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#it can be so disheartening that people actually mean stuff like that
acoraxia · 5 months
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What are your thoughts on shadowpeach?
Fandom wise? I do not care for it.
Canon wise? I believe in men committing crimes while forming the most toxic, unhealthy attachments to one person could lead to such a dysfunctional relationship that it, eventually, turns into a functional one. And also they’re trans and aspec.
Disclaimer: this is all my opinion and people can do whatever they want, i simply have my gripes with some of the fandom stuff. this is just me explaining what i like and dislike about shadowpeach.
I think the most common thing people fall into when it comes to ships—or shipping in general—is how to domesticate these two characters without fully addressing their flaws, personalities, behavior, and their overall choices throughout the original media/show they come from. 
Macaque and SWK both suffer equally through this mischaracterization: Macaque is often painted as this shy or “edgy” character with little to no ties to his actual character in canon and, more often than not, he is perceived as this “dad” type of character when, in fact, he should not be allowed near children for I fear he will bully them nonstop until they sit there in the corner feeling disheartened and miserable about themselves; Sun Wukong is often portrayed as this dumb himbo with little-to-no means of understanding social cues, not understanding emotions in a way that’s very frustrating, and be this yearning, pining idiot who’s still longing for his childhood crush when he did not hesitate to punch this guy in the face multiple times throughout the show. So when they are paired up together it’s this weird mash of people believing Macaque is the better dad with more understanding of human behavior and Wukong is his dumb, doting husband who’s doing his best and cannot stand up for himself when confronted about things.
The amount of times people choose to make Macaque sympathetic by having Sun Wukong’s family side with Macaque when it comes to Wukong’s actions/choices is so vast I could not count them all on one hand. The common trope of having Princess Iron Fan (Sun Wukong’s sister-in-law) become Macaque’s sworn sister is so disheartening to see for someone who read through Journey To The West and thought of how silly the overall family dynamic of the Demon Bull Family and Sun Wukong’s troops was. Removing Iron Fan as Sun Wukong’s literal sister just to have someone backup Macaque and sympathize with him is funny and a bit silly. 
That being said… the canon version of Shadowpeach and its possibilities are, in fact, very delicious.
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Canon wise this is what we know about Sun Wukong and Macaque’s history together: 
Sun Wukong and Macaque meet
The brotherhood is formed after Azure meets Sun Wukong, Macaque tags along with Wukong (note: Macaque is not addressed as “brother” by the characters, only Wukong is)
Macaque tries to warn Wukong about how dealing with Heaven might be a bad idea
They share a peach under a tree; Wukong reassures Macaque this plan will work
Wukong carries on with Azure’s plan anyway (yes, azure lion’s plan, not wukong’s)
The brotherhood is defeated and Wukong gets trapped under a mountain
Presumably no one comes to visit Wukong, only Macaque
During his final visit, Wukong is angry that Macaque is free and can’t see the fact that Wukong was trying to do everything for them and his kingdom
Macaque snaps back at Wukong and calls him an obsessive demon before leaving
They have another fallout and fight
Wukong ends up killing Macaque in the aftermath
500~ years later, Macaque and Wukong fight again with Wukong being more apathetic towards their reunion than Macaque is
Macaque obsesses over Wukong continuously (coughs)
Macaque is biased in his retellings of his and Wukong’s relationship (see: all of shadowplay and the scrolls memories)
They fight (again) throughout S3
They somewhat reconcile by the end of S4
We will address the fact Sun Wukong was groomed into going to war by this former celestial warrior instead of having it be because of his own want to protect his family and friends after Heaven refused to pay him the respect he wanted when he first joined their ranks later. Right now we focus on the fact that Sun Wukong is canonically a person people easily fall in love with (platonically) and have a tendency to want to stay close to regardless of what his future actions will be like and Macaque is sequentially obsessed with him throughout the show.
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“The hero and the warrior were like the Sun and the Moon. Their light, a protective glow, shining upon the world. Together, there was nothing that could stop the two of them. Either in the Celestial Realms or on Earth. As time went on, the hero attained power beyond comprehension. As the hero's light grew, so too did his shadow. And soon, the warrior was cast in that shadow. In the darkness, the warrior was forgotten by the hero.”
Fun fact: Macaque is never going to be on par with Sun Wukong’s power and he works best as support than he does a duo-attacker along side Wukong. Wukong is on his own power level and Macaque, while being able of holding his own against enemies, could be stomped to death by Xiaoijiao is he crossed the line.
Macaque’s obsession with Sun Wukong comes from the inability to move on from the past; Macaque wanting things to go back as they were is a subtle theme going through the show — he keeps latching on to biased memories and avoiding the actual problems that caused their relationship to fall apart and it isn’t until Season 3’s big confrontation with Long Xiaojiao’s Samadhi Fire ritual. He realizes he abandoned Wukong during a time of need and proceeds to flee, abandoning him again. 
Macaque has issues. More often than not people call out on Sun Wukong for abandoning Xiaotian or the Monkie Kid Crew all while ignoring the fact Sun Wukong does not purposefully leave Qi Xiaotian, he tries his hardest to make it back in time and is visibly scared/horrified when LBD attacks in his absence. Sun Wukong tries his hardest to comfort Xiaotian while Macaque tries to torment him. 
Regardless, Sun Wukong and Macaque’s relationship is unique to most media’s portrayal of friends turned enemies. Because Wukong does not see Macaque as a threat up until he teams up with Lady Bone Demon — he is only scary by association, not by anything he has done up until that point. You can tell with the way Wukong mocks him and calls him something akin to a puppet during their interaction in Season 3 when Macaque trapped him and Nezha in the ice. 
And even then Macaque doesn’t even bother trying to engage with Wukong in a friendly manner because kindness is for losers HA i’m not apologizing for anything, bye Sun Wukong, you big old LOSER [proceeds to possibly live on the streets and stay homeless until wukong allows him to return to ffm under certain house rules]
You’ll notice that Sun Wukong barely has any opinions on Macaque.
This is because Macaque is favored by the narrative more than Sun Wukong is so we have very little context as to how Sun Wukong genuinely feels towards Macaque. 
