Tumgik
#oh god i hope this makes sense?
sam-violet · 3 days
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chillin in the hot springs 🌱
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+ a closeup
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milkywayes · 16 days
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GARRUS VAKARIAN: DATABASE IMAGE ACCESS. > PT. 1 : 2160, 2166, 2170. > all files backdated according to user preferences: (terran_coordinated.calendar).
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On Kurapika's Self-Imposed Isolation
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While I recognize that probably everything I'm about to say is going to be super obvious, I just wanted to briefly touch on Kurapika's self-isolation, and the reason behind his not picking up his phone or exchanging anything more than clipped words and business after Yorknew.
I think the obvious answer is that Kurapika doesn't want his friends in harms way, or to be used as a bargaining tool against him. This is an understandable and probably accurate conclusion. After all, Gon and Killua did get taken hostage, and Kurapika was forced to negotiate an exchange. Chrollo picked up on Kurapika's "weakness" right away - that he values his friends' safety before his revenge. Fortunately for Kurapika in this situation, Pakunoda was a whole lot more similar to him than he would've cared to admit, as she placed a value on Chrollo's life even though everyone in the Spider was intended to be replaceable. So, now that he's been through Gon and Killua having potentially gotten killed or seriously hurt, and Chrollo knows that he has a soft spot for them, it does make sense that he would try to push them away for their safety and for the sake of not having an exploitable "weakness" in future. He may also not want to burden them more when they have their own lives to live - he does slip off without telling Gon and Killua for the sake of not distracting them from Nen training, after all.
Except that he already tried all this earlier in Yorknew arc. He tried to tell them they shouldn't get involved, and they all agreed that the risks were massive - but his friends agreed to undergo the risks anyways to help him. Kurapika was even grateful for it - "I have been blessed with good friends."
So, for him to push them away solely for this reason after the fact, knowing that this was very much a likely situation to happen, is a little odd to me. Kurapika knows full well that Leorio would be frustrated, Killua would be offended and Gon would worry. So, I think there's a little more to it than that, and I actually would venture to say that "keeping his friends out of danger" is more a secondary reason for his actions - one that would come across as more of a reasonable excuse to others.
The primary reason is likely a lot more selfish than that. Kurapika has to ensure his mission comes first. And unfortunately, he is fully aware that his path and choice in abilities is deeply self-destructive.
Kurapika needs to make sure that he doesn't have exploitable weaknesses, sure, but he also just as much needs to purposefully worsen his headspace - and he can't do that with those three around.
Think back, what are the happiest moments we see from Kurapika in the series? The one that comes to mind first, and the one I'm sure most of us will think of immediately, is this:
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[ID: A screenshot from the 2011 anime adaptation. Kurapika smiles - he looks at ease. End ID.]
It's one of the sweetest scenes of the series imo, right before the whole group is reunited for the first time since the Zoldyck Family arc, and it's even more notable because it comes immediately on the tail end of this...
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[ID: Three panels from HxH Chapter 101. Kurapika removes his contacts over the sink. His expression is distant. End ID.]
...and this...
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[ID: A panel from HxH Chapter 101. A close up of Kurapika's vacant and furious expression, his eyes wide and dangerous as he says "It might as well be you." Though the art is in black and white, it's apparent his eyes have gone scarlet. End ID.]
...and this.
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[ID: A panel from HxH Chapter 101. A distant Kurapika speaks on the phone on a rooftop at night, the cityscape of Yorknew around him dark, but speckled with lights and stars. He says "The Spiders are dead." His face is not visible to the reader. End ID.]
This is, up to this point in the series, Kurapika at his lowest. In contrast to Gon, who is happy to hear that the Spiders are dead already because now Kurapika can focus solely on finding his peoples' eyes, Kurapika... is clearly not happy - and that's because killing the Spiders himself isn't just revenge. It's penance. It's survivor's guilt. Kurapika's powers, which Izunavi even comments sound much like he is chaining himself in the process of chaining his enemies, are oh-so-beautifully prophecied to destroy him - and Kurapika was aware of this from the moment he set off down this path of revenge.
