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#it serves but like. why
solarwreathe · 6 months
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when he finds out you pirated his gloomdredger
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venompinks · 6 months
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TWICE 𓆩♡𓆪 ONCE AGAIN photobook
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puretopia · 2 months
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kotdish · 8 months
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I’ve always been a blu scout has freckles truther✊
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dandylion-s · 10 months
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something i can appreciate about the witcher is that the world of it is authentically grimy. Geralt is always streaked with viscera. Jaskier's hair is always greasy. Villages are always muddy. Even the elves are fucking filthy. Everyone except Yennefer who is serving medieval fantasy cunt 24x7
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saltyfinalboss · 10 months
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ppl on twitter be like “tumblr is boring” my brother in blogging you MADE the dashboard
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Let's talk about Jump GIGA
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Jump GIGA covers, 2016-2024. Volumes are published (left to right per row) as Winter, Spring, Summer, and Autumn releases, with 2018 and 2019 briefly breaking the pattern by having three Winter and three Summer volumes each. 2023 has an Early Spring volume in addition to the standard four.
So, people have pointed out that the 2024 Spring cover is, uh, not like other covers.
But I've only seen comparisons to other MHA GIGA covers and MHA Weekly Shonen Jump covers. Out of curiosity for what GIGA's typical marketing aesthetics might be, I put together a comparison between all of Jump GIGA's covers to date.
And, um. Some things stand out, to say the least.
First, let me clarify what Jump GIGA even is: it is a seasonal magazine from Shonen Jump, published separate from Weekly Shonen Jump. SJ is an absolutely massive brand and they have a number of magazines serialized outside of the most well-known weekly magazine.
The content of Jump GIGA is primarily made up of one-shots and spin-offs. From the beginning, a lot of the appeal has been the cool cover illustrations which showcase special merchandise that comes with the purchase of GIGA. Usually the cover also promotes big things going on related to the WSJ series, like movie events, new games, or special figurines for sale.
The marketing aesthetic has been clear from the start: the cover consists of one core illustration and a number of ads surrounding it. Most often you get a cover illustration of a protagonist, and then ads and merch for other series, e.g. Food Wars protagonist cover with One Piece film promotion and Haikyuu!! merch.
The purpose of this marketing direction is pretty obvious. Spin-offs and one-shots are not likely to generate a ton of interest consistently, so they lure people in with the cool covers and tempting limited edition merchandise of the series they already know and love. In this way, highlighting one series with the cover and different series with the merch makes sense, because maybe somebody doesn't care about Food Wars, but they definitely want those Haikyuu!! stickers, stuff like that.
Starting from 2020's Autumn volume, you can see a shift. For the first time, basically all of the merchandise is for the cover series. The Demon Slayer manga had already ended five months earlier in May, but a two-chapter spin-off was scheduled for release in WSJ during October. This GIGA was released exactly one day before the second chapter was published and it capitalizes on the hype.
After this point, only MHA and Jujutsu Kaisen dominate the cover and the merch in quite this way, with Black Clover getting attention last volume as a way to highlight the fact that it actually switched syndication from WSJ to GIGA.
Anyway, most commonly the cover illustration is a solo shot of a core cast member (usually but not always the protagonist), and if it's not a solo, it's a big cast illustration.
Only a few covers focus on two characters, and usually it's a crossover as opposed to characters from same series sharing the limelight.
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Here we've got Food Wars' protagonist with the main characters from Dr. Stone and Act-Age.
The two covers most similar to the Izuku & Kacchan cover are 2022 Winter and 2023 Autumn.
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Winter depicts the main trio of Blue Box in a seasonally-appropriate aesthetic. Not gonna lie, this one kinda makes me laugh--Blue Box is a romance and sports manga, and even though Christmas has a romantic air to it in Japan, instead of depicting any sort of like, hesitant but hopeful romantic energy between the heterosexual couple that actually get together later in the series, they focus primarily on the two girls being cute with the guy is a wee footnote? I mean, all right.
Meanwhile, Autumn depicts one of the protagonists with the series antagonist with a typical cool action style. I'm not very familiar with JJK, but I hear these two have got Some Drama going on, so, there's that.
