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#its about the LONELINESS
gayroman · 1 year
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i was thinking about a movie based on tranquility base hotel and casino but it's a horror. it follows mark, the only man on the moon, left alone running the hotel. he reminisces about the life he used to have and a love he still longs for while going insane on the moon, in the hotel, all alone. the only movie he has to watch is blade runner. being haunted by yourself because you were always your own ghost. kind of a psychological horror.
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punchedlines · 2 months
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"the parallels between Bruce and the robins all becoming orphans young" ok that's nice but the parallels between Bruce and Cass both having lost their innocence after being confronted with death at 8 years old. The way they both have let the grief, the guilt, the impotence haunt them ever since and transformed it into more. The way they both, though in different ways, lost their parent(s). The way that the traumatic instances (and their upbringing until then) couldn't have been more different, yet it affected them so similarly and are the pillars for their current moral code and suicidal tendencies. Can't think about them too much or I go insane
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3lostyears · 2 months
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until i recently read posts on here about how there is an inherent queerness to the doctor and rose's relationship in how it's unspoken and filled with yearning that i'd never really considered that element, despite knowing for ages that RTD is gay but. man. it's just reframed a lot of the series for me, like the idea that you have this lonely man who's just watched his people die and is self-destructive and misanthropic and traumatised and he can love again and he wants to but it has so many risks.
but especially S3 and how it adds even more weight to the doctor's grieving widower status. how he tells martha that he and rose were together but martha refers to rose as a friend to tallulah; the fact that he can only say they were together once she is gone; how the only other person that both can feel how he feels but also understands the depth of his feelings is jack, a queer man himself. and I've been thinking to myself lately oh, it's ok, the doctor and rose probably accidentally got married on at least one planet or something but also the point is that there was no official title that could convey to people the extent that they meant to each other, that the doctor can really only tell donna that rose was his friend even though it is so wholly inadequate and she comes to see that by the end of the episode (and martha too of course). how people who saw the doctor and rose together assumed they were a couple, like on krop tor, but once there's no more physical evidence of the relationship it becomes more vague (and simultaneously clearer).
anyway something about how christopher eccleston said he based his portrayal of nine on RTD and something about RTD saying that his husband is "in every good man i write now" and how the doctor and ruby seeing each other in the club mimics his first meeting with his husband aka the one moment he would use a time machine to go back to hmmm
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aquapede · 4 months
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thinking about gardevoir and gengar being pen pals after everything. she'll always have time for her favorite insane little guy
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ruporas · 1 year
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#but onto this comic... i think and talk a LOT about vash's loneliness bc trigun is just. kind of central on that for a good while! esp in#the original manga he was alone for a good portion of it and he tends to keep others away like how he ran away from meryl and milly when#they tried to tag along. and he was kind of bothered when he realized ww was following him around Too. at the core even though he loves#humans and he loves deeply the people he does know -- he isnt really much of a people person and i think thats been the case since he was#young considering his initial doubts towards humans... with the exception of kids bc kids dont give him moral conflicts. so suddenly#here comes wolfwood!!! his guide. someone TRULY affixed to him until he has to get to knives. someone who isnt budging and someone whos#really good at following him around and even seems like he goes like 5 steps ahead to make sure vash doesnt run on him#in one way its - i don't want you to follow me bc i don't want to burden you and i don't want you to kill the people i want to save.#in another way its - i like this companionship. i like waking up to you and i like ending the way with you. i like talking to someone who#knows my world. i like being in your space and sometimes i enjoy talking about our day#theyre just living together. like. roadtrip buddies or theyre also under the same roof because they're going everywhere together.#trimax they mainly spend their mornings together and if they had personal business attend the other person would usually know and itd only#be during the midday. anyway bc of this kind of companionship i figure that vash eventually grew accustom to it and he really. cant go back#to the kind of loneliness from before. it's harder to imagine and it'd be harder to withstand. esp after 2 years with lina and her grandma.#ruporas art
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orpheuslament · 2 years
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hannibal nbc: what if.... the monster..... wanted nothing more...... than to be loved?
me every time without fail:
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onlinehorseproblems · 5 months
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trying to figure out how to put "carol and the end of the world isn't about the ending of the world but it is but it ISNT but-" into words
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cowboysmp3 · 1 year
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ok not to be insane but the whole tom putting the bidding sticker on greg situ is SO indicative of their entire relationship bc its all about Tom’s desire for control and ownership over something (due to him feeling powerless and out of control in his relationship with shiv). Him putting that sticker on Greg wasnt just a hehe ill look after you way it was much more ‘I own you. You are reliant on me now and I OWN you’. Which is a sentiment that is the very FABRIC of their relationship, calling back to the ‘I will not let go of what is mine’ water bottle scene. Obsessed actually
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possamble · 27 days
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do you have any particular thoughts regarding marcille being a half-elf? its interesting to me considering the fact that she seems self-conscious about being a half-elf, but denies it when its brought up
i remember marcille looking visibly uncomfortable over laios simply asking her how old she is, which i think the only reason she might feel nervous about this is because it might reveal her as a half-elf to him.
