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#omniscient narrator
toastling · 1 year
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"What would you do if everything you knew suddenly ceased to exist? Would you break down in grief? Or would you fight to get it back?
Catra. Adora. Avatar Korra. Asami Sato. Princess Bubblegum. Marceline the Vampire Queen. Luz Noceda. Amity Blight. Steven Universe. Connie Maheswaran.
The fate of reality rests now on the choices of these ten souls. Only they have the power to stop the Great Undoing, and return what once was."
Dreamer's Sleep is Kingdom Hearts but for the gays.
Guided on their journey by a seemingly omniscient being identifying himself only as R, read along as our five couples are taken on a world-hopping adventure around the multiverse to assemble the tools necessary to destroy the all-powerful Endling.
Drama, romance, bloodshed, mystery, and even a little comedy: Dreamer's Sleep has it all.
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knifewieldingenby · 11 months
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Can we get a little love for the folks who write in third person omniscience? I can't be the only one who's been told, when writing from this pov, that "it seems like you're messing up our pov, switching between people, and it's confusing me" because people are used to one character's pov being the focus and aren't as familiar with an omniscient narrator (in writing; people have a much easier time digesting an omniscient narrator in movies/TV etc, most likely because it's literally someone else's voice, as opposed to their own voice in their head)
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dyrewrites · 8 months
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Pale Blood - Short snip (the narrator is not okay)
~ * ~
I saw It, didn’t I?–No, I couldn’t have.
It couldn’t be. But it was!
It was; right there hiding under that fang’s perfect face.
When? Is It there now, was It there then?–later, maybe?
I don't know! How can I not know?
I can’t remember, can’t see It. I can’t hear or touch what lurks.
What squirms as the fetid little worm It is–Why now?
What changed…the players are the same, and the setting, the time.
They’re all here; all running along their little belts through their little lives and it’s not new–None of that was new! I know the outcome, know what waits, what claws and feasts. But It, It is there now. Was It there before?
The howling, yes, I must address the howling.
The beast can wait, It can.
That wretched stain that spoils all it touches.
Can wait, for the wolves are howling, and their mother is plotting and if It is here–when before It wasn’t, was it?–then anything could happen.
Anything at all.
~ * ~
---
taglist:
@rmgrey-author
@ruinmegently
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howifeltabouthim · 1 year
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Poor Burgo! He must now be made to end his career as far as these pages are concerned.
Anthony Trollope, from Can You Forgive Her?
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theo-read · 1 year
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On Narrators by Theo Read
I have the feeling people confuse narrators in 3rd person. so, here's my helpful guide:
OMNISCIENT: this type knows everything about everyone and it's only up to him how much he reveals
LIMITED: focuses on only one character at the time, but knows them very well, characterises others only externaly
OBJECTIVE: only follows events, doesn't know any thoughts of anyone
As a someone that writes in limited, I've got critiqued for "why does it say your character is useless when they're not?!" or "why aren't they objective?!"
Like fam, my good friend, are all your thoughts objective, on par with reality? You never had a thought that you're totally useless and stupid?
Because that's what's happening! The limited narrator is not objective! It's similar to the 1st person narrator in this sense. Nor does the narrator have to be reliable.
Think of them as someone telling the story. Are they gonna be objective? Are you objective when you tell your friend's story to your mom?
The narrator is simply describing what he sees, why the character acts certain way. It's motivation hidden in thoughts and the reader is supposed to pick up on that.
And maybe the actual point of the character was that they find their self-worth at the end, but that would require someone to read between the lines and not just call bullshit on thinking.
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pyrox39 · 3 months
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Kim dokja
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societyslostone · 2 years
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I think it's difficult to write as a limited narrator vs an omniscient narrator. You can't just describe things however you want, you have to keep who your narrator is in mind.
Like, if your narrator is a chef there is going to be a lot of food comparisons.
