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#literary lair
blackscarabfilmz · 6 months
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For your viewing pleasure, a short review of my all-time favorite short story ever written.
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rtgomerprod · 1 year
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Doctor Who: The Fires of Pompeii - The Literary Lair (11th Anniversary Video)
Eleven years ago, I made my first video discussing Doctor Who and the Auton Invasion. And I’m still making videos about Doctor Who novelizations!
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atundratoadstool · 1 year
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I'm not an active part of The Beetle read-a-long, but I'm so glad to see people just beginning to approach an understanding of just how very very bad Victorian mesmerism literature can get, being a person who has read a lot of very bad Victorian mesmerism literature.
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llpodcast · 2 years
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An Inspiration to Everyone Trying To Live Their Dream.
Don Bluth lifts the lid on his life and his works of art that includes his time at Disney, the computer game Dragon’s Lair and the masterpieces that is the Secret of Nimth.
 This is an interesting story on how a man who works for Disney and against all odds was able to strike out on his own to start his own animation studio and fight against the grain. Bluth gives us a story that gives us so much more information on the man behind the classics and how a dream can spark a career in the love of what he does.
 Bluth has given us Thumbelina, Anastasia, Land Before Time, An American Tale and of course my own personal favourite Secret of Nimth.  You watch his films and you can see the passion that he has for his projects and this comes through in the narrative of his story.  He is a testament that if you dream it and never take no as an answer you can live your dream and conquer against all odds.
 Interestingly enough, he had no formal training and this gives his story even more pathos.  He is a truly remarkable man who has left behind a great legacy.  He also gives a story that it will not be easy but if you fight and work hard, you can accomplish anything your heart desires.  
 Inspirational, awe inspiring and a truly great book especially if you are a fan.  A man who hides his light under a bushel and it is great to see this light shine even brighter than before.  A true master in his field.    
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margueritedaisies · 4 months
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Hubba bubba😔🤌🥀✨
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And so the plot thickens:
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I have a plot idea where Pentious writes steamy selfshipping romance books involving his self insert and The Radio Demon as a hobby. Somehow he gained popularity and money out of it. He goes by a feminine pseudonym to hide his identity. Quite popular among the female audience, he just has a way with satisfying the female gaze through words.
Most of his works always follow psychological horror ,mystery, crime, and maybe gothic romance tropes lol. His mastery is comparable to Anne Rice with a mix of Dostoevsky. I mean what do you even expect from a Victorian man in writing fanfiction?😂
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(To our standards his works are a literary masterpiece but tbh he aint even trying , probably just his silly fantasies and took inspiration from his fave reading material. To Victorian standards his work would be considered frivolous and mediocre even scandalous. I mean he lived a life where he has the privilege to interact with artistic geniuses, discuss politics/social/philosophical ideologies among the elite in parlors.
And most likely really influential since he was an inventor who was involved in creating the new fangled steam powered machines.)
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Praising his achievements and background aside let me get back to continuing my plot😂I just love him sm
Alastor knows about the book series but doesnt know the author's identity, he has no interest in dwelling on their existence any further. He already used to this side of his fanbase and only wishes to be left alone by them, at least they got an outlet already.
When Pentious started staying at the hotel he had to be extra careful not to let anyone know of his hobby while at the same time trying to continue it. But one day he got sloppy, Niffty figured him out for a few days. Either noticing weird behavioral patterns.
Once she purposefully tripped him so the suspicious manuscripts he was carrying were dropped so she can"help" him collect them but he reacted paranoidly to her on coming close.
She caught a glimpse anyway but not enough to satisfy her curiosity. And then her suspicions were solidified when she sneaked inside Pentious's lair/suite for cleaning duty and came across his typewriter.
After discovering Pentious was the author whom she was a huge fan of (yes she has a copy of his works) she set out on a mission to befriend the snake so she can have premium access to his drafts😂
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aurorabyler · 2 years
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Flashbacks in Stranger Things: When, Why, and How They Are Used (Long Analysis)
sit back and relax everyone. this is gonna be my longest post yet.
disclaimer before anyone proceeds--i have not tagged this post with any relationships other than byler so if you do not like this pairing please just scroll past this post! i never cross tag because i truly want a safe fandom space for everyone. this is just my analysis of the show and my own brainrot.
I’ve thought about the usage of flashbacks in Stranger Things a lot over the past few weeks. I saw a post by user @girlskth on Twitter (HUGE shoutout to them for this very eye-opening post, please go check it out their tweet and give them all the love!!), who mentioned the contrast between Max’s scene in Dear Billy (running up that hill → from Vecna), versus El being trapped by the vines in 4x09.  First: we need to talk about flashbacks as they have been used throughout film and TV history as a key literary device. Here are some articles that I found that explain why flashbacks can be so important to understanding characters:
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This quote is vital:
"Flashbacks are really a function of character, not story…the visual image we’re seeing is what the character is thinking and feeling at that present moment…it illuminates a character’s point of view.”
Flashbacks are never pointlessly placed. There is always an intent behind reverting back to the old material to demonstrate something about the character’s current mindset. 
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These two scenes are clearly parallels (complete credits to @girlskth for bringing this up), as both Max and El are encountering the same situation��being trapped in Vecna’s lair and hearing a monologue from him. The scenes are not only plot parallels but visual ones.
However, there is one thing lacking in this parallel, and @girlskth brilliantly points out what it is—their emotional connection. Max relies on flashbacks of her happiest memories to free herself from Vecna’s trance and come back to reality. There are MANY flashbacks of her platonic relationships (her friendship with El being the most significant), and her romantic relationship with Lucas, which is ultimately what gives her enough time to run away from Vecna.
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Now, going into El’s scene, I as a viewer was EXPECTING that they would show flashbacks of El’s happy memories with Mike during his monologue. This is coming from someone who does not ship these two characters together at all.
I like them as friends, and I was still waiting for them to show us moments from their kiss at the snowball, from Mike giving Eleven the name “El,” from Mike calling her for 353 days in season 2, from Mike saying “No, El, you’re not the monster–you saved me,” from El saying she loves him at the end of season 3…but nothing. 
Absolutely no flashbacks were shown apart from the scene of the boys finding El in the woods. This is extremely odd for a couple who has supposedly been the centrepiece of Stranger Things for four seasons, or, in the words of people who ship these characters, have been “built up for four seasons.” But no. Nothing.
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This is an INSANE contrast to Max’s Dear Billy scene, which went out of its way to show her history with all of these characters over the 3 seasons her character has been in the show. 
The concept of “show, don’t tell,” is critical in understanding this parallel. Take Max’s relationships that are highlighted when she is in Vecna’s trance: these flashbacks all occur because she knows they will give her strength. She is never verbally prompted to think about these memories because she has confidence they will help her fight in her darkest moment. Here’s some more information on show don’t tell and how it is used in media:
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If we apply Max's unconcious logic to El’s scene in Vecna’s lair, being able to pull from her happy memories with Mike should have been something that came relatively naturally to her. Except, this didn’t happen. What did happen? El’s memories with Max DID come naturally, and those memories ultimately saved Max’s life.
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Zero Flashbacks to Mike/El's Past Seasons' Dynamic
While waiting for volume two, even as someone who likes this pairing platonically, I was excited to see flashbacks to season 1 Mike/Eleven once they reunited at the Nina Project. I’ll always be nostalgic for seasons 1 and 2 and I wanted to see some of their friendship dynamics from those seasons come back. I was literally expecting there to be some sort of “still pretty?” flashback, or some other cut back to season one. Again, I am saying all of this entirely as someone who 100% believes in a byler endgame for this show. I was still very surprised by this, and it is clearly intentional on the writer’s part.
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Some would argue that the lack of flashbacks is due to the varying perspectives in Mike’s monologue scene. We see Mike’s, Will’s, El’s, and Jonathan’s POVs switching between each other in this scene. When peeling back the layers, we learned that Mike's monologue utilizes the miscommunication trope in a big way. Let’s analyze:
Mike is under the impression, because of Will, that “these past few months she (El) has been so lost without you…You make her feel like she’s not a mistake at all–like she’s better for being different. And that gives her the courage to fight on.” —Will, 4x09
First and foremost: Mike’s monologue would not have happened without Will’s veiled confession in the van. He believes Will’s feelings are El’s, and it is these feelings that make him think that what he says is what El needs to hear. 
Mike is TOLD (not sure if he entirely believes it especially after the final scene in the cabin when El walks away from him, but we’ll have to wait for more scripts to see the truth), that El has been “lost” without him and that she “needs” him to be able to fight.
This is what he is TOLD by Will about El, and this is not true, as NOWHERE during any of El’s scenes at school in California, or once Mike comes to visit, or during her time at the Nina Project, or during her battles with the military + Vecna does El EVER give the impression that she somehow needs Mike in her life to keep fighting, or that he gives her courage. In fact, given all of the parallels El draws between Mike's "what did you do?" and Brenner's "what have you done?" I would say what Mike gives her is the opposite of courage.
