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#monty barks
acidbathpuppy · 3 months
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Hair n hands
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oobbbear · 8 months
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Some doodles I made based on “The eight parents au” series by StrangeChildProductions on ao3, it’s a DJ/Moon fic with many side ships, go read it I beg you it’s so good it has good plot and cute moments
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Glittergolf moment I’m not a big fan but this fic made me soft for them/lay down
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glambots · 6 months
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Just feeling some Y/N being the only one who can get Shattered Monty to be able to calm down outta his feral state
All I can imagine is Monty just tiredly crawling into an open Y/N's arms and letting out a sigh like a really tired dog finally taking a break after a long, exhausting day. Man just wants to rest. Please for the love of Fazbear, let the man rest.
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marsantiquity · 1 year
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I finally got around to redrawing my Monty design too so there's that. He's so hehehehebe
Im norm a l about him
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coconut530 · 8 months
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WE’LL GET YOU OUT OF THERE FRENCHIE
This ep reminds me of this vine:
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#Nevermore#Nevermore Webtoon#Webtoon#Just as a whole the ep was great — but those chains were amazing and really gave the ep a constricting feel which is cool#I like the panel where Monty’s cross is front and center; builds up to the final lines between them#It’s very strange to see Duke and Monty alone; usually he lets Lenore handle him and we don’t get to see how Duke deals with him#NO MONTY THAT’S A TERRIBLE IDEA TO LEAVE HIM THERE#Ohhhhhh and when he tugged the chains around his neck WHY YOU GOTTA BE SO RUUUUDDDEEE#LOVE LOVE LOVE the Cask of Amontillado callbacks my god they’re so on the nose and I love it “What a laugh…!”#Well Monty the horse kick doesn’t explain the tooth but it DOES explain why you’re dumb#Also saying that in the southern accent and stuff reminded me of Shane’s backstory from Shiloh (🐴)#Sucker punch from WHOOOO Monty?? Also how much do you remember we’ve only got one flashback from you#OF COURSE HE WAS AWAKE AND HEARD THAT well dude it’s TRUE#His black eyes scare me#STOP PUSHING HIM AND IMPRISONING HIM#OH GOD THEY’RE ALL IN ON IT#ADA’S NAILS ARE DIRTY FROM THE PLASTER#Gosh if Ada’s southern I swear she’s been saying a lot of southern slang lately#CALLED HIM A BASTARD YESSSSS#ADA THIS IS LIKE TWO HOURS AFTER HE TOLD YOU TO BARK LIKE A DOG WHY ARE YOU DOING HIS BIDDING AND PLASTERING DUKE IN#YOU’RE BETTER THAN THIS GIRL HOW MANY TIMES DO I NEED TO TELL YOU#WHY YOU KICK HER YOU IDIOT#AND AUGHHHH HOW HE PLEADS WITH WILL AND ADA WHILE MONTY MANIACALLY LAUGHS IT OFF#LIKE IN 50 WHEN HE LAUGHED AT LENORE’S SITUATION#BUT JEEZ THE WAY HE GRADUALLY LAUGHS HARDER AND HARDER IS DONE VERY WELL#AND LIKE#ANNABEL I TRUSTED YOU WHY DID YOU OFFER UP DUKE OF ALL PEOPLE WHY DID YOU COME UP WITH THIS PLAN IN THE FIRST PLACE IT IS#NOT GOOD AND YOU KNOW LENORE WILL DEFINITELY NOT LIKE YOU OR TRUST YOU AFTER THIS THIS IS WORKING AGAINST YOUR PLAN#YOU WANT SO BADLY TO GO RIGHT YOU AND LENORE NEED TO GET ON THE SAME PAGE BECAUSE YOU’RE SABATOGING YOURSELF#AND NOW WE ENTER THE DIVORCE ARC
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puppy-barkz · 5 months
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hello fnaf ppl. how would you recommend someone get into fnaf?
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visionthefox · 16 days
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Oh boy, I really do hope that they get Sun more involved for when New Moon talks to Old Moon, because while it was heartbreaking to hear him say "Tell him I'm sorry" and how quiet he got because he was clearly upset, they can't sideline him for this too, Sun should talk to Old Moon, to get closure both about Old Moon's death, and about how complicated everything was between them before that, closure needs to happen The only reason I could see for Sun not wanting to talk to Old Moon is that he's afraid of something, like afraid of Old Moon being angry at him, or maybe more likely, him being afraid something else will happen if he gets involved with any of it since last time...Well, Old Moon died, so maybe he's too scared to even touch the brain stuff again But that also doesn't feel right, let Sun talk to his old brother one last time! At least that's how I feel, what does everyone else think?
WEON ACABAN DE POSTEAR HAHAH man yall be fast! haha but yea yea! I hoped Moon would ask Sun to join in too! specially now Sun is finally opening up if only a bit! im Sure Sun has a A LOT of things in his mind about old Moon. not only regrets but Sun always hopes Moon to be proud of him.. I want Sun to ask Old Moon "I did good brother? Im.. Im no longer stupid,, right?" and finally get an HONEST reply, cuz each time was under preassure of clearly fake , I want Sun to get a real validation! aaa WHAT YALL THINK?? Im a bit mad? they didnt do it but also Im sure they need ppl to tell em what to ask exctly haha
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spaghettiandart · 12 days
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gator
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monty-glasses-roxy · 3 months
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I still love the Jurassic Bark trio. Specifically Roxy and Monty getting together first which no one saw coming. But the fun part is that they got together during a fist fight, then because everyone had said they were gonna get together and had teased them both relentlessly about it, they use this to mess with everyone. They start doing things like greeting eachother with 'hey there handsome' and botched pick up lines, the occasional overdramatic cuddle and hand hold while around everyone... And when anyone starts to say they're clearly a Thing now, they look at them like they're crazy. "What?? No we're not!" "Dating??? What are you talking about??? We're not dating!!"
They've successfully confused EVERYONE. Obviously they're messing with them all, but does that mean they're together or does that mean they aren't? What does it all mean??
Roxy and Monty are THRIVING on this shit lmao Chica is DYING to join them. They told her the truth within a week and she's so proud of them but so so so jelly. She keeps dropping the most unsubtle hints that she wants to do it with them too and she'd love them just as much she'd confuse them even more if she were in the relationship too... But Roxy and Monty are dense as hell so she's just internally screaming the entire time.
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Your man
He <3
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radiomuseum · 1 year
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Not going to be posting many new antique things for a while, I am working hard on the sign, and saving up for moving out.
I only had the top half of the hourglass shape have it's lights on in the video, as I was just testing it. I still have to paint it and do a lot of additional work, but it is coming along!
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momochimchim · 2 years
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I Need... Need sun and moonNn...
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Sunny when bad parent and Moon When bad wih Sun (and kids too)
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Idk, just yee
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harehearts · 9 months
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monty's cracked, almost didn't slip him
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imagine-darksiders · 2 months
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On the Ropes
Chapter 25 - Uninvited Guests
Montgomery Gator X F!Reader
WARNING:
-Noncon touching, inappropriate behaviour, abuse of authority, implied s/a, self-doubt, mild threat
Summary: Tempers flare, emotions are high and boundaries are tested. You worry, but Monty worries more. He just isn't as good as expressing it as you are.
Sorry this one took so long. A few months ago, my parents made me a partner in their company with a view to take over the whole damn thing when they retire, and I've had to learn how to run a business without a lick of experience in the field, so that's been taking up a lot of my life lately. I'm still finding time to write, but it is harder.
Still! I hope a nice, long, juicy chapter full of angst and fluff and hurt/comfort makes up for the hiatus. Love to the brim. X
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As ideas go, Monty concludes that his latest might have been best left on the backburner, never to see the light of day. He hardly dares move, locked in place by his own mechanical parts as he stares down at you on the sofa, and you in turn, gawk up at him, your eyes still wet and shining with tears.
And for all his artificial intelligence, for all the state-of-the-art programming slapped into his circuitry, the most eloquent response he can conjure up in the face of his own blunder is a weak, faltering, “Uh…”
But what else could best encapsulate the jarring realisation that he’s been caught? He hadn’t really fathomed being caught at all, hadn’t even considered what he might do if he was caught.
Well, too little too late now, he supposes. There’s no way he can simply duck back through your open window and feign ignorance when you inevitably return to the Plex to confront him…
…. Could he…?
… No, no. Definitely not.
Closely observing your expression, the gator’s proverbial stomach sinks as your face begins to lose all aspects of shock and instead turns towards something more closely akin to anger, unpleasant in its familiarity, and Monty realises he’s running out of time to come up with a believable excuse to explain away his presence here, as if a 'good' excuse even exists.
Brows scrunching together, your jaw creaks shut, teeth meeting with an audible ‘click,’ that pulls an involuntary flinch from the gator’s tail.
He can handle Mick being angry with him. He can handle Andy and that exec, the staff and guests and all of their cross words and scathing looks.
Yet for some reason that he dare not examine, the very notion of you pointing your wrath at him fills Monty with a dread so palpable, he’d swear the coolant in his hydraulics freezes solid. The irony of the revelation doesn’t escape him. Until now, he’s spent so long being angry at everyone around him without sparing much thought as to how it must feel to be on the receiving end.
Beyond the threatening wave of apprehension cresting over him, he can still hear the sizzle of water against a hot stove-top somewhere nearby – the very culprit that had landed you on the floor, and him here in the first place - and in his eagerness to set things right again, Monty latches onto the one task he’s at least semi-certain he can’t mess up.
He doesn’t break eye-contact with you, not until he’s edged his way into the little kitchenette and finally tears his gaze from yours to spin around to the stove, knocking his tail against the fridge with a jarring clang of metal. He winces at the force, hoping he hasn’t dented it.
Grimacing at the knobs and dials sitting innocently on the cooker, he elects not to tackle them, instead reaching out to engulf the saucepan’s entire handle in a single fist where he simply lifts the whole contraption off the stove.
At once, the water boiling within its metal confines eases to a manageable simmer.
“Monty…” When his name leaves your lips this time, it’s deeper, colder, with the barest tremble flecked into your voice. “You… you can’t be here…”
The gator has enough sense not to bark out a nervous laugh at the century’s greatest understatement.
Clenching his fingers around the handle, he carefully plops the saucepan down near the back of the stove, away from the burning, red ring of heat. Excess water still dribbles in tiny rivulets down the side of the counter, but he turns his processor away from the mess by physically twisting himself around in the cramped space until he’s facing you once more, clutching his hands up to his yellow chest plate.
“You can’t be here,” you reiterate thinly, your eyes blown wide and pupils small and dark like pinprick holes, locked in his direction.