Sun Wukong sees Macaque as an annoyance, a bother, a threat, a coward, an imposter and then, finally, an ally. 
But all we get from that is Wukong handing Macaque a peach-flavored ice cream pop as a parallel to him sharing a peach with his old friend back when they were young monkeys before he was trapped under a mountain for 500 years as a result of his abuser’s power hold on him that forced him to fight heaven as a way to “make the world a better place”. 
We love to see it.
Macaque and Wukong’s relationship goes from mutual interest and a supportive friendship established years prior to the original building of the brotherhood to a very weird, uncategorized type of dynamic. The only way to characterize Sun Wukong’s “affection” towards Macaque is, possibly, the same way most people would characterize Macaque to be towards Wukong. Y’know the slightly judgmental actions and eye rolls and scoffs of affection most people write about Macaque when Wukong does something stupid? Yeah.
“But Macaque said “this guy” when Wukong was presenting his plan to defeat Azure—“ yeah have you considered Wukong does a lot of masking in the presence of the entire Monkie Kid Crew and Macaque has a tendency to present himself as this cool persona when in fact he’s just a homeless monkey who’s been crashing on his ex’s couch for the past weeks since the ending of Season 3? 
“OK…. but why QPR Shadowpeach?”
Sun Wukong throughout the course of Journey to the West and all its past and future iterations have always had him be uninterested in both men and women. There are multiple instances where he’s capable of courting women and he instead backs away or does not pay it any mind; aside from this he’s heavily implied to only care about familial love and friendships. He does not see his pilgrim brothers as anything more than family and he views Tripitaka as a mentor rather than someone whom he was chained to. And Azure was his idol and he was groomed by him, and everyone else was viewed to him as a troop — or, y’know, a family.
This and the fact that— both Sun Wukong and Macaque are over a thousand years old. Why on earth would they have a normal type of relationship? Giving them a checklist of what passes on as romantic and platonic when to them the line is so blurred it’s barely existent to them is amusing. 
Sun Wukong and Macaque having their own weird relationship where it changes from frustrated best friends to partners to angry middle aged demons to the tired traumatized immortals who sometimes cuddle while still beating each other up is so deliciously interesting and unhealthy to the point where it is healthy. 
Also Celestial bodies are not the same as mortal bodies; canonically Sun Wukong has transformed into women before and people have addressed him with female-leaning pronouns before. my personal headcanon of sun wukong being genderfluid lves on and now we can have sapphic shadowpeach with transfem macaque.
also im still feverish so if this doesnt make sense then too bad damn im sorry
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phoenixyfriend · 2 months
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A lot has been happening today that rep calls could affect. UN vetoes, KOSA, Julian Assange, UNRWA's funding crisis and Israel's demands that it be completely dismantled, the large number of bills we just learned are on the docket for the coming week, and even the good news that is recent successes by the BDS movement.
And like... I care about this stuff. I want to talk about it. But it takes an emotional and mental toll to do it, and it takes time, and... there are two reasons to write up reference, update, information posts:
Compensation. I'm not a journalist, but if I were, I would in theory be getting paid for the information I collect and share to my audience. However, I am not, and am doing this for free. I have gotten maybe $5 in donations since I started this project, and while I recognize that this is probably because people are (quite rightly) donating instead to Palestinian charities or local campaigns or something, it's a basic fact that I am not actually being compensated for this work.
Promoting change and activism. This is in fact my main goal: to have a positive impact on current events by giving people a guide on the news and politics because there's so much happening that's hard to keep track of, and if I'm already doom-listening to half a dozen political podcasts, I might as well save other people the trouble, right?
The thing is, like... most of the reblogs on my guidelines and helpful posts are from me, to me. I am the one reblogging. I am desperately trying to get these things to circulate so I can make a difference, but... no dice. Some of the posts are admittedly pretty long (my 'how to call your reps, here's some verbiage' post is 3.4k words), and I can imagine some people are saving it for later, and then maybe forget, or they don't want to share something controversial, and like... I do get that. I do.
But it does mean the posts aren't circulating, and thus they're having less of an impact, and I can't help but feel like there are other things I could be doing to help that would be more effective. More bang for my buck, except it's my time and effort instead of my money. Like, maybe it would have more an effect if I hunted down a wider variety of elected officials I could bother instead of instructing other people on how to bother theirs? Maybe going to protests (which would be a huge commitment due to distance) would be more effective than trying to help ensure that the effectiveness of "I actually have a vote and you are losing it" of calls has the weight of numbers behind it.
Especially since I did try to blaze it, and tumblr mods rejected the post. I don't know why. It's not against ToS, since none of it was disinformation or election interference, which is the only reason given on the FAQ for why things might not be approved for blazing, but who knows.
Maybe tumblr just decided the possible blowback on them for blazing a pro-ceasefire post would be too much.
I don't know. I just... it's just really disheartening to try to help and it gets stymied because, as much effort as it might be, it doesn't reach more than a (comparatively) tiny audience, especially when my relatively low-effort polls and shitposts get easily ten times as many notes with way less energy put in.
EDIT: This is not a post that I need to have reblogged. this is just me bitching. This a vent post. What I am asking people to reblog is my activism posts that I spend hours on to try and help nudge things in a better direction. Please reblog THOSE. This one doesn't need reblogging unless you have an actual comment. Reblogging this post just to reblog, with neither useful comment nor encouragement, is not helping me with my issue of 'not paid, not making an impact' or helping with any important causes.
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qqueenofhades · 7 months
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Is it selfish and entitled to be optimistic? I know a lot of shit is happening but a lot of good stuff is happening to and I just feel like their are people who are not right wing who just want the rest of us to give up.
Er..... no????
Sorry, this is just the exact kind of question that, when I see it, makes me wonder what sort of insane terminally online brainworms are invading the Discourse (tm) now and both be surprised and not at all surprised that you feel the need to ask. So much of online culture is about nihilism, especially in social media: everything's terrible, everyone's doomed, if you don't recognize that it's Doomed then you're either delusional or "lol neurotypical," and any attempts to change that narrative, push back on it, point out the good things, or insist that meaningful action is both necessary and able to make a difference are somehow Morally Wrong. It's tied into the entire idea that doing nothing is the best course of (non) action, we're all doomed anyway, and that it's better to accept that and aggressively insist that others agree, because conveniently, if everything's terrible and past hope anyway, there's no obligation to try to fix it. It's the real-world corollary of the grimdark fiction insistence that only evil, depression, death, and cruelty are "real," and everything else is naive, stupid, simplistic, saccharine, or otherwise unrepresentative of the "reality" of the Big Mean World. And just like... come on. That's not true. We all know it's not true. Shut up.