El keeps fighting because she has come into herself and she is powerful and strong, not because she needs Mike there to help her. And Mike, prior to Will’s confession, knows this is the truth, as seen by the line in the official script that was cut out from the show: 
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If El truly needed Mike to “fight on,” as Will implies with his own feelings, I believe that more flashbacks would have been utilized, regardless of the multiple perspectives in the scene, to show how Mike has supposedly helped El “fight” in the past. But none of this was shown BECAUSE El’s battles have always been about her personal arc and growth. In the past seasons, El has never relied on or needed Mike to help her fight–he has been misled because of Will’s veiled confession. 
Perhaps the best example of El’s battles being about her own growth is in the 2x09 scene where she closes the gate: you'll see here that all the flashbacks she has during this critical battle have to do with her personal growth and past trauma. The same is true of her fight with the Demogorgon in season 1, of learning from Kali in season 2, of fighting Billy and the Mind Flayer in season 3--her relationship with Mike is not critical to any of these battles. It is her friendships and familial love that motivates her as well as her own coming of age.
The miscommunication about El "needing" Mike to be able to "fight" explains a lot of things, including, at least to an extent why Mike VISIBLY HESITATED when saying “I love you” for the first time in his monologue. There are obviously other reasons to this that have been analyzed by many other people, but I feel this miscommunication is critical.
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This is something that has really been annoying me ever since season 4 came out: the whole plotline about Mike not being able to say he loves El should be extremely clear to audiences about what it implies. I love romance and I KNOW that the Duffers can write amazing love stories (Lumax, Jancy, Jopper…).
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Lucas and Max never once say they love each other but it is clear to audiences–they SHOW it in their own ways. 
True love is shown, not told–especially in media.
That is how the most popular romantic pairings are so believable to audiences. Showing, not telling your love for someone, makes it feel real. And boom: ever since season 3 and ESPECIALLY after season 4, there have been hundreds of thousands of people saying that Mike/El's dynamic seems "off" somehow.
My point here is that if you love someone unconditionally, if you are truly, deeply in love with them, you would not hesitate for a moment to say that you love them, especially if they practically beg you to say it while crying about that very fact. You would also not call them “ridiculous” after they start crying and then you proceed to deflect blame about a situation you caused onto other people. 
Love is powerful. To me, it’s one of the most powerful things that exists in this world. And I believe that the writers of this show feel the same way: Love Conquers All. I’ll insert one of my favourite quotes from Avatar: The Last Airbender to display how I feel about this topic:
"You have indeed felt a great loss. But love is a form of energy, and it swirls all around us. The air nomads' love for you has not left this world. It is still inside of your heart, and is reborn in the form of new love." -Guru Pathik, Avatar: The Last Airbender
Real, romantic love is never something that should be questioned at critical moments. Let me emphasize: I do not question that Mike platonically loves El. He clearly loves her a great amount as shown by what he has gone through with her over the course of the show, just as he loves Lucas, Dustin, Max, Nancy, etc. 
Millie literally said in an interview for ST4 that “Mike is not loving Eleven the way she wants to be loved.” This situation for El is honestly extremely heartbreaking because she truly deserves so much better than what she’s been given. El is one of my favourite characters and I love her dearly, and seeing her suffer because of this relationship as well as the bullying at school hits very close to home for me. She deserves so much happiness and I hope she gets to have endless amounts of it by the end of season 5. 
How else have flashbacks been used in Stranger Things? 
The article I cited earlier holds true to the Stranger Things writer’s perspective on flashbacks. Remember: "flashbacks are really a function of character, not story…the visual image we’re seeing is what the character is thinking and feeling at that present moment…it illuminates a character’s point of view.” Utilizing flashbacks as a literary device in this manner has been seen multiple times in the show at key character moments. 
Will and Joyce
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This flashback is key to showing Joyce's relationship with her son and how much she loves him. It holds true to the article in that it SHOWS that while searching for Will, she thinks back to the time they spent together in Castle Byers.
Jonathan and Will
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Jonathan's relationship with Will is key to season one and remains one of the most beautiful parts of Stranger Things. This flashback, just like the ones with Max and Joyce, happens naturally. Jonathan associates The Clash with Will and can't help thinking back to their happy memories together once he hears the song play. This simple scene shows the depth of their relationship.
Hopper and Sarah
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In my opinion, this is by far the most effective use of flashback Stranger Things has used to date. When I watched season 1 in 2016, this was the scene that made me cry my eyes out. I still think about it to this day as the catalyst that started my long-running love for this show. While trying to revive Will, Hopper is reminded of his daughter Sarah's struggle with cancer which led to her death. This flashback is a perfect representation of Hopper's development.
Hopper's arc in seasons 1 and 2 was one of my favourite things to watch: he starts as someone cold and isolated who drowns himself in drugs and alcohol to cope with his past trauma. Eventually, he learns to love again in all sorts of ways once Joyce comes back into his life. Hopper's drive to find Will and his love for Joyce inadvertently led him to El, and as he says in season 3:
"For so long, I'd been stuck in one place...And then, I left some Eggos out in the woods, and you came into my life. And for the first time in a long time, I started to feel things again." -Hopper's Letter, 3x03
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In summary: flashbacks are used with intent and to SHOW the audience a character's internal struggles and thoughts. Stranger Things follows the textbook way to use flashbacks effectively, and has clearly been selective for a reason when it comes to which moments they choose to remind us of, as well as when, how, and why these moments are used. They have juxtaposed two very similar scenes and how the characters have escaped from the series' antagonist, Vecna, using these flashbacks/memories to their advantage. The final battle between El and Vecna was driven by El's love for Max. Mike was under the impression that what he said was what El needed to hear because it was veiled in Will's feelings. While these ideas have been widely discussed, showing how flashbacks have been effectively used throughout the show and comparing them to their usage (or lack thereof) in season 4 gives us excellent insights into El's headspace, as well as what the future holds for these characters. I put my blood, sweat, and tears into this analysis so I really hope you enjoyed it! Please give it a reblog if you can and leave your thoughts in the comments. I'd love to know your interpretation :) Thank you so much for reading! <3
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wolfjackle-creates · 1 year
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I'll Carry Your Heart with Me (Until I find You Again): Part 1
I'll be posting parts 1 and 2 right now. The rest should be up later tonight, but I'm gonna be tied up the next five or six hours.
As you can see, we have a title for this fic! (I may drop the parentheses. Been going back and forth on that.)
Summary: Danny and Jason meet shortly after Jason becomes a ghost in the zone and become good friends. This segment will cover their first two meetings.
Word Count: 2k words
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Jason sat on the island that appeared around him when he landed in this strange place and stared into the swirling green void. It should have been unsettling, but it felt peaceful. If he closed his eyes, it felt like his dad would be right behind him and Alfred was going to call them in for dinner any minute.
But he was surrounded by silence and all alone.
He screamed just to make a noise and turned away from the void. Behind him a punching bag had appeared. Good. With another yell he went to town on it, practicing all the punches and kicks he’d learned at Batman’s side. Gloves formed over his hands, making him realize his clothes had morphed into his Robin costume.
It just made his punches that much harder.
He wasn’t sure how long he’d been going at the bag when he realized some of the yells he was hearing weren’t his own.
“And fuck Chaucer!”
Chaucer? What could that be about? But the ridiculousness of it was enough to pull him from his anger. Robin faded as Jason, literary nerd, took his place. No one dissed Chaucer in his hearing. Where was the yelling coming from?
He flew up and looked around before shaking his head. He wasn’t alive anymore and his sight wasn’t his best sense here. Closing his eyes, he sent out his awareness. This close to his island, he could tell whenever anyone was nearby.
And there they were! Close, but not uncomfortably so which was why he hadn’t noticed sooner. Following the feeling, it didn’t take long to find a boy with a backpack on shouting and throwing what looked like green fire at pieces of paper.
“Oi!” he called. “Who’re you to diss Chaucer near my lair?”
“Well maybe if he would just make fucking sense, I wouldn’t have to diss him!” The boy’s hands still glowed green, and Jason fell into a defensive position.
“He does make sense! Not his fault if you’re too dense to know it.” Jason cautiously moved closer, keeping a close eye on the boy’s posture to prepare for an attack. People in this world loved to fight, but while the kid remained wary, he didn’t move to attack. As soon as Jason was close enough, he grabbed one of the papers out of the air.
It felt weird. Both more and less solid that normal paper. Where had this come from? He took his eyes off the boy to skim the paper. It was a page from an exam? Completely covered in red ink. Well-deserved red ink, too.
“Are these your answers?” Jason couldn’t help but look up with a raised eyebrow. “You really don’t understand Chaucer, do you?”
“It’s not my fault I don’t have time to study!” complained the boy. He drew up his knees and covered his face with his no-longer-glowing hands. “I’m so tired and it doesn’t make sense and Lancer doesn’t care.”
“Tired? But we’re dead. We don’t need to sleep. I didn’t even know there was a school for ghosts. Where is it? Is it any good?”
The boy pulled his hands away and looked at him with furrowed brows. “You, you don’t know who I am?”