(As a side note, this is why I'm really hoping we see Gon and Kurapika interact again after the Chimera Ant arc - while Gon has always been pretty attentive to Kurapika's emotional state, in Yorknew, he lacks a true understanding of why Kurapika would go so far... but as of now, he understands rage fueled by guilt and grief all too well. I know we're all rooting for Leorio to reach Kurapika, but barring that, I really think Gon could get through to him - after all, they are similar in several ways, and I find it fairly apparent that Gon reminds Kurapika of Pairo.)
But back to the main point here - I do suspect Kurapika expects (if not wants) his revenge mission to destroy him. I think a lot of times, we forget just how young Kurapika is, and how much his character is dictated by honour, and the abandonment of it.
Certainly, he can and will go against his principles for the sake of his mission... yet, almost paradoxically, he's bound to his promise to his fallen clan; a promise to avenge them made in anger.
But Kurapika... doesn't come across as a naturally angry person to me at all.
He seems like the stoic, vengeful type on his initial introduction... and then we get his panic at Gon's recklessness
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[ID: A panel from HxH Chapter 2. Kurapika and Leorio wear matching expressions of panic in front of Gon, calling him out for his recklessness. End ID.]
...and his near-immediate forgiveness of Leorio after getting the first inkling of his character - of someone who cares just as fiercely as he does.
And after that point? Almost all through the Hunter Exam? Kurapika smiles so readily at them. He's sharp and funny. He mediates at times, but is stubbornly prideful in others. He's very amused by his friends' antics, and it really does seem like he starts to enjoy himself, with them. And, more than that, he counters Leorio's initial impression of him as an independent loner - on several occasions. He decides to follow Gon because Gon intrigues him. Asides from Gon, it is Kurapika who is the most unwilling to fight each other at the bottom of Trick Tower. Kurapika who makes the first move to team up with Leorio, even though that arrangement benefits Leorio much more than it does him. Kurapika who refuses to abandon Leorio to his fate in the cave, and who checks on Gon after noticing his bad mood. Who was furious enough watching him get beat down by Hanzo that his eyes went scarlet for the first and only instance outside of Spider mentions and Emperor Time. Who quite readily detoured to help rescue Killua.
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[ID: Three screenshots from the 2011 adaptation Hunter Exam arc. In the first, Kurapika smiles at a sleeping Leorio. In the second, Kurapika stifles laughter as he pretends he's asleep. In the third, Kurapika has an open-mouthed smile as he acquires the airship tickets for them, Leorio and Gon standing behind him. End ID.]
Look at him! He's so bright! So happy!
...too happy. Too happy to do what he promised himself he would do. And that's his biggest fear, isn't it. Without his rage... what is he left with?
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[ID: A panel from HxH chapter 2. A close up of Kurapika's eye as he says "I do not fear death. What I fear is that my rage will one day fade away." End ID.]
Kurapika is far, far less mired in anger when he's with his friends. I actually dare to say that at certain points, he was able to go for lengths of time without thinking much about it - alternating between almost forgetting in one instance and being hit like a sledgehammer on exposure to a reminder in the next. This violent swing is... actually the beginnings of the natural process of healing from loss and trauma. But to Kurapika, who's made a promise to his people's memories, this is not a relief. This is betrayal.
I think that actually scares him, that he can almost picture it. A life beyond his guilt. That he, too, could learn to be happy, even after unimaginable loss.
And so, as Kurapika continues his mission offscreen, finding more and more gruesome reminders of the cruelty inflicted on his people and losing more and more pieces of himself in the process (in his own words, no less), he prioritizes his responsibility to them, and pushes away his distractions. He cannot be a soul at peace until his work is done; he must be in turmoil. He pushes people away who he cares for, and binds himself, and keeps his people's eyes on him, quite literally, because respite, for him, is unacceptable. Perhaps that guilty part of him even hopes, by the end of this, that his soul will be so unrecognizable as to be fundamentally unsalvageable. But the truth of the matter is, or at least what comes across to me, is that Kurapika cares much more fiercely than he hates. He knows what matters most. And for as long as he does, he still hasn't truly lost himself.
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[ID: A panel from HxH chapter 350. Kurapika looks down at baby Woble with a gentle, yet complicated expression. The inking is somewhat softer. End ID.]
