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#it's fine. it's whatever.
halfelven · 2 years
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the where are you in the sibling lineup always throws me a little since i am currently the youngest child, but i spent a lot of my childhood as a middle child, and i was destroyed with all the pressure of oldest child since my older siblings couldn't handle anything and weren't expected to. most people assume i'm an oldest child. some people assume i'm a middle child but the 'eldest daughter.' no one has ever assumed i'm the youngest child or that i don't have siblings. but technically i'm now the youngest out of my siblings. bringing this up bc my friends have literally forgotten i'm actually younger than both my older siblings and roped me in as the oldest child when complaining about the difficulties of being the oldest child. but i also never got the attention they did. i always put it as having all the responsibilities of being the oldest without any of the privileges
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bigfatbreak · 2 months
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dad villain au: did emilie just. not consider at all that adrien was literally dying at the time. wow
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she's in the habit of deciding when Adrien's suffering is acceptable, and if it is, she'll just fix it later.
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linddzz · 9 months
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Thinking about Weird Barbie and how she's the very obviously queer outsider of the Barbie world, she straddles the lines between Barbie and the Real World. She's the most aware of the performative nature of it all. She supports Barbie while also gently mocking her panic at losing the hyperfeminine perfection. Her weird house is also home to the discontinued reject weird Barbies, the outcasts (including very gay earring Ken) who never fell into either the original matriarchy or the Kentriarchy brainwashing.
The other more classically heteronormative and beautiful Barbies both pity and fear her, and at first the narrative pities her as well. She's the vessel of girls going weird and crazy and feral on their dolls and that's amazing. Weird Barbie is aware of who she is and how the world sees her and she loves it. She's Weird Barbie and She Owns It.
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dreamstations · 6 months
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i think using real animatronics really enhanced the experience of the film. not just in the charming yet uncanny way freddy + friends robotically stomped around but also when they finally reveal springtrap at the end of the film. the way he lumbers in, hunched over. immediately recognizable as an animatronic but theres something Wrong. he's moving too fast, too lifelike. that has to be a person in a suit. he found you, mike.
it was really effective idk guys
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ahhrenata · 9 months
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Steve tries to stay quiet while he gets ready for work, but Eddie hears him. He keeps his eyes closed and just listens- to Steve grumbling to himself when his hair doesn’t sit quite right, who starts to hum and whisper some catchy song. Eddie turns his sleepy gaze onto Steve as he shuffles around their room- watching quietly as he slips on his clothes, his shoes, a simple chain with Eddie’s ring around his neck. A warm, affectionate smile breaks across his face. Before he leaves, Steve glances at what he expects to be a sleeping Eddie, but instead, he’s met with a rasped, ‘Hey.’ Eddie sits himself up, stretches his arm across Steve’s side of the bed, and reaches, fingers wiggling. Steve crosses the room to cradle his face.
Their foreheads press, noses bump, and Steve brushes his fingers across scars and dimples.
He breathes a quiet,
‘Sorry, I didn’t mean to wake you.’
Eddie huffs a tired laugh,
‘You know I never mind.’
Because, yeah.
Every morning Steve tries to stay quiet while he gets ready for work, but Eddie always hears him.
( another one from the poll | WIP )
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comradekatara · 1 month
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this is such a negligible detail in the scheme of things but ever since my friend pointed it out i haven’t been able to stop thinking about how in natla aang just like. has his bison whistle. from the start. whereas aang finding the bison whistle in “the waterbending scroll” is such a subtle yet crucial moment because it reflects how even though sky bison are thought to be extinct, there are still traces and relics of air nomad culture existing in the world. just like the central object of that episode, katara’s waterbending scroll, is rightfully returned to her as a crucial part of her heritage that has been systematically exterminated, the bison whistle is yet another object that has been paraded around and reduced to a trinket on the market, rather than a meaningful cultural artefact. and the fact that aang is able to recognize and repatriate it for its original intended purpose is microcosmic of the show’s themes overall, of preserving one’s heritage in the face of cultural erasure and genocide. it’s central to aang’s arc, as well as katara’s, that they have an obligation to preserve their cultures at all costs in a world that is so intent on eradicating them. to cling to those traces with all they have and assert their practical value as they embody their unique cultural ideals through its practice rather than merely existing as a curiosity or exotic decoration within a hegemonic paradigm. aang in particular actively functions as a living testament to counter the imperialist assertion that his culture has no place in this world. and he does that through asserting his values, but also through practicing his culture in mundane, quotidian ways, such being able to properly make use of a bison whistle due to actually having a bison, or being able to learn off of the scroll due to being an actual waterbender. and so aang finding the bison whistle at that specific point in time is specifically significant as it concerns the central theme of the episode, and how that reflects the show’s themes as a whole.
