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rebelcracker-s · 7 months

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WELCOME HOME THEORY :D

i've been swinging back and forth between "this is genius" and "i am spitballing" in debating whether to publicize this theory. i have decided to put it out there. i hope i'm somewhat right! (long post ahead)

so user @thecolourfulkingdom pointed out the importance of this tic-tac-toe image from the guestbook page:

i know a one-person game of tic-tac-toe doesn't seem like much, but op then placed this image on top of the neighborhood map (credits to them for figuring that out!), this image becomes very interesting.

it's suspicious how nicely the two line up.

i know this could be a random detail, but in somewhere as detailed as welcome home, i think that every detail counts, especially one like this. if it is a coincidence, it's a very strange one.

the circles in the board call attention to four (or five, depending on how you look at it) characters: wally/home, sally, frank, and howdy. we already know wally and home are two very important characters in the lore, but what connection do the remaining three three have? and why is wally pointing them out specifically?

this trio made me think of a certain image from the conceptual days of welcome home: concept art of the telephone that was revealed in the july update. (i'm not going to repost it due to clown's wishes about spreading conceptual art, but you can find it on their portfolio!)

in this image, the phone has eight buttons for eight neighbors, like the current one on the website. however, this one has three buttons scribbled out. based on colors, the three characters missing are sally (orange), howdy (teal), and eddie (purple).

i know it's not exact, but the fact that two out of the three "scratched-out" characters match the ones circled on this map has me thinking that i'm onto something.

here's what i think is going on. something happened in the neighborhood that divided the neighbors in half. something happened to the four uncircled ones--julie, barnaby, eddie, and poppy. it's really not clear what's happened to them right now, but wally has mentioned that he cannot talk to his neighbors right now. i think they at the very least lack the awareness to the strange things happening in the neighborhood. at the worst, they are dead.

again, i'm not sure what happened to them, so all we can do right now is speculate.

our remaining four--frank, sally, howdy, and wally--are the ones who have retained awareness. they know what is happening in home. they know about the whrp. and they know about the audience welcome home is gaining.

we know wally and home know about us because they have both spoken to us through the "i will find a way soon" audios. but what about the remaining three?

the july website update not only included the drawings that led to wally's messages, but also bugs leading to videos of interactions between the members. while the whrp insisted that there was nothing important about the bugs, the audience could click on these bugs and find secret videos depicting a conversation between the neighbors.

the latest game theory video on welcome home points out that like how drawing is related to wally and the drawings lead to messages from him, bugs are connected to frank, from his character description to his hidden audio with eddie. i believe those messages could be from frank. the video goes into more depth about this, but for the sake of the length of this theory, i'll stop here.

in the october 13th halloween update, we got the "happy haunting to boo and yours" record. the website staff insist multiple times that there is a gap in the audio during sally's story where they can't make out what sally is saying, but we can. (if you need a transcript for the skipped-over part, i have one reblogged!)

sally's story is a very menacing one about a monster that she cannot see or hear that prowls the neighborhood at night, devouring anything it passes, confining the neighbors to their homes at night. this would seem like a normal scary story if not for how the audio changes. at every other part, the audio has a crackly, vinyl sound; however, sally's story is perfectly clear.

it seems to me like sally is directly talking to the website's audience here: she's trying to warn us about the strange things going on in home. i think frank's messages were trying to do the same thing too. these are glimpses into the sides of welcome home that the whrp, wally, and home have not shown us: the lives of the neighbors, and the unsettling danger lurking beneath it all. notice how subtle both of their warnings were, and how they were careful to make sure that whrp could not discover them while the audience could.

also, remember how the title of the video tabs in the july update--"answer"--led us to the staff only page? i think the title of the newest hidden video--"listen"--is telling us not only to listen to the audios for a true glimpse of what life in the neighborhood was like, but to listen to their warnings.

i don't think wally is aware that frank and sally have been contacting us in secret, but i do believe he knows that they stand apart from the other neighbors, hence the tic-tac-toe board and the map.

but there's still one loose end: howdy hasn't yet talked to the audience. i think that during the big holiday update, we will see the final member of the "survivor trio" (as i like to call them) contact us. and i'm hoping this update tells us more about what's happening in welcome home's world and what role we as the viewers play in it.

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sallymander40k · 10 months

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Why The Tau Were Never 'Too Good' For 40k

The Tau were added midway through Warhammer 40,000's 3rd edition, though according to some records the idea had been floating around since Laserburn. In the twenty years since their introduction to the 41st millennium, the Tau have remained one of the most consistently reviled and hated aspect of 40k lore, with all complaints around them boiling down to one core issue: they're too good for 40k. By that, people mean that they are too morally good to fit within the grimdark narrative of the 41st millennium. This has always been the primary complaint levied at them, since they were first introduced in 2001. And GW has seemingly agreed with them, and spent the last 20 years trying to inject grimdarkness into the Tau Empire.

The first attempt to grimdarkify the Tau came very early on, with the Tau campaign in Dawn of War: Dark Crusade

It's explained how in the decade following Tau victory on Kronus the remaining human population was subjugated, oppressed, forced to give up their culture, and eventually simply sterilized and allowed to die off naturally to create a Tau and Kroot ethnostate on Kronus. It explains this over images of prisoners of war being fed to Krootox in prison camps and humans huddling together in slums.

This is obviously a departure from the image of the Tau as it was established in Codex: Tau (3rd Edition), as that codex makes explicit mention of the Tau trading and making alliances with frontier human colonies. This is also a departure from... common sense. Why exactly would the Tau accept Kroot, Vespid, Nicassar, Demiurg, Tarellians and many others into their ranks but then arbitrarily draw the line at humans?

This would become a pattern that I like to call "The Grimderp Tau Cycle." It's not exactly a stretch to say that the Tau are easily the most morally good society in the 41st millennium. Their tolerance toward other species alone makes them head and shoulders above almost any other species in the galaxy. So to remind people that there are no good guys in the 41st millennium and that this is a very serious and grimdark setting that you need to take seriously because there are no good guys or whatever, GW will occasionally have the Tau commit a completely out of character, random, and nonsensical atrocity. This was also seen at the end of In Harmony Restored, the short story that came out alongside 8th edition's Psychic Awakening: The Greater Good.