Jason bristled and stood a little taller. “Should I?” he asked. Maybe he should venture out from his lair more. He just felt so uncomfortable anytime he left that he hadn’t bothered. What if someone came and tried to take it from him and he wasn’t there to protect it?
“No! It’s just… Everyone I’ve met has already learned about me from somewhere.” A ring of light surrounded his waist and passed over his body, leaving a living human in his place. Instinctively, Jason raised his hands again and flared his core in warning, but the boy raised his hands and sent out no-harm, peace pulses. “I’m Danny. The halfa. Half-dead, half-alive. Half-ghost, half-human.”
“How…?” Jason didn’t even know how to finish his sentence and let it trail unfinished. Though, he had seen people come back to life when he was Robin. So, maybe it did make sense.
Danny shrugged. “My parents are scientists studying ghosts. They built a portal to the zone and because I was stupid, it turned on while I was inside. Thousands of volts of electricity and ectoplasm killed and revived me at the same time.”
“That’s why the paper feels weird…” Jason grabbed one of them again and ran his fingers along it. “It’s from Earth.”
“Yep. My latest failed English test. I just don’t have the time to read the books. And when I do, I don’t see the same things Mr. Lancer swears are there! Or I don’t understand them.” Danny sighed and rubbed his face again. “I hate it. I was a straight A student before I died.”
Jason looked between the paper and the boy. “Why has it been so much harder since you died?”
“So many other ghosts are trying to get through the portal to spend time on Earth. And when they do, they hurt people or cause property damage or try and hunt me for sport. I have to stop them. Even if it’s the middle of the night or during class.”
“Oh, you’re a superhero. I was a hero, too, before I died.” He let his Robin uniform replace the civilian clothes and grinned at Danny. “I’m Jason. I’d say nice to meet you, but I can’t like anyone who disses Chaucer.”
“Why do you like him so much?”
“Do you have the book with you?” asked Jason, nodding his head at Danny’s backpack.
Danny shrugged it off and pulled out a book. “Yeah, why?”
“C’mon. I’ll show you.” He turned and headed back to his lair, gesturing for Danny to follow him. On his island was a building, the outside rather plain, like any run down apartment building in Gotham. But the door led directly to Alfred’s kitchen in the manor. He held it open and waved Danny through.
The boy, still in human form, looked around curiously. “You know, no one’s ever let me come to their island before. Or enter their door.”
Jason shrugged. “Well, I need to prove you wrong about Chaucer and no reason we can’t be comfortable as we do. And if I change your mind, then we can be friends!”
“And if you don’t change my mind?”
“I take you outside and we fight it out like proper ghosts.” Jason grinned. “It’ll be fun.”
Danny laughed. “All right, do your best.”
“So, the page I saw was full of questions on the Wife of Bath and her prologue and tale, so we’ll start there. To really understand her, you have to know what women dealt with in the fourteenth century…”
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Jason tried not to worry when Danny didn’t come back right away despite promising to return for more English tutoring. Jason also planned to help him figure out how to balance a civilian and hero life. He looked over the lesson plans for both English and martial arts training that he’d made for the hundredth time.
He was going to start with how to safely fall. Just as Dick had taught him back when Bruce first brought him home. Was Dick happy that he had Bruce to himself again now that Jason was gone? Shaking his head to dispel the thoughts, he looked around for something to distract himself. Bread. He could make bread. Alfred taught him how and kneading was excellent stress relief.
He’d just finished kneading and set the dough in a covered bowl to proof when he felt the unmistakable shiver that meant someone was coming close to his haunt. His Robin uniform replaced jeans and a t-shirt as he flew out the kitchen towards the intruder.
Only to laugh and relax when he saw Danny.
“So, the halfa returns! I was starting to think you didn’t like me.” Jason said it with a grin to prove it was a joke, even as something in his core relaxed.
“Sorry, life’s been hectic. Do you know Skulker? He got through the portal again and it took me three days to get him contained. And as soon as I did, Technus was out. And then my parents built a new defense system for the house that I had to dismantle before it could kill me. Again.”
“Woah, woah, wait. What was that last one?”
Danny paused. “Did I not tell you about my parents?”
“Not really. Just that they study ghosts.”
“Hunt, more like. They build ghost weapons to destroy ghosts. It’s why I haven’t told them about me. They’d accept me, I’m sure of it. But… then they talk about how they’d like to rip a ghost molecule-by-molecule and I can’t get the words out.”
Jason let out a low whistle. “And I thought I won the lottery for terrible birth parents. But at least I had Bruce and Alfred. You should contact the Justice League, get help. I can tell you how.”
But Danny just waved a hand in the air. “A year and a half ago, I would’ve jumped at the offer. But I’ve got it under control now. And I don’t want anyone with powers in Amity. What if they get overshadowed? Then I’d be fighting someone with both meta abilities and ghost abilities.”
“Overshadowed?” Jason wasn’t sure he’d heard the term before.
“You know, when you take over a human’s body and control it.”
Jason blinked. “We can do that?”
“You… didn’t know? How long have you been a ghost?”
Jason tried to consider. It was impossible to tell time in the Realms. The area off his island was always the same swirling green with no sun or moon in sight. And he wasn’t sure how long it had taken to gain consciousness after dying. He didn’t think it was immediate. “I’m… not sure. I died December 1st XX. What’s the date on Earth now?”
“So recently? I’ve never met such a young ghost before. Its only been a few weeks. Today’s the twentieth.”
That wasn’t possible. Jason shook his head. “No, that can’t be. I know I’ve been here longer than that. I know how long it takes me to read a book and how many I’ve read.”
“Time in the zone can be a bit wonky.” Danny clasped Jason’s arm. The gesture made him flinch, though he knew it was supposed to be comforting. Danny’s arms fell to his side again. “Sorry.”
Needing to change the subject, Jason asked, “So overshadowing, huh? What else can ghosts do?”
The grin Danny gave him convinced him he had the right idea. “Oh, you have no idea. How about instead of whatever you were going to show me, I teach you to fight like a ghost?”
Jason got an overwhelming feeling of fun-excitement-mischief that weren’t his own and his eyes widened. “Can I sense your emotions? Is that another ghost thing?”
Danny laughed and it was filled with so much enjoyment that Jason couldn’t even be offended. “Dude, you really don’t know anything. We can project emotions to other ghosts. It’s easy. Think something at me.”
Jason bit his lip as he considered what to do. His eyes lit up and he tapped Danny on the nose as he thought hard game-tag-play-fun before flying away as fast as he could.
Danny shouted after him, “You are so not getting away from me!”
As expected, Danny used the game to show him all the cool things ghosts could do. He could shoot energy beams now! Just like Kori! Or, well he would be just like her once he got a bit better at controlling them.
After who knows how long, they ended up lying on their backs on the grass, exhausted from the exertion. Jason wasn’t even sure who was It anymore.
It had been the most fun he'd had in longer than he cared to remember.
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Next
Have all the fluff. I love them so much.
Not much of a tag list yet since this is so new, but I can add more on if you'd like.
@britcision, @echoednonny
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valyrianfreehold · 6 months
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Morning
Oh Miss Mo(u)rning, I had a lot of time to think about this pastel goth while working on her.
The frustrating thing about Morning is she's a bit of a timeline mystery. We know she hatched in late 129AC/early 130AC. We are not given a date for her death or an explanation to what could have possibly happened. All we are told is that the last dragon died in 153AC and the last recorded mention of Morning was in 136AC. So there is a 17 year window and a whole lot of speculation.
After the storming of the Dragonpit in 130AC, there were four dragons left alive. Cannibal had disappeared, Sheepstealer and Nettles had flown off and were last sighted in the Vale, and Silverwing had been left feral in the Reach. If we rely on the word of F&B, we can assume that Silverwing died before 153. Morning was the last healthy dragon to hatch, as there are recordings of several more hatched dragons but all were malformed and small. So bear with me as I jump into personal theories and speculation:
I think Morning was born just before the Dragonpit's destruction. There are plenty of meta theories and in book postulations about dragons and their connection to summer and how when the dragons died, summers became shorter and winters harsher. I think that dragons helped maintain some magical ecosystem and their life cycle relied heavily on the latent magic of the world. Morning was lucky enough to have been born right before the death of the remaining Targaryen controlled dragons and I think she managed to grow and thrive off of whatever magical energy inertia was left from their presence. But, I think in the year of her rider Rhaena's husband's death, Morning's rider's grief- due to the bond of a rider and dragon- kickstarted Morning's decline. She stopped growing, her flames grew weaker, and one day Rhaena discovered Morning dead. I think Morning's death also coincides with reports of Silverwing being found dead in her lair. The last healthy dragons of the world did not go out with a bang but faded like dying embers. Magic began to weaken and the world took a turn for the dormant mundane.
