How did your Ruan Mei pulls go?
won the 50/50 for her, but the lc pulls were abysmal. i did get clara's lc... and then kept going til i got hers. not a single xueyi but that was expected. but yay she's home and she's sooo good in the new simuni update i love her 🥰
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Guess what just hit Project Gutenberg!
This isn't about the analytical engine (the one that could have been considered a computer), it's an article about a difference engine (the mechanical calculator one).
I just skimmed it and it's like…30% just talking about how horrible errors in calculation tables are? He's not wrong, but still. Dude. And a good chunk of describing the machine is talking about how to make the machine print out what it's doing so you can be sure it isn't making errors.
It's got some pictures.
Another large chunk goes into how horrible it is that this very important work is not appreciated enough and he needs more money, which I guess yes, he's definitely right that calculating machines can REALLY be world-changing, but also my dude, you never finished one!
[W]e express our regret, that a discovery of such paramount practical value, in a country preeminently conspicuous for the results of its machinery, should fall still-born and inconsequential through their hands, and be buried unhonoured and undiscriminated in their miscellaneous transactions.
I mean yes, your mechanical calculator is definitely remembered as a too-early broken offshoot of early computing history, but also they gave you seventeen thousand mid-19th-century pounds sterling and you didn't make a whole working calculator. There comes a point.
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🐛🪰 + 🐝 or 🦗!
Uh oh, math! I thought at first that this was a request for three fics, caterpillar, fly, and then either bee or grasshopper. Now I'm wondering if it's asking for two fics: a fic that's both caterpillar and fly, and then either bee or grasshopper. Or it could be asking for a fic that's caterpillar, fly, AND bee, with an option to ignore all of that and do a wildcard.
Fuck it, let's go with the option that gives us the most recs. I suck at math anyways.
🐛 Great WIP (go comment)
MCU - What You Owe by @goshdarnitjay
Bishova historical AU set in the late 1800s. Major General Kane Bishop needs a wife to look respectable, but is in a peculiar situation that won't allow for regular courting and marriage. So "he" goes to the Red Room of Willing Wives and buys one. Enter Yelena, who killed the last husband she was sold to. There's slow burn pining, there's intrigue, there's healthy respect for boundaries both physical and emotional. The world building is fantastic, everything is so well described, it's very easy to picture what's going on. Updates every Wednesday.
🪰 (Sad/Angst/Hurt-Comfort)
OUaT - Sit With Me Tonight by snarkingturtle (I believe no tumblr)
Regina absorbs the death curse meant to kill Cora if she came through the well. Emma decides to check on her later that night, finds her dying on the floor of her bathroom in the mansion, and stays up all night trying to keep her conscious and alive. This one is intense. Not quite as rip-your-heart-out as 'A Thin Veil', but that fic has been deleted (from the internet at least). You got your angst, you got your hurt/comfort, you got your 'only realizing how much someone means to you when you might lose them'. It's a poke in the heart for sure.
🐝 (Symbolism/Themes/Clever)
SG - Broken Hearts Make Broken Worlds by @thornedrose44
Nice little 10k one-shot. Lena flees the Shadowlands ruled by her brother, refusing to ever let anyone else into her heart, and finds Kara living in an oasis. This baby is nothing but symbolism. Heartbreak breaks the world. Literally. It was a fill for the prompt "if breaking hearts can make ditches and crack pavement, tell the story that created the Grand Canyon" and hoo boy does it deliver.
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Dance Gavin Dance - Jackpot Juicer
Dance Gavin Dance has had a pretty rough year, haven’t they? After longtime bassist Tim Feerick unexpectedly passed away earlier this year, longtime vocalist Tilian Pearson stepped away in June after some sexual misconduct accusations. Frankly, that soured my excitement for upcoming album Jackpot Juicer. I didn’t really listen to 2020′s Afterburner much when that came out, mainly because I didn’t listen to a lot of new music that year, but DGD is a band that’s been running on fumes for awhile now. I really enjoyed 2018′s Artificial Selection, because they brought in some funk elements to their sound after being so stagnant for years, but they’ve just been cranking out the same albums for years now. The sad part about it is that DGD is one of the most influential and important post-hardcore / math-rock bands of the last twenty years. Their debut EP, 2006′s Whatever I Say Is Royal Ocean, kickstarted a movement within the genre. Firstly, it introduced former vocalist Jonny Craig into the world of post-hardcore, but its sound was very fresh and exciting. A lot of bands would go onto cop that sound, including what’s now deemed “Swancore,” but at the time, DGD were a new band. Albums like 2007′s Downtown Battle Mountain and 2009′s Happiness (their second and last album with Kurt Travis) are classics within the genre, and even some of their first records with Tilian Pearson are great, but they’re not a band known for experimentation or innovation. DGD are a band with a sound that they stick to, and to be fair, I get why, because it works. Their fans are utterly rabid, and they worship the ground they walk on, for whatever reason, so they’ll gladly hear the same album done a million times.
