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#regret arc
atthebell · 11 days
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once i get to rewatching the regret arc im going to become the most annoying person on the planet. guys remember how cellbit changed the password to sofia to regret guys remember how when he surveyed roier he said he genuinely cares about how he's doing guys remember how after he saw felps' frozen fucking body he tried to run away and was completely frantic to get away from cucurucho guys remember him begging richas to give forever the book guys remember him putting the chest on the top of the cristo redentor with the crown of thorns hint guys remember guys remember guys guys guys
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pixiecaps · 8 days
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Cellbit: Dude, this is the most difficult thing that- that I’ve had to do up until now. Solving the enigmas, dude, didn’t even come close to this. I have to lie to everyone I like. I have to see everyone who trusted me slowly becoming disappointed. I have to take that all quietly and continue saying the biggest atrocities that I disagree with just to get some information. Something!
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Cellbit: It’s like if you looked someone in the face and said the worst things you can think of knowing that you’re doing it to protect them, you know? Ultimately, you're doing it for their own good, but you're hurting them now for- for a greater good. It really sucks, dude. It really sucks. Like the things I had to say to Forever, the things I had to say to- to Badboy. The things I have to say to everyone, dude. Like everyone using my own arguments against me. (Laughs) And I being forced to try to refute my own head.
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Cellbit: And I'm trying to make things very obvious. I'm trying sometimes, like, I'm trying my best to leave books accessible in obvious places- in obvious chests. And say things that I would NEVER say to them. They know, at least deep down, they have a little suspicion that it doesn't make sense. And maybe they can read- Because Cucurucho, he has one problem. He doesn't have the social tact that humans do. He doesn’t- He doesn’t function like a human being. He has letters saying that he doesn't understand how pronouns work and doesn't know what feelings and wants are. He knows what feelings are, but he doesn't know what it's like to have feelings according to what he said. He doesn’t know what are- He has a letter where he says, “I don’t know what is want.”
Cellbit: Thinking about that, the only way I can get around it is by leaving purposeful nuances that I'm saying absurd things so that if you see me from a distance and you don't know me it looks like I'm- that I'm an asshole and I'm really fighting with them but the people who know me, who’ve been with me over these last- All this time on the island and still love me and know I’d never say those things, “No, dude, it doesn't make sense that he's saying these things. It must have some purpose. That logic doesn’t make sense.” It has to make A BIT of sense for Cucurucho to believe it but it can’t make so much sense that my friends don’t doubt at least a little bit. Those who know me know. I'm relying on that.
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cellberry · 4 months
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Insane Duo, 2023
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sfuruda · 2 months
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#QSMPtober day 3 - "Villain"
Ngl, for this one I had like a japanese cover of the corean song "Villain", I think the name of the singer is Stella Jang :D
Nossa gente, eu juro, o cover japonês q eu achei é MT bom, foda demais, deixo aqui o link pra vcs escutar ^^ https://youtu.be/z-bGPZCfWFc
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stars-and-loops · 1 year
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* A Tension Bit drops to the floor beside them.
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*Susie cast SONG OF HEALING!
(pspsps @pinkaddiofficial)
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poorly-drawn-mdzs · 3 months
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Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.
(Part 1, Part 2, Part 4 (soon))
#poorly drawn mdzs#mdzs#lan wangji#Yungmeng Jiang training arc AU#I wanted to try out a different paneling style for this one - sorry I'm a day late! (there will still be a post tomorrow to keep on track)#The original 3 panel comic idea was fine but the point of this new schedule was to take time to push myself a bit more.#I was taking a look back through some comic artists I felt inspired by#and I really loved how Lynda Barry fills her gutters with patterns and doodles!#Obviously I'm not going as absolutely wild with it as she does but it was a great exercise!#I truly think the gutters are the most important and most overlooked part of any comic. There's lots going on in that space.#It's the same with timeskips. The implied movement between moments that we don't see changes depending on how wide that gap is#You're here for the funny tags so here's some that ties this time talk together:#I think LWJ was thinking about that second note from day 2 but it took him 7 days of hazing to commit it to paper.#I think he sends it a day later and immediately regrets it. Chasing down the messenger and everything.#You know if something actually happened to his brother he would never ever forgive himself for putting the bad vibes out there.#Third time skip was the hardest because there was so many possible flavours of jokes here. Day 8/9 was a personal favourite.#day 14 was also funny (week by week). I think the debate on 'how long does lwj take to catch feelings' is more or less:#'how long does it take for him to arrive at a particular stage of grief and yearning (and awareness of it all)#This is a symphony. There is an act by act structure. Every day he is fighting to keep his old sensibilities. He is losing so badly.#(I'll be returning to the main comic soon but there is more of this AU to come!)