The merch itself has also evolved over the years. Stickers and posters were present early on, but they have since expanded to decorative folders and now acrylic stands and coasters. 2021 Summer sees the first time the cover illustration is marketed as merch, with the Jujutsu Kaisen cover included as a decorative folder.
Right after that, the Kacchan cover of 2021 Autumn is included as a poster alongside earlier covers featuring Todoroki and Izuku.
2023 Summer's cover is a huge, wrap-around MHA cast illustration and it was published three days after chapter 396 came out, strategically timed to highlight the big shift in the final battle as Ochako vs Toga ends and All Might vs. AFO begins. Merch includes a decorative folder of the wrap-around cover and character motif stickers.
And then we get this!?
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A duo cover illustration where the cover art itself has been merchandised to hell and back!?!?
Acrylic stand and pin set!?
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Double-sided coaster showing bkdk greatest hits!? With volume 29's river scene cover!?
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There's also a double-sided poster featuring the Spring cover with the ninth popularity poll art and a decorative bag with the anniversary art. The cover art itself is plastered all over the volume, front, back, and spine, apparently a total of 19 times.
I honestly don't know what to say about this. It feels wild that this is actually what the cover is. Obviously it is a huge marketing push in anticipation of season 7, and Izuku and Katsuki are the most popular characters, but. it just feels... unique.
In the course of Jump GIGA's publication, this direction is kind of unprecedented. Genuinely no one could have expected this. This seems to be the first time there's been this much merch for a cover. And it was a solid fucking move, marketing-wise--it's sold out basically everywhere, everyone is talking about it. And even people who don't follow the series or ship these two can't help but comment on how strikingly romantic it looks!?
I don't know how much say Horikoshi had in what the cover was, but damn it sure feels like he drew this with immense affection. I kind of wonder if he personally pushed for it to be these two, rather than the typical solo shot, cast shot, or even a protagonist vs. antagonist shot.
I'm KO'd, man. idek if this post is useful to anybody I'm just on my hands and knees here.
Everybody knows what we're all here for, and it's these cute boys finally getting their happy ending.
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bbygirl-obi · 5 months
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Anakin: *teaches Ahsoka to act on impulse, to be independent to the point of acting without waiting or accepting help from others, and to ignore the council when he thinks it's best, and also models all of those things for her*
Ahsoka during the Wrong Jedi Arc: *digs herself into a deep ass hole and blows up her entire life by acting on impulse, being independent to the point of acting without waiting or accepting help from others, and ignoring the council*
Anakin:
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nelkcats · 1 year
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Trapped Fear
At first Fright Knight was not loyal to Pariah, maybe it was because he was the combination of many warriors and he knew that tyranny would lead to nothing. However, because of this the former king engaged him in battle and captured his core, making him loyal.
Like all Ancients, Fright Knight could survive without his core but had to obey the person holding it. He and Clockwork shared that unfortunate fate, though Fright Knight considered being at the mercy of the Observants far worse.
When Danny defeated Pariah Dark his control over Fright Knight stopped, the knight foolishly thought he would take back what was his, but the old king was selfish and thrown the stone of fear into the human world, where he knew Fright Knight would not enter.
Disappointed but used to it, Fright Knight resigned to not finding that part of himself, he served Danny from that moment on, becoming his protector and above all, his friend. Until someone found his core and instead of being free, he was summoned and resigned to fulfill the words of his new owner.
Of course, Danny was worried when his knight disappeared from Phantom Palace, and after a long search he found his whereabouts in a city: Gotham. A man called "Scarecrow" was spreading fear in the city, and it seemed very familiar to him.
After a fight with the bats he got the information he needed: his knight was following the man. When he went to face his old friend, the king noticed that Fright Knight was not speaking on his will, he was crying and sending messages of help that only he could understand. The King was furious, and maybe it was time to show why no one messed with what was his.