For context, In Harmony Restored is a short story about a group of Gue'vesa soldiers (human auxiliary troops fighting in the Tau military) performing a desperate defensive rearguard action to halt an Imperial advance long enough for Tau reinforcements to come and smash the delayed invasion force. The Gue'vesa are able to do this, though at great sacrifice to themselves, and then when the reinforcing army does arrive and makes quick work of the Imperial army they then continue on to butcher the Gue'vesa soldiers who performed this valiant holding action for... Seemingly no reason? Assuming the Tau forces thought they were more Astra Militarum soldiers, the Gue'vesa step out of cover pleading for mercy, only to be gunned down. With one of the Gue'vesa at the end noting that the language one of the Battlesuit pilots is using is very reminiscent of the way the Imperium talks about those they've labeled undesirables.

The message here is clear: these humans betrayed the Imperium in order to escape from the Imperium's genocidal regime... Only to end up in the equally merciless clutches of an equally ruthless oppressor. But, from a lore standpoint, that defeats the entire purpose of the Tau. It makes them wholly indistinct and, frankly, boring. But that doesn't even scratch the surface of how stupid this is, because it has clearly been stated in the past that the Tau do not hold bigotries toward client species on the basis of their faiths. And that makes sense.

Not only does this contradict previous lore, not only does it render the Tau a boring palette swapped version of the Imperium, it also just defies practical sense. If you're a race like the Tau, who expand primarily through ingratiating yourself with other races and convincing them to join your collective, you'd naturally want as few barriers between potential client races and joining as possible. No human colony is going to voluntarily join the Greater Good if the Tau's version of the Greater Good happens to require that the human population of that planet lose all sense of their heritage and culture through forced reeducation and the abandonment of their faith, and in the long term for that human population to slowly go extinct through gradual forced sterilization and confinement to ghettos and slums.

It's deeply stupid, lazy writing on the part of GW to repair the image of the Tau in the eyes of a fandom who accused the faction of being "too good." Except, uhm, here's the thing: the Tau were never too good to begin with. Lets rewind back to 3rd Edition's Tau Codex, our first introduction to the Tau in the 40k universe. From the very beginning it was very clear that the Utopian idealism of the Tau Empire held beneath the surface a significantly more sinister and malevolent nature, and it all roots from the mysterious and enigmatic fifth caste of Tau Society: the Ethereals.

In 3rd Edition, the Ethereals are spoken of more like mythological beings than the slightly mundane way they exist in modern 40k. All we know about them out of this book is that they are the autocratic leaders of the Tau Empire who inspire radical devotion among the Tau, though are rarely seen or heard from. They reorganized Tau society with pursuit of the Greater Good in mind first. But the specifics of what that means matters a lot. Tau are born into a caste that roughly determines, from birth, what role in society that person will fulfill. Those born into a caste are not allowed to have children with members of other castes, are not allowed to take up any job or position that contradicts the societal purpose of their caste, and generally lack self-determination in regards to things like career choice.

so, bam, the setup for Tau as a flawed and morally ambiguous faction are already present. They're a faction who fight for a better future, for a galaxy where all can exist in harmony with one another, so long as that harmony is kosher by the standards of the Ethereal caste. In that sense they're somewhat similar to the Dominion from Star Trek: Deep Space Nine. A multispecies interstellar collective who seek to create a galaxy harmoniously unified... in service to the Founders. Just taken from this vision of the Tau Empire, they're already an autocratic dictatorship who fight in the name of an ideology that declares itself to be for the greater good of all who ascribe to it while also relying on the assumption that the tyrannical power of the Ethereals must inherently be for the Greater Good. I reject the idea that the Tau were ever "too good" for 40k. Rather that they were written with a realistic level of nuance, with an understanding that dictatorships are built upon cognitive dissonance, not on perfectly consistent virtues.

TL;DR THEY'RE NOT FUCKING COMMUNISTS, THEY LITERALLY HAVE A CASTE SYSTEM, WHAT THE FUCK ARE YOU TALKING ABOUT?!

#warhammer40k #warhammer #warhammer 40k #t'au empire #t'au #fire warrior #in this essay i will #wargaming #warhammer lore

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wishingstarinajar · 2 months

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I know, I know I'm a scratched record

But I'm dying to hear your thoughts on the Wakfu finale when you get to it!

I just finished watching it and it's uuh... hmm. I read people saying the finale was "satisfactory" but I am not fully on board with that sentiment.

Too much left unanswered, not enough wrapped up, too rushed to get to the end.

I know the Waven game is a continuation of sorts, it takes place decades after Wakfu's conclusion so that game might hold some answers or closure, buuuuttt... I'm not interested enough in the game to play and find out. I guess I've grown a bit tired of the whole cross-media info/lore some franchises love to do (like Blizzard and covering important info across the Warcraft games, books and short stories).

Wakfu season 4 obviously has an open ending, no matter that it is the final season, so who knows what might follow. I'm just a little saddened that the story picked up a little too late this season but the animation, particularly during action scenes, was pretty great... when not using the same static images of characters xDD They loved that a little too much but I understand the budget wasn't that big so I can't really fault Ankama for it.

Did I like this season? Mmmyyeeaaah, it's a mixed bag. Better than season 3 but not better than the first two seasons or even the OVA episodes. Glad it exists but I don't feel super satisfied with its conclusion.

HEAVY SPOILERS ahead, so be mindful but gonna share some thoughts:

Seeing Joris play a bigger part in the second half of the 4th season, and him vibing with Adamaï made me very giddy and happy. Love that for them, hope they become good friends. And thank fek neither of them died. RIP, Qilby, Armand and Brakmar (maybe?). The guys who needed to redeem themselves got their chance, at least.

Goddess Eliatrope was a big disappointment and an unlikeable character but I guess that was kind of the point...? Angry that she totally ignored Chibi and Grougal, like what the fuck even? Didn't even show a hint of acknowledgment towards them. What if they wanted to meet mom, huh?? And what even happened to Baltazar and Glip, who were in Emrub with the same kids that were asleep in Goddess Eliatrope's belly? What did she do with them?

