#paul rudd aesthetic | Explore Tumblr Posts and Blogs

peachy-ash · 10 months

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𝐢𝐜𝐨𝐧𝐬 𝐚𝐧𝐭-𝐦𝐚𝐧 & 𝐭𝐡𝐞 𝐰𝐚𝐬𝐩: 𝐪𝐮𝐚𝐧𝐭𝐮𝐦𝐚𝐧𝐢𝐚 - scott lang

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dedheaders · 11 months

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Romeo + Juliet headers

Saved? Like or reblog

Salvou? Curte e compartilhe

Credits twitter: @ellasxl

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aeterna-auroral-avenger · 4 months

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Thanks for the tag @trapezequeen this is definitely fitting my vibe

No pressure tags: @indoraptorgirlwind @and-allthat-jazz @fandom-took-my-sanity @aintinacage @marvelstuff-iguess and anyone else who wants to play

#tb got tagged #tag game #trapezequeen #vibes #my life as told by tumblr #pinterest #paul rudd #aesthetic #my aesthetic

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romanoffs22 · 1 month

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Ghostbusters: Afterlife (2021)

#movies #screencaps #mckenna grace #phoebe spengler #ghostbusters #ghostbusters frozen empire #ghostbusters afterlife #paul rudd #finn wolfhard #celeste o'connor #bill murray #aesthetic #i love this movie #this has to be one of my favorite Ghostbusters movies ngl #movie appreciation

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fictionaltrvlr · 1 year

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Hi, I’m Scott ☺️🫰

this is supposed to look like a scrapbook page but I don’t know how well that turned out haha || cutout credits

#scott lang #ant man #scott lang wallpaper #marvel wallpapers #baskin robbins always finds out #ant man wallpaper #ant man aesthetic #marvel scrapbook #hope van dyne #mcu #paul rudd #marvel #my shuffles #myphotoedittag:)

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cherryblossoms04 · 1 year

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The Wasp (Hope van Dyne)

#Marvel #Marvel icons #ant-man and the wasp icons #ant man #the wasp #evangeline lilly #Quantumania #paul rudd #kathryn newton #aesthetic #hope van dyne #hope van dyne icons

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chickflickswithgabbyandamy · 5 months

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Season 1, Episode 2 | CLUELESS (1995)

Gabby and Amy discuss 1995's Clueless written and directed by Amy Heckerling. A loose adaptation of Jane Austen's Emma, Clueless follows Alicia Silverstone's Cher as she navigates high school rites of passage including makeovers, sex, popularity, grades, shopping, and friendships. If you don't like this movie, we can't help you.

https://chickflicks.libsyn.com/clueless

#chick flicks with gabby & amy #chick flicks #chick flick #clueless #alicia silverstone #cher horowitz #stacey dash #brittany murphy #paul rudd #donald faison #breckin meyer #amy heckerling #90s aesthetic #90s films #90s movies #90s music #jane austen adaptations

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voidcasey · 2 years

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this movie.

#the perks of being a wallflower #music #booklr #movies #movie review #2012 tumblr #2014 aesthetic #emma watson #logan lerman #paul rudd #percy jackson #how to be a wallflower #wallflower #harry potter

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stevebuscemieyes · 2 years

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Halloween: The Curse of Michael Myers, 1995

Dir. Joe Chappelle

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nivinas-world · 9 months

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Clueless 💛💛💛💛

#clueless #alicia silverstone #paul rudd #brittany murphy #as if #cher horowitz #bubblegum bitch #marina and the diamonds #90s aesthetic #90s fashion #90s movies #90s fandom

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peachy-ash · 1 year

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𝐢𝐜𝐨𝐧𝐬 𝐚𝐧𝐭-𝐦𝐚𝐧 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐰𝐚𝐬𝐩: 𝐪𝐮𝐚𝐧𝐭𝐮𝐦𝐚𝐧𝐢𝐚 - scott lang

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writingquestionsanswered · 5 months

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What’s the difference between an author criticizing someone for saying bad stuff about their book and a musician or actor doing the same with their music or movies aka the ‘haters can’t get to me’ attitude that we see a lot? i’ve seen so many ‘authors shouldn’t invade reviewer spaces’ but never that reviewers should just say they don’t like something and move on instead of hating. What differentiates these two demographics when both, at their core, are types of art. am i missing something? just to be clear this question is more out of curiosity than hostility.

