed the misconceptions of Kiara's characterization to be truth, and these storylines simply added fuel to the fire.

Kiara's biggest supporters tended to be a section of the Liam fandom, as well as wlw stans who tended to like most of the courtly women. Having her vote for Bartie at the end of TRH2, and her explanations in TRH3 about the "MC's ruling style" (which was really canon's way of making sure she did more a silent diss on Liam) was written specifically to place a serious dent among her fans who liked Liam. And sadly, it worked in part. Because even if one considered Kiara's thoughts on "reactive ruling" accurate, it was a fact that the nobility (she included) would have to be blaming Liam for something that the entire Council voted for, and that Liam and his friends fixed on their own.

Making Kiara the lone person to voice this argument, made her a target in this fandom. I mean, people were ready to praise Madeleine and speak of her as loyal (eagerly ignoring that she was actively involved in the child's kidnapping if you didn't coddle her enough), and badmouth Kiara in the same breath, claiming that Kiara wasn't worth forgiving and people should just get over Madeleine's deeds in the past.

This resurgence of hate didn't just erupt out of nowhere. Once they finished spending two chapters on two-second compliments to Kiara, PB reverted in the next two books to some of their usual patterns with her. For instance, remember how I mentioned that PB had an obsession with never letting Kiara and Liam interact? In TRH, they repeated this pattern, but with the Heir. The only scene Kiara has where she can so much as touch the heir is in the last part of TRH3, if you choose for Kiara to read to her. Penelope is regularly allowed to hold her even though she has often placed this child in dangerous situations (on one occasion, Kiara herself had to stop her) - even Madeleine is given an entire babysitting scene to win her favour. But Kiara is the only lady of the court who is made to stay away or care for the child from a distance.

Kiara's family (besides Zeke, and just because he is Penelope's fiance/husband) is subject to disrespect in this book too. Hakim and Joelle were both conspicuously absent from the pregnancy announcement presscon in TRH1 (where Landon, Godfrey and Bartie Sr somehow featured!!), and future books would either retcon the family or force them to do things the other families didn't have to do. In TRH2, the MC takes a tour of the Great Houses with her newborn daughter, and each house is expected to pledge loyalty to her and the crown in different ways. Hakim is written as "bending to his knees" for the child. This is something only Adeleide and Madeleine - whose house, might I remind you, are considered the house of traitors at this point - have to do. Landon and Emmeline are never expected to express their loyalty to this extent.

In TRH3, the narrative callously pushes the Therons under the bus to make the Ebrim family's reluctance to help the MC make sense - the Therons are now "traditionalists" who frown upon scandals and may not allow Zeke to marry Penelope on the account of her past annulled marriage (this makes no sense when you take a closer look at the Therons themselves in TRR3 - they're a far more balanced, far more progressive family than any of the other Great Houses. They even took Zeke's abdication well!). Furthermore, you'll notice that the framing of Penelope's past with Guy is worlds apart from the disdain the narrative shows for the Therons during the flower festival. It is notable that in the latter, the black women are depicted very negatively - Kiara is shown unable to manage her own competition, Joelle is depicted as pompous and incapable of losing gracefully, Drake gets to take sarcastic potshots at Lerato for trying to charm the MC into voting for her and Drake into convincing her to vote. Meanwhile white people like Landon and Marguerite are presented in a just as humourous but less mocking light (eg. Landon moving his table courteously before flipping it in the flashback).

Even into TRF (Ch12), the narrative gives us choices where we can stand up to people criticizing Landon and Emmeline's parenting ("Duke Landon and his wife raised a kind, generous daughter..."). We are allowed to be far less critical of the Ebrims overall, we are allowed to be more charitable even in the dialogue options for suspecting Landon than we are of Kiara (think of how Maxwell can suspect that Kiara was planning to betray us all along). At the end of the Flower Festival, Kiara is made to appear contrite as the MC can choose to either demand she make this right before the latter can forgive her, or indicate that she never will. Ironically, a Penelope who can choose her fancy wedding over the safety of the MC's child never has to face words that harsh.

You will also notice if you look more closely, that the narrative continues to frame events surrounding Penelope and Kiara in opposing ways. Penelope is perpetually viewed as a victim, and Kiara constantly as a suspect.

We are expected to support Penelope, and to mistrust Kiara. And even though Kiara's feelings had long since become a thing of the past, Drake still maintains his animosity towards her and her family. And like everything else, it is so normalized at this point that you barely even notice it anymore.

In TRH2, Drake is allowed to tar all nobles with the same brush because of Godfrey's actions. Though his statement about the nobility ("We can't trust any of them to have Liam's back...not unless it's in their own selfish interests") is about the entire nobility, it is striking that he says this just before they go to Castelserraillan. The Therons are also the only noble family that Drake makes sarcastic comments about (in reference to Liam informing us that their province is a trade hub, Drake quips that "they are going to want to trade babies with us"). These snide comments he rarely makes about other noble families, and serves as a sharp contrast to how he treats the Ebrims (during Penelope's wedding festivities, he is unnaturally invested in Penelope getting a happy ending with Ezekiel). We can't even claim that his behaviour towards Kiara is in line with his disdain for nobles, because Penelope is proof that he is perfectly capable of showing compassion to most of them!

TRH3 ends with Kiara doing an apology tour of sorts - diplomatic missions aimed at improving Cordonia's international relations. TRF finds almost all the ladies of the court - even Olivia - in very minimal roles, as the focus shifts to the Via Imperii. Still, the narrative makes more references to Penelope than to Kiara, to the extent that the epilogue ends on both the MC and Penelope celebrating their pregnancies (Penelope's first and the MC's second) together.

Overall, you will find that the narrative repeated certain patterns with Kiara - the tendency to find her suspicious, purposely limiting scenes with important characters like Liam (TRR) and the heir (TRH) while the white courtiers get almost unlimited access, the discrepancies in expectations for her vs other ladies (eg. Madeleine is hailed for being "good" even though that is solely dependent on how you treat her. Kiara is largely ignored whenever she does help, and attacked when she is written to support the enemy). Drake - even as a former alternative to her, who should have gotten over whatever nonsense beef he'd had with her earlier - is allowed to make snide remarks about her home and family.

It's pretty clear they could do this because they could get away with it... because most of the fandom made it so easy for them to get away with it.

Fandom

When I look back at how the perception of Kiara in the fandom progressed over the years, I find it half-amusing, half-sad how much of it is rooted more in fanlore, and how little in actual fact. And this is something you couldn't just pin on "crazy Drake stans" - they were the biggest promoters of these lies and misconceptions, sure, but normally analytical, commonsense readers often believed that Kiara was fake and a snob and awful to Penelope too.

I get some of it, given the timing of Kiara and Penelope's scene at the beginning of TRR2. It takes place at a low point in the MC's story, a time when she isn't even sure the LIs want to support her. Coupled with that is the lasting image of Penelope hugging you and complaining about Madeleine, making you feel like she's more willing to give you a sliver of solidarity. Coupled with that, is Olivia's newfound popularity in the fandom - once she emerges in Ch 5 of that book, fans believed they found their wildcard who would stand by them in complete solidarity among the ladies of the court (did they ignore Hana's already massive contributions to the investigation? Yes they did. Yes they did). Madeleine herself is shown giving quotable quotes about female solidarity and Tariq's guilt in TRR2 Ch 7, which - coupled with Justin's high praise of her - made people want to find things to like about her too. Penelope's own betrayal was overshadowed by an expectation to support a person with serious mental health struggles.

Kiara's the only one who doesn't get such backstories or explanations. So at least in the heat of the moment, in reading those chapters between weekly gaps, it makes sense that a false impression of her got somewhat solidified.

But when you build your interpretations out of lies and misinterpretations, how does it become so valid that even the writers bend to it and prefer to show that?

Every fandom has its "crazy stans". And this instance wouldn't be the first or last time they are pandered to. But when the same stans get backed up by the "saner", more commonsense members of fandom; when even neutral readers promote versions of a story without actually looking at the scenes in question - that's when a fandom is in danger of turning a "headcanon" into canon.

Kiara being a horrible friend to Penelope wasn't canon. Kiara being a snob was not canon. Kiara being creepy towards Drake wasn't canon either. Especially when you take the fandom response to Olivia's forced kiss on Liam into account.

And that brings me to another point. I had been asked once why I felt the need to compare Kiara to the other ladies in my defenses of her. It's important, when we speak of the kind of hate Kiara received, to understand how a lot of flaws that the entire court has (eg classism) is often pinned onto a lone person, and how several white female characters could get away with worse behaviour while Kiara alone was slammed for harmless interactions.