Cruelest application of homophones in all of literary history award goes to GRRM for having Rhaena name her hatchling Morning. Rhaena reflected all her hopes and dreams for a post war future into this hatchling, but the damage had been done and the hope of the coming morning turned into the mourning of a family legacy thrown to the pyre. :)
I wasn't entirely sure where I wanted to go with this design until I found the tidbit that Morning was from the latch clutch of eggs laid by Syrax. So I took some design notes from my Syrax piece, using the basic design of her circlet. Morning has none of the hanging coins that many of the other dragons I've drawn have had to show she never saw violence or combat. She looks wan and a bit gaunt as she's in the last stage of her short life. Her billowing loose fit clothing hides her wasting away. The crescent on her circlet and the blue gems are a nod to her being born in the Eyrie while Rhaena was a ward of Jeyne Arryn.
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samueldelany · 9 days
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With long white hair, heavy brows, and a chest-length beard that begins halfway up his lightly melanated cheeks, [Samuel] Delany has the appearance of an Eastern Orthodox monk who left his cloister for a biker gang. Three surgical-steel rings hang from the cartilage of his left ear; on his left shoulder is a tattoo of a dragon entwined around a skull . . . The room, which does triple duty as foyer, dining area, and library-office, had the unmistakable clutter of a place devoted to writing. Stacks of books littered every surface; one, the height of a small child, leaned perilously in a chair near narrow windows, which let in a stingy helping of winter sun.
The only indication that I wasn’t in the lair of some industrious graduate student was the prizes crowning the bookshelves: a Lambda, the Nicolás Guillén Award for Philosophical Literature, the Anisfield-Wolf Lifetime Achievement Award. Opposite stood Delany’s literary battle station, a desktop computer with a rainbow-backlit keyboard. Within easy reach were a book scanner, a back scratcher shaped like a bear claw, a biography of Flaubert, and a robust collection of gay fetish porn on DVD.
—Julian Lucas, "How Samuel R. Delany Reimagined Sci-Fi, Sex, and the City"
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jo-harrington · 10 months
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As Above, So Below - Prologue: Annunciation
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Prequels: Heaven - Hell - Purgatory
Summary: Burdened by a centuries-long curse, you must follow the path fate has set for you and defeat evil that roams the Earth. You've left everything your heart desires behind to follow this path, and unfortunately, it still isn't enough. Fate has other plans for you, and for your love, Eddie Munson.
Word Count: 6.9k (nice)
Pairing: Eddie Munson/Fem!OC (Told in 2nd Person POV - you/your)
Warnings/Themes: Violence, Death/Suicide, Torture, Body Horror, Blood, Established Relationship, Romance, Religious Themes, Criticism of Religion/Catholicism, Fate vs. Free Will, Supernatural Encounters, Angst, Biblical and Other Literary/Media References
Note: Welcome to As Above, So Below, my take on Kas!Eddie fic and a story inspired by Van Helsing (2004). This story has 3 prequels linked above that I highly recommend you read as this story will reference them.
This story is going to be EXTREMELY HEAVY to write, so I will not be putting out a posting schedule. Chapters will get posted as they are completed, however long that takes.
Please keep in mind, although this is an OC fic, our Knight will not be named or have physical descriptions noted. She is of European/Italian-American descent on her father's side. She was raised Roman Catholic, but her beliefs are very loose and you will see why if you read. You are free to imagine her as you wish. But her cultural identity will be referenced in this story, at least at the beginning and the end.
This series will not be for the faint of heart, nor is it something that was written with a general audience in mind. Please check the above warnings and ask yourself if you are in the correct headspace to proceed. I am happy to answer any questions via PM or Ask.
You can find my masterlist here.
Please do not interact if you are not 18+.
Enjoy!
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“Do not be afraid […] for you have found favor with God […] With God, nothing will be impossible.” — Luke 1:28-37
March 25th, 1986
In your short time on this earth, you had certainly seen a lot. Mysteries of the universe were made known to you, you'd encountered heroes and villains alike—monsters, even—and been to many places, far and wide.
But you could honestly say that you had never set foot in a lair before today.
And, truly, lair was the only word you could use to describe this place.
Vaulted ceilings, marble floors, velvet curtains. There was an elaborate organ set up on a platform and an ominous set of stairs that descended deeper into the ground at the far end of the room.
Eddie would say this looked like something out of a C-list horror movie or a James Bond film.
You were already deep enough as it was; you'd navigated through an abandoned old mansion and the Los Angeles County sewer system just to get here. To anyone else, it would have seemed as though it took some divine intervention to find this place at all, but the divine is what you knew best.
Archbishop Jinette had given you minimal information to stop the evil that was at play. A ritual to bring forth a River of Life that would flood the San Gabriel Valley and kill millions. More importantly, to Jinette at least, it would create a rift in the fabric of reality that would cause a surge of Heavenly Power to flow freely throughout the Earth.
The Church never cared about the details, didn't care if a sacrifice or two came about, as long as their power remained safe. So the Who's and How's and Why's were left up to you. Thankfully your adversary had been careless with the clues he left behind.
You couldn't tell if it was a coincidence or not. Easter was a few days away so a River of Life made sense but surely a ritual that mirrored the ten plagues of Egypt would be more fitting a little closer to Passover.
"Doctor," you called out, your voice echoed through the cavernous room. You gripped your weapon—a nightstick taken off the body of the police officer that had been swarmed by locusts—and ventured forwards. "I'm not here to hurt you, I'm here to help."
"You are not here to help," a stiff, croaking, disembodied voice reached your ears, filtered through some sort of unseen sound system. "You're here to stop me."
"Stop you from killing anymore innocent people," you explained.
"One remains," the voice replied. "Nine shall die. Nine eternities in doom."
"It will be a lot more than that if you don't stop whatever it is you have planned." You tried to reason with him, but you were met with silence. "Doctor! Doctor Phibes!"
Music suddenly blasted through the sound system and the room went dark, the only source of light came from whatever lay at the bottom of the stairs.
You knew the doctor wasn't done talking, he was just luring you deeper into his web to tip the playing field in his favor. You both knew there was no time to waste, so you walked into the trap willingly, with swift feet and a brave, but possibly foolish, heart.
Below the cavernous lair was an even bigger cavern still; a half-finished room with the same marble floors that suddenly gave way to rock formations and stalagmites and an underground river that offered a steady roar of rushing water. You didn't know where to rest your eyes, there were too many carefully crafted horrors laid out before you.
An altar with a body carefully placed atop it, a series of nine half-melted wax busts, a four-piece jazz band comprised of mechanical figures, a sterile area with a surgical table, and a ragged man who was elbow deep in another person's chest cavity.
A heavy hand clamped on your shoulder and you jumped to find the elusive Doctor Anton Phibes behind you. He was an imposing man who towered above you, his face sallow, waxy, and sagging. His red-rimmed eyes were bright with lively mischief, although his aura was heavy with the infernal stench of death.
You expected him to speak, but he simply tilted his head forward and urged you towards the altar. Not a question or suggestion, but an order.
You quickly weighed the possibility that if you killed him, struck him down, the ritual would simply end. Of course, then came the equally possible outcome that it would only hasten it.
Phibes pushed you the last bit of distance until you fell against the altar table itself and came face to face with the body resting there. You knew a dead body when you saw one, and generally you disagreed when people said they looked as if they were sleeping....this one however...she was peaceful in her eternal rest.
Face was full and serene, plump lips painted a succulent violet, with long, kohl-laden lashes that kissed her blush-dusted cheeks. Her skin was glowing and her long black hair had been fluffed and haloed around her. Her hands were folded below her chest and a lovely bejeweled ring glinted in the light of the candles that flickered from beside her on the altar.
The woman was preserved perfectly. Unnaturally.
"She's beautiful," you muttered.
"My wife," Phibes' voice croaked from beside you. You glanced over your shoulder to find that he had held a cord that ran from a porthole in the side of his neck to a phonograph-like speaker beside him. "My Rose. Taken from me far too soon, stolen from me."
"My God, please help my son," came an echoed mutter from the sterile area across the room. The surgeon had his bloodied hands folded in prayer as they rested on his patient's chest.
"Murdered!" Phibes voice grew louder and wrathful. "Don't cry upon God, Dr. Vesalius. He is on my side."
"And how do you know He's on your side," you questioned and Phibes' eyes cut back to you.
"He led me here," he explained. "Showed me the way in the quest for vengeance. Showed me the key to resurrection for my beloved and eternal life for us both. I plan to move Heaven and Earth to achieve it."
"Who are you to resurrect her?" you asked. "To bring about devastation for your wife? Is that His plan? The death of millions for the life of one?"
"He told me of you too, little Knight," he ignored your question. "It's how I knew to expect your arrival. He told me that you would appear to stop me."
"You're not only here to enact God's plan but to prophesize as well?"
"He said you would be the last step in bringing me back to my beloved Rose."
"So I must die too?"" You shrugged. "I'm the ninth?"
"No," he croaked. "Vesalius. Or rather, his wretched son. You must complete the ritual."
"I could kill you instead."
"Oh, but virtuous little Knight, I'm already dead." He released the cord and lifted his hands to his face. He peeled the waxy flesh and the tufts of hair on his head to reveal a twisted and burnt husk beneath. He was skeletal, barely a visage left; his nasal cavity shook with each labored breath and his exposed jaw clenched every so often.
Phibes inserted the cord into the porthole once again.
