Tumgik
#sab salt
greensaplinggrace · 11 months
Text
“Character A didn’t love Character B because they hurt them” discourse is truly terrible because it assigns a moral value to love that simply does not exist. love doesn’t actually mean anything about someone’s character. it doesn’t make someone’s actions toward another any better or any worse, it doesn’t prevent atrocities, and it doesn’t prevent abuse.
love is a worthless emotion when it comes to morals because it simply holds no bearing on them. true love doesn’t exist. there is no better or more pure version of love. in the end love doesn’t mean anything. it’s a non-emotion. it’s the child of passion and affection and dedication. doing something bad doesn’t preclude a feeling of love, because a lack of love isn’t a requirement for immoral actions, and morality isn’t a requirement for feeling love.
592 notes · View notes
howtostandinsilence · 7 months
Text
Alina's sun summoner ability cannot be a metaphor for her escaping the cycle of abuse and living her own peaceful life when its very presence indicates something entirely different about her character. When her abilities are tied more closely to her identity and her growing path to self discovery, any framing of their presence in her life as only a fight against abuse comes across as cheap and shows a spectacular misunderstanding of her character.
Alina losing her abilities doesn't show a need to no longer fight. It doesn't show freedom or liberation. It shows instead brutal oppression and cruelty. 'She can be on her own and the darkness cant get to her anymore' is a funny way of describing the loss of a light power that could by nature repel the darkness and bring her kinship. In fact, it is almost a direct misinterpretation of the events that took place, and through its very wording contradicts itself.
Alina losing her powers cannot be a big metaphor for letting go of the past and moving onto internal peace when it drives her into a horrific regression and throws her into an eternal misery and grief stricken state. Where her very being is repressed so that she may conform and assimilate to her oppressors.
You cannot state that this hatred of her ending is only because it has been done terribly to other female characters before as if this is all some transferred bias. Alina's story is itself regressive through it's own path throughout the books. Her repression and the championing of her internalized bigotry through a narrative that structures itself around restrictive and puritanical morality can be easily tracked, picked apart, and analyzed as itself a story that rejects any real liberation or character progression to force the main female character into a box of conformity.
While Alina strives to be loved and cared for, she states multiple times what she truly wants. Which is the ability to accept and love all of herself in every way, with the freedom to love who she wants and to craft an ending that she wants, where she does not have to give up any of this. That Alina's very desire to have an ending where she can live freely is rejected so that fans can pat themselves on the back for liking her canonical regression feels grotesque. She did not actually want her ending. She could barely stomach it.
Alina's powers did not only represent her fight against abuse. They represented something more to her fundamental character and her arc of self actualization. There is no peoticism in her losing her powers except that of a greek tragedy and it's unfortunate protagonist. Alina didn't even choose to lose her powers. They were stripped from her against her will. In every way, her agency and pershonhood and very wishes are violated. But this is ignored in favor of championing some "subversive" and "enlightened" and apparently feminist story that simply does not exist.
94 notes · View notes
clumsyyhearts · 1 year
Text
oooooooooh something something I thought this season was gonna be ice court speedrun but instead it’s sooooooooo much worse. Why are we in crooked kingdom already girl. What are we doing girl
16 notes · View notes
winelover1989 · 1 year
Text
the dialogue and acting in the s02 of shadow & bone is so BAD I couldn't even fast forward through the "good parts" because there were none 🙄 finished the whole season in 15 mins???
13 notes · View notes
helenvader · 2 years
Text
Fold orphans are canon... 
King of Scars, Chapter 25:
"They’d closed up the shop, and Liliyana had cooked them dinner and introduced Zoya to the child she’d taken in whose parents hadn’t made it back from their last crossing—a scrawny snub-nosed girl named Lada, who demanded Zoya help her draw the Little Palace in extensive detail."