This is most apparent when you look at how Olivia's violation of Liam's consent is perceived, vs Kiara's harmless flirtation with Drake in TRR2. Which woman had fans foaming at the mouth and wanting to kill her? Which woman was given dozens and dozens of fanfic and content that depicted her as creepy, desperate, downright obsessed with their man? Which woman got the "oh well, he doesn't owe her anything 🤷🏽‍♀️" vs a "he doesn't love her back?? WHAT AN INSENSITIVE ASSHOLE!!1111"?

Perhaps this Olivia/Kiara comparison is where the fandom's tendency to cast Kiara into the Jezebel stereotype is the most visible. Kiara's very act of talking to Drake sometimes is registered as a threat to those stans, and it reflects in the way they speak of her, the way they speak of their MC's own relationship with Drake in association with her (eg. the number of posts rejoicing at the thought of showing off their "engaged to Drake" status at Kiara's estate), the way they're allowed to dehumanize her and villify her (eg. The edit I mentioned at the beginning). This is often encouraged by their friends who are fans of other characters, and you can see that in sharp contrast, Olivia - despite her actions in Book 1 and her resentment of Liam for not loving her back in other books - is still often viewed with sympathy and respect. Her feelings - still viewed as genuine, even pure. To the point where PB eventually allows Olivia to constantly address her feelings about the MC's and Liam's relationship, while forcing Kiara to not even utter Drake's name in his playthrough.

But you see this with other characters, and in other contexts too. Particularly how Madeleine can be duplicitous, hypocritical, and power-hungry, and it's Kiara who is called these things despite her actual honesty in canon. Madeleine can get away with actually helping Bartie Sr kidnap the MC's daughter in TRH3 without a murmur, in the same fandom where people can curse Kiara for voting for Bartie Sr "to take the child away" (despite her telling the MC and spouse that she was promised they would have custody of the child, therefore the claim that she "voted to take the child away from their parent" is inaccurate).

You saw some of these discrepancies in how Penelope and Kiara were spoken about too - Penelope's crime in TRR2 was considered easily forgiveable, while Kiara's innocence is constantly called into question. Kiara was often viewed negatively for what the fandom perceived as "meanness" to Penelope (when it was in fact Kiara worrying about how Penelope would fare when she wasn't around) while Penelope herself was never expected to be a good friend to Kiara. An interesting thing to note about the fandom response to Penelope and Kiara showed that often when posters wanted to hate on Penelope, she and Kiara would be clubbed together, almost as a unit. This was especially prevalent in TRH3. It was easy to express hatred for Kiara independently, but most posts that showed a dislike for Penelope (besides from specific Kiara stans) would often tie her with Kiara, as if there wasn't much to hate about her otherwise.

It is important to line up whatever hate Kiara gets with the responses to the other women - especially in the face of what the latter are allowed to get away with. In doing so, you get a better sense of what is allowed for a certain subset of women, and what isn't allowed or permitted for black women specifically.

Often, the fans who would not hesitate to call her alone fake, opportunistic and creepy were WOC, and there have been cases where some would use their identity as WOC to shield themselves from the criticism concerning their vitriol. It would often descend into "I don't hate her because she is black, I hate her because {insert inaccurate/false/convoluted justification here}". It didn't matter that much of this information wasn't based in fact, or had a heavy bias that they never applied to anyone else. It only mattered that because they were WOC, somehow that meant that they couldn't possibly be racist. That their unfounded hatred for Kiara had to be legitimate. As if there was no chance that someone who was WOC couldn't be antiblack too. I mean, the ultimate proof of this could be found in TRR itself - the two head writers of the TRR/H/F series' are Asian women - who have a pattern of liking mean (white) women, and who didn't mind throwing the black woman and her black family in their story repeatedly under the bus, who didn't mind minimizing and retconning the abuse and childhood trauma that the darker-skinned Asian woman in their story went through.

Overall, it is possible that the fandom did take some of their cues (for their impression of Kiara) from the inherent disdain found in canon itself. But many of them also misinterpreted several things about Kiara, then didn't bother to revisit those biases with a critical eye, or even try to see if they were wrong. And that baseless hatred fed the already-existing disdain that Kiara's own writers had towards her. Resulting in the kind of horrific, racist garbage that we got to see in TRR3, and the constant attempts in canon to pull her down in TRH.

Did Drake and Kiara Ever Have A Chance?

There have been various opinions - from both Kiara fans and haters - for why a Driara ship would never work. He hates nobles, she won't like his disdain for art and culture, he likes the simpler life, she's a snob...so on and so forth. Many people will agree it's not a great ship, but of course with differing opinions on why.

I, however, often wondered at possible scenarios where such a pairing could work. The magic of shipping is often that you can play around with personalities and pair almost anyone, and find enough reasons to explain why they would tick. And in Drake and Kiara's case, personally, I do feel like it's a complicated question to answer - primarily because I feel like the authorial intent at the beginning may have been very, very different to what finally happened in Drake's story.

A lot of Drake's early writing focused on the reasons behind his mistrust of the court and his tendency to view the people he loves who are part of it (eg. Liam and later the group) as anomalies. There are two ways you could take such a story in TRR2 - you could either get him to admit to the flaws in his own thinking (thereby providing a more nuanced insight) and allow him to grow from there, or you could just have him double down on his biases and never change beyond the superficial. The team of TRR - esp the head writers, Kara and Jen who were both v fond of him - definitely seemed to go in the latter direction.

Drake's prediction in Coney Island does indicate that he should let go of the past, and I honestly feel like the sequences where he learned about Maxwell straining House Beaumont's finances to help her, and Kiara and Savannah's friendship, could have been turning points for him if the writers weren't so obsessed with proving him right all the time - even when he was supposed to be wrong. Maxwell and Kiara, in their own ways, were proof that not every noble was the same, nor would every noble treat the commoners around them all the same way. However, the narrative trampled all over this possibility in TRR2 Ch 9, where Drake could optionally claim that the Beaumont brothers (among others) were "just looking out for themselves, no matter the consequences", or later when the narrative had Savannah be grateful to him for breaking her confidence to Bertrand, and have Maxwell try to earn his forgiveness in Ch 12 rather than the other way around. It allowed Drake to be selective about the nobles he admired or defended, while still free to treat certain others like garbage.

I could easily envision a Driara pairing for most of TRR2. I could even see it as potentially salvageable in certain parts of TRR3. But the moment they had Drake readily suspect her, the moment the team thought it would be okay for Drake to even suggest minimizing her trauma...that option was no longer worth seeing. Not for Drake, but for Kiara. Drake would have to be the worst possible guy I could find for her, in such a scenario.

But I could see potential in a storyline that had Drake understand that some of these people weren't the monsters he so desperately wanted them to be. In one where he could hear about Kiara's friendship with his sister, and learn about a whole new side of her. One where he maybe felt insecure ("I'm not her type") and could be reassured by a woman who had likely held a torch for him since they were teens/young adults. One where they could reach out to each other in their pain and trauma, and find solace. One where Drake knew that the family he may be marrying into would respect him, and his father too. There were possibilities there.

It would still take more work - his mean streak for one would need to be reduced by more than a half. A lot of it, of course, was kept for the Drake stans, but it really doesn't add much to Drake's character besides making him a mean-spirited, hypocritical bitch who only targets the lone black woman this way (and Olivia occasionally, if she goads him). If the narrative did want to keep a characterization where Drake acts weird around the girl he likes, they could - but that story would need a lot more work to be palatable.

All of this is to say that regardless of personal bias, there were possibilities there. There was a sliver of potential. And if they wanted to let go of that potential midway, they didn't have to go about that the way they finally did. They could have just worked on creating another love interest for her. They managed to create a brother for her overnight just so Penelope could have a boyfriend; they could have easily done the same for Kiara.

Multiple factors went down that explain why the Driara ship didn't take off. But many of them boil down to one specific root cause - the white women (whether they caused actual harm or not) needed to be protected, needed to be cherished. The black woman who dared to ask for the same things from their pet LI, would be viewed as a threat, a villain, a creep...just for breathing in his direction.

And her writers cared so little, that they took the fanon perception for her and stamped it onto their canon, like it was the truth.

They didn't do any of this for the woman who forced a kiss on a prominent LI. They didn't do this on the woman who betrayed the MC and set her up for assault. They didn't do this to the woman who bullied the lone female LI, and swore to continue doing so till she broke.

They did this for the one woman who was fairly innocent of most of these crimes, actually respected the LI and treated him well.

They did this because they could get away with it. Because they were confident that the fandom they wrote the story for, would let them get away with it. And tragically...they were right.

Resources I used to learn about the Jezebel stereotype:

The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII by Dr Shannon Holland

Janet Jackson, Justin Timberlake, the Jezebel and white masculinity by Khadija Mbowe (I actually got the recommendation for the first paper from this video essay).

