Carrot Harvest Helped Metal Detectorist FindA Ancient Coins Hoard
When Alan Baxter found a medieval ring in a farmer's field he knew there could be more ancient artefacts nearby - but the stubble from the thick oat crop made it difficult for his metal detector to get anywhere near the ground. So he waited.
Four years later the farmer had planted and harvested carrots.
"It must have had a deep plough when the carrots got lifted and I could get my detector right to the soil," the 44-year-old said.
"Every 3ft I was getting a signal. I couldn't move, there was stuff everywhere.
"I didn't want to go home."
The highlight of his haul in 2022 was a hoard of farthings from the reign of 15th Century Scottish King James III.
"I got my first one and I knew it was really rare because I know my coins," he said.
"After that it was just like a tap, it just kept on going, and over the course of a few weeks I pulled 52 of them."
The 500-year-old coins, which were made of copper and were worth a quarter of a penny, were in very good condition, Mr Baxter, from Falkirk, said.
The coins are irregular shapes. They have the Saltire - the cross of St Andrew - on one side and a crown on the other.
"To hold something that's hundreds of years old for the first time is extraordinary," he said.
"You get a real buzz going up and down your body which lasts all day and all night."
An expert at the National Museum of Scotland said it was the first hoard of James III farthings to be found since 1919.
Metal detectorists need to ask for permission from landowners to search on their land and anything they find must be handed into the Treasure Trove for analysis and recording.
Under Scottish law all finds of archaeological, historical or cultural significance must be reported and can be claimed by the Crown.
Neither detectorists nor landowners have ownership rights to any archaeological finds made in Scotland.
Finds that are allocated to a museum through the Treasure Trove system are usually acknowledged by an award paid to the detectorist.
Detectorists generally split the money with the landowner.
Mr Baxter has detected at many sites, all of which he keeps a closely guarded secret. They include the 14-acre fields in Fife where he has now found more than 500 pieces ranging from the Bronze Age to the medieval period.
"I go along to farmers' doors with my portfolio of previous finds and show them what I do and ask them for permission to detect on their land," he said.
"You try to make yourself presentable, you put gel in your hair and wash your car and turn up in nice clothes.
"I hate getting permission because it's quite awkward speaking to the landowner. Farmers are busy and the last thing they want to do is speak to a wee guy asking for metal detecting permission."
The James III hoard has been put into the British numismatics journal, which charts the best finds in the country.
It also includes two Balliol coins which Mr Baxter discovered at the site in Fife. These farthings are extremely rare and are the only two to have ever been found in Scotland.
John Balliol reigned as king of Scotland from 1292 to 1296.
The find was allocated to the National Museums of Scotland and £5,000 was paid out.
Mr Baxter has also found 69 medieval coins from the reign of English King Edward I, whose armies invaded Scotland at the end of the 13th Century.
The medieval ring, which was his first find on the Fife site, dates between the 13th and 14th century.
"Initially I thought it was a bottle top because when it came out of the ground I could see the silver edges," Mr Baxter said.
"I saw the writing at the side and the big clasped hands at the front and I thought: 'That's a medieval ring'.
"It was just a great feeling to see it because it was a sunny day and it was twinkling away and it was in really good condition because it's been coated in gold, which has protected it from the soil."
Mr Baxter, who works as a lab technician, said he believed it was a betrothal ring.
"It would have been a higher status individual who owned it," he said.
"It weighs 9.5g, it's a heavy piece. A medieval penny would weigh about 1.2g, so that's about seven medieval pennies, so it wouldn't have been a peasant who owned that at the time."
The ring is silver but it has been coated in gold. It was eight inches down in the ground when his detector picked it up.
Mr Baxter, who has written a book entitled Making history: My Life As a Scottish Metal Detectorist, said it was hard for people to understand how difficult it was to find ancient artefacts.
He said: "In a general field 90% of the time there will be nothing in it.
"You could go in all the fields on the right and left along the M9 from Falkirk to Edinburgh and there would be nothing in them apart from modern Victorian stuff or Georgian stuff.
"It's hard to get stuff that's beyond 500 and 600 years old because the population was a lot lower."
Mr Baxter said a field could be full of medieval items, but detectors were not going to find them if the crops were too high.
"Then it comes down to knowledge and the best conditions," he said.
"You need to know that the crops need to be soft cut.