Then, with the suddenness of a bullet firing from a gun, you explode into motion.
Lurching over at the waist, you swipe your discarded crutch from the floor and begin shoving yourself gracelessly from the sofa with such fervour, Monty is momentarily struck by the ludicrous idea that you might be on your way to attack him.
“Of all the-! the stupid-!” you sputter, slamming the crutch’s rubber foot into your carpet and heaving yourself upright, wobbling across the room on an unsteady leg, “Dangerous! Irresponsible-!”
You continue hurling out adjectives and lumbering forwards, and Monty – suddenly alarmed that you’re about to topple face-first into the carpet again – kicks himself into gear. His pistons carry him across the room in a few, loping strides where he meets you at the edge of the kitchen linoleum, mindlessly throwing both of his enormous palms around your waist to steady you.
Almost at once, you latch onto him roughly, your fingertips squeaking against plastic as they attempt to gather purchase around a too-thick wrist.
“Monty!” The acrid taste of panic steadily trickles down the back of your throat. “Monty, this isn’t funny! I’m not kidding! This isn’t funny, you cannot be here!”
But Monty isn’t laughing. And although you sound borderline hysterical, there isn’t a trace of humour in your expression either. Maybe you hope it's a practical joke, or that you're seeing things. Anything except for the gargantuan reality peering down at you from behind star-shaped sunglasses. 
“I know,” is all the gator can muster up as a reply. Because he does know. He can’t be here.
And yet, he is.
“Then what-” you snap, “-the fuck are you doing here!?” It’s the first time you’ve really raised your voice at him, and there’s a sharpness to it that tucks the animatronic’s snout down towards his chest, rendered contrite in the face of your reprimand. Something deep in his subroutine starts to hum, discontented. Perhaps it’s the fact that the shoe is on the other foot now, and this time, he’s the one on the receiving end of someone else’s anger.
Another tear spills over to clump your eyelashes together.
Whirring loudly behind his glasses, Monty’s optics track its path over the swell of your cheek, and again, he creaks his jaw open, hoping something more substantial than his previous answer will miraculously come to him. As it is, he merely utters a soft, “I… don’t know.”
Evidently however, that had been the wrong thing to say.
For several seconds, your mouth flaps open and closed in disbelief before your face screws up into a tight ball of incredulousness and you manage to shrilly proclaim, “What do you mean you don’t know!?”
You snatch your hand away from his wrist to rake trembling fingers through your hair, digging into your scalp with the tips of blunted nails. “Oh god, oh god… This is bad, this is bad! You’re…”
Trailing off, you lean away from the animatronic, shoving a palm against his solid chest and giving your head a harsh shake, as if you might somehow throw the whole situation from your mind. Even as you pull away, his hands retain their firm point of contact on your sides.
After a beat of silence, you go still once more, blinking up at the gator and confirming that, no, you aren’t imagining the hulking, green goliath towering over you, looking far too large to occupy the space between your ceiling and floor. “Monty, for god’s sake,” you say through gritted teeth, “You’re in my flat!”
“I.. I know this looks bad-” he tries, removing a hand from your waist, palm tipped towards you in a placating gesture, “But, it’s okay-“
“- In what universe is this okay!?” you fret, batting at the massive paw that stretches towards you, “Monty! You’re outside the Plex! If you’re caught, they’ll-! Christ! You could be decommissioned! Is that what you want?!”
“I wanted to make sure you got home,” he emphasises.
“You can’t do that though!” you almost wail at him, shaking your fists beseechingly as if to beg him to comprehend your desperation, “You understand why you can’t do that, right?!”
“I was just-!” There’s a sudden buzz of static as he cuts off his own voice box, rendering the end of his sentence effectively unspoken.
But he ought to have known you aren’t about to let him get away with silence, not when you’re so clearly distraught and prying for answers.
“What, Monty?!” you exclaim, pinning him with your glare like a butterfly to a corkboard, “You were just what?!”
The gator’s jaw works mechanically, grinding the gears on their pivots as he clenches and unclenches it. He’s unwilling to give up the vulnerable words that have lodged themselves in his voice box, words that seem far too soft coming from the mouth of an animatronic with an unmalleable frame.
The only sound to break the silence is the steady ‘drip,’ ‘drip,’ ‘drip,’ of your leaky faucet.
“Montgomery,” you snap when his silence starts to overstay its welcome.
And the gator, despite his best efforts, flinches.
Plastic eyebrows slot together with an audible ‘clack’ as Monty lowers his optics to the carpet at your feet…
You’ve fallen back on his show title.
It’s a… rather decisive step away from the nickname he asked you to call him. The chasm that stood between you and the gator was wide when you set foot his green room not so long ago, yet in spite of first impressions, that gap has slowly been closing up over the last few days.
But now? Calling him ‘Montgomery,’ and in so terse a tone feels too much like the rift has just inched a few notches wider again.
Perhaps it’s that solemn, borderline desperate urge to regain what precious ground he’s lost that drives him to finally lift his gaze from the carpet and aim it somewhere near your glistening eyes instead.
“Just… tryin’a do what you did for me…” he utters.
Your face immediately untwists, brows launching up your forehead as everything about you opens up in clear surprise.
Whatever excuse you’d been imagining, he hadn’t provided it.
“What?” The question squeezes out of your throat, rasping and tight.
Hiking up the volume in his voice box, Monty retorts, “You came to make sure I was okay at the Plex. I-I’m just… doin’ the same thing!”
Sputtering around half-formed words for a several seconds, you finally manage to exclaim, “There is an astronomical difference between a human going to their place of work, and an animatronic up and leaving the place they were built, Montgomery, you can’t even try to pretend there isn’t!”
You’re well aware that comparing your autonomy to his own is a little below the belt, but the truth, whilst certainly ugly, is still the truth.
“Andy can tear me a new one for not going home after surgery,” you continue frantically, “But that’s nothing compared to what Faz Co. will do to you if they find out you’ve gone awol! And that’s not even the half of it! I mean - What if you run out of charge!? Or – or!”
As you steadily approach the line between distraught and thoroughly panicked, your voice begins to rise, cracking at the apex of your sentence, hypotheticals darting relentlessly through your head.
“What if someone saw you!? How did you even get here! Oh, fuck, Management’ll scrap you for spare parts, or - Damnit, Monty!” you blurt, ducking your head to try and meet his downcast optics, “Are you evening listening to me!?”
He is listening, as a matter of fact, quite intently. Though his visual feed may not be focused on you, the gator is hanging on your every word. But it isn’t the realisation he could be decommissioned that’s caught his attention. He already knows that the outcomes you’ve just listed are very real possibilities, should his little escapade ever be discovered.
No, instead, it’s the clear and undeniable fear laid thickly in your voice that grinds his processor to a halt. It sits on your tongue like a glaze, shining brightly for him to pick up on, and wonder how he missed it in the first place.
This isn’t anger.
This is something else dressed up to look like anger, and the tragedy is, it’s a disguise he knows all-too well, so well, in fact, that he should have recognised you’d donned it the moment you opened your mouth to speak.
You’re afraid.
If animatronics were built to house spirits, Monty’s would be tentatively lifting their heads. However, the revelation that perhaps he hasn’t driven off his best and only friend is cut woefully short when all of a sudden, his audio receptors give a ping, alerting him to new input approaching from a nearby source.
Without warning, the gator’s head snaps towards the door of your flat, mechanical clicks filling the unexpected silence as his optics adjust to the change in distance.
Footsteps… heavy and unhurried, slowing as they draw nearer to your door…
“Monty?” you hiss, distractedly following the line drawn by his glare, “Don’t try and-“
‘Knock.’
‘Knock.’
‘Knock.’
Three deliberate raps on your front door cause any further arguments to shrivel up and die at the back of your throat. You stop breathing altogether, and every noise suddenly seems too loud in the ensuing silence.
‘Who the Hell-?’ you wonder, dumbfounded, ‘-It’s the middle of the night!?’
No sooner has the thought occurred to you than a finger of ice-cold dread drags a chilly path up the notches on your spine, right to the fine hairs prickling at the nape of your neck.
Like a jackhammer, your heart rams itself up against your sternum over and over again.
‘He couldn’t have… Shit. Could he? But... How?’
“Y/n?”
You’re too slow to clamp your mouth shut around a gasp when you hear the voice, muffled but undeniably masculine, calling out from the other side of the door. Monty’s silicone lips ripple apart, though he at least has the forethought not to push an audible growl through his speakers.
The voice, however, doesn’t sound as though it belongs to the… the person you thought it might have belonged to.
You can’t place it straight away. You’re only sure that you know it from somewhere, but with several centimetres of wood standing between you and it, details are distorted and difficult to pinpoint.
Another knock startles you again, even more-so when it’s followed by, “Are you in there?”
A pregnant pause stretches until your teeth start to ache from keeping them pressed together so firmly.
And then, the words you thought you’d never have to hear again filter through the cracks beneath the door. “I thought I heard shouting.”
There’s an instinct that rises from buried depths at the utterance, instincts you thought you’d put to bed long ago.
It's as though someone has lit a fire under your feet. Mechanically, you twist around towards the sofa, your eyes locking onto the remote controls sitting on its arm rest. Limping up to them with stilted, frenetic movements, you snatch them up and aim them at the television, jamming your thumb into the ‘on’ button with far more force than necessary. Plastic creaks beneath your fingertips.
Seconds later, the screen flickers to life, landing on a film you don’t bother to try and recognise. Hiking up the volume until the tinny sound kicks out of the speakers and fills your meagre living space, you toss the remote back onto the sofa cushions and make your way arduously to the door.
Yet another knock indicates that your late-night visitor is persistent, you’ll give him that.
Several steps from the entrance, your progress is stopped by a sudden wall of green stepping in front of you, blocking your path forward.
“Move,” you rasp through gritted teeth, too quiet to be heard over the television as you smack at the gator’s tail that’s trying to curl around your thighs.
Monty’s head swivels around to frown at you. The purple casings surrounding his optics slide half-closed to give you the impression of a beseeching look.
You wonder if he knows who’s at the door.
“Hello? Y/n?” the stranger calls again.
“I - just a second,” you blurt out, ignoring Monty’s grimace as you bully your way past him, using your crutch to keep him from stepping around you lest he risk tripping you over, “Sorry, I’m... still getting the hang of these crutches.”
You have half a mind to demand to know who the Hell would have the unmitigated audacity to come around and knock on your door at this time of night.
Behind you, Monty’s claws try to hook into the back of your shirt, but the fear of accidentally tearing anything you own keeps him from holding on with any real purpose. As such, it’s only too easy to slip out of his grasp and press your eye up to the peep hole, the blood in your ears rushing to a watery crescendo.