"I lost everything," he explained. "I lost my life, my purpose. And just when I thought it was enough, I lost my love too. I asked myself over and over: what was God's plan in taking it all away from me, in the blink of an eye? All at once? When I decided I would do anything—sacrifice anything—just to bring her back, He showed me the path and I took it. Wouldn't you? If you'd lost your love, what wouldn't you do, give, to get them back?"
A bitterness settled deep in your gut.
What did he know? What didn't he know? What was God's plan?
You'd asked yourself this many times over the course of your life, had become desensitized to the constant lack of an answer. Fate was an answer you couldn't stomach anymore.
So you had tried to run from it, only to collide with it instead. Fate cruelly led you to Eddie, and then away from him again...to protect him from the pain that was your damned life.
Yes, you would have done anything for him, even let him go. Love, for you, had to wait so that Fate wouldn't have been tempted to take him away.
Like it had for Phibes and Rose.
As you turned and stared down at Rose again...you felt for them...you truly did.
"Do you know resurrection takes more than just...some fancy ritual?" you asked Phibes. You could hear his feet shuffling closer to you. "It's unpredictable. The soul...the soul needs to be put back together, and by the time they ascend...or descend..."
"Rose was an angel," Phibes interjected and insisted. "My angel. My muse."
"...sometimes it's too late. How long has it been?"
"4 years."
"The ancient Egyptians had it right," you explained. "The Ka, the Ba...the Ahk...to put her back together after this long...would be impossible. Moving Heaven and Earth? More like breaking the walls between them. We could complete this ritual and resurrect her, but even still I don't think she would be whole ever again. She'd never really be your wife."
"And when would I have had to..."
"24 hours...48, maybe?" you offered.
Phibes' eyes slowly shut and he let out a painful hissing noise you could only attribute to a wail, or whatever equivalent his body could produce.
"I'm sorry," you muttered, hoping to provide some sort of balm on his wounded spirit. "But she's in Heaven...waiting for you."
You moved out of the way as Phibes collapsed on the altar and spoke in garbled tones to Rose's body, the cord pulled out of the porthole. Whatever confession in his mind was just for them.
You immediately ran across the cavern to Dr. Vesalius and his son. The surgeon sobbed his thanks to you as you began to work on the younger man. You didn't get the opportunity to heal others often—you were used more as an instrument of destruction than one of renewal—though the capability was always there. You dug deep into the celestial light within you and slowly his wounds knit back together.
Once Lem regained consciousness, Vesalius tugged at the restraints. Another spark of your power severed the chains and set the boy free and before long, father and son scampered up the steps and out of this pit of despair.
Vesalius had grabbed your hand before they had, though.
"Thank you," he said. "You're a hero."
No...you were nothing of the sort.
You walked back to the altar to check on Phibes, only to find his form still as it lay next to his wife.
"Doctor?" you shook him. "Doctor?"
You pushed him onto his side and a knife clattered to the marble floor; you balked at the needle in his arm and a slash in his wrist that lazily dripped...dripped...dripped...
Tubes ran out from the needle and embalming fluid rapidly replaced blood. It hadn't been that long for you to heal Lem had it? Had this always been Phibes' plan if the ritual failed? He was sure that you would be the one...the last step in reuniting him and Rose.
You touched his chest and closed your eyes.
Eight were dead but the first born son lived. The ritual was unsuccessful. The secrets of what really happened would stay buried deep below the city.
You could feel it...the ambient energy stirring around Phibes...slowly leaking from every pore of this mortal prison as his body died and he began his ascent. Anton and his beloved Rose would spend eternity together.
He was a good man, a loving man, led astray...and God was willing to forgive him and let him into Heaven.
You looked around the room again and felt sick.
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For all the money that the Catholic Church had, the best they could afford when they sent their attack dog—you—to save the world for the umpteenth time was a crappy roadside motel off the 101.
You were used to uncomfortable plane and train rides, questionable motels and cots shoved into the corners of storage rooms in monasteries and missions when space could be spared.
This was your life though.
You had run from the safety of your Nonna's home when you turned 18 and then again from your little apartment in Hawkins a little over a year ago after Fate finally caught up to you. The next closest thing to...a base of operations, if you could call it that, was a tiny, unkempt bungalow house in a small suburb in Chicago that you barely set foot in because evil reared its ugly head a little too much.
Home was not a luxury you could afford, and even if it was...for you, it wouldn't have been a place, it would have been a person.
So you took comfort after a trying assignment in crappy gas station food and lumpy beds because it reminded you of the home you wish you didn't have to leave behind.
"Are you fucking kidding me?" you exclaimed as you kicked the door to your room open and found an unexpected visitor sitting crosslegged on the bed you hadn't claimed for yourself. He held a stack of palm branches in his hand, a small pile of folded crosses placed neatly beside him.
"Watch the way you talk," he began. "Let nothing foul or dirty come out of your mouth."
"Is it not a little...weird for you to quote the Bible?" you asked.
"I didn't write it," he replied simply.
"Well your boss did." You fell onto the unoccupied bed and sighed. You didn't know if it was just the adrenaline finally wearing off after a successful end to your task—if you could call it successful—or something else. Something within you felt like you were...trapped under water.
"He did not either," he dismissed and went back to folding crosses. "You're planning to visit the cemetery." It wasn’t a question, it was a statement.
"Yes."
"When?"
"Before Easter, if Jinette doesn't have another errand for me to run." You fished a bottle of YooHoo from your bag of snacks and offered one to him. His lips quirked and in a blink, all of the palms were folded into neat crosses and he was on his feet.
"Good." He stared at you blankly, expectantly, and it made you feel claustrophobic.
His presence was greater than what was apparent to the naked eye, and in times like these where he was about to spring something on you, your soul could sense the swell of his being. It never got easier.
"I know this isn't a social call or a job well done for preventing the destruction of the Earth for the hundredth time," you begin and cover your face with your hands. "I'm tired, so if you could please just—"
"You say that a lot," he noted.
"What?"
"That you're tired."
"It happens when you're a human," you retort.
"Then you will do well to listen to me now," he says gravely. You peek through your fingers to look at him. "Something is coming. Something bigger than you've ever encountered before."
"Shit, really?" you asked. "When will I have to go?"
"You won't," he stated with an air of finality. "Or else, you will die."
Your hands fell from your face as your ears started to ring and your pulse pounded in your head.
You'd heard many warnings in the past, throughout your life, from him. Pain, suffering, duty. This was the first time he had ever warned you of your death.
Why now? After all of the other missions you'd been given, after facing Hell on Earth dozens of times...
You always knew it was a possibility...but a guarantee?
"W-when...why...when?"
"Soon."
That was helpful. You couldn't even prepare. It would be sprung on you. The next time you were called into action maybe? Or the time after that?
"So I just...I tell...tell Jinette o-or whatever Bishop that I can—” you stammered and he cut you off.
"This is not something that they will ask you to do," he explained. "This is something you will feel compelled to do. Strongly compelled. But you must heed my warning, young one. For you will perish and damnation will surely await you."
"I don't understand," you squeezed your eyes shut. "Isn't...isn't it already awaiting me? What makes this any different?"
"Because it will hurt. It will destroy you." What would...the task? Or the damnation? There was a rustle of wings and a roar of fire in your ears. "Do not be afraid."
They were words you had never heard from his mouth, but you knew he had said them before.
When you opened your eyes, he was gone, and you were left in the motel room alone.
"Gabriel?" You called for him, like you used to when you were a child and nightmares of monsters and demons plagued you. When you used to look for comfort when your father was off on a quest so similar to your own and your mother had no way to sooth you on her own. "Gabriel!"
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March 27th, 1986
You knew from the moment you woke up that morning, something was off. As though you were operating on a different frequency than usual. You felt simultaneously sluggish and as though lightning surged just beneath your skin.
It didn't happen often, if ever really, which is what caused some alarm.
Perhaps when you were much younger and your abilities began to manifest. The holy light within you couldn't be contained by such a young body. It had led to massacres and miracles alike.
You remembered seeing Empire Strikes Back for the first time and feeling a kinship with Luke. "Luminous beings are we, not this cruel matter," a phrase you muttered to yourself often, taking comfort in the Light, when your future could only possibly be shrouded in Darkness.
It had taken years to control it, and you were well past grown now, but somehow you couldn't just shake the feeling that plagued you today. It was as though your fight or flight response was primed and ready, despite no danger in sight.
If Archbishop Jinette was any sort of reliable figure in your life, you would have confided in him. Looked to him for guidance. For help. Instead, you'd sat in his office with him for the past hour as he debriefed and lectured you—reamed you—for your handling of Phibes and the ritual.
"It was, quite frankly, irresponsible," he said for the tenth time. His cassock swished around him as he paced before you. "The number of innocent lives that could have been lost."
You rolled your eyes, fully of the belief that he wouldn't have given a shit about any other lives lost at all. You used to give Jinette—give all of your handlers—the benefit of the doubt, used to believe that they cared about innocents. Maybe they had once, but now it was twisted by the power their positions afforded them.
