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#person: favorite theatre actor
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previous favorite theatre actor jump scare provided by
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2008 huntington theatre company's georg nowack
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nyaagolor · 8 months
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Ace Attorney facts from interviews that live rent free in my brain:
- Turnabout Big Top was voted in the Top 5 cases in the trilogy in a Japanese poll and is, on record, Takumi’s favorite non-finale case
- The team got yelled at for “including too many old men” which led to the creation of Mia’s character
- Takumi’s favorite character is Maya, but he has to get drunk before he can write her dialogue otherwise he gets too embarrassed
- The most requested case concept from fans is [checks notes] a.. train groping case?????
- Takumi has more trouble writing Phoenix than Edgeworth bc the prosecutor is “more unstable than the average person”
- Takumi’s headcanon is that Phoenix was training to be a Shakespearean actor in college and that’s why he’s Like That. He was in Europe studying theatre when he saw Edgeworth in the newspaper and then pivoted to law. Apparently Takumi thinks Phoenix might have been a manga artist’s assistant in college for extra money too?
- Edgeworth’s sanity is apparently hanging exclusively on his dog, who is the only living thing he can be vulnerable with. If the dog dies Edgeworth would apparently Fucking Lose It
- Phoenix thinks Edgeworth is a “pretty cute guy”
- Edgeworth’s favorite music is Korean techno / disco
- When one of the Von karmas wins a case, Manfred takes them out for karaoke
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wilwheaton · 1 year
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favorite goncharov character
Goncharov! Holy shit I haven't thought about Goncharov in YEARS!
I remember seeing it at the Vista theatre downtown in ... I want to say 1983? It was either 82 and I was 10, or 83 and I was 11. Now that I think about it, it must have been Spring of 83. I remember that Kimmy Mendini was my babysitter, and she drove my friend Ahmed and me all the way downtown to see Goncharov. She would have been at least 16, but I feel like she was a little older. I remember that she LOVED movies and just never stopped talking about European cinema.
Ha! I can still her her sort of roll "Cinema" out of her mouth. Movies were for the masses to watch, while sophisticated adults experienced Cinema. I'm just realizing now that she absolutely pronounced it with a capital C. She was like "you are so lucky to see a clean print of Goncharov!"
I had no idea what a clean print was, but I understood it was important and impressive.
She had read about this screening in the LA Weekly, which I didn't know at the time was TREMENDOUSLY subversive in our suburban part of Los Angeles County, and we were going to an old theatre in maybe not the greatest part of town, but Kimmy had been watching me since I was in second grade and was like my big sister. I knew we'd be safe with her.
That old theatre (which is now a fucking swap meet) was just so beautiful inside. 100 foot ceilings, box seats, gold paint and murals. It felt like a place you went to experience Cinema, but, like ... it had absolutely seen better days. I remember that I felt kind of bad for the place, a little embarrassed, like when I got a good grade and accidentally made eye contact with a friend who got a D.
Okay. This clearly hit a memory artery, and I appreciate you staying with me this far, when we finally get to the fireworks factory. We're walking up to the box office, and she tells Ahmed and me that we have to wait on the sidewalk, because *technically* it's rated R, and she's not our legal guardian, but what does this guy making two bucks an hour know about art anyway?
So we wait. She buys the tickets, and then we all walk in as casually as we can.
I remember how scared I was that we were going to get caught and they'd call the cops (that's how it worked in my anxiety-ridden brain), but literally nobody cared. The theatre wasn't even half full, and everyone there was a dude at least as old as my parents.
You know the story, so I don't have to recount all of it, but I can at this very moment remember how shocked I was when Bruno was shot. This was the first time, ever, I had felt an emotional connection to a character. I didn't cry when Bambi's mother was shot, I didn't cry when ET died, I didn't cry E V E R.
But when Bruno died? I didn't make a sound. I just silently wept. Tears just poured down my face and I wanted to roll back time, rewrite the movie, and get him out of that room.
I obviously understand now, all these years later why I connected to him and why his story meant and means so much to me, but at the time I had no idea. I just thought the actors were that good.
I can't believe that guy who played him died so young. I think he was like 40? I remember thinking that was old. Now I know different.
When the movie was over, Kimmy asked us how we liked it. Ahmed was obsessed with the photography (he grew up to be an illustrator), and I obviously had my Bruno Moment.
We got Thrifty ice cream on the way home and listened to Donna Summer in her Datsun.
I haven't thought about Goncharov or Cinema or Kimmy in FOREVER. Leave it to Tumblr to boost my nostalgia check to a natural 20.
tl;dr: Bruno. I know he's supposed to be that character we all hate, and there are so many valid reasons for that. But when I was 12 ... well, I was a different person.
Oh! And now that I know what a "clean print" is, having seen so many "dirty prints" in revival houses before they all turned into swap meets or churches (hey, two places where people sell you stuff and take your money!), I retroactively appreciate it in a way that would make Kimmy happy.
Thanks for the trip into the crumbling mall that is my childhood memories. I haven't been here in awhile and it was nice to visit.
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“The Same Place as the Music” Lighting & Color
“Where is the light coming from?” “The same place as the music.” Andrew Lesnie, Cinematographer of LOTR
How & Why It's A Problem
If I had to summarize the frustration I have with this topic in one image, I'd use JeCorey Holder's (queer Black creative!) meme:
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Now here's the thing. I'm not saying you have to be a master at lighting. I'm surely not. Hell, I still play around with lighting in my art in ways that aren’t the ‘most realistic’. You can’t ask me the technical explanations behind ‘color theory’ or 'contrast' without me doing some more reading. However… I don’t think anyone needs an art degree to understand this point:
We should be able to SEE your brown skinned Black characters!
I brought this up in my lessons about skin tones and blushing, and it applies with lighting as well. If all of your other characters have focused light and shadows, so should your Black characters.
However, this does NOT mean making them lighter-skinned!!!!
It's not funny nor logical at all to suggest that they somehow can't be seen like your other characters when you’re the one creating the piece. It's like a classic fifth-grade racist joke, “You blend in at night”. Har-de-har.
I was once rudely told to my face (well in the DMs) that a Black character that was completely Europeanized looked like that “because of the [sepia] lighting”. So I'm going to give you all, gracious readers, an example to show that that's not true.
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This is Ana Flávia, Afro-Brazilian model! Gaze upon her beauty! Notice how in both of these filters, Ana did not, in fact, turn into a white woman! Because, my friends, that is not how that works! At all!
Here are some other examples of Black people in non-color lighting:
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None of these people vanished from the frame just because there was no color. They didn't have to paint on lighter makeup to be captured by the camera. What do they all have in common (in this example)?
Lighting!
Now let’s discuss different ways to think about and potentially try instead!
What I want you all to keep in mind, is that the art you’re painting:
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And I know that's silly right, like yeah no shit Ice, we knew that. BUT my point here is don’t be afraid to study photography, theatre, and staging for ideas. They actively work with light! It’s why I share so many images of models; it’s purposeful, focused staging of light with many of these compositions!
Brown-skinned Black people- brown-skinned people in general- GLOW in the light! Our skin reflects environmental light! There’s so much opportunity to play with that, and you can see different examples in those mediums.
Here are a couple articles of lighting in film focused on Black actors.
When lighting a person with dark complexion, the answer is not LIGHTENING THE SKIN, it’s understanding how light reflects off of dark skin.” -Nilah Magruder
Nilah Magruder (Black creator!) has an ENTIRE, thorough and wonderful essay on the topic, far better than I could give! She incorporates the use of cameras, lighting, painting, and more- so rather than be redundant here, I'm going to spotlight (ha see what I did there. It's okay, I know I'm funny) her and her explanation.
Incorporating Blackness in Color/Colorful Lighting
@dsm7 has an excellent and short visual explanation of how picking certain colors will lead to washing out or whitewashing Black characters, and how certain lighting and backgrounds (think the black and white photos on brighter backgrounds) will change the way their skin tone looks.
@nicosbighead has one of my favorite images on here, that shows how many different colors can still be used to convey the image of Blackness. Notice how all those pinks still worked?
@gaksdesigns has a beautiful picture here that I feel utilizes the light in a very minimal yet effective way to show highlights even on a palette that's fully brown.
This article approaches from a lighting perspective via filmmaking, but essentially Sade Ndya suggests instead of increasing the amount of light, change the color/lens of the light based on your character’s skin, as well as for the circumstances of the scene. They'll remain vibrant that way, and you’ll still capture what you need.
I know one way I do this on CSP (I think I’ve mentioned this but I can’t remember) is to use the Add Glow tool with the same or a similar shade of the character’s brown skin tone as a highlight under natural light, or maybe use different colors or filters depending on the sort of light on their skin at the time.
Here’s a reddit about it too, just because I know y’all value Reddit on here, and someone else discussed the topic that both Nilah and Sade discussed.
Is It Intentional?
There are going to be times where you intend for the light to be minimal. Maybe it’s a style choice. That should still show purposeful composition. Here’s an interview with famed Black director Ava Duvernay discussing the intentional darkness on Black actors in the prison scene in the movie Selma. To show that they're both trapped in prison AND that Martin is temporarily low on resolve- it's a part of the story that's being told.
