DP x DC Prompt
…
There are no more heroes.
Well, okay. Rewind a bit.
Danny has been doing the hero thing for a while now. He’s had a big reveal; everyone has accepted him (including his parents), the GIW disbanded, the Anti-Ecto acts repealed, and generally, everything is going great. Some of the A-Listers are even training as junior ghost hunters to help give him a break from his rogues! (Being Ghost King makes things hectic sometimes, and he just needs the extra help. Sue him!)
The point is, literally nothing is wrong with Danny Phantom’s afterlife.
And then Valerie Gray, the Red Huntress, disappears in front of his eyes.
Danny is baffled! She’s just…gone! Valerie just popped out of existence, like she was never there. But no matter how hard he searches in the Ghost Zone, he can’t find her soul anywhere. His core isn't broken in grief. So she’s not dead. Which is good. So then, where is she?
Some of the others come forward with ideas on how to find her. A few ghosts volunteer to go out into the mortal realm, an area Danny had declared off-limits, to see if she was out there. Danny approves it. He rounds up some of the friendlier (i.e., discreet) ghosts and Amity Parkers and demolishes the outside travel ban.
So everyone spreads out, looking for their dear frenemy and teammate. But it becomes apparent very quickly that something is wrong with the rest of the world.
There are no more heroes.
Every single living superhero on the face of the Earth has just…vanished. Villains are running amok; the countries are in chaos! Some aliens are invading Earth, mythical deities are trying to take over, and society is crumbling to the ground. Everything is on the brink of collapse.
Well, Danny was still there. And so were his people. They were pretty spread out, so could they just…take up the mantles? He also knew where to find the souls of dead heroes in the Zone; surely they wouldn't mind coming out of retirement for a little bit, especially if they couldn't die again. Oh! And that skeleton army leftover from Pariah Dark's reign might be useful in repelling those invading forces.
Honestly, there were more than enough hands to go around! And with the heroes gone, Danny didn't mind letting everyone out for a little break, as long as they followed his rules. They wouldn't stop the search for the other heroes, but hopefully, when they found them, the heroes wouldn't mind Danny's intervention too much. :)
In other words:
Someone fucks up, and all of Earth's living heroes are either wished out of existence or are whisked away to some far-off realm where Danny hasn't checked yet. In the attempt to figure out what's going on, Danny lets the dead run amok over the Earth as they search for clues. The skeleton army repels the invading armies, the souls of dead heroes deal with the world leaders, and his rogues and other Amity Parkers set up shop in place of famous heroes, trying to get the cities under control again.
Basically, they just do their best to keep everything from imploding until the Justice League and others are back.
(And why is it that Danny hasn't disappeared? Well, whatever caused everyone to go poof! only affected living heroes. Anyone heroes that were dead in the first place, or even just half-dead, stayed behind.)
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Dp x Dc AU: Jazz Fenton, after years of fixing her brother’s injuries, becomes a Doctor with an inclination towards behavioral health and psychology- In order to make the difference she wants to see in the world she joins Dr. Leslie Thompkin’s practice.
Jazz Fenton, M.D. has spent years of her life doing research, doing the hard work and the emotional labor, and finally, finally, she’s joining a practice she can feel 100% confident in. She’s goddamn good doctor and she wants to make the biggest impact that she can.
Dr. Thompkins (who insists that she call her Leslie as they’re colleagues now), is a kind woman, sharp as a tack and keeps her practice open at odd hours to help the most unfortunate. It took some time for them to bond and trust to be built, but now Jazz is being allotted a few night shifts here and there.
It’s incredible. Jazz gets to spend time with the kids who come in and really talk to them (in addition to getting them antibiotics, heating pads and pokemon themed bandaids) to help equip them with a few coping skills. Her passion for psychology never disappeared after all, but the expansive knowledge of how to heal the human body has made her find a sense of fulfillment like no other.
Having proven herself and worn Leslie down, Jazz now takes up about 1/3 of all the night shifts in the month. She’s hoping to get to 50/50 by the end of the year but she’s content with what she has. Danny keeps odd hours anyway so calling him after work on her walk home can happen any time of day and he will always answer enthusiastically.
It’s a particularly busy night before he comes in. The Red Hood.
