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#negative or positively i cant say honestly its just baffling in itself
ayakinari · 2 years
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of all the ways i expected 2022 to go becoming an enstarrie was not one of them
#negative or positively i cant say honestly its just baffling in itself#tell me this last year and i wouldve laughed#acanthe and valkyrie was one reason. another was actually so i could talk to this really cool girl in my class and having 0 social skills i#had to resort to a common interest i didnt think id get in this deep what is wrong w me#well on the bright side i did manage to befriend her and some other nice classmates of mine!!!#got to hang out w her outside of classes a couple times with some of her friends too it was fun actually socializing for once#what i wasnt expecting was being emotionally devastated at nearly every single story i read i was absolutely in shambles in my friend's dms#i thought it was just another idol series. i was wrong!#that all nighter i pulled after finishing the anime reading a bunch of stories and i still went to class. slept through half of it though#terrible experience would not recommend doing that#duck rants about something#honestly was never particularly interested in idol guys considering ive been into stuff like aikatsu and pripara among other things but damn#ok maybe it was also bc of naru her tgirl swag piqued my curiosity and that led to learning what the hell was up w eichi and wataru#somehow#further leading to watching the anime and wow i am never getting out of here am i#○| ̄|_#incredibly sorry for the person ive become. kind of. not really#worst story experiences would probably be sweet halloween‚ meteor impact‚ and human comedy in no particular order#meteor impact especially was. augh. i was crying in a call trying to reread it#ive read it like? three times now i think? it rly broke something in me#chiakana truly the world i love them and their ryusei family so much#and shu's development always makes me. *punches a wall and cries*#you'd think stories with ''comedy'' in the title would be lighthearted and comedic but no all it does is rip my heart out of my chest#and cause me to sob uncontrollably#putting off actually reading marionette though it already broke me in the anime idk if i can sit through the actual reminiscence story#rly like steampunk museum though its just nice!! the ending was :]]]#knights slowly growing on me too next time theres an opportunity i might cosplay as one of them#i think i have a bad habit of making one sentence personal posts and then writing a dozen tags. i will not change this#too embarrassed to make actual coherent posts so talking in the tags >>>>>>>>>#back to agonizing over schoolwork i guess
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spicyveggiesub · 2 years
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some thoughts on the official subs for the revue starlight movie (woooo!!!!!!!!) (wrt my own)
overall: IT WAS GOOD. there were some questionable things but it was good. i do think a lot of it was better than mine (i mean i would hope so bc they are paid and qualified to do this and i am not) this is a very lighthearted post about small inconsistencies and things i just burned into my brain
first of all i was like. actively trying not to fixate on the translations so I didn't really look too closely at the lyrics, but i will say some of them blended together lines that in my opinion were not meant to be connected and so it distorted the meaning (what i understood it as at least), it was only in like 3 or 4 cases though i think (i honestly cant remember which) and there were many lines i liked more than my own (i cannot remember) some were also exactly or almost exactly the same
aside from lyrics:
on the train when they listed the starira schools. it was like:
Seisho Music Academy
Siegfeld
Rinmeikan
Frontier School of Arts
i died laughing at this. i wonder if like. whoever was doing this is a frontier fan and was like Oh yeah i for sure know it's Frontier School of Arts but im not sure about siegfeld or rmk im gonna check and get back to that and then they just didn't. it's just so funny. It's like they said you know the rest anyways just fill it in with your brain. i'm like so glad they did this genuinely
For some reason they kept putting seisho as Seisho Music School in dialogue. this was baffling because at one point (the first time i noticed, maybe the first time it happened) Karen was reading the letter she wrote to hikari and her application info books were on screen and it said in big letters SEISHO MUSIC ACADEMY on the seisho book and then below it it said Seisho Music School in the dialogue. i noticed this more after this.. i don't really get why they did that. nbd, my friend didnt even notice it at all, but funny
also they put Actress Training Class, which is like, a combination of starira's Actor Training Department and the text in the movie that says Stage Actress Class? kind of hilarious... we have three official translations for this now
the official revue names are
Annihilation Revue
Resentment Revue
Co-star Revue
Hunting Revue
Soul Revue
The Last Line
ngl this whole __ Revue thing is kind of growing on me. i like it. co-star is just wrong because 競 means to compete they just. kind of fully got that wrong and i hope it is right for the starira card(s?) 😭 also they put Super Star Spectacle as Superstar Spectacle which is fair but there is a space between super and star in the katakana and Super Star Spectacle is the spotify title
they misheard Masai as Sasai due to overlapping audio w the background conversation about a new cyclorama. this made me go ??????? because. did they not have a script?? or was it just a mistake from not checking the script... or did they just not have a script???