In a sense, there’s nothing wrong with bands sticking to what they know, but it becomes a problem later on, especially when you’re a band that was known for being innovative and interesting. Now they just sound like a former shell of themselves, and Jackpot Juicer really displays that, unfortunately. I’ve been going back and forth on whether or not I wanted to talk about this record, because it’s one of those albums that I like a lot when I’m listening to it, but the minute I turn it off, I forgot almost everything I heard, minus a few key and important moments that were really good. Part of the problem with this album right off the bat is that it’s eighteen songs and 63 minutes long. That’s the longest DGD album to date, but there’s no reason this album needed to be that long. It’s almost like this album never ends. I’ll look and see how far I’m into it, and I still have ten songs left, when that should be the entire album right there. Its runtime wouldn’t be an issue if the songs themselves were interesting enough, meaning that they justify the runtime, because they don’t. I hate to say it, but this album is kind of boring. It’s not boring musically speaking, but it’s clear that DGD are just writing the same songs over and over again. Everything sounds rather impressive, whether it’s Pearson’s clean vocals that are some of the best I’ve ever heard, Jonathan Mess’s screaming vocals that are always on point, or the guitatwork from Will Swan, but it all comes together in a very forgettable way, especially when everything blends together. Every song on this album sounds like the last one, and if that’s what you want, that’s great, but it becomes an issue when there’s no variety or diversity here at all.
That’s the reason I’ve been wrestling with reviewing this album now; everything on here sounds great, but is it worth there being no variety at all? It’s an hour of the same song, just tweaked a little bit each time, and even then, this is a gimmick they’ve had for years. I’ll admit that they do sprinkle in some pop-rock / R&B elements here and there, thanks to the vocals, as well as guitarist Andrew Wells (also of Eidola) providing some clean vocals, too, so it’s a bit of a new dynamic (honestly, if the band kept him as their lead vocalist, I’d be very interested to hear what they do next), but that’s it. The music itself is still the same, so there’s nothing new or interesting there, and it just bores me after awhile. I really wanted to like this album more, but due to Pearson’s unfortunate exit, and the album just being a snoozefest when it comes to its length and its lack of diversity, I don’t care for this as much as I wanted to. It’s sad, because I used to love DGD, and I still do, but they’re running out of ideas. At the very least, they’re complacent with doing the same thing and sounding the same on each record. Honestly, if you want a better album with this same sound that just came out a couple of weeks later, peep the new Royal Coda record, To Only A Few At First, which just came out over the weekend. That’s the newest band from former vocalist Kurt Travis, and it’s got a very similar sound, but done in a much better way. I’ll talk about that album later this week, most likely, but I really love it. Jackpot Juicer isn’t outright bad, it’s actually great in small doses, but that’s the key -- small doses. If this album were about 15 to 20 minutes shorter, I’d love it a lot more, but as it stands, it’s okay, just really boring and very complacent from a band that is capable of a lot better.
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Wolf, goat, cabbage?!
Have just learned of the existence of the “wolf, goat, and cabbage problem” - the logic puzzle of “you have a wolf, goat, and cabbage, and encounter a river with a boat that can hold only you and one of the above, and considering that the wolf will eat the goat if left alone with it and the goat will eat the cabbage if left alone with it, how do you get all three to the other side?”
I’d always heard of it as the fox, goose, and grain problem. Wikipedia mentions the variation fox, chicken, and grain, but not the goose.
Am I just in a weird minority?
Anyway, what none of the logic problems take into account is that as soon as you leave in your first boat trip, the animal you leave behind will probably wander away, and then when you leave the *other* animal to return, it too will wander away, and then you’re left with just your veggies.
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my first day of high school i came up with the first half of a chorus and then never did anything with it and i just now wrote the rest of the song. thirteen and a half fucking years later.
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