A distorted yet familiar face peers back at you through the glass, sweat glistening off a ruddy forehead that shines under the overhead lights.
“Mick!?” you burst out.
What in the name of God...
Whirling around to face Monty, you throw an arm out, gesturing wildly towards your bedroom door.
The gator’s jaws are clenched tightly enough that you suspect if you were to toss a lump of coal between his teeth, he’d spit out a diamond, and while his tail twitches back and forth in clear agitation, he doesn’t otherwise move.
“Ah, you are there,” your not-so-mysterious visitor exclaims, “Mind opening the door?”
Yes, you mind! You mind very much! What is he doing here!?
Unless…
Your head turns slowly over a shoulder to gape unblinkingly at the animatronic looming close behind you. Your eyes find his, your stomach clenches…
“Hello?”
“Uh, just… hang on a second!” you stall, fumbling and fiddling with the metal latch, pretending to fight with it whilst you cast another, desperate look back at the gator. “Damn lock is always getting stuck.”
The moment his optics catch your eye again, you mouth, ‘Please’, jerking your chin at your bedroom door, ‘Please. Hide.’
Ever so slowly, Monty blinks, taking in the harsh lines that cut crevices down the centre of your forehead, right between your furrowed brows. And just like that, the corners of his snarl start to fall, and the apertures of his pupils expand to hide blazing, crimson LEDs.
A thousand calculations run through his processor at once, all of them pertaining to the risk of leaving you to face Mick by yourself. His programming shrieks in defiance as he takes a reluctant step backwards, being light as he can on cumbersome actuators.
He should stay… Neither of you know why Mick is here, though he can hazard several guesses.
You’re afraid, you’re vulnerable… You need him.
But probability reminds him that perhaps the situation isn’t so dire. He's sure he hadn’t been spotted on his way here, and if he was, why would Faz Co. send Mick – of all humans - out for retrieval?
What if the man's being here is merely down to chance?
If that's the case, then should he catch you with one of the Glamrocks in your home, the repercussions will be far worse than whatever Monty fears could happen by leaving you to deal with the situation alone…
So, driven back by the urgent glimmer of tears shining over your sclera, Montgomery Gator begrudgingly makes a decision that goes against his very programming. He retreats from the room, slinking backwards as silently as a two-tonne bot can through the door and into what he can only assume must be your personal recharging station.
All the while, you watch him over the threshold, waiting until the gator’s hefty bulk disappears into the darkness of the room beyond. Even still, you wait for him to push your door shut with an undetectable 'thud' before you finally wrench the lock on your own door free and tug the whole thing open, remembering to plaster a tentative smile on your face just in the nick of time.
“Mr Matthews,” you grind out sweetly, praying that the television in the background covers your stumbling addition of, “What a… a nice surprise!”
The man on the other side of the door straightens his posture at once. It doesn’t escape your notice that he’s keeping one arm behind his back as he too slaps a grin on his face, though you imagine his is slightly more authentic than your own.
“Y/n, my dear,” he returns, revealing his hidden appendage and, to your surprise – and confusion - producing a fistful of limp, strikingly dark dahlias, the kind you might pull off the bargain shelf at your nearby petrol station.
 “I wasn’t sure you’d be awake,” Mick continues, edging towards you until the toe of his winter boot pokes over the threshold, “But I was in the area and thought I’d stop by to see how you were doing.”
With the flowers practically shoved under your nose, you try to surreptitiously lean backwards, putting your weight on the crutch as you reply, “O-oh, that’s, ah, very kind of you…”
Can he hear your pulse thundering? Oh god, can he see the dilation of your pupils? Does he know who you have hidden in your bedroom? He must… He has to. Why else would he be here?
Almost running on autopilot now, you continue, “You didn’t need to come all this way though. Um…” Trailing off to bite at the inside of your cheek, you hedge, “I didn’t realise you knew where to find me.”
To anyone with even a modicum of self-awareness, the statement is poised as a direct question, in expectation of an answer. ‘How did you know where I live?’ is being broadcast from every facet of your voice and expression.
But Mick, clueless or perhaps deliberately obtuse, merely lowers the flowers an inch and replies, “Oh, you’ve mentioned it to me a few times now.”
… Have you? It’s… entirely possible, you suppose. After all, you talk about a lot of things at work, and subsequently, you forget about a lot of things too. But who would remember all the small talk you make with co-workers, or the unimportant comments you toss out while you’re responding to ‘check-ups’ from management?
Your home address however… It took you a long time to even tell Andy where it was, in case of emergencies… You can’t imagine it’s something you let slip without noticing.
But… Mick is here…
So how else?
Shoving down the frustration at yourself for being careless, you clear your throat and nod at the flowers. “And, can I presume those are for…“
Mick jumps, staring down at the dahlias clutched in his fist as if he’s only just remembered they’re there. “Oh, yes of course they’re for you!” he proclaims, “Of course, of course. Only courteous to give flowers to people in need of healing, no?”
You blink at him mutely, pretending not to notice the excess oil he’s slicked into his hair tonight.
Is that why he’s here? To bring you flowers? Is that all?
Part of you wants to slump with relief. Another part however, older, wiser and sadder, remains cautious.
“Well, again, that’s really kind of you,” you tell him, reaching out to take the flowers from his hand. The stems seem to breathe elated sighs as he relinquishes his iron-clad grip. “I’ll have to find a vase for these…”
You’re not sure you even own a vase…
“Naturally,” he replies, peering over your shoulder to quirk a brow at the television blaring behind you, “Ah. Movie night?”
“Hmm?” Following his gaze, you rush out, “Oh yeah, I figured… since I’m off tomorrow and the foreseeable future, a little late night wouldn’t kill me…”
Would it be rude to ask your senior why he’s bringing you flowers at this time of night? Maybe you can tell him you were just about to turn off the TV and go to bed?
As you deliberate how best to tell the man on your doorstep to make himself scarce, he surprises you by abruptly asking, “May I come in?”
‘No!’ your own voice screams at you from inside your head, ‘Just say no!’
“I’m not sure that’s-“ you begin tactfully, but Mick is already bustling forwards, crowding you until you take a slight step to one side. After that, well… You’ve given him an inch, he’ll take a mile, as it were.
Once he has a literal foot in the door, Mick sweeps past you, moving breezily into your living area and roving his gaze all over the room, hands planted on his hips. “Goodness,” he remarks, cocking his head at your bare walls and sparse décor, “You don’t get much on a cleaner’s salary, do you? You haven’t put that… ahem, bonus to good use yet?”
You want to bristle like a cat that’s been kicked.
Mick’s jab is unmistakable, but his awareness of his own civility is not.
Swallowing back a retort, you simply murmur, “Hadn’t gotten around to it yet. I’ll go and put these in some water.” Truthfully, you’re still reeling from the fact he’d just invited himself inside.
Hobbling towards the sink, you delicately lay the flowers in the washing-up bowl and turn on the tap. An angry ring of red light catches the edge of your vision, and you glance over at the stove-top, clicking your tongue as you reach over and turn the cooker’s dial to the ‘off’ position.
Teeth find the inside of your cheek and bite down on the fleshy wall, worrying at it while you wait for the bowl to cover half of the flowers’ stems.
‘Monty knows better than to give himself away,’ you assure yourself, trying to pretend you can’t feel those eyes prickling at the back of your neck, ‘And it’s getting late. Mick’ll want to get home soon. This isn’t anything other than a concerned manager delivering well-wishes to a member of the staff.’
‘There’s a guest in the house,’ a voice that isn’t entirely your own pops up, unbidden, ‘Offer him a drink.’
“Can I get you anything?” you blurt out, turning off the dripping tap and swivelling about to face Mick, “Coffee? Tea?”
The man throws you a look, barking out a laugh. “My word, someone’s got you well-trained,” he chortles.
The moisture dries up in your mouth. He likely assumes he’s referring to your upbringing, or maybe your schooling, but his statement hits far too close to home and sends phantom prangs of alarm through your brain, fizzing like electricity.
But just as your head starts to feel light…
“No, nothing for me,” he sighs, entirely oblivious to the cracks forming in your outer veneer as he nods pointedly at your television, “Although, uh, TV’s a little loud, no?”
“O-oh, yes,” you give a start, wobbling past him, “Sorry, I wasn’t expecting company.” That one was a little barbed, but you think it’s more than justified, given the circumstances.
Making your way to the sofa again, you reach for the controls, intent on swiping them off the cushions, but you freeze in your tracks when your eyes land on the overturned coffee table to your left. The coffee table Monty had knocked aside in his haste to get at you after you collapsed…
Behind you, Mick of course, has already seen it.
“Doing some redecorating?” he comments.
Thinking on your feet, you resume your task of picking up the remote and turning the television off, plunging the room into an uncomfortable silence once more. “No, just… had to move it earlier to do some exercises the physician recommended.”
Mick ‘ah’s’ in apparent understanding whilst you elect to deliberately leave the table where it is, tipped on its side.
“You wouldn’t believe how much space it takes just to do some stretches,” you add, “I haven’t gotten around to moving it back.”
You make a concerted effort to keep your eyes from drifting towards your bedroom door, painfully conscious that the gator must be standing just on the other side, head pressed to the wood to follow the flow of conversation.
“Mm, I can imagine,” Mick grunts noncommittally, and as you return your attention to him, you’re just in time to see him helping himself to a seat on your sofa, breathing out a long, languid sigh as he glances up at you, ruddy cheeks pushing out in a smile. “Come, sit!” he insists abruptly, as if it isn’t your sofa that he’s inviting you to. “Rest that leg of yours, you must be tired.”
If only he knew how terribly his suggestion puts your back up and sends your pulse skyrocketing.
All of a sudden, from the direction of your bedroom door, there comes a soft, nearly inaudible scraping sound, not unlike claws dragging across wood.
To your horror, Mick’s head starts turning towards the noise, but quick as a flash, you draw his focus by stretching your jaws into a wide, obnoxious yawn and settling down on the opposite end of the sofa, leaving a respectable distance between you both.
Covering your mouth with a palm, you loudly proclaim, “Oh! Oh, excuse me. I suppose I have got one foot in bed already.”
You try for light-hearted, miss and land on uncomfortable instead. But if Mick gets the hint, he doesn’t outwardly acknowledge it, merely hums and pulls a handkerchief from the pocket of his shirt, daubing at a glistening temple.
As you perch awkwardly on the edge of the seat, you keep a firm grip on your crutch and make every conceivable effort to avoid casting any wayward glances at your bedroom door. If there’s even the slightest chance that Mick isn’t here because of Monty, then you aren’t keen on blowing your cover.