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pepemoon · 8 days
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CW // Body Horror ?
The winter Tommy died
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Tubbo’s grief and regrets.
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a-small-tragedy · 11 months
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Emotional picture without context
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gauntletqueen · 2 months
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hey does anyone out there have a physical copy of "Puella Magi Tart Magica Volume 4" and if so may I please please oh please sneak and scuttle into your abode and greedily take it for mineself while muttering deliriously? 👉👈🥺
it's the only volume I'm missing and I, for no reason, have made it my mission to complete the set. It's not available new anywhere anymore and even second hand, well, the only listing of it I've found is
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BAD
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bobsyourdylan · 6 months
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Okay, so – a few thoughts on Izzy’s death. I’m sure other people have also laid this out, but I haven’t stumbled across it yet, so this is partially for me to get my thoughts organized. For the record, I love Izzy – he fascinated me (in a horrified sort of way) in season 1, and then he grew on me significantly in season 2. What a weird little guy. But also – I’m fine with them killing him off, and also with how they did it, because I think it makes sense for the story. But I know that a lot of people are super upset about his death, and also about the way he died. So, a few semi-coherent thoughts on that: 
Why not a sacrifice play?
This writer’s room is so self-aware, so deliberate about engaging with tropes – there is no possible way that they sat around breaking the story of Izzy’s death and no one said “woah, wouldn’t it be symbolic and gut-wrenching if he sacrificed himself for Ed? Or Stede?” No way. So why didn’t they go that route? 
Izzy’s arc in season 2 has been all about becoming his own man, separate from Ed/Blackbeard. Like – that’s what he’s worked towards, this whole season. That is his growth. It would be insulting to take that away from him at the last minute, and make his death purely about Ed and Stede.
Listen, I love a sacrifice arc as much as the next person. But Izzy’s life isn’t about sacrifice anymore – that’s the whole point of his season 2 arc. He has spent decades sacrificing both himself and Ed to the altar of Blackbeard. No more. 
It also means that Ed and Stede’s mourning doesn’t have to be tinged with the guilt of “he sacrificed himself to save me/my partner.” They can mourn Izzy purely for himself, because he is worth mourning. This, I would argue, is the send-off that Izzy’s character deserves.
Izzy’s death wasn’t accidental on Ricky’s part – it wasn’t a stray bullet.
We see from the scene when the crew is locked up in Spanish Jackie’s that Ricky recognizes Izzy. We know from their conversation that, for Ricky, Izzy is the epitome of piracy – Izzy, not Blackbeard, is the legend.
The thing is – Ed and Stede are both in the scene where Izzy dies (I’m not sure if you can see Stede on screen, but the bts photos show Rhys’ position, on what would be the far right of the shot). Arguably, Stede would have been the easier shot – Ricky wouldn’t have had to complete a full 180-degree turn before he could pull the trigger. So why doesn’t he go for Stede, who abandoned him to the tender mercies of Spanish Jackie in the first place? Or Blackbeard, arguably the greatest/most famous pirate alive, with the possible exception of Zheng, who he’s already targeted? Sure, you could argue that he’d going for Ed here… but I don’t think he is. The shot’s too low to be accidentally aimed for Izzy – it would hit Ed’s knee or something, probably. I think that yes, it’s a panicked shot, not well-aimed at all. But if it’s aimed at anyone, I think it has to be Izzy. And at the very least, the symbolism of it is very much not accidental.