"Barley and wheat is softer than oats. When oats get cut the stubble is really hard.
"And obviously the carrot harvest was the best."
By Angie Brown.
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Austin’s AIWASS Resurrect Scottish Folk Song ‘Cruel Brother’ in New Single
~Doomed & Stoned Debuts~
By Billy Goate
Artwork by gozien_crayon
It has been estimated that some four million new songs are being released into the world of sound every year. Certainly, it's been hard -- neigh, impossible -- to keep up with all the new albums churned out just in the doom scene. As a consequence, it is all too easy to loose touch with the great songs of the past. I'm not talking about songs from the '70s, '80s or '90s, but those written generations and generations ago, stretching back into Medieval and Renaissance times.
That's why it's so refreshing to encounter a band taking on an old Scottish ballad like the one before us. Taking a cue from Battlefield Band, the traditional folk group who brought "Cruel Brother" to a wider audience decades ago, Austin, Texas band AIWASS gives this tragic tale a unique twist.
Dark, moody synthesizer surrounds the senses as the track begins, as if to transport us hundreds of years into the past to a scene unthinkable: a dying bride, a spiteful brother, a grieving knight, and an atmosphere teeming with sadness and revenge. Gently plucked mandolin strings cross with acoustic guitar. Misty, forlorn vocals tell the tale of love found and lost, eventually engaging the full powers of the doom metal quartet, complete with foreboding drums and bluesy, bittersweet guitar riffs.
Frontman Blake Carrera comments:
The themes of the song, despite being an old Scottish ballad, are quite familiar to listeners of doom and metal in general: love, lust, violence, and loss. By reinterpreting this song, we hope to bring the past into the future. The screams at the end of the song are not just an identification that this is “blackened doom”; they are also the screams of loss and sadness that are perpetuated throughout time by all of us.
Aiwass caught my ear during the pandemic, when we premiered and gave a detailed review of their first LP Wayward Gods. Since then, the band has expanded with founding member Blake Carrera (vox, guitar, mandolin, synth) joined by Eddy Keyes (vox, acoustic guitar, bass), Pablo Anton (guitar), and Grant Husselman (drums). As a result, the Aiwass sound has evolved into something wonderfully nuanced and altogether powerful.
"Cruel Brother" will be issued as a standalone single on Friday, March 28th (get it here). Fans of Green Lung, take notice
Give ear...
AIWASS - Cruel Brother
Follow The Band
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LYRICS
[Verse 1]
There were three ladies played at baw
Hey wi the rose and the linsey o
But a knight cam by, played ower them aw
Doun by the greenwood sidie o
[Verse 2]
This knight bowed low tae aw the three
Hey wi the rose and the linsey o
But tae the youngest, he bent his knee
Doun by the greenwood sidie o
[Verse 3]
O lady fair, gie me your haun'
Hey wi the rose and the linsey o
And I'll mak ye lady ower aw my land
Doun by the greenwood sidie o
[Verse 4]
Sir knight, ere you my favour win
Hey wi the rose and the linsey o
Ye maun gain consent ower all my kin
Doun by the greenwood sidie o
[Verse 5]
He gained consent fae her parents dear
Hey wi the rose and the linsey o
And likewise fae her sisters fair
Doun by the greenwood sidie o
[Verse 6]
He's gained consent ower all her kin
Hey wi the rose and the linsey o
He forgot tae speak tae her brother John
Doun by the greenwood sidie o
[Verse 7]
When the wedding day was come
Hey wi the rose and the linsey o
This knight would take his bonnie bride home
Doun by the greenwood sidie o
[Verse 8]
Her mother led her through the closs
Hey wi the rose and the linsey o
And her brother John stood her on her horse
Doun by the greenwood sidie o
[Verse 9]
He took a knife baith long and sharp
And he stabbed the bonnie bride tae her heart
[Verse 10]
Lead me tae yon high, high hill
Hey wi the rose and the linsey o
And I'll lie doun and I'll mak my will
Doun by the greenwood sidie o
[Verse 11]
And what will ye gie tae your brother John
Hey wi the rose and the linsey o
The gallows tree for tae hang him on
Doun by the greenwood sidie o
[Verse 12]
And what will ye gie to your brother John's wife
Hey wi the rose and the linsey o
The wilderness tae end her life
Doun by the greenwood sidie o
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