“So,” the man next to you starts conversationally, clapping his hands down on his knees, “You’re holding up all right, then?”
Shrugging a shoulder, you reply, “As well as I can be, all things considered.”
Mick purses his lips, head bobbing sympathetically. “Mm, I’m sure that’s the case,” he admits, “Bad business, that attack in the tunnels. Very bad business…”
Bad business, or bad for business, you wonder.
And talk about an understatement. You have to sternly remind yourself not to scoff.
His mention of the ‘incident’ however does raise a certain flag at the back of your mind as it occurs to you for the first time that Faz Co. wouldn’t be above sending someone to make sure you’re sticking by the non-disclosure agreement. You wouldn’t put it past them…
Is that why Mick is here? Second guessing yourself for the umpteenth time, you take a deep breath and gently try to steer the conversation towards something of real substance. “I… signed the exec’s paperwork, by the way… So, you don’t need to worry. The matter’s done with, so far as I’m concerned.”
The fact that you now have enough money to start looking for a nicer place to live is certainly motive enough to keep idle gossip to yourself.
In response, Mick only tips his head back and barks out a laugh, “Of course you did,” he chuckles, shaking his head at you, beaming, “You’re a damn good woman. You work hard, you keep your head down. You do your job, and you do it well. You’re loyal…”
Trailing off, he twists himself about at the torso to face you, the smile sloughing off his face as he adds, “Loyal enough that you’d come to the Plex the day after you were carted away in an ambulance.”
With gradual unease, your fingertips curl into the sofa cushions.
Whatever expression you pull must be dire indeed because Mick immediately drops his serious façade and lets out a chortle, leaning across the sofa to give your knee a pat just a few inches from the top of the cast, apparently too amused to notice that you blanch.
“Now then, no need to look so spooked,” he tells you, “I’m not here to lecture you about what you should and shouldn’t be doing following a major incident. I just thought I’d mention that I saw you today-“
You can barely focus on his voice. He’s allowed his clammy palm to lay like a lead weight upon your knee. It’s still there. Why is it still there? The temptation to kick your leg out as if to shoo away a bothersome fly is awfully prevalent.
“I must say,” he carries on, oblivious to the way your gaze drills into the back of his hand, “I was impressed by your dedication to the company. I’d have come over to say ‘hello,’ but…”
Breaking off to torture you with a pregnant pause, the man’s jovial expression collapses, turning sour. “Well…” He clears his throat, shifting in his seat. “Then I saw you were with the gator.”
Right there on the sofa, your heart seizes up.
“You’ve been spending a lot of time with that gator recently.”
‘He knows,’ you fret, flicking a frantic look at the door to your bedroom. The evidence is stacking up against you. Why turn up now, and why mention Monty at all?
Fingers trembling, you start the process of falling apart right next to him, debating whether or not to just get it over with and come clean when he suddenly furrows his brows at you and – at long last – draws back, retrieving his hand from your leg. “You need to watch yourself around that bot. You hear me?”
Relief and shock war for control for several seconds as you gape at him, only remembering to snap your jaw shut once you realise it’s been hanging awkwardly ajar for far too long. Swallowing thickly, you try to smooth down your bristling nerves and stammer out a clumsy, “I-I’m sorry?”
“I’m not the only one who’s noticed, you know,” Mick surges ahead as if you hadn’t spoken, “Most of the staff are starting to talk. A lot of the guests too. And now there’s that video going around…”
Your eyes are starting to ache with the effort of keeping them affixed to the manager, not your bedroom door.
“It’s no secret that it’s taken a real liking to you,” he grunts, “And the way I see it, that puts you at the most risk.”
Suddenly, you find it much easier to pay attention. Several, rapid blinks put Mick at the centre of your focus as you politely admit, “I’m sorry, I… I don’t follow.”
The look he gives you is decidedly pitying. Heaving a slow sigh through his nose, he roves his gaze up towards your ceiling as if he means to pluck the right words out of thin air. “Listen,” he begins patiently, like a teacher trying to explain something basic to their struggling student, “Bots don’t just… change like Monty has. I mean, what’s it been? Less than a week? And it’s gone from causing countless incidents of property damage and snapping at every staff member it sees to carrying one across the plex?”
He puffs out a derisive scoff and shakes his head, lips pursed. Then, leaning forward, he links his fingers together and props both elbows on top of his knees, glowering hard at the blank television screen. “I’m not buying it,” he utters darkly, “Sooner or later, its old ways will start kicking in again, and when they do, who’s the person directly in the firing line?”
Peeling one hand away from the other, he curls it into a fist, extends his forefinger, and aims it right between your eyes.
There’s something so inherently disconcerting about the action alone that you physically draw back from the man on the sofa, leaning away and eyeing his hand as though you’re staring down the barrel of a loaded gun. But at the forefront of your mind – and a sudden source of great contention - is his implication that Monty is any kind of threat to you. Perhaps you wouldn’t be feeling a thrum of defensive indignation if the gator himself hadn’t been in the other room, no doubt able to hear every word Mick is saying about him. As it is, your chest starts to buzz with the desire to correct the man’s assumptions.
Peeling a dry tongue from the roof of your mouth, you slowly press out, “With all due respect, Sir-“
“-It’s Mick, doll. Just Mick.”
You try not to pull a face at his interruption. “Mick,” you start again, “With all due respect, I think that’s a bit unfair to Monty…”
At once, surprise opens his expression, smoothing the wrinkles between his brows as they go shooting up his forehead instead.
“Unfair?” he deadpans.
“I just mean that he’s been trying very hard to do things right lately, and we shouldn’t dismiss that just because he's had a few bad days, right?” Instances of breaking into your apartment notwithstanding. “Christ, Mick, he saved my life from that en-“
Mick’s beady eyes narrow at you.
Clearing your throat, you carefully amend, “… from that intruder.”
For several seconds, you watch on as the man’s face twists up once again into a frown, and he purses his lips at you, exhaling roughly through his nose. Leaning sideways across the sofa, he puts himself close to you and raises a finger into the air, wagging it at you in a manner that you really don’t care for.
“One example of the ‘correct’ behaviour doesn’t negate all the harm that bot has otherwise done,” he tells you firmly, “To the brand, to the plex…” Trailing off, his eyes gloss over as they drift to the back of his hand, staring at something you can’t see. After a moment, he quietly adds, “To me.”
Glancing sideways to find you fixing him with a strange look, he pushes out a cough. “A-And it certainly doesn’t prove that it’s safe. Never trust a dog that’s bitten once not to bite again.”
“Monty’s not a dog,” you point out, your brows set in a stern, unyielding line.
“No,” Mick agrees sharply, “It’s a two-tonne animatronic with a history of violence and a penchant for causing trouble wherever it goes.”
All at once, you bridle, clenching your fist around the crutch. Maybe it’s the fact that you’re in your own home that gives you a shot of courage straight through the chest. If Mick had confronted you with these accusations at work, you can’t deny you might have been a little more hesitant to retaliate. As it is, he came into your flat uninvited, he sat on your sofa and started bad-mouthing your friend…
 “Now hang on a moment, that’s just plain wrong,” you retort, “Monty hasn’t caused any trouble for me, and in fact, he’s gone out of his way to help me these past few days – quite a lot, actually.”
Somehow, Mick’s brows travel even further north towards his slicked-back hairline. He blinks, surprised, either because of your sudden and admittedly barbed defence of a bot you’ve only known for a few days, or because he hadn’t expected you to show him your backbone at all.
You quiver angrily on the opposite side of the sofa, heavy eyelids protesting the late hour whilst Mick blows a noisy breath through pursed lips, regarding you with newfound interest.
“Now then, there’s no need to get yourself all worked up,” he soothes cloyingly, “I didn’t come all this way to upset you.”
The willpower it requires not to bark ‘I am not upset!’ is tremendous, even more so to fake an apologetic smile and reply, “Of course you didn’t. Sorry, it’s just been a long day.” And getting longer with every second Mick sits there, behaving as though he’s done nothing untoward simply by being here.
“I’m sure it has,” he remarks.
And then… something happens. Something that sets the synapses in your brain firing off alarm bells left right and centre, paralysing you in your seat.
Without a word to announce his intentions, Mick shuffles himself along the sofa cushions towards you, closing the very deliberate gap you’d wedged between the pair of you minutes ago.
“If I’m being perfectly honest with you,” he begins in a low murmur, and you wish he wouldn’t be honest at all if that’s how he intends to speak, “I’m sorry I ever sent you into that damnable gator’s room in the first place. I mean, granted you’ve saved the company thousands in repairs since then… But… Ah, forgive me, perhaps this is unprofessional but…”
His already soft voice dies to absolute silence as he stretches his hand across the distance between you and sets it down on your leg once more, just above your knee - nowhere an uninvited hand ought to have any business treading.
You can’t tear your eyes off it. All the moisture in your throat has dried up, all the breath in your lungs stays trapped.
You’re not angry anymore.
“I simply wouldn’t forgive myself if that gator hurt you, you know,” his voice sounds muffled, half-drowned out under the blood rushing in your ears, “I’m only looking out for you.”
You’re scared.
He’s sitting close, too close, close enough that the smell of smoky cologne is suddenly clogging up your airways and sticking to the back of your throat when you inhale.
“Can you blame me for worrying though?” he asks, rubbing his hand up an inch as if he’s testing the waters. Sadly, your limits have been pushed before, further and further each time until the bad things just became mildly uncomfortable things, and the really dreadful things were simply better to ignore.
“You really are a very good worker. But that animatronic isn’t safe.”
Your breath catches in your gullet when you swallow, and even now, after all your experience and the hurdles you’ve cleared, you start to doubt yourself. Perhaps Mick really is just concerned. He certainly sounds it. You could be finding horror in something entirely benign. He’s a manager, he knows better.
He’s a molehill and you’re sitting here wondering if you should make him into a mountain.
Fingers twitch against your skin and you blanch, prying your jaws apart to… what? Scream? Tell him to get his hand off you? He hasn’t technically done anything wrong. You let him inside…
All of your senses come flooding back to you suddenly as a strange sound catches your ear; a latch clicking out of place, a handle turning inwards. Ears thrumming with adrenaline, you at last manage to rip at least part of your concentration off Mick and train your hearing towards your room instead.
Luckily for you and the idiot gator trying to stealthily open your bedroom door for some, inane reason, Mick seems far too preoccupied with catching your eye to even register the noise.
He’s looking for a reaction.
The appealing idea that this might just be one big misunderstanding starts to wash away bit by bit.