I'm always talking about this: there is a difference between intention (and following through), and neglecting to think about it at all. And neglect isn't what we want, because often we can tell visually when it is- when an artist simply did not think to do it for one versus the rest.
Sidenote, on Youtube in the suggestions after Ava's interview, are also plenty of videos discussing lighting for dark-skin as well- why not take the chance to look?
Conclusion
We do not lack for light! We aren’t flat and lightless when you see us in life. It's actually a pretty awesome part of being brown-skinned. If you’re giving proper, flattering lighting to everyone else, give it to us as well. Study and experiment with ways to highlight brown skin.
You already know what I’m going to say. It’s going to take practice, same as anything else, because it’s the thought that counts, but the action that delivers!
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xolovieysox · 3 months
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A monster in the theatre?
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A Monsterous Day At Work
Having extra work on top of your normal work was already a crazy night, now add on that you aren’t alone in the theatre after you thought everyone else had left, and that the other person there with you is a werewolf who has eyes for you.
Warnings; dub-con, aphrodisiac, werewolf, knotting, mentions of breeding (no preg), minor plot, second person narration, mind fuck, not the best writing
Word count: 1143
It was the day before the big show, opening night, the great hurray after the tortures of tech. The local theatre was doing a musical, one of your favorites, and so you decided to help out in any way you could. That any way you could turned into juggling helping backstage and being a lead role in the musical. You definitely needed a day or even just an hour off but you were too busy juggling your jobs, especially with opening night the next day. It was the end of the night and everyone else had left. Though they had work to do the other actors and tech people always just took advantage of your work ethic and assumed you’d finish the jobs needed. So they just leave you, backstage, on one of the couches, every night. They’d be joking about having sex all day, playing around like children at a middle school lunch table, every day, then leave. Except today was different. Before leaving they gave you a spare key to the storage closet to pull out some props for setting up the stage for opening night.
Well. Of course they did. You paused for a moment after sighing in frustration. Then you pondered. Everyone else had left. And you were completely alone in the theatre. And were left to lockdown the theatre. Yea. After you finish your jobs you’re going to have fun before locking down.
Laughing and fantasizing what you’d do when you finish you opened the storage closet half hazardously grabbing and looking around at things. Well, What you didn’t know was three things.
1. One of your coworkers hadn’t left yet.
2. Said coworker is a werewolf
And 3. It is a full moon.
Before you could even muster a thought you get pulled into a corner of the storage closet by something. No.. someone? You faintly make out the figure of a person- or a thing. Before you could speak or protest you feel a hand clasped over your mouth. The person chuckled softly “Can’t have you screaming now can we? It would be oddly concerning if the only person left in the theatre was screaming for help~” his voice was sweet as his whispered in your ear. Velvety like a fine silk or melted chocolate. As you tried to wrap your head around what was going on the stranger kept speaking. “I’ve been watching you work for a long time, you’re fascinating,” the man tucked a strand of hair behind your ear “I’ve wanted you for a while as well, and now that it’s just us, I think I have the perfect opportunity to take you as mine.”
In a blink of an eye you were flipped over and caressed. You feel a long warm tongue lick your neck before you feel soft kisses placed. As that happened you felt hands slowly stripping you and after finishing caressing your naked body. You couldn’t think straight, you should be protesting but it felt so good. After a couple minutes of just pure caressing you feel a hand on your neck and moan as it tightens its grip. This was new to you, and you still had work to do. While thinking of the delay in work you have to do you feel something prod at the entrance to your hole. Before you even have the chance to question it, the creature behind you shoves its cock deep inside of you. You scream in a mixture of pain and pleasure as he moans behind you thrusting in and out. In and out.. a repeated rhythm. You should be running. You should be escaping. You should be screaming for help. But all you can do is take his cock. It feels so good doesn’t it? Cmon you have to be a good pet and take it. As you scatter your brain trying to find an explanation for the thoughts that are sprouting in your brain you slowly lose yourself in the pleasure of the situation. Slowly caring less and less about the work you had. Why would the work matter anyways? This is more important. Whatever is on that cock is making you feel like you’re on fire. You have no time to think about anything else. While delving deeper into your trance you get knocked out of it when you hear the creature speak again. “I’ve never seen someone so willing to take a cock~ you’re such a good filthy whore aren’t you~” his velvety voice finds its way into your mind again and before even thinking you nod. You are so willing to take his cock. You are such a filthy whore for taking his cock. You hear him speak over and over as you moan louder and louder. You couldn’t perfectly make out what he was saying anymore as you were so lost in your pleasure. You heard things like “Dumb fucktoy” and “Breeding Bitch” come out from his mouth, but you couldn’t think anything of it. Finally you find some sanity in your delve of pleasure and through this sanity you hear the creature grunt through moans “I’m going to breed you alright? I’m going to knot you and cum so deep inside you can’t escape it,” he finally lets go of his grip on your throat after around 10 minutes. You just nod mindlessly still partially in a trance. As soon as he starts thrusting again you moan. You didn’t know what time it is. You couldn’t care anymore. You are perfect whore. A stupid fuck toy. A little cum dump. You didn’t know who was fucking you or even what it was but it had you in a trance. As you felt the knot of his cock go closer and closer to your entrance you moan loudly until it popped itself in. This new sensation caused you to scream in pleasure which caused the creature, your coworker, to immediately get tipped over the edge and cum hard. Within seconds you felt his cum flood deep into your broken hole. You smiled at the sensation before passing out from the sheer amount of pleasure.
It’s the next day. You wake up in your bed, you have the keys to the theatre next to you on your bed stand. You sit up trying to remember what happened. As you imagine the werewolf and huge cock inside of you the past night you laugh at the strange dream you had. Until you tried to stand up and felt your sore legs give out. As you moved up the bed you saw the puddle of leaked out cum. And soon you realized that wasn’t a dream. It was a real occurrence. And looking at the note near the keys to the theatre which reads ‘Let’s have fun again’, it definitely will become a more regular event.
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queenshelby · 2 months
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The Director (Part One)
Pairing: Cillian Murphy x Reader
Warning: Infidelity
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Characters:
Name: Y/N
Age: 29
Job: Second Assistant Director on the set of Oppenheimer
Personality: Strong-willed, caring, determined
Background: You come from a wealthy family in Hollywood but have to work hard to establish yourself in the film industry. You are a devoted mother to your two children and juggle your career with your responsibilities at home.
Name: Mara
Age: 7
Character Role: Your daughter
Appearance: Cute with curly brown hair and big, innocent eyes
Personality: Sweet, sensitive and very attached to you following her father’s death
Background: Mara is very close to you and looks up at you as a role model. Mara adores her older brother, Max, and enjoys spending time with your mother Lisa at her mansion in Hollywood. Mara has a split relationship with her stepfather James who is introduced below.
Name: Max
Age: 10
Character Role: Your son
Appearance: Energetic with messy blonde hair and mischievous blue eyes
Personality: Rebellious, challenging, protective of his family
Background: Max can be difficult at times, but he deeply cares for you and his sister. He struggles with his emotions due to the absence of his father and also has a split relationship with James. As a result, he often acts out.
Name: Bill
Age: 60
Job: Owner of one of Hollywood's biggest agencies for actors and musicians
Character Role: Your father, your mother’s ex-husband
Appearance: Distinguished with grey hair and sharp features
Personality: Business-minded, influential, protective
Background: Bill is a powerful figure in Hollywood, known for his connections and influence in the entertainment industry. He has always supported you in your career but lacks understanding when it comes to your troubled relationship with your husband James.
Name: James
Age: 31
Job: Hollywood Actor who has appeared in several supporting roles and mediocre movies
Appearance: Good looking with a charismatic smile
Personality: Arrogant, abusive, entitled
Background: James is a semi-famous actor with a privileged background, thanks to his father, Peter, who is the studio head of Universal Studios. His father always tries to get him leading roles in big productions but most directors do not like to work with him. He has acted in about twenty movies, in supporting roles or as a second lead due to his father’s influence. In the past, when he had met you, he enjoyed theatre productions and indies but after his first role in a Marvel Movie, it is only fame that interests him.  
Name: Peter
Age: 65
Job: Studio head of Universal Studios
Character Role: James's father
Appearance: Imposing with a commanding presence, impeccably dressed
Personality: Arrogant, controlling, manipulative
Background: Peter holds a position of power in Hollywood and uses his influence to secure roles for his son, James. He is domineering and meddles in James's personal life, causing tension within the family dynamic.
Name: Cillian Murphy
Age: 46
Job: Actor
Background: Cillian is married to Danielle and has two adult children, one son and one daughter, both of whom are at university.
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Intro Part
Driving through the busy streets of Los Angeles in your small Kia, you listened to your favorite playlist blasting from the speakers.
As usual, you were running behind schedule and the traffic seemed to agree with your tardiness today. As usual, it was horrendous, and you reconsidered whether or not avoiding public transport was really worth it. 
Eventually, the stoplight turned green signaling it was now your turn to proceed forward onto the bustling boulevard ahead. The sun shimmered brilliantly overhead casting shadows across the pavement, creating a visual dance reminiscent of a dreamcatcher.
