Unpopular opinion as someone who doesn’t even read comic books, play the Arkham games, or is even technically really “into” DC and Marvel as a whole, but I’m gonna say it anyway because I guess I need to vent or something…
The existence of Harley Quinn and the ways she is typically handled as a character really friggin’ gets in the way of my ability to enjoy The Joker.
Why? Hm, well, I suppose the simplest way of describing it is that… like… cartoony evil-bastards are loads of fun because they’ve got big personalities and whatever they are and/or the situation the characters are in is separate enough from reality. It’s not hard to enjoy the conflicts between characters, because nothin’ like good ol’ escapism via witnessing worldbuilding.
However, if you add some form of motivation/conflict/etc that’s not only dark and edgy and gritty, but a bit too close to shit that happens in the real world, suddenly the tone of literally everything is different.
Not to say that “edgier” interpretations of superheroes and supervillains are inherently bad, though admittedly I feel like a lot of these attempts ironically actually lose their emotional maturity and heart when they attempt it.
Harley wouldn’t bother me as much if she had some more self-agency. Like, okay, I get that she’s also not sane and whatever, but she’s not exactly dumb, she’s capable and independent when it’s convenient. If she gave zero fucks and couldn’t be emotionally hurt by Joker, as well as not being afraid to be a danger to him in return, then her typical role at Joker’s side wouldn’t bug me. However, she’s pretty damn submissive to him, and so many damn times over and over again what keeps happening is she puts total blind trust and love in him, and he deliberately screws her over, and her reaction is of genuine hurt and surprise. Cue surprised pikachu face.
I understand that some would argue that they’ve got a good character dynamic (good as in well-written and fucked-up-with-a-purpose), because of a variety of reasons, and I also understand that Harley as a character, Joker as a character, and their relationship/dynamic/etc has varying iterations and interpretations, but…
Imma be real with y’all, I’d rather just enjoy some campy villains and not have to also sit through some domestic violence that’s just… there. I don’t care if it’s fictional and iconic, lemme hear Mark Hamill’s glorious voice sass and troll the hell outta a sad man dressed as a bat, in peace.
Part of it also might be the fact that Harley is also (like many comic book women) often a sex symbol. You know, like that shitty Suicide Squad outfit the actress friggin’ hated, and is unimpressive design-wise at best. I don’t really even feel like elaborating on the ways I’d figure blatant-sexy-Harley is an issue for me. Blah blah blah really it’s simply one thing that when paired with the other things makes it problematic and obnoxious.
Anyway, uh… yeah I think I’m just done. For some reason I got a bunch of pesky thoughts buggin’ me, and I had to write the basics of it down so my brain could relax and switch subjects; a common problem of mine.
In a world where real women are killed every day by their partners, and good representation matters, and representation that isn’t bleak-as-fuck also matters, AND bruh sometimes I just want an enjoyable distraction from the world and I’m not ashamed to admit that… I just kinda wish I didn’t have to manually filter through abuse-victim-Harley in order to find and enjoy hammy (especially Hamill) Joker time.
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As a fellow Dovewing lover, it's frustrating how the fandom watered her down into a whiny brat who never cared about Ivypool. I mean, seriously? Not only did Dovewing care about her sister (reacting in horror when Lionblaze, her own mentor and Jayfeather are willing to potentially sacrifice Ivypool's safety by employing her as her spy instead of trying to get her out of the Dark Forest's clutches, hiding a thorn in her nest to cover for her scarring from her training).
Heck, even the scene where she tries to feed Ivypool her catch during a hunting patrol was demonized because 'she was trying to make Ivypool break the code like SHE does, as if it doesn't matter' and because she got upset when Ivypool started arguing with her! But you guys said she didn't care, right? Plus, people act like being forced into a prophecy is something you should be grateful for, as if it didn't irreparably change her close relationship with her sister? As if Lionblaze and Jayfeather didn't still keep her out of the loop (and for all the fussing they made about keeping it a secret, Lionblaze confesses his power to Cinderheart and Jayfeather doesn't even care).
Meanwhile Nightheart is angry he isn't orange and hates his mom for being exiled and the whole world has to stop for him. 🤪 And Bramblestar is simply so tortured by having an evil father, the only choice is to train with him and his evil half-brother and hide this from his wife! (But remember, it's bad when that witch Squirrelflight hides the parentage of the three from him, even when Blackstar and Leopardstar were still around after being complicit in the torture and killing of halfclan cats.) Why are these male characters sympathized with, even when they actively harm people (Nightheart forcing himself into Sunbeam's life by lying to everyone about being her mate without even asking her if she would be fine with that beforehand), Bramblestar (we all know what he does), but when Dovewing or any other female character is upset, people freak out and call them whiny brats or abusive for (checks notes) asking her partner if he loves her anymore after they argued multiple times in a book. Really makes you think! (Sorry this is so long, you just have based opinions!)