You cast your mind about, mentally searching the room for something – anything to derail the direction of his goal. When that fails, you reluctantly allow your gaze to wander from your television to the front door, over to the kitchen and then down to the flowers poking over the lip of the sink…
Flowers…
A stray gear in your brain chugs to life, kicking out a single, blessed idea.
“Hah!” you wheeze out breathlessly, forcing a wobbly smile onto your reluctant mouth, “You’re starting to sound like Andy. He worries about me too.”
There. It’s only for an instant, but out of the corner of an eye, you see Mick’s expression falter. “Flowers?” he asks.
“Mmhmm,” you hum, “I’m surprised you didn’t arrive with him actually.” Feigning an expectant glance at your front door, you school curiosity onto your face and add, “You didn’t see him on your way up, did you?”
Mick’s hand starts to raise ever so slightly from your thigh, too slow for your liking, yet you grit your teeth and bear it for a while longer, like you always have.
“See him?” the man blinks, “I… no? Why would I have seen him?”
“Oh, it’s just, he texted me before you knocked on the door. Said he’d be here in another ten… fifteen minutes to drop off some stuff I left in my locker at work. I thought you might have come together.” Shrugging a shoulder as casually as you can, you quirk a brow at Mick and continue, “You really didn’t see him? Huh. I hope he’s okay. It’s not like him to be late.”
On the last word, the feeling of warm, sweaty skin pressed to your leg disappears.
Bingo.
“Well,” Mick announces brusquely, plastering a cheery grin on his face as he leans back and slaps his palms onto his knees, pushing himself off your sofa, “If Flowers is on his way, I’d better let you two have your space. Wouldn’t want to crowd you, hmm?”
Though it damn-near kills you to do so, you tilt your head and ask, “Oh, are you sure? I think he wanted to have a word with you about something.”
Mick’s face turns several shades paler than usual as he stumbles over his response. “Ah, well, I’m sure it can wait until I see him at work tomorrow.” Slipping a finger between his grey tie and the collar of his shirt, he tugs the fabric looser, taking several, hurried steps in the direction of your front door. “I’m sorry to have stopped in unannounced.”
Your smile reveals just a few too many teeth. “It’s not a problem,” you lie, using the crutch to lever yourself onto your feet, “I suppose I’ll see you at work, then?”
Mick’s backwards peddling might have been funny if you were in any mood to laugh.
“Hm? Oh, yes, yes. I’ll see you then,” he titters, “You just stay off that leg in the meantime.” His hand grasps the door handle, sliding clumsily around it for a moment as his damp palms clamber for purchase.
You heart soars when he finally manages to pull it open, only to step halfway outside and hesitate in the threshold of your home. For several, awful seconds, you stare at the back of his head, wondering if he’s changed his mind, or worse, if he’s called your bluff.
Sparing you a look over his shoulder, Mick catches your eye. “Just… remember what I told you about the gator,” he tells you suddenly, “Preferably before you decide to visit the Plex again.”
And with that, he just… leaves, disappearing out into the hallway and pulling your door shut in his wake until the latch ‘clicks’ shut.
Mouth full of cotton wool, you listen intently for the thump of dress shoes hitting carpet to peter out as Mick beats a hasty retreat down the hall. Fainter and fainter, the sound fades, until at last, you hear the far-off 'ding' of the lift doors sliding open and shut, and with a shuddering inhale, you promptly crumple forwards against the door, gasping out a wet, pitiful noise whilst you scrabble at the lock with shuddering fingers.
It’s only when the metal latch slides into place with a definitive ‘shunk,’ that the door of your bedroom bursts open.
With all the speed and unimpeded ferocity of a stampeding bull, Monty comes surging from the darkness of your bedroom, his shoulder struts reared back like a pair of snakes ready to strike.
“What’d he do to you!?” he demands, crossing towards you in just a few strides.
You spare a thought for your downstairs neighbours before you remember they’ve been on holiday since last week. And a good thing too. Each step the gator takes sends tremors through the floor below your bare feet.
Monty’s sensors – by now so well-tuned to your vitals – had been going haywire behind the door, picking up on your thundering pulse and the steady uptick in your cortisol levels. He’d had to stand there, helpless but to listen as Mick spewed his rhetoric into your ear, and Monty hadn’t been able to defend himself or refute the man’s claims at all. But you-!
Wonderful, righteous, amicable you... You had! Monty's systems were thrumming, thoroughly cowed to hear you come to his defence, which made it only more difficult not to burst into the room and sweep you away from Mick when the man all but purred reassurances at you.
But worse, perhaps, was the gator’s inability to see what was happening on the other side of the door. Mick’s verbal blows against Monty’s behaviour couldn’t have been the catalyst for your climbing heartrate, though some small, selfish code in the animatronic hopes you felt at least a little indignation on his behalf.
No… Something else occurred here tonight. Something Monty wasn’t privy to, but wishes he was, if only to settle the ire broiling in his circuits.
You have your back to him, and your forehead pressed against the solid wood of your front door.
He has to see your face… He has to know. He has to read your expression and see for himself that there isn’t any fear there, just exasperation or even a fiery burst of anger. Anything… Just not fear. He would take all the fear in the world from any human he meets if he would only be spared from yours.
Wrestling back the hissing lines of code that poke and prod at his temper, Monty slows to a halt as he reaches you, his apertures twitching wide then narrow again whilst they flit up and down your body in search of damage.
“Hey,” he calls, sliding a single, clawed hand around your bicep, “You hear me? What’d he-?”
If he’d have just known… If he’d have hazarded a guess as to where your mind had gone in that moment, he might have thought twice about laying his hand on you.
“DON’T-!” you yelp shrilly, whirling around to face him and thrusting your wrist against his, knocking the limb aside as if to parry a weapon instead of his arm.
Startled, the gator wrenches his appendage back, holding it above his shoulder in a display of surrender as he blinks down at you dumbly, jaw falling ajar.
And then, he sees it.
You’re staring up at him, your face drawn back, haggard and half-mad with terror, your chest heaves with the effort of taking in breaths.
He doesn’t have to perform a scan to determine what he’s been dreading. Humans have looked at him like that ever since he was first brought online. Monty’s processor thumps, dredging up a memory of Mick - younger and bolder than the man he is now – reeling away from the gator, face as pale as Moon’s and his eyes so wide the entire iris was exposed. Monty remembers the odd sensation of something soft collapsing between his teeth.
The animatronic violently purges the memory from his internal storage, though he knows it’ll still linger there somewhere, buried behind layer upon layer of firewalls until his guard is lowered once more.
All at once, he recoils like he’s been hit by a wrecking ball, staggering backwards until his tail hits the wall behind him and he’s forced to stop. Unable to retreat any further, unable to offer you any more distance, he simply stares at you from his side of the room.
It’s over… This wonderful, safe harbour he’d found in you is finally finished… You believe what Mick had said about Monty being a danger to you.
He always knew this had to end, of course. Good things can’t thrive in the vicinity of a Faz Co. animatronic. He just… didn’t think the time would come so soon.
Even still, he can’t help but cling with raw, desperate hope to you, scrabbling to keep a hold of your good graces because he’s too stubborn or too foolish to let go.
“I-I wouldn’t -“ he starts, concealing his claws with his fists and tucking them against his chest, “- I’d never… I wouldn’t hurt you. Not you, not ever. You’re…”
His voice box sputters, cutting out for a moment as he searches his bank of vocabulary for what you are.
When it finally dawns on him, his processor almost grinds to a halt.
“You’re all I got,” he confesses slowly, surprising himself with the revelation, “I don’t got nobody else…I ain’t gonna hurt you, you know that.”
You have to know that.
Please know that.
Gradually, far too gradually for the gator’s highly strung code to endure, you lower your arm  too look at him, brows high on your forehead.
“Monty?” you utter quietly, sending a quick glance between the animatronic’s downcast snout and the hands he still keeps curled beneath his chest. In another blink, you realise what you’ve just insinuated through action alone.
“Oh, I… Monty – No, of course you wouldn’t. I’m so sorry, I… God.” Slouching back against the door, your head knocks against it as you drop a palm over your face. “This is such a mess.”
Lowering your palm to the door, you splay your fingers over the wood behind you, drawing in a steadying breath and trying to ground yourself to the solidity at your spine. Another breath, and you finally drop your eyes to the gator.
For the briefest moment, you consider telling him why you couldn’t bear to feel a hand on you right now.
Your mouth creaks open, the words sitting on the tip of your tongue.
But something along the vein of common sense tells you that it wouldn’t be fair to burden Monty with such knowledge.
‘Besides,’ you remind yourself, borrowing your mother’s words, ‘It’s all in the past, and least said, soonest mended.’
Morose yet resigned, you swallow back your admission.
“I’m sorry, Monty,” you offer instead, raising a hand to rub at your drooping eyelids, “I’m sorry. You didn’t do anything wrong.”
Unconvinced, the gator curls his tail inward, eyeing your arm - the one he’d grabbed.
“I didn’t hurt you, did I?” The question seems to creep out of him, his volume levels set so low that you have to strain your ears to hear it.
“No,” you reassure him, dropping your hand to give him a gentle, albeit tired smile, “No, you didn’t. You wouldn’t.”
“I wouldn’t,” he readily agrees, lifting his snout a little.
For a few seconds, the pair of you simply regard each other from opposite sides of the room, until eventually – and reluctantly – you have to let your smile fade away, replacing it with a worn, heavyhearted frown.
“That was close though,” you whisper to yourself, letting your eyes slip shut, “Shit, that was too close.”
How on Earth Mick didn’t find out about Monty’s presence here, you’ll never know.
A mechanical whir followed by a thud lets you know the gator has just edged a step closer. “Yeah, no kiddin’…” There’s a pregnant pause, and then you jump slightly, snapping your eyes open as Monty raises his voice to an indignant bark, “And just what in the heck did he think he was doing, comin’ round here in the middle of the night anyway?”
The look you shoot the gator is withering enough to have him tilting his head sideways.
“What?” he asks, apparently oblivious.
You elect to gloss over his blatant hypocrisy in favour of jabbing a finger at him, though the action lacks the same hostility it might have ten minutes ago. “You know, it wouldn’t have been ‘too close’ if you hadn’t been here in the first place.”
Perhaps recognising the rising challenge in your tone, Monty’s stance shifts as he raises up on his struts, towering so high that his mohawk almost brushes the ceiling. He peers down the length of his snout at you, the line of his brows set and rigid, half shuttering his optics.
“I ain’t sorry,” he tells you, and it’s so matter of fact that you give a hard blink, your own eyebrows springing up towards your hairline.
You’re starting to feel a little like Andy. If this is how exasperated the poor mechanic feels when you do something stupid, then you owe him several, sincere apologies.