she's never corrected anybody whose called her an elf either.
never mind the circumstances of the reveal, in which thistle goes on about how half-elves are inferior and accusing her of wanting to become full blooded elf, she seemed particularly upset like he struck a nerve-
i wish the half-elf thing was built upon more. also, underrated marcille line:
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okay so i revisited this sequence just to make sure I could back myself up and it's just... man. there's a lot going on.
the first reaction we get from Marcille is this huge panel that takes up half of the page
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she is viscerally affected. flushing to the tips of her ears with the intensity of it. and we see it again, a few pages later
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so it might seem like she's embarrassed about it and lying to herself, but... I really think it's just that Thistle is accidentally hitting sore spots. If you really look at what he says to get these reactions
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"you'll live out your entire life [...] and die that way too"
"a hundred years from now, nobody will be there"
Hear me out. I think, if he stuck to harping on about her inferiority without bringing up how terrifyingly long-lived she is, she wouldn't have been as bothered. But right now, Thistle is accidentally hitting all the marks on Marcille's deepest fears-- and this is after the Winged Lion promised her that her dreams could come true in an extremely vulnerable moment, so it also hits her slightly guilty conscience as well.
I do truly believe that Marcille isn't bothered about being a half-elf the way that people assume she'd be bothered by it. To her, the biggest problem with being a half-elf is that it's isolating.
On one hand, it's not hard to imagine why she'd distance herself from elves in the west. A lot of them can clock her as a half-elf on sight, unlike other races, and therefore she's always branded with this weird stigma of being Othered -- I would even say that she considers herself lucky for being born outside of elven culture instead of having to grow up in it. I mean, just... look at the way elves talk about her.
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Skipping past the uncomfortable implication of what 'not tolerating the existence' of half-elves would actually entail, this is incredibly fucking annoying. You can see why she wouldn't want to be around elves much. You see a lot of Marcille reacting badly here, but honestly, almost all of it can be attributed to her freaking out that her bluff completely failed. She's honestly more paying attention to Izutsumi's footsteps and trying to coordinate an opportunity to escape.
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And in the end, you see her built-up frustration at being asked if she wants to be a full-blooded elf like 2-3 times in a row.
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Yeah, yeah, "the lady doth protest too much," and all. But we know Marcille. We know that she's a lot more embarrassed and horrendously unconvincing when she's being prodded about something she's actually self-conscious about.
Moving onto the flipside of things, it might seem weird that she "pretends" to be a full elf around other races, but it's not really that strange if you think about it. Again, people are weird about her being infertile or whatever, and a lots of them don't even know much about what sets half-elves apart from everyone else. I mean, look at how uncomfortable Laios is just asking her about it
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and look at how exasperated and resigned she looks
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And like... she's right. Where would that come up in normal conversation? Why would she go out of her way to tell them? She's functionally a normal elf to other races anyway -- got the ears, the abnormally long "childhood", and the huge mana capacity. Unless it's directly relevant or important for people to know, I don't think it's all that strange or indicative of insecurity that she prefers not to bother with it.
(This combined with her sense of being an "outsider" to elf culture also explains why she thinks elf superiority is embarrassing. She sees the way elves treat short-lived races from the "outsider" perspective nonetheless, and thinks it's obnoxious; especially more so because she usually has to play the elf around short-lived races and deal with the reputation of arrogance that elves have built up.)
The sad thing is, this all means that... she doesn't actually fit in anywhere. She doesn't like going out West much because of how elves treat her. But she's also an outsider in the continents she was born in, treated like this exotic long-lived alien choosing to live among short-lived races for some reason. She is always an outsider, the Other, no matter where she goes. Add in the fact that she'll live longer than literally anyone she knows, and it's honestly kind of heartbreaking.
And I think that's the crux of it. Marcille really doesn't act like she's at all self-conscious about being a half-elf because of any feelings of inferiority or being half-made or whatever. She considers herself a perfectly legitimate being and might even, in some ways, consider herself superior to normal elves because she's not blind with elf supremacy or whatever. (And whatever "elven biases" she displays, all of them are born more out of the fact that she's kind of bad at conceptualizing how other races age and mature compared to herself, not that she actually considers herself better or more mature simply for being an elf.)
