The LAYERS needed in a modern/human Dreamling au. Some level of Endless family dysfunction, obviously. Hob's family can be be dead or not, it's all good. Are they old enough to have individually gained the awareness they are off-puttingly intense and should hide it a bit at first, or still in that "no, why would I need to Elsa this" stage?
Option A is both of them trying to play it cool, like "don't scare him off" except they so badly want to go from zero to sixty.
(Death and Desire have ruthlessly drilled Dream with flashcards about how to react appropriately in situations.
Desire: it's your one-month anniversary, what do you do?
Dream: [hesitantly] NOT propose?
Desire and Death, conferring, because that's technically correct but the delivery was suspect.
Death, encouragingly: Good start. And?
Dream: a nice dinner and maybe a walk?
Desire: well done!
Death: and for a three-month anniversary?
Dream: give them a key to my flat.
Desire: [airhorn] NO. RED CARD.)
Option B makes them the classic anecdotal "my grandparents got engaged within seven days of meeting each other and still are happy together".
(Death, rubbing her temples: so you met this guy--
Dream: Hob
Death: -- Hob, and within 1 day you gave notice to the Registrar's Office and figured out the best day to get married. And Hob agreed to this?
Dream: NO.
Death: oh thank go-
Dream: Hob SUGGESTED this.
Death: . . .
Dream: are you going to be a witness or not?
Death, 29 days later in the Registrar's Office, to Hob's witness: Is he sane?
Johanna Constantine, drinking heavily from a large flask: unfortunately yes, by all legal definitions.
Death: fuck
Johanna: [passing the flask over] if your brother's even a tenth as intense as Hob, they'll be fine. Probably.
Death, brightening: Is Hob that bad?
Johanna: You know how sometimes you meet somebody and think "oof, they're a bit much, best give them a wide berth"?
Death: yeah.
Johanna: Hob's like a camouflaged hole in the ground of muchness. Except he's done the hole up all nice and he knows that sometimes you just want to be left alone in the hole to sulk and rattle the spikes for a bit, and occasionally get a F&M hamper tossed in.
Death: [hmmmmmmm'ing approvingly]
Johanna, morose: the bastard.
In the background, Hob and Dream are pressing their foreheads together and basking in each other's presence)
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I love jealous Bakugou who starts peacocking after a while to get all of your attention.
going to a party and Kiri carelessly picks you up to spin you during a dance, drunken laughter shared between you two. Bakugou watches on the couch the whole time, eyes slitted as he nurses the same beer he’s had all night. he listens to you giggle over the music about how strong Kiri is and—fuck it, he’ll show you strength. he takes the opportunity to scoop you off of your feet next time you guys are out and there’s a puddle in the middle of the road, puffs his chest out a little as he cradles you against him, when you let out that lighthearted giggle but for him this time.
Bakugou catches you chatting deku up, squeezing at his biceps when you tease him about how big he’s been getting. you only do it bc you know it flusters the green haired man, and you think it’s cute how he looks like a strawberry whenever you coo at him. But Bakugou only sees that as the push to go to the gym more, focusing even more on his arms, wearing all of his tanks around you. puffs his chest out again when he puts his arms behind his head and you pat at the bulging muscle and find yourself tracing the veins on his arms.
He sees you dancing with Sero at another squad gathering, something fast and sensual, your arms around his neck while he holds your waist. his face is buried into your neck and it makes you giggle whenever he whispers where to move your feet next. and does Bakugou take that as an active threat against his crush on you? of course he does. finds himself holding you against him at a party, swaying with you, way out of his comfort zone but he wants to show you that he can dance too, damnit.
Denki makes some offhanded comment about holding your bags when you go out to an amusement park, something else about going with you when you need the bathroom too. Bakugou is most definitely shoving him out of the way, manhandling all of your bags from you as he pushes you in the direction of the bathrooms instead. finds his chest practically spilling out of his shirt when you hug him by the end of the night, thanking him for being so kind, telling him that he’s the best friend you could ask for.
and does his heart drop to his ass when he hears the word friend? maybe. just a little.
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OK so Baul and Lilias friendship lives in my mind rent free, so I think that a few days after silver gets sick for the first time and mama and papa zigvolt manage to teach lilia the proper way to care for a sick infant after he comes over to their house tembling with poorly restrained panic, Baul goes over with v little persuasion from his daughter to check up on them.
What he sees is a happy and healthy Silver just quietly smiling up at him from Lilias arms while Lilia is passed out in his rocking chair fevered and red from catching baby's first cold.
Baul immediately assigns himself caretaker duties, doesn't even bother trying to move Silver from Lilias arms and instead just picks them both up to deposit them both in Lilias bed for a proper nap before checking the fridge for tomato soup ingredients.
When he first heard from his daughter that Lilia— Lilia Vanrouge, the once General of the Right, feared commander of the fae armies and scourge of humankind— had adopted a human child and had been caring for it for several months now, Baul had roared with laughter so hard that he split a scale wide open on his cheek.