It's the same kind of culture that glamorizes depression and poor mental health, insists that any basic steps to help yourself are "ableist," or otherwise does its best to cling to its negative and disempowered mindset, rather than taking any responsibility for either an individual or collective situation and attempting, however small, to make a difference. I'm not surprised that therapy-speak has been yet again weaponized to insist that anyone who has any amount of hope or positive outlook is "selfish and entitled," but as your Local Wise Tumblr Elder, I can safely assure you that it's bullshit and you're under absolutely no obligation to believe it, listen to it, or incorporate it into your worldview or actions. Giving up and throwing up your hands is easy. The hard part is actually trying to change things, accepting that we live in a flawed world, and that it nonetheless does not need to be unmitigated misery at all times. It will not be everything, but it will be something, and it will matter. It will also make you feel better, and very probably, other people as well.
Anyway: you're right. There ARE good things happening. They don't get nearly as much press or play as the bad things, but they still exist, and they should be pointed out. If you're participating in discussions or groups that are pushing the idea that only the bad things are valid, and you're "selfish" for insisting otherwise, I suggest that you drop them or otherwise cut way back or set healthy boundaries. Because, it's just not true, it deliberately disheartens and demoralizes you from trying, and the only people who benefit from that are the fuckwits who are largely responsible for ruining shit in the first place. So don't let them get away with it even more and automatically apply this mindset to yourself before you even try. Etc. etc. you are not obliged to complete the work, but nor are you free to abandon it. So yeah.
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turtleinsoup · 4 months
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Please don‘t change your writing style and story for something as minor as a „fucking stoner“ (I love your response to that user btw, very diplomatic, very polite) because your writing is something that you enjoy, your story is your own creation and quite honestly, making the teens have a bit of weed (even though he didn’t) makes some of the stories somewhat more relatable in my opinion. I think I saw you interacting with the author of Third From The Son and they put that in their first work and I was shocked when I first read it, but it gave such a…casual vibe to their characters (not that the story is casual in any other way, but I digress, it’s still great). I mean, as long as you don‘t write about some heinous stuff or anything and especially as long as you tagged your fic appropriately (which you did) and put warnings in the notes (which you do) I don‘t think anyone should have any right telling you what to write or not write about, especially in such a rude way.
Sorry, I don‘t know if you like strangers on tumblr writing you stuff or if you‘d rather keep to your mutuals, I just sent an ask a bit ago, I was already pondering about doing that, but I felt really bad reading that comment, I hope you don‘t take that personally, it‘s solely the user‘s issue with a bit of weed I guess and they were really rude about that when the solution to their problem would have been to simply swipe away from your work.
Oh!
Thank you so much, that's very kind of you! It makes me grin so hard to know you appreciate my writing like this!! :')
It's disheartening to get such a comment, because if one person is commenting their displeasure, the actual figure of readers who dislike it is probably higher. (Big dip in comments for this chapter too, but that might have other reasons as well ofc :3)
You mention that scene in @thedawningofthehour!! Oh yeah, I see you there! It was the same for me! It also helped me notice that "marvelization" of storytelling, the santized-for-commercials purity that's been prominent in most media to maximize profits. It's explaining some of that cinematic blandness to me. Fanworks are free, we can do what we want. xD
I knew it was illegal, but if I had educated myself better on the public image of weed in the States, I might have approached the scene differently.
Though I already depicted graphic violence, and showed Donnie injecting drugs to change his genetic make-up. It's a little bizarre to shy away from "oh, he grew weed at some point".
(I might still go back and edit it, because I do want people to enjoy my story and I'm a whore for nice comments. xD) Your ask made me so happy, I'm still kicking my feet, haha! Thank you sm, and for validating so many of my feels on the matter!! xD Pls have a great day out there!!
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As some of you already know, I am disheartened- though certainly not surprised- by the recent backlash against one Sparrow Oak Garcia for his recent transgression of *checks notes* having a mixed-to-negative opinion on zoos.
Part of me honestly feels a bit silly responding to any of this, but what are any of us here to do if not have opinions on fictional podcast characters. Anyways, I will get to the more important stuff, as obviously (if you've seen any of the criticisms I'm talking about) this ties back to Hero at the end of the day, but seeing as the first wave of hate I saw after the episode was largely to the effect of: "what the fuck does Sparrow have against zoos?", I would like to start by addressing that point briefly (and only briefly, as it's really not the sort of topic I care to discuss online), by saying that zoos and animal captivity more generally have a long history of being contested and criticized by animal rights activists, and that instances of animal abuse and neglect within zoos and other animal-based theme parks are anything but obscure. Furthermore, it feels worth noting that as of present less than 10% of zoos in the US are AZA-accredited. I say absolutely none of this with the intention of making any definitive statements on the nature of zoos, nor to judge people who do enjoy zoos, nor even to provide my own feelings on the matter. Rather, I offer this information only to explain that someone like Sparrow taking issue with something like zoos really isn't strange at all? And whether you agree with such a stance or not, it undoubtedly comes from a place of empathy. Moreover, I don't think we can honestly divorce Sparrow's take and compulsion to voice it from the metacontext that Sparrow is a character being played by Anthony Burch, you know, a vegan, who probably has his own views on the matter that may or may not differ from yours and mine.
Okay, on to more important matters. At the forefront of things I suppose is the assertion that Sparrow's behavior regarding Normal and the zoo and all that is hypocritical and perhaps even nonsensical in light of what Hero was going through at the time with her training. "He wouldn't take Normal to the zoo but he forced Hero to kill a deer with her bare hands?" Certainly the sort of statement that will elicit a strong emotive reaction from the fandom, but one that ultimately relies on a pretty major assumption, namely, that Sparrow acted as the primary organizer and perpetrator of Hero's training, one who supposedly felt no internal conflict towards the situation whatsoever, rather than instead serving as an enabler of it, who ultimately intervened but only after far too much damage was already done. Neither is a great thing to be, but there is absolutely a difference between both of these roles, and I think that Lark and Sparrow's respective behaviors over the course of the season point almost unanimously towards Sparrow being the latter and Lark the former.
