priest guy sending mixed signals, what is he up to?🤨🕶🤏
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[Image Description: A warm-toned comic featuring Trigun98 characters. It opens with Vash shouting "YOWCH!!" as a half-eaten donut flies through the air, a bruise on Vash's tongue. Meryl, editing papers, is annoyed as he complains: "Ow! Ow! I bi'e my 'ongue..." "What's the rush?" Meryl asks, "They're all yours." Vash, still hurt, tries to explain: "They're jus' sooo good!" Meryl argues back, "Well, savour it then!" Wolfwood has been watching the scene unfold as Meryl continues, "Satisfying your sweet tooth doesn't come cheap, unfortunately." Wolfwood clicks his lighter open and closed, again and again. Without a word, he leans closer, his thumb on Vash's lips. "Wolfwood...?" Vash trails off. Then, Wolfwood opens Vash's mouth and knicks his thumb on one of Vash's canines in one fell swoop. "Wah? Huh??" Vash says as Wolfwood pulls his bleeding thumb away. He licks the blood off the wound then snickers at Vash. Meryl looks disgusted, Vash has lit up in an embarrassed explosion, and Milly remarks, curious: "Those are surprisingly sharp, Mr. Vash!" Question marks float around Vash, and his donuts lay discarded on the table. Each panel is signed by raepliica. End ID]
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as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.
and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.
and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.
and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).
but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.
and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.
it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.
and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.
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WIP Wednesday ✨
IN TIME, this time. About time!
Tags at the bottom
some cass <3 lav sketches, I'm currently painting the outfit on the right with poor chances of succeding (purples and cool greys are involved) u-u
hopefully I'll end up being historically coherent this time lmao (I'm eyeing Cosmé Tura because there are some interesting things in his pieces but I'm trying my best to stay in Venice for Josie *sprays water @ Estensi*). Also I'm tempted to change the pose and Leli may be seen from behind because, um, archer back? Archer back. I mostly see pics in which she's thin and dainty but like
Give this girl those luscious back muscles she deserves pls
More outfits for the troubled child. So far these are my least favorite but! We keep going until I can replace the other document in full since it needs an update
Luckily, I have time to finish something this weekend ;u;
Tagging (w no obligation): @greypetrel @shivunin @melisusthewee @underneathestars @daggerbean @layalu @herearedragons
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I feel like debating who Loki was talking to when he said "For You" in the last episode, is missing the point of the scene. And people referring to it as "cowardly" and a "no-homo" moment is just?? Baffling to me tbh because like;
First of all, it is obviously intended to be to both of them? If they only wanted to make it about Sylvie, Mobius wouldn't be there. If they only wanted to make it about Mobius, Sylvie wouldn't be there. If they wanted to make it about everyone they would've just framed it more equally, he does do it for all his friends ("for all of us"), but they have that scene to highlight these two specific relationships. The framing is quite clear, they have him take a last look at all of his friends before going down the stairs, but Mobius and Sylvie runs after him to have a final significant moment.
Which absolutely makes sense and is consistent with the show we have seen so far, s1 and s2 combined, which is what I love about it. And it was to be honest a surprise! Going into this season, I had little hope for Loki/Mobius interactions, just didn't want to expect too much since S1 had a lot of their connection, but that could've been it. I was shocked when s2ep1 was full to the brim with Loki and Mobius scenes? And then they kept reinforcing every week that they care about each other, is a funny duo to watch, and are important to one another.
And despite this, I expected the rug to at some point be pulled, especially compared to Loki's relationship to Sylvie. No matter people's personal viewing on the show, she is still cited as a love interest by showrunners and is just portrayed as that by the narrative a lot of the time. Sidelining that, even in s2 when the romantic hints are more vague, she's still a very important person in Loki's life. She played a central part of the plot and Loki's own character development of understanding himself.
So to me, I was surprised seeing Mobius and Sylvie side by side in the end. Both being framed as The important people in Loki's life. Then, however you wanna see in what ways they are important is up to you, but they are the people he keeps coming back to for advice and self-reflection. You can frame it as "oh it should've been only been Mobius and they added Sylvie to downplay it", which, I just disagree with (If they wanted to go for explicitly canon Lokius they needed to set that up even more earlier in the season but that's a post for another day). Sylvie is still like, a constant in the narrative and driving force of s1, even if s2 changes things around a bit, and imo it would be inconsistent if she just vanished here. I guess I am used to media that downplays a meaningful dynamic between two dudes in more aggressive ways, which they absolutely could've done, and would've taken me out of the story to be honest... but they didn't, Mobius and Sylvie got to be side by side in the end and that imo validated the Loki/Mobius dynamic way more than downplays it.
TLDR; The "For you" was for both Mobius and Sylvie because why would you frame it that way otherwise, and having them side by side like that validates Lokius way more than downplays it in a "no-homo" way considering the full context of the show.
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i find very funny how everyone in the island knows that q!philza is really good at pvp, like even out of rp viewers from all communities know this, know how good he is bc it’s always implied. And then, there is fucking q!roier ….. silly q!roier who is secretly really good at pvp but is always goofing around bc he doesnt want anyone to think he is a “tryhard” so no one in the island and out of rp (besides q!spreen) knows that he is actually very fucking good at fighting and a nerd, he just never activates his tryhard mode bc why would he? Silly guy just wants to have fun and be silly, there is no need to take things seriously and he doesnt want to be taken seriously either …. bc once again, he’s just a lil guy being silly <3
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tw blood, gore
My Heaven
sh1 locations usually don't get much recognition so i feel like adding some explanatory notes on it (just in case)
the place is the secret chamber in Green Lion Antiques where distracted from prayer alessa is having a tender moment gazing at the point where God's painting is supposed to be
(GOD- IM TRULY BEWITCHED BY THIS GAME THE WAY IT NEVER THROWS STRAIGHT FACTS IN UR FACE AND WISELY KEEPS ATMOSPHERE OF UNDERSTATEMENT TILL THE VERY END SO FKING CHARMING–)
whatever ceremonial stuff it is, it had started to burn before one of harry's passing out
and due to perspective in my drawing alessa stands directly on it ..
i'd like to sum up the post w little art comparison bc i also pursued the goal to redraw one of my old drawings
the first one is pretty rough for sure still luv both of them tho
june 2021 august 2022
seems like i had come to better understanding of what im trying to achieve in terms of composition COLORS and whatnot
ьььь
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You have given me a great joy in life with your Renkaza au
May I ask, what happened to the rest of the Kamado family? Did they get their canon ending or are they with Nezuko as they try to deal with her new demonification?
oh yay im glad you're enjoying it so far! 🥰
nezuko's actually with her brother in the box, like in canon lol. i just havent drawn her--or inosuke or zenitsu--in the panels we've seen, but they're there!
as for the rest of the kamados... i actually havent decided LOL. my instinct is to save everyone, since this is a light-hearted comic strip, but also i'm not sure i'd be able to reliably write that since it involves more plot than the "stupid jokes loosely following canon" i mostly have written down aha. so i suppose it's a surprise for now, even for myself.
i guess we'll see!
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there's an amity POV thing i wanna write for the princess luz AU, but it's truly plotless n largely just involves her being a spectator to one event that has already happened within the AU canon. which is fine i guess, i can do whatever i want and all that
but. i must admit. that 98% of the reason that i want to write this is.... just for amity watching hunter and luz be How They Are. & having a very long moment where she's genuinely and not-unkindly like. okay. Wow. you two really truly honest to god are complete freaks. god bless, love and light, diplomatic phrasing and all that, but jesus FUCKING CHRI-
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