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ministarfruit · 1 year
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day 20: get you a girl that can do both ♡
(prompt list for femslashfeb)
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webshood · 2 months
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despite being a "antihero/vigilante", Jason still gets nominated as villain of the year and depending on how much trouble he caused to Batman he actually gets the award, he is also invited to villain brunch and the villain water park day
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bandtrees · 10 months
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ONE: ok guys here’s an arc about mob, in his growth as a person, being confronted with an ideology he’s unfamiliar with, and he has to learn from it but also understand why it’s unhealthy and bad to properly grow from it and choose kindness in the end, albeit in a more nuanced way than before, and this will make mob more able to confront later problems in the season that can’t be solved with mere kindness and require a deep understanding of loneliness and solitude, something he hasn’t had much room to speak on until now. To express mob being shown this villain’s ideology we have a sequence where we see how mogami views the world and by extension how he sees mob, by putting mob in the kind of sad fucked up world he thinks exists, but mob will overcome it with the knowledge that in the real world he has people he cares about and that even the people who make the world bad sometimes can change and nobody is a static evil and kindness and courage when you’re going through hardship goes a long way. despite the darkness this is ultimately a very uplifting experience for him and a show that life is always more than its darkest moments, and also how picking yourself up instead of wallowing in your own suffering and trauma is hard but a very courageous act and what makes mob stronger than mogami
mp100 fans with tunnel vision: Oh so mob was tortured for six months and is sad? He’s literally so sad and traumatized and nobody is talking about this?
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jasontoddsgaythoughts · 10 months
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If DC wants to keep pushing out different types of Gotham War comics for every year, they may as well make a Gotham Batman Ships war next year. They get to make light fun of their fans. Batman is spread all over somewhat romantically like hummus. They get to bring in different heroes and Gotham villains to fight reluctantly (they don’t want the Batman they just want the honor). The batkids get to sit cute on the sidelines and laugh at their dad’s misery. It’s fun
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carrotcakecrumble · 7 months
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‘Series 2 is all just fan service >:(((‘ ok??? and???? as the fan being served, i’m very happy with it thanks
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captainhysunstuff · 6 months
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19 more images below the cut (WARNING: Some PG-13 saucy shenanigans ahead)
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Part three of their date: an unconventional visit to a nearby alley so Light can clear his head and try to get to the point of the outing. The events lead him to becoming confident enough to move onto the next stage...
Next
Previous
First
Master List
Transcript
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orchid-n-petals · 8 months
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So I've already shared parts of this on a discord server, but I have to scream about Ketheric Thorm on here as well. Obviously spoilers about the character under the cut! It's a long one.
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The entirety of act 2 is about him, right? Jaheira, Shadowheart and numerous other NPCs shit on him for his fickle faith. First Selune, then Shar, then, as we meet him, Myrkul. You hear about his changes of faith on a whim, you hear that he's the person responsible for the shadow curse, he is painted as a villain, plain and simple.
You can figure it out pretty early on that Isobel was resurrected and that she is his daughter; the detail as well that he wants Isobel alive is so on the nose, it gives him away completely but there are still a few questions that remain unanswered, mainly about his faith.
And then you get to the mausoleum and the picture assembles; this entire tragedy, the death of hundreds if not thousands and the complete ruination of a landscape was all, ALL because you had this absolutely wrenched, heartbroken father who had lost everything and nobody answered his grief. He was left woefully alone, the Goddess whose daughter his daughter was involved with did nothing to save Isobel.
Imagine outliving your wife and your daughter. Imagine dedicating your life to fight the Lady of Loss, your Lady of Silver's enemy, and then be left so completely alone and in silence with your grief, with your loss. It's so, so poetic how and why he turned from Selune, and it's so understandable as well; he broke. His spirit completely broke. He couldn't deal with that void of having lost the only two important people in his life, seemingly undeservedly so. He was going mad with this and a lot of his ire was likely targeted at Aylin who, in his eye, represented Selune; she's literally her daughter, after all, and it was implied that even before the deaths of his family, he sort of saw Aylin courting Isobel as Selune taking his daughter from him, despite his service. This relationship was clearly not seen by him as a boon of "giving his daughter to the Moon-maiden".
His ways in the past clearly didn't spare him from tragedy and having to cope with it (which he clearly didn't, he snapped under the weight of his grief). He was clearly angry and unable to do anything, furious and helpless, which is a dangerous combination. A good part of his first change of heart must have been fuelled by a sense of revenge.
But then Shar didn't provide any balm to his aching heart either. If you read his letters in Grymforge and in act 2, he is so focused on enacting the will of Shar because he believes that healing lies in oblivion. Everything would be easier if he could just forget, if the damn world could just forget, if nothing was remembered because without Melodia and Isobel, nothing was worth remembering.