If your narrator is 5, they're not going to be waxing poetic about the complexities of the human condition. They're likely going to say "Grandma's juice comes from the box and she likes to drink it all day" = "grandma's an alcoholic"
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its-your-mind · 4 months
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thinkin bout how orv starts with kim dokja actively working to ensure that kim namwoon dies during the first scenario
thinkin bout how kim namwoon was a teenager at the start of the scenarios, dealing with the apocalypse using the mental paths that came easiest, jumping into the new world with both feet
thinkin bout kim dokja as a teenager. tired. hurt. alone. his internal and external struggles ignored by the adults around him. choosing to throw himself off a rooftop because there wasn’t anything in his life worth living for
thinkin bout how kim dokja woke up again, even though he had planned not to
thinkin bout a teenage boy. lost, alone, broken, scared, angry, in need of someone to come and show him how to keep moving forward
thinkin bout a protagonist in a webnovel who is an example to you of how to survive against all odds. a mantra to repeat when living life as yourself is too hard
thinkin bout a hardened and powerful hero who knows exactly how this world works, who holds out a hand offers you a place with him
thinkin bout teenage kim namwoon, looking to yoo joonghyuk as captain, teacher, and protector
thinkin bout teenage kim dokja, looking to yoo joonghyuk as role-model, hero, and refuge
thinkin bout teenage kim dokja, who saw himself more as kim namwoon than any of yoo joonghyuk’s other companions
thinkin bout adult kim dokja, reclusive and unsocial, hiding his phone from his coworker so she doesn’t see what he’s reading. convinced that yoo joonghyuk would look down on him if he learns who he “really” is. ashamed of any details kimcom learns about his past
thinkin bout what happens to a life when the person living it has never seen in it any redeeming qualities or objects of value. how someone feels about life when they tried and failed to give up that life a decade ago, and every day since has felt almost accidental
thinkin bout the lesser fire dragon. the disaster of floods. the strongest in seoul dome. the devourer of dreams. the 73rd demon king. the industrial complex. the war between good and evil. the wager with secretive plotter.
thinkin bout the most ancient dream. an empty station. a cold and hard bench. bandages and a notebook and a too-loose uniform. smaller than he should be for his age and more broken than any child should ever become. alone.
thinkin bout an unbreakable faith, shattered. a family frantically throwing themselves at their heart to save him from himself. desperate hands prying a blade out of shaking ones, moments before the jagged edge pierced deep into vulnerable flesh
thinkin bout how the younger kim dokja, recently released from the hospital, does not watch. instead, he instinctively curls up to protect the parts of himself already hurting the most. he begins to repeat his mantra
thinkin bout how kim namwoon kicked and fought and screamed and stabbed. and then, when he realized there wasn’t anything he could do, he got down on his knees and begged kim dokja for his life
thinkin bout how kim dokja just stood over him, held him in place, and looked at him in silence as the clock ran out
thinkin bout kim dokja at the beginning of his story and at the end of his story. in a subway. looking down at a teenage boy.
making a choice. the same choice, both times.
the first time: an explosion, a blood splatter on his reflection, and a confused and wary protagonist who has lost one asset and gained another
the last time: arms holding him back, a family hugging him tight, and another protagonist who steps in front of him. holds the child close. forgives him everything. offers up anything more he could need. and kim dokja watches as the person with the strongest claim to vengeance upon this younger facsimile of himself instead gently gathers up the most ancient dream, tucks him close against his chest, and walks away with him safe and sound in his arms.
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kirvia · 1 year
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*fight clubs your orv*
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cactus-juiceee · 1 year
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chapter 372
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lialox · 3 months
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Writing fics with Kim Dokja's POV
I feel the need to YELL INTO THE VOID with this.
I'm writing a fic where my goal is to get it to feel as 'canon' as possible and to do that I'm studying the way KDJ perceives the world.
And his overall tone is just so tired.
All the time.
He uses a lot of words like 'I knew as well', 'it wasn't strange for _____', 'obviously.....'.
Reading the novel the second time around and imagining the narrator as some guy who's been sitting in a subway for a while makes so. much. sense.
He's also pretty self deprecating, but in a way where its not obvious. Like he'll compare himself to his companions and be like 'this person is so amazing, but instead, I'm _______'. and its phrased in such a way where the reader is like !! Wow yes this person is so cool! But when reading it again, I'm like... wow you hate yourself, huh??