But hey, at least my headcanon that the Sadida and Eliatropes will combine into a single kingdom/people (which I also wrote about in my Rebirth fic) actually happening was pretty satisfying x'D It even has Wakfu-infused trees, om nom nom.

A little frustrated with Necroworld (not the same Necroworld from the Transformers: Lost Light comics) because it's supposed to be a different planet in some other universe but it had dofus (dragon eggs) and races of the Twelve like Sadida, Sram and Sacrier. It was pretty confusing... Imo, it should have been something similar to The Upside Down (Stranger Things), or an alternate version of the world of Twelve rather than a completely separate place. But eh...

Why did nobody care about the state Inglorium was in, or that the Gods have disappeared? That bothered me so so so soooo much during the first two episodes; nobody non-Eliatrope or non-demigod cared that their God/Goddess was... well... gone. Aside from God Iop, where are they?? Hated the disinterest, hated the silence around it. Guess that's a mystery that will be unraveled in some other media.

Yugo grew tall and handsome and I'm not afraid to say it. Happy for him, though him suddenly growing so quickly was a bit silly. I figured there would be a time skip to justify his 'growth' that we saw in promotional images and teasers. Won't complain though, he deserved to finally be in a body that reflects his actual age, it took him long enough!

"Bootleg Alys" from the Dofus movie made a cameo in episode 11 which made me snerk. (I noticed a few more background characters from the movie that were re-used in episode 11.)

And that's all I have to say, at least here on Tumblr. It was quite a ride.

A big thanks Ankama and all the Kickbackers that made it possible; this show had its ups and downs over the past decade but it was enjoyable and loved. It still holds a special place in my heart and I will keep a tiny eye out for more Krozmos stuff in the future (like Welsh & Shedar, gimme!!).

#wakfu #wakfu season 4 #spoilers #q and a

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get-rammed · 6 months

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Updated this old art with my current designs :)

#everyone has pants now #fnaf #fnaf security breach #fnaf freddy #fnaf chica #fnaf roxy #fnaf montgomery #montgomery gator #glamrock monty #glamrock bonnie #fnaf bonnie #my art #sfw #record scratch au #record scratch lore #refs

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hyperfixatedfandomer · 1 year

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May I carry a piece of you

Jake knows he shouldn’t put a bead for Spider into his songcord, doesn’t WISH to, but the heart wants what it wants.

He can’t let anyone find out however. Not even Spider himself.

(Based on this new bit of Avatar lore, a.k.a Jake’s songcord image.)

Jake’s heart beat a mile an hour in his chest as he approached the small human pup. In the man’s pouch, there was a small, round piece of amber with a carved opening, functioning like a vial. He cursed himself for the stunt he was about to pull.

Spider was not his son. He was a stray that stuck to his kids like glue, and that was it. He only wished to encase him in his songcord because leaving him out of it would be rude. Spider was a part of his life now, whether he liked it or not.

…Or that’s what he told himself, at least, because the ornament he wanted was no simple bead or even a lock of hair…

He was going to get Spider’s blood and pour it into the amber. He’d take a piece of him and carry it for years, decades to come, as he will with Neteyam, his firstborn.

He ignored the treacherous contradiction of his thoughts and actions as he crouched. “Hey buddy, you busy?”

Spider whipped his head around , golden curls and dreads swinging. “No mr. Sully! Do you want help with something?”

There it was, that familiar swelling in his heart. Jake hated it when Spider caused it. He was just so tiny and kind to help those around him and his smile was so bright—

“I’m crafting arrows, wanna teach you how it’s done so you can protect yourself.”

The blonde’s big eyes widened in excitement and he jumped to his feet. “Sure!!! Let’s do this!!”

Jake picked him up, and his tail wagged playfully when Spider wrapped his small hands around his neck. He way truly tough, being able to survive on this moon with a height like his, and he’d undoubtedly would make a great warrior in the future.

Don’t you dare, he then heard a voice whisper into his ear, and threw out his previous daydreams. The inner voice was right. Spider was the son of his enemy and training him could prove to blow up in their faces one day.

But at the same time…Spider wasn’t his father, just like any child is not their parent. He was growing in Na’vi culture, getting further and further integrated into it every day.

And tonight he’d fully become part of the people, when Sully gets what he’s looking for and weaves a piece of him into his cord. What the hell are you doing? the inner voice screamed, but Jake did not listen this time.

“Okay sooo, I take the pointy thing on the shaft, then resin, then tie the string, then put above the fire?”

“No no, you dip the shaft in resin, you put the arrowhead on top, then hold it over the fire, then tie the string”

“Oh, okay!”

The little one got to work, and it took everything in the chief to hold his tail back from wagging. Spider was adorable, so well behaved and diligent. He wished the Omatekaya could see him as he does.

Then, it finally happened.

“Ow!!” Spider yelped, shaking his wrist and sure enough, there was blood oozing out of his finger.

“Ooof, that looks nasty, hold on” Toruk took Spider’s tiny, fragile palm in his own, and held it gently as he cleaned the cut with a cloth. “Tie this around it” He then instructed, giving the kid a band-aid, taken out of a conveniently close placed human first-aid kit.

It was well into the evening when the boy left, and his family would be back soon enough, so Sully had to work fast. He carefully held the bead over a lighted match, the fire making amber drip over the opening, trapping Spider’s blood inside.

Blowing at the stone, Jake didn’t bother keeping down the thumping of his tail agains the Marui floor. There, a birthstone for Spider was done. He would now be recorded into Na’vi history through a verse that Jake was in the process of creating. He hummed the melody of his cord, trying it out, letting one melody flow into another as he rehearsed the words in his head. Deep down, that inner voice kept yelling, scratching, begging him to stop. Spider was a nobody, only a friend of his real kids, he did not belong, he could never belong.

And yet, the man did not stop for a second, as he began singing ever so lowly.

“Out of demons ashes, a lily grows, it’s petals golden…as wild as the forest, with a fiery heart, and eyes that of Eywa’s soil…” He mused, tying the bead into his cord, between Kiri’s and Lo’ak’s verses. He wanted to do this for some time but felt reluctant because of..

“Ma Jake?”