“I… I was, though,” Monty adds suddenly, lowering his nose as if the bluster was only ever meant to be short-lived, “Before Matthews turned up. But now, I…”
For a second, he falters, then bulldozes through his hesitation with a sharp grunt and a shake of his head, meeting your gaze resolutely. “Now, I’m glad I was here.”
His optics flicker brightly, though they dart between your face and the cast on your leg at frequent intervals as though he’s uncertain of himself yet determined not to back down from his conviction.
“I ain’t stupid,“ he insists, but there’s too much fervency behind it, like you’re not the only one he’s trying to convince, “Matthews was doin’ something to you. If you hadn’t’a got rid of him, I’d’ve…“
“…What, Monty,” you sigh when it becomes clear he’s hesitating to sort through his words again, “What would you have done, short of giving us both away?”
“I’d have stopped him,” he growls, puffing out his chest and jabbing it with the sharp claw of his thumb, “I’d’ve protected you.”
Rolling your eyes, you huff, “Oh, my hero. You’d get yourself scrapped, and me arrested for kidnapping an animatronic.”
It’s disconcerting to see a bot so large and intimidating positively wilt as though your point has just heaped a very real, very tangible weight upon his shoulders.
Letting a sigh slip through your nose, you catch a loose bit of skin between your teeth, worrying at it in the tangible silence that hovers between you and the gator.
You want to be angry with him for being here. You want to tell him how foolish and misguided his programming was to convince him that he should leave the Plex to seek you out. But if there was any strength left in you after the day’s events, it’s been well and truly sapped clean out of you. In fact, ‘sapped’ is too gentle a word for it. As memories try to pile up on top of one another, it takes more effort than you’d care to admit to beat them down again, leaving you with very little residual energy to conjure any resentment for an animatronic who followed you home because he wanted to make sure you got there safely.
This behaviour is so out of character for him.
And you? Well, you’re so out of your depth. Shit, you can never tell Sun and Moon about Monty’s escape. If the daycare attendants find out that they can leave the Plex as well, you’ll be in for a whole new world of trouble.
While you slump against the door, contemplating, Monty’s large head swings to the left, his optics studying the window. He’d wrenched it open so hard the frame had torn jagged splinters from the surrounding wood. The corner of his lips turn south as he lowers his optics to the table he’d overturned. That alone had almost been enough to rouse suspicion, but you’d explained it away expertly, from what he could hear, and Mick ended up none the wiser.
It comes as no real shock to the gator that if it weren’t for your quick thinking and well-oiled responses, he’d have given himself away ten times over. He’d have given you away…
Impulsive, Freddy might call him.
Stupid, would be Roxanne’s more cutting, though no less accurate decree.
It’s never been an easy thing for Montgomery Gator to admit that he might have been wrong. Even if his protocols thrum with a newfound urge to guard a member of Fazbear Co.’s faculty, his processor knows all too well that his coming here put you at the most risk.
The gator’s tail drops to the ground with a dull ‘thunk’ of plastic and metal on the carpet. “I just wanted to do somethin’ right for once,” he utters to the stillness, his truest desire finally spoken aloud.
He doesn’t look at you this time, but his audials pick up your gentle intake of breath and wonders what happened to the animatronic who would have bitten your head off several days ago just for looking at him the wrong way.
At least if that Monty did something wrong, it was usually deliberate. Somehow, as he’s quickly coming to learn, it’s so much worse trying to do something right, and getting it wrong anyway than doing something wrong in the first place.
Hurts more, he concedes.
The gator is too busy discovering the scope of his regret to notice you push yourself off the door, leaning hard onto your crutch as you squint up at him, cocking your head to one side like he’s a puzzle you’re still figuring out. Admittedly, you absolutely are. You’re not an engineer or a programmer. You can’t begin to fathom the depths that Monty’s learning algorithms can reach.
All you can see is an animatronic condemned by those who made him, trying to be better than he’s told he is. So, while you can’t condone his being here, for his own sake, you realise that he - much like yourself - has likely had more than enough of people telling him off.
Sucking down a long, thick breath, you release it all in as weary a sigh as you’ve ever expelled.
“You’re doing fine, Monty,” you say, and it’s kinder, warmer than you’ve sounded all evening, “You’re doing just fine. I mean, this was a little…” Pausing to gesture loosely at the overturned coffee table, you let out a soft laugh and continue, “Uh, overzealous. But your heart was definitely in the right place.”
‘Your heart.’
Slowly, hesitantly, Monty’s tail lifts from the ground, rising with the edges of his crocodilian smile. You might never know how much it means to him that you don’t point out how he doesn’t technically have a heart. And it means even more to hear that you know his intentions came from a good place.
“But,” you add, inhaling, like you’re bracing yourself, “I’m still not happy you’ve put yourself in such a precarious position just to check up on me.”
Monty’s metal framework groans as he slumps again.
“Ugh. Listen to me,” you chuckle, rubbing your temple, “I’m starting to sound like Andy.” Starting forwards, you begin limping for your room, stifling a wide, clumsy yawn behind the back of your hand. “Now, I have had, like, the longest day. And I’m going to bed before I keel over.”
“…But… what about your food?” he asks, sparing a glance over at the saucepan sitting idly on the countertop. The water inside has long gone cold.
Your footsteps pause as you draw alongside him, reaching out to lay a palm on your bedroom door. “I’m not hungry,” you murmur after a second. It’s not entirely a lie. For some reason, the meagre appetite you had for cheap noodles and tea has evaporated, leaving you hollow, yes, but not nearly as hollow as you were rendered by the touch of Mick’s hand on your leg.
Giving your door a shove, you push it open and reach around the corner, sliding your fingers along the interior wall until you find the light switch, flicking it on and illuminating the bedroom with a warm, yellow glow. Monty is frowning at you, you can feel his crimson optics boring into the side of your head, but you ignore him to say, “I suggest you go back to the Plex before you run out of charge.”
You must have mistaken the gator’s earlier acquiescence for a willingness to leave.
“I got plenty of charge,” he deflects.
As it is, Monty’s optics rove over the top of your head, widening significantly behind his glasses as they land upon the contents of the room that he’d been standing in just minutes ago. He hadn’t bothered to sate his curiosity then, far more apprehensive about what was happening on the outside of the space, but now, without oppressive darkness cloaking every corner and without a potential threat to contend with, his protocols take a backseat to his inquisitiveness.
He observes closely as you shuffle into the new territory, your territory, where you immediately make a beeline for the nest – bed, his CPU corrects – that’s set against the furthest wall.
Swinging his prodigious bulk around, the animatronic trails after you, ducking underneath the doorway and raising his snout to the air.
You don’t even have to look over a shoulder to know you’re being tailed. The heavy stomps are proof enough of the gator’s proximity. “Monty, come on,” you whine, “You’ve gotta go home.”
The gator only offers a gruff hum in response, otherwise distracted by the simple yet pivotal revelation that he, for the first time, is seeing your private, recharging chamber. Immediately, he’s struck by how much more lived-in this humble space is. Out there, in your kitchenette and the adjacent living room, everything seemed so much more bland. Less you.
In here, there are pieces of you scattered into each corner of the room, from the pile of unwashed clothes sitting in a nearby chair to the row of house plants lined up like soldiers along the breadth of your windowsill.
Curious, his optics roam towards a desk in the corner, upon which sits - to his immediate intrigue – a large, square tank filled almost to the brim with crystal-clear water, and lit from above by a cool, fluorescent light bulb. He knows what it is at once, though he’s never been privy to one in person before.
At his back, you reach the bed and promptly collapse onto your rear at the edge of the mattress, dropping your crutch to the floor and listening to it land with a sharp clatter of plastic.
“Ohhh,” you groan tiredly, leaning forwards to balance your elbows on your knees and drop your face into a palm, trying in vain to rub away the bags underneath your eyes with numbing fingertips.
Your whole body aches ferociously, all stemming from the sharp twinge of your ankle that lays protected behind a thick, white cast.
Six Weeks…
Day one has been hard enough. How are you supposed to make it to day forty-two? The question remains; is it uphill from here, or down?
Glancing over a shoulder, you restrain an impromptu smile before it can spread as you spot Monty creeping up to the fish tank on your desk, his head hunched low to peer through the glass at your little corydoras sifting eagerly through the substrate in search of hidden food.
“Hey, little guys,” the animatronic murmurs, his optics casting the water in a gentle, pinkish glow.
Fish are a novelty for him. He knows of them, of course, has seen images of them depicting many various shapes, sizes, and colours. He knows they can’t survive for long outside of water, and he knows they’re covered in scales.
But to see for himself how those scales flash under his scrutinous, crimson LEDs, to watch their barbels twitch as they playfully chase one another along the floor of the tank…
There’s a strange kinship there for the creatures who share the waterways with his real-life counterparts.
He likes them, he decides. He likes that you have them. It speaks to an apparent affinity for aquatically-inclined animals…
For several moments, you merely observe the gator from your bed, wondering why he’s stalling. At least, you assume he’s stalling.
“Monty,” you yawn, pretending not to notice how his purple shoulder struts jump in response to your voice, “What are you doing?”
The gator’s head twitches towards you briefly. “M’sayin’ hi to the fish,” he states simply.
Shooting him a deadpan glare, you retort, “You know what I mean. Why are you still here? You need to get back to the Plex before you’re missed.”
“Ain’t nobody gonna miss me,” he shrugs, “Sides, I’ve still got a couple’a hours of juice left in the tank. Don’t worry.”
“But I am worried, Monty,” you squeeze out - and oh, there’s that pinch of tenderness to soften the hard, brutal metal hidden under his casing – “If I wasn’t worried about getting caught, I’d haul you back to the Plex myself… How did you get here unseen anyway?”
“Came over the rooftops,” he replies proudly, cocking his head at a fish that approaches the glass, lured by the glow of his optics.
“The rooftops!?” you sputter, “How on Earth did you get up there!?”
Flashing a cheshire grin, the gator gives the casing on his thigh two hearty slaps. “Got the best pneumatic cylinders in the business. These things’ll carry me distances you wouldn’t believe. Sometimes I use ‘em to get from one side of the catwalks to the other. This is the first time I’ve seen what they can really do.”
Collapsing backwards on top of the covers, you splay your arms out on either side of you, letting a long, appreciative whistle pass your lips. “You jumped…. All the way here?” you realise aloud.
“Beats walkin’.”
“… And you’re going to jump all the way back?”
“Can’t exactly take a cab, can I?”
You don’t respond for a long while… So long that he turns himself all the way around and rises to his feet, half expecting to find you fast asleep on the bed.