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(The above being a non-exhaustive list, of course)
The funny part about the whole zoo thing is that it only further corroborates the notion that Sparrow is someone who is sensitive to the suffering of others, and by extension only serves as more evidence that he most likely was not the one actively making Hero undergo the worst of what she had to do. Does this make him guiltless in the matter? Absolutely not, but it does point to Sparrow having issues that are fundamentally different from Lark's, and means that the instance with the zoo is not only consistent with Sparrow's characterization, but frankly not actually all that hypocritical if you look at it for more than a second. That is, there is a very important but simple difference between the situation with Normal and the zoo and that of Hero and the deer that accounts for the variances in Sparrow's behavior between both cases: Lark. Sparrow isn't okay with either situation, based on all the evidence we have so far of who he is as a person there is absolutely no reason to think that Hero's training is not something that deeply upset him- I mean for fuck's sake everything about how Sparrow raised Normal down to his name stems from not wanting his kids to have to live that kind of life. So why doesn't he put a stop to things sooner? Why does he let any of Hero's training happen at all? Again, very simply, because Sparrow cannot say no to his brother. I mean, he does eventually, given Hero's current status, and that change is an important and still ongoing facet of Sparrow's growth and his arc, but at the start of things it is something he struggles with even more than he does now, to his own suffering and detriment and of course even more so to Hero's. But did Sparrow himself "force Hero to kill a deer with her bare hands"? Almost certainly not, and I have to admit that I find it quite frustrating how quickly Lark vanishes from the collective conscious of the fandom when the time comes to assign accountability for matters concerning Hero. But then, who is Sparrow if not someone who takes the fall for his brother, apparently even in the fandom-space.
[Not that there isn't any nuance to Lark's utilitarianism, either. In general I feel as though discussion of the twins' biggest mistakes too often omits the acknowledgement of the fact that all of it has been to stop an eldritch horror responsible for the death and torture of millions of people, but anyways. Not what this post is about.]
I think that's mostly it lol. Got some thoughts on the family's policy on pets (and how it relates to the Hero thing but also to Beanie actually), as well as some remarks on Rebecca and how we really shouldn't be leaving her out of this discussion (I say, leaving her out of this discussion) but eeehhhhhhh y'all I'm especially low energy as of late eheh and mostly just wanted to speak my peace on a couple major things so let's cut it here for now I think :b
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Actually I need to tell you guys the funniest ongoing thing for me rn. So I’ve been going and speaking to a few professionals about uh… brain stuff and one of them brought up the possibility I might be autistic and just really good at masking. Tbh I doubt it, but she said it was worth checking out and made a note to get me tested.
Ever since then, I’ve mentioned it offhandedly to the other professionals and without fail, every time they pause, lean in and peer at me like they are trying to derive the location of the autism. I mean I guess they’re paying more close attention to whether I can make eye contact or whatever but we’ve already been sitting and talking for the past twenty minutes??? You’re not going to suddenly see it (especially if the whole point is that I’m good at masking) that’s not how that works??? Whdnxbxbx
Like as somebody in the psych field it is so disheartening to see how stereotyped people’s knowledge is of a very common kind of neurodivergence, but also I think this is about the funniest thing I’ve had happen to me in awhile. They are literally looking for my autistic eyes.
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rainbow--skies · 10 months
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I don't talk about my food allergies much on here because them being the One Thing half my classmates knew about me growing up and the excessive paranoia my parents shoved on me about them genuinely makes me hate doing so, and I also don't really PERSONALLY consider my allergies a disability (but I have no problem with other people doing so).
However I have noticed that whenever they get included in disability posts on here, it's always by people without food allergies who have barely any idea what the fuck they're talking about. So many people (including people with allergies!) are SO uninformed about how they work and it's worrying so here's some stuff I wish more people knew:
An Epi-Pen does not cure you it helps with some of the symptoms so you can get to the fucking hospital. You still need to go to the fucking hospital.
Food allergies CAN kill you- many people's are not that severe but they CAN kill you. Take them seriously please
Your little "haha people with food allergies are the weakest link" jokes are harmful and offensive and part of why so many people don't take allergies seriously. Stop it. You're not funny. Find a better joke. So many mainstream TV shows even do this it's disheartening
Many people with food allergies also have eczema (I used to when I was younger) or asthma (I don't but I know people who have both), the comorbidities are very common, but not universal
Airborne allergies are not very common at all and usually do not cause severe reactions and it's weird to me that people act like this is common (it kind of feels like excuse to isolate people with food allergies when food is being served sometimes) but if someone has said they do not want to be near their allergen at all you should respect this you do not know what someone's symptoms are
Cross contamination is also something not everyone suffers from (some people have low level allergies) but many of us do (including me) and you should not get offended if someone doesn't accept food they can't see ingredients/health info for or homemade food for that reason
You can be allergic to any food to any degree- people seem to have this weird misconception that it's just peanuts, nuts, dairy, eggs, and other more publicized foods but that's not true at all
If it's possible, ask people what they would prefer as an accommodation when food is being served PLEASE. Some of us would rather eat before, some would rather bring food, some would rather alternative options be offered or restaurants they can eat at be chosen. Some are fine sitting near people eating stuff we can't, some would rather sit in a separate space, and some would rather if the food was just not eaten when they are present at all. Myself and many others that I know actually would rather sit next to someone eating something we can't because it doesn't actually affect us to be near them if we're careful enough not to touch it than to sit at separate "allergen free" tables and such because it's a socially isolating experience, but there are people who would feel more comfortable eating away from others and this is okay too.