But then, out of nowhere, it happened – a collision so sudden and unexpected it left you startled and bewildered. Your perfectly planned school pick-up routine took a drastic twist and your heart raced as the reality sank in - you had just been involved in your first ever car accident.
Adrenaline surged through your veins making you feel alive, but also overwhelmed and, in those precious seconds, all your focus shifted towards assessing the damage to your car. 
Stepping outside, your breath caught in your throat.
"I can't believe this!" you exclaimed as you eyed the damage to the side of your car. "What were you thinking, running that red light?" you pointed accusingly at the other driver, who seemed surprisingly calm and nonchalant about the situation.
Fuming with anger, you marched over to him, the frustration evident in every step. "What's wrong with you?" you shouted, barely containing the mixture of fear and rage coursing through your veins.
The other driver simply shrugged, his nonchalance sending a surge of disbelief through you. "Jesus, accidents happen. I didn't run into you on purpose. Despite, it is merely a scratch," he retorted with a heavy Irish accent, his tone infuriatingly dismissive and his lack of concern only fueled the fire of your indignation.
"Maybe it is just a scratch, but now I am fucking late for school pick-up because I have to deal with this crap," you raged, gesturing toward the damaged metal of your beloved Kia. 
He raised an apologetic brow, acknowledging your inconvenience without offering further explanation.
"Look, let me give you the car-hire company's details. They will deal with the insurance claim. I took out extra cover," he began tentatively, reaching into his wallet and pulling out a card embossed with golden letters.
"Fuck, your car is a hire-car?" you asked incredulously, narrowing your eyes as you studied him more closely. This guy looked familiar somehow, but you couldn't quite place him. 
"Yes, I am just visiting town," he replied, reading your confusion. 
"Clearly!" you snapped, taking back control of yourself slightly before accepting the business card. "Now can I have your number too? Because those hire companies are awful to deal with and I need my car fixed as soon as possible," you said, glaring fiercely at him. 
"Nice try, but no, I am not going to give you my number," the man then chuckled while clearly sensing your agitation. 
"Are you serious? What kind of person refuses to provide their phone number after crashing into someone?" you demanded, growing increasingly irritated. "I mean, this wouldn't even be an issue if your stupid driving hadn’t caused this mess," you then spat and the blue-eyed stranger raised an imperious eyebrow, his pale face betraying no hint of emotion.
“Yes, I am serious. I am not giving you my number," he said, his voice firm and unfazed by your aggression, which is also when it hit you. 
"Oh my god, you think that I am hitting on you?" you laughed sarcastically, attempting to cover up your growing anger by poking fun at him instead. 
"Not precisely, but I don't know you and I don't know what you would do with my phone number if you had it," he responded matter-of-factly before asking you for a pen and paper. "I will give you my agent's number. If you have any problems with the car-hire company or my insurance, then you can give him a call," the stranger offered, finally breaking away from his stoicism. 
"Your agent?" you chuckled skeptically, "Alright then, hand it over," you mused before you snatched the piece of paper from his hand, scrutinizing the contact information scribbled there with pursed lips. 
"So, you are yet another big shot 'wanna be actor' here in Hollywood, huh?" you jeered sarcastically, unable to contain your amusement as he handed you the contact details of one of your father's competitors. Unless he was actually famous you thought, he should have given you his number simply for politeness sake. 
"No, not quite," he corrected, cocking an eyebrow at you as he returned his gaze to the scratched front fender of your car. "But listen, I really have to go. I am late for a meeting," he interrupted, already reaching into his pocket for his keys.
"Oh, sure," you said, rolling your eyes. "I suppose I will be in touch with your agent then," you added with a hint of sarcasm.
"Listen, you can trust me," he assured you, flashing a smile that made his otherwise stern demeanor seem almost warm. "We will get your car fixed up," he assured you politely while you rolled your eyes. 
"Yeah, right," you scoffed, still unconvinced.
"Hey, I promise I won't leave you hanging," he promised earnestly, extending a hand out to you. 
Feeling a strange tug, you hesitated, but eventually placed your hand in his.
"I guess so," you sighed, releasing his grip and stepping back into your car, murmuring under your breath, calling him all sorts of names, before finally driving off.
To be continued...
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seeingivy · 10 months
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triple threat
actor!eren x f!reader
you get cast in the role of your dreams
**part of my method acting fic, masterlist here
content: hange + levi being in love, hange pronouns are written as they/she, you and eren embarassing yourself, some good old cheesy childhood dreams
an: welcome to the actor-verse :DDD
-
The first time you see that speech, it changes your life. You’re six and barely understand why the situation is such a big deal. That Hange Zoe is the first person, the first queer person, ever to receive the triple threat commendation from The Savants. 
The Savants run the industry. From the biggest movies to theatre plays, they hand out shiny gold awards each year to the best of the best. But the triple threat, it’s unlike any of the other awards. It’s not given out at a set time or pushed out yearly like the others. 
It’s at random times - some years, there are three triple threats, and others, there are none. It’s the highest award anyone can hope and dream of winning from the industry. 
A triple threat is someone recognized for their work in the big three - singing, dancing, and acting. And each of those things can be taken loosely and mean different things to different actors. 
For example, Hange Zoe’s co-star and partner, Levi Ackerman, received a triple threat commendation a few years ago. Acting in a Bond movie - his most famous stunt being a skilled walk on a tightrope, which the Savants considered dancing. And with one cameo in the Phantom of the Opera on an odd night when the actor was sick, he sang for three hours and was he was sold. 
He became a triple threat three hours after. 
And now, Hange Zoe, one of your favorite actors, did all three in their famous film, La La Land, with the same co-star. A beautifully crafted movie - about the highs and lows of the industry, of chasing a dream, of letting go of love to pursue it.
And here they are - tears streaming down their face as they stand to take the award. When they press a kiss on Levi’s cheek and take the stage, you remember the words solidifying, forming, and building in your chest. 
To anyone watching at home, in their living room in their rundown pajamas, this is a sign to never ever give up on your dreams. Because that used to be me, and it can be you too. Never let anyone stop you from becoming the triple threat you are meant to be. To let that fire run wild and true and let people see the real you. 
And you decide then and there - that it’s your dream to be a triple threat. To let your fire run wild and true. To show people the real you. 
July 9th is the most nerve-wracking day in the history of nerve-wracking days. What was supposed to be a regular day at the coffee shop you work at suddenly became one of the most stressful experiences of your life. 
WIT Studios, one of the biggest production companies, had sent out a casting call for actors aged 15-18 for a new, multi-season show. And when you accidentally knocked the flyer off the board at your aforementioned silly cafe job, it felt like a sign. 
Some part of you, years ago, knocked your dream down. And it was a cumulation of things. 
That you never really got called back for casting calls. You couldn’t book simple commercials, and agents said you didn’t have that spark. 
And as many interviews you could watch of your favorite actors explaining how they got into the roles and connected with characters, the stupid kibble commercials you were trying to book just didn’t do that.
And you sing in the choir at your school and dance in school plays, but that’s hardly a triple threat category. You can’t even get the position to be head of the choir - to delude yourself into thinking you’re triple-threat material is insane. 
So you let it go. And many people do because it’s just like every other silly childhood dream. You decided to stick with school, plan on attending college, and work a simple job. Stream the Savants every year, watch your favorite people sob over winning awards, and then embarrassingly go in the bathroom and practice a speech you won’t ever say. 
Granted, that’s humiliating, but it’s better than getting kicked down each time. Because casting actors can be rude. And the entire industry is bleak - because there are only so many times that you can get shot down before throwing the towel in, which is very fast for you.
But the flyer seems right. And there’s no harm in trying after all these years. It’s for a real show, an action drama called Attack on Titan. The casting room - it’s down the street and you can go right after work. 
But now that you’re here, awkwardly fidgeting in the cream chairs, you realize you’ve made the biggest mistake. Because the actors in the room - you know them. 
Some of the biggest child actors that have been acting since they were kids, flipping through the same script as you. Practicing tongue twisters, taking deep breaths. 
And you’re a fraud. Because you don’t know the short of hands or how any of this works. And when that red-haired woman calls your name, a dark green clipboard in her hand, you follow her into the room with a deep lump in your throat. 
It’s a small holding room filled with four people. The red-haired woman and two other men sit at one long table, papers spread across the page. There’s a black camera in the center, glaring right into your line of vision from where you’re sitting. 
“It’s a chemistry screening. This is Eren. He’s going to be playing the lead in the show. We’re just looking to fill the female co-star role. Just do the scene the way it feels right to you - there’s no correct way to act in this.” 
You nod, switching your chair so you’re facing Eren. And then you take him in. He has short brown hair and almost bored green eyes as he takes a swig of his water bottle, his name scribbled in messy writing over the top. You can hear the recording camera beep, trying your best to ignore the fact that you’re on camera with him right now. 
You reach forward, tapping on his shoulder with your pointer finger. And he looks up, green eyes timidly looking into yours. You give him the most sincere smile you can and introduce yourself. 
“I’m Y/N. It’s nice to meet you.” 
“Eren. Eren Jaeger.” 