For probably the first time since they created Blackbeard, Izzy isn’t just a stand-in for Ed. His significance is his own in this scene – in all of his interactions with Ricky. He’s not targeted because he’s Blackbeard’s first mate (why go for the first mate when you could go for Blackbeard?). He’s targeted because he’s Izzy Hands – because he is significant, powerful, famous, respected in and of himself.
And more than that – this is an arc about the end of piracy. And Izzy Hands is piracy – the show has been telling us from the beginning that piracy is a mixed bag, full of the good and the bad, and Izzy represents that  – represents both the toxic, violent side of piracy, and the side of piracy that he grows into, that he explains to Ricky – piracy as family, home, belonging. Izzy dies, and it hurts, because not only is he a great character, but he represents in one person all of the complicated, hilarious, heartbreakin, violent, loving aspects of piracy – and of the show. But it is so, so important that Izzy dies as himself – not as a symbol or shield of Ed, or Stede, or Blackbeard. Not even as a symbol of piracy, but instead as the active embodiment of piracy – as something/someone who grows, changes, ends. Not as static or passive, but as better than when we first met him, as transformed as Buttons in his own way. 
Izzy’s death sets up a possible revenge arc:
We know that everything in this show ties back to the main relationship between Ed and Stede. Izzy’s death is, I think, significant on its own, for him as a character – but it is also, by necessity, significant to Ed and Stede’s relationship. Namely – it sets up an interesting conflict for season 3 re: a potential revenge arc for Ed. 
Now, clearly they’ve carefully ended season 2 on a relatively high note in case we don’t get a season 3. But we know they’re gonna be terrible at running an inn, and we know there’s unfinished business with Ricky. Ed’s current strategy of dealing with everything that’s happened seems to be “I don’t want to be a pirate, get me out of here” – which, while fair enough, won’t last, because that’s the nature of unfinished business. So, at some point, Ed and Stede are going to need to confront Ricky again. And, if the writers decide to lean into the revenge arc, I’d say the odds are pretty high that, when Ed lays eyes on Ricky again, we get a flashback to Izzy’s death. 
And this sets us up for a pivotal, and necessary, moment in Ed’s character arc: when confronted with pain, loss, negative emotion in general – can Ed deal with it without losing himself? Ed needs a balance between the Kraken, Blackbeard, and Edward, and we see at the end of season 1 and beginning of season 2 how challenging that balance is for him to find, especially when confronted with loss or pain. We can see Ed working towards that balance when he’s interacting with Low – Low’s taunts don’t push Ed to violence, but instead get to Stede. But comparatively, Izzy’s loss is a much greater blow, and at some point, Ed is going to need to confront that.
Plus – we know the writing team are thinking of Izzy’s death at least partially in terms of the mentor/mentee arc, which often confronts the question of revenge – after the mentor’s death, the mentee is required to choose on their own how to go on, what kind of person they want to be. And this often requires a confrontation with both the mentor’s loss and a decision about how far they want to take their desire for revenge.
Why not a cooler death?
Okay — I get this criticism. I do. Izzy is an amazing fighter, we all love that about him. And you can keep most of the above symbolism and still have him die fighting two dozen British soldiers. 
But — again — we are back to the root of this show: Ed and Stede. 
Izzy has two deaths this season: one in the premiere, one in the finale. The first is Stede’s fantasy. Cool swordfight, and Stede triumphs, obviously — but the premise of the fight is that Izzy’s a great swordsman and Stede bests him because now Stede’s a great pirate. This is Stede’s ideal pirate fantasy. 
But Izzy’s actual death is not like this. It is messy and inelegant and painful and no one gets any glory from it at all and Ed is crying with Izzy dying in his arms, and Stede wants to help, goes for bandages, but he doesn’t know what to do and it’s not enough anyways — And this is not a fantasy anymore. This is piracy, and this is the piracy that Ed wants to escape. And it’s important that Stede sees this, sees what Ed is done with. 