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side-of-honey · 1 month
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LEGEND tells of a LEGENDARY COWPOKE… whose sharpshootin’ skills were the stuff of LEGEND
Sorry for this one. I really am. I kept mixing up the furious five and the feisty five and then I thought about it for a little too long
(Please DO NOT repost my art to other sites :) )
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lesbianshadowheart · 2 months
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dont get me wrong cuz I DO appreciate Larian continuing to work on the game and trying to fix issues etc but like. mr Larian PLEASE stop responding to fan feedback. Theres like 2 million people playing this game ofc some of them will say character x should be nicer or cuter or do a little dance but that doesnt mean u gotta do it. you dont gotta call neil newbon or whoever up like come to the studio we need to rerecord everything bc a person on reddit said theyd like it better. You’ve worked on these characters for over 4 years and you are allowed to stand by your creation. None of what I said applies to Wyll’s underdevelopment btw but you all know that
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tmascfaggot · 7 months
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man. sometimes it seems like a lot of subs forget that being a dom/playing a dominant role is a lot of work. it's a lot of responsibility and takes a lot of energy, which can all take a mental toll on a dom, but some subs seem to just...glance right over that
anyway. appreciate and thank your local dom today
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smallmediumproblems · 7 months
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Okay now I'm curious- I try to recommend fewer shows that I think are pretty well known these days, but I wonder if most of them are as well known as I think. Here's my list and my question, remember it's heard of not even necessarily listened to:
The Magnus Archives, The White Vault, Wooden Overcoats, The Bright Sessions, Welcome to Nightvale, The Black Tapes, Wolf 359, Video Palace, I Am In Eskew, Archive 81, Two Princes, Midnight Burger, Brimstone Valley Mall, Woe.Begone, Malevolent, Ars Paradoxica, Eos 10, King Falls AM, The Adventure Zone
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the-great-kraken · 10 days
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if you see a male character kiss a male character, you assume they are gay.
if you see a female character kiss a female character, you assume they are a lesbian.
if you hear a character say they don't feel like their gender, you assume they are trans.
so why do a-spec characters have to jump through so many loops?
a character saying they've never had a crush or don't want a relationship or that they don't understand romantic love is so often ignored or used as fodder for other queer or autistic headcanons (reinforcing stereotypes that aroace people are secretly gay or always autistic)
why is it that our stories are always "up to interpretation"? why do we have to wait for the words aromantic or asexual to be said to be taken seriously? why is it that even when characters say they don't want relationships, fans will scream and cry about sex/romance favourable aspecs and qprs?
when it comes to gay and trans characters, even the likes of bisexual lighting is often treated as though it canonises their sexuality. for aroace characters, even the most explicit coding possible is swept under the rug in favour of other "interpretations"
i'm so tired of fighting for representation just to have it ignored and minimised by fans. let characters be aroace. please.
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tubbytarchia · 2 months
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Missed drawing these two too
Bonuses
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ficwip · 8 months
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say something encouraging to other fic writers!
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tomshivbaby · 1 month
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she kept staring into the scope this last week, like she knew….
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wormontwostrings · 1 month
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he’s here !!!!!! my boy !!!!!! yay !!!!!!!!!
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leo-bandito · 11 months
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eden
[ID: Trigun fanart lit with warm, saturated sunset tones. Vash, Wolfwood, Meryl, and Milly are together in a kitchen whic is glowing orange from the setting sun. Vash is grinning hugely at Wolfwood, who throws his head back and laughs while holding a steaming pot over the sink. Milly laughs with delight at Meryl, who's grinning with slight nervousness as she holds a tray of donuts up and away from two kids who are gleefully running past her. End ID]
ID credit to @princess-of-purple-prose !! ty :3
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