Sully stilled, slowly putting the cord down where it rests against his hip, and hoped that his beloved mate won’t see it. She couldn’t know. No one could know.

“What is that beautiful song..?.” She asked, sitting next to her man.

“…just some melody. Was thinking of putting it into the cord, I don’t know. I’m not much of a singer” He chuckled.

Neytiri smiled. “The song of our lives is not made beautiful by our voices, but our intentions, feelings…” She then picked some plates and got to cooking tonight’s meal.

“Yeah…guess you’re right…” He mumbled, looking at the stone now resting on the string.

We’re bound now, the inner voice moaned, defeated, growing more and more distant.

Yes, we are, Jake thought and, to his horror, didn’t feel bad about it at all.

#Jake’s papa feels are big with this new development in their lore ngl 😭#avatar spider #spider socorro #avatar 2 #avatar way of water #avatar headcanons #avatar the way of water #atwow spider #spider atwow #atwow jake #Jake sully #avatar jake #avatar jake sully #atwow fanfiction

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thebardbullseye · 2 months

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“Philosophical and Personal Musings on the Wizard Stone and the Axiom of Proliferation” – An Essay and Divinations for Arc 3 of “The Wizard, the Witch, and the Wild One”

From the Desk of The Bard Bullseye

Happy Birthday, Worlds Beyond Number!

Spoilers abound! This is an essay discussing the actual-play podcast “The Wizard, the Witch, and the Wild One” from the fine folks at @worldsbeyondpod It is an expression of my analysis of and engagement with the content of the second arc of the show and also contains some speculation about future plot and current themes. These interpretations are my own, include some reflections on my personal philosophy, and are written in a mostly academic style of writing (be warned, it’s around 3,000 words!). If you do read through it, I hope you find my points interesting and thought-provoking regardless of whether or not any of it turns out to be true (and I have done my level best to adhere to the facts of the story thus far, with transcript pages and timestamps cited when available/applicable).

Abstract (TL;DR, or I ain’t reading all that, but I’m happy for you):

The Wizard Stone’s discovery that the Axiom of Proliferation is untrue has major implications for the overarching story and the direction of the next arc. Herein, I explore my reaction to this moment in Episode 19 and how my experience and own philosophy potentially align with Stone’s. Then, I examine the logic of her argument and its implications for the greater worldbuilding in Umora. Specifically, there is a fundamental problem with the way that wizards are using the lingua arcana that is affecting the link between the Spirit and the Mortal worlds (i.e., the “greater binding”), and this is leading to detrimental effects. This, I believe is ultimately what Grandmother Wren (and now Ame) and Coven of Elders (and possibly the Man in Black?) are concerned with, though they have come to vastly different conclusions about who is at fault and how to solve this problem, which are yet to be revealed in the forthcoming third arc (see footnote 5).

Introduction

Something has piqued my interest and scratched a deep philosophical itch for me in the second arc of “The Wizard, the Witch, and the Wild One.” While the first arc introduced the characters, explored ideas of ‘quest fever,’ and masterfully wove in lore and character motivations for reclaiming Eursulon’s sword, Wavebreaker, the second arc has expanded upon the characters and their relationship to the greater philosophy of the Citadel and Umora.

I don’t usually speculate where stories might go next or craft my own fan theories. Especially for ongoing projects (i.e. TV shows, actual plays, books in a series, etc.), I tend to be along for the ride, and I spend time analyzing the story being told and the characters within. And rarely do I put these thoughts to paper, at least not coherently; I am more likely to ramble endlessly to a friend or lurk on Discord for others’ opinions, chiming in occasionally. However, I have noticed some things brewing in this arc that I wish to discuss at-length and even speculate upon: my perspective and analysis of the philosophy of the Wizard Stone, and the possible implications for the forthcoming third arc.

I don’t often see myself in stories. Not to say that I don’t see myself or parts of myself represented in media: i.e. demographically, socially, politically, etc., but rarely do I find a specific character or character motivation that ‘snipes through the duplex door’ where I go “oh shit that’s me” or “I relate to this on a deeper level.” This happened to me in Episode 19, when Suvi is investigating the records of her mother’s early time in the Citadel: her expulsion from the College of Divination and readmittance to the College of Abjuration because she had accused one of her professors of “treason against magic itself.”

Upon her dismissal from the Citadel, Stone wrote a dissenting missive to the Archmagi of the Citadel regarding one of the three metaphysical axioms, the Axiom of Proliferation, and how this particular axiom “does not describe any actual truth of the lingua arcana, nor does it more broadly describe any facet of the greater binding” (Ep. 19, transcript p. 12). She goes on to posit that not only is it “pure intellectual technology,” but that its continued acceptance as fact is a “danger to the future of wizardry” and “[a] stain on the face of magic itself” (Ep. 19, p. 12). An axiom in this context is described as “simple… laws that are given to young wizards about broad truths of spell casting in general… that are true across spells [and], … different schools of magic” (Ep. 19, p. 13). That is, “the Axiom of Proliferation is essentially that the more times a spell is written down … the weaker the spell becomes” (Ep. 19, p. 13).

An axiom as defined in philosophy is a statement that is self-evidently true and serves as a starting point for reasoning. Therefore, any argument against its truth would call into greater question the philosophical foundation of the Citadel itself. If Stone’s claim that this was not a true axiom had not been dismissed swiftly and discredited, it is possible (though highly unlikely, given the power of empire) that this would have led to a redefinition of the philosophy of wizardry in Umora.

This is what struck me like a bolt of lighting while listening to this episode. I did almost this exact thing when I was in grad school!

Stone is… me? Faulty logic and its effects

As part of my master’s degree, I took a philosophy seminar on bioethics, which covered some polarizing subjects and more fringe points of view. Most of these topics cannot be directly studied or supported by scientific evidence, so the conversation and academic debate is largely conceptual or theoretical (i.e., conducting research to investigate these ideas have varying states of legality and moral acceptability) (see footnote 1). This course was excellent and a bit out of my comfort zone, but it challenged me to think critically about fundamental logic and accepted ideas that often go unexamined until they are taken to the extreme. At one point in the semester, we were discussing a particular topic and the current state of debate surrounding it. Immediately, I was perplexed by some of arguments made to justify it, and at first, I didn’t have the language to express why. Much like Stone, I found myself screaming (internally) “you’re all idiots!” or “you’re missing the point/the bigger picture!” or “that’s not how that works!” Essentially, I had arrived at the conclusion that if this idea were to be implemented broadly in society, it would likely have major negative ramifications, and furthermore, not even achieve the desired and purported effect that they were arguing for!