Eren sticks his hand out to you, his grasp firm, as you both give each other a smile. And then you remember the lines. You stick your hand out, placing it on his shoulder as you squeeze. The action seems to take him off guard, his eyes widening as you start talking. 
“We should be getting back.” 
You watch the realization spread across his face as he timidly nods, rubbing his hand at the back of his neck. You guess your introduction might have thrown him off, and you should have told him you would start the scene now. 
Dear god, you were already messing this up. 
“What are we doing here, Y/N?” 
You lean back in your chair, pressing your hands to the bridge of your nose, trying to remember the rest of the line. 
“You were so deep asleep that you’re only half awake now?” 
You watch Eren’s face contort into confusion and feel the embarrassment coursing through your veins. Did you remember the wrong line? Did you-
“I had a really long dream. I can’t remember what it was about or-” 
And when you meet his eyes, the embarrassment dies down. 
Because Eren’s crying. 
There’s a soft tear running down the side of his eye, his lower lip quivering as he looks at you. And you can’t help but do it - you reach forward, pressing your hand to the side of his cheek as you wipe the tear away and ask. 
“Eren. Why are you crying?” 
You hear a clicking noise, and Eren leans back, wiping the rest of the tear on the back of his hand. You look back at the long table, the three adults scribbling on the papers before them.
Right. You were acting. Eren wasn’t really crying. He was just pretending to cry.
And you totally understand why he was cast as the lead because that crying was so believable that it got even you to take a second. 
“We’ve seen enough. Thank you, Y/N. If you are selected, you will receive an email at the address you provided earlier.” 
You give them all an awkward smile as you turn to your right, where Eren’s shuffling through the pages. You tap him on the shoulder again. 
“See you later, Eren.” 
“Yeah. I think so, Y/N.” 
And when he breaks out into a smile, so warm with dimples showing, you can’t help but fully cheese back. And when you breeze out of the hallway, you pretend the entire thing never happened because there’s no way you’ll ever book that role, with an on-demand actor, like Eren in the first place. 
You’re wrong. You’re so so wrong. You’re not sure how it happened, but you book the role. And the turnaround is so fast that you’re packing up your things to move to Germany in less than a week. 
Your parents - infinitely supportive of your dreams, who were adamant you shouldn't give up on it - were driving you to the airport. And your little brother, Falco, cries softly when you sign him goodbye. 
And when you’re on the plane, it all sits in that you’re moving away from home. That you’re acting. That you could… really be a triple threat. And it’s silly to say when you’re only fifteen but it feels that way.
That this could happen and that it’s real. 
You skim the email they sent you again, reviewing the details you have already committed to memory. You’ve read them over a hundred times, and they still haven’t set in. 
Dear Y/N,  Congratulations on being selected to play the role of Y/N L/N! We’re so excited to have you on the team. Attack on Titan shooting will occur in Nördlingen, Germany, from August to February. Please arrive on set as soon as possible - so promotional images can be taken of you and your co-star and preliminary screen tests can be filmed.  You will be living on-set with other members of the cast. Townhouses and assignments will be given upon arrival. Currently, only a small percentage of the ensemble has been cast - others will arrive as they are needed.  A large part of the ensemble will be around your age range. In the interests of your personal character development (and following some very legal laws), classes will be provided off days from set so that you are a functioning member of society and all that.  Attached is the script for the pilot. Please review your lines in the upcoming days. Congratulations, once again!  Signed,  Hange Zoe 
Hange. Fucking. Zoe. As if any part of this experience couldn’t get crazier, you’re literally acting on a show with your fucking idols. 
Some part of you already rues the day that this is going to end. Because you already know it’s going to be everything you wanted. 
When you arrive at the townhouse, no one is there. You drag your four bags up the stairs and take note of all the names on each of the doors. It seems that more people are cast in the week it took you to get here because there are some names you don’t recognize on the assignments. 
Reiner and Bertholdt 
Miche and Erwin 
Jean and Marco 
Eren and Armin 
Mikasa and Y/N 
Mikasa. You remember a few of her lines from the script and from your understanding - the show is centered around you, Eren, Mikasa, and Armin. Armin and Eren’s rooms are directly across from yours and Mikasa’s, which you’re sure was on purpose. 
After hauling your bags up, taking a shower, and hauling out your beloved noise-canceling headphones, you drag down to the kitchen, where you attempt to find some food.
The kitchen has very little - a few loose packets of ramen on the counter, eggs, and condiments. You settle for making ramen, one of the few meals you can successfully make (because it requires two steps), and set out. 
After successfully making your dinner, you drop it the second you turn around. 
Because Eren’s staring at you, a glass of water in his hand. 
And you figure that your dropping the bowl startles him because he drops his glass too, and you’re both awkwardly staring at each other, rambling explanations as you yank your headphones off and take note of the glass on the floor. 
“Eren! I’m so sorry. I didn’t know you were here and-” 
“Y/N. Are you okay? We just got back. I didn’t mean to startle you or-” 
“You shouldn’t move, Eren. There’s a bunch of glass everywhere and-”  
Other footsteps cut you off, and you’ve officially entered your worst nightmare. Because not only did you just humiliate yourself in front of your co-star, but now Levi and Hange are standing in front of you - laughing at you. 
Well, Levi’s smoldering, but Hange’s literally cracking up so hard that they're crying tears out of their eyes. Levi walks up to Eren while Hange takes your side, dragging you both to the sides away from the glass.
Levi’s scolding Eren as he starts cleaning the glass, both of you shamefully standing against the wall. 
“Good going, Eren. If she didn’t hate you before, she totally does now.” Levi states.
You look over to find Eren blushing - his cheeks beet red and the tips of his ears burning. 
“Y/N. It’s nice to meet you. I’m Hange.” 
“I’m Levi. We hope you got in okay. We just took Eren to the store to get more things for the house.” 
“You two should go wash your hands. We’ll make more ramen and call you when we’re done, okay?” 
“Okay, Hange. I’ll show you the way, Y/N.” 
You follow Eren as you both awkwardly walk to the bathroom. 
“God. That was so embarrassing. I’m so sorry, Eren.” 
“It’s not your fault. After you didn’t respond three times, I should have noticed they were noise canceling.” 
“You were talking?” 
“Ah yeah. You were singing, so I asked if you had been doing it for a while.” 
When you reach the bathroom, you can’t help but put your face in your hands as if that would stop your cheeks from burning the way they were. 
This is literally the worst start ever. You broke an entire bowl of food in front of Eren, and then Hange and Levi had to scold you guys like you were little kids and clean it up for you. 
When you and Eren return to the table, Hange and Levi make you fresh bowls of ramen and set them out for you directly across from them. You don’t miss how their hands are locked together on the table and how… romantic it seems - even if Levi’s literally insulting Hange right now. 
“I know they wrote the character to be a little dirty, but that doesn’t mean you need to start doing method acting, Hange.” 
You interrupt their conversation as you and Eren slide into the chair, their faces quirking toward yours. 
“Um. Do you mind me asking what method acting is, Levi? I don’t really know all of this…acting stuff.” 
“That’s right. I'm sorry, Y/N.” responds Levi, pushing his bowl into the center of the table. 
“Method acting is our secret. It’s how we…act so well. Not to pat ourselves on the back or anything, but we’re pretty decent.” 
“Better than decent, you’re both… triple threats,” you respond, shocked at the fact that they’re downplaying something like this. 
Surely they can’t be serious. 
“Method acting, young Y/N, is a technique we use to connect with our characters emotionally. We already think you’re a good fit for the character you’ve been cast, but you still have to put in the work to “be” that character. Bring your own life and personality into it - even if you’re not playing you.” Hange responds. 
“When Hange and I did La La Land, we played two lovers. I was a jazz artist, and she was an actress. While we were filming, Hange and I went on dates each week to get to know each other, and I wrote her songs to get into the mood of filming.” 
You can hear Eren’s chopsticks clinking against his bowl as he speaks next, his voice firm. 
“But you… you’re dating now. How do you know the line between fake and real?” Eren asks.
“You’ll learn quickly that trying not to love Hange is like holding your breath underwater. You just can’t.” 
Hange starts pinching Levi’s cheeks and cooing over him, which Levi swats off before they respond again. 
“Acting isn’t…fake, Eren. Like I said, this character - it should be all parts you, your own personality, just in this situation. And we’re not telling you to fall in love like your characters are going to but-” 
“Wait. Our characters are going to fall in love?” 
“Indeed they are, Y/N. The way it’s written - some part of them has always been in love. Like it’s natural that they don’t know how to do anything else, but you’re best friends for a better part of the show. The romance only really comes to fruition at the end.” Levi responds, standing up as he grabs the bowls before you. 
You and Eren give each other a look as Hange peers over, smiling between the two of you. 
“So if you and Levi went on dates for La La Land because you were lovers, Eren and I should… hang out to be best friends?” you ask.
Hange laughs, standing up to crush both you and Eren in a hug. 
“God, you’re both so cute. I think you’ll end up being good friends anyways - you have lots of scenes together and press and all that, so-” 
“No, Hange. I want us to be the best.” Eren states.
You can feel your cheeks burning - at Eren referring to the two of you as “us” - at how he wants the same thing as you, and at how Hange’s smirking at the two of you. 