Your eyes are closed, and you’ve gone very still. Your chest rises and falls with even, steady breaths, though your legs are still dangling over the side of the mattress, toes brushing against the carpet.
Monty frowns. A hum of machinery gives him away, not so silent as he paces around the bed towards you and lowers himself down onto one knee, reaching for your legs with the intention to lift them up to the bed so you can lay flat.
His first-aid protocols are nowhere near as advanced as Freddy’s, but he’s skimmed enough medical files in the last twelve hours to know that you should keep your damaged leg elevated.
With gradual movements, the animatronic’s fingers flex and stretch for your cast. However, his purple claws barely make it within a foot of your appendage when your body goes absolutely rigid, as though you’ve turned to stone right there on the mattress.
At once, Monty stops, glancing up to see one of your eyelids crack open and swivel over to peer at him, blinking slowly in the glow cast by his optics. “What’re you doing?” you ask guardedly. Something in your voice quivers. He catches it right away.
“I… just – I was gonna put your legs on the bed,” he explains.
The clock on your bedside table ticks quietly ever onwards, and it’s only when you remember to exhale that he considers your expression for another moment and finally ducks his head, asking, “… Can I touch you?”
Stuffing your teeth into your bottom lip, you clutch a fistful of the duvet beneath you and slowly shake your head from side to side. “Not… Not yet… I’m not…”
You falter, swallowing a painful lump that sticks in your throat like guilt. Monty didn’t do anything, after all.
But for an animatronic, his response comes far too softly.
“Okay,” he nods, pulling his hands away and returning them to his lap.
And that’s… all he does for a long time.
Sniffing, you lower your gaze, tugging yourself backwards using the duvet as leverage until you can haul your heavy cast over the side and stretch your legs out towards the foot of the bed, sighing in relief.
"Better put a pillow under there," Monty pipes up, jutting his chin towards the fluffy, white cushions spread out behind you.
Clicking your tongue, you stretch behind yourself and snag the first pillow your fingers grasp, hauling it over your head and tossing it haphazardly near your leg. After taking a moment to brace yourself, you lean back on your elbows and bite your tongue to keep down a cry as you lift the leg up and onto the pillow.
Through it all, Monty says nothing further. He does stare at you though…
You’ve noticed he’s being doing that a lot lately. What was it Mick said?
‘It’s no secret that it’s taken a real liking to you.’
You don’t want to think about Mick.
Finally, when the gator’s staring starts to grow a little too… intimate, you swallow thickly and peel your lips apart to mumble, “Monty, why don’t you want to go back to the Plex?”
He perks up at his name but loses his enthusiasm as he registers the question.
“I’ll go back soon,” he grumbles.
“That’s not what I asked.”
Monty’s vents hiss as he simulates a pensive sigh - like yours - and begins folding his legs up underneath himself, his plates sliding over each other as he settles himself down onto his rear, arms draping loosely over his knees. He knows.
“Six weeks…” he mutters, cautiously lowering his long chin until it brushes the duvet cover beside you. When you don’t protest or move away, he gives his head a little more rein to droop, and the framework in his neck no longer strains to keep it aloft.
Confusion lays its mark bare across your face. “What?”
Six weeks,” he repeats, “That’s how long you’re gonna be gone for. That’s a long time to…” Static clings to his voice-box, stifling his words. With a grimace, Monty thumps a fist twice over his chest until something clicks audibly into place. Then, forcing a laugh, he falteringly adds, “S’a… long time for a bot to go without having his room cleaned, yeah?”
“You could always let the S.T.A.F.F bots help you,” you point out.
“Nah, they wouldn’t do it right.”
A weary smirk toys with the edge of your mouth as you reply, “Well, have you considered – and this might be a bit outlandish, but bear with me here – have you considered just… cleaning it yourself?”
“Course I have,” he retorts, “But… c’mon, it’d be more fun with you, wouldn’t it?”
He should have known when your smirk recedes to leave him looking at a flat, sombre line that you weren’t fooled for a moment.
“Monty… Is the truth really that embarrassing?” you pose.
‘Yes…’ he huffs wordlessly to himself, ‘It is.’
 “It’s all gonna go back to the way it was before,” he mumbles into the duvet.
“What is?”
“Everythin’,” he suddenly exclaims, wrenching his head back up, “It’ll go back to how it was before you came along. You’ll be gone for six weeks! What if I start gettin’ angry again? What if I forget about what you taught me, ‘bout accidents n’ stuff?” That thought brings on another that’s even more dreadful, and he curls his hands underneath his chest, leaning into them against the side of the bed. “What if you forget about me?”
You blink at him, bewildered, studying the jarringly human behaviour he’s exhibiting, and wondering, not for the first time, if it says something about you that you see humanity in so much of what these animatronics do.
“Hey,” you offer, giving him a sympathetic smile when he slides his nose further along the duvet until it almost touches your arm. Almost. “You might be overthinking things, Monty. I’m pretty sure I could never forget you.” You laugh at that, causing him to blow a whuff of air against your forearm. “And besides,” you add, “Six weeks is… like, nothing, okay? It’ll go by faster than you think.”
Far from convinced, the gator only grumbles unintelligibly into the duvet and casts his optics to the other side of the room. The bed underneath you rumbles as the rich bass growls out of his speakers.
“Listen...” you sigh, flopping your head down onto the pillow to blink up at the ceiling overhead, “When I was younger, one of my best friends moved halfway across the world with her family.”
Immediately, the gator’s jaw clenches at the mention of your ‘best friend’ before he catches the action and berates himself for behaving like a toddler being asked to share their favourite toy.
“We haven’t seen each other for… Oh boy, ten years, maybe? I still call her sometimes… Probably not as often as I should... And you know what?”
“…What?”
You roll your head over to peer at the animatronic beside you, finding his focus has returned to your face.
Pulling your mouth into a sleepy smile, you let out a hum before murmuring, “Every time I ring, she’s always so pleased to hear from me. I bet if she were to walk through my door right now, it would be like no time had passed at all.”
Monty’s optic shutters click open and shut. “How come?” he prompts quietly.
“Well, do you think I love her any less now because I haven’t seen her for ten years?” you reply, “Friends can’t be together all the time, you know. Even if they might want to be. Life gets in the way. Families, jobs, fatigue, but that doesn’t mean they aren’t still friends. So, you don’t need to worry about not seeing me for a few weeks, okay?”
You can’t help but find this conversation very reminiscent to a similar one you had to have with Sunny after he learned you were leaving for a week of summer vacation.
“I ain’t worried,” Monty lies through his teeth, “Just wonderin’ how you’re gonna have any fun without me around.”
“Fun was not the doctor’s recommended treatment,” you yawn, letting your eyes slip shut and keeping them closed, bogged down by a cumbersome weight that’s been heaped upon your shoulders. A myriad of hurried little thoughts swirl around inside your head, too numerous to pin any single one down. Mick’s arrival and subsequent behaviour, whether you’re trying to read too much into what might have been nothing more than a friendly gesture, Monty’s escape from the Plex and the sudden responsibility you have for an animatronic you’ve barely known a week…
You just need to sleep.
‘It’ll all make sense in the morning,’ you try to tell yourself…
You’d make a shit salesperson.
For some time, the quiet gurgling of your tank's filter provides a soothing backdrop to the silence cast between you and the animatronic.
“Can I stay here?” Monty’s question breaks through the fog of flitting thoughts, his volume barely a digit away from being entirely mute, “With you? Just for a lil’ while?”
Prying your eyelids apart to blink tiredly at the gator, you let your chest fill with a slow, heavy breath, blowing it all out again through your nose.
“… Just this once,” you whisper back.
The gator’s optics brighten, then flit towards the movement of your hand on the bed.
You’ve raised your forearm, inching the appendage closer to Monty’s snout. Fingers worn dry and abrasive from chemicals and labour touch down on top of the animatronic’s nose, followed by your palm, spreading a pleasant flood of warmth down through his teeth and onto his tongue.
In response, some of Monty’s systems backfire, kicking errors codes to his HUD that tell him he’s overheating, and should release excess coolant to the affected areas. He ignores the alerts. He ignores everything. Everything that isn’t your hand is left by the wayside, forgotten in favour of soaking up a touch that he knows would never cause hurt.
Letting his optics click shut, the gator draws his silicone lips up into a lax, lazy smile.
The muffled ‘thumps’ of a heavy tail fall and rise from the carpet over and over, and Monty’s frame seems to purr as he relaxes his massive head onto your mattress, contented and committed to this spot until his battery hits zero and his limbs rust from underuse.
He knows he has to leave, but for now, just pretending… It’s the happiest he’s been in…
It’s the happiest he’s been.
“Just this once.”
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pathetichimbos · 6 months
Text
First Meeting - Part Five
((part four here)) ((part six here))
Thomas Hewitt/GN!Reader
tagslist: @goodiesinthecloset21 @shykoolade @strawb3rry-gal @ktssstuff @theclownbaby0 @leah-halliwell92  @lost-in-fiction-like-ur-mom @aleracrovn
---
You’ve run away from home, hitchhiking around Texas as you come up with your next plan, only to find that life has plans of its own when a simple ride with a group of friends lands you at a lone gas station in Travis County, drawn to a mysterious man most seem to avoid.
---
Luda Mae didn't say much else after your confrontation, only directing you on where they kept the empty egg cartons once you were done drying the eggs and which fridge to put them in.
She tasks you with helping with dinner, leaving you in charge of cutting the vegetables she needs for the beef stew she was planning to make later in the day.
Okra, onions, tomatoes, potatoes, carrots, celery... This stew was packed full of everything, a big and filling meal, a recurring theme you could already see playing out in this house.
The Hewitts clearly didn't lack in food, making enough for everyone and more, their fridges stockpiled with everything any person could need, from fresh fruits and vegetables to drawers full of home packaged meats.
Luda Mae begins preparing lunch as you chop the vegetables, the radio filling the silence between the two of you as you think of something to say, trying to find a way to fix the awkwardness you had created.
Before you get the chance, however, Luda Mae breaks the silence herself, "Go fetch Monty and Thomas for lunch."
"Right." You drop the last of the now chopped vegetables into a large bowl with the rest of them, "...Where are they?"
"Monty'll be on the front porch, with that damn yappin' mutt of his. Tommy'll be in the basement, straight down the hall."
"Ok, where do you want me to put these?" You grab the bowl off the counter.
"Put 'em in the fridge for now."
"Yes ma'am." You do as you're told, going to the front porch first.
You push the screen doors open with a sqeual, the two wooden doors already wide open to help air flow through the house.
You step onto the porch, swinging your head right to the empty swing, then left to see Monty at the other end of the porch, sleeping dog curled up in his lap.