Eventually, I figured out what the underlying problem was: a logical fallacy inherent and unidentified within the current debate. Since scholars had just accepted the argument at face value and moved on, most of the debate was concerned with its future implementation or theoretical follow-on effects on individuals and society at large. I did find some existing papers that danced around the idea of fallacious reasoning (i.e., that the theoretical benefits were greatly exaggerated, if not a zero-sum game, or that the negative long-term effects may outweigh the short-term benefits), but none named it specifically or even examined the logical argument the entire debate was predicated on. So, for my term paper, I researched and wrote about this fallacy, and in it, I discussed how the discovery and acknowledgment of it would reframe the debate and perhaps even bring about reform to existing systems!

In the process of writing and researching, I felt incredibly isolated intellectually (this was also peak-COVID so that didn’t help either). Now that I had put the pieces together, it seemed quite obvious to me, but it was difficult to find supporting evidence or other similar arguments to mine (even if they weren’t breaking the logic down so specifically). Was this thing I had reasoned actually true? Why had no one pointed this out before? What if I’m wrong? What if they’re right and I’m a fool for daring to challenge them? What does my professor think? They’re an expert and approved the topic, so I know I’m not entirely off-base, but do they agree with me? I knew that if I wrote a strong, supported, and persuasive argument, that I couldn’t fail, but I deeply cared whether or not I was actually right. It was also probably one of the first times that I wrote with passion (and specific planning ahead of time!), rather than churning out yet another good-enough research paper (that I may or may not have written days ahead of the deadline or the night before).

Thankfully, unlike Stone, my fears that I would not be taken seriously, or worse, told that I was flat out wrong (and be silenced) did not come to pass—my professor agreed wholeheartedly with my argument that this fallacy is pervasive in the current literature. (Though I feel must disclaim that I still could be wrong in some other aspect of my argument, and that simply arguing the existence of a fallacy can be treacherous! In philosophy, no one ever has the only or complete answer—if they claim to, they are either lying or ignorant.) As part of the course, we did a mock peer review in class and my professor sent us further feedback on our papers after we submitted our initial draft of the term paper.

One particular piece of feedback stands out to me upon reflection and comparison to Stone’s experience and the philosophy of wizardry. It said something along the lines of ‘We think that is a very admirable and unique take on this subject. No one found any fault in your logic; however, it is important to consider the practical implications of identifying this fallacy.’ Point taken, of course, that the mere identification of a flaw in logic is not the end of the conversation—it is merely the start of a new discussion and opportunity to surface new arguments.

In my case, the identification of the fallacy was the concrete thing I felt I could verifiably yell about (academically) to explain why I disagreed so vehemently with current literature (and some truly wild propositions made by certain scholars). Of course, one should not commit the ‘fallacy fallacy,’ which is that simply pointing out a fallacy invalidates the argument. Instead, it was a means to discuss practical implications: some less harmful methods, some overlooked existing solutions, and to pull knowledge from other related disciplines that had not yet been considered because this fallacy had yet to be identified (see footnote 2).

The philosophy of Stone’s accusation of ‘treason’ and treatise to the Archmagi

In listening to and reflecting upon this episode and the conclusion of the second arc, I wonder if Stone felt similarly to me: that she had a fundamental disagreement with the way that wizards (and the Empire) conduct magic. I wonder if she learned about the Axioms and something didn't sit right with her, so she dug into the philosophy or history of it. Moreover, I find it particularly striking that her original specialization was divination. Although it has not been stated outright, I think it can be plausibly inferred that Stone divined some kind of knowledge about the fundamental ‘wrongness’ of current wizardry and the disastrous follow-on effects it would have. She may have been unable to fully convey her revelation in the moment, and so just shouted ‘treason against magic’ at her mentor. As was the case with me, the Axiom of Proliferation was just the most concrete thing that Stone could point at to explain herself.

But beyond my own biases and affinity for Stone, it follows that she may well have examined or done a proof on the Axiom of Proliferation which led to her discovery that the premise of the Axiom was false. Let’s examine the argument that Stone may have made (and the one that Suvi may have done a poor proof of, by her own admission). The argument is as follows:

All Axioms of magic describe a truth about the fundamental nature of magic

The Axiom of Proliferation states that the more times a spell is written down (proliferated), the weaker the spell becomes, which is a truth about the fundamental nature of magic.

Therefore, the Axiom of Proliferation is an Axiom of magic.

This can be simplified:

All A’s have property B

C has property B

Therefore, C is A

This does not necessarily lead to a false conclusion, and while the argument may be valid, it may not always be logically sound, see for example:

All people are mortals.

John is a mortal

Therefore, John is a person.

In the Citadel’s view, there is no flaw here, because they teach (and presume) that the Axiom of Proliferation is true in the lingua arcana. Wizards, of course, are known by their secrets, so it follows that in their philosophy of magic, they would have some kind of justification for keeping magic limited to the select few. But, if one of the premises is false (in this case, premise 2), then this justification is in jeopardy. It stands to reason that Stone must have had serious evidence to declare that premise false, and as she was studying divination, it was likely a vision or prophecy of some kind. Presuming she is correct, then it also speaks to her incredible intelligence (although she did not have the social grace at 19 years old to deftly navigate this accusation) (see footnote 3a).

Although (as far as we know), Stone did not make another public ruckus about the Axiom upon returning to the Citadel, I don’t think this caused her to abandon the belief that the axiom was erroneous. Upon her readmission, she joined the College of Abjuration, specifically studying “counterspelling, dispelling magic, [and] sort of metamagic, … the magic of magic itself” (Ep. 19, p. 11). This might seem to be an odd choice for a backup specialization, but Stone’s issue with the Axiom and metamagic are deeply intwined philosophical concepts, as metamagic is essentially the equivalent to metaphysics in our world.

