There is no more powerful fantasy than the fantasy of what might have been.
John Burnside, from ‘The Dumb House’
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On growing up while steeped in grief:
“The Fair Chase,” John Burnside // art, Riikka Auvinen // Memory, George Seferis // “Disassociative States,” Vanessa Angélica Villarreal // Remnants of a Separation: A History of Partition Through Material Memory, Aanchal Malhotra // untitled, Tito Merello Vilar // Courage, Anxiety and Despair, Watching the Battle, James Sant // Midnight Mass (1x5) // The Clockwork Prince, Cassandra Clare // currently unknown
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and everyone who passes
will be you
or almost you
before it’s someone else.
John Burnside, from “Blues”
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When all the books are gone...
When all the books are gone, there will be
nothing to remember but a single
porch light at the far end of the road
where something live is moving in the snow,
a woman, or a fox, it’s hard to say.
Last day of birdsong; salt rain in the trees;
the echo of someone going about
their business, making good or making hay
– you never know for sure, although you know
that something here is coming to an end:
last day of weather, lanternlight crossing the yards,
last of those stories our kinfolk used to tell
of woman into fox, fox into deer,
deer into shadow and, always, the silence to come.
— John Burnside, "As if from the end times (Homage to David Garnett)" in "John Burnside wins the 2023 David Cohen prize for amazing body of work" by Ella Creamer (The Guardian, November 9, 2023)
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It's moments like this
when the barman goes through the back
and leaves me alone
a radio whispering
somewhere amongst the glasses
I'm through with love
the way traffic slows
to nothing
how all of a sudden
at three in the afternoon
the evening's already begun
a nascent
dimming.
By ten I'll be walking away
on Union Street
or crossing Commercial Road
in a gust of rain
and everyone who passes
will be you
or almost you
before it's someone else.
John Burnside, Blues (from ‘The Asylum Dance’, Jonathan Cape 2000)
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In 1945, in the Philippines campaign during World War II, Lt Fitzgerald was greatly troubled to learn that he had suddenly developed the ability to know who was about to die. ("The Purple Testament", Twilight Zone, TV)
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from De Humani Corporis Fabrica by John Burnside
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Ode to a Nightingale - John Keats // History - John Burnside // Stanzas Written in Dejection - Percy Shelley
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“The trick and the beauty of language is that it seems to order the whole universe, misleading us into believing that we live in sight of a rational space, a possible harmony. But if words distance us from the present, so we never quite seize the reality of things, they make an absolute fiction of the past.”
— John Burnside, The Dumb House
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I had the idea that something was building silently between us, a kind of pleasurable tension, an expectancy, as if it would take only the slightest of signals for something to begin. There was something exciting about this, and dangerous too […]
John Burnside, from ‘The Dumb House’
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The Music of What Happens
Reflections on time at the turning of the year. #NewYearsEve #NewYear2023
“The old year now away is fled …” (New Year’s Carol)
Do you have hope for the future? someone asked Robert Frost, toward the end. Yes, and even for the past, he replied, that it will turn out to have been all right for what it was, something we can accept, mistakes made by the selves we had to be—not able to be, perhaps, what we had wished or, what looking back half the time it seems we easily…
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Tanıdığın şeytan, tanımadığına yeğdir.
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We tire of the self, of the shape of it, and its slightly exaggerated colours; most of all, we tire of its constant noise and just long for a little quiet.
John Burnside, ‘The Glister’ (Anchor, February 24, 2009)
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Greedy alpha-creatures: the poetry of Ulrike Almut Sandig
I’m shocked to realise that it is a full year since I posted my review of the stunning long poem, Porcelain, by the contemporary German poet, Durs Grünbein, in Karen Leeder’s equally impressive translation (Seagull Books, 2020). That review was originally commissioned for, and published in, Patricia McCarthy’s penultimate issue of Agenda (those who follow such things will know that Patricia has…
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