really only here because i've finally come to terms with the drop but no one talks about the irrational pain of fandom hopping that causes you to go from this
to this
...like i said im posting this bc im good now but this was actually a rough transition even though I know, logically, it's just how it is. Not only is this a much smaller fandom but I also have a much newer/less solid grasp on these characters and what I'm doing with them than I did before. My confidence in what I'm doing with them and my grasp on who they are is significantly lower than it was for the characters in the top fic.
I just feel like we're constantly trying to go bigger, do better than before, no matter how much you get you'll always want more. But now I've reached a point where there's something nice about actually getting excited about getting a single kudos. I spent a long time thinking 'i need to get out of here and get a bigger fandom so i can stop with these tiny numbers that make me irrationally upset' but now I'm content with the way things are now and just wanna write what I feel the urge to write.
As much as I do push myself through writing by saying it's just for me the response have a strong impact and I wish they didn't (insert something something about stop tying your self-worth to social media) but I'm enjoying the change of pace at this point.
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When writing, did you ever suffer from a fear or underdelivering or misrepresenting a topic? If you did, how did you overcome it? I enjoy writing but rarely bring it to the public out of fear that I am either not doing good enough or badly portraying the themes or aspects of what I write.
Absolutely, and on the one hand it's a very healthy fear - it prompts you to do your research and be thoughtful in how you write. On the other hand you've just got to accept that occasionally it will happen. Inculturation is a hell of a thing, and leaves us all with a thousand kneejerk preconceptions and perceptions of the world, some benign and some downright awful. And sometimes they crop up no matter how thoughtful you try to be. And you gotta understand that when it happens and people call you on it, you just have to take your lumps and learn what you can from it.
It doesn't help, of course, that the words you write are only ever half of what your audience reads: five people reading the same book are reading five different books, each filtering the text through a lifetime of psychology and experience. And they will find themes and problems in there you never even considered, and they will also find resonances and beauty in your work that you could never have foreseen.
At the end of the day, writing stuff thats meaningful to you (hell, writing anything at all) is a messy, bruising business, and anybody who tells you there are simple solutions or clear rules to follow is either lying to you or to themselves.
But you can't let it paralyse you. Its like if you're playing football and you're worried about falling over. It's a reasonable fear and you should do your best to avoid it, but occasionally it's gonna happen, and unless you want to spend the whole game just standing still in a field, you've kinda just got to get on with it. Just try not to be one of those writers who's always taking dives and... screaming for the ref to get a free kick? Hm. That analogy may have gotten away from me. I don't actually know much about football.
Point is, I'm aware that this isn't the most reassuring writing advice I've ever given, but yeah, its a messy, scary business. Just do your best. Be thoughtful. Be kind. And always do your research.
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what's the threshold theory
There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.
If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.
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This is the devil’s hole pupfish! A tiny species that lives only in One water-filled limestone cavern in Nevada. It was one of the first animals on the endangered species list. At the last count in 2022 there were 263 pupfish observed - the most in 19 years! They’re tracked pretty carefully, as their 215 square foot habitat (the smallest of any know vertebrate) is fragile and has been disturbed in the past by groundwater extraction and other human interference.
[ID: an illustration of a shiny metallic blue fish, the male devil’s hole pupfish, facing to the right. It is on a lighter blue background with a ripple pattern. End.] l
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spent a month mashing two of my long term hyperfixations together into an AU, bone apple teeth
I wouldn't consider this a crossover as much as an inspired AU because autism brain drew parallels between the two narratives and I think it would be fun to explore the earlier years of the apocalypse, before the world is absolutely decimated (alongside many of the resources), before the fam loses Donnie and Raph, et cetera. I have Plans™
Paying homage to this iconic panel from The True Lives of the Fabulous Killjoys: National Anthem:
Still finalizing each of the bro's code names, but here are the initial drafts and close-ups of their designs:
Riff-Raph
Donamite
Antimatter Master-Plan
Magic Mic
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Serious question.
Do you think we’ll see the parents/family of each of the guys???
Like, We’ve been TEASED with Ace’s brother, that I’m starting to think it’s just a reference to that Alice in Wonderland park character in Japan and nothing else….
Jack’s family, Ruggie’s grandma, Falena, Maleficia, Ms.Rosehearts, Just now Vil’s dad is in the picture which I am really happy but now I’m wondering about his mom, and so Deuce’s mom.
I mean, some HAVE a silhouette!! It could mean they do have a design in the making/ready to show. They could’ve shown us Falena in the Tamashina (hope I said that correctly) event, but didn’t (prolly to make Leona not so σ(▼□▼メ) and it’s understandable)
Anyhow, any idea/headcannon about this? Who do you want to see first?
I'm wondering if everyone might eventually get a travel event? like they've now introduced with Vil's that it doesn't have to be specifically hometowns, so that opens things up a lot! (especially if they have to figure out how to do three separate Coral Sea visits) (how would that even work otherwise)
but yeah, I hope everyone gets a chance! there's a lot of backstory characters I would LOVE to meet. :D :D :D though I do think some of them don't really suit the more light-hearted tone of the events (pretty sure you're right about that being why Falena wasn't in Tamashina-Mina, that would've just been. too much for Leona.) so like...we're probably not ever going to meet the Rosehearts. or Maleficia (although I maintain that this would be THE funniest possible way to introduce her outside of the main story, and actually I would love this a lot, can we please Twst) (I need to see her to put Malleus in a froofy little outfit and tell him what a handsome boy he is). but they've sprung surprises like Kifaji on us, and honestly anyone who shows up and tells embarrassing stories about characters' childhoods is good in my book!
characters off the top of my head who I most want to meet: literally any of the Zigvolts, Azul's mom, Ace's brother, Che'nya's grandfather (<- I think he would be a good one for Riddle) (please just any non-terrible adult in his life), any member of Rook's family because I need to see how they managed to produce him, and...really just whoever they can come up with for Silver.
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They're off to see the wizard! The wonderful wizard of Oz!!
I actually started this last month and then got burnt out and didn't finish it until now but whatever I FINISHED IT!! I finished watching Scooby Doo and Guess Who last month and there's a Wizard of Oz parody in the last episode and I just knew I had to do fanart, a legal requirement if you will.
I kept Shaggy, Fred and Velma's costumes from the episode the same but I thought Daphne and Scooby deserved costumes that were a bit more personal too. But who would the wizard in question be?? Well don't worry because I drew art for that too!!
I just can't stop thinking about a proper direct to DVD scooby WOZ parody film and how Van Ghoul should be the wizard, like in my head it's perfect.
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