Wizardry and the nature of magic in Umora

Wizards are defined in Umora to be people that can use a “language of magic” the “lingua arcana” to cast magic, and importantly, that “they believe [the lingua arcana] is the language the universe uses to understand itself,” which was only coined about 250 years prior to the present story (Ep. 19, p. 16). At the end of the first arc, Suvi discovers from her father’s notes that the reflexive indicative, which was taught to her as a necessary component of the lingua arcana, is in fact entirely unnecessary for spellcasting. And further, Stone also doesn’t use the reflexive indicative, which is demonstrated through her unique casting of Mending in the very first episode. It is unclear so far in the worldbuilding (to me, at least) if the lingua arcana is the language the universe uses to understand itself, or if it is a construct used by people to explain, communicate, and more importantly cast magic in Umora (much like math and science are ‘constructs’ that describe the nature of our world, though the fact that it is constructed does not mean it is not true). If it is the latter, then there is likely to be forces at work, be it the components of spell casting (such as the reflexive indicative), the casters themselves, or others yet to be revealed, that are manipulating and restricting the nature of magic in Umora (see footnote 3b).

Thus, I would posit that there is some issue in the way that the restriction of the lingua arcana is affecting the “greater binding,” which is “the theory of magic, that magic is the interplay between the Spirit and the Real—or the Spirit and the Mortal” (Ep. 19, p. 14). Essentially, the lingua arcana describes the nature of the relationship between the Spirit and the Mortal world, while the greater binding is the metaphysical link between them. Stone all but confirms this in her letter to the Archmagi, that if the issue is left unresolved, it would endanger the future of wizardry (Ep. 19, p. 12).

Other pertinent wizarding history and context

Stone and Soft were also part of a group called the Acadator, which was dedicated to rooting out corruption and bad actors within the Citadel. We don’t really know too much else about them, the exact specifics of their philosophy, or if they still exist as a group (given that Steel and Eiorghorain were members). There is also some history surrounding two early wizarding groups pre-Citadel, the Antivoli and the Accordati, that had a philosophical disagreement about accepting the help of the Saraz Imperium for building the Citadel (specifically related to the sharing of magic), which led to a civil war called the Cataclysm of Carrow (Ep. 19, p. 16). In terms of timeline, the lingua arcana was coined in 1423, the term ‘wizard’ was coined in 1456, the Cataclysm of Carrow was in 1467, and three years later, in 1470, the Erien (Citadel) was built. The current story with the three protagonists is taking place in 1670, so it has only been 200 years since the Citadel was created, and the lingua arcana coined only 47 years prior to that (in less than a human lifespan).

Further, the creation of the Irulian Desert, the Erien, and the Citadel is a destructive history—wizards razed a verdant forest and turned it into a hot, unlivable desert with a miles high glass tower at the center. Additionally, the Wizards of the Citadel pool their magic beneath the Erien in an ‘Aerith,’ into which they deposit magical reserves and draw upon its combined strength when in crisis (see footnote 4). Mechanically, we see Suvi ‘donate’ unused spell slots at the end of the day.

We do know that Grandmother Wren’s cottage is located on top of a source of great magical power and serves as her sanctum. Wizards also use the towers of the Citadel as their sanctums, and I believe the following is speculation, as I do not think it has been canonized yet, but it is possible that the Aerith serves a similar purpose as a source of great magical power that previously belonged to the Spirits that wizards alone now use and control. This control is the key difference that may be contributing to, or even causing, detrimental effects on the greater binding.

The Witch(es)’s and the Wild One(s)’s perspectives

Additional evidence to support this theory of the Aerith's origins and purpose comes in Episode 23, when Eursulon meets the Man in Black and discusses their opinions on mortals, particularly wizards and their desire for control. Specifically, the Man in Black states, “that tower is the handle of a knife plunged deep into the heart of this world, a heart that is responsible for… a murder to the world of Spirits” (Ep. 23, 0:09:45-0:10:07).

Later, in a flashback with Mirara and Grandmother Wren, Mirara argues that “the world has burned before” (perhaps in reference to the creation of the Irulian Desert), that “[wizards] cannot be allowed to do this thing” (still unclear what that thing is), and the coven must make some kind of decision before it is too late (Ep. 23, 0:58:46-0:59:00). Wren pleas for another option, points this out as a false dichotomy, that they must not “be forced to choose between one slaughter and another,” and they should work to find common ground and coexist (Ep. 23, 0:59:07-0:59:33). Mirara retorts that she could never imagine the day that she would see “the will of wizards debase themselves” (i.e., that wizards would ever lower themselves from their current position of power) (Ep. 23, 0:59:39-0:59:52).

Wren then asserts a key point that correlates directly with Stone’s perspective: “There is nothing I have seen in the world of Mortals or of Spirits that shows me that there is a path that is wrong to tread” or anything that proves the pursuit of wizardry as inherently wrong (i.e., the lingua arcana), only those who “tread paths hurtfully, with cruel intention” (i.e., those abusing the lingua arcana for political purposes and imperial gain) (Ep. 23, 1:00:08-1:00:28). Wren also questions Mirara’s stance of wizardry as “an abomination against the natural order of the world” (Ep. 23, 1:00:40-1:00:47). Mirara then challenges her to consider her point of view and insists that even Wren cannot deny that “the poison of wizards does not spread so quickly as to choke the life from this world” (Ep. 23, 1:01:03-1:01:09).

My pure speculation and fan theory:

From this conversation, I postulate that Mirara and the Coven has taken an extremist and doomed perspective on the harm that is resulting partially from the Axiom of Proliferation (and perhaps the Aerith as well), while Grandmother Wren took a reformist stance. This would put her and her position as the Witch of the World’s Heart at odds with whatever plan the Coven intends to enact. Given what we know of the Witch Class and the other domains of the Coven, their plan is quite possibly violent, retributive, and holds little to no concern for the Mortals or people of Umora.

The third arc will begin with Ame’s meeting with the Coven of Elders at the North Pole, where they will attempt to destroy her station as the Witch of the World’s Heart. For all of the reasons above, I believe this event will connect directly to Stone’s declaration of “treason against magic itself,” but I will just have to (patiently) wait and see (see footnote 5).