Many of us are only allergic to one or two things, some are allergic to a ton
There are less common types of allergies that don't follow the typical pattern of food allergies- as an example I have some allergies that come from oral allergy syndrome, which basically means that my seasonal allergies to certain types of pollen makes me slightly allergic to some fruits and vegetables too
Food allergies can sometimes randomly develop in teenagers and adults, they are not always there from birth or early childhood like many people think (though it's incredibly common for them to start that early). There is not a guarantee you will never get one but your chances are higher if your family has a history of them. Sometimes they can go away or decrease in severity over time too, though, but that does NOT happen to everybody
Lactose intolerance and Celiac Disease are not food allergies! They are separate conditions with separate symptoms and needs! Please educate yourselves about those too and not assume they are synonymous with food allergies
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eerna · 4 months
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I love how you just pointed out that the Hero’s Aspect opens the door for theorizing because like…for all the stuff that is unexplained in totk, I actually like it that way BECAUSE I can make theories, you know? I feel like people wanted stuff shoved in their faces and just chalked it up to “Nintendo is lazy” when they didn’t get that.
I am sort of split between the sentiments? Some unexplained things are soooo fun to explore and analyze because like you said, it is not in-your-face obvious what they mean and they could mean a million different things! They exist, they are there, they were definitely put in the game to be noticed, and yet they weren't explained. For example, the Hero's Aspect, or the connection between dragons and Zonai, or the exact locations of the ancient palace and temples and other places we see in the Tears. I only need a little clue and I will be thinking about it for months, exploring and looking and reading and having so much fun without EVER having my theories proven right. Headcanons are fun!!! Imagination is fun!!! BotW and TotK lean into it with their entire weighs. You make your own story in these games.
On the other hand, some things are sooo weirdly retcon-y, even when only compared to BotW. Why does the Zonai Forgotten Temple predate the Loftwing-style Forgotten Temple and doesn't even feature Hylia's statue? Why are we establishing Rauru as the one from whom Zelda inherits her sealing powers instead of Hylia? Why is Gerudo King Ganondorf given a totally different backstory to the one he had in BotW? The funniest thing is that these issues are so easily fixed. Reframe the beginning of the cutscene so we never enter the Forgotten Temple proper and stick to the Zonai rooms. Make Sonia the one with the sealing powers and the Zonai ancestors the one with the time powers. The Ganon one is not from the main game and is instead from the Creating a Champion book so it can technically be overlooked, but still, big L for me and every other person lovingly thumbing through that book.
And then there is the third option, some things are double-edged from the get-go. I don't need an explanation for where the Sheikah tech went - obviously it was either dismantled or repurposed, and the PurahPad and the towers still work powered on the blue source so it's not like it magically disappeared... But what happened to the Divine Beasts, the enormous semi-sentient machines that def can't be dismantled like that???? Couldn't SOMEONE maybe mention that they idk. Went unresponsive when the shrines retracted so they hid them away until they are needed again. OR, why does only half the NPCs remember Link, instead of either everyone forgetting or everyone remembering him and avoiding this weird distance created by half-assing it? Basically, I totally understand why people don't like it because I also dislike it, it's not game-breaking but why not just go all the way.
This was a long-winded way to say that while I absolutely agree that the speculation and theorizing is one of the most fun parts of both the games, it is also disheartening to be tripped up by the devs throwing their own lore in the trash, so I sort of get the complainers. I don't believe in the Big Timeline and will never complain about games not adhering to it, but I am pretty disappointed the devs didn't pay closer attention to keeping the lore clear between sequels at least, ESPECIALLY because it's so clear they were wonderfully pedant about other parts of it.
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surveillance-0011 · 5 months
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Master and Crazy Handcanons
Both:
Both are collectors, hobby-wise. They also enjoy sparring and partaking in games + competitive activities.
Born from the same source, twin brothers. Perhaps even the same person. Regardless, two halves of a whole.
It did take Crazy Hand some time to make his presence known to the smashers but Master Hand always knew him.
MH used to be rather ashamed of CH because of his role as a destructive other half, but learned to accept his presence. On the other hand, once upon a time CH was very envious of MH's ability and drive to create but learned to appreciate his own abilities.
Both are charismatic. While they present as more antagonistic, in the end it's all kayfabe and they care a lot about the smashers.
Oversee everything, basically. Doing a lot of behind the scenes work with the help of spirits, miis and other powerful beings throughout the worlds. MH does the more general stuff, and CH the dirtier work
kind of aware of the meta of everything being a video game, kind of not. Schrodingers 4th wall awareness. when it's quirky.
Both go by he/him.
rest is under the cut for length
Master Hand:
The Creator. The Ringleader. Voice of reason.
Used to play up the evil ambiguity more, but now he's more into presenting as the ultimate foe in a more benign way. Like Max Brass or some sort of top dog boxer.
Also the announcer.
Early bird, and early to go to bed. cannot stay up late to save his life. I mean he will to battle for many a kid playing under the covers
Very organized in routine and actual cleanliness. Loves his lists and itineraries and sorting cabinets. Yes, he is creative and never super-uptight, but he needs some semblance of routine.
While he tries to keep Crazy in check, he is still up for some mayhem every now and then and is totally game for dishing out beatdowns together whenever!
Very hush-hush about Master Core, hates its presence within him.
Still very guilty about not being able to prevent or do much during WOL. Subspace? Okay. That was a mess but he did what he could. With Galeem and Dharkon? He feels he should've been able to fight back and see the warning signs.
Very stern and distrusting towards Tabuu, Galeem and Dharkon. Not fond of them but is keeping them around to keep an eye on them.
Doesn't like to show weakness. He knows a lot of people rely on him and would rather die than see them feel helpless.
Great at cooking! Everything he makes is great, the smashers cannot get enough. Though a lot of the smashers can cook and do so for each other, on special occasions he will treat.
Needs more hobbies, a vacation and some therapy. please.
Crazy Hand:
A destroyer. Source of chaos. Chronically silly.
It's just... his nature. He has a lot of energy but he hasn't ever been able to make and retain something. He has, however, been able to break things down and mess them up. As mentioned above, once upon a time this was disheartening to him, but he was learned to work with it and take joy in it. That, and by being a part of Smash he has helped cultivate something beautiful in his own way. Very proud of himself!
Really plays up the supervillain sort of vibe, esp in comparison to his brother. He's like a scare actor. He tones everything down if he sees someone is actually scared.