Kurapika's soul is kind, really. And it wants to heal - but for the sake of his mission, he needs it damaged and bleeding. And so, he forces himself to exist in that pain. All alone.
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[ID: A panel from HxH Chapter 344. Kurapika, dressed in a black suit, sits with his back to the reader, looking down at a photo in his hand. He is slumped a little before the church vigil he has prepared, all his clan's eyes lined up in their jars and honoured with flowers and candles. He thinks to himself "There is no home for me to return to... and nobody to welcome me back. I have nothing left." End ID.]
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haunted-xander · 2 months
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Do you think Saix' emotional co-dependence started as a Nobody or did it start as human Isa and just grew to an unhealthy degree?
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plulp · 8 months
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heres yalls science teacher. have fun go crazy
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moeblob · 6 months
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Lookin' at Askr's injured art and realizing it's basically just him with holes in his spandex........ thank you FEH for this one thing...
(also I normally draw Hrid and his attempts at adopting siblings so happy holidays to Hrid, he gets to be thirsty as a treat.)
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chongoblog · 3 months
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Hey you’re a math guy right? And you like Balatro right? I’ve had this math question related to Balatro but I can’t phrase it properly to get a satisfactory answer from google so I was wondering if you or a follower could help? Anyway here goes:
In Balatro there is a deck called the Plasma Deck which “balances” your chips and your mult so that they are equal in order to increase your score. I understand that mathematically given two positive numbers x and y when multiplied together will have an increasing total as x and y approach each other given their sum is constant. What I REALLY want to know is that if for any given sum of x and y where each integer permutation with the same sum is equally likely, what is the expected increase in score from balancing and is it thus worth it to double score requirements?
Tl;dr for any given total T where x and y are positive integers and sum to T and where each permutation of x and y are equally likely, what is the expected increase in value from x times y to (T/2)^2
So I am familiar with the Plasma Deck. Despite note having unlocked it yet it's definitely the one I'm most excited to unlock for this exact reason.
That said, let's talk about the question at hand. I can fix a more sophisticated explanation for this at another point in time, but here's my answer for now. If you're expecting an equal distribution of possible positive integers x and y, then no, the expected increase in score isn't double. For example, let's say T is 20 and p is the product of these values.
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As you can see, out of all of these outcomes, only two of them are less than half of (T/2)^2 (which is 100 in this case). Which, if we were expecting an equal distribution of possible x and y values, would make the idea of doubling the score requirement seem incredibly unbalanced. However, that's where the strategy comes in. If you can make a build where you x and y values are 1 and 19, then the Plasma Deck more than quintuples your value, making the doubling of the score requirement seem like a breeze. So the strategy of Plasma Deck is basically to hard focus either x (chips) or y (mult)
Maybe if I have time I'll see if there's some sort of equation discussing this (there almost certainly is) but until then I am tired
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moti-otp · 3 months
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Also what do you imagine their dates to be like (example what they tend to do for dates. Does Phil and Missa cuddle etc?)
THEY DEFINITELY CUDDLE-
I like to imagine their first date was this really shy, awkward and embarrassed moment of the two of them cus they are like "OUR FIRST DATE DATE LIKE GENUINELY ROMANTIC DATE!!" so they tried their best to make the other feel and understand the deep loyal love they have for each other.
But at the end, they both tried TOO HARD and the date end up being a disaster. QMissa is the first to apologize, saying it's all his fault and then qPhilza told him it's not, he thinks all the clumsy stuff was really endearing and he enjoy it even if it was kinda of lame ngl. BUT THEN qPHILZA ALSO APOLOGIZE, saying it was really his fault because he should know some things were going to fail, he has experience on this, so he should know better, and then QMissa take his hand and look at his husband eyes and said "I enjoy it, everything, because you were with me" and the both laugh and hug.
After that they decided to just sit down in front of their house, qMissa playing his guitar, singing a love song to qPhil while he rest his head on Missa's shoulder, they both all red but smiling like never, ending with a sweet kiss and laughs.