I still do not get it. Parents do the crossing and leave a small child behind. Who did they leave Lada with? *shakes head*
4 notes · View notes
fromevertonow · 1 year
Text
I have complete trust in the writers of s&b because they respect the characters and this world. I can’t say that about many other adaptations. The way they actively incorporated quotes/dialogue from the books, stayed true to the characters’ personalities and essence… they know what they’re doing with the parts we, the fandom, love about the Grishaverse. I understand the complaints about some scenes losing their value because they switched book orders (like the Kanej “how will you have me” scene) but you also gotta understand that this is essentially the second part of a story, just like Crooked Kingdom is (for example). We have seen the first part of the Crows’ relation develop in s1, just like we did in SoC (some variation of it at least), but switching these books around doesn’t really make less sense to me?? In my opinion, it works. Consider what we know from the show, not the books and ask yourself if this is really all so out of pocket as you claim it to be.
161 notes · View notes
biherbalwitch · 1 year
Text
6 tickets to the Barbie movie, please!
Tumblr media
94 notes · View notes
eerna · 1 year
Note
im gonna be real with you all the tgt netflix deal is the worst thing that could have happened to six of crows like i dont think even a solo soc adaptation can save the newly created baggage from the current show unless its a complete "reboot" that ignores sab or whatever but thats even more unlikely than a separate adaption
I agree wholeheartedly. SaB ruined SoC's chances at becoming the next teen TV show royalty. I am willing to bet that it could have been the biggest thing they've produced in years if they just chose to adapt it first and SaB later. But now it's too late because all the characters and backstories were rewritten to fit the SaB plotline and we can never go back to "six small-time but talented thieves fight a whole city". Here's to hoping someone else picks it up in 10 years for a reboot because this could make so much money it's not even funny like I THOUGHT YOU LOVED MONEY WHY WOULD YOU SAY NO TO MONEY-
63 notes · View notes
osaemu · 2 months
Text
i think fyodor's ability is to kill ppl and add their lifespan to his own .... but idk if the years are how many the victim already lived or how many they had left .....
5 notes · View notes
arobutchsab · 2 months
Text
I am a dogboy pleaseeee gibe me pets in my asks I've been good
2 notes · View notes
darkolaism · 1 year
Text
Tumblr media
don't you just hate it when you're not able to heal and move on from ur trauma 😢
7 notes · View notes
greensaplinggrace · 8 months
Text
alina starkov i am so sorry that no one understands your character. i'm sorry that you have been reduced to the fandom's morality pony at the sake of your real personality and your depth. i'm sorry that they don't understand that you existed as a person outside of the men in your life, and that your relationship with your trauma was complicated and ugly and understandable. i'm sorry they didn't love you for this anyway.
i'm sorry they don't understand the metaphor of the sunlight in your soul representing your self discovery and growing ability to accept yourself - that every scene where you long so desperately to know yourself and then glow when you finally do is cast in darkness by those who would rather you starve yourself in the name of conformity than eat healthily at the table of self love.
i'm sorry that they didn't love you enough to see how much losing your light hurt you and i'm sorry that they didn't want you to have a happy ending that you truly wanted - one where you could be all of yourself without shame or borders. i'm sorry their love for you was so performative that it stripped you of everything you are, that it left you wanting and shamed and filled with grief. i'm so so sorry.
254 notes · View notes
howtostandinsilence · 9 months
Text
“The SaB writers looked Darklina shippers right in the eyes and said this is an unhealthy ship.” - No, the SaB writers avoided the entire fandom’s eyes because they don’t have the balls to be direct about anything and said “we are so afraid of backlash from the puritans if we add even an an ounce of nuance to this story that we are going to sanitize every character in our show and flatten this story into nothing.”
You all will really attribute any kind of activism to a bunch of people convinced that the fandom is so childish it can’t even handle Alina slightly having complexity. It just goes to show that anti rhetoric isn’t feminist or morally superior at all. It’s the naïve handwringing of a bunch of sheltered centrists over fake morals as a stand-in for real world activism.
104 notes · View notes
clumsyyhearts · 1 year
Text
HELP I AM LAUGHING WHY DID THEY DO THE SLAT FIGHT AND THE BATHROOM SCENE. Oh look how they’ve massacred my boy
13 notes · View notes
wander-wren · 1 year
Text
hey sab fandom what if we tagged when we were mad about the show. just a thought. in case we do not want negativity on the dash at this particular moment
8 notes · View notes
forested-witch · 2 years
Text
sometimes i eat a ton of salt and then hours later crave more salt and i dont know what this means but i know what im going to do about it
5 notes · View notes