He was known for being an ally to Leslie, despite being on contentious terms with the Bats, but Jazz had never asked directly. Never one to turn away a patient with bullet hole wounds, she hops into action to get his wounds cleaned, sewed up and gauze wrapped. She’s handing him a sheet (an Infographic! Dani made it with her! Graphic design is her passion!) on how to care for his wounds when he first seems to recognize that she’s not Leslie.
“No, Of course not. I’m Dr. Fenton. I can’t blame you for not remembering but I did introduce myself as you bled in the entry way. You’re Red Hood, right?”
“Hm. Didn’t realize the practice was expanding. Where can I find-” He grumbles before pushing her hand aside from where she had still been supporting his shoulder.
“Hold on there, mister. You’re going home, you’re following this infographic and you’re going to get some sleep.”
“Lady you don’t know-” His voice modulated ton came across antagonistically. As if he was trying to intimidate her. Ha, Jazz rolls her eyes at the inclination.
“Who I’m talking to? Who I’m dealing with? You’re hilarious. I can eat you vigilante’s hero complexes for breakfast. Tell me who I’m calling to pick you up and then you can say thank you.” Jazz snaps at him. It really had been a long night but his whole dialogue thus far is making her a bit batty.
“Oh really Doc? You know Leslie’s tough shit, and from what I can tell you’ve got nothing on her-”
“Trying to make me feel insufficient when I just saved your life? That’s cute. I’m sure a lifetime of abandonment by both of your parental figures gave you that. I’m also sure that you inherited this desire to prove you’re not going to be dependent on anyone who wants to help from whoever got you dressing up in tights to fight crime in the first place. Again, I’d love to talk at length about how predictable you-”
“Bwah- wait- I’m Predictable? You’re probably some nepobaby who had parents who told her she could have the world-” But Jazz cuts him off with hysterical laughter- he couldn’t be further from the truth. Her parents loved her, but nepotism? With what, the ghosts? If anything she got that from Danny, but he doesn’t need to know about her ghostly titles.
“You’re just some guy who came back from the dead and made his trauma everyone else’s issue. So shut it. And tell me how I’m getting you home from this clinic.” She seethes though her voice stays devastatingly level with each word.
Speechless for a moment, he eventually relents to Jazz that he’s already called for help on the comms but it will be hours before they can come for a pick up. The sun had already come up and the night had been over for most of them before Hood had walked into trouble. She groans and the realizes the time for herself and the empty clinic around them.
“Fine. My shift just ended anyway. I’ll get you home in one piece and I swear to all the ancients that you’d better follow the directions on the infographic.”
And that’s how Jazz ended up calling her brother while supporting the weight of a grown ass man (who no longer wanted to talk to her) on her walk home.
The next time Red Hood appears in her clinic, he’s brought a dozen roses in addition to the cut on his neck that definitely needs to be pressurized like ASAP. Did he stop for the flowers on his way to the clinic? He’s going to pass out from blood loss! She doesn’t even like roses!
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You may have already mentioned this in some of your other metas, and I just missed it, so please ignore this if it's redundant.
Do you think Bruce is projecting onto Jason by pushing him as a Robin? Obviously, Jason wanted to be Robin and was excited about it, and Bruce let Jason do other things, but (if I'm not mistaken) before Tim came into play, solidifying the whole Batman needs a Robin/support to keep him upright, Bruce and Dick becoming Batman and Robin, in the beginning, was also sort of a coping mechanism.
I think there are a few examples of Bruce enabling this kind of mindset. Like in Gotham Knights #43–44 (sorry), every time Barbara brings up Jason's inner turmoil, Bruce refocuses on his ability as a Robin; similarly, when Jason finds out about Two-Face and his dad, he is hurt, and Bruce acknowledges that but then does the same thing, zeroing in on reassuring Jason that he made a mistake but is still a good Robin.