Then came Myrkul. Literally the only god who was not only able, but WILLING to give back his daughter to him. Imagine spending your all, EVERYTHING you have to serve two gods who would not give a single shit about the greatest suffering in your life. You were basically nothing, your loyalty didn't matter for shit, everything that was taken from you amounted to no recognition whatsoever: you should simply cope and seethe. Your grief will not simply go unanswered (which is not inherently antagonising) but ignored.
And then comes this supposedly evil entity who can alleviate your pain just like that, snap of a finger and it's a done deal.
I am so serious when I say that I believe Ketheric's main incentive was to extend Aylin's immortality to Isobel as well. You can read in her diary that she feels a taint after having came back, and there are things not even Selune can cleanse, but at this point, Ketheric doesn't care about Selune, vengeance is secondary if not tertiary, he's done that war during his Shar years and what did it give him? Literally nothing.
He doesn't even care about the fact that Isobel is still her cleric. He cares about the single most important fact: Isobel is back. Life is worth living again, there is something for him, and it was not Selune or Shar who gave it to him but Myrkul, and for this singular gift, he would raze the world for the Lord of Bones. Like people can clown on him for being disloyal but the man has the loyalty of a dog bonded to its owner.
He is powerful and is willing to go to insane lengths for crumbs. What is raising a single life for a god? Nothing. It has happened and it will happen again. But Ketheric will go to the ends of the earth to serve the single god who actually listened to him. The one god who didn't ignore him.
He knows that what he does is not the morally upright thing! He is so insanely self-aware that allying with Orin and Gortash and doing this entire plot with them only to then betray them is morally reprehensible at the best of times, he knows that people hate him, etc-etc. He was a Selunite at one point and he's not stupid. He just doesn't care; it could be literal Asmodeus and he wouldn't care as long as he got what he wanted, no matter the price.
He is probably the only one from the three of the chosen who has complete clarity over his situation, he almost sways (if you pass the check during his confrontation), he is not an inherently evil man blinded by power.
But he is inherently loyal to those deserving, and as of the story's standing, completely broken by his grief. In his eyes, at this point, the only one deserving loyalty is the one who actually listened to him. Isobel lives. It doesn't matter that she hates him, that his entire life has fallen apart, that literally nothing else that is good has come of it, because Isobel lives.
I don't think he regrets a single thing. His consciousness might tear at him at the end, but I believe he would do everything over again, exactly as he did, because in the end, his daughter was brought back. Because what would a grieving, broken parent give to bring back their child? Everything. Absolutely everything. And it's such a simply given answer, no second thoughts, no doubts.
Nobody can tell me that this man is fickle. Nobody. This man was willing to burn the world to the ground, create a Boudica destruction layer all by himself for the one single thing he wanted. For any God that would listen.
I don't know, I just have a lot of thoughts about his character.
#bg3#baldur's gate 3#ketheric thorm#and I also have a lot of thoughts of how Aylin foils him#I fully believe that he was in the right in the capacity that he switched around his gods when he was literally ignored despite his life's#work. despite all that he has given. I think it's reasonable to expect in the world of gods who actively meddle in mortal affairs on their#whims and make shit worse that in just one single case they would. idk. NOT expect one of their devotees to remain blindly loyal to them#after their prayers go unanswered. like yes; go and try your luck elsewhere because this devotion of yours is clearly being taken for#granted. you get NOTHING out of your worship. you can't even sleep well because your loved ones are dead and you are expected to just what?#deal with it on your own? and remain loyal? why?#some sense of 'honour'?#I really like this depiction of faith actually. I really like when clerics and paladins are given agency and critical thought that hey!#this is actually giving me nothing despite me dedicating my entire life to it! and I have only one of it so why not take it somewhere where#it's actually valued. you know. as a treat.#I *personally* much more prefer this depiction of a crisis of faith than what we got with Shadowheart or Lae'zel; their stories are very#interesting on their own but I think throwing yourself from one end to the other not because you actually have a goal that it could serve#but because you are desperate for a purpose#is a slightly less potent character narrative than having an actual goal yourself. not by much but by a little.#again#PERSONALLY
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