“God. You’re like the perfect kid for this role. Keep that energy when you film the pilot.” 
You and Eren amble back up to your rooms as Hange and Levi start attending meetings, preparing for filming. They tell you that you’re filming one scene tomorrow - the one you and Eren screen tested on - and then getting fitted for costumes and harnesses for stunts. 
Levi and Hange are producing the show alongside Erwin - one of the other actors on the show. They all attended SHWA together back in the day, basically the best acting academy out there, and now they’re producing and helping the writing of the show altogether. 
SHWA is so elite that every single Savant acting winner has attended the academy. There has yet to be a non-SHWA-affiliated actor to win. 
But even beyond acting, they’re producing and screenwriting. Just when you think they can’t get cooler, they do. 
Eren knocks on your door a little past eleven, shyly peeking into your doorway. 
“Hi, Eren.” 
“Hi, Y/N.” 
“Can we talk?” 
“Sure.” 
You both plop down onto your bed, staring at the silver fan swinging around on the ceiling. 
“I know that, uh. Hange said we would become best friends anyways, but we should really be best friends like you said - like hanging out, trusting each other, and all that.”
“Okay, Eren. Sure.” 
“I really want us to be the best, and Levi’s been saying this show is special, and we can use it to… make our dreams come true.” 
You turn to your side, resting your hands against your elbow as he mimics your motions. 
“Do you have a dream, Eren?” 
“Promise not to tell anyone?” 
“Hey. We’re best friends. There’s no one to tell but you.”  
He smiles, his cheeks turning pink again as he responds, his shoulders relaxing. 
“I really want to get a Savant Award for acting. Best Actor in a Lead Role. It’s been my dream since I was a kid.” 
You smile, reaching over to squeeze his shoulder as you respond. 
“Eren. You’re totally going to see your dream come true. You’re already so in touch with your emotions, I was floored when you started crying during the screen test.” 
He’s blushing even harder at the praise, so ashamed that he’s flipped back towards the ceiling, watching the fan spin around again. 
“Do you have a dream, Y/N?” 
“Yeah. I, um. Want to be a triple threat.” 
You whisper it into the air like a bad omen.
Because telling your parents and your little brother is one thing - some part of them has to support you regardless because you’re family.
But telling someone like Eren, someone who doesn’t know anything about you, feels like… you’re bearing your soul to him or something. 
“You could totally be a triple threat. You already have experience in singing and dancing.” 
“Yeah, but my school choir and plays don’t really count. Triple threats are…next level and I-”  
He reaches down, locking his fingers with yours, which triggers some kind of anticipation in you because you’re holding your breath. Clenching your stomach. Drinking in the words he’s saying. 
“You’re next level. When your dream comes true, I’ll be right beside you. Telling you that I told you so.” 
“Yeah?” 
“Oh yeah, Y/N. We’re best friends. It’s you and me till the end. We’ll be laughing about this when it happens to us."
You’re both smiling up at the ceiling, the anticipation, hopes, and dreams you’ve held onto for so long burning in your chest because they’re right on your doorstep. 
“Eren.” 
“Hm, Y/N?” 
“How did you know that I’ve sung and danced before?” 
He winces, quietly whispering into the air. 
“I googled you after the screen test. I had a feeling it was going to be you.” 
You both turn your heads to smile at each other, this night marking the start of your shared dream. 
You agree. You and Eren. Till the end. 
-
You film the screen test scene the next day. And when you wipe Eren’s tear off his face again, and the director cuts, Hange and Levi are smiling sunshine at you, the former shitting bricks at the sight of the two of you. 
And when Hange runs around set, praising two upcoming Savants, you and Eren can’t help but fist bump behind your backs, smiling sunshine at each other like Levi and Hange were too. 
You’re both going to go down in history.
-
next part linked here
taglist: @platrom @k0z3me @kayleegomez @yihona-san06 @bsenpai @sweetnertea @mykyoon @violetmatcha @daisynik7 @rebeccawinters @cutiejg @bokutosthings @bookwrmm @mblrrr @wheredidmycrowngo @somethinginyoureyes7 @chilichopsticks @okaystopwhore
pls comment on this post or any of the chapters if you want to be added to the taglist <3
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daemonwhitedove · 1 month
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I’m an Apollo devotee, of course I’m going to have a sense of fashion.
I’m an Apollo devotee, of course I adore bathing in the sun.
I’m an Apollo devotee, of course crow is my favorite bird.
I’m an Apollo devotee, of course I am an aesthetic person.
I’m an Apollo devotee, of course I am going to listen to music for hours on end.
I’m an Apollo devotee, of course I love to sing, write, and make DIY.
I’m an Hermes devotee, of course I love to walk.
I’m an Hermes devotee, of course traveling is my favorite thing.
I’m an Hermes devotee, of course I am always curious about everything.
I’m an Hermes devotee, of course I have strange hobbies and habits.
I’m an Hermes devotee, of course I love pebbles.
I’m an Hermes devotee, of course I have an interest in bugs and animals.
I’m an Dionysus devotee, of course theatre is everything to me.
I’m an Dionysus devotee, of course I love to act.
I’m an Dionysus devotee, of course grape wine is my favorite.
I’m an Dionysus devotee, of course I’m dramatic.
I’m an Dionysus devotee, of course I want to be an actor.
I’m an Dionysus devotee, of course I love the forest and vine.
I’m an Dionysus devotee, of course I get inspired and create ideas swiftly.
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quitealotofsodapop · 2 months
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The crew listens to Epic: the Musical.
MK's favorite song is Legendary.
Wukong identifies with Just a Man (not that he'll admit it).
Macaque likes Ruthlessness because he's an emo little stinker.
Sandy likes Open Arms (of course).
Tang and Red Son like Warrior of the Mind.
Pigsy really thinks the monkeys should take Luck Runs Out to heart.
Mei likes Keep Your friends close (a fun bop that belies danger underneath, just like her).
I have to be careful binging a new muscial (or in this case Saga) cus I end up playing each song on loop for hours. Opinions might change once the full and finished versions of later sagas are released.
I love all these hcs <3
Im imagining the gang likely sees/listens to Epic on the reccomendation of MK (who's currently on a Greek Mythology hyperfixation), and he gets them all to watch the full play - maybe in the future as a irl performance or film.
"Legendary" is SUCH an MK song. Both him and Telemachus growing up with the stories of someone dear to them and wanting to replicate their success. I could also see him really liking "Warrior of the Mind" with the theme of "some nobody" gaining the favor of a god (reminds you of anyone?) + SWK is infamously the personification of The Mind in Jttw so its a bonus. MK is smiling evily whenever a harsh plot twist occurs and his fam are shocked silent. >:3
Sun Wukong feels targeted personally with how many of the Epic songs remind him of his past. Ofc he starts crying halfway through "Horse and the Infant", and is inconsolable during "Just A Man" - verbally yelling "NO!" at the end. And like Nezha and Sandy is *silent* during Posideon's songs. Is super jazzed during the triumphant Ithaca Saga though! And feels mega catharic during "King" when Odysseus proves that he still rules to the suitors! He tries his best to hide how much the muscial is affecting him.
Macaque is a canon theatre Nerd - so he's already listened to the musical multiple times, but he's uber excited to see the live performance (and secretly bond with his found fam). Is rocking out during "Ruthlessness" and "Done For" in particular, so much so that he's fidgeting and dancing within his seat. He also vibes with "No Longer You" as someone with powers of prophecy. Is really amazed how much Wukong gets into the musical, but in retrospect understands *why*. Him and Wukong accidentally share a glance during "Would You Fall In Love With Me Again" and it gets a little awkward afterwards.
Mei is similarly excited to see anything with her bestie, so she tried her best not hear/see any spoilers ("it's a centuries' old story Mei" "Ssssh!! Dont tell me!"). She was shooketh by how hard the muscial goes. "Keep Your Friends Close" is her fave based on beat alone. She gets delightedly scared and amazed by consistent horse imagery used with Posideon (shameless link to my fave Animatic of "Ruthlessness").
Tang loves himself some historical and mythological adaptations, and is estatic that MK has given him an excuse to go see one! He's not as familar with Hellenic mytholgy as he is with Hindu-Chinese, but he knows enough lore to make the pog-champ face at every foreshadowing/reference. "Warrior of the Mind" really gets to him as a song about valuing your smarts. He also feels really empathetic for Calypso.
Pigsy only went cus Tang begged him. He feels super lost by the deep Greek lore he's missing, but he can get Odysseus's whole thing with trying to get home - but he def identifies more with Eurylochus. "Luck Runs Out" proves this to him. Later on he feels that the second-in-command was justified in having the soldiers rebel against Odysseus after so many losses (who wouldn't after losing all their friends?). Audibly gasps at the end of "Just A Man" - cus who would just do that!? Is a little freaked out by Circe turning the Athenian's into pigs - Eurylochus is depicted as partly-transformed, played by a pig-demon actor who was in super convincing human makeup in the previous sagas. He also gets protective feelings by-proxy seeing Telemachus's situation since the prince reminds him of MK. Is surprised by how much he likes the musical!