"Hello?" You ask, as he doesn't seem to react to your presence at all.
No response.
You step closer, and the faint sounds of snoring make it apparent he's fallen asleep. You take another step, reaching a hand out to touch the back of his wheelchair in an attempt to wake him.
But, instead of waking him, you wake his dog, who jumps up as soon as your hand touches the chair, barking ferociously at you.
You jump back, pulling your hand away as Monty wakes up with a jolt, looking around confused.
"What the-- Roxanne, shut up!" He hollers at the dog before spotting you, already grumpy at being woken up, "What the hell are you doin' here?"
"I, uh... I'm supposed to tell you lunch's ready?" You take a step back, unsure of what else to tell him.
"Aw, hell." He huffs, turning towards the front door and making his way across the porch, yelling out, "Luda Mae!"
You step out of the way to let him pass before quickly following behind, making sure to reach up and open the screen door for him.
"I don't need your damn help." He mutters, pushing the other screen door open with his cane and making his way inside, "Luda Mae!"
"What the hell are you yellin' about now, Monty!?" She calls back from the kitchen.
"What is this person doin' in my damn house!?"
"Your house!?"
You ignore the rest of the conversation, quickly walking past the kitchen as they argue, following Luda Mae's previous instructions and going straight down the hall.
This end of the hall is dark, a stark contrast to the rest of the house. There's a single step into a small room, and when you try the switch it doesn't work.
The large metal door is daunting, not like any basment door you've seen, towering over you in the dark like a threat.
Just like a horror movie... You can't help but to think, stepping forward and looking for a door handle.
You don't find one, your fingers running across the cold metal in the dark, feeling for a way to open it. Instead, your fingers catch on the side, and with a little more looking, you realize it's a sliding door.
Gripping the edge of the door, you pull as hard as you can, the heavy metal scraping as it slowly pulls open, working against you as if it didn't want you to open it at all.
You give up once you get enough space to squeeze through, leaving it partially closed as you step inside.
You're immediately met with a faint, foul smell, and a wooden staircase going down into a wall before turning into the rest of the basement hidden from your view. You can hear someone moving around down there, a faint light creeping up the stairs.
"Thomas?" You call out from the top platform, shifting in place. The basement was already terrifying you, and you hadn't even taken the first step down, "You down here?"
You hear metal clatter, and something drop before heavy footsteps make their way over to the stairs. Thomas comes up to the second platform, a rag in hand as he wipes off his hands and arms. You can't see what he's wiping off, and you're sure you don't want to.
"Lunch is ready." You tell him, Luda Mae's and Monty's yelling loud enough to echo into the basement as you give an awkward smile, trying to make light of the situation, "...I don't think Monty likes havin' me here much."
Thomas lets out a small amused huff, well aware of his uncle's habit of looking for a reason to have a problem.
"Are you coming up?" You ask, and he nods, tilting his head towards the basement as if to say he'd be up in a minute, "Alright, I'll tell Luda Mae."
You step back out of the basement, barely managing to push the door shut again.
You can hear the arguement finishing up as you head back into the kitchen, managing to catch the end tail of Luda Mae shutting it down, "...Sit down and eat so you can shut the hell up. Ain't no damn reason for you to be mad right now."
Monty grumbles something else too quietly for you to hear as you step back in, already stuffing his mouth full of the lunch Luda Mae prepared.
"Thomas says he'll be up in a minute." You break the silence, tension thick as you take a seat at the kitchen table.
Monty rolls his eyes, smacking around a full mouth, "Oh, what'a big help you are."
Taken aback by the sudden insult, you look between the two of them, beginning to pick at your own plate of food.
"Ignore him. He's just mad at nothin'." Luda Mae sets two more plates down before taking the seat beside him, "Don't talk with your mouth full, you damn fool."
He huffs again, glaring down at the plate of food as if it's responsible for everything wrong in the world, though you had an inkling suspicous he was directing those feelings towards you.
Another minute passes in silence, as the three of you sit and eat, your plate signifigantly less full than theirs, a request you gave Luda Mae earlier as to not waste any food you couldn't eat.
"...This is really good." You finally speak up, the silence driving you mad.
"Thank you. At least someone's appreciative." Luda Mae gives Monty a pointed look.
"Ain't suppos'ta talk wi'f my mou'f full." He makes a point of talking around a large bite of food.
It's her turn to roll her eyes as she turns back to her own plate of food.
"Why are you here anyhow? You get kicked out of your own house for bein' a druggie or somethin'?" Monty abruptly asks.
"Damnit, Monty--!"
"No, it's alright." You shrug, "I don't mind."
The smug look on his face almost makes you want to take it back, but you ignore him as you start explaining, "Mama drinks too much and Dad ain't around. Just seemed easier to go out on my own than to try and fix someone who doesn't wanna change."
"And it's also none of your damn business." Luda Mae points out.
"It's my damn business when it's in my damn house."
She scoffs, about to say something else when Thomas walks in the room, opting instead for saying nothing else, simply giving Monty a silent warning glare not to say another word.
"Hi..." You mutter, looking up at Thomas as he sits down, unbelievably relieved to have him in the room.
He looks around the room, the tension thick enough to cut with a knife between Luda Mae and Monty, creating an awkward environment for everyone in the room.
You stare down at the table, picking at your plate as you steal glances between the two of them before catching a glimpse at Thomas, who was doing the same as you.
You look at him, and then back at the other two. He nods, apparently sharing your thoughts.
You bite your lip, glancing between the two of them and Thomas. Perhaps it was the overly exaggerated look of anger on Monty's face, or the way Luda Mae continues making annoyed facial expressions, as if she was still arguing with him in her head, but suddenly you find yourself struggling not to laugh.
Thomas seems to be thinking the same thing, food untouched in front of him as he tries to fight off a smirk under his mask.
You place your arm on the table, hand coming up to cover your mouth as you look away, almost visible shaking from trying to stifle your laughter. It was like being a kid again, sitting between your parents trying have a serious arguement over the stupidest thing they could possibly think of, completely aware of how much trouble you could get into for laughing but unable to stop yourself from chuckling at their overdramatic antics.
The rest of the meal is spent in silence, you and Thomas stealing glances at each other and stifling your amusement at the two.
After everyone finishes you gather the dishes, helping Luda Mae wash them, the awkwardness long gone since Monty went to his room to take a nap.
You wash the plates and silverware in silence, Luda Mae drying and putting them away.
It's still early in the afternoon, and she's got nothing else to do, giving you plenty of time to grab your book and settle on the living room couch.
Luda Mae sits on a love seat on the other side of the living room, crotcheting something you couldn't quite make out. Perhaps it was too early in her project, or perhaps she was just shit at crotcheting. You don't bother to ask, content with reading over your book as an old song drifts through the air, dripping with static as the old radio pushes it out of it's speakers.
You pull your feet onto the cushion, leaning on the arm of the couch as your eyes read over the familar words for the hundreth time.
It's easy this way.
Easy to not ask questions.
Easy to pretend everything's normal.
Easy to forget what happened yesterday.
At least, it was.
The words are too familar, you know them too well.
They begin to blend together on the page, losing your focus as your mind begins to wander, the words changing and shifting until you're back in the pantry, watching Katie cry and plead for her life, helplessly yanking against her constrains.
You clench your eyes shut, her screams echoing in your mind as you shake your head, pushing the memory to the back of your mind, letting it settle in your chest like a gnawing guilt, reminding you that you could have done something different.
You're caught off guard when Thomas walks in the room, taking a seat on the couch and catching your attention. He's changed out of the grimey clothes he had on before lunch, now adorning a clean, navy blue dress shirt and jeans.
You look back down to your book, trying to refocus on the words and keep your mind away from yesterday, away from the thing that made you scared of him.
It doesn't work, and you close it, setting it down beside you as you sit up, leaning back and letting your head hang back as you stare at the ceiling.
You feel a tap on your hand, and you look over to see a concerned Thomas. He takes your hand, writing out his question, "A-R-E U O-K?"
You stare at your hands for a moment, letting his question roll around in your head for a moment before nodding, "Just tired..."
He nods as well, letting your hand go.
It feels cold for a moment, and you almost miss the heat of his hand against yours.
The rest of the afternoon goes on rather slowly, with not much to do, you're left to distract yourself.
Luda Mae shows you where the washer and dryer are, helping you get a load done so you can finally take a shower and feel clean.
It's a dream, clean clothes on clean skin, finally given the chance to run a brush through your hair, fighting against the tangles that have made their home there over the past several weeks.
You almost don't know where to start, staring back at yourself in the dingy mirror of the downstairs bathroom, wet hair clinging to your skin as you face the daunting task ahead of you.
You try your best to brush through the mess on your own, brush pulling at the knots harshly, leaving your arms tired and wrists hurting as you barely brush a few of them out.
"You alright in there?" A sudden knock makes you jump, grip tightening on the old hairbrush.
"Y-yea," You sigh, opening the door for Luda Mae, "Just havin' some trouble with my hair..."
She looks you over through thick glasses before sighing herself, "Well, come on then."
That's all the warning you get before she's walking down the hall and back towards the front of the house.
"Huh?" You blink in confusion, quickly following behind.
"Sit." She takes a seat on the couch, pointing to the floor in front of her, "Come on, now, I ain't got all day, supper's gotta be made."
It takes you a few seconds to realize what's happening, but none the less you do as you're told.
Luda Mae takes the brush from your hands as you cross your legs, leaning against the front of the couch and giving her access to your hair. Thomas isn't in the living room anymore, but the one sided conversation you can hear Monty having on the front porch gives you an idea of where he may be.
Luda Mae's hands are gentle as she works, slowly but surely brushing through each knot with much more ease than you had yourself. It's obvious she's done this before.
You close your eyes, letting them rest as she combs through your hair, humming a quiet song.
"...It's been a long time since I've brushed anyone's hair," She speaks up, "Thomas won't let me do it no more."
"You used to brush his hair?"
"Mhm. Every mornin', since he was just a little baby. Then Hoyt and Monty started teasin' him for it and now he does it himself..." Her voice is sad as she explains, carefully working through a particularly difficult knot.
"...You're a good mother." You're solemn as you lean your head forward, giving her better access to the back of your head, "He's lucky to have you."
You hear her hum in response, unable to see the small smile gracing her face,
"...There we go." She finally states after a few minutes, pulling the brush away from your hair, "All done."
You sigh in relief, running a hand over your hair just to feel the difference, "Thank you, it feels so much better."
"You can thank me by helpin' with supper." She pats your shoulder, and you take that as your sign to stand, following her into the kitchen to help make dinner.
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