It was certainly a poor excuse for a joke, the very kind of rumor that the castle fae still bitter over Lilia's persistent existence four hundred years later might spread. The very idea that Lilia, Lilia Vanrouge, would debase himself to care for a human child not of his blood, to stoop so low as to toil over its screeching and wailing demands when he had bathed in the screams of its own kind with a mad vengeance after the tragedy of Lady Meleanor . . . not even four hundred years of honeyed peace was enough to sweeten that wound.
Time, it seemed, had forgotten what was so cruelly emblazoned in the very depths of Baul's mind, in Lilia's own memories, and the nightmares of all those surviving fae who stalked the forests during those blood-soaked nights. Those born in kinder years had never known the horror of human avarice, and even his own daughter had taken up residence with one of their kind despite her father's immense displeasure, simpering, soft-hearted fool that her husband was.
At least, to Baul's proud credit, their lineage rippled strong and true through his grandchildren— and with his daughter due any day under the weight of a third, he's only too certain for another healthy, bouncing, scaled Zigvolt.
So when she had simply stared back at him with crossed arms and an arched brow while he had laughed and laughed and laughed, a sinking kind of horror began to creep into his heart— surely . . . she wasn't serious?
Months— hardly the blink of an eye for faekind, but everything to humans. Months, Lilia had kept a child for several months, and not once had tried to rid himself of it? Not once tried to deposit it upon the stoop of a human village and wipe his hands clean of the responsibility of child-rearing? He had been taking advice from Baul's daughter and her wisp of a husband on how to pacify and coddle it? He had barged into their home, fretful beyond measure with a colicky babe clutched in his arms, and all but demanded them to cure the child?
("Or what?" Baul found himself asking, utterly bewildered and needing to find some kernel of normalcy in the fact that surely Lilia had menaced his daughter's husband some into obeying his whims.
"Or nothing, Father," she said, the taunting ghost of a knowing smile playing about her lips. "In all the years that I've known him, I've never seen him quite so distraught. He stayed by the crib all night, frozen— we had to tell him it was alright to breathe and to hold Silver's hand if he wanted, it was as if he was afraid to hurt him.")
Silver? Lilia, afraid? Holding the hand of some human child?
It simply couldn't be true.
It couldn't be, this had to be some elaborate, poorly executed prank.
He clung to that belief even as his daughter shoved a bundle of medicine, food, and knitted blankets into his arms with the stern instruction to deliver them to Lilia's home (Home! He had never heard the forest cottage to be described in such terms! The place was a hovel, a storage shed for Lilia to dump his treasures before venturing off to the next location, how could it be considered a home?).
He clung to it even as he emerged from the woods to the path that led up to the cottage's door, casting unnerved glances to the strange and new abundance of woodland creatures skulking about the thatched roof and scampering along the thick tree trunk supporting the cottage like a lean-to, soft little animals that would have darted away in fright from Lilia's presence before Baul's own.
He clung to it until he could no more, when he threw open the cottage door with an odd tightness in his chest to see his oldest friend collapsed on a worn and lumpy armchair with a honest-to-goodness human baby snuggled safely within his arms and sucking happily on a stray piece of ruby-stained hair. Beyond them, a soothing glow flickered in the fireplace where a kettle of milk quietly steamed, and the scattered presence of cloth toys littered the living room floor along with (Baul shuddered) well-thumbed pamphlets, their covers illustrated with the cheerful faces of frolicking human children.
What had this child done to Lilia Vanrouge?
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After these talks of preparation, Jonathan's attitude becoming more and more jumpy as he listens to the people supposed to help Mina talk about her transformation, and the Czarina Catherine being held hostage by the fog... Mina is probably living her own version of hell on earth right now.
Mina is a kind woman, an intelligent woman, an observing woman. Very aware of her surroundings, and the people that walk around her thanks to being a manners teacher. She reached when Lucy couldn't, she guided Jonathan towards information and inspired all of these men to swear loyalty to her alone.
And now Mina is trapped in a limbo of darkness, and coldness. Hearing, and watching how her comrades talk about how to kill her if god gives up on her. Then the hypnosis comes in a shove in the water deep deep down, and suddenly Mina is dead. Not in the body but in the mind.
Feeling dead, but her heart is still beating. Knowing what a coffin feels like, and how no light comes underground. Only hearing the sound of the waves as her breathing becomes shorter becasue what if she can afixiate while doing this? Then Mina wakes up, and the first thing she sees is Van Helsing's face deep in thought.
The report is the same as yesterday... Again, but Mina notices (of course she does) how Van Helsing "subtlely" checks her face, and mouth then talks to Seward in hushed tones. But, not the ones that ladies like her, and Lucy have practiced up to perfection to talk about someone who is present without noticing, no. It's a simple low voice without finesse, or any attempt of masking that they are talking about her, about her letargy, about her pale skin, about her spike in energy on the evenings. Even Jonathan could do a better job, Mina knows because she taught him a little.
Mina is probably more aware than anyone might think, so aware that she probably prefers sleeping than enduring. I wonder Mina thought for even a second "Do they think she is stupid now?"
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