Sandy feels betrayed. This isn't like Disney Hercules at all! He does really enjoy Polites message in "Open Arms" and the later moments when the hopeful soldier's outlook is proven correct. He's a little overwhelmed at points though - he get eerily quiet during Posideon's scenes. He sobs joyfully when Odysseus finally makes it home and reunites with his family! :')
Because of this really good animatic/almost child-like depiction of Aelous by gigi; I can def see "Keep Your Friends Close" being Nezha's fave. It reminds Nezha of when he was far more carefree + has a solid lesson on about trust/"forbidden fruit". He also enjoys the more march-like tune of "Survive". He does however, freeze when he listens to Posideon's songs "Ruthlessness" and "Get in the Water" - he has been on the bad end of a sea god before and is quietly shtting himself for Odysseus.
Red Son goes in feeling like he could have stayed at home listening to the musical on his phone while working on a car instead. He is however blown away by the heavy themes and performances, especially "Warrior of the Mind" and Telemachus's situation - a prince forced to grow up fatherless and protecting his mother from suitors due to his dad pissing off a higher power? Hello?? Accidentally shrieks "YES!!!" when Athena becomes Telemachus's mentor/friend after "Little Wolf".
Princess Iron Fan I could see loving any song including Penelope (she empathizes with the Queen's situation hard), but unexpectedly enjoys "Keep Your Friends Close" - she's a fellow Wind Goddess at her core. It also reminds her of her not-so-little-anymore nephew.
DBK on the flip side loves the heavier songs like "Polyphemus" and "Ruthlessness". This man is a Posedion apologist. He does feels bad for Odysseus by the end though - man just wants to get back to his wife and kid dammit!
Bonus: The Spider Gang are watching the bootleg and Spider Queen agrees with Circe's whole girlboss attitude especially "Puppeteer". Scorpion Queen is Calypso in "Not Sorry For Loving You".
This got a little away from me - hope you enjoy!
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kaleidescopic · 9 months
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little things i loved about trinity theatre's production of rtc (because i love this cast more than life and am totally not biased) (Ferris wheel cast btw)
 Feral Ocean (she kept trying to fight literally everyone)
Jane and Constance my darlings
Karnak laughing at his own jokes
Mischa kissing both Noel and Ricky out-of-song just for the hell of it
Noel and Constance friendship
"Talia" was a woman randomly picked from the audience and they all sung and danced around her
Noel doing basically the whole show in heels
The extra cats in SABM
The parts of the script from 2016 (Ricky kept his disability!!!)
Jane giving Noel a hug after Noels Lament (they are so best friend coded istg)
All. Of. Their. Voices
Mischa had a mullet
The extra bits they added
The actors looked exactly what I imagine their respective characters look like in my head (POC Noel, curly haired Ocean, literally everything about Constance)
SPEAKING OF CONSTANCE
OH MY GOD I LOVE HER
IM USUALLY NOT THE BIGGEST CONSTANCE FAN
BUT HOLY SHIT TIFFANY POLITE MADE HER EASILY MY FAVORITE CHARACTER
TRINITY CONSTANCE IS MY WIFE FUCK YOU
Jane making the doll clap after Ocean's speech
Just the doll in general
Ocean coming out with a little sombrero after Karnak mentions the song about affordable Mexican cuisine
Ricky playing the violin in Noel's Lament
Janes movements and eyes
Noel and Mischa cuddling after TNBS
Penny's dog is named Savannah
CONSTANCE SMILED AT ME DURING TBOJD I NEARLY DIED RIGHT THEN AND THERE
Ricky and Jane playing with the accordion and doll to make a rollercoaster after the Savannah scene
"FORNICATION UNDER CONSENT OF THE KINGGG" "no."
ESGAL kazoos
They changed the notes in Sugar Cloud to make it more fit for an altos range and I honestly liked it better than the og
Penny became a roller coaster engineer
Prop cameos in Penny's house
Jawbreaker and Sugar Cloud was surreal irl I will never shut up about how good Constance was
Virgil was just a projected video of a mouse eating cheese it was hilarious
Jane sung TBOJD while spinning on one of those the magicians boards
Constance had 2 party hats during TNBS, one on each space bun, she was adorable
Noel and Mischa started hyping Constance up after she punched Ocean
Noel and Ocean making up at the end
Ocean angrily sweeping the feathers from the boa after Noel's Lament
Noel was so sassy but supportive I love him
Jane disappearing behind the curtain after her entrance and Constance jump scaring her and everyone else when she opens it to see no one there… twice
Jane tying a ribbon around her neck then untying in the beginning and end Dream of Lifes
Ocean looked like that one character from over the garden wall with her party hat in TNBS
Constance crossing herself when Karnak brings up her virginity like Ocean
Ocean stealing the halo from Jane after the erection line
Ocean stretching and doing vocal warmups every time Constance tried to start the improv
THE ACTORS
HOLY HELL THEY WERE SO NICE
I LOVED ALL OF THEM
ESPECIALLY MIA
SHE WAS THE SINGLE COOLEST PERSON I HAVE EVER MET HOLY SHIT
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blackopals-world · 8 months
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Oh, okay, I see! Umm. I have a couple things to throw out, that also have my own thoughts and I was also thinking of other possible Yuu ideas if you’re interested in them( just what their “!” Is for and personality, not who they’re matched with) and up to hearing about them. Uh. This ask though is for the creature post and-
Me, a person who loves mythology and folklore: My time has come-
Theatre kid!Yuu as a changeling(or some other shapeshifting creature, I know of the background surrounding changelings and can understand why one may be uncomfortable with changelings(I am also the ✨neurodivergent✨))
Harpy!Yuu as a Manananggal(I know that harpies are already mythical creatures, but think about it)
Maid!Yuu as a Brownie (yes, you read that right, though it can also be spelt “broonie” or “brùnaidh” and they are a type of fae, but ,ah)
Special Forces!Yuu as a Grim Reaper(I just think it’d be neat if their role was to guide and protect the dead on the way to the afterlife instead of being what people usually expect/think of reapers, and also because they themself are often depicted as scary and dangerous, and they are, but they more so just. Guide souls to the after)
Vet!Yuu OR Marine Biologist!Yuu as a Selkie(I want them to go on a rant of how selkies are NOT half seal half human, their lower body is NOT that of a seal!(this is my being frustrated by Selkie designs that aren’t actually selkies, but the art is still really good/nice))
Oookay, that’s all of them that I had prepared. Uh. And of course, these are just suggestions, you don’t have to add anything if you don’t want to or you can pick and choose which you’re interested, I hope this isn’t coming off as forced and I apologize if it does-
🎭Theater Kid!Yuu- Shapeshifter
The ultimate actor.
Can play any role and use any voice.
They spend time endlessly rehearsing.
Likes to play pranks by pretending to be an injured animal to have people take care of them.
Allergic to iron.
Will not use their powers responsibly
They don't consider any one form their true form. They simply are.
Agender icon.
"What's gender? Is it edible?"
🧹 Maid!Yuu- Brownie
Got inside after someone left a bowl of cream out
They set up shop and began cleaning at night.
During the day they hide out in the form of a dormouse.
They have a fuzzy tail
They fix up broken items. You might find an extra mismatched button on your shirts.
Don't leave a mess on purpose. It's impolite.
If they feel taken advantage of they with make a mess and leave.
Leave out a treat for them and they will reward you in kind.
You'll never lose an item again. It will appear just where you remember it. Unfortunately, that always the last place you look.
🔫Special Forces!Yuu-Reaper
It's hard work and the coworkers are the worst.
One of the many reapers tasked with dealing with the recently deceased.
Really prickly due to being constantly tasked with the most stubborn ghosts.
"Shut up before I kill you again!"
Believes Sam was a Reaper (is he? Possibly)
Their skin has white skeleton tattoos. But when they are working their skin turns translucent and reveals their actual skeleton.
Enjoys their job when they actually get to do it without problems.
Believes in the myth they tell all reapers about that guy sisyphus.
Their favorite job is chasing down wondering souls that are on the run.
💉Nurse!Yuu - Caladrius
They have white wings.
Gets confused for a angel but they are firm that they are not.
Their job is to take sickness and transfer it into their body. Then they fly away with it as they disperse it, healing themselves.
Gives away feathers to ward off danger and illness.
Hates that Savanaclaw students use them as a cat toy.
A long suffering birdy who is losing too many feathers.
🩺 Vet!Yuu- Werewolf
Not the same as beastmen and is firm about that.
They look human most of the time but the whole transformation thing gets in the way.
Is still a vet but if now they are liable to snap their jaws at patients.
They love a good nap in the sun but must resist.
Jack knows to keep his head down if he doesn't want to get along. That just how wolves do. Make nice in the pack or be pushed out.
They don't imprint. If you say that they will rip out your throat.
They don't have soulmates. They have normal relationships like normal people. They just believe in loyalty to make relationships last. They can change partners but they usually don't.
🌊Marine Biologist!Yuu- Selkie
Not a mer just a cute rolly polly seal.
Such a friendly face, but they have sharp teeth.
Keeps their seal skin hidden away.
These days if someone does take their skin they are trained to attack them. Watch out they go for the fingers first.
The seal skin is unique to every selkie so it can't be replaced.
They will always choose the ocean if it came between it and love. But Yuu is a strange Selkie.