Or at least that's what I imagine for the first date lol
For dates I'm sure qPhilza likes too rest in Missa's lap while hugging him, qMissa likes to play with his husband's hair while saying the most romantic words (he's latino ofc he knows all the cute romantic stuff) for qPhilza, just to see how he gets all red and embarrassed
And they cuddle a LOT okay also u saw my last drawing they kiss a lot when they aren't shy about it
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siliconforbrains · 5 months
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Okay, it's like 10pm on a work night and I haven't had any coffee today so my thoughts are a little scrambled BUT. I WAS THINKING.
(About In Stars and Time of course I'm always thinking about that game)
A couple of years ago, at the height of Steddie -my sister was big into it and recced me some fics okay- I read this fic about Steve dealing with time loops ("The one in which a time loop is fucking exhausting" by badpancake) and there was this specific detail about the epilogue that stuck with me.
It was the idea that, once the time loops were done and over with, people would slowly start to remember bits and pieces of what happened in earlier loops. After being fractured for so long across dozens of timelines and experiences and outcomes, time was finally healing, and broken shards of lost memories would find their way back into people's minds.
And that got me thinking about a post-game what-if scenario where the same happens to the gang as they travel through Vaugarde.
Like they still don't remember everything -just bits and pieces. Experiences so emotionally charged that they found a way to cross the sands of time and reach them again.
The question is, what would those memories be? The first answer that comes to mind is some of Siffrin's deaths, of course. I can't imagine watching your friend get pancake-d by a boulder would be pleasant, nor witnessing them turning their own dagger to themselves. Or offering him a slice of your favorite snack only for him to go into anaphylactic shock in front of your very eyes, for that matter!
But there would be other instances too, wouldn't they? Death is not the only thing that shook them to their core. What about their first death to the King? Or Bonnie's fate at the end of Act 3? What about basking in the blissful feeling of victory against the tormentor of your land only to turn to look at your friend and know something is very, very wrong?
What about fighting through the House with a party of 4 instead of 5, bloodied, confused, staring in the face of the King knowing you're about to die and wondering why your friend left you all when you needed them most?
I honestly have no idea where I'm going with this, but I've been rotating this concept in my head since this morning and thought I'd get it out on here so y'all can suffer with me tehee
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demodraws0606 · 3 months
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WHY CYBERPUNK DEADBOY IS ACTUALLY RELEVENT TO RUI'S EVENT (to stop misinformation)
Ok I'm doing this cause I fell for it too and like I know 99 pourcent of the pjsk fandom is on twitter but I don't want this misinformation to spread here.
Especially when Becoming Potatoes got hit with the same "it doesn't fit the event or character !!" beam
CYBERPUNK DEADBOY IS ACTUALLY RELEVENT TO RUI'S EVENT and that's for one big reason that everyone has missed.
Oohara is confirmed in the story to be basically exploiting younger talents for his works, the only reason why everyone missed is that it's only revealed in one scene and they don't actually adress this issue in the actual event
Here is the scene in question :
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In that same chapter it's pointed how poorly managed the whole thing is with Tsukasa even getting mad at Rui for not checking earlier on.
There is also the obvious fact the younger people ended up quitting probably due to poor treatment.
And if this doesn't convince you somehow, the story pretty much hands this "twist" to you on a silver plate with the scene of Rin watching the movie.
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So no the event isn't "oh Rui is just learning from a movie director" it's setting up how corrupt the industry is.
The main reason why it wasn't addressed in the event is probably because we'll get this issue shown through Sakaki who is now interested by Rui and is friend with Oohara meaning he probably adopts the same corrupt beliefs.
I understand some people skip through stories one time and it is literally one scene which if you kinda skim through it, it is possible to kinda miss the red flags.
The main reason why the comm is the way that it is, is because the event is actually pointing at how corrupt the industry is, it's just doing it very subtly and in the background.
But yeah, I keep seeing people saying how unrelated the event is but like it's very much not the case but I understand why people misunderstand.
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eternal-moss · 2 months
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When people continually whitewash my favourite characters.
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[ID: A black and white, rough digital drawing of someone sitting at a desk and clutching their head in their hands. End ID.]
