Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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"Dead Dove: Do Not Eat"
About the tag, the origin, and why I think no one on either side of the fandom divide knows how to use it
First of all, I'm crosstagging because I think it's a general issue, not just something for pro or anti shippers. I see the tag get misused on both sides and I just wanted to throw my two cents in
So, where did the term originate? Like all culturally significant things online, it started as a meme. More specifically, a meme from the television show Arrested Development. Character A has put a dead dove into a brown paper bag to store in the family's fridge. On the bag, he has taped a sign that reads, in big bold letters, "DEAD DOVE. Do Not Eat!"
Character B comes across the bag, reads the warning, and opens it anyway. When he's met with, you guessed it, a dead dove, he proclaims "I don't know what I expected".
This is an example of (and has since basically become the spiritual successor to) the "Exactly What It Says On The Tin" trope.
If you want to check out the full history and countless examples of the trope, please check out the page on tvtropes. But for a slightly shorter history - it originated in a British commercial for Ronseal's Quick Drying Woodstain, which the tin claimed "dried quickly". And in the commercial they told you "It does exactly what it says on the tin!" So, the tin says what the product does, then the product does it. You get the idea.
In fandom spaces, the trope just means that the title of Thing (be it movie, show, fanfic, etc) tells you exactly what happens IN Thing. If a show is called "Buffy The Vampire Slayer", you already know it's about a girl named Buffy who slays vampires. If the movie is called "Cocaine Bear", you can bet a bear will get into some cocaine at some point. If there's a fanfic called "Fluttershy Has Tea With Jesus"... you get the idea.
While both tags started out with the same intentions and meaning, I don't think it's any wonder that "dead dove do not eat" has been so easy to misinterpret. For one, "exactly what it says on the tin" sounds more straightforward. You don't have to understand the specific reference to infer it means to check the label (in this case, tags) before purchasing (opening) the product (fanfic)
But dead dove is harder to understand if you don't know the reference. And at a glance, it sounds much darker. Doves have symbolism in multiple religions, and are seen as a symbol of peace. A dead dove evokes images of gore, violence, general unpleasantness. It must only apply to something sinister, right?
The thing about "exactly what it says on the tin" is that the tin needs to say something. You can't point at a blank label and say "here's what you can expect". People would be much less likely to engage with your product if that were the case
In the same vein, slapping "dead dove do not eat" on a fic with no other tags can lead to confusion. In this tag's case, it's a warning. But what are you warning about if you don't also put it in the tags? It leaves people's minds to conjure up only grim and upsetting images of what might be in your fic. Especially when, as it's also common to do, the tag gets shortened to simply "dead dove".
And while, yes, the tag is most likely to get slapped onto fics with dark or upsetting subject matter, that means something different for everyone who comes across it.
Most people seem to think it only applies to inappropriate relationships (age gap, incest, etc). But I've seen it applied to a variety of things, from potentially triggering material (like suicide) to things that simply may not be everyone's cup of tea (like excessive gross-out toilet humor).
In the end, "dead dove do not eat" is a tag that, in my opinion, should not be used as a descriptor as to what type of content your story contains. But rather, a gentle warning to say "hey, I'm specifically telling you what you're about to encounter, so whatever happens next is up to you".
After all, if you read the warning and still open the bag to find something you don't like...
I don't know what you were expecting.
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zolu aroace positivity post!!! because if you're aroace and you celebrate the gift that is zolu, I want to share why they mean so much to me as an aroace.
what makes zolu so special to me is because first and foremost, zoro and luffy went out to the vast open seas of the world to chase after their dreams. luffy wants to be the pirate king, zoro wants to be the best swordsman. even after being recruited, even after all they went through, they never stopped having their dreams as the forefront of their characters. but it just so happens that both their dreams are intertwined with each other, the best swordsman in the world's most fitting place is by being right next to the pirate king, and the pirate king believes that he would reach his goal by having the best by his side.
the reason why I believe zoro and luffy's relationship is so strong is because by fighting for their own dreams, they also strengthen their bond with the other. zoro wants to be strong to be the best swordsman, but it's also to protect the crew and to best support luffy as he guns for the title of pirate king. luffy wants to be strong to be pirate king, but it's also to protect the crew, but also? by being strong, he proves time and time again that his crew did not make the wrong decision to follow him, that he is a Captain that deserves to obtain the one piece (i think of luffy aiming to be strong so that his crew will never have to falter about his leadership, especially after water 7).
as an aroace, this feels like the best way to showcase love and devotion and trust with each other. knowing that someone's dream becomes a part of your own, that every time you fight for yourself and you aim to be a better version of yourself, you're not only working for your own sake but for the better of you and your partner. that i come to love my partner because they understand me, and they know why i fight so hard to reach my goal. and not only that, they fight as equally hard for their own goal. together, both of our dreams ultimately help each other become the best version of ourselves.
knowing that zoro believes in luffy wholeheartedly that he fought for his dream too, enough to put his life on the line for luffy. knowing that luffy can leave his most precious family and crew to zoro because he trusts zoro wholeheartedly to win.
to me, this is how I envision love. it's about getting to know each other, understanding each other, loving each other to the point that their dreams become yours, and fighting together side by side to make that dream come true.
zoro and luffy have that in spades. imo, zoro and luffy's appeal as a relationship is that they are intertwined with each other, and they go through hell and back and fight for each other and their dreams together. it's no wonder that aroace people like me are drawn to them, their love and bond transcends just having an attraction to each other. because it's also about having this person change and inspire me to be better.
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Jure has excellent ships and no one utilises them!
Jure and bojan?
The two sunshine boys! Super hyped up all the time and annoying the shit out of everyone!! Balls of energy that everyone gets sick of. They delight in slightly annoying everyone. (The most wild and passionate sex that everyone can hear cause neither one bothers to be quiet)
Jure and nace?
The two oldest and yet somehow only one is the dad of the group. Jure would bring out the silliness in Nace and Nace would bring out the dadness in Jure. They're the newest and yet the most experienced and they could talk about life together! (They would be so loving and sweet, have you seen when Nace goes to play to Jure on stage? Older more experienced lovers who know how to please.)
Jure and Jan?
Black cat and orange cat. Chaotic in different ways, wildly different energy levels but somehow still perfectly in sync. Party guys/they get the drunkest and probably go on their own adventures. Cheeky jokes shared and smokes bummed off each other. (They totally shotgun smoke you cannot tell me otherwise. Sex is full of laughter and rolled eyes and "you're a fucking idiot")
Jure and Kris?
Tooth rotting sweetness. Jure making Kris laugh and helping him relax. Somehow they've both been the CEO of Joker Out? Kris and Jure talking excitedly about logistics and no one else understands how exciting it is. (Jure built the damn studio the man likes planning and organisation despite his chaotic personality. Lots of checking in on each other, praises and whispered adoration)
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