Once they donned a pectoral cross, guilt no longer affected them. It was only a tool used to bend others to their will.
"How can we rely on you to your duty fully if you take the time to negotiate?" He asked. "If you try to reason with agents of evil?"
"Phibes was not evil. He mentioned that God led him to this path," you interjected, and Jinette stopped in his tracks. "That He led Phibes to the ritual in order to reunite him with his wife."
"They would be reunited in Heaven," Jinette dismissed with a hiss. He turned his judgmental, wet eyes to you and glared pointedly. You knew exactly the warning he was trying to convey and you straightened your shoulders.
"It must have been the devil in disguise. Trickery. You, more than anyone, should know how easy it is to fall for temptation." The burn of his stare became righteous, but it was not what caused you to turn your eyes downward.
Was temptation really so bad if it brought you peace? If it made you feel more whole than you'd ever felt in your life? A year with Eddie and you felt sure in your skin, safe, loved. Was that bad? Did that make you evil?
You had let your pain get the best of you in the moment, but after a few days of clarity...Phibes had been right...
What you wouldn't give right now to be back there? To be anywhere but here?
It was regret.
There was a sharp knock at the office door and Jinette sighed and looked at the clock.
"It is time for Mass," he announced. "Think on your sins and the Lord may offer his forgiveness."
After he vacated the office, you forced yourself to your feet, trudged through the rectory, and into the cathedral where you slid into one of the last pews. You would hardly consider yourself a devout attendee—certainly not as you disassociated through the psalms and readings—but you knew if you missed Mass after your supposed sins, there would be Hell to pay.
"...Jesus knew that his hour had come to pass from this world. He loved his own in this world and he loved them til the end..."
You'd heard this Mass before, the Mass of the Lord's Supper. Not your typical Sunday service, so you couldn’t recite it verbatim, but familiar enough. Your Nonna dragged you to as many masses as she could, in every language offered at the local parish, hoping to spare you of this fate in a way she couldn't spare her son or her husband.
Over the years, her hand shrunk in yours. What was once a healthy, strong hand that guided you became small and weak, shriveled and brittle. Until one day, there was no hand left to hold at all.
"...I have given you a model to follow, so that as I have done for you, you should also do."
You spotted a group of women further up the aisle. Novitiates, probably. You could sense a tenuous peace about them. One could tell she was being watched and she turned to look at you. She was young, maybe around your age, and her eyes were wide and curious.
You tried to smile at her, encourage her—it was all you could do not to scream, actually—but she rolled her eyes a little and turned back around.
The sound of rustling bodies washed through the Cathedral like a wave as everyone got to their feet—
"Pray my Sisters and Brothers that my sacrifice and yours should be acceptable to God, The Father, Almighty."
—and as you rose, your stomach dropped.
Your body burned.
It felt like a thousand cuts were made along your skin. You gasped for breath but could find no air. Your bones cracked and crunched beneath an invisible weight, and the pressure felt as though your sides would split and your insides spill out through phantom wounds.
You fell to your knees and grasped the back of the pew in front of you. You tried to make a noise, to call for help, but nothing could overcome the rumble of the congregants.
"Lord have Mercy. Christ have Mercy."
The polished wood splintered under your grip before the world went dark.
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When your eyes opened, you were met with a muted haze. A dark sky, with clouds that shifted in tandem with the howling wind, sizzled with infernal lightning over and over.
You laid on cold, damp ground. You could feel it seep through your clothes and leech into your skin, deeper and deeper, until it settled uneasily in your bones. An acrimonious rigor that would have overtaken you had you allowed it.
Something deep within your subconscious wanted you to.
You needed to gain control quickly.
Your fingers dug into the thick, unforgiving clay of the earth beneath you, and you pushed yourself upright, only to be met with a chilling sight that made your heart stop in your chest.
His was body was aligned with yours, the soles of his feet just inches away from brushing against you. His skin was pale and smeared with gore, and his ripped clothes belied the true extent of his injuries. He choked on his blood with fit of coughs, too wet for a death rattle. He was practically drowning in his own life's essence.
Eddie Munson lay dying in front of you, and there was nothing you could do to stop it.
Your mind raced. Was this a vision? A prophecy? The gift of sight had never been one you could tap into before. Why now?
Was this a warning? If you didn't stay on the path He had in store for you, didn't listen to those He tasked to guide you, would this be your future?
You could hear a voice—an ominous, venomous voice—at the very corners of your mind, speaking to Eddie.
They left you behind. Left you to this fate. Left you to me.
What did that mean? You didn't leave Eddie. Not really. A part of you would always be with him.
You struggled and scrambled to get to his side. Your hands were unsure of where to touch him, how you could let him know you would be there without bringing him more pain.
He looked up at you with unseeing eyes.
"Eddie, please, please," you begged. "I'm here, I'm here with you."
His eyes wrenched shut and he cried out, mouth opening in a feral, heartbreaking howl.
To do with you what I please.
You knew it wasn't the Devil's voice. He wouldn't taunt and tease this way. It had to be some other malevolent creature who tried to get an innocent soul in its' clutches.
You closed your eyes and concentrated, tried to pour as much of your light into Eddie as you could, but despite his body being torn open the way that it was, he simply would not receive the help you could give.
You knew you couldn't leave him.
But Eddie was already gone.
And do to you, I shall...
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When you came to, mass was over.
The closing hymn, heavy with organ song, rang throughout the cathedral as the procession made its way back up the aisle. You watched as Jinette glared at your prone form, laying on the pew, as he passed, but a light voice offered a distraction.
"Slowly, there you go, wake up," it said. A small, strong hand shook your shoulder then carefully tapped your face. "Sister Margaret went to call an ambulance."
"No," you groaned. "No ambulance. I'm fine." You immediately tried to push yourself upright, but the hands held you down to the pew.
"Don't get up, I don't know if you hit your head."
"I don't think so," you muttered. The pain that had wracked your body was nothing but a memory, a tell tale static that surrounded you, much the same way it would if your foot fell asleep.
You finally got your wits about you and found that your savior was the young woman you spotted earlier. Hell, if she didn't already think you were some creep off the street who'd wandered into the cathedral before...
"You're a part of the Order, right?" she asked disarmingly and pointed down to the small medallion that must have escaped from the confines of your shirt when you collapsed. Your hand immediately went to it and tucked it back into its hiding place; it was a reminder...a shackle. "A Knight of the Holy Order. Mother Superior said to steer clear of you if we ever crossed paths with you. She didn't say much else.
"I never thought I'd see one...just...pass out during mass."
"We're normal people," you sighed. "Not...Gods."
"Saints?"
"Sinners," you clarified and she laughed lightly.
"Yeah, me too" she agreed then frowned again. "Do you feel well enough to sit up?”
"I'm fine, just...tired," you explained and pushed her away from you. "I need to get back..."
"Back home?" she asked eagerly.
"Back to my motel." You got to your feet as the organ music stopped and the last few stragglers left. "Thank you for staying with me..."
"Oh...uh...Mary...Victoria..." she provided her name and you must have made a face. "I'm still working on it. I know I have time. But Victoria was my grandmother's name...so..."
"Well, I think it's a lovely name then," you offered a tight smile and your own name, then shuffled past her to make your escape. "See you around Mary Victoria."
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March 30th, 1986
In the days following Holy Thursday, something was still off.
You had woken up the following morning with a sore jaw and a hoarse voice. Sometime later that day, you'd started crying blood. Only for an hour, but there was no controlling it. You were overwhelmed with emotion.
Hopelessness was the most prominent of them all.
You hadn't blacked out again, but something lingered beneath the surface. Given Gabriel's warning, you figured it would be best to lay low.
You knew it was a futile attempt to try and summon Gabriel again; he appeared when he felt like it or when it would best serve God.
The only time you’d ever desperately called for him, as fire almost consumed you and damp earth threatened to bury you alive, it had fallen on indifferent ears. It was then that you realized stories about Guardian Angels were just that: stories.
So instead, you went about your day as you typically would. Unless you were summoned somewhere by the clergy, they generally left you to your own devices. Especially on Holy Days like today.
Your plans for Easter Sunday specifically consisted of visiting the local cemeteries—
You would miss mass at the Cathedral today. Running your hands along the marble headstones and brass nameplates of those long-since-passed-and-forgotten and offering them a thought or two brought you more peace than any prayer or blessing would.
—and getting absolutely hammered.
You weren't a big drinker, really, since you typically were expected to have your wits about you. But it was a Holiday and you were far from home and alone. You made a blind choice at the liquor store on your way back from the cemetery, and it would numb you either to the point of blacking out, or make you give into your temptations to call Eddie.
You'd been thinking about him more lately.
Well...that was a lie, you always thought about him. Thought about calling, about visiting. You knew you couldn't trust yourself, so you did what you could to keep him safe. You skipped the letter M in the phonebook on the off chance he had finally made it out of Hawkins to follow his dream. Made it a point not to drive through Indiana if you could help it.
Maybe you didn't want to help it anymore. Maybe you should...maybe not visit...just call him.