the sign when hikari appears says Stage Right Entrance. i put it as Lower Stage Entrance and that was once again me fucking up i have no excuse for this. i actually realized i messed that up a few days before watching this, i will update it in the files in a day or two. i am aware i look like an idiot
they translated 腐れ縁 in futaba's revue intro as inseparable (bond, or something), this made me go D: and doubt mine (rotten relationship). 腐れ縁 is basically like inseparable but negative, like you're stuck together even though you don't want to be. so i guess i was leaning more to the negative (and more literal) side, for better or for worse. i think it has some sort of weight in the context of futakao's relationship though since inseparable can be positive by itself.
give a hero trials, give a saint temptations, give me a devil, GIVE ME YOU. slay. (i dont remember if its singular or plural for the first 2 dont quote me on that)
ah this is one. Pierce through me, with your brilliance. to be honest i was like, a little bit unsure of if hikari really meant through HER, i had intuited that but didn't like. I didn't want to commit to it i was scared... i might change this in the files.
the Claudine Saijo... Beautiful you are. was imo kind of unnecessary....... i get it is supposed to be like archaic speech but you can just say You are beautiful but its not a big deal
at the beginning, i wasn't a huge fan of... This is a stage(/play? cant remember) for goodbye. this kind of sounds awkward to me... also the giraffe then said something like Starlight is a tragedy of inevitable goodbye. i am just not a huge fan of the use of goodbye here...
they missed AIJO KAWAN 😭 its ok so did I.
rip nana's Thou Shalt Not Die by Yosano Akiko reference 😭
nana: I made her cry / junna: I made you cry i wish they made junna say I made her cry so it would be a 1:1 mirror and also bc Nana isn't within earshot of junna when she says this..
New National First Theater Troupe (starira) -> New National Opera Company
Anemone Troupe -> Anemone Theater Troupe
The Distant El Dorado -> El Dorado, Far Away (why not Far Away El Dorado..), Beyond the Blue Skies -> Sky singular (just a stylistic thing i guess)
i will edit this post if i think of something else that isn't completely and utterly trivial. i can think of a lot of lines that were nearly or fully Exactly the same as mine but I don't want to bore you with that.
anyway it was fun 🎉 love the three starira schools Siegfeld, Rinmeikan, and Frontier School of Arts
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markhobz · 6 years
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The Ugly Life of a Cinematographer
Ive been so busy here in Iran currently filming "Layers of Lies" that I haven't had a chance for a day off to take a look around as to whats been going on in my personal life. So many people inbox me on social media mentioning how much they would love to be in my position or joining me on set and doing what i am doing. I admit I absolutely love what I do and have been very fortunate to have had some amazing projects come my way. With all those people on the outside seeing my career as an opportunity for adventure, art and travelling around the world, they don't really see what the bigger part of this career choice has to hold.
I love what I do and you couldn't bribe me to change my field of work, this is what I live for. In saying that though there are some hidden truths behind the curtain of what really lies behind the life of a DOP or pretty much most people working in the film industry. What I am about to write below is based on my own personal experiences. But through my eyes and ears on my travels around film sets around the world, I think 90% of film buffs can relate to what is below. So for those who have always wanted to work in film or just want to take some insight into the life of doing film, here are some ugly truths about my profession.
9-5 DOES NOT EXIST
There is no such thing as a normal 40 hour week in this field. I don't recall the last time i had a 10 or 20 minute break every 3-4 hours. Its always been go go go. If regular hours or a routine is very important to you, than I would suggest you to move onto another career because it will simply NEVER happen in the film industry.
I think 95% of the time doing my job and making sure its done right means I need to put in extra hours, effort and energy to get the best quality results. Its always showing up early and leaving late. Even when I get home or to my accomodation when working away, im always having to do more research, pre-plan, run over pre-vis again and again and always checking out what the latest trends in the industry are just to ensure things are set straight and in order. Especially on lengthy projects like feature films I have to spend extra time in pre production with location scouting, prepping, pre-vis or ensuring the edit or color grade goes correctly for the story. Most of the time you do these extra chores with little or no extra pay and always during your own free time without any thank you's or recognition. This is where you just suck it up and push on through, as a true professional should.
The film industry is not a place where you can just sit and have things handed to you. If you are not willing to make sacrifices of your own time and you own schedules to further your career or skills, then honestly move on. 
