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#our apartment
uarmyhopx · 21 days
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Was your apartment always that big? I don't remember for your home to have so many space.
My apartment? It is ours now my love. But yes it has always been that big. How did you come to this conclusion, what did you find?
And sorry I really dozed off on you early..
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I can’t stand our bed without you…
Our Apartment - Aaron West and the Roaring Twenties
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pikonv5 · 1 year
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I hate landlords and hate apartment businesses that are literally so large that span across the entire US
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Can you feel it in your bones too?
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Our Apartment
Song by Aaron West and the Roaring Twenties
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"...But your make-up's straight and you're smiling
It's just like it's always been..."
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hiirenvirna · 5 months
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tragic news: two guys ruthlessly bully little kitty cat every day
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crabussy · 5 months
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god I'm so fucking furious at the removal of Te Reo Māori names from organisations around Aotearoa. it's a complete non-issue, every organisation has the English name directly underneath the Māori name. I have never once as an English speaker been unable to understand what an organisation is for. Winston Peters, the Deputy Prime Minister, who is literally Māori himself, said “Te Papa is a historic name but tell me this waka kotahi, how many boats have you seen going down the road?”. Waka does not just mean canoe. it means vessel, and waka kotahi (the transport agency of Aotearoa) explains this VERY SIMPLY on their official website. waka kotahi means to travel together as one. Can you see how fucking upsetting this is. A Māori person in power who is in agreement about banning his own language, being so cocky about something that he does not even understand due to the suppression of the language of his people. It makes me sick. I've seen reports from Māori people all over Aotearoa speaking out about how upset and furious they are, how decades of progress have been undone in the fight to restore the rights of their people who have for so long been oppressed and have suffered the effects of colonisation. Please share this if you can, I hate knowing how few people will hear about this, I know there is so much injustice in the world right now and it is so exhausting, I know. I love you all, keep it up.
https://waateanews.com/2023/11/27/te-reo-public-service/
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just to be completely clear, the amount of military power and political influence Israel has has NOTHING to do with its settlers being Jewish. Israel is a force for American & European interests in the region and they're just doing what America does and allows/encourages its close allies to do.
war crimes aren't considered war crimes when someone America finds useful is doing them. european and american pushback against anyone criticizing Israeli apartheid & genocide is 100% because these crimes are useful to American & European hegemony.
Governments that are deeply antisemitic, like France, aren't suddenly caring about Jewish people. Jewish people, persecuted the world over, don't hold some kind of hegemonic power outside of Israel.
The state of Israel and its attendant brutal treatment of the locals are both incredibly useful to the US, and American hegemony means we're expected to celebrate both.
not bc they're Jewish. this isn't a break in the pattern of western antisemitism and it's not evidence that antisemitism doesn't exist.
it's just like how you could get fired for saying shit against the US war in Afghanistan when i was growing up. it is 100% about US military and political interests (ok slightly western europe too but lbr)
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moonfableflor · 10 months
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Bonus: explain who your cats are and how you got them in the tags
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alexxuun · 8 months
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Are you the Queen or the ABBA in your relationship?
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hilsoncrater · 6 months
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"i've killed mediocre men. i've killed exceptional men. but you're the worst kind! a mediocre man who thinks he's exceptional" OKAY ZHENG GO OFFFFFF
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snazzydwarf · 2 months
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(This was written in July oh dear-)
You know how in a lot of fics a de-aged Danny winds up in Gotham either via Clockwork putting him there, or Danny goes through a portal (either through his own volition or not) and ends up being taken in by one of the bats?
Okay that, but what if he was never picked up and ends up falling through the cracks and becoming one of the many homeless children wandering Gotham's streets, but unlike all the other street kids who know when to keep their head down Danny just doesn't have those fear receptors... like at all- It's almost scary with how the kid manages to just not give a single flying fuck about what is going on.
So after a while of wandering the streets and getting acquainted with the Gotham's inhabitants everyone slowly get's used to the kid wandering around, dropping their guard and greeting him with smiles when he toddles around the corner, looking for his next meal or piece of scrap clothing.
Perhaps it's this show of trust they begin to notice the strangeness that hangs around him like a cloud. The shifting coloured eyes, the coldness in his skin that never seems to go away no matter how much clothing the kid gets bundled in.
The fact that no one knows where he goes once they take their eyes on him? Spooky to say the least, but they're Gothamites! One shady, possibly meta, kid ain't gonna change anything.
So he becomes a staple in everyone's lives, and eventually learned his name is Danny. He talks about having an older sister called Jazz, two best friends and a puppy he named Cujo. (who let their kids watch Cujo???) They also learned he had an innate fear of The Bats, whenever one swept into the streets during their nightly patrol he would just... disappear. He became unfindable and wouldn't appear until the next day.
At first they thought it was him finding a safe place to sleep while the night rolled around and the Rouges came out to play, but that assumption was quickly squashed when he was caught wailing on one of the Jokers henchmen. The white makeup couldn't even cover up the black and blue bruises that covered his face.
It was comical, if not a bit frightening to see this small child practically a baby sitting upon a knocked out, grown ass man. His little stubby legs dangling off the side of his body, too small to even reach the ground.
Of course nothing stays under the Bats radar for long so he end up eventually getting spotted. However none of the Bats where expecting such resistance from the civilians when they offered to take the kid.
Now whenever the little tyke is bumbling around and a Bat (or any other vigilante associated with them) is in the area, it's all hands on deck to distract Danny and get him somewhere else.
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cuddlytogas · 1 month
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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charcoaledrocks · 2 months
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hello Tumblr User @pittdpeaches you ruined my life / j
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flamingpudding · 6 months
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Phantom home alone
A/N: I blame having read a couple of post of the batkids doing that. And my brain went, let's have Danny do that too! I am sure someone might have thought of that already tho...
Danny clutched the screw driver in his head and looked proudly at what he had build on a short noticed. Sure Tucker had notified him that someone was looking into his person, but he had not thought that whoever that was would come snooping around his home this soon. Espacially when he was supposed to be on a home visit to his parents that he had to cancel last minute for a collage project.
Well, it's too bad for those who are trying to sneak into his home. Danny was the son of a pair of the most inventive and creative inventors of Amity that made laser blasters out of toasters. Additionally he was a half ghost with a large variety of powers as well as someone who had the definition of mischief as daughter/sister.
Besides, he always wanted to get his own chance on doing his own version of home alone. His parents security system just never let him do that. That reminded him, should he see if he can bring to live and convince the hotdogs in his fridge to fight with him?
The Bats and Birds just wanted to make sure that this new kid in Tim's college classes was not as suspicious as he appeared to be. Really, if that kid hadn't off handedly commented about the basic components of fear gas while in Tim's presence he might never have gotten onto their radar.
Of course, as paranoid as they were, they had to scoop out the teens' place when they knew he wasn't around. They did not expect the apartment to fight back. And are those hotdogs wielding forks and knives as weapons?!
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chiscribbs · 1 month
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"That has to mean something, right? It can't just be a coincidence that it happened twice! Oh, sweet, sweet confirmation!"
Don has chanced upon an exciting revelation at the TMNT AU Competition! (feat. @beannary's The Little Prince AU)
[Grown Apart AU]
***Note: This takes place sometime after the fight (which is still currently going on). Also, yes - Donnie "lost" his name tag at some point...and April.***
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midnightsslut · 1 month
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actually maybe folklore is an album about looking back on all the things that have made you go from a wild, innocent, open child to a damaged, pained, often duplicitous adult
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