Someone had left behind an honest-to-God glass in your motel room, and after a thorough cleaning, you poured yourself a helping of the nondescript amber liquid. It burned on the way down. Maybe it was a warning about the bad decisions that lay ahead of you.
You'd been tempted to call for his birthday last year, for Christmas...you sent a card. No return address, no name. Just a heart. You hoped he knew it was you because he always said your hearts looked like butts.
Another glass and you stood in front of the nightstand. You stared, transfixed, at the dingy rotary phone as you sipped your drink, savoring the burn this time. As if it had a mind of its own, your hand moved to grab the handset, but it just hovered for a moment.
How would Eddie answer? What would you say? What if it wasn't Eddie at all, what if it was Wayne? What if Wayne told you...that Eddie was spending Easter at a girlfriend's house? What would you do? What could you do? You practically forced him to say that he would wait for you...could you really blame him if he didn't?
Next to the phone was the remote for the television.
You hadn't really left him much hope after all.
You grabbed the remote and mindlessly aimed it behind you to turn the small set on. As it came to life and started bleating a commercial for some local restaurant, you momentarily prayed that it wasn't one of those Biblical epics, like The Greatest Story Ever Told.
Instead, the commercial ended and, as you poured yourself one more glass, the sterile voice of a newscaster reached your ears.
"...currently 68 degrees at the Los Angeles Civic Center. Lovely weather for Easter Sunday. For our top story, we bring you live to our own Robert Gilroy in Roane County, Indiana. Rob?"
You turned in shock and stared, dumbfounded, as the screen flashed to show a severe man in a brown suit. He frowned at the camera while a convoy of cars inched by behind him. You couldn't help but notice plumes of black smoke in the distance and you hoped that it was just a defect with the cheap motel tv.
"Thank you Laura. It's been less than 48 hours since a 7.4 Magnitude Earthquake rocked the quaint town of Hawkins, 80 miles outside of Indianapolis in an event that seismologists are calling a natural disaster of near unprecedented scale."
A wash of colorful stripes rolled across the screen before it showed b-roll of people running and crying, of a team of firefighters desperately trying to extinguish the burning Hawkins Public Library building, that was half rubble anyway, a man in camo bandaging a little girl's leg.
"The death toll now stands at 22, but with hundreds more filling Roane County hospitals and many more still missing, officials expect those numbers to rise."
You immediately dropped your glass and turned back to the phone, fumbling with the rotary dial to input a number you knew by heart.
"Please pick up, please pick up, please pick up." You listened as the ringing went on and on and on. You hung up and dialed again, and you desperately hoped you just got the number wrong. You screamed as it didn't even ring, but blared a taunting busy signal. "No! No! Who are you talking to? Pick up!"
"This is only the latest tragedy to befall this once safe town. Most recently, a string of high school students were killed in a series of ritualistic murders which have been linked to a local Satanic cult known as Hellfire."
Your blood ran cold at the word Hellfire and you refused to look at the television.
There was more b-roll, some chitter chatter saying how the Hellfire boys were always up to no good. How some upstanding students were killed, taken too soon.
Your breathing got heavy, enough that you started becoming lightheaded. The alcohol didn't help at all.
You tried to savor the last few minutes of ignorance as you wrenched your eyes shut, because if you didn't see it. It wasn't real.
"Eddie Munson, the leader of this cult and prime suspect in the murders..."
But you knew. You knew that this was the moment. You knew that this was what Gabriel meant. If you went to Hawkins, if you had to fight for Eddie, you would do it in a heartbeat and you wouldn't stop until you died.
"...has been missing since the earthquake..."
Those seconds that the reporter needed to take his dramatic breath were an eternity, one you would savor. Because it was easier to pretend that the only thing you had to do was just stop yourself from going to Hawkins, stop yourself from being selfish and wrathful, to punish those who would accuse the sweet, dumb, foolish, clumsy, trustworthy innocent love of your life.
It was just easier if you still lived in a world where you didn't have to hear what you knew was coming next.
"...and is presumed dead."
People often mistook the power of heaven to be one of peace, of hope, of new beginnings. And it could be. It usually was. But they forgot that the beginning of one thing was also the end of something else.
Divine retribution, a burning smiting wrath, the like of which had leveled Sodom and Gomorrah, flowed freely with your grief. It was illogical and irrational and inexplicable to any mortal, including you.
You remembered screaming.
Remembered the pain of the bones in your fingers splintering as you dug them into your skull. Your nails cut deep into the flesh of your scalp as you peeled the hair and flesh, as you opened the top of yourself to release the pressure that had suddenly and violently built up in your core.
Glass disintegrated into sand, furniture turned to ash, even the frame of the building began to buckle.
But there was a voice that called your name. A soft, sobbing voice that pulled you back from the edge of whatever precipice you subconsciously teetered on.
"It’ll be ok. I’m here."
You could practically feel arms slither around you, the phantom weight of them pressed into your skin. Dextrous fingers wove together with yours, soothed them, healed them. They caressed your wounds and the broken flesh stitched itself back together.
A cool breath grazed your ear and the screams that ripped from you began to subside. It shushed you and said unascertainable words of comfort as your fury subsided into woe.
"Close your eyes. It'll all go away if you don't look."
"But you're gone," you wept. The tears rolled down your cheeks and over your lips. You sniffled and licked at them; blood, again. "Why?"
There was no answer. You were about to open your eyes, eager to see and not just to feel, but the fingers glided over your face again. Over your cheeks to wipe the blood from them, over your lips to play with the softness of them, then over your eyelids.
Places he liked to kiss...places you wished you could feel lips instead...wished you could know that he was there.
"I'll never really leave. Even if you can't see me. I’m here.”
Every fiber of your being wanted to go, would have walked to Hawkins, run til your feet bled, to find his body. To clear his name. To say goodbye.
To die a most miserable death. Like Phibes and his Rose.
You would leave this world, happily, if it meant you could be by his side. But there was no guarantee. You could toil for a lifetime and hope to join him, and still be denied access to Heaven.
“I’ll be waiting for you. As long as it takes. I’ll be here.”
You heard the lovely whisper of your name, over and over as you sunk to your knees and you curled in on yourself. Every second it faded into the depths of your mind, and you couldn't help but crack your eyes open.
Lightning struck, the firefighters would explain to you later, on a clear day. The building went ablaze and was destroyed, but all the rooms were empty except for yours. The paramedics said it was a miracle you weren't injured. They touched you lightly, almost reverently.
"Hallelujah."
You were alone again.
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It was a disquieting procession.
The creatures moved in a way that seemed unnatural, unfamiliar to them. Their feet shuffled across the barren waste and they dragged a hulking beast behind them. It was a large and ominous and twitching thing, and although the formality of this event it felt like a funeral, you knew that you were witnessing a birth instead.
The wings conjured images of Beelzebub...but Asmodeus felt like a more fitting comparison given how familiar you were with the inner workings of its mind.
Thinking of him as Beast or It was wrong. It felt sinewy and astringent. A bite you were reluctant to take.
You bore witness for three days.
It took two to break him, but images would haunt your mind and your heart for eternity. You tried to protect him, tried to undo what was done. You offered him comfort and a place to hide when he desperately needed a break he would never get.
How he had survived it, you would never know? But he was always stronger than you; if not in body, then in spirit. You never lasted long before you were forced to pull him back in. If you had remained, given him a longer rest, you knew you would have broken before he did.
He finally begged for mercy. He finally relinquished his soul.
You would stay beside him. No matter what they did to him. No matter what he did to himself.
They dragged him to their pit to put him back together again, and you forced yourself to watch, to listen, and to pray that every addition and alteration would stick. That he wouldn't have gone through the torture only to perish so close to the end of it.
You wondered where prayers went when they were made in Hell. Did they reach God's ears? Were they intercepted by Lucifer and his court? Or did they just...float in the void of oblivion?
He muttered words, you'd even heard your name escape his lips several times before they filled his mouth with too many teeth to speak.
By the end of the third day, he rose again.
And you sobbed in relief because somehow the sight of him complete, the sight of him rising and blinking and roaring brought you more comfort and warmth and joy than you had ever felt in your cursed existence.
It didn't matter how grim of vision he was. There was a beauty in that too. The beauty existed...simply because he still did.
Whatever they did to him, he was alive, and he would always be your Eddie. And that meant you had a chance to save him.
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“When you loved someone, you put their needs before your own. No matter how inconceivable those needs were; no matter how fucked up; no matter how much it made you feel like you were ripping yourself into pieces.” — Jodi Picoult, The Pact
Special thanks to @big-ope-vibes and @pastel-pillows who can read even though she says she does not. And @fracturedarkness who I am determined to destroy/delight with this story.
Next Chapter: Illumination
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wintersangelic · 22 days
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betrayal is a literary theme I’m normal about. anyway do you see any correlations between Christine kissing Erik in the final lair sequence and Judas kissing Jesus in the book of Matthew or can you sleep at a reasonable bedtime.
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blackscarabfilmz · 1 year
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Eleven years ago, I made my first video discussing Doctor Who and the Auton Invasion. And I'm still making videos about Doctor Who novelizations!