From Mammy to Jezebel: The Portrayal of Black Women in American Cinema from the BlackThen website

#kiara theron #anti drake walker #anti the royal romance #essay series: trr's alternative lis #long post

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caligvlasaqvarivm · 4 months

Note

Just read your eridan essay. I left a lot of words in the tags (sorry about that btw. I'm @kitkat-not-karkat, those were my tags) and I just. Holy fucking shit man.

THANK YOU FOR PUTTING IT INTO WORDS. Like. Genuinely. Thank you.

That said, do you have any ideas on why Eridan might specifically flirt as a sort of default response sometimes? (I really hope I'm not misremembering that, the fandom bastardizes the poor guy to be Cronus 2.0-)

I have my own personal speculation here, but I'd love to see your take on it!

I think it's a few things all working in tandem, and I think you definitely nailed at least most of it! I do agree that a huge part of his fixation on romance is the fact that a romantic partner is "supposed" to stick around, and Eridan is simply desperate for attention and friendship.

There are a lot of people who idealize relationships and believe that they're the "fix" or "solution" to their emotional problems, and Eridan's obsession with blackrom in particular (where the caligulas part of his trolltag comes from) definitely has shades of that. A kismesistude is an outlet for violent urges, as well as a romantic interest who ideally doesn't ghost you or leave you alone (cough Vriska cough), and one of the two concupiscent quadrants that needs to be filled so you don't get culled.

An interesting thing is constantly being implied within the comic, which is that moirallegiance is actually kind of the most important quadrant for trolls, but their culture has de-emphasized it in favor of the two breeding-related quads. After all, since adult trolls don't have to raise their own young, what Karkat calls "mating fondness" is biologically much less imperative to their species compared to the quadrant that keeps volatile trolls from going berserk and killing people.

Moirallegiance is always treated with a sort of mysticism - it's called "magical" by the narration in relation to Kanaya and Vriska's moirallegiance while that's still extant, it's the only quadrant described as "soul mates," and in contrast to "mating fondness," Karkat mentions the "mystical forces governing moirallegiance." Moirails - Equius and Nepeta being confirmed, but I genuinely believe that that's what Feferi and Sollux would have resolved to in that hypothetical golden ending - are also the quad that spends the most time together, rather than the two concupiscents. The initial description of the pale quadrant even outright says that the attraction is "instinctive." There's something magical and destiny-laden in a moirallegiance that just isn't there to the same extent in the other three quads.

But in Alternian society, kindness, guilt, and the other kinds of things you'd share with a moirail are considered weakness, especially for highbloods. When Feferi is breaking up with him, Eridan flips out the hardest at the implication that she felt the need to take care of him, insisting that he was perfectly fine. I think this is the reason, in addition to the painful breakup, that Eridan never pursues pale relationships, even though a moirail is what he desperately needs. Instead, he pursues the much more societally acceptible pitch quadrant, which can serve a similar purpose of discharging some of his pent-up aggression.

Moreover, his flirting isn't nearly as relentless as people think it is, although he IS both really stubborn AND really socially inept, which makes it difficult both to get a "no" through his brain, AND to make it stick. Another part of it is that he's operating at very little self-awareness, which means he'll often be doing something without consciously realizing it. Also, he's desperate as hell, and has basically no ability to differentiate good and bad attention. This leads to a pretty messy cocktail that basically means:

He'll hit on anyone at least once (desperation), with the exception of people it would be really weird to hit on, for example, their dancestors, who are way older than them.

If a rejection is not made excruciatingly clear, he probably won't register it as a rejection (dumbassery).

Nearly any attention he gets might be misinterpreted as flirting, even after a rejection is made (desperation, also, can't differentiate between good and bad attention).

Even after a rejection is made and he logically understands it and outright says he respects it, he might still act in a flirtatious way unconsciously (zero self awareness).

Because he will hit on anyone at least once, and is constantly making things weird and leaping to "romance?" even when there's no flirtatious intent, people kind of assume he's always hitting on them, even when he isn't.

His emotions always running at a fever pitch, and the lack of self-awareness he cultivates in order to help deal with his horrible cognitive dissonance, mean that even HE'S not sure about his real feelings. He's always feeling SOMETHING very, very intensely (it's the trauma and anxiety), which he mistakes for true caliginous hatred, or fevered flushed intent. Unlike Cronus, who's basically just trying to get some action, Eridan genuinely feels something for people, and his extreme lack of emotional intelligence means he has no idea how to parse his own tempestuous emotions. He always leaps to feverish concupiscent attraction because that's just how intense his emotions run at any given moment.

#4 is happening to Feferi and Sollux, IMO, while Rose never properly rejected him, so he still thinks they have a chance, and the same happened with Vriska when she started ghosting him post-kismesistude. #5 can be seen in his last memo with Karkat, where Karkat starts to wonder if past!Eridan was redflirting with him by inviting him to LOWAA, even as Eridan himself has no idea what the fuck Karkat is talking about.

Thing is, he DOES actually accept rejections once he gets them through his thick skull, which sets him apart from Cronus, who gets rejected, knows it, and keeps going. It's just... Eridan's messy. His emotions are all over the place, and too big for his stupid body, so he's always making things weird and intense.

I blame his lusus, personally. In a previous post, I talk about how a huge factor in his inability to identify negative attention is because he's basically being emotionally neglected. This has also led to his desperation for attention in general. When combined with the trauma from all the murdering and the pressure society puts on him to fit into a certain mold, it leads to some pretty explosive emotional ourbursts, of which his intense, insistent, and downright uncomfortable flirting is a major facet, but also, only a facet.

#eridan ampora #homestuck

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ryttu3k · 4 months

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Having some Thoughts about Astarion and his perceived intelligence, or lack thereof (it was largely in the tags of this post, which I absolutely recommend reading, but it was getting overly long).

Astarion is perceived as… not very bright. Like it's kind of a running joke in fandom at this point, and it's been bugging me for a bit, so…

INT 13 isn't actually low

INT 13 is actually a fair bit above average! Of the main six Origin characters, only Gale has a higher INT score at 17, which is what you'd expect from a wizard and Actual Nerd (complimentary). Wyll has INT 13 as well, Lae'zel and Shadowheart have the average score of INT 10, and Karlach has INT 8. Of the secondary companions, Halsin and Minthara also have INT 10, and Minsc and - interestingly - Jaheira both have INT 8.

So, far from being one of the dumbest companions, stats-wise, he's actually one of the most intelligent.

Poor planning skills aren't a reflection of intelligence

Yes, Astarion is notoriously terrible at coming up with long-term plans. You know what he also hasn't been able to do for two hundred years? Come up with long-term plans.

He spent about forty years living a normal life, then five times that duration as a slave, being punished for any show of thinking for himself. He tried to make a plan that went against his master's orders, and he spent a year buried alive for it. His only purpose was "to seduce anything with a pulse"; thinking outside of that wasn't just discouraged, it was punished. He's out of practice!

Also, there are a lot of incredibly intelligent people who can't make plans for Assorted Reasons, even without two hundred years of being a puppet to someone else's will. Dyspraxia, ADHD, all sorts of things.

The whole smooth brain thing

This one does bug me, but I also suspect it was a nod to fandom perception. The epilogue has Bing-Bong in it, there were at least parts written well after the game release, and the subsequent fandom response. It's entirely possible, if not likely, that parts of the writing were influenced by fandom perception.

He had low INT in early access

Yes, and they changed it, and he no longer does. Wyll was essentially rewritten between EA and now. Karlach wasn't even a main character in EA. The Dream Visitor was extremely different in EA! Astarion was below average intelligence in EA, and now he's above average ¯\_(ツ)_/¯

Neil Newbon says Astarion is intelligent

"I see him as being very intelligent — very erudite — and highly manipulative when he wants to be."

From this interview. I figure he'd know better than anyone save Stephen Rooney, y'know?

The trauma

I mean we can't understate the trauma. The trauma would do a number on your cognitive abilities (and your everything else lbr). And on top of two centuries of going through The Horrors, Cazador repeatedly belittled and infantilised him, hard not to internalise that when Cazador had complete control over his entire existence.

This isn't really meant to be an essay or aimed at anyone in particular and also quite possibly my 'burnt-out gifted kid who valued their intelligence above everything else' is showing but that may be more a Gale thing! Just that the whole 'lmao Astarion is so dumb' trope was bugging me for this, that, and the other reason, so. A post.

#baldur's gate 3 #bg3 spoilers #astarion ancunin #the pale elf

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twig-tea · 24 days

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TWIG! Friend! I couldn't help but notice your tags in my excitement post about getting to La Pluie -- I see that you and I are YYY mutuals. :) Let's call YYY... say... zany or offbeat -- off the beaten path of the usual romance-dominated field of Thai BLs. What are some other "zanier" BLs (not just Thailand, but everywhere in Asia) that you love and would recommend for an off-the-wall experience? And, why?