Huge prankster
Night Owl. Keeps an eye out after dark, making sure curfews are met (for the kids mainly, gotta get their sleep) and that mischief is kept to a minimum. But he will also be a boogeyman of sorts and cause a bit of mischief, as he loves to spook those who decide to stay up late.
Gives more leeway. If you know Master Hand will say no, consider asking Crazy for what you want! He's like the cool uncle if Master Hand is more like a team dad. Gotta make up for brutality on the battlefield somehow!
Likes to collect quirky, kitschy stuff. Lots of weird collections. Rocks shaped like presidents. Beanie babies stitched together like the human centipede. WMDs. Garfield Fish Tank Owner.
Oh I bet he does keep fish also. He'd be good at it. Another thing where he can actually take care of something and not destroy it.
Don't trust him with gardening though. Or cooking.
Into horror and weirder stuff, but prefers campier stuff. Can't stomach super horrific and dramatic stuff or gory stuff.
Easily moved by movies.
If he's quiet. Assume something is wrong. He's either doing something in secrecy or really upset. Hopefully the former and he's just about to pull off some crazy prank.
Got over Subspace and WOL relatively easily compared to others but is worried about how they affected others, especially MH.
He was also still shaken up from being controlled by Dharkon
Dislikes Galeem and Tabuu, sees them as stuck-up pricks. Feels sympathy towards Dharkon as the guy is Chronically Miserable and he sees that it was acting out of misplaced rage and dispair. Doesn't make it right but CH knows what it's like to be full of the need to destroy and raise hell. This has lead to him being more forgiving and trying to befriend his former adversary
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big-coyote · 3 months
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hi!! this may be a weird thing to ask about but ive decided to make one of my longtime ocs a coyote therian (they were connected to coyotes since the beginning) and i wanted to ask if theres stuff i should avoid when talking abt them or doing character design?
ive done some research on my own looking thru tumblr blogs ran by therians mostly, but i mightve missed some stuff!
for now they show their theriantophy as either wearing a coyote looking onesie (which is the first outfit they ever had) or when wearing other clothes they have a tail keychain on their trousers, so i also wanted to ask if you know of any other things they could have to connect with their theriotype?
again im sorry if this is a weird question! <3
(1/2) Hello! Not a weird question at all, I’m actually very honored and happy you’ve asked! I have quite a number of OCs myself that are also therians or otherkin adjacent lol. Also if anyone else has any ideas they’d like to add/advice feel free to comment or reblog!
As for things you should ovoid I’d recommend straying away from the idea of therianthropy being inherently because of mental illness. While it’s totally okay for your Oc to struggle with mental health problems or other serious topics. I often see the stigma online where people assume being nonhuman or having a alterhuman identity means the person in question must have Schizophrenia, Dissociative Identity Disorder, psychosis, a delusional disorder, etc. And again while I know plenty of nonhumans who have those disorders (I have some of them) and that may effect their identities as a whole, it shouldn’t be the end all be all of their identity you know? Ovoid adding more stigma to both.
Another thing I’d stray away from is the idea of a character being a therian because of spirit animals or any mythology related to closed practices/groups. I’ve seen many indigenous people online speak about their discomfort with the word ‘spirit animal’ and how it’s been adopted into pop culture. Being alterhuman is much more then “I feel connected to this thing/this thing is just like me”, it runs much deeper then that and it is as much as a real identity as something like gender, sexuality, religion, etc. It should be taken with as much care and seriousness as those other identities because it is huge and important part to a lot of our lives.
Lastly I’d recommend avoiding making the character the butt end of the jokes. While the Oc themselves can be funny, have funny things happen to them or have funny experiences as a coyote Therian I’d ovoid making them the punching bag to other OCs. Online it’s not uncommon to see many people misunderstanding and mischaracterizing being nonhuman for a quick laugh. It be very disheartening if an OCs entire existence in a story is just “haha they think they’re a dog, that’s stupid”. Again it’s important to take any identity like being a Therian seriously instead of just being the punch line for a joke or gag.
As for the clothing I think the onesie would be incredibly cute and good to wear as well as the tail! Many therians wear tails, both real and faux fur ones, to feel connected to their identity and feel more comfortable. I’ve also known many therians who were things like jewelry with their theriotype on it, fake animal ears, t-shirts, rings, fur coats, earrings, pins/buttons, etc. Some also like collecting plushies or posters with their theriotype as well, or having stickers on their books or drawing them. Or if you’d prefer a more casual character design you could have a character who doesn’t wear any outward Therian gear and prefers to keep it low key. Both options are very valid and would be interesting to see!
But no matter what I’m sure your Oc is going to be amazing and I can’t wait to see them! Please tag me if you make any art or stories about them, or if you have any other questions feel free to ask again or DM me!
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blooming-violets · 1 month
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Sorry this is gonna be a bit of a rant since it’s something I’ve had strong feelings about since joining the AG/TASM fanfic part of the internet, and you’ve provided me a great opportunity to talk about it.
As a trans person, I am BEGGING fanfic writers to stop writing Marauders stuff. I’ve seen so many people defend it with “separate art from the artist” but like it or not they are still supporting JKR. Separating art from the artist only really works when the artist can’t profit from it. She has done SO MUCH harm to trans people and particularly trans youth in the UK and it’s so fucking disheartening and gives me such an ick when I see TASM writers also write for Marauders because it truly comes across as “I love and support the trans community except when it comes to this because I like it.”.
Even if you ignore the transphobia and holocaust denial (YES IM SERIOUS, she’s denied parts of the holocaust at LEAST twice and she literally did it a second time the other day), the original writing is so fucking problematic. Things just off the top of my head being;
The goblins being stereotypes of Jewish people
The fucking racism with characters like Cho Chang and Kingsley Shacklebolt
The last Fantastic Beasts movie’s plot literally being trying to make WW2 and the holocaust happen
This point needs to be taken with a grain of salt since this was some bullshit Joanne said after the books came out, but werewolves in the universe being meant to represent people with aids. Which is so fucking awful considering one of the two werewolves was attacked by the other as a CHILD
The most ironic part of this is that if Andrew is truly the person he presents himself as, he would probably fucking despise being associated with HP, even if it is just a fancast. But yeah all this to say fuck JKR, fuck Marauders fans but also thank you so much Katie for that last anon answer because I genuinely don’t see that enough in this corner of the internet.