They know the tale of Ursilla, a human who loved a male selkie. This is part of why they believe they are destined to be with Azul so that history repeats itself.
Selkies lure their human partners into the sea and most tales say they never return. Yuu attempted with Azul not knowing he was a mer. Very embarrassing.
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so I was rewatching some bits of uncoupled today and um... well, I noticed that red ceiling lamp for the first time and all I could think about was this:
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hotvintagepoll · 3 months
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I am adoring all of these polls and gif sets and just being fed so many hot vintage people. As someone who really hasn’t watched very many classics, are there any movies you’d recommend for someone just starting to dip their toes in older media but unsure where to start?
Sure! I don't want to sway any voting, but I'll put an incomplete list of favorites that involve hot men not still in the bracket below the cut.
Something to note that applies to most of these old movies—older movies have different pacing than modern movies, so some of these might seem really slow or weird to start. There are also different ways of framing gender and agency, for better and for worse. I've italicized the ones that I think are the best for starting with, but go with whatever genre/aesthetic sounds best.
The Court Jester (Danny Kaye, Basil Rathbone)—a circus performer working for a quasi-Robin Hood infiltrates the royal court. Fun comedy that's incredibly accessible and still so light on its feet. Swordfighting, glamorous medieval costumes, court intrigues, and silly accents.
Singin' in the Rain (Gene Kelly)—fun polyamorous musical comedy. The dancing is incredible, but so is the sense of joy and camaraderie between Gene Kelly, Donald O'Connor, and Debbie Reynolds. Genuinely captures the feeling of hanging out with your best friends. 1920s Hollywood, big movie studios, backstage drama, goofy hijinks.
The Adventures of Robin Hood (Errol Flynn, Basil Rathbone)—classic swashbuckler/romance. It could read a little slow to modern tastes but the action scenes are absolutely killer, as is the sentiment of seeing little guys pull down big capitalists evil monarchs. Swashbuckling, labor activists merry men hanging out in the woods, hot men in tights, social commentary swords, a Maid Marian who really holds her own and falls in love with the socialist
Charade (Cary Grant)—thriller/romantic comedy. Audrey Hepburn's husband dies and leaves her a hidden inheritance, and she's racing some skeevy characters to find it. A little bit scary but mostly charming and gorgeous, and you can find it high quality virtually anywhere because they fucked up the copyright trademark in the opening credits. Romance, murders, Paris, 1960s fashion, chases in the night.
Chitty Chitty Bang Bang (Dick Van Dyke)—this movie is divisive for some reason—I personally like peace, love, and joy, so it makes the list. This is a James Bond movie if James Bond had two kids, lived in a windmill in the south of England, and was into cottagecore inventions more than martinis and racism. This is very much a kids' movie so go in with that expectation, but enjoy the gorgeous production design, the wonderfully silly performances, and Lionel Jeffries pulling out every stop as an insane old man. Dick Van Dyke has excellent DILF energy. Magical cars, big musical vibes, fun inventions, and romantic fantasy.
To Be Or Not To Be (Jack Benny)—comedy/drama. A ragtag Warsaw theatre troupe stands off against the Gestapo after the invasion of Poland. TW for Nazis, obviously, but overall this is a comedy with some heft, and kind of shocking to be this ballsy about fucking hating Hitler's guts in the 1940s. Hambone actors, Shakespeare, spies, 1930s gowns. It's been a minute since I watched it so I don't think there are any TWs here, but go forth with caution.
Witness for the Prosecution (Tyrone Power)—mystery/legal drama based off an Agatha Christie story. The performances are campy fun and the twist would be at home in something like Knives Out. Big dramatics, hambones, lots of talking, a bit of a mindbender.
The Lady Vanishes (Michael Redgrave)—mystery/suspense/romantic comedy. It's a little slow to start but roll with it—once the action moves to the train the pacing really picks up. This gets slotted as a thriller sometimes but it's much funnier and gentler than that. There's some period-typical snarkiness directed at anyone Foreign™ by some of the British characters; the British characters are also made fun of. Trains, British people, international shenanigans, mystery, and humor.
All About Eve (absolutely none of these hot men, lots of hot women though)—a legendary actress fights for her life against the rising star who supplants her. Big drama, big performances, lots of gasp! and dahling! and vicious little quips. New York, theatre pronounced theahhtah, drama queens and plotting.
The Philadelphia Story (James Stewart, Cary Grant)—talk-heavy comedy, lots of quick banter and period transatlantic accent fun. It's a bit shouty and conflict-heavy at times, but I don't think James or Cary have ever been hotter, and Katherine Hepburn is just wow. Very funny dialogue, relatable characters, incredibly hot across the board. There is one instance of a racial slur (not directed at anyone but still there) and one shove. Some people won't like the discussion of Hepburn's character's choices as a daughter and a wife. With all of these movies you'll see a a range of how female characters are presented and treated, and while some period movies fall hard for sexist tropes, I personally think the performances, direction, and subtext of many of these films actually prioritizes the experiences of the female characters and shows them as living, breathing people, even if they're not framed the way they would be today.
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nycbirdenby · 15 days
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thanks for the tag @asclexe!
were you named after anyone?
I named myself after Elmo, the puppet
when was the last time you cried?
watching DPS with @coraldonkey1102 earlier this week
do you have kids?
haha, no
what sports have you played / do you play? 
I've done dance but I'm a theater person, not a sports person
do you use sarcasm?
yes but I'be been told im bad at it
first thing you notice about people?
I'm so bad at people including facial recognition. outfits i guess?
what is your eye color?
hazel
scary movies or happy endings?
I like scary films, I'm a huge carrie fan!
any talents?
I think im a pretty good singer, I have a big vocal range (4 octave)
what are your hobbies?
sleeping? Reading fanfic writing fanfic tumblring. Brainrotting
do you have any pets?
no pets but i do frequently threaten to steal @coraldonkey1102's
how tall are you?
i dont actualy know somewhere ROUND 5'1 im very short
favorite subject in school?
Drama.
dream job?
Theatre actor!
no pressure tags: @coraldonkey1102 @sir-teddy-of-bear @tadpolebobatea
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rippleberries · 2 months
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Your Weyounsday treat: One of the first articles about Jeffrey Combs published.
Arizona Daily Star Sun [Tucson, AZ], 29 April, 1979, pp. 1, 4
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Did they have to give the article that title? (ಥ﹏ಥ)
[BEGIN ARTICLE TRANSCRIPT]
The Arizona Daily Star TUCSON, SUNDAY, APRIL 29, 1979 Sunday Loneliness comes with actor's role
At 24 and looking as if he still drips with innocence, young is a word that can be freely used to describe Jeffrey Combs. He is young, looks young, and is in the young years of his professional life.
Also, he had an early and, given his calling, perhaps prophetic brush with a person of that name.
"My parents had a car accident when I was about a year old and we had to go into a hospital," explained Combs over lunch. "Loretta Young was in the same hospi- tal and had requested that a nurse bring a baby to her every morning to hold. So, while I was there, a nurse would come to my mother in the morning to take me up to her room and Young would feed me."
Youthful naiveté is what Combs' character in the Arizona Theatre Company production of "The Show-Off" is all about. In the play, which has its last performance tonight at 7 in the Tucson Community Center Little Theatre, Combs plays the youngest son of the family, a con- stantly preoccupied fellow who trips over his tongue and shoelaces and brings home the bacon with a formula.
This has been Combs' first season with ATC and he says "The Show-Off" has been his favorite play. Tucson audiences have also seen him as the narrator/nephew in "A Christmas Carol," as Valere in "Tartuffe" and as Diego in "The Royal Hunt of the Sun." But it's the current George Kelly comedy that places as the favorite, partially because it feels so familiar.
"The whole feeling of the show is so human, so close in a way to my own life that I didn't have to reach that far to get the feeling." Combs, the fifth of seven children, knows what a tightknit family is like.
"My own family ties are very, very close and I miss the times of being together with them. It's hard to be in such a nomadic kind of work I always want to see them.
"At times, being an actor can be one of the most rewarding things in the world. And at other times it can be very lonely."
Combs is the youngest member of the ATC resident company and he has experienced both the rewards and the loneliness this season. He says that it's part and parcel of the career he's chosen, and that it will be tempered as he grows older and gets more professional experience in the process. But he's impatient and knows it.
"One of the disadvantages of working in Tucson is the isolation. The sheer locale of the city being geographically where it is.
"I am an impatient person. There are people that I love, to whom I've had to say 'see you later.' They ask 'why?' and I have to say I'm going to Tucson to this theater. And that I might not be the same person when I get back, just as they might not be the same."
But, Combs says philosophically, the phases of life are like that. And he knows that he has been free in making the choices, even though they still hurt at times.
"There was no question in my mind whether I wanted to come here or not - certainly I felt the sacrifices were worth it. And I would like to come back here next year."
But he would also like to have the chance to experi- ment with his own ideas, collaborating with others in improvisational structures, using his own material to cre- ate worlds, rather than someone else's.
"The chances to do those things would be the only reservations I would have about coming back. It's not that I wouldn't want to-Sandy (Rosenthal) is one of the most energetic spirits of the theater. He loves it more than anybody I've ever seen. But I have this itching and my focuses and desires may go in a direction that might not be appropriate here."