I think that whatever self-consciousness Marcille has about being a half-elf is, instead, related to terror and loneliness. The reminder that it ensures she'll never truly belong anywhere for the rest of her very long life. The reminder that, in truth, even she's not actually sure how old she is by other races' standards (hence the discomfort when asked how old she is). She doesn't want to not be a half elf, or be a full elf or full tall-man-- in her ideal world, she's still a half-elf. She just gets to live out her life at the same pace with the people she loves and doesn't have to say goodbye again and again and again until she dies.
and one last very important panel, right after Mithrun tells her that all her desires would be devoured
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In her ideal world, she's still a half-elf and reality magically starts marching at her pace. But failing that, the second best thing is that she's still a half-elf-- but one who is able to accept reality and let go of her fear.
(But the rest of the story pans out the way it does because, to Marcille, taking reality apart and reshaping it was less scary than simply and fully reconciling with it.)
#asks#dungeon meshi manga spoilers#marcille donato#manga panel analysis#this is probably riddled with typos sorry#readmore cut bc it got long lmao#i ended up babbling about it bc it's such an important character detail to me#bc like... wow. she's so normal about it. she's literally just chilling.#the only thing that really bothers her is the material reality of it and how people treat her#the stereotypes the stigma etc. etc.#otherwise it just..#literally doesn't factor into her criteria for self-worth at all#the basic truth is that marcille likes herself on a fundamental level#she's not plagued by a deep and festering self-loathing the way a lot of characters in her archetype are#she likes herself and is proud of her successes and accomplishments#its just that shes terrified of failure and can have *episodes* of self-loathing when she fucks up#but who doesn't yknow#i know its a very slight nuance that makes very little difference in how her 'overachiever' problems manifest but its there#the sword of abandonment issues that hangs over her head has nothing to do with her self-worth or self-esteem or meeting her own standards#it has to do with the fear of not living up to *other* people's expectations and not being useful enough to be worth keeping around#she's good enough for herself but she's always so so so scared that she's not good enough for other people#i wont say much about what ryoko kui is saying using this as an allegory for real world racial biases but#dungeon meshi's treatment of marcille's relationship with her being half-elf is so incredibly important to me because it gets it so right.#a trauma about inferiority or being a half-being isn't inherent to the experience of being 'of two worlds' at all#that's something that's unfairly drilled into people by their environment#the *inherent* anguish is the loneliness. the constant longing. the fact that you are always homesick no matter where you are#always just a little bit of an outsider and never fully at home#and dungeon meshi gets that.#edit: cleaned it up a little
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harrowharkwife · 1 year
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reminder that Natalia literally means "birthday/birth," specifically in reference to the birth of Christ. you know, a figure best known for his death and resurrection.
Natalia, a character whose chief symbolic narrative significance seems to be helping Buck realize he needs to choose/prioritize/embrace life (as symbolized by his friend Kameron and the birth of her baby, a baby he helped bring into this world, a baby who is so very loved and wanted in its own right, with no ulterior motivation or purpose) over death- his fixation on his own (very Jesus-coded) death and resurrection, his lifetime of passive suicidal ideation and risk taking, the spectre of Daniel's death that has hung over him since his own birth.
Marisol, a character introduced for Eddie- the man who's spent the back half of this season reckoning with his own loneliness, solitude, and desire for a partner in life?
yeah, her name means "loneliness/solitude."
just fyi.
i'm not worried about her in the slightest.
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daily-hanamura · 7 months
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bones-of-a-rabbit · 2 years
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Not me projecting my love of space and it’s infinite capacity for having somewhere one really truly belongs, no matter how far away it might be or how impossible to reach, onto the space au. Nope. Could never be me. Absolutely not
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mihcor · 6 months
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the loneliness of the high elder and the high cloud quintet
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silverskye13 · 10 months
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There’s a saying: Character is what you are in the dark. Its meaning is simple. Anyone can be a hero when the world is watching. When the world isn’t, when you could get away with murder or mercy and it wouldn’t matter, when there is no one to point and judge… that matters. That is the measure of your humanity. 
Helsknight is sharpening his sword. He has been sharpening his sword, alone in his home, for over an hour. It was already sharp when he started. The edge hasn’t seen enough wear to be anything but. It’s been days since his last bout in the Colosseum. He made a ruthlessness of himself there, in front of hundreds -- thousands of people. He shouldn’t have done that. He remembered the showrunner criticizing him as he fled down the steps into the cells below.
“You could have at least tried to put on a show, Hels!”
He hated when people called him that. Hels. It felt… wrong. The place, hels, was the pit of everything left behind and unwanted. Stuck in some facsimile of the nether, inhabited by the dark unvirtues of a thousand different worlds. The place, hels, wasn’t even important enough to warrant a capital letter. It was a proper noun wasn’t it? A place. Calling it hels made it feel like something lesser, made it feel like a nonplace. Not the World, land. Not a God, deity. Not a living Hels. 