Like, Jason got it from Bruce, but he unintentionally encouraged that kind of thinking.
oh, i definitely think that bruce is projecting on jason and that it profoundly affected jay. and, while every single one of your observations is apt, i would add that what truly made it so tragic is that he projected his own worst traits on jason while being blind to the fact that jay already shared his best qualities.
tldr: bruce projects himself on jason in terms of grief (saying that jason needs vigilantism to work his grief through) and sees his own worst traits in jason (anger) but doesn't see his own best traits in jay (compassion, love, and sensitivity). ironically, jason does end up developing all of the (projected) worst characteristics of bruce (obsessiveness, and relentlessness in pursuit of the respective perceived idea of justice). this happens even though they were barely present in his early storylines, and only ever manifested when jason was scared or lost. later, they truly came to be because of his trauma relating to vigilantism.
and the long, long version, coming with panels and quotes: under the cut.
first i want to say that the following analysis focuses very specifically on bruce's mistakes, but i don't view the overall of jay's upbringing by bruce solely in these terms. from text it is also clear that bruce deeply loves and cares about jay, and that jay enjoys being robin. now that this is clear, let's get to particularities, and start with jay's origin story.
i truly never stop thinking about the significance of bruce meeting jay in the crime alley, the place of his parents' death. there's a lot to be said about it, but here the focus is, of course, on the fact that he sees a little boy, very much similar to himself, angry and hurt, in the same scenery that brought him so much grief. and jay in some ways does appear to be a mirror of bruce's own agonies, as well as a mirror of his own inclination for seeking justice; and somehow, bruce fixates on the first one, while almost completely dismissing the latter.
bruce looks at him and assumes that the remedy to jason's pain and anger is being robin; and he doesn't stop to think about it. (it has to be noted that there's also classism at play, classism that is mostly a result of writers' own beliefs – collins did state in a couple of interviews that that the motivation behind jason's background was to make his introduction into vigilantism seem less offensive, as jason has already been exposed to crime...)
i think, in this context, it's interesting to look at the two-face storyline even closer, and from the start too. in the beginning, bruce talks of jason's 'street' roots and assumes jay would go "down the same criminal road that took his father [willis] to an early death." he also talks of jason making a lot of progress. later, in batman #411, after jason learns that willis has been killed by two-face, bruce comments that jay "has never been like this...listless...almost pouting--"
this all, along with jay's cheerful and diligent behaviour from the previous issue builds an interesting picture for us: because we essentially learn that jay has been overall an unproblematic child. bruce, of course, attributes this "progress" to the training. however, for anyone else, the logical conclusion would be that jay's quick adjustment was simply a matter of finding himself in a safe and stable environment and receiving continuous support and attention from a parental figure. i find it rather questionable that jason's personality softened down because he had something to punch in the cave–– the more intuitive explanation is of course that he was angry and quick to fight when they first met because he couldn't afford anything else and because he was scared. but months later, in a loving home, he can allow himself to drop his guard; and his cocky attitude disappears until much later.
so the rather unsettling picture that we derive is that bruce is training jay to become a vigilante in order to "channel" his (nonvisible at this point) anger into something useful and just. and he clearly links this to his own trauma in batman #416 (that’s already starlin btw), in his conversation with dick, explaining why he took jay in: “he’s so full of anger and frustration… he reminds me of myself, just after my parents were killed.” bruce also mentions that soon after their first meeting, jason helped him and "handled himself well" in the fight, but he doesn't mention that jay has ran away from a crime "school" and intended to stop injustice on his own only because he was ignored.
the theme of bruce comparing jay to himself appears again in detective comics #574 (barr), where it is approached with a much more... critical look, thanks to leslie's presence and her skepticism of bruce's actions. after jason has suffered nearly fatal injuries at the hand of the mad hatter, bruce reminisces on his own trauma and motives. he tells leslie: "i didn't choose jason for my work. he was chosen by it...as i was chosen." leslie replies: "stop that! (...) you do this for yourself... you're still that little boy (...)" then, the conversation steers to the familiar ground and the topic of anger. in bruce's words, again: “i wanted to give jason an outlet for his rage…wanted him to expunge his anger and get on with his life…” and finishes "and instead, i may have killed him."
the recognition that bruce's projection on jason and involving him with his work might have fatal consequences is, as always, fast forgotten once jay wakes up and proclaims that he wants to continue his work as robin.
but to circle back, i think there's something else worth our attention, something deeply ironic, that is showcased in that issue: that bruce has no evidence for jay's "rage." when leslie talks of bruce's past, she recalls his tendencies to get into brutal fights at perceived injustice as early as in school; when bruce talks of jason, two pictures that are juxtaposed, are that of jason fighting as robin and jason... smiling, playing baseball.
so, in the early days of jason's training and work in the field, we see bruce talking of jason's anger a lot; but we barely see it.
that being said, jay is angry sometimes– and i think your observation about how bruce deals with it is incredibly interesting and accurate.