Even Daniel Radcliffe, Harry Potter himself, has spoken out against her and continues to loudly support the LGBTQ+ communities. When your own beloved Harry doesn't even want to stand by your side, you should know you fucked up. Sadly, she does not, and instead leans harder into her bigotry and hatred.
I've always been someone who is very loud and opinionated when I see things that I disagree with, which I know can rub some people the wrong way, but fuck it. I don't like to whisper about my issues on the sidelines, I like to confront the problem head on by being very clear about where I stand and how I feel. I'm not gonna sit around and let someone align me with JKR just because I'm writing a stupid werewolf and Peter Parker fic that exactly 5 people are reading lol. It's not even a popular fic like get out of my asks jfc. Esp when I can tell this person has not read a single sentence of my story and is completely basing their judgements on my header image of AG's face next to a wolf gif.
In this past week I have seen both a Steven Harrington werewolf au and a Daredevil werewolf au cross my dash. Do we think they're getting called out for supporting HP?? No. Because their actors weren't "fan casted" as something years ago. Fan casts don't even mean anything! There was never a movie about them. AG was never casted or played this role. It's literally nothing but a bunch of fans agreeing that they like his look for a fictional character.
Anyway, I'm also ranting back at you haha. You can rant to me anytime. I love a good rant and I agree with you 100%.
Werewolves were not created by JKR. Andrew Garfield has nothing to do with Harry Potter. Don't make make snap judgments about a person's character based on a picture you saw. Support your trans community. Don't be dick.
And, if they actually read my werewolf au, they would see that it's literally about learning to overcome your own hatred and biases of people different from you and learning to love those you were taught to hate. Crazy concept, I know! 🙄😉
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evakant · 5 months
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Sorry if I bother you, but I really love your gif sets! Do you know some tutorials or, app, or anything, to learn how to make good gif? I am learning and I feel very stupid because all my gifs are shit. (if my ask is inappropriate or anything, please ignore me)
you're not bothering and none of this is inappropriate, you're more than welcome in my inbox! as for your questions, let's see what i can do.
1) tutorials — i've been doing this for long enough that i don't really have much to recommend here, the only tutorials i use nowadays are all about specific things and not how to make gifs as a whole. that being said i've linked this one before, i personally do some things differently but it's a very good tutorial, well-received by gifmakers who are just starting and well written, from what i've skimmed through.
another good post to look through is this one, not a gifmaking tutorial per se but it goes into sizes, sharpening, and how to get neat & clear gifs. two of the main points are A) while you can get away with making gifs out of a 720p quality video, 1080p is what is usually recommended. you could use 4k as well, but a 1080p video is usually easier to find, will take less space in your storage, and will give you really good results already. no need for overkill <3 as for B) size matters here on tumblr dot com, mostly width. the op of the post linked in this paragraph has included a nice graphic for the size limits for gifs, you can refer to it as you make your gifs so that whatever you make won't turn out pixelated once you upload it to tumblr.
if you're curious, i've been asked about my sharpening settings here and i spoke before on tumblr sizing here
2) software — you mentioned app, if by app you mean mobile stuff then i'm sorry, i can't help you! i've never made gifs through mobile and i wouldn't even know which direction to point towards for you to find more information. as for computers, if you mean programs then these are what i use to make my gifs: potplayer (for taking screencaps) and photoshop cc 2020 (for making the actual gifs, this is the post i used but here's one with more links)
now i'd like to mention something my grandma always used to say: no one is born learned. you're not stupid just because it's taking you a while to do something, learning is a process and everyone has their own pace. i've been making gifs for a decade now and i know there are things i could do better! i'm also still learning, i make plenty of "shit" gifs before stumbling my way to something i am okay with posting, and sometimes i'm really proud of what i've made and other times i think it's just "good enough". i understand feeling disheartened but please do not feel stupid about any of this!
no use in putting yourself down, now hold my hand and let's add the finishing touches on this long ass reply <3
3) tips — we've mentioned video quality, sharpening, and sizing. what else, what else. personally i would start simple (and i did, way back when, and still do!! most of my gifs are quite simple). so: cropping/resizing + coloring + sharpening. it'll help get the basics down and then you'll have a good foundation for everything else you might want to learn. i mentioned in another ask, almost two years ago now lmao, that i used to download other people's free psds (that is, pre-made settings and layers to color your gifs) and instead of using them i would open them up and pick them apart to see how people were coloring things, which layers they used, in which order, stuff like that.
remember: there is no right or wrong to do this! you could ask ten different people how they make their gifs, and their preferences for any specific part of the process, and you'd get ten different answers. if you find a tutorial and don't vibe with it, throw that aside and look for another. pick and choose, find what works for you and what doesn't! and that means do not be afraid to experiment and try things out.
also, don't like photoshop? no problem! i started with gimp, now personally i wouldn't recommend it over ps but it's a good program, it taught me a lot, and there's really nothing to hate about it. it might have less functions than ps though, and already a decade ago there weren't that many tutorials/resources for it.
don't like photoshop AND don't want to download a program? try photopea, i haven't used it but it works directly from your browser and it should do everything photoshop does!
let me know if there's anything else i can help with <3
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olderthannetfic · 1 year
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This might be controversial but...I have this nagging thought...
There are always people here talking how lgbtq representation in fanfiction or fandon is often derided or unwelcome. I think that's pretty sad tbh and there are definitely a lot of trolls, bigots and all sorts of phobes out there.
But tbh, I think most average people are just tired of a particular type of lgbtq representative, and they seem to be everywhere, who forcefully insists that anyone not shipping m/m, anyone not going along with their trans headcanons, anyone who disagrees basically is a homophobe, bigot, terf etc. These people make preferences into a morality issue and I think other people are just tired of it and quietly leaving, not openly and enthusiastically cheering it on and sometimes just getting frustrated.