I opened up the novel and in almost every chapter he says at least ONE bad thing about himself. Try it. It's like playing where's waldo.
" I lived so far to make my lies a reality." - 359
"However.... to think, they willingly spent an item on me that they could’ve used on themselves. For some reason, I felt guilty about it." -433 (At this point its like past scenario 90 and he STILL feels bad about his companions using an item on him like whAT you have known each other for literal YEARS)
ALSO!! The fourth wall doesn't just offset shock.
IT OFFSETS HAPPINESS TOO.
⸢Kim Dok-Ja watched all these happen with a quiet smile.⸥
[‘The 4th Wall’ is gradually getting thicker.]
⸢As if, he was looking at a spectacle happening in the distance.⸥
(Chapter 433 ^^)
TURN OFF YOUR SKILL KIM DOKJA AAAAAAAAA
HOW AM I SUPPOSED TO WRITE SOMEONE WHO TRIES TO FEEL NOTHING.
I THRIVE OFF EMOTIONAL WRITING BUT I HAVE TO PLAY BY THIS GUY'S RULES
WHY U SO BLAND KDJ WHY
WHYYYYY
*banging head on laptop*
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UNRELIABLE NARRATORS; SEMI FINALS
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*NOTE; propaganda is out of order due to the post length!
Eugenides Propaganda:
the entire plot hinges on a detail he lets the reader (and every other character) assume is true. I don't want to spoil it because it's a really fun reveal but he is lying from the first second he appears on the page and you can't trust him to tell the full truth about ANYTHING related to himself and his goals. he mostly does it to keep his advantage and not have other characters be suspicious of him but it's just so fun when you realise he's been lying the whole time
Kim Dokja Propaganda:
I haven't read orv but he's fucking gotta be from what I've osmosised
He tries to remove his emotions out of the narrative soooo much, literally the most repressed guy ever. Okay so for context orv is about how this guy, Kim Dokja, has been the only reader of an obscure post-apocalyptic webnovel for years and the novel suddenly becomes reality. And at first you'll probably get the weird impression that his behavior is pretty strange for, you know, a literal apocalypse happening in his world - like yes, he is concerned with survival but he doesn't seem all that scared and he kinda treats it like a video game where he has to grind to make himself stronger and he also treats his companions like a party in an rpg. Then there's also the way he approaches the protagonist of the webnovel, from the start he just kind of describes him as a ruthless psychopath and jerk that is unfortunately a pretty useful ally. And also there's the fact that he carefully omits any mention of his past and when somebody asks if he's worried about his family when the apocalypse starts he just kinda... brushes it off? Anyway so yeah, this bastard is definitely traumatized, although I don't know how much of spoiler territory that would be, considering the fact that literally when he first reveals his trauma he's also unreliable about it. And turns out he does indeed, care A LOT about this world and the people around him. Because well, he kinda didn't care to mention that this webnovel that has become reality was like... literally his whole world before it literally became his whole world. Like, it was the only thing keeping him going for 10+ years and the protagonist that he likes to call a stupid jerk was his comfort character who he pretended to be when he felt like he couldn't handle something in his life by being himself. The protagonist is also canonically the person he loves the most according to a prophecy and he literally can't fathom the thought of him dying, even the timeline versions of him that directly oppose him. And I haven't even mentioned the Fourth Wall yet but I feel like this propaganda is a little long already
misreading the intentions of his companion (yoo joonghyuk) so many time.
YOU DON'T UNDERSTANDDD DOKJA IS SUCH A UNRELIABLE NARRATORRRRRR GOD I COULD WRITE AN ESSAY BUT I KNOW YOU LOVE DOKJA TOO BUT OMG HE'S JUST SO AAAAAAAAAAAH
Rest of Propaganda under cut!
he is the worst like actually. he starts the story talking about how normal and average he is. he is not. he is constantly mischaracterizing his friends and he's so good at lying to the readers that you don't even realize it at first. almost every single time he cries we have to be told by other characters because he never says it himself. there is literally a scene where his narration says "i wasn't crying" and then the in-universe entity that narrates the actions of people (orv is really weird and meta) says that he was, in fact, crying. honestly genuinely anything he says about himself (or doesn't say) cannot be trusted. he is just so frustrating. he drives me mad. i love him dearly. but he drives me so mad.