we first see jay truly and devastatingly angry in the two-face storyline. bruce focuses on jay's reaction as robin, which is, in fact, aggressive. but something that he barely addresses is that jason's first reaction is sleeping all day, and not beating anyone to a pulp; in fact, this vengeful instinct seems to arise only when he is put right in front of two-face. and his third instinct, once the rage (very quickly) dies down after the altercation with two-face, is crying, because bruce hid the truth about willis' death from him. jay, while crying, asks bruce: "you have taken me out into combat-- but you spare me this?" in response, bruce lectures jason about how grief inspires revenge, which is, again, deeply ironic, given that jay seeking out revenge seemed to be prompted and enabled solely by the role of robin. moreover, his question suggests that at this point he saw grief ("you spare me this") and fighting as two different things.
the final is, as you said, bruce focusing on making it into a lesson on vigilantism, or, in his own words, "tempering revenge into justice." personally, i think in this way bruce directs jason to bring his grief into the field as a powering force, something that he didn't necessarily have an own incentive to do. the flash of compartmentalisation between his ordinary life and being a sidekick that jay has shown by questioning bruce's decision is lost. emotions are now a robin thing, and they have an (informal) protocol, a moral code. and when jay is confronted with an emotionally exhausting case next – the garzonas case, i believe that the focus on "tempering revenge into justice" is exactly the problem– we don't see jay crying, we see him frantic about finding the solution. this, right there, is bruce's obsessiveness, that in my opinion, was developed in jay specifically as a result of how his engagement with vigilantism combines with his deep sensitivity.
and, needless to say, his sensitivity is all the same as that of bruce – they both can't stand looking at other people hurting, they both wear their hearts on their sleeve, caring way too much – the thing is, bruce never quite acknowledges how they are similar in this matter. instead, he focuses on his sparse bursts of anger, wanting to bring jason closure in his grief the only way he knows it – in a fight for a better world. so, as you said, he focuses on jason's ability as robin.
which just doesn't work for jason. at all. we know it from how his robin run comes to an end: in the first issue of a death in the family (batman #426) alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.” to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents deaths.” he also tells jay that the field is not a place for someone who is hurting; a message that is the opposite of what he's been saying for years now, and something that i imagine was difficult for bruce to conceptualise, because then he would have to question his own unhealthy tendencies. it's a bit late to come to this realisation; bruce's self-projection that caused him to worry so much about jay's anger has already turned into a self-fulfilling prophecy that will fully manifest itself in utrh, when jason does the only thing he was taught to do with grief: try to channel it into justice.
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I feel like clark should be like. minorly famous. not like bruce wayne famous or anything like that, but well-known enough.
cuz like, if you watch enough of a news station or wtv you'll start to see names over and over again and eventually you'll get used to their faces, and you'd be able to recognize them p well.
if you've watched cnn a lot, you might recognize names like anderson cooper, wolf blitzer, jake tapper, erin burnett (they have been burned into my brain . . . blame my parents) and I feel like that would be basically the same for clark.
like yeah, lois would definitely be recognized more often than clark, as she's most definitely won an award or two for her work, and just her overall style with writing and such.
but I feel like people who read the daily planet (and there's bound to be a lot of them . . . the daily planet seems like a fairly popular magazine, probably somewhere up there with nytimes or smth) and if you were to read enough of their articles, you would start to recognize a few names after seeing them repeatedly, like clark kent.
now, i'm not saying that he's gonna go places and ppl are gonna be like "omfg??? that's clark kent???" bc rlly who cares abt a reporter from smallville but I'm sure he'd be like in a grocery store somewhere and someone would like. drop their groceries and clark would help them pick it up (bc he'd totally do that) and then the person would look at him like . . . "aren't you clark? clark kent? journalist?" and he'd nod his head like yeah hahaha that's me and that would happen every once in a while bc yeah this is metropolis everyone's heard of the daily planet but not everyone knows what mr. ck looks like so.
this makes him totally notorious at galas and whatnot because the dumb white rich ppl honestly couldn't care less what clark looked like but everytime they hear he's there they start breaking out into a sweat because like. he's known to be ruthless whenever he wants information and does not hesitate to print whatever he wants and also like. never gets in trouble and when he does he always gets out (bc dumb rich guy bruce wayne always has a few bucks to spend on him) so like they're all terrified of him.
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