And it’s also important that Stede tries to save Izzy. Izzy isn’t just a symbolic barrier between Stede and Ed anymore, to be sacrificed to Stede’s reunion fantasy. He’s his own person, with his own death, and Izzy has grown, yes, but so has Stede.
And by using Izzy’s death to make this point, we both get Stede learning the reality of piracy and growing beyond his fantasy, and the glorious fantasy fight kiss i love you reunion between Ed and Stede (if Ed and Stede had reunited by fighting off dozens of British soldiers, but Izzy had died doing the same, the dissonance would have messed with both the death and the reunion, because we the audience wouldn’t be able to distinguish between the fantasy and reality worlds). And getting both of these is the premise of the show — fantasy and reality both. 
And sure — you can be mad that the show used Izzy in this way. But that is the show’s premise — everything is in service of the protagonists and their relationship. This is not a surprise— it’s been openly talked about since day 1. 
You don’t have to like what the writers did. You don’t have to agree that it was the correct choice. But they have proven to us, time and time again over the last year, that they are self-aware and careful with this show that they know we love so much. So we absolutely owe it, to them and to ourselves, to ask why they made a choice that not everyone may agree with. What is the payoff? Why did they decide to do this thing that they knew would upset fans? Because we know it’s not that they hate us. So what is it? You don’t have to agree that the payoff is worth it. But do the writers, and the show, and yourself the favor of recognizing that there is a payoff here.
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Fives: *making a cup of tea* Yeah, get into that leaf juice you sexy, sexy bee sauce Rex: Hey, do you take constructive criticism? Fives: I absolutely do fucking not
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celluloidbroomcloset · 6 months
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(Carrying on from this post. Note that I'm really just sharing my own thoughts here.)
Ed is as fully steeped in toxic masculinity as Izzy, but his reaction to it is different. The pirate life is destroying him slowly, and it's destroying him from the moment we meet him. Stede offers him an alternative; Stede is outlandish for a pirate, but Ed doesn't see this as an inherent weakness. It's something that he finds immediately fascinating. The longer he's around Stede, the more exciting he finds Stede's world and its expression of masculinity. He does "fancy a fine fabric," and he likes the things that Stede shows him - both for themselves and, increasingly, because Stede loves them. He fully indulges in Stede's games and stories - his own crew remark on how happy and open he is. To Izzy, this appears a further descent into unacceptable masculinity.
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It should be noted that Izzy has been angry at Ed for moving outside of the Blackbeard persona before we even meet them. Izzy remarks that Ed has been getting gradually crazier and crazier, and that Izzy himself has been protecting him. We don't see much of that immediate past, but this is a case where we can extrapolate from what we do see and what we learn about the characters. Ed is having a breakdown. He's bored, he's tired, and he's contemplating death as the final great adventure. He tells Stede that nothing is fun anymore; he barely has to do anything. Being Blackbeard is exhausting and isolating.
Izzy sees this too, but he draws the wrong conclusions - he thinks Ed needs to simply "man up." He remarks on the struggle it takes to "manage your increasingly erratic moods" without apparently understanding the reason behind them (which Ed offers up pretty clearly, both to Izzy and then to Stede). Stede and Ed's relationship represents an even further "descent" as far as Izzy is concerned.
The conversation in "Discomfort" and in "Wherever You Go" are clearly mirrored. In the first, Ed is finding light at the end of the tunnel in the form of Stede and Izzy is desperately trying to push him back to where Blackbeard lurks. In "Wherever You Go," Izzy further pushes Ed back into the toxic masculinity box, his prescribed masculine role, by directly insulting his manhood and insinuating that his expression of grief is emasculating.
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Again, this is not an issue of Ed being affected by Stede's absence, necessarily, but how he expresses it. Izzy's homophobia is very much about outward expression and what is and is not acceptable to be thought "a man." Ed is expressing grief in what Izzy sees as an effeminate "namby-pamby" way - wearing Stede's clothing, crying, eating marmalade, writing songs, and trying, in his own imperfect way, to replicate the things that he loved about being on the Revenge with Stede.