Combs says that the idea of an ensemble resident company is not new to him; in some ways, it's the system he knows best from his work with the Pacific Conservatory Theatre of the Performing Arts and the Old Globe Theatre.
"I've pretty much been nurtured, pushed in the en- semble direction all along. I haven't really gone out and jobbed into a company for a short period of time, or been put in the position that the prime directive is to 'get the show up by 8 p.m. Tuesday." But he's found that he's grown in the season he's spent with ATC.
"I've synthesized some of the things I've learned relearned them through experience. I feel really relaxed in this company. Not in the sense that I'm so confident that what I'm doing is good, so I can relax, but in the sense that I can make a mistake and not feel like I've really let someone down. I can learn from the situation.
"And I've learned a sense of what the professional world is like, what the good side is like. Take someone like Bob Ellenstein. He doesn't have to be here - the only reason he is is that he's dedicated, that the experiences here will make him a better actor. He could just as easily be making 15 times more money somewhere else, doing things that were not as enriching to him."
Combs says he is unhappy with a portion of his abili- ties, particularily when he senses he's acting out of techni- cal proficiency rather than a more emotionally-based ground. There needs to be a balance, and he says that his season with ATC has given him the opportunity to work on that weakness.
And he says he waivers between the acting world and his own desires for domesticity. On the other hand, he's exactly where he wants to be.
"I love what I'm doing. The commitment is so drastic that it can be frightening, at times. The more renown you get, the more value placed upon you as an artist, the more freedom you have and the more choices you can make. But, being a young actor, you can't have all those freedoms yet.
"One needs to have some sort of perspective from other things. It's just that I want so badly to be in this business and to do the things I want to do. Maybe it's an obnoxious thing for someone only 24 years old to say, but I don't want to be a victim. I'd rather be the perpetrator, if you will." [END ARTICLE TRANSCRIPT]
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[BEGIN PHOTO CAPTION TRANSCRIPT] Combs says that he has felt lonely at times this season, away from his family, friends and home base in California. At the same time, this year has been one of growth with the sort of challenges any actor needs, particularily in the formative, initial years of a professional career.
Now finishing his first sea- son with the Arizona Theatre Company, Jeffrey Combs hopes that it won't be his last. But the 24-year-old actor also wants to scratch the itch he has to do some of his own work in a collaborative, improvisational situation.
Photo by Tim Fuller [END PHOTO CAPTION TRANSCRIPT]
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indestructibleheart · 2 months
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Hi, fam! Okay, so I'm going to be out at an appointment tomorrow morning, so I'm kicking this off a little bit early. It's technically Wednesday in several timezones and very nearly Wednesday in mine. I'm... also a bit eager to share this, ngl.
I know that I've shared a lot of angst lately, but I swear that's not all I'm doing. 😅 In fact, the actor/playwright AU decided to wallop me in the face out of nowhere after sitting in my WIP folder for months. I'm really excited about it, so I'm gonna share the first scene!
(Also, those of you who have been to New York with me will recognize my favorite brunch spot in this scene lmao.)
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You probably didn't even know I was in the room, but I noticed you straight away. You were talking with your friends, happy and animated and fully alive—a person living in dimensions I couldn’t access—and so beautiful. Your hair was longer then. You were the center of attention, but you weren’t afraid. You had a yellow ipê-amarelo in your pocket. I thought, this is the most incredible thing I have ever seen; I'd better keep it a safe distance away from me. I thought, if someone like that ever loved me, it would set me on fire.
INT. MOM'S KITCHEN & BAR - HELL'S KITCHEN - LATE MORNING
"I'm telling y'all," Alex is saying, punctuating with dangerously large bites of his pancake burrito. "The dude's a dick." 
It's been two hours since the nightmare audition, but Alex has been on this tirade since June and Nora first slid into the retro diner chairs across from him (at least forty-five minutes ago).
They're at Mom's: a restaurant-bar in midtown that can only be described as millennial nostalgia incarnate. The trio fell in love with it two years back—post-karaoke, stumbling in right before closing—when Alex saw God in their Fruity Pebble pancakes.  Since then, it's been his favorite place to eat his feelings.
Mom's is just really fucking comforting in general, honestly; whether it's the televisions cycling through episodes of 'Rugrats,' 'Dexter's Laboratory,' and 'Hey, Arnold!' or  the rainbow straws and Lisa-Frank-looking menus, Alex can't be sure. It doesn't hurt that they've made friends with several of the waitstaff, including an eccentric bartender, Pez, whose pink hair and painted nails fit right in with the decor. 
Today, it's the combination of breakfast sausage, bacon, eggs and cheese wrapped up in a syrup-soaked pancake that's really doing something for him. It could also be the margarita the size of his face, which Pez placed in front of him before making himself uncharacteristically scarce. But it's fine. He's probably just busy.
Alex won't admit it out loud, but what really helps is having June and Nora here to talk to… even though Nora is scrolling on her phone.
"I'm sorry," June says. She pokes an ice cube with her straw, and Alex watches as it bobs around her mimosa like a buoy. "That sounds like it sucked, but if he's really that rude… maybe you didn't want to work with him anyway."
Nora doesn't look up as she pops a home fry into her mouth. 
"Several sources say he's difficult to work with," she adds, evidently reading about Henry on the internet. "Though, in his defense, his dad did just die, like, three years ago… and there was that whole thing when he came out after. Remember?"
Alex does remember. Henry's grandmother, Mary Mountchristen, runs a pretty major company that used to own half the theatres on the West End. When Henry came out last year, she tried blacklisting his shows from her properties to punish him—which totally backfired when it got around. At least a dozen other queer writers and producers started talking about how they were also denied the space, and Mary was stoned on the streets of the theatre district. Like, metaphorically. 
Alex, Nora, and June had just moved to New York, but between June's position at Newsday and both Alex and Nora on the audition circuit, it was all anyone in their new circles could talk about. They were some of the first to know when the Mountchristens were bought out of their properties and Henry moved to the States.
This show is the first of Henry's being produced here—and it's autobiographical, which Alex has to admit is pretty fucking baller. So, yeah, Nora's not wrong. He has reason to be standoffish. Still, it doesn't explain why Alex was only halfway through his audition monologue when Henry abruptly stood up and exited stage left as if pursued by a bear.
He shoves another forkful into his mouth. "It's just, like, they're the only people who let me into the room," he says, barely finishing chewing. "Nobody wants to take me seriously, and I really thought this was my shot, you know?"
June and Nora both know Alex is having a hard time landing serious roles after growing up on a sitcom—Nora more than most, as his former co-star. What they don't know is that losing this role, specifically, feels like a kick to the stomach. From the moment Alex saw the script, he wanted to be a part of it. He can't even explain why, and now he'll never figure it out. Henry wouldn't give him a chance.
"It wasn't your only shot, and you know it." Nora fixes him with a look. "Seriously, I get it—I do—but it's just one play, buddy."
June nods. "Something will happen for you, baby brother."
At that, Alex finally groans. "Okay, calling me baby brother doesn't help me feel better about the entertainment industry infantili—"
"—itty bitty, teeny weeny—"
Alex throws a home fry at her face. 
It bounces off her forehead and into the giant gauntlet holding her mimosa with a very unappetizing splash. Just as Alex throws his hands into the air with a victorious whoop, his phone buzzes on the table. 
A glance is all it takes for him to see that it's his agent, Zahra.
"Damn," he says, deflating. There goes that upswing. "You answer it."
June balks. "Me?"
"I don't need to hear how fucking badly it went. Trust me, I got the message." Alex blinks innocently, like he's six years old again, asking her to lie to their mom about that broken vase. "Please, Bug? Besides, Zahra actually likes you."
"Everyone likes me." June rolls her eyes, but she caves—answering the phone with a haughty, "Alex Claremont-Diaz's office," before breaking into a smile. "Yeah, Z. It's me… No, Alex is feeling a little sensitive today."
(He throws another home fry at her. This one misses.)
To her credit, June's face remains totally blank as Zahra no doubt tells her how Alex insulted Henry Fox's name and all of his inbred ancestors just by showing up, or whatever—which is extremely annoying and unhelpful—but, once she says goodbye and sets the phone back down on the table, her face breaks out into a grin.
"Guess you didn't suck too bad," she says. "They want you for the part."
He doesn't know if it's Nora throwing herself at him or the shock that knocks him onto the floor.
Tagging some lovelies. If you haven't been tagged and you want to be, consider this your tag!
@anchoredarchangel, @barbiediaz, @cha-melodius, @cricketnationrise, @guillermosfamiliar, @hgejfmw-hgejhsf, @hippolotamus, @inexplicablymine, @jettestar, @junebugclaremontdiaz, @kiwiana-writes, @lizzie-bennetdarcy, @missgeevious, @mulderscully, @myheartalivewrites, @ninzied, @nontoxic-writes, @notspecialbabe, @priincebutt, @rmd-writes, @rosedavid, @three-drink-amy, @treluna4, @vanillahigh00, @welcometololaland, @orchidscript, @ships-to-sail, @stereopticons
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