ok but isnt the fact that lilia cant cook when fae usually use food to lure people and to trick them into staying in their world funny as shit?
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love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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You know what? I don’t WANT an awkward double date. I don’t WANT buck coming out and people having the ‘I know’ reaction or the ‘is it Eddie’ reaction.
You know what I do want?
I want Buck panicking over what to wear for the date. I want Buck flopping on his bed like very teenager after their first kiss all giggly and happy and touching his lips because he kissed a boy
I want Buck smiling every time he says Tommy’s name because maybe it isn’t forever and maybe he’s not even looking for forever anymore but he’s so happy and he’s so light and being with Tommy feels good
I want Tommy to keep calling him Evan, because before Buck was Buck he was Evan and Evan deserves to be happy to be treated so softly and lovingly and Evan deserves to be free.
I want Buck to be happy. To be happy and free and queer in the way we all deserve.
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happy new year Ego!!! Just wanted to let you know that I absolutely adore your twst fanart and the tags are just an absolute pleasure to read! You are my greatest inspiration for my personal twst art and I just wanted to thank you for your wonderful masterpieces <333 if possible, may I ask what are some of your headcanons for the diasomnia family? If not for diasomnia then any other characters are fine as well!
thank you, and happy new year! 💚💜💚 that is amazing to hear; it's always a little bewildering but super flattering that other people like my silly little doodles so much!
I don't think I really have any really solid headcanons and also canon keeps validating me left and right (FLUFFY DOMESTIC DIAFAM IS REAL). mostly just kind of...impressions and general thoughts, if that makes sense! lately though I've been kind of obsessed with thinking about Lilia's hair, and specifically when/why he ended up cutting it. (l-look, we're bouncing around the timeline and I gotta make decisions about these things when I draw, it's relevant) (I mean I would probably be weirdly fixated on this anyway, but.)
I think I've settled on the idea that he kept it long until he went to NRC, partly because 1) I like drawing The Ponytail, and 2) I think he thought of NRC as a chance to reinvent himself a bit! he gets to go and be a wacky carefree teenager for a few years and have fun! (officially he's there to keep an eye on Son #1, but how much trouble could he get into, really.) so he gave himself a Cool Teen Haircut to go with his fresh new Cool Teen Persona!
also maybe he had some reflection on his hair's troubled past with three kids...
...and had to weigh his vanity versus the fact that he was going off to be around hundreds of kids on a daily basis, and. the choice suddenly seemed obvious.
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bed talk w. sir crocodile ⋆.˚ ᡣ𐭩 .
.nsfw.
content. mainly what i think croc would say in bed
“use your words.”
“i’m either joining or watching.”
“quit playing, princess. give me what i want.”
“mhm. you’re such a good girl, come get your reward.”
“tsk— is that all you can take? what a pathetic little cunt you have.”
“relax yourself, otherwise it won’t fit.”
"i don’t have all day. hurry up and bend over."
“quit squirming. let me handle this.”
“don’t worry about the dress sweetheart, let me tear it down so i can buy a prettier one, tomorrow.”
“so cute, all spread out for me.”
“don’t you dare touch yourself. i’m not finished.”
tell me he wouldn’t just spoil the shit out of you and then use it against you in bed.
“ngh— spoiled brat.”
“what do you think you’re doing? keep your hands still.”
he uses his ring to please youuuuu
“the rings stay on, spread ‘em for me.”
“is that what you do when you’re on your own? am i not giving you enough attention?”
“bend over the window so I can fuck you and you can look outside at everything you now own.”
“look me in the eyes when you’re fingering yourself, princess.”
“a safe word? ridiculous.”
literally laughs at you when you can’t masturbate properly.
“can’t do shit right, can you? i’ll take care of this little problem of yours.”
“you show these hook marks for everyone to see. understood?”
“i’m feeling hungry, come here.”
© shegetsburned 2023-24 Please do not repost/edit/or claim my writing as your own.
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POV: you enter the girls room while they are fighting
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💙❤️Happy Holidays!❤️💙
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hey!! may i suggest number 19 for vashwood for the things you said prompt?
Things you said when we were the happiest we ever were.
Ask game (request closed u.u)
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The tragedy of Bor'dor is that he could've been deradicalized, and wasn't. And not only that he wasn't, but that there wasn't time for it. In isolation, his death could've been avoided, with time, but that isn't something that the Hells have right now. They have been well-outfitted, have many allies across the world fighting on their side, and have made enough of an impact to buy them a few weeks, but even that came at a great cost, given the loss of life we've seen in Uthodurn and here with Hevestro's circle.