Here's the difference:

You're confusing criticism with hate. No one is saying that "hate" is acceptable, but a negative review isn't hate...

If I say, "Chad McChaddington is such a two-bit no-talent hack whose face looks like a truck drove through a pile of horse shit..." that's hate. That is a cruel, unfounded personal attack based on negative emotion and nothing else. It isn't there to provide a well thought out opinion for the benefit of other consumers.

But, if I say, "I found Chad McChaddington's latest album to be the least creative of all three. The tracks all had the same early 90s synthy b-side aesthetic, yet still somehow managed to lack cohesion. Furthermore, his song about his ex-girlfriend was misogynistic and concerning. It was a very disappointing turn for this once talented singer-songwriter." That's a REVIEW, not a personal attack. There's no insult, no name-calling, nothing emotional or unqualified. Just backed up opinions on why I didn't like the album.

I guarantee you've never seen Billie Eilish lash out in the comments of a Rolling Stone article that says her latest album wasn't her best. You've probably never seen Paul Rudd or Zendaya tweet that they didn't appreciate Leonard Maltin's negative take on their latest role, or the scathing review of their latest movie in the New York Times. If they did, it would be just as inappropriate as when authors do it.

Authors are not entitled to glowing reviews.

Full stop.

All writers receive criticism and bad reviews. Even the best, most popular, most critically-acclaimed writers of all time. It's a fact of life, part and parcel with being a writer. Any writer who can't handle criticism and negative reviews should consider whether putting their work into the public forum is a good for their well-being.

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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johannestevans · 6 months

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hi! odd as this question may be, i love how “fluent” you are in queer cinema, and have loved your rec lists in the past — i'm having a movie marathon with friends and we're looking for queer westerns (only got Strange Way of Life and Brokeback Mountain for now), would you have any movie recs for those?

Westerns aren't so much my deal as a rule, as it's a genre I don't tend to enjoy as much, BUT...

It's more of a pairing choice because of its aesthetics and some of the cinematic vibes it discusses and pastiches rather than a western itself but I'd actually recommend Ideal Home.

If you read my Tweetfics and like them, I think you'll enjoy the tone of it - it's a little shallow and is very dialogue-heavy, and toward the end it becomes a bit weaker, but the film is heartfelt and represents a very real queer dynamic between gay men whilst being honestly FUNNY. Steve Coogan and Paul Rudd are not the casting choices I'd have guessed for it, but they work so well.

Tombstone is a film queer friends have recommended - I'm not especially fond of it myself, but I do appreciate a lot of its aesthetics, and it has a lot of fun aspects of male intimacy and homo eroticism.

And it's not particularly gay, but the anthology of short western films by the Coens, The Ballad of Buster Scruggs, is alright.

Sorry I can't be more help! This genre isn't really my specialty, as I said.

#musings #anonymous

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pfenniged · 9 months

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An INTJ/ ENFP Best Friendship in a Nutshell: Dissecting Crushes for Patterns:

Me: Make sense of the crushes I've had over the years, friend.

Friend: Hit me.

Me: Lewis Pullman in Outer Range, Milo Manheim, Andrew Ridgeley, Ralph Macchio, Milo Ventimilglia/ Jess Mariano, Aneurin Barnard in The White Queen, Ioan Gruffudd, Matthew Settle in Band of Brothers, Andrew Garfield, Sirius Black in Harry Potter, whatever the hell the band Midland has going on, and Paul Rudd.

Her: ... Sarcastic brunettes you could take in a fight.

Me: ...

Her: ... It's because you like the aesthetic, but also because of your trauma you want someone who actually isn't as threatening as they seem and wouldn't actually be as sarcastic with you and be genuinely nice and sensitive. You want the masculinity, but also the sensitivity. Even if they could take you in a fight, you want someone who'd fold like a cheap tent and take it on the nose because he's sweet.

Me: ...

Her: ... That'll be $250, please.

#intj x enfp #why do I need therapy when she knows my type #personal

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peachambrosia · 25 days

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PEACHAMBROSIA - a private, selective, independent smut-forward multimuse blog. written by shaya ( sh-eye-uh ), she/her/herself, 21+ dash-only, using beta editor & x-kit extensions.

my general rules are as follows.