NO REGULAR SALARY
I think this stretches across to other freelancers aswell. This is the roller coaster ride of this career choice which can be emotional. When it rains sometimes it pours, and sometimes it just spits a few drops from the sky. When work is coming in be grateful and stay busy as hell because you never know when the drought is coming or when the big project you have had lined up gets delayed and you've had to cancel all other jobs for its original scheduling. There have been months where 12,000€ comes in and then some months were 120€ is your best. There are some months where im working 7 days and some months where you are just baffled trying to pitch and score the next gig. Staying active is your only combat to this ride, and it can be emotional and nerve racking, maybe even give you a few grey hairs.
Consistency and stability does not exist in this career, so if you want it, im sorry you are in the wrong profession. There have been days where the money has just piled in like a flood and then some days where you are looking for the money under the refrigerator and questioning yourself, your life direction and you will be screaming with self doubt.
The thing that keeps me pushing through the tough times is staying active, and always trying to invest that time not just chasing the next job but investing the time into my own skills and development as a DP. Hard times pass, but as I said before don't expect that shit to be handed to you on a plate, you need to work your ass off to pull yourself out. If you give up easily, cant handle stress or take disappointments to heart, then keep on walking cause this job is full of disappointments.
RELATIONSHIPS
This is the most common ugly perk I have seen spread across the film industry. When you work 9-5 or just in the typical corporate world, people's stable lives create more predictability. In film this is not the case, well at least it hasn't been in my experience or from many others I have worked with from different cultures and countries.  
Choosing this freelance career means that when the work comes, you have to take it. There are times when you can say no to a job, especially the smaller productions, but when you are doing bigger lengthy projects that have amazing door-opening potentials and/or pay then you have to grab those opportunities. 
What does this mean? Having to cancel on family, loved-ones and friends, and if you are lucky, maybe you can re-schedule. Its always easy to re-arrange smaller engagements like dinner, drinks or going out for coffee, but for things like birthdays and vacations its much tougher. Especially for myself as I live in Finland and my family is back in Australia.
Since most of you reading are either the only one in your family/friends circle in the film industry or not even in the industry itself, then these outsiders have only experienced the normal everyday life of 9-5 or having the day for duties and nights for sleep. These people will find it extremely difficult to understand why you can never settle on set dates or have to always reschedule or cancel. Ive never been married, but have seen many divorces happen during lengthy projects, so if you intend to engage in marriage - from the advice others I have worked with around the world have told me you really need to find a spouse who is understanding and supportive with the amount of cancelations and rescheduling of family events, or even those times when you need to take that quick side job to get 3000€ because the past month has been dead quiet when it comes to incoming work. Most people just don't get it, they will always say "I don't care we made plans" or "cant you just move the day". 
But wait it gets better! When you work on a feature film or some higher end productions. Sometimes phones are not allowed or you could be in remote locations with no access to communication for days on end. Feature films are intensive with 5-7 days a week work, which always span 12+ hours a day and for a month or more. Its rare you get a day off, and when you do you still need to do some work to plan for the next shooting day or go over some plans with other production staff, and most of these tasks just have to be done. Even if you do find some hours to have a real day off, you'll have minimal energy and none of that energy to share with others. Every lengthy production I have been on I have seen divorces and breakups happen.  Your outside relationships with spouses, family or friends are put aside. I believe this is another reason why I think alcoholism, drug abuse, infidelity and divorce are common in the film industry, iv'e seen it happen to actors, producers even art department staff.
We do not live the traditional normal lives majority do, and this will affect those that are close to us. Remember those disappointments I talked about earlier, ask yourself this - are you morally ok that you are going to put those close to you into disappointment not just once but time and time again? If you are OK with that, then climb aboard the film industry train. 
IS IT REALLY WORTH IT?
So after reading all this you are probably asking to me "is it worth it?". Being that this is my passion and the love of coming together with a group of unknown people from around the world to create something visually amazing is one hell of an awesome kick for me. But hey this is me! life is about choices and this is the choice I made, and I am satisfied. Its all in the eye of the beholder and if you are ready to sacrifice your relationships, money stability and comfort of routine then it might be just possible this is for you. Of course there are some ways you can manage and minimise some of these negative perks to working in the industry, but once again its all about choices and how far you want to push yourself. I know some DP's who are quite comfortable shooting smaller productions in their own town. 
Any film buffs out there that would love to share their stories id be happy for a chat! I hope this opened your eyes to what really lies in my profession, its not just all cool camera gadgets and the glorious behind the scenes videos and photos.
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