Netflix, I don’t know how to tell you this but a woman doesn’t have to be self taught to be a strong female character. It’s ok to let her know her limitation and ask for help. It’s ok to let her get angry, it’s ok to let her be jealous, it’s ok to let your female character have flaws and WORK on them. Your female character doesn’t have to become a master on her own to be memorable, it just makes her accomplishment feel unearned.
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First or last?
Sometimes the first move is the most important. The first set in the gym. Now you're working out. The first sentence. Now you're writing. The first call. Now you're in the game.
Other times, the last move is the most important. The last brick. Now the building is built. The last line of code. Now the app works. The last round of revisions. Now you can ship it.
What do you need to focus on right now? First or last? Do you need to start or finish?
James Clear
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Last Move
I’m holding on to the last piece of hope I haveIt’s time to make the final moveI’m not the loser, neither am I a winnerPart of me is slowly giving upThe other part keeps fightingI don’t think this is a battle she’ll winThere’s me, my conscious and my tired heartI want to help, I doBut at whose expense?Lord, please let me do what’s rightI whisper and sighMy throat is as dry as my flaky bonesI…
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You ever think about how in The Headband, we're introduced to a side of the Fire Nation that's had its culture whittled away by a hundred years of imperial wartime propaganda. And how perhaps the most damning expression of this is that students are forbidden from dancing. And so Aang, maybe the only person on the planet who still truly remembers the Fire Nation of old, from before the war, brings it back to them.
And then we get to The Firebending Masters. Zuko's entire young adulthood has been spent using his anger towards the Fire Nation's enemies, his drive to capture the Avatar, as a crutch. And now he doesn't have that crutch anymore. So he and Aang set out on a pilgrimage, going to the birthplace of firebending itself, in search of answers. In search of a way to express the power of fire that isn't fueled by rage or smothered by fear. And they find a dance.
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He is acting like this... because he lost his diary
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Here is my final Tallulah redesign!
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Miyazaki's Retirement Declarations (chronologically)
Translated from last week's NHK documentary on the production of The Boy and The Heron (more under cut). I saw people posting a screencap of this and I just couldn't contain myself. THIS HAS BEEN GOING ON WAY LONGER THAN I IMAGINED LMFAO
This is from the NHK programme "Professional - Their Working Philosophy" (プロフェッショナル 仕事の流儀) a few days ago (16/12/2023). The episode investigates the production process of The Boy and the Huron, and how the late Takahata Isao influenced the movie.
(It was confirmed within the documentary that Mahito = Miyazaki, Great Uncle = Takahata Isao, The Heron = Suzuki Toshio, Kiriko = Yasuda Michiyo)
The documentary is currently available on the NHK Streaming Service (Location Limited). If you have your own ways of watching and you know Japanese, I would definitely recommend the episode as it gives a lot of much-needed context to The Boy and The Heron. Personally, I haven't found a way to watch it yet, so all I know about the documentary are hearsay I saw on Japanese twitter.
Original screencap:
Also, at the very end of the episode, Miyazaki was shown working on a Naucicaa piece without any explanation, which led to many people speculating whether he could be working on a sequel for Naucicaa of the Valley of the Wind.
What do yall think? Do you think he's going to finally retire or release yet another animated film in a few years? I would love to see Naucicaa 2 but I also feel like he really needs to... yknow, chillax a bit and stuff. He deserves a long ass vacation.
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