○ you must be over 18 to write with me in general. ○ if you do not have your name/alias and your age listed somewhere visible on your blog, i will not follow you back. ○ activity will fluctuate depending on replies i have and how my mental health fares. ○ i can format to fit your aesthetics, but otherwise, i tend to work in regular-sized font, single spaces, and regular-sized gifs for replies since i have vision problems. ○ banned plots, banned faceclaims, and anything that might trigger me or generally give me the ick are case-by-case and can be spoken about privately.

and, of course, if there's anything that you might need from me - things tagged a certain way, to talk about a plot point or dynamic, or just to say hello and see if we can write together - my IMs are always open and i'm honestly always lurking, so please feel free to stop by !

muses & their faceclaims, aesthetics, tropes, and more under the cut ! updated : 4-11-24 !

jack foster. paul rudd. he/him. 50-55. ○ feels like… the headrush after having kissed someone for a little too long, morning sun on fresh and untouched snow, laughing so hard your abdomen aches, long road trips through mountains. ○ choice tropes : teacher and single father, fake dating/marriage, brand-new neighbors.

dante salvador. pedro pascal. he/him. 45-50. ○ feels like… freshly-chopped cedar wood, shades of blue on a white canvas, reuniting with your dog after being away for so long, when the lights go down just before a concert begins. ○ choice tropes : small town man meets big-city love interest, businessman and call girl/escort, the artist and their muse.

atlas montague. alan ritchson. he/him. 35-40. ○ feels like... gentle fingers pressing into a fresh bruise, a house shaking with thunder, midnight roadtrips, the strum of an electric guitar, flower petals held in calloused hands. ○ choice tropes : bodyguard and celebrity, flower shop owner & tattoo shop owner, football player and cheerleader.

siobhan kingston. madelyn cline. she/her. 25-30. ○ feels like… bass pulsing from music speakers, ripping open gift wrapping paper excitedly, lace against skin, ice skating on a frozen winter lake in the early morning. ○ choice tropes : prolific academic rivals to secret lovers, roommates with benifits, rich kids who only have each other.

annabelle han. lola tung. she/her. 21-25. ○ feels like… moving into a brand new house in a brand new city as a young adult, ripe gala apples pulled from a backyard tree, quiet beach towns holding too many secrets, spinning around in a sparkling dress until the euphoria makes you dizzy. ○ choice tropes : childhood friends to lovers, corruption of the innocent, the princess and the underling.

#indie rp #indie mumu rp #indie oc rp #indie smut rp #indie bi rp #indie kink rp #ooc ! ♡ pinned #ooc ! ♡ likes are okay on this but please do not reblog!

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fearsmagazine · 1 month

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GHOSTBUSTERS: FROZEN EMPIRE - Review

DISTRIBUTOR: Columbia Pictures

SYNOPSIS: In the shadow of the iconic New York City firehouse, the Spengler family reunites with the original Ghostbusters. In a new location in Queens they delve into a top-secret research lab, where advanced ghost-busting technology awaits. However, an ancient artifact's discovery unleashes a horde of ghosts, plunging the city into a deathly chill. The only hope for salvation lies in the combined forces of the old and new Ghostbusters as they battle to protect their home and save the world from a looming second Ice Age.

REVIEW: Set after the events of "Ghostbusters: Afterlife" in 2021, "GHOSTBUSTERS: FROZEN EMPIRE" is a compelling addition to the franchise. It deftly blends elements from the original characters, the animated series, and the computer games, resulting in a movie that caters to both longtime fans and newcomers alike.

In the sequel to the Ghostbusters franchise, Gil Kenan and Jason Reitman's screenplay skillfully interweaves original and new characters, allowing each one to shine. The ghostly threat in this film is a formidable and epic menace, similar to a Bond villain. A variety of new and classic ghosts provide diverse challenges. Key locations include the firehouse, Ray Stantz's Occult bookshop, and the New York Public Library on Fifth Avenue.

At the heart of the story is Phoebe Spengler's struggle to balance being a teenager, a Ghostbuster, and her family relationships. This dynamic adds depth and substance to the narrative as the new characters become integrated into the Ghostbusters universe. The film offers a highly satisfying tale and includes numerous Easter eggs that fans will appreciate.

The production values of the movie are superb, featuring a mix of practical and visual effects that bring depth to the Ghostbusters universe. Winston Zeddemore's company offers a blend of old and new equipment, along with Phoebe's unique technological creations. The props are meticulously designed and crafted to enhance visual aesthetics. The ghosts are a well-executed combination of computer-generated imagery and enhanced puppets. The cinematography, framing, and editing contribute to the film's atmosphere and energy. Composer Dario Marianelli delivers a score that pays homage to Elmer Bernstein's original composition while introducing new elements. The music complements the action, creates ambiance, and adds depth to the characters. And of course, no Ghostbusters movie would be complete without the classic theme song by Ray Parker Jr.