^thank you @describe-things
#This is mainly about Noé Archiviste. But also I will not forget what some people did to Simon Petrikov either when I was watching f&c#I’m so desperate for drawings of them. But for the love of God,is it that difficult? Somehow every other hexadecimal of their#Character design is exactly on model other than their skin. Just. .#OH YEAH I FORGOT KAEYA. FFS. Somehow it’s always the K**luc-ers that always do it. Which makes sense because they disregard his entire char#And with the new influx of atla fans people have been whitewashing Katara too! And I mean drawings of the original show too#probably delete later#And no one seems to have any problems with it? Especially if it’s sexualised art *talking more about Kaeya & Noé here.#People who whitewash the few (and when I say few I literally mean 5/82 playable characters) darker genshin characters. Actually fuck off#If I see ‘it’s just my art style’ or ‘it’s just the lighting’ *every other colour than the skin hasn’t been lightened in the slightest*#One more time-i’m going to explode#Oh and while I’m on this topic! Fuck Bochum for whitewashing literally the entire starlight express cast! Electra being the first ever#non binary character in musical theatre while also being played by black actors. And then Bochum happened.#When was the last time Pearl or Rusty had actors who weren’t white? Literally the last character who hasn’t been replaced is Momma/Poppa.#And being black is so integral to their character and music. You quite physically couldn’t#I really really hope the casting for the London performance this year is like the 1984 cast again. Please.
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sapphosclown · 1 year
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In 1x06, when Cynthia runs off while getting ready, Lydia finds her. Not many words are exchanged. But the words we heard from their exercises have a far different meaning this time. When Lydia states your hair is brown, it’s just a fact until Cynthia gives in. Once she does, she says again her hair is brown and that’s when it becomes something else. Cynthia’s guard is down. Lydia knows what Cynthia knows, and she’s scared. She finally admits she’s scared and they both know it’s not about the play. But then, Cynthia realizes she’s not alone. Lydia says nothing but Cynthia just looks at her and recognizes, “you’re scared.” She hadn’t been sure if “rehearsing” had been to Lydia what it had been to her until now, now she knows it did. They get closer, just repeating “i’m scared/you’re scared” until Lydia looks at Cynthia, “Your hair is brown” and this final call and response is not a merely a statement and fact, it’s a confession. An acknowledgment of three truths; Cynthia’s hair is brown, they are both scared, and this is real. Cynthia repeats it back, whispers like a secret that Lydia is the only one allowed to know.
And then they kiss. Their first kiss. A real kiss that can’t be hidden behind characters or script. And for one second after, they can be happy. They giggle and cherish each others space, and then it hits.
That was real.
Cynthia can’t lie to herself anymore, she’s exposed. She knows the truth, and worse, so does Lydia. And as they both know, Cynthia is scared. So she runs.
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mettywiththenotes · 5 months
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Just reading back a little and saw this moment
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And I think it's just sort of telling? How Best Jeanist refers to Tomura as destruction personified and Izuku says nothing, yet when En refers to him as sort of the same thing he voices what he really thinks
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And I can only think that every time someone has referred to Tomura as something without a shred of sympathy and Izuku's kept silent, it might be something he takes note of. Especially now that he's become aware of Tomura's pain. Hearing everything they call Tomura, like he's just some sort of thing, like he doesn't have a name or a past or a house that was once his (something he explicitly said TO Izuku as he fell from UA), it's gotta open his eyes or something, right?
Even Nana has referred to Tomura as a "thing", though she must have meant the version of Tomura that is "the finished product" (hence the wings after the chrysalis that was shown during the surgery) - someone truly incapable of being saved (and thus removing herself mentally/emotionally from the crushing fact that he is family)
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Reactions like this one below; saying nothing when coming across a different opinion
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Reminds me of this
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And I suppose there is also an element of something back from when Izuku told Gran Torino he wanted to save Tomura. Torino had said the words "Killing can be another way of saving", and at the time, Izuku wasn't entirely sure if there was anything left of Tomura/Tenko inside the fusion. Up until that moment he asked if Tomura was still there, he couldn't have fully known whether he would have to kill him or get to save him like he wanted to do. So, essentially, keeping quiet when people referred to Tomura as "destruction incarnate" (and other things), just in case that really was what he'd become
Though I guess that detail doesn't really matter now, what with Izuku wanting to save him, finally seeing Tomura was still in there and digging his heels in with the set determination of saving him. He saw Tomura's personality, the human in him, after all
Anyway
Now it sort of seems like Izuku is speaking up? Not just in the presence of those who think otherwise but against Tomura himself. En says Tomura is like "destruction incarnate" and immediately after, Izuku says "It's deeper than that. You're human"
In the end, I wonder if it matters more that Izuku spoke up to Tomura first, someone who NEEDS to know the truth and who would greatly benefit from someone challenging his thoughts head-on, rather than mentioning it every time someone refers to Tomura as some "thing" instead
I guess it adds more of an impact to the story too, that way
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Killua and the Power of Wishes
Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.