@waitmyturtles I'm so sorry you sent this a million years ago and then I kept letting it languish. And it's extra rude because I love this question! It's so hard to add something like YYY to a rec list without a billion caveats, so this is a great chance to shout out some of the series & shorts that don't get as much attention. A few of these I know you've seen but I have to include them for completeness.

First, for the sake of other people reading this, as Turtles has written about, Cheewin brings his own kind of zaniness to almost everything he works on; my faves of his other than YYY are Make It Right and Secret Crush on You (the exception is Bed Friend, which is not in any way zany but I still liked it).

Also going to mention that since Turtles asked for off the beaten path zany, I won't be mentioning any of the popular comedies (in case you're wondering why I Became the Lead in A BL Drama or Man Who Defies the World of BL aren't on this list).

Alright now that's out of the way, let's get into the other recs!

Zany lesser-known BLs other than YYY

Ossan's Love Franchise (Japanese, 2016-2024, GagaOOLala)

It is... less true now that this series is lesser-known than it was when I started writing this draft (in uh... August 2023) but I shall persist! The franchise details alone for this series are complete crack:

A 2016 45-minute short [skippable imo];

The 2018 original series which builds the short into a zany 7-episode comedy series about a man in his late 20s who suddenly finds himself the love interest of his older boss (in his ~50s) and his coworker/roommate (in his mid-20s);

The sequel film Ossan's Love: Love or Dead (2019)which turns into an action film halfway through for no clear reason but also remains a romantic comedy in which the mains from the original season decide if they want to stay together

The AU season Ossan's Love: In the Sky (2019) which has the same characters of the lead and his boss from S1 and the short, but this time they work in an airport and all of the surrounding cast is different and leads to a very confusing love rhombus. Incredible 10/10 no notes [people hate this because they like the mains from S1 & the film but I loved the mess]

The sequel season to S1 and the film, Ossan's Love Returns (2024) which you can absolutely watch in isolation and is about the main couple re-establishing their relationship and their found family friend group after being long distance for a few years.

It's truly excellent comedy, and gets better every outing; there are some barriers that might prevent some enjoying the earlier seasons but the most recent one is really delightful. You can hear me talk more about this series with @bengiyo and @shortpplfedup on The Conversation podcast!

Diary of Tootsies (Thai, 2017, grey/Netflix (for the movie))

I love Diary of Tootsies and the follow-ups so much. SO much. One of the best laughs of my life was the opening to the movie, and I cannot be in a long car ride without thinking about the purse incident in s1. This show doesn't get a lot of BL fandom attention because the romance arcs are not typical for BL (but that's one of the things I love about them). And the friendship in this series is truly what sells it. Season 1 is self-contained, a lot of people dislike the romance plot of S2; I really like the arc across s2 to the movie (as established above, I tend to be less invested in a particular ship across a franchise or multiple franchises). The movie plot is all about reconciling who you thought you wanted and who you are with (amongst all kinds of shenanigans).

HeHe and He (Hong Kong, 2018-ongoing, YouTube)

This mockumentary sitcom-style series does tackle some serious topics and is also absolutely hilarious nonsense across its 3 seasons. The very simple premise is that a gay guy ("hehe" is slang for gay) and a straight guy who are old friends become roommates when the gay friend breaks up with his longterm boyfriend and needs a place to stay, and hijinks ensue. They do direct-to-camera confessionals spliced in with scenes from their lives. I love this show so much, and it would actually be high up in my indie BL rankings if it were completed. I lose it at least once an episode. It's very queer (if you want a show that tackles everything from hookups to turning everything into a joke to being so, so mean to each other while also loving each other dearly to even chemsex, look no further), and I am in love with all of the wacky characters that have formed a love-hate found family that is deeply relatable. The creators posted a video a few months ago saying they're struggling to end it in a way that they're happy with so I'm not sure we'll ever get an ending for the show. But if you like comedy and queer content it's worth a watch even incomplete! I've been very patiently following this project since 2018 and it's legitimately one of my favourite shows.

Rainbow Prince the Series (Filippino, 2022, YouTube)

This is a musical; it is a lot of campy nonsense. There is royalty, political intrigue, a dog, kidnappings, and so. much. singing. The songs are surprisingly catchy and it's all extremely good fun. Also a lot of the dialogue is very clearly improvised.

Hey! First Love (Vietnamese, 2019, YouTube)

This series of shorts are mostly just silly fluff. The very tenuous plot is that these shorts are slice-of-life moments from a young established couple, but it's all really just excuses for Vietnamese comedy and BL romance tropes. If you haven't watched anything from Vietnam, this is a very low-stakes commitment (I think it's under 30 minutes of content all told; there are 4 "episodes" which are spliced together shorts, each of which has a tiny plot but there is not much of an overarching narrative, and then a Q&A with the actors at the end) and gives you a sense of the Vietnamese sense of humour. Both of these actors have gone on to continue to be in other Vietnamese BLs, so if you have watched Vietnamese BL you may recognize them! The production quality on this is charmingly low.

Shubh Mangal Zyada Saavdhan (India, 2019, Amazon Prime)

This film was such a joy to experience in a live theatre. Billed "the first Gay Bollywood RomCom", this movie was a riot of chaos, dance numbers, shenanigans, hilarity, and cuteness. I loved the way this film incorporated the very real legal change to decriminalize homosexuality in its story. Arguably not "BL" as it very much fits in the bollywood tradition not the BL tradition, but OP did ask for all of Asia!

Like Love (China, 2014-15, grey)

And no I don't mean censored--this is from before China started censoring its BLs. This show has kisses as shown in the gif, and even (poorly cropped) sex scenes. It also is super bizarre. I was so confused by this show, the characterization, the fourth wall breaks, and how disjointed it was so I went to read the source material and...it turns out it's one of the most perfect adaptations I've ever seen, the book is in fact exactly like this. The characters are caricatures, there is no bridging between scenes, and the plot is the most absurd take on 'loserfail no-thoughts-head-empty character who doesn't admit he's gay but still ends up in a dedicated and loving relationship with a rich handsome domineering man ' I've ever seen. It's a bewildering experience. Note the sound quality on this one is suuuper miserable. I like s2 way more than s1 (s1 is getting together and includes a lot of the bullying-teasing and I'm-not-gay-I-just-need-him-to-pay-attention-to-me stuff, s2 is the honeymoon phase + getting the homophobic parents on board) but S1 is definitely the zanier of the two. That being said, if you wanted, I think you can dive right in to s2 (there's a direct-to-camera explanation of what happened in s1 at the start of it). Note that they set up a cliffhanger at the end of 2 in anticipation of s3 which was going to be made in 2016 but was cancelled because of the political changes in China in 2016 (this is one of the reasons I went to read the source material; they do get a happy ending in the books).

This is an extremely silly but also touching franchise with a lot of tropes I don't love, but also a lot of things I do (and just neat to see some stuff so early in BL: Underwater kiss? Helicopter ride? Femme fatale becomes friend of the faen? Supportive grandparent? It's all here). There are some fantastic speeches in s2 about supporting your gay children; I liked how in this the kids didn't give up on their parents but try to reconcile their filial piety with their dedication to each other. If you do watch S1, highly recommended you watch the series version rather than the film. For "S2"/the follow-up film, make sure you look for the uncensored film version.

The Lover Room 709 Cut (Korean/Japanese, 2016, grey)

This starts extremely silly, plays with BL tropes, and gets a little bit serious at the end but is mostly just full of puns and innuendos. Includes one of the most hilarious takes on kabedon, and egregious use of the soundtrack from Brokeback Mountain. Also: fart jokes. Folks worried it was going to stay teasing the audience but it does commit and we do get an actual resolution that is satisfying. I admit I've never seen the whole series (which includes stories of 3 other couples in the apartment building) but the BL cut is readily available if you search. Make sure you look for the deleted scene with the lotion application--this scene walked so IFYLITA could run (I'm kidding, but it's very funny seeing this scene now and thinking about that one).

The Boy Next Door (Korean, 2018, YouTube)

This is another older series playing with censorship (similar to The Lover) in which the two characters end up in BL romance tropes but are not actually in love...or are they? The shenanigans are very fun. This one is left more ambiguous than The Lover, which is one of the reasons it's further down the list.