Footnotes:

(1) I am well aware that I am being quite vague and obtuse regarding this subject and what specifically I was researching. Mainly because a) that’s not really the point of these musings, this is just some background info and context to explain my philosophy which is already longer than I would like, b) it would be impossible to do justice to an overview of this complex subject in an essay about something that resonated with me in a D&D podcast (and which does not engage with that subject directly, at least not in this context), c) I’ve already written a paper on this subject and am not interested in regurgitating it here, and d) Nunya Binyess (i.e. I could still be wrong about this fallacy and I’d rather discuss WWW than start a tangential IRL philosophical or political argument on this forum).

(2) Though on a deeper level, I partially disagree with the idea that I needed to account for the practical implications of the fallacy within the paper. I disagree that when challenging the fundamental nature of something (e.g., an erroneous argument, a misinformed policy, or an unjust system), there must be an immediate remedy or solution offered up. In my philosophical opinion, once a fallacy like that is identified for something that we hold to be fundamentally true, we need to sit in that revelation and undo the thought processes created by the incorrect assumptions. You cannot flip a switch and suddenly reverse all of the justifications that have gone into supporting a flawed, ingrained argument. To undo a pervasive, incorrect fundamental idea that has been implemented, internalized, or proliferated, first it must be fully examined for all its flaws, rescinded, and only then do we start from square one and think about practical changes (in a perfect world, of course, I am fully aware that the world does not work this way). I do often wonder about this reactive nature in society to demand immediate alternatives and solutions when norms are challenged, though I recognize this is a result of different lived experiences and worldviews. After all, this reactionary nature is true in Umora as well, and the wizards of the Citadel “tend to be a lot more about praxis and practice” (Ep. 19, p. 14).

(3a) Perhaps Stone rolled a nat 20 on some kind of intelligence check for the vision, but rolled a nat 1 on her Persuasion check against Sleep!

(3b) There is another essay I could write here about the history of science and empire (another grad school course) and the reflection of this in the Imperium, its taxonomy, and the (anti)-democratization of knowledge, but perhaps another time.

(4) Something that occurred to me when piecing together the Erien and the Aerith was the similarity to Morrow’s derrick that harnessed Naram’s power in the first arc. Both serve similar purposes as well, of generating magic and magical items. It makes me wonder if it was intended for the derrick to be Morrow’s poor attempt at recreating the glory of the Citadel, or if this is just a happy coincidence/connection between the arcs.

(5) I do want to briefly acknowledge the nature of improvisational storytelling in this situation, and that anything can change, be clarified, canonized, etc. at any point. This is partly why I don’t like to speculate much myself, because I trust the creators to tell the story the way they want to and follow the paths that appear, without projecting my own hopes or prescriptions when I listen to their wonderful creation that has been crafted with such care. It is also why my theory in the end is limited to the meeting with the coven- truly anything could happen at the beginning of the next arc, and whatever I might come up with is likely less interesting than what will happen. (NB: There is nothing wrong with fan theories or head canons! It’s just not usually something that interests me!) I merely saw a connection and through-line that deeply resonated with me in this second arc and felt compelled to write about it. Also, Worlds Beyond Number and WWW is just so fucking great, and it truly astounds me that this story is so deep that I have somehow written a 12-page essay analyzing essentially a 20-minute segment of one episode. I pray to Enzo that there are no grievous errors or spelling mistakes, but I wanted to post this on WBN’s first birthday! 🧡

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cheecats · 7 months

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For the tf2 wc crossover/au it looks like the blue team cats are skinnier, did I miss the bit why? It’s a fun little tidbit that has me 👀 at the hint of lore

Also huge fan of that au in general it’s so funny/great

Hell yeah thank you so much! I didn't go much into why, but yes — most of Blueclan's (BLU team) cats are skinner (with a few exceptions I'll mention.) Initially it was more reasoning in my head, but I'll try explain my thoughts

It's a silly AU and everything is silly. There is a distinct lack of clan heritage and culture we see in the books. It is purely two clans comprised of rogues because Redstar and Bluestar (Redmond and Blutarch) are assholes with no friends or family with a massive territory left to them to split 50/50. As per canon, they're stupid about it and both gather up a clan of rogues to steal the land off each other.

As it stands, Redclan (RED Team) occupy most of the land, whereas Blueclan live on the outskirts. This is to play on the Attack/Defense roles the teams play in the game. Redclan are more aggressive in strategy as a general rule. They defend their borders mercilessly, while Blueclan constantly attempt to attack their camps and take patches of land back... and ultimately wish to take all the territory for themselves too. So it's not really like the Sunningrocks with Riverclan and Thunderclan with heritage vs survival. Neither Blueclan or Redclan are entitled to shit. They're both assholes. Neither clan is right and they're just trying to kill each other.

But basically because of this massive difference in territory size, Blueclan live up in the colder areas. There's less prey, they are mostly thinner than their Redclan counterparts, and have thicker pelts. Also irrelevant but they tend to sleep closer together, whereas Redclan's members just keep apart.

Now for exceptions to this rule! Raccoontrot (BLU Soldier) and Mistmask (BLU Spy) are roughly the same size as their Redclan counterparts (although Mistmask is just naturally smaller/weighs less than Smokeface (RED Spy).) Reasons? Raccoontrot is friends with Sparkloch (RED Demoman), the two visiting each other in secret frequently. Sparkloch brings prey for Raccoontrot each time they visit, and it's honestly suspicious to Blueclan why Raccoontrot seems fine with the lack of food around. Mistmask is also fine because he hunts and steals prey CONSTANTLY from Redclan territory. He's hard to stop because he can mask his scent, and is exceptionally sneaky: if you don't catch him in the act, you'd never know he was there. The scratch on Dingospot's (RED Sniper) face was from the one time he caught Mistmask stealing and the two squared up. That's the only track record they have to know what he's up to.