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rtgomerprod · 6 months
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The Literary Lair: All Summer in a Day
For your viewing pleasure, a short review of my all-time favorite short story ever written. Support BlackScarabFilmZ on Patreon: https://www.patreon.com/blackscarabfilmz
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wicked-witch-for-hire · 6 months
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Literary references in Gale's selection remarks
I. Theatrical plays (Shakespeare & Walter Scott)
- A rough tempest I will raise. - Shakespeare - Tempest, - this is a mash-up of two quotes:
In Act V, Scene 1, Prospero uses the phrasing "when first I raised the Tempest". In the same scene, he recites a soliloquy about the great works of magic he has accomplished, before finally renouncing magic altogether: " ... But this rough magic I here abjure ..."
This is an incredibly apt sentence for Gale - one can interpret this tempest as his magical capabilities or just the calamity of the orb, or even his end game choice. The whole play which begins with a shipwreck might be compared to the plot of BG3.
- What fools these mortals be. - Puck - A Midsummer Night’s Dream
- All the world's my stage and you're just a player in it. Shakespeare, again. As You Like It Link
- Oh, what a tangled Weave we web! - riff on a quote from Sir Walter Scott's play Marmion.
The original quote is "Oh, what a tangled web we weave, when first we practice to deceive!"
II. Pop-cult
- Swords, meet sorcery!
This is a reference to the term "Swords & Sorcery" which was coined by F. Leiber (author of the Fafhrd and the Gray Mouser series) in 1961. Quoting from wiki: Sword and sorcery (S&S) or heroic fantasy is a subgenre of fantasy characterized by sword-wielding heroes engaged in exciting and violent adventures. Elements of romance, magic, and the supernatural are also often present. Unlike works of high fantasy, the tales, though dramatic, focus on personal battles rather than world-endangering matters. Sword and Sorcery tales eschew overarching themes of 'good vs evil' in favor of situational conflicts that often pit morally gray characters against one another to enrich themselves, or to defy tyranny.
- Gone with the Weave.
I think this is just a reference to the term "Gone with the wind" but not infamous book, lol.
- No gloom, all doom.
Riff on the popular expression "gloom & doom".
III. Religion
- Seek and you shall find me.
Jeremiah 29:13 You will seek me and find me when you seek me with all your heart.
Matthew 7:7–8 "Ask, and it will be given you. Seek, and you will find. Knock, and it will be opened for you. For everyone who asks receives. He who seeks finds. To him who knocks it will be opened.
While I don't think Gale is our Lord and Saviour, this is an interesting line. I would not be surprised if the writers had also remarked on his peculiar resemblance to someone...so I think this is an inside joke.
- Let me recite their demise.
This alludes to the custom of reciting prayers for the dying and the dead (a common practice in Abrahamic religions).
IV. D&D homages & references
- Don't make me go all Edwin Odesseiron on you.
So Edwin was a possible companion in BG1 & 2. A lawful evil red wizard of Thay. If you have seen the new movie I don't need to explain further, but for those who don't: basically Lorroakan as a companion. He greets the protagonist with this: “ Greetings. I am Edwin Odesseiron. You simians may refer to me merely as "sir" if you prefer a less... syllable-intensive workout."
Gale basically threatens to go all power-hungry wizard on us - mind, this is a funny line you can only hear if you select him in combat over and over again (spamming).
- I hope Halaster takes good care of Tara while I'm away.
Halaster Blackcloak was was a notorious, ancient, and utterly insane wizard who resided within his lair, the infamous Undermountain ( located deep beneath the city of Waterdeep) and died in 1375, so circa 120 years before BG3 takes place (late 1492). As part of his many preparations to escape death, Halaster created a number of clone-bodies to receive his consciousness, which he kept locked in protective stasis and located throughout Undermountain and the lower reaches of Waterdeep. When Halaster died prior to the Spellplague, it was possible that one or more of these clones was activated and set free by 1479 DR, although this is not confirmed.
I guess this must be a joke in wizard's circle in Waterdeep :-) This is also a spam line, so one can only hear it if they really like to click on Gale.
- Coliar, Karpri, Anadia... So many worlds still to travel. One day. (looking at the astrolabe)
Coliar, Kapri, Anadia - are all planets in the system (Realmspace). Toril is the third planet, where Faerun is. To reach these places you need to use spelljammers. Gale needs to hitch a hike from Lae'zel I guess.
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yellowhollyhock · 1 month
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thinking about. When Hamato Yoshi becomes Master Splinter
Especially 1987 but I think this applies to 2012 as well. maybe not so much Rise, but idk it could in some ways
Extremely traumatic to have your humanity taken from you in that way.
But let's also talk about the fact that this was done to him... by humans. His experience with humanity has been that they are violent, greedy, corrupt. Okay so that was mostly Shredder, but he also spent some time just out in the streets. I mean the story is different and focuses on different things with each Splinter but, rat or human, the base of the story is usually that he fled Japan (where he experiened extreme violence) and landed in New York City where he had nothing. The Splinters who were rats, canon deals more explicitly with their view of humans as.. not evil exactly (except mutant mayhem), but not good. In need of protection and guidance, at best.
But what about Hamato Yoshi rejecting his humanity? It was taken from him unwillingly, and for someone who likes to be in control it would make sense for his coping mechanism to be reinterpreting his situation as an ascent to something purer. And this could explain in a way how he trains the turtles to be heroes. Their family is above humanity, almost like instead of beasts he thinks of them as spirits. There has to be a word, right, for that literary device where the nonhumans are less corruptible? like Smurfs. does what I'm saying make sense
Basically his mutation made him a rat, and in order to avoid the trauma of his body being involuntarily changed I think he chooses to see this as a sacred experience. Rat > Human. He will be more sly, more disconnected from earthly vice, more resourceful, less wasteful.
Now contrast this with the turtles mutation experience.
Generally we don't see them wanting to go back to being regular turtles; they want to become more human. The mutagen didn't even 'mix' them with a human, it enhanced their strength and intelligence and a lot of other random wonky things that made them seem humanoid. For them becoming human-adjacent was the same thing as becoming aware. Without the mutagen, they wouldn't know each other's names, wouldn't be able to enjoy pizza or video games, certainly couldn't learn martial arts. From their pov, humans are above them on the scale. Humanity is something they chase, try to understand and immerse themselves in, and rejection from that world hurts.
Master Splinter, then, to them, took a big fall for them. I could almost compare it to a parent giving up a career in order to be a parent. The older they get the more they realize, first that it happened, and then that it had to happen because of them. They have to give him another chance at that other life, because it's their fault he lost it (from the pov, at least).
And I just. Think about when he scolds them for those human vices he's made himself believe his more animal state will help him overcome. Laziness, gluttony, envy (hoo boy envy. whole other post), selfishness. He pushes them to train, and keep the lair clean, to protect them from becoming what he once was.
And it's really sad because what he once was. Was human. Just human.
And it's the wrong word for the turtles, but it's the same concept. Just let your kids be human. Let them be teenagers. And to his credit, he does try. He allows them their pizza and video games and human friends. But he also seems constantly on guard for their sakes. Not only will the human world reject them, something he experienced himself and doesn't want to face, but it also has the power to ruin them. Like where they are is the ideal and becoming more human-like could make them.. more inherently bad. He wants to keep them in his own little world because he's crafted one where being what they are is an honor, not a shame. But he can't comprehend how, living under his roof, the turtles are still experiencing an entirely different world.
They don't ever truly get it, either, that he doesn't see his mutation the ay they do. And it's not that I don't think he ever sees becoming a rat as a fall from grace. I'm sure those feelings also exist. But he cultivates and acts on this other idea because it's simply more useful to him than self-pity. And that's really cool of him on some level! Empowering to reject humans just as thoroughly as they rejected him; he deserves a story where what happened to him all worked out for the best and was his destiny all along. It's just... he also didn't take the time to heal (how could he, given circumstances?), and that does affect how he treats his children.
Does any of this make sense? It's just a very interesting dynamic
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dndhistory · 3 months
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373. Bruce Algozin - Endless Quest #27: Lair of the Lich (1985)
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The first of three Endless Quest books by Bruce Algozin (and not the best of them), in this book you play Eric, a young wizard apprentice, and son of a wizard yourself. As the gamebook starts, you find your father has been the victim of an attack and a robbery.
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However, the attacker wasn't just a normal thief, but an evil lich who stole your dad's spellbook. So, as you can imagine your mission is to retrieve the spellbook from Castle Necropolis (what an original name!). In this quest you have the help of Pnimm, a kind of homunculus which at first looks like a halfling or nome, but really is magically created and very annoying.
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I only had access to the Spanish version of this to read, and that is a very different experience from reading the English (a Lich is a "Wandering Corpse" for example) so it's a bit hard to judge this in terms of literary quality, these were the kinds of book that didn't really hire the most expert translators. Still there's some fun and creepy art in this one, with cover by Jeff Easley and interiors by Jim Roslof, with some cool illustrations of monsters like an intellect devourer, owlbears and plenty of undead. 
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