Go! Go! G-Boys (Taiwan, 2006, grey)

I debated between this and another quirky comedy from Taiwan in the early 2000s, Formula 17, but while that's unequivocally a better movie, this one is lesser known and more zany, so it technically better fits the bill for this ask (but if you haven't, go watch Formula 17!). The plot is a bit cringe--straight boy signs up to gay beauty contest to pay off his girlfriend's debts (accompanied by his gay childhood friend who is in love with him) and finds his truth. Meanwhile a homophobic police officer has also infiltrated the contest for investigative purposes. Amongst all that admittedly not great setup, however, are several bizarre sequences including the incredible Lord of the Rings recreation scene (complete with Gatchaman of course), a killer soundtrack, a random delivery of poultry, someone slapping a cake, and, most absurdly unbelievable at all: police taking harassing death threats to the gay contest seriously. It does a great job of setting up what should be a dramatic scene and then immediately undercutting the tension with something absurd. It's not narratively good, but it is a fun ride! And yes, there is a happy ending. Stick around for a fourth wall break (literally) after the credits.

Something Crunchy Crunchy (Korean, 2018, GagaOOLala)

Extremely bizarre little musical short in which snacks are anthropomorphized as hot guys and they sing songs about being eaten and wanting to be eaten. Played entirely sincerely, but the concept is screamingly funny. Fascinating. Also, kind of poly?

Dom (Korean, 2016, GagaOOLala)

Another hilarious and weird Korean short, this time in which we see the protagonist's sex life from the perspective of the condom boxes that are anthropomorphized and given personalities based on their brands.

And since we can't leave out the ladies,

A few zany GLs:

Lily Fever (Korean, 2015, YouTube)

I wrote about this one a little in my GL rec list; it is absolutely bonkers nonsense. There is not really a plot, it's a fever dream of a show. Chaos! Not so much a romance as an excuse to see cute girls flirt and make out.

Legend of Yunqian (China, 2020, grey)

I debated including this one because only the middle is really the zany part, it's sandwiched with more serious xianxia drama. But in the middle of this miniseries is an extremely cute interlude in which xianxia characters time travel to present day for ~reasons. It's censored but there is very little uncertainty about feelings, and manages to be absolutely charming. Worth the short runtime for this kitten quickcut (subbed "Whomst?!" in the show for ultimate comedy). Warning for character death (but it's ok because time travel to reincarnated character!) Subtitled by the indispensable @douqi7s [see their pinned post for links].

BetCin (Filippino, 2022, WeTV)

A lesbian couple with a YouTube following decide to break up but then find out there's a contest for couples, and they decide to pretend to still be together to try and win the contest rather than tell their fans they've broken up. This series does some really interesting things by starting with a breakup and then looking at how two people who are no longer dating manage BGP while also managing their feelings. There's a lot going on in this show, and the hijinks definitely ensue!

Perfect One Night Stand (Korean, 2020, GagaOOLala)

This is a cute Strongberry GL short in which a friend agrees to help her other friend find a girl to have sex with before the day is over; they go through several quirky candidates looking for the titular perfect one night stand.

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senseless-writing · 2 years

Text

A Not-So-Happy Accident

Pairing: Austin Butler x reader

Summary: Austin gets hurt doing something stupid on set, and Y/n is not happy about it.

Warnings: Talk of blood, cuts, and stitches. Nothing too graphic

A/N: This is based on an interview where Baz, Olivia, and Austin (and possibly Tom Hanks) talk about a time on set where Austin cut his face on a guitar. Of course, I can’t find the interview now, but I swear to god it was real. If anyone finds it, please tag me so I know I’m not going crazy!

If you would like to be added to any of my tag lists (I’ve got a general tag list, along with specifics ones for each fandom I’ve written for thus far), plz leave a comment or ask and let me know which one!

Masterlist

----------

The first words out of Austin’s mouth after realizing he’d cut his face open on set was “Nobody tell Y/n!”

Which, of course, made everyone laugh. Up until that point, the room was practically frozen with anxiety, each and every person shushing to a respectful yet uncomfortable silence at the prospect of their star being down for the count. Their minds were put at ease to hear him cracking jokes.

But Austin wasn’t joking. Not in the slightest.

Y/n always worried that Austin gave too much of himself to his craft. The mental changes were hard enough, but physical changes scared her. Perhaps it was because she wasn’t an actor, and would therefore never truly understand the lengths to which were necessary in this sort of portrayal. But she sometimes felt like a mother scolding her child for falling down after being told not to run.

And Austin didn’t just want to run. He wanted to fly. Which only made things worse.

But he promised his girlfriend to always be careful on set. Not just with his body, but also his mind, soul, and heart.

“We’re not even doing any stunts, baby. It’s the safest set I’ve ever been on.”

In hindsight, the words felt pretty stupid now.

The sting of ice pressed against his right temple was nothing in comparison to the sudden fear he felt over how he was going to tell Y/n. The paramedic holding the bag to Austin’s face had the same look of fear in his eyes, as if he was slightly shocked to be doing what he was doing. In most cases, these sort of professionals were just a precaution. Nobody actually expected to use them.

The man directed his gaze towards Baz, who stood behind Austin’s chair with a comforting hand on his shoulder. “It’s a clean cut, that’s for sure. Definitely going to need a stitch or two.”

Austin scoffed in disbelief. “I didn’t even feel it.”

“We know,” Baz said with half a laugh. “You went through the entire rest of the concert without noticing blood running down your face.”

Austin could feel it now, though. He was just glad nothing got on the costume. “How long will it take to get the stitches out?”

“No more than five days. Eyebrow scars, in particular, heal quite nicely. You won’t even see it after a little bit.”

At least filming won’t be thrown off too much, Austin thought bitterly. No one was very keen on delaying the movie any farther, not after covid stopped everything for so long. Again, the actor was filled with a sense of dread.

The feeling almost immediately doubled, however, when Austin noticed Baz’s personal assistant was missing from the director's side.

“Baz?” he turned his head to look at the man still standing slightly over his shoulder. He spoke slowly, as if already knowing the answer but not yet ready to hear it. “Where’s Rachel?”

At least Baz had the sense to look guilty. Immediately, Austin’s mind wandered to where Y/n sat, happily awaiting his return to his trailer across the lot.

“You didn’t-”

“Austin Robert Butler!”

“Oh, dear god,” he mumbled to himself, though he knew there was no point in begging. No deity could help him now. That’s what he got for finding himself one firecracker of a woman.

She stomped over with the force of a thousand horses, and everyone parted like the red sea to let her through. It was suddenly abundantly clear to everyone on set why he hadn’t wanted to tell her about his accident. They all averted their eyes from the absolute scolding that Austin was about to receive.

“Hi, honey,” he mumbled just as she reached his chair. The medic switched from holding ice to gauze on Austin’s angry cut, and he, too, pretended not to hear the conversation taking place.

“Don’t you ‘hi, honey’ me! Not after you just cracked your goddamn head open!”

“It’s a scratch-”

She pointed a finger towards him at once, swiftly silencing any poor rebuttal he thought he had. “Don’t interrupt me!” Y/n warned, and Austin’s lips clamped shut. “My honest assumption is that you cracked your head open, and you must have some serious brain damage. ‘Cuz why else would you be acting this stupid? ‘Nobody tell Y/n!’ Seriously, Austin!”

Austin spun around, despite the medic’s protest, to stare at Rachel accusingly. “You told her that?”

Y/n smacked him on the shoulder, and Austin’s eyes snapped back to hers with a shout of protest. “Don’t you yell at her! At least someone around here tells me something.”

“I didn’t want you to worry, baby,” he reached out to rest one hand on her waist, which she allowed. It was a start, at least, in Austin’s eyes.

Y/n was clearly still upset. Her arms were crossed, hands clenched in fists, and her whole body was stiff as a board. “I have a right to worry! You should thank Baz for sending Rachel to tell me, or we’d be having a completely different conversation right now.”

Austin didn’t want to think about how that conversation would go. He could still feel the weight of Baz’s hand on his shoulder, and was suddenly immensely grateful for it.

The older man patted his back with a gentle smile. “I’ll be right back, okay you two? I’m going to arrange for a car to take you to the hospital for some stitches. Better to do them there, right doc?”

The medic nodded, examining the cut again. “Agreed.”

Y/n shifted awkwardly on her feet as she watched him walk away, her fiery eyes wandering to the medic. The poor soul seemed to notice, and after a moment's thought, motioned for Austin to take the gauze he was holding. “Here, you take this. Keep the pressure, okay? I should probably help Baz make a few calls.”

Y/n stepped forward before Austin could speak. “I’ve got it.”

She slipped herself closer into her boyfriend's hold, pressing the gauze with gentle fingers despite the firm pressure. Austin spread his legs a little to make room for her, and settled both hands comfortably on her hips once the medic turned to walk away.

Austin couldn’t help it. He knew Y/n was upset with him, and yet his heart still raced at the feeling of her so close to him like this.

“What happened?” she asked after a breath.