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As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.
One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.
Let's set the stage with one important piece of info: Killua's birthday.
Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.
Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.
To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.
I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.
Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.
What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.
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[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]
This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.
When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.
Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.
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[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]
It's such an innocent, simple want.
And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.
In a matter of a few minutes, Illumi breaks down Killua's wish by:
Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."
Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)
Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."
And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!
So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.
10/10 manipulation, Illumi. Fuck you, seriously.
Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.
It's almost like the family has drilled it into him that wishes are dangerous. How interesting.
Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).
"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"
The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.
Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?
Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.
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[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]
Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.
And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.
This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.
It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.
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[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]
I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.
However, that's not to say that this exact sentiment doesn't come through in their interactions.
Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.
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[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]
I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.
But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.
Overhead, a shooting star appears in the sky. A mutual wish is granted.
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[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]
Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?
Well, buckle up because this star is going to make you experience so much sadness now.
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[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]
Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".
I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.
...holy shit, kid.
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[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]
And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(
What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.
In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.
Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.
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[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]
Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.
Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.
They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:
As a function of failing to fulfill her requests, of course
Because she, just by existing, threatens the family's status quo
I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.
Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.
The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.
So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.
Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.
It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.
Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.
Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.
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[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]
Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.
Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.
Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.
And Alluka tears into him for it.
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[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]
You tell him, girl.
Oh hey, this looks a little familiar, huh?
"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.
Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.
And neither should Killua.
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[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]
It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.
Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.
And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...
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[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]
...she doesn't even have to think about it.
I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.
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jeonghoneyss · 3 months
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tharkay somehow finding laurence after he'd been transported across half of england for treason, in the middle of a burning city, locked in a random attic, and just calmly going "hey hope you're doing well. will you come with me, there's a fire?" is, dare i say, iconic as fuck. cool as fuck. never has a person had the ability to make an entrance like he does
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dr-docktor · 26 days
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More unorganized SaF Swap AU rambles.
Owen retires from mi6 and accidentally becomes known as the town shut-in (makes the mistake of moving into a house just outside of a small town).
However he can’t deny that he finds a little bit of sick satisfaction at people’s shocked and apologetic faces when he tells them he’s like this because his “wife” died tragically. (Rip Owen Carvour you would’ve loved shock humor)
I mentioned this a while back but I also think his house would be filled with failed projects and hobbies that he tried to start and channel his grief into something productive. The only things that actually stuck were a vegetable garden, and knitting little sweaters for his cat.
He’s trying so hard to pull together this little domestic fantasy he had in his head from before Curt fell. Thinking it’s the least he could do for his memory.
On the other hand Curt is going THROUGH it oh my god. Curt is trying so hard to fix what he believes he fucked up.
I think I briefly mentioned that Cynthia may or may not be holding that secret over Owen’s head to blackmail him into doing this mission. And I wouldn’t be surprised if Curt found out about it (considering they have her office bugged with the little birdies)
Chimera has been wielding Curt’s loyalty and self-hatred like a finely balanced sword and just pointing him at whatever target they need. It’s messy but effective. They too have been holding that same secret over his head but in a slightly different way. Promising him that if they he alone controls the secrets, then he can protect Owen and anyone else he cares about. He can prevent those secrets from falling into the hands of people who will use it against them.
Of course, this isn’t Chimera’s goal. They have no interest of letting anything of theirs be lead by what they perceive to be a brute.
And Curt’s not that stupid. They’ve just successfully bullied Curt into thinking they’re all he has right now. So Curt falls back into his own fantasy of finally being enough. Doing his best to ignore that nagging voice in the back of his head that sounds ominously just like Owen, telling him that it’s worth questioning their motives.
Idk I also just like the idea that Curt is in no way motived by revenge here.
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