He was knighted for a reason. 
Knighthood puts a lot of stake by character. Doesn’t matter what kind, really, as long as it follows rules, and Helsknight is good at following rules. Putting order to the universe feels… nice. Like scratching an itch. That’s another good saying: scratching an itch. An itch on the skin is so easy to underestimate. It’s just an itch, until you can’t scratch it. Then it’s agony. Then it’s skin crawling off skin crawling off sinew and bone. An itch can be anything. It can be an allergy, an insect, a mortality. Once his only warning before a respawn in the Colosseum was the itch that told him a hit to the back of his head had gone through his skull instead of skipping off his helm. The itch had been blood running down his neck, before realization and void. Finding order felt like that; the itch from a trickle of blood, felt like scratching the itch and mending the wound.
It’s an interesting exercise in restraint, not scratching an itch. It’s also an exercise in madness, futility, and pain. The itch gets uncomfortable until it hurts. Sometimes it spreads. Your body twitches. You start to convince yourself you’ve never known what it's like to live itchless. You start to feel empathy for people that you’ve never met -- those mystical people with skin diseases or allergic reactions or plant rashes. You start to wonder if pain is really, actually the worst thing you can inflict on someone.
Sometimes, Helsknight itches underneath his skin. That is real madness. An itch so deep even peeling your skin can’t scratch it. 
Helsknight takes his sword off the whetstone, holds it up to a lantern to inspect it. The blade is sharp. The netherite is pristine. The enchantments glitter. He tosses it none-too-gently to the floor, listening to the ringing clatter as it tumbles across the floor. One of the tiles chips and goes plinking off like a dropped penny. The netherite stays sharp. It’s a good sword, the kind that feels indestructible. He was told once by a smith that a good netherite sword with the right enchantments can cut through iron like a knife through butter.
Helsknight always has a sharp sword. It’s expected of him. It isn’t a knight’s expectation, not really. Knights do more law keeping in hels than the lawmen, and less dangerously. There’s something to be said about a person in plate armor. No, people just expected Helsknight to have teeth. He couldn’t blame them, when he reacted the way he did on the Colosseum floor. Temperamental people have teeth, get dangerous, and bite. Even people who like him treat him like he’s rabid, only docile and slow right before the lunge. He doubted any of them had ever really seen what a rabid animal is like. Uncanny. Or maybe they had, and that was why they tiptoed like that. Maybe he is uncanny. 
Helsknight stands and runs his hands through his hair. He doesn’t like sleeping in this house. It’s too quiet. That’s why he’s awake, sharpening his sword, but it doesn’t feel right staying in the Colosseum cells. Unwelcome. People talk about him, or they don’t. It’s hard to tell. People just kind of… fall silent. Paranoia dictates they’re talking about him. A rabid animal itching in its skin longs to bite and spread the disease. They watch him like he’s about to bite.
He doesn’t know how to smile, put them at ease. It feels weird on his face. Besides, it’s not expected. Helsknight doesn’t smile. When he does, surely it's a bad thing. Helsknight doesn't talk. When he does, he must be angry. Helsknight carries a sharpened sword. If he doesn't, something is wrong. Helsknight is. Hels isn’t. 
Helsknight was knighted for a reason. He’s good at following rules.
Helsknight crosses to his lantern and turns out the light. In the dark, he stands alone in an empty room, listening to the world outside, and suddenly very aware of the sword he’s sharped and cast away so carelessly on the floor. He could stand here forever and it wouldn’t matter.
Outside, a group of people laugh uproariously as they walk down the street. It’s night in hels, or a late hour at least. They sound happy. They talk so easily to each other, conversations rolling around hiccups and stutters of joy, rivers running. There truly is still water in hels, nether or not. There’s an itch under Helsknight’s skin.
There’s a saying: Character is what you are in the dark. Its meaning is simple. Anyone can be a hero when the world is watching. When the world isn’t, when you could get away with murder or mercy and it wouldn’t matter, when there is no one to point and judge… that matters. That is the measure of your humanity.
In the dark, Helsknight wonders if he even exists.
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madame-mongoose · 2 months
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everyone in borderlands is so mean to claptrap if i were there id do whatever he wants forever
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tomsgreg · 1 year
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Something about the deleted pool scene with Tom. The implication that he got pissed on for losing Boar on the Floor. Tom getting literally pissed on for the guy he insists is his punching bag, his peon if you will. Tom never being truly above Greg, not in a way that mattered, anyway, to those on the inside. Somebody smarter than me talk about this I’m onto something here I KNOW I AM.
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