He gave her hips a gentle squeeze. “We were doing another concert performance, like I told you. Filming for the ‘Burning Love’ montage.”

Y/n nodded along.

“And we decided it was time to switch into another costume, which was fine. But I’ve never worn this jumpsuit before, beyond trying it on. I guess I’m not used to how it feels yet. Anyways, it came to the part of the song where I do the guitar toss, and the strap got stuck on my cape. So I had to tilt the guitar as I was throwing it to get it unstuck, and when I did, I caught myself on the face.”

While he spoke, Y/n used her other head to cup his face, turning it to properly examine the injury with her own eyes. Austin let her, mostly because he thought she looked really cute when focusing so intently.

When Y/n was satisfied with her examination, her eyes met him again with a sigh. “I’m mad at you, you know,” she said very matter-of-factly.

Austin nodded with a soft smile. “I know.”

“You promised me you’d be careful. And not telling me when you’re hurt, Austin? Seriously?”

“I was always going to tell you, baby. Maybe just…when everything was more under control.”

“You mean you were gonna put a band-aid over it and call it a day?”

His smile turned sheepish. “Probably.”

“Mhm,” Y/n mumbled, because she knew her boyfriend better than anyone else. She knew what he was thinking, even when he didn’t want her to. Perhaps that’s what made her so angry.

Austin fought the urge to purr like a cat when her hand found his hair, running it through her fingers and brushing it off his forehead. “Does it hurt?” Y/n asked him in a tone that told him she was on the road to forgetting her anger for now.

“No,” he lied. It hurt a bit, though he thought he’d worried her enough for one night.

She leaned into his tightening grip. “The stitches will hurt.”

“Maybe,” he agreed, moving awkwardly to press a loving kiss to her cheek. Sometimes, Austin felt stupid for loving this girl as much as he did.

Y/n giggled at the feeling while struggling to hold the gauze on his forehead, and he felt the vibrations through his lips. “I bet I could kiss it better.”

His whole face lit up at the thought, which only made her laugh again. “Oh, you definitely could. I think that’s exactly what I need.”

Her fingers gripped his chin lightly, pointing it down so she could reach his forehead, where she then placed a quick peck to just above the offending cut. Austin pouted up at her, tapping his lips.

“It hurts a little here, too.”

“I’m sure it does,” Y/n hummed sarcastically, though she still pressed a small kiss to his awaiting lips. Too quick, if you asked Austin.

“I feel better already,” he assured her. “I think I’m gonna need a few more of those throughout the night, though. You know, to speed up the healing process.”

Y/n gave him a knowing smirk with loving eyes. “I’m at your service.”

A true level of seriousness settled behind his next words. “And I’ll try to be more careful from now on, okay? I promise.”

“I’ve heard those words before.”

“I meant them then,” he nodded. “And I mean them now. Accidents happen, baby.”

Her eyes faltered, as if suddenly feeling guilty, which wasn’t at all what Austin was aiming for. “I know.”

He was quick to continue. “But you’re right. I need to be smarter about things. No more doing scary stuff in costumes I’ve never worn, okay? Or anything else in the same category of stupid.”

That made her laugh, which Austin considered to be a success. “That sounds like a better deal.”

Austin couldn’t even feel the pain in his temple. He didn’t notice the scratch of the gauze, the burn of the cut being exposed to air, or the sting from anti-infection spray that the medic put on earlier. All of it paled in comparison to the love he felt from Y/n.

#austin butler #austin butler fanfic #austin butler imagine #austin butler fic #austin butler fanfiction #austin butler x reader #elvis presley #Elvis Movie #Elvis biopic #elvis 2022

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klaineccfanficlibrary · 4 months

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Hello To All!

Hope you all are enjoying your weekend! I read on my phone and I’m not able to find stories. If there’s a way, please tell me how.

Please suggest adult stories for me with a great/happy ending. I prefer chapter stories of adult Klaine. Any suggestions are welcome. Need something to read tonight. Thank you for all you do!

Hello, when I search from my phone, I go onto our libary blog and into the "magnifying glass/search" at the top. I type in a particular word like "adult" or "enemies to lovers" and then a whole lot of previously recommended fics appear. Alternatively download A03 app, and you can search and filter on it.

Also on AO3 check out our 2023 Klainebingo which has 191 tagged stories written 2016-23 that fandom have recommended - not all adult klaine, but definitely worth looking at.

What I've done is made a list of recommendations here of some of Klaine fics I've enjoyed, where they are adults, or mostly post college age. Some newer, some older. ~ Jen

Seven by @scatterthestars

How far would you go for someone you love? For Kurt, that means doing the unimaginable. But if it means saving his dad, he's willing to take that risk. A risk that has him leaving his home to go states away to spend a week with the last person he ever expected to meet. Over the course of the next seven days, things don't go as planned, or thought.

Can seven days change everything?

~~~~~

Feel my heart's intention by @kurtsascot

Blaine started to hate Kurt on his first day. And it was a shame, really, because they could have been cute together.

~~~~~

Falling for You By @caramelcoffeeaddict Coffeeaddict80

A fic written based off a mash-up of these two prompts from the @gleepotluckbigbang prompt page -- Prompt1: During rehearsal I tripped and fell into the orchestra pit and landed on you Prompt2: I have to share a dressing room with the most obnoxious, self-centered jerk; and when you sent flowers to our dressing room, they took them assuming they were for them but they were really for me Featuring: Broadway!Kurt, PianoPlayer!Blaine, Obnoxious!Broadway!Sebastian

~~~~~

Rock, paper, scissors by @gleefulpoppet

Kurt and his seven-year-old daughter are moving from the hustle and bustle of New York to the Rocky Mountains for a fresh start. On a connecting flight from Atlanta, they meet a warmhearted man who captures their attention with his enthusiasm. Will they ever see him again? And even if they do, how will he fit into their new life?

~~~~~

Nashville! by @hkvoyage

Kurt lands the lead role in a new musical, but it flops during the previews. However, his performance captivates Nashville’s newest country music sensation. They share an instant connection and it grows deeper as they get to know each other. Will Kurt be able to save the musical and keep the man of his dreams? An AU meeting featuring country singer!Blaine and Broadway!Kurt.

~~~~~

Made to keep your body warm by @quizasvivamos

Blaine is a meteorologist who works as a weatherman for a local New York news station where he's especially well-known for predicting storms. But, when a huge nor'easter blows in and the news crew is trapped at the station for three days by snow, can he predict what happens when he meets a young new intern?

~~~~~

If music be by @blurglesmurfklaine

Kurt’s just trying to survive his last semester of college, which means making it through student teaching in one piece.

~~~~~

In my place by @heartsmadeofbooks

Blaine has always been shy and introverted, so after his father dies, he looks for comfort into his childhood dream - owning a bookstore. But then Kurt Hummel walks into his life, turning his dream into a complicated affair.

~~~~~

These inconvenient fireworks by @redheadgleek

After an unexpected Tony award, Kurt Hummel is Broadway's hottest up and coming star, which comes with expectations and some admirers that won't take a hint. When his best friend Elliott Gilbert suggests that they pretend to date to get the leeches to back off, Kurt takes him up on the idea. It's all working out great - until Kurt starts to fall hard for the dark-haired music director of his latest musical.

~~~~~

Scenes from December by @spaceorphan18

An exploration of Kurt's life throughout various Decembers. The story of family and how the definition of family changes over time.

~~~~~

Home away from home by @lilyvandersteen

Cooper buys a hotel sight unseen and asks Blaine to run it for him over the summer. Only, the hotel is a health and safety hazard and Inspectors Hummel and Abrams are hell-bent on closing it down. Can Blaine spruce the hotel up in time and save Cooper's investment?

~~~~~

Living Haphazard by anna_timberlake @shame-is-a-wasted-emotion

Have you ever thought of getting cheated by a house broker and getting to know that you had to stay with another stranger who was also cheated? What if you are getting stuck up with the stranger in the apartment due to unavoidable circumstances? What if you hate him as well as have a crush on him? What if you had to fight your inner self and the stranger? What if he agreed on helping you which can only happen in dreams? This is a real living haphazard, isn't it?

~~~~ Someone like you by @iconicklaine

Kurt and Blaine keep up their very own version of "When Harry Met Sally" for years, a friendship fraught with sexual tension and longing, until the agendas of Adele (yes, THE Adele), a bored NY socialite and a super-sweet hetero couple bring our boys together. The only problem is... they're both in committed relationships.