So in conclusion, I do be out here overthinking this silly AU and I hope everyone enjoyed B))

#cheez rambles #warrior cats #crossover #team fortress 2 #tf2 #ice-river #// yayyy im glad you rockin with the sillies >:D

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needlebeetles · 5 days

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Mazey Phaedra Lore for Episode 15

-(extended?) family lives a labyrinth underneath the red wastes

-she is named after this labyrinth

-wants to be a choreographer

*record scratch* you can poll people not going to Aguefort as long as there’s a staff member present. And the Rat Grinders are heading to the mountains of chaos…..for whom I wonder

#Bugposts #fhjy spoilers #fantasy high #fhjy #mazey phaedra

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scaredpigeons · 1 year

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Reincarnation Theory; an attempted breakdown on Alhaitham and Kavehs relationship that will never come to fruition because Hoyoverse are cowards— by Pidge.

When I finally got my hands on Alhaitham, I was ecstatic. Not only because damn, I finally get to play as this hunky, genius know-it-all pretty boy who would surely never give me the time of day if we were in the same room, but because attaining his character in game gave me first class tickets to learning more about him.

Up until his release as a playable character, we didn’t really know much about Alhaitham. He seemed cocky and aloof, sure of himself and had the knowledge to back up those attributes. It was honestly a little frustrating to see a character who acted so much like one you’d want to hate, but you simply just…. Couldn’t. Because seriously…? He’s not wrong. Dig a little deeper, and a lot of players found his actions and personality type to be extremely autism coded, and honestly refreshing for a lot of neurodivergent players like myself, so used to never seeing “undesirable” personality traits in characters who are designed with the intention for you to love them.

Working on building up Alhaitham to be my main Dps was entertaining, and in doing so I ventured more into the desert, learning more and more about the mysterious King Deshret and his seemingly abandoned society.

The symbolism found within ruins and relics had me jumping to conclusions so quickly. Rushing to message my best friend and fellow genshin impact enthusiast, Kier, to tell them of my theory.

Alhaitham has to be a reincarnation of king deshret! There’s so much symbolic mirroring in his design, his constellation, everything! Even if he isn’t, he has to have something to do with this ancient society, I mean c’mon, look at him.

And Kier, ever the seemingly nihilistic critical thinker brushed me off.

I’ve not payed much attention to the desert lore so far, they’d said. It’s sort of boring and white washed, and I’m focusing on the archon quest line right now. But whatever you say, kiddo.

Of course being in the throes of a questline involving the dendro archon herself, and the questionable nature of the beloved scaramouche becoming a playable character, (I could write a whole essay on the problems of that story’s narrative alone, but I shall save that for another day) was enough to distract me from this thought process, but then he arrived.

Alhaitham’s story quest caused every cyno x haitham shipper to do a collective and dramatic record scratch, because who was this stunning blond bombshell and why is he so hot despite nagging at our boy?

Kaveh stole my heart immediately. One look at that little open back panel on his shirt and I was done for. And as the drip marketing started, and the leaks were sucked up the fans straws like a sugary drink on a hot summers day, I went digging.

Alhaitham has multiple voice lines dedicated to his flamboyant roommate, and several that mention him in passing. They have matching animations for when they are standing idle in game. Their signature dishes mimic foods from each others referenced cultures, even items within their Teapot gift sets are representative of each other in some way. For a game that so seemingly discourages relationships between adult playable characters (in favour of keeping an open ended relationship with the beloved traveller of course,) these two are seemingly more connected to each other than any two characters we’ve seen before.

So with my theory that Alhaitham is a reincarnation of King Deshret, that would make Kaveh the goddess of flowers, yeah?

That was my initial thought too, until I looked deeper and found the mirrors.

Mirror symbolism is extremely important to Alhaithams character. He is literally named after a prolific contributor to our understanding of vision, optics and light— Al-Hasan Ibn al-Haytham, born around a thousand years ago in present day Iraq. Alhaithams elemental skill and burst involve mirrors of dendro energy, which fly off and bounce off of each other when his burst is activated, much alike to how light bounces off a mirror.

Alhaithams character story lines mention that despite their seemingly tedious relationship, he really respects Kaveh and his intellect. Kaveh helps Alhaitham to look outside of his comfort zone, and Alhaitham helps keep Kaveh’s feet on the ground. He says they are excellent mirrors of one another, and takes their relationship as an opportunity to observe and learn things that he never might have without him.

Here’s where my blatant romanticism comes out to play. What if Kaveh is not the goddess of flowers, but the reincarnation of King Deshret himself? What if the two deities wanted to be reincarnated as perfect mirrors of one another, while still retaining qualities the other loved so dearly?

KD was very clearly an architect himself, the ruins and buildings of the desert are no small feat, which is what drew me to the idea that perhaps Kaveh is the king. Kaveh is an extremely skilled architect, literally known as the ‘light’ of his darshan. KD naturally would retain that love and devotion for aesthetics in design. But he loved the goddess of flowers, so why not reincarnate as someone she might love? Someone thoughtful and emotional, someone who cares, someone beautiful and full of life.

The goddess of flowers loved KD as well, for his undying will in his search for truth, for his strength, intelligence and ability to lead. Hell, she sacrificed herself just so he could get closer to his goal. But of course, she’d not be able to be rid of some of that care-free nature, that free will that lead her followers to love her so, hence her reincarnation into someone that Deshret would have loved, a person who dedicates their entire being to the truth, to the pursuit of knowledge, even if that means seeming self absorbed in the eyes of others (when in reality he’s only going to put effort into what is interesting to him, such is his own use of that free will.)

The GoF still roams the sands for her love, even though she’s not a fan of the sands that destroyed her in the first place, (Alhaithams ascension materials are found deep within desert caverns, “*tsk* there’s sand in my shoes”

And the mourning king still searches for his flowers that represent the love he lost so long ago. (KAVEHS ASCENSION MATS ARE MOURNING FLOWERS????)

Of course, this theory may change and grow as we learn more about Kaveh, as at the time i am writing this, he is still locked away in Hoyo’s basement. But rest assured, as soon as i get my hands on him i will take another deep dive into the lore behind these two morons, and we can further discover how connected they really are.

#alhaitham #genshin impact alhaitham #kaveh #genshin impact kaveh #kaveh x alhaitham #alhaitham x kaveh #kavetham #kavetham theories #genshin imapct #genshin #king deshret #goddess of flowers

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