But the only acceptable emotion, for men, is anger. Not for nothing is Izzy's main emotional expression in Season 1 rage; Wee John even refers to him as "that little angry fecker," and we rarely see him genuinely smile, laugh, or cry. Ed can be heartbroken, that's something Izzy cannot control, but he cannot show it like that. He must be furious. He must be angry. He must be violent. He must want to kill Stede for inflicting pain on him. He must be Blackbeard.
Izzy expresses near joy when Ed tries to strangle him - "There he is" - and threatens him if he doesn't go back into the correct persona.
Ed and Izzy do come from the same world, and they have shared experiences. But Ed's fall into the Kraken"Blackbeard persona takes all the internalized grief and pain and expresses it using the only emotion he's now permitted - anger. The result is horrific, to the extent that Izzy himself is dismayed at how far things have gone. But Ed's reaction is a natural progression - if this is what men are, then he's going to be everything that a man is supposed to be. That the result is monstrous is very deliberate, on the part of Ed and on the part of the show.
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Izzy attempts, too late, to bring back Stede's ethos by invoking the "talk it through as a crew" line. He and the crew are genuinely worried about what has happened to Ed, but it is clear that Izzy himself does not understand his culpability. Ed said at the start that the only thing left for him was death; having been stripped of all the things that were joyful or soft, and therefore unmasculine, all he has left is death. His only mode of outward expression is anger and violence. There is no "talking it through."
None of this is to say that Izzy deserves to be shot, simply that this is the natural thematic outcome of everything that has been developing since we first see them together in Season 1. "Kraken" is indeed Ed's fault; he chooses to push Lucius off the ship, discarding first the "fine thing" that represented his connection to Stede, to softness, and to all the gentler forms of masculinity that he's now going to destroy. Ed's behavior belongs to Ed and Izzy's to Izzy.
It is not for nothing that Ed only cries in private. The viewer sees the grief and sorrow lurking beneath the surface, the fantasies about marrying Stede, the sobbing at night. But on the surface, Blackbeard must remain Blackbeard, and the only acceptable emotion is anger.
This descent on the part of Ed turns itself around on Izzy, too. The invocation of Ed's angry masculinity then becomes violence inflicted on Izzy himself. Izzy very much becomes the focal point of Ed's rage, beginning with the loss of his toes and leading to the loss of his leg.
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Once more, Izzy's perception is unreliable. He says that it is Ed's feelings for Stede that have resulted in the toxic atmosphere on the ship. But it is Izzy himself who has told Ed that his earlier emotional expression is wrong, even subhuman - a "thing" he's become. It is the warping of grief and pain into anger that has resulted in Ed's madness and suicidal depression, and Ed's anger with Izzy is not misplaced. In a lot of ways, Izzy has shot himself in the foot.
The darker elements of this show indicate how deeply and horribly warping toxic masculinity is, but also that there is hope in the depths, not just for Ed...but for Izzy.
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(Gonna carry on with the queer joy part of this later, because we should really remember that this show is very much about not living in darkness, even if darkness is a part of us.)
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pixiecaps · 10 days
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the expression he made before saying “yeah i did.” AAAAAAARRGHHHHHHHH
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cellberry · 5 months
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"Cellbit you little drama queen." - Aimsey
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bitcell · 5 months
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it’s interesting to see how only a few people in the island realize how devoted cellbit and roier are to each other, especially when everyone knows about their relationship and how long they’ve been together for. it’s even a little ironic how everyone knows about their relationship but they don’t know how strong and how deep their trust and loyalty to each other is,,, just thinking spiderbit thoughts and how probably the only people who really know the intensity of their feelings for each other are probably richas, jaiden, foolish and philza
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stars-and-loops · 1 year
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so the beast cannot tame her violent nature
I- I tried, okay? I fought as best as I could...
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