Note: This story is AU after "Sexy" and assumes Kurt and Blaine graduate from Dalton in the same year. In this future fic, set in 2025, Blaine is based off of Season 2 Blaine. Originally posted on LJ and S&C.

~~~~~

The Journeying By @flowerfan2

Freshly graduated from music school, Blaine is thrilled when he is chosen to stay in the cast when the production of Into the Woods he was lucky enough to be part of in Boston moves to Broadway. He knows it’s going to be hard returning to New York City – the scene of his epic breakup with his fiancé and the emotional meltdown which cost him his place at NYADA. But he’s determined that this time, everything will be different. Little does Blaine know that out of thousands of potential castmates, his director has chosen none other than Kurt Hummel to play the part of Jack. Blaine has worked hard to recover from their breakup three years ago, and struggles to find a new way to relate to Kurt and simultaneously protect himself, especially when tragedy strikes.

This story looks at what would have happened if Kurt and Blaine had reacted differently to the break up in 6x01 than they did in canon; if events hadn’t brought them back together as soon, and if forgiveness hadn’t come so easily.

#klaine fanfiction #fic finder #adult klaine #older klaine

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princessfbi · 13 days

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hi! was there something particular that made you call buck and tommy getting together in 2020 👀

OMG! SO it's a bit of a complicated story. I started watching 911 from the very first episode when it first premiered but I wasn't involved in the fandom until 2020. I tend to watch the episodes with zero expectations (a way I think a lot of people should watch) so I'll be honest, I didn't see the groundwork for Buddie until season four. I read exclusively from the Hurt Evan "Buck" Buckley tag so some fics had buddie and some didn't.

The first fic I wrote for the fandom was Waving Through A Window and I knew Athena was going to help Buck get ready for a date. I didn't start the series thinking it was going to be buddie (and I was more than a little disappointed in Ryan at the time). I'd written Tommy in Safe Exception after part one and liked writing for him especially that scene between him and Bobby.

I also liked Lou's face.

So I toyed around with it in my notes before I settled on Eddie because by then the buddie bug had caught. But even after then I'd always said on here and with my friends in my real world that I thought Buck and Tommy needed to make out a little.

Here's a little glimpse into my brain!

Send Me An Ask While I Let My Hair Sit

#evan buckley #tommy kinard #eddie diaz #buddie #bucktommy #my fic writing #ask game #loveyouanyway #royal decree

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jakowskis · 8 months

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torchwood fanfic resources

so i'm a chronic livejournal archaeologist, and fixating on 2000s media is particularly fun for me because it means i get to go digging on lj / dw / old fanfic forums. below you'll find some of the excavations from my torchwood fixation (give it up for month 6!) it's pretty much got every comm i've ever stumbled upon and found useful, or thought others would find useful. it's largely fanfic-oriented, though there's some more generalized comms, too. i hope you guys enjoy!

i was originally going to include a link to my reclist on this post as well, but it's still a wip, so i'll just post that separately in the future.

general disclaimer: most of the content here is from 2006-2013 or so. period-typical attitudes may pop up in places. i'm not sure if most modern tw fans have witnessed the original fandom at all, but i felt a need to say this anyway, because i've seen some icky stuff. i've warned for anything notable. gwen bashing in particular may unfortunately pop up in some of these comms, especially in the comments, so tread carefully.

if you're new to probing through old lj comms, remember to always have the wayback machine on hand, because you're going to run into a lot of purged accounts and seemingly lost fics, but sometimes you get lucky and something's been archived :)

as of the date i'm posting this, all of these comms are still accessible, but if you're from the future and some have been deleted, again, go ahead and give the wayback machine a try. additionally, livejournal has a system that includes 'cross-posting' in which, if authors choose to (and the majority of them do, to get their fics more visibility), fics get posted to multiple comms at once. so chances are, even if one comm gets deleted, the contents will survive through other comms. kind of like how reblogs continue to exist even when the original blog is deleted.

finally, ctrl + f is your best friend if you have a specific ship/character/trope you're invested in, especially in comms with less than ideal tagging systems. if a comm does have a substantial tagging system, you can find all of its tags by adding '/tags' the end of the urls i've provided.

ok... let's begin :-)

assorted livejournal communities

✎ torch-wood: this is essentially a torchwood subreddit. it started before the show even aired, and one of the highlights of it is episode reaction posts (easily accessible on the right side of the lj) that document how everyone immediately reacted to the eps, which is pretty damn cool, fandom-history wise. only thing i should mention is there's quite a lot of gwen and owen bashing in the comments of some of those reaction posts, so just be wary of that if you love those two like i do, 'cuz it's a bit of a bummer.

✎ torchwood-three: this comm is an extremely cool then-daily newsletter (that still updates sometimes?!) that compiled as much fan-content as it could find into cleanly organized lists. the posts made immediately after new episodes aired contain reactions, discussions, meta, theories, new fic, fanmixes, just about everything. very very cool to go back and see the way the fandom was thinking as the show was airing and as they were getting to know the characters. here's a direct link to all posts made in late 2006, during the airing of s1.

✎ torchwood-fic: exactly what it says on the tin. desktop layout is easy to navigate, tags are all there!

✎ torchwood-fic's profile page also features a list of affiliated accounts that's pretty handy. it's worth taking a peek at, in case i've excluded anything in this post that you might be interested in.

✎ twgenrefinders: handy dandy comm where people would ask for fics of a certain variety & be treated with reclists, or hyper-specific fics... pretty cool stuff, ive got several threads bookmarked to sort through the links later. ofc, please note that some of the things people asked for might be stinky. particularly i've seen a lot of ppl requesting gwen bashing fics :/

✎ twstoryfinder: cousin to the above comm; here, people would ask for a very specific fic they'd lost. it's kind of fun to find fics through because you get someone describing memorable scenes + hyping it up, so it's different than just a standard summary. this one still gets posted on, too, which is crazyyy.

✎ tw-unpaired: for gen fics! no romance allowed! there's some good character studies + friendship fics in there. stuff's tagged by character + authors are even tagged, in case you find one whose writing you particularly enjoy. this is v useful for when someone's main journal has been deleted.

✎ torchwood-decaf: a comm where janto is BANNED. nah i'm kidding, it's not anti-janto, it was just made because janto is so huge that it overshadows everything else. pretty smart, tbh; wading through the sheer mass of janto content can be tiresome.

✎ jack-in-cuffs: for dark tw fic, or uber smutty tw fic. as a fan of dark!fic, there's some goodies in here, but of course it's not everyone's cup of tea. most of the writers included warnings, but if you go a little further back, some people weren't as courteous; navigate with caution.

✎ jack-owen: for fic featuring our captain and his (second favorite) doctor. i know this pairing's kinda divisive nowadays, but i enjoy it a lot. the comm's got a dismal tagging system and, ngl, i don't truly like any of the fics there (i'm very intrigued by jack and owen's relationship but i've never found fic that really does them justice, and i still haven't figured out how to write them myself) - but i'll include it anyway.

✎ odetojoi: for fic featuring owen in the middle of a janto sandwich, for those of us who are allergic to women (/sarcasm). there's an oddly impressive supply of fics of the three of them, and a good chunk of them can be found in this comm. (everytime i see this comm i think of a certain abbreviation found in p/rnogr/phy... but i digress)

✎ halfwee-and-tea: for ianto x owen fic. haven't gone through this one much, truthfully. i hate when comms have no tagging systems agh.

✎ owenharper-fans: a comm for the saddest undeadest bisexualest doctor around. also features a few burn appreciation posts, which is nice to see pre-pac rim era. mostly just features a shit ton of owen fic, particularly owen x ianto fic. mostly sufficiently tagged. if you need me once i post this, btw, i will be balls deep in this comm.

✎ the pro-owen alliance: another owen-focused comm - i think this one was made directly in response to owen bashing. haven't combed through this one much but it's got a fair amount of fics.

✎ house-of-cooper: a gwen comm! made in response to gwen bashing. haven't gone through it, but i'm glad it exists.

✎ torchwoodcoffee: ianto comm! this one's hugeee. the majority of it's janto, but the pairings aren't tagged, which is really frustrating. about 6k fics on there, though! just untagged. fff.

✎ tw-femficfest: a comm for fic about any and all of the torchwood ladies. tagging's cleanly done & there's some handy fic round ups, too.

✎ tw-femslash: yuri!!! wahoo!!! a comm for f/f tw ships. there's quite a lot of fic on here, but unfortunately there's no tagging whatsoever. sigh.

✎ tw-classic: a comm for 'all things series one and two of torchwood'. was made after s3 and was popular around s4 out of nostalgia for the golden age <3 good amount of fic, discussions, etc.

✎ torchwood-house: this comm is, like, letterboxd, but for torchwood fanfic. basically a group of individuals who thought of themselves as having Good Taste would read Good Fic and then go in this comm and write a post about why they recommend it. it's well-made, easy to scroll through, and sells the fics v well, and it kinda gets you more excited to read them when you get to see someone hype them up with Fancy Words. it's like a little torchwood yaoi bookclub. we're eating quiche