dovewing being characterized as this flighty airheaded vain popular girl stereotype in fanon is like. one of those biggest "we didnt actually read the books" things in the fandom. like theres so much fanart where shes grinning and giggling over the prophecy and shes besties with the trio and shes got preferential treatment, and then in the actual books shes basically the autistic kid no one actually likes. people really, REALLY overexaggerate that one scene where she snaps at ivypaw and brags. (and i dont wanna shit on amvs but i am forever side eying how the animation community handled dove back in the day. more than one person animated her getting murdered. normal.)
i do think its gotten better recently at least. but wow does it feel like at least one person on the writing team has a bone to pick
(also awww thank you <3 no need to be sorry i love getting stuff in my inbox)
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So I really liked Zoom Academy for Superheros as a kid, a widely panned kids movie from 2007 starring Tim Allen. I rewatched it fairly recently and wrote a little thing, I never ended up posting it. But here it is for funsies, I've never posted any fanfic before and I have no spelling skills. I hope anyone who also remembers this weirdly dark childrens movie likes it.
Its similar to the story you know
It starts the same, a lone survivor barely 17 powerless in the desert. The bodies of three friends scattered around him and a brother gone. Nothing left to bury.
The sheer amount of nuclear energy released by the vortex jack creates finds it's way into the atmosphere. Resulting in a generation of children born with powers. Not enough to cause a fuss but the neighbours aren't too surprised when Cindy uproots a tree to shake out her frisby. Kevin down the street can make little wind gusts, Cindy's power level though is enough to catch attention.
As is Dylan's, Summers and Tuckers, when he uses it that is.
So they all end up in that miltary base. Jack with the promise of money if trains them, he rather take the carrot than stick. The jail he'd end up in probably looks less like a prison and more like a fresh ditch and bullet in the head.
The kids go of course because they're parents say so and so does the military. Their parents sign waivers and are fairly compensated for their loss. On that day they go from children to military assets, an important distinction where legality is concerned.
The story is much the same, jack is jaded, the children adjust as best they can to their environment. Holloway gives encouragement as best she can knowing she is likely sending children to die.
Better a heros death she tells herself, they'll get comic books written about them just like jack. The comic books don't mention that he's always late thinking he'll get there faster than he can, or that he's deaf in one ear, or that below the left knee he is metal.
They expose the children to gamma, of course they do. One child's life is not worth what Concussion could do. Dylan is the first. They reason better the invisible kid go crazy than one that can lift a truck. It unlocks his clairvoyance `mindsight` jack calls it. He vomits for days afterward but he does not go crazy and he does not die.
Concussion shows up before the military can dose the rest. Jacks powers reactivate to save Cindy. To this day there is still shrapnel in her arm from shards of the metal net, too small for the surgeons.
Concussion sends back the rocks that summer throws at him, most miss. One doesn't, it hits her right in the eye. Cindy thinks the eyepatch she wears after is cool so summer does mind too much.
Tucker manages a good hit in before a blast sends him into rocks that leaves him paralysed from the waist down. He always says it could be worse, if he lost an eye like summer, that would be it. God forbid the world be deprived of his baby blues.
Dylan comes out relatively unscathed. The gamma damage stays however, it was a miracle that jack lived past 40 and it will be another if he does.
Connor is saved. Thanks to jack, Concussion is just his big brother again. Still 19 and no longer trapped in a space between here and now.
Jack however, there is a reason his powers stopped working. It isn't a mental block caused by the pain of losing his family. It was self defence. The speeds he could move at weren't sustainable on his body, especially after the first vortex. So his body shut it down.
He is nearing 50, he is not 17, his body gives up. Jack is Zoom for a fight, jack gets to be Zoom once more before he drops from exertion and does not get up.
Summer and the rest take the ship and Connor. You can't track space tec, staying hidden helps when you've got a friend that can see around corners. They live in a house a little bit too small for them in a city easy to get lost in and try to adjust back to civilian life.
Connor is old enough to pose as an older brother and the kids get to go back to school. It's easier to make friends now at least, high school bullies aren't very scary anymore. Connor disappeared in the 80s so the all the technolgy is a riot. He misses he brother and blames himself for his orginal teams deaths.
The new family helps him move on. When Cindy finishes high school they move out to a farm. Summer finds business is easy when you can sense emotion, so money isn't a problem.
Cindy can lift all the heavy objects she wants. Summer loves the animals and tucker is a mean cook. Dylan learns to garden. Connor fixes stuff when it breaks and retrofits tuckers chair with tracks and others gadgets inspired by the ships design.
There is a horse named jack because he's the fastest they have and whenever the gang needs a break they go brush him. Everyone knows it means to leave them be. They all have their own demons.
They sell things at the famers market. The community is endeared if confused by the odd family. They don't ask questions, they are all out here for their own reasons and tucker makes the best pies in town.
They heal, away from the military. They are not heroes. They are a family and they are happy.
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