The original cast members have aged gracefully, and the screenplay caters to their strengths. Bill Murray remains eternally youthful, embodying an older version of Peter Venkman with the familiar snarky attitude. Dan Aykroyd exudes the wisdom of an old sage, Ernie Hudson grounds the group, and Annie Potts delights as a witty yet mellowed Janine Melnitz. Their combined presence transcends fan expectations.

Contrastingly, the Spangler family—composed of Paul Rudd, Carrie Coon, Finn Wolfhard, and Mckenna Grace—portrays a natural family dynamic. Paul Rudd tones down his performance from his Marvel character Scott Lang, resulting in a more genuine and organic comedic portrayal. However, the spotlight shines brightest on Mckenna Grace as Phoebe Spengler. She portrays a complex teenager grappling with various issues. Her character is fresh, intelligent, and sympathetic, clearly reflecting her lineage as Egon Spengler's granddaughter.

The latest installment in the Ghostbusters franchise, "Frozen Empire," surpasses the accomplishments of "After Life." It reunites the original cast and introduces new characters, resulting in an exciting adventure that also delves into the backgrounds of the characters, bringing them up to date. The movie sets the groundwork for the establishment of the "Ghostbusters Corps" through the character of Winston Zeddmore, broadening the universe and creating opportunities for future narratives. Given the popularity of episodic storytelling, it's plausible that a Ghostbusters spin-off series could emerge on streaming platforms if the fans turn out for this film. If not, there is likely at least one or two more films in the works.

Regardless, it’s an exciting and gratifying ride that I plan to take a few more times while in the theater.The anticipation and excitement that accompanies the thrill ride is palpable from the moment I step into the theater. The atmosphere is electric and charged with a sense of adventure that captivates me. As I settle into my seat, my heart races with anticipation, knowing that I am in for a wild and unforgettable experience.

GHOSTBUSTERS: FROZEN EMPIRE’s twists, turns, action and suspense left me exhilarated. The special effects create a vivid and awe-inspiring spectacle. The sights, sounds, and sensations all come together in perfect harmony, leaving me mesmerized and fully engaged. As the credits came to an end with a final musical touch of the Bernstein score I was left with a mix of emotions – a combination of exhilaration, satisfaction, and a lingering sense of wonder with a touch of sadness. As I left the theater, I carried with me the residual effects of the cinematic experience – a renewed sense of energy and a profound gratitude for the opportunity to have embarked on an extraordinary adventure with Ghostbusters young and old.

CAST: Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Kumail Nanjiani, Patton Oswalt, Celeste O’Connor, Logan Kim, Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and William Atherton. CREW: Director/Screenplay - Gil Kenan; Screenplay - Jason Reitman; Based on the 1984 film “Ghostbusters” an Ivan Reitman film written by Dan Aykroyd and Harold Ramis; Producers - Ivan Reitman, Jason Reitman & Jason Blumenfeld; Cinematographer - Eric Steelberg; Score - Dario Marianelli; Editors - Nathan Orloff & Shane Reid; Production Design - Eve Stewart; Costume Designers - Alexis Forte & Ruth Myers; Special Makeup & Live Action Creature Effects Designer - Arjen Tuiten; Special Effects Supervisor - John Van Der Pool; Visual Effects Supervisor - Geoffrey Baumann; Visual Effects - Clear Angle Studios, Sony Pictures Imageworks, Industrial Light & Magic, Barnstorm VFX & Territory Studio

OFFICIAL: www.ghostbusters.com FACEBOOK: www.facebook.com/Ghostbusters/ TWITTER: twitter.com/ghostbusters/ TRAILER: https://youtu.be/X7Di42uUaF0?si=sHPmJzSYD7TwLKbn RELEASE DATE: In theaters March 22nd, 2024.

**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)

Reviewed by Joseph B Mauceri

#film review #movie review #ghostbusters frozen empire #columbia pictures #gil kenan #jason reitman #mckenna grace #paul rudd #bill murray #dan aykroyd #ernie hudson #annie potts #Patton Oswalt #horror #supernatural #thriller #joseph b mauceri #joseph mauceri

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