✎ tw100: a drabble challenge; this thing's full of 100 word drabbles. ngl i hate drabbles but i'm throwing it in here anyway

✎ touchyerwood: i love kink memes... i love kink memes less when my favorite character/pairing is unpopular. the pac rim kink meme's been a blessing bc i'm a basic ass newmann - the torchwood kink meme? not so much. it's got a fair amount of shit, though, so maybe someone else will appreciate it. this one isn't the original, that one's been wiped off the internet, to my chagrin. keep in mind before digging that people in kink memes are horny & gross. that's your warning.

✎ reel-torchwood: for any and all movie aus... ok i have a bone to pick with this comm. i'm a big movie nerd, i love film, i've seen dozens of films i've thought would make good aus - i combed through this and there is not a SINGLE fic in there that piqued my interest. NOTHING. needless to say my disappointment is immeasurable and my day is ruined. i'm sure my experiences aren't universal though.

✎ torchwoodslash: ah, remember when we called it slash? gee whiz. i'm not big on this comm, it's not very user friendly + there's like no tags whatsoever so it's extremely hard to navigate. enter at your own risk & good luck, lol.

✎ rounds-of-kink: this isn't a torchwood-exclusive comm, but it's got a sizeable torchwood tag, which can be found here. pretty organized tagging system; makes me happy.

✎ tw-declassified: this comm was mainly used for running a 'torchwood bingo', which, i've been in other fandoms that do episode bingos and it's usually cute... this one confused me a little so i didn't bother peeking around too much, but still a cool little bit of fandom history.

✎ writerinadrawer: this was an annual torchwood writer's challenge that ran for four years... it's kinda hard to navigate but it does have some fic in it so i'm putting it here.

✎ dmarley-recs: a recs journal someone ran for compiling torchwood fic; it's got a l o t of recs on there, largely jack/ianto.

ok and straying from lj briefly for two other places to find fic...

✎ kink_bingo: this is a dreamwidth comm, and it's not torchwood-exclusive, so i've linked straight to the torchwood tag. this comm has a livejournal equivalent, but for some reason the tw tag is pretty barren on that one? not sure why. but on dw it's got a fair amount. the tagging system is rough, it tags fandom and kink but not pairing, which is irritating, and every post is hidden under a cut AND makes you go through a discretion barrier every single time (but probably only if you don't have an account? i'm not logged in) which makes navigation a pain. but i dunno, more smut, if you want it.

✎ whofic.com: this site is for doctor who fic, but it's got a very substantial amount of torchwood fic. i do not, however, like the formatting at all. i'm being overly nice; i HATE the formatting. it's very reminiscent of fanfic dot net but, like, worse. it reminds me of adultfanfiction dot org which was a NIGHTMARE to use. but! there is torchwood fic there so it's going in here.

aaaand there we go! that's all i have. i hope these prove handy! enjoy :D

#torchwood #torchwood posting #mine #txt

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sundrop-writes · 1 month

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Official Taglist Rules

aka things you need to know if you want to be tagged in my fics

I am officially starting taglists! So if you want to be tagged in future fics, make sure to read this post first.

Taglists will be made in the replies of the post or in a separate reblog, so tagging may take a few minutes after the fic is posted. Please be patient with this, as I am a person, not a robotic system making fanfic notifications.

You must have your tagging/mentions turned on in settings in order to be tagged in fics. If you are new to Tumblr, please make sure that you have this turned on - otherwise, your username doesn't become a hyperlink when it is typed out with the @ symbol, and my tag for you in the taglist will not come up in your notifications.

If I see this happening, I may send you a reminder to fix your settings, but if you don't fix it - I will simply drop you from the taglist.

Most importantly, if you want to stay on the taglist, I kindly ask that you leave a comment on the fic or reblog it within a week of it being posted. Writing a fic and maintaining a taglist is a lot of work, and supporting fanfic authors in these simple ways doesn't take much time. Leaving a simple comment after reading the fic only takes a few minutes, and even if you don't have time to read the fic within the first week of it being posted, reblogging a fic takes less than a minute.

Reblogging really supports writers because it puts their work in front of more eyes, and it is a simple thing you can do to show your favourite fics and your favourite writers some love.

There will be separate taglists for each fandom. If you ask to be put on that taglist, then you will be tagged in literally everything for that fandom - requests, headcanons, smut, longer fics, etc. I won't tag you in fics for only a certain character or only fics of a certain genre. If you are signing up for a taglist, you are singing up for everything from that fandom. (Especially because I post longer fics infrequently, I don't want someone to be put on a taglist for them only to be tagged in one fic a year or less.)

If you make a comment on a particular fic asking to be tagged in future fics, I will add you to the taglist. But please keep these rules in mind (I know a lot of people are gonna be added through comments on specific fics without even reading this post - but hopefully being tagged in this post for keeping track of the list will cause you to read it?). If you want to be added to a specific fandom taglist, you can send me a DM or an ask regarding that.

And as of me posting this, I will make a post calling out for people who want to sign up for those fandom based taglists when I am about to post a few fic for that fandom. So not all taglists are active yet.

And there will also be a separate cumulative list for people who want to be tagged in every single thing I post, regardless of what fandom it's from - a list for if you're just a fan of my writing and my style. If you want to be a part of that list, you can reply to this post telling me so or send me an ask to tell me so.

In order to keep track of the taglists, I am going to keep a list of people who want to be tagged on this post. You can ask to be removed at any time.

Sunny's General Taglist: (Not Yet Applicable)

(Other fandoms will be added when I post more fics for them.)

#sundrop speaks #faq #tagging #taglists

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3hobbitsinatrenchcoat · 7 months

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Gray's SuperBat Fic Recs

I have spent since May reading through the SuperBat tag on AO3 and have over 100 fics saved in my bookmarks but @thebibliosphere mentioned wanting some recs so I'm going to just rec a few that live in my head rent free.

(these are in no particular preference order other than they're probably in this order in my bookmarks XD) (also if you're an author and I have tagged the wrong blog let me know and I will change it)

An Innocent Cicisbeo by @mithen - This is the most recent one I've bookmarked, so it's very much so on my mind. I'm not usually one for Regency AUs but I really like how this one handled keeping everyone's powers and abilities but making them more tailored to the age. Also it's an arranged marriage AU and I am very weak for those.

Take Care of Business by @frownyalfred - A work teleconference that descends into absolute chaos in the form of the batkids, who woke up and chose violence. This one is good on it's own but there's also a podfic version by @mayonnaisetoffees that kicks that chaos up to 11.

Through a Glass Darkly by @susiecarter - An apocalypse AU of the snyderverse, this one is quite dark but slowly grows more positive over time. It features some extremely spot-on characterizations and an overall Mad Max vibe that I enjoy immensely.

This Time Around by @castlesteads - What's better than one formerly dead person trying to find their place in the world? TWO formerly dead people trying to find their place in the world. Clark helps Jason claw his way out of his grave and back to the land of the living. I love a found family where they quite literally find each other in the most heartbreaking ways possible.

Build Me A Place (we'll call it home) by @spiritsflame - I love it when Kryptonians are completely normal until they really aren't. This one features Clark completely remodeling his apartment because of courtship instincts and Bruce badly fumbling the entire situation. I just want to shake both of them.

don't know the rules but i got to win by @susiecarter - This is another weird Kryptonian trait thing... but this time it is non-standard abstract reproduction feat. gardening. Surprisingly enough this isn't even the first fandom I have come across with gardening as a reproductive vector. Always a different take though. This one features literal fruit-based flirting and innuendo, for a start.

A Common Misconception by rotasha - I have a very special place in my heart for fake dating aus, but this one is like watching two guys play an extremely slow and obvious game of chicken while not even realizing they're in a game at all. Fake dating for a whole year without catching feelings? Psh, easy. Spoiler alert, I don't entirely remember right now but I don't think they even make it a year XD

over this threshold by orphean - Another fake dating au but an entirely different vibe. Getting married for tax reasons is the oldest trick in the book but I am always here for falling in love when you're already planning on getting married. Also for someone so very smart Bruce can be extremely dumb and I love that for him.

Masking by @bombusbombus - I've read this fic like... probably more than 5 times and I am working (slowly) on a podfic of it. It heavily features both Clark and Bruce being neurodivergent together and falling in love via spending long hours in parallel play and infodumping and mutual unmasking both literal and figurative and just... I see a lot of myself in this fic.

There's a ton more I could rec, they're all in my bookmarks on AO3 but these are the ones that live in my brain the most these days. I hope others like them as much as I do.

#superbat #fic rec #rec list #dc comics #superman #batman #fanfiction

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