Dictionary definition of unreliable narrator. Does not tell the reader anything and then things happen and he's like oh yeah btw there was also this and this earlier but i just didn't feel like mentioning it. There's even a thing called the "Fourth Wall" that is able to see through kdj's bs so occasionally you get gems like,
Kim Dokja: I didn't cry
The Fourth Wall: [Kim Dokja was crying]
Imagine being so unreliable as a narrator you need a more powerful narrator to call out the actual narrator.
^ same submission, just spacing it out
This goes into spoiler territory, but; Kim Dokja is in possession of a skill called the Fourth Wall, which on the surface seems like it appears because he read the book that reverse-isekai’d into his own. However, as the story goes on it becomes clear that it’s pretty much a souped up version of his pre-existing dissociation. You cannot trust him to be honest about his feelings, his past traumas or his feelings about his past traumas, not to mention his tendency to just outright omit information that only gets revealed later on either when it becomes relevant or when an outsider POV reveals what’s actually happening.
Exhibit A: he says (in 1st person POV) that he’s not crying. The Fourth Wall immediately contradicts this (as it is literally words of the novel) by saying (in 3rd person POV) ‘Kim Dokja was crying’.
Exhibit B: Fails to mention entire actions when it shows him emotionally honest even in the slightest; we had to read from another character entirely when Kim Dokja was being physically affectionate with his companion. It’s so bad that there’s this entire paragraph about Kim Dokja describing himself hiding his eyes in his hands in jerky, weirdly specific detail and just AVOIDING EVERY WORD THAT MIGHT SHOW HE’S CRYING. The brilliance of ORV is that when you re-read the entire thing you get hints that ‘yes, this WAS hinted at the entire time’ but you have to dig it out of Kim Dokja’s repressed, depressed self-hating internal dialogue with your own two hands.
^ same submission, spacing it out (i really should've done this earlier.)
i am a simple man (not a man). i see a tumblr text post with the words “unreliable narrator in it”. i read nothing else. i reblog & tag #kim dokja okay but in all seriousness i’m just going with the musty basic example: so there’s this moment where he sacrifices himself to save this guy. as he lays on the ground bleeding out, he says “hey, you don’t like me, right? you should kill me to get some money” the guy says “no kim dokja i cant do that (going through the five stages of grief except there’s only one and it’s anger)” the constellations (twitch viewers irl) are like omg he (the guy) doesn’t want to kill his companion (kim dokja) and shower him (the guy) with money kim dokja: oh, he’s not killing me for the money. smart!
as i quote a brilliant youtube video (all of omniscient reader’s viewpoint in 6 minutes) “yoo joonghyuk sees kim dokja as a c_____”
yoo joonghyuk: companion
kim dokja: cunt
^ same submission, once again. spacing it out.
Hides his true feelings, tells the readers what he thinks is convenient for the plot and that his own personal feelings don’t matter or are not so significant. Has unreliable thoughts abt his companion and is a liar. And is also an omniscient reader.
Kim Dokja always perceived his companions in this like nonchalant way like “oh yeah we get along but really we’re just fighting to survive (apocalypse setting) it doesn’t run that deep” when they all do genuinely care for him and he does in turn. He just, doesn’t think of it as an equal relationship? Dokja’ll sacrifice a lot for them but will get seriously flabbergasted if they do the same thing, so fricking problematic. Not to mention Yoo Joonghyuk, his “Life and Death Companion” (read: husband). Kim Dokja always seems to think that Joonghyuk has it out for him, which is kinda true, but he is literally blind to the fact that he’s attached to him. Like, it’s so obvious??? Also they have hella sexual tension but that’s another thing entirely
se get some many pov changes where kdj in his pov just assumed things based on what he knew the characters would do. however because of his interference the characters have changed and he wouldn’t know that if it hit him in the face
He's an unreliable narrator because he lies to himself and thus the audience. He literally rewrote his own childhood core memory. If someone says, "this guy is my friend!" He will go through so many hoola hoops in his mind just to rationalize it. Because he fundamentally believe that no one could love him and even if they did they couldn't know him and he's just gonna hurt them. He cries sometimes in canon but a lot of those times it's not even mentioned as crying he's that unreliable of a narrator. No joke, one time this guys he has a gay thing with called him his "companion" to someone who had just killed him (long story) and this bitch thought "oh wow he's doing it for the coins (another long story) he's so smart i wish I'd thought to that. He's terrible. He literally has an exchange with something called the Fourth Wall (an even longer story) where it said "you're crying" and he said "no I'm not" but he was crying. He makes me insane because the reader is supposed to project onto him. He made me see how much of an unreliable narrator I WAS. ORV is just like that tho.