And there are so, so many individuals among the Ruby Vanguard who are probably just like Bor'dor, who could be talked down from the ledge they've been egged upon by Ludinus's manipulations. We know this, actually, because the Nein did that for Essek, with, frankly, very minimal actual ideology—they did it by being nice and acting as someone else who listened.
But it's years too late for that, because there is now an army of those individuals, and they cannot be taken in isolation. They have passively caused significant loss of life across the planet by altering this solstice, and encouraging more through their ideological shoving, as in Hearthdell. There's no time because the war is already well underway—only the Hells have arrived in the eleventh hour. So the Hells can pity and mourn him, but Orym's assessment was right—they're at war, and the nature of this war is that it must be fought and won in order to even think about the future and rehabilitation.
The tragedy is that Bor'dor could've lived if there was time, but that time is already long gone.
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Listen. A little baby gives you a title? That’s your crown to wear now. You Are Ba-Ba Now. Sorry I don’t make the rules
(Aka, Free Baby Saga 2.0: where Pirate-Eclipse and Seamonster-Y/N have to an unexpected adoption of a baby selkie and are somehow The Best Parents ever! Bc I said so <3 )
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“why would Wyll complain about having horns around tieflings at a tiefling party to my tiefling tav”
why are you purposefully misconstructing the whole point of the scene and acting like a dude who was dragged through the layers of hell can’t be upset his body was forcible changed into a the body of a fiend .
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I'll say that I have been in some fandom with extremely impressive and dedicated artists but consistently some of my favorite artists are ones who technically make 'unimpressive' art to outright loving posting 'low effort' doodles. I love skilled work thats beautiful, but I also deeply admire a freedom from perfectionism and ambition. Sometimes those are just non-complicated but still clearly skilled works, and sometimes thats loving the wobbly simplicity of crude lines vs. rendered beauty.
One of my favorite artists back when I was big into Hollow Knight was a korean artist who could absolutely make some extremely beautiful stuff, but many of the pieces I remember most and loved the most looked like this
Even here I know I mentally worked harder to make this imitation than they did for the OG. I can't draw fast and loose, and I like work that is clearly faster and looser than I can do. I envy people who can do things imperfect and carefree. Sometimes thats still very obviously skilled work, sometimes its very stupid doodles that were blatantly done in 30 seconds in mspaint. I don't think its say, disrespectful to love the doodles more than the rendered stuff said artist makes- but my love for it comes from a place that a lot of people wouldn't guess.
That is to say, its hard to tell who, why, or when something you make might click with people- and it doesn't take a masterwork for someone to see something in your art as inspiration.
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been reading about the mistranslations of the elden ring ranni ending and its wild. I’d just assumed that the vagueness of the ending was down to fromsoft being fromsoft, a lot of the endings of their games ive played have been vague, with much left unexplained. So when Ranni’s ending explained basically nothing beyond “its gonna be Ranni’s Age of Stars from now on and you will live together with her as her consort” i was a little letdown but willing to accept it. At least my character gets to live on with their witch wife.
Instead it turns out Ranni’s ending is basically her taking control of the system, setting it to “humans get to be free and make their own choices without divine interference” and then taking the whole system and leaving so no one can ever change that and restart an age of gods ruling over the world. Its wild. All the stuff about darkness and loneliness was actually about her, that this is a sacrifice she’s making, going off into the darkness of the universe alone for the sake of the world. Your character joining her on that voyage into the unknown.
I actually really like how that means our character would remain a total mystery to the majority of the world, unlike the other endings where we become elden lord and get to be the new ruler. In this ending presumably everyone knows Ranni became the new god queen, because of her announcement of the age of stars. But then immediately after that she left the world and you went with her. The generations that come after may never even record that Last God Queen Ranni Who Ended The Reign Of The Gods had a consort at all. Or if they do its likely the actual identity of her consort would be a mystery.
Plus, this makes our tarnished’s ending with her much more romantic. Its not “we’re going to live it up as the new rulers of the world” its “this is going to be a hard and lonely voyage and thats exactly why i wont let you face it alone. we’ll go together”
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GREAT GOOGLY MOOGLY, THE NEXT BOOK 7 UPDATE FOR THE JP SERVER IS SET FOR MARCH 1ST.
HOW WE FEELIN LADS!?!?!
AHHHHHHHH NOOO I'M NOT READY, I thought we'd be getting the fourth anniversary first and then Sebek's birthday and then maybe some more episode 7, I didn't -- I didn't think it'd be Friday --
oh god and they're rerunning the story cards, they didn't say this was the final part but it feels like...maybe the penultimate chapter? could the end of episode 7 finally be looming in the distance?! WHAT AM I GOING TO DO
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