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#robot movie
doodle-boy · 2 months
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Ok so I am buzzed on an weird cocktail of ollipop orange soda, bourbon and peach snaps. I'm exhausted from work and just thsi whole week I've been just like out of it and kinda forgot how to person. I'm a cocktail of things drinkin a cocktail of things.
But do any of yall fuckin remember REAL STEEL??
Man that is unironically one of my favorite robot movies and ain't nobody talkin about it!! Like first of all it's got boxing in it, which is always dope as someone who is a big fan of that sport. It's got ROBOTS (duh) and their all really cool designs too. Like you got to see a broad spectrum of different designs and materials used. From ones make like a they a jaguar car with shiny paint and sleep anrodymanic designs. To robots that looked like they were made out of you're old 1994 ford trucks, rusted and banged up. All of them felt like they were inspired by rock'em sock'em robots. with built in headgears and gloves. Some of them even had their neck pop up like the toy did i swear I saw that in a scene in the movie, I'm like 89% sure they made that visual gag at some point. LIKE IT'S SUCH GOOD ROBOT DESIGNS.
Also the fucking animation was really good too??? Like if you go watch a clip of it right now. you will be impressed at how good the lighting is on these robots. And they got DARING with the lighting, day time, night time, during a storm with flashing lightening, back lit by different things, in a dingy hallway, in a professional boxing ring. They did not hesitate to put the models and shaders thew their fuckin paces. Not to mention they put in the effort of adding motion blur and camera blur and close ups and far away shots. And honestly it still fucking holds up, like it legitimately looks good enough that you're brain can very easily accept it into the reality of the world their in.
And this bitch was made in 2011
I've seen movies from the last three years that looked worse than a nobody film about boxing robots.
Think about that.
Also animation aside the story is really nice too. Is it like a super stereotypical 'rookie makes it too the top' type story that is very similar to Rocky? Yes. But you just walked into a fucking boxing movie what did you expect??? Plus that's not the whole picture. It's more than just about a robot who boxes, it about a human man finding his self worth again. About finally connecting to people and himself. It'll make you cry man. It made me cry. I'm crying right now oh my god.
Anyways. peeps need to watch this movie and I need to go lie down.
i'm blazing this because reasons.
lol
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day 33 └[∵┌]
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Bigweld from Robots
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mondonguita · 9 months
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l0fifilm · 1 year
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“Idiot Thief!”
A short sketch I made while some friends were in town. Vaguely based on a true story
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calam1typann3 · 2 months
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First trailer for Dreamworks' ‘THE WILD ROBOT' and HOLY FUCK ITS GORGEOUS???????
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heavyfandom · 5 months
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Hello!!!! No one gonna talk about this???
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prokopetz · 2 months
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lastoneout · 7 months
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Pacific Rim is the best movie ever made for the same reason Sif is the best boss in Dark Souls. It's not bcs of quality or craftmanship or whatever it's bcs when I hear "giant robots fighting giant monsters with the power of love" and "huge wolf with a big fucking sword" I am overcome with the urge to scream "HELL FUCKING YEAH" at the top of my lungs before headbutting a wall so hard I leave a dent in the plaster.
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I’m so glad the Guillermo Del Toro Pinocchio movie is being received really well, because it was literally my most anticipated movie of the year! So here’s some fun facts about the crew, concept, and production that got me excited about this movie and that I think would excite much of tumblr as well:
-the screenplay was cowritten by Del Toro and Patrick McHale, creator of Over The Garden Wall and a writer on Adventure Time.
-the movie was codirected by Mark Gustasfon, who was the animation director of Wes Anderson’s Fantastic Mr. Fox (2009)
-the primary art/animation designers of this movie (production designer Curt Enderle, art director Robert DeSue, character designer Georgina Hayns, animation supervisor Brian Leif Hansen, and photography director Frank Passingham) previously worked on projects that include Coraline, the Corpse Bride, Paranorman, Isle of Dogs, Frankenweenie, Kubo, and Chicken Run.
-Besides Netflix, it was produced by the Henson company (always a good sign when you’re doing anything with puppets) and ShadowMachine, who have produced a lot of Adult Swim shows including Robot Chicken, Moral Orel, and Tuca and Bertie, as well as the Netflix original BoJack Horseman.
-Del Toro was inspired to make this adaptation due to the similarities he’d always noticed between the original Pinocchio story and Mary Shelley’s Frankenstein. Both are about a man-made character’s relationship with his father/creator, and his attempts to understand what it means to be human. This inspiration is why the film takes on a gothic feel at times.
-the movie is over 10 years in the making. Del Toro announced the project in 2008 and production began in 2012, but it went into development hell and no further updates were made for several years. Del Toro has described it as his passion project, saying "I've wanted to make this movie for as long as I can remember.”
-the backdrop of Mussolini’s Italy was intended to show how Pinnochio was able to find his own humanity and will in a time where everyone else was acting like a blindly obedient puppet. Del Toro wanted to deviate from the original book’s themes of obeying authority by making his Pinocchio virtuous for questioning the rules and forging his own set of morals. (Also if you know anything about Del Toro, the guy likes to dunk on fascism.)
-Del Toro didn’t feel the need to have Pinocchio become flesh-and-blood at the end of the movie, saying all you need to be a real human is to behave like one.
I was lucky enough to see this movie in 35 mm in a movie theatre on Thanksgiving weekend. If there are any movie theatre showings near you and you’re in a position to be able to attend them, I would totally recommend it especially if you can go with loved ones. It was a gorgeous, heartwarming, and magical movie to experience on a big screen and perfect for the late fall/winter holiday season.
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curb-your-dog · 1 year
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trying to lend a hand
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horang-07 · 6 months
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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froopa-coopa · 10 months
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redraw inspired by Castle in the Sky 🗡️✨
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atomic-chronoscaph · 4 months
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The King and the Mockingbird (1980)
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73m0n · 2 months
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Apparently the oscars haven't learned their lesson from last years oscar
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calam1typann3 · 2 months
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EATING UP THIS FILM'S USE OF COLORING AND LIGHTING OMNOMNOMNOMNOMNOMNOMNOMNOMMMMMMM
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corruptimles · 2 years
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That makes my Miku Movie Marathon for this year’s #MikuAllWeeku! If anyone has a favourite from the set, I'd love to hear it. Until next time...  
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