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incorrect-hs-quotes · 1 month
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Kanaya: Uh Oh. The Third Person Omniscient Narrator Of Your Life Just Started Repeating The Opening Paragraphs Verbatim
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dyrewrites · 9 months
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Another long snip >.>
Mother Night did not suffer perception, let alone from mortal beings, but she had a sinking suspicion that she would have to–that she would have to set aside her ego and allow lesser beings to aid her, or she might-
Tut-tut, her thoughts chided, through the stretch of time, of space–I misspoke before, perceived what I should not have, it will not happen again.
Her domain was one of perpetual night, full night, unburdened by even the twinkling pale of moons or stars. Vi had fallen down around her, around her grand forests and, though Mother Night was witness to the moon wyrm’s final breaths, she could not recall the date it occurred. It had been years, of that she was certain, more than the flickering lifespan of the humans polluting Vi’s skies, her skies–for even in death the night belonged to the moon wyrm and, as all touched by dark belonged to Mother Night, the skies belonged to her as well.
Mother Night smiled–satisfied, I hoped–and her teeth shined in the impossible shadows, within the meat and gristle of her cave, as she thought of other mortals.
Not humans but those she had molded with her own hands and sent through the barrier to act as her ears and eyes. They were lithe, sinewy mortals that she blessed to live extra lives so they might one day return to prowl the same wet blackness she hunted.
That life she whispered to, in the latest hours, when the pathetic halfnight within the wretched barrier darkened enough for her voice to penetrate. They always welcomed her, with eager ears and open hearts, and knew far more than the humans they suffered among. Humans that would dote on them almost as often as they tossed them into gutters, and yet that life remained by their side, and she approved of the pairing. They were her little spies and, whether bidden by her blood or the allure of familiar magic, they often chose humans with witchblood to shadow–another pairing she approved of, even encouraged, ensuring her magic was well-used.
Mother Night chuckled and her forest howled–earning me the terror of her mirth.
The life she reached for that swollen night padded along faux-wood flooring inside such a witch’s home, not one of hers but one of her Daughter’s. The witch was nothing to speak of, nothing to care for, as her scent marked her half-blooded but witch at all was hers to claim and so she did. The beast Mother Night whispered to was hardly worth her eye either; a foul little thing, not fit to be the familiar he played at, but he had ears to hear and throat to speak and so he would do.
But Mother Night’s command to her little spy could not be perceived. It could not be known. Not by any but her and the unfortunate beast fated to hear it.
It was at this time–half a continent away, in the bright pink bubble that was Dolor’s barrier–that KB sprang from his bed, arched his back and shot through the small apartment he called home. He leapt off chairs and couch and countertops before he stopped in the center of the living room, tiny yellow eyes bright in the wavering neon filtering in through the blinds, and then he yowled. Long and sharp he yowled, to the windows, to the ceiling, to the shadows dancing on the walls. And then he sat down, chirped and began to clean his back leg.
            Kiki opened a single blue eye, huffed and concluded her brother was an idiot before she rolled onto her back and fell back to sleep.
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lovely-v · 4 months
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My Roman Empire is how the fuck does Sophie know about the Roman Empire
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fisheito · 5 months
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finally listening to the h-scene audio after 1.5 years on mute
yakumo: gasps and whimpers in the whiniest brokenest way me:
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