I was having a discussion on reddit the other day about something related to this and they said well, straight cis representation is like 99.9% of media so we (lgbtq) can have this one thing, and I said of course you can. You can have as much of it as you want in fandom but I don't like how cis/straight shipping gets shit on by these people. You don't have to tear something else down just to build yourself up. The vast majority of het shippers are just normal, nice people, just like the majority of lgbtq shippers but there are all these 'enlightened types' pushing their ships and headcanons and making it out like you're an enemy if you don't support them which is ridiculous.
I was lurking on a pretty big fanfiction forum a year or so ago and fanfiction hot takes came up and several people nervously put up their hand and said they wished there was more love for het shipping in fandom and fanfiction specifically, while doing huge long disclaimers that of course they love nd support the lgbtq community and are happy that all sorts of representation exists in fandom etc. And I think it's kinda sad that people feel they have to write this long disclaimer and pre-apologise for an opinion that's perfectly valid and innocuous because they're afraid of being vilified. If someone is cis/het it's not a crime for them to want cis/het content in their fandom, or for it to be viewed positively. Do you know what I mean? I'm sorry if I'm not explaining myself well -.-'
I feel like people are going to respond and say that cis/het stuff is already the majority but in fanfiction and shipping it's really not. And that's also not the point I'm trying to make. I'm trying to express frustration with people who think lgbtq orientated fan content is morally or in other ways superior to cis/het.
It even happens here. I remember when I first found your blog one of the very first asks I read was from someone acting quite smug and literally saying that het shippers are just superficial, horny self-inserters that want to seduce and bang the MC while they, a m/m shipper, were actually invested in plot and nuance and all those intelligent things that het shippers apparently don't get and that ask left a really bad taste in my mouth.
It's disheartening to see this kind of thing. Sorry again if I didn't express myself well. I'm just trying to say that if lgbtq representation in fandom space isn't getting recognition or people are avoiding it, an important reason might that people don't like feeling like they HAVE to support it or else...
--
It's ironic that you're sending this ask to me when one of the things I'm known for is compiling shipping statistics on FFN and Wattpad to prove that m/m is not the majority in fanfic fandom. This is one of my specific hobbyhorses. I find the constant spreading of this misinformation EXTREMELY ANNOYING.
Yes, there are lots of assholes going "ship my ship or you're not progressive", and they all suck, including the large number of them who yell at m/m shippers that we should ship het.
"I wish het ships got more love" is a fucking stupid opinion.
"I wish Wattpad had a functional search" or "I wish FFN weren't going down the drain" or "I wish the big het fandoms were less femsub" would all be perfectly reasonable takes that are based on actually seeking out het fandoms and hanging out with het fans. So would "I want more fellow hetshippers who have a queer sensibility but f/m ships". But for someone to act like there aren't massive het camps tells me they never bother to venture outside of their tiny bubble.
I have zero patience for fans who whine that their popular thing is unpopular because they're too lazy or clueless to go find all the zillions of other people who like it.
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esprei · 1 year
Text
have recently learned there's a bit more hate around trainwreckshipping than i was aware of so i guess i just wanted to talk about it a bit and give my two cents on the ship, how i see it and i guess my perspective on things. i've kind of always wanted to talk about it, but i just haven't been brave enough until now haha (sorry, i am not super eloquent when it comes to writing things like this so my apologies) ((also throwing it under a cut because it may get long and might also include some slightly sad-ish things so i don't want to just throw that in everyone's face you know))
----
i think i'll just preface things by saying i've always totally understood why trainwreckshipping has gotten so much flack since its inception. or hate, because maybe flack just isn't strong enough of a word. but i do understand. there were mischaracterizations of emmet by portraying him as violent to volo because it was assumed that volo was directly responsible for ingo's disappearance. i was guilty of it. suuuuuper guilty. and i can understand why that put the ship in such a position for many people. toxic, unhealthy, etc. but... i think what i'm a bit confused on i guess is the fact that it's still viewed so much this way to this day. viewed as one of the worst ships because of how toxic it is. how unhealthy it is. all because it started that way in fanon only. but you know, from a canon standpoint, it has nothing. nothing at all. so really, this ship could be anything because it's based in fanon only. no canon interactions of emmet and volo exist yet. there is no official basis on how these characters would interact with each other. and yes, while there were misunderstandings of both characters early on, that certainly doesn't mean it's still that way today. that doesn't mean that people haven't studied and looked at these two characters a little closer to understand them better and to try and make them more realistic to their canon portrayals. to make more accurate depictions of these characters and how that fits in to a healthier perspective with them. i dunno. it just kinda baffles me that with the variety of trainwreckshipping content out there now, some still call it toxic and unhealthy as if we're perpetually stuck in that time period of when it was. like it's not allowed to be anything but that ever just because it started that way. and what makes me the saddest about it all is now seeing so many friends and people in the community of the ship start to get disheartened and discouraged from enjoying something they really actually enjoy because there's still such a bad stigma to the ship. personally for a long time i've just ignored that stigma because i try not to let that stuff drag me down. but i will admit that yes, it has made me more reluctant to post any art i do of it. i've definitely had my periods where i've questioned uploading my emmet/volo art, usually as wholesome as it is, because it does have such a dark cloud around it fandom wise. it's why i made my side blog, in fact. because i just didn't feel very comfortable uploading mostly emmet/volo art here to my main because so many people dislike it or outright hate it.
and in regards to the ship itself, i think i've always thought of it in a slightly different way than most. not so much enemies to lovers but rather through the lens of how volo might could change, be redeemed, see the how his actions in the past inadvertently affected others (and by that I mean his involvement in opening the rift... like yes, that could be what caused ingo to be sent to hisui, but we don't know that for sure... and even if that was the case, volo didn't do it specifically to target ingo. volo was only ever interested in trying to get to arceus and build a better world in his vision).
or how volo could look at emmet after getting to know him and potentially see the beauty and value of the current world through him. you know, seeing someone like emmet and admiring that he can still find a reason to smile and be kind despite all of the pain and suffering he must have gone through since ingo's disappearance. volo starting to see a different perspective than he did before (aka wanting to build a new world because the current one was too full of pain and suffering) because of emmet. i dunno. that's just me personally. because since actually looking more at volo's character and his dialogue in game i've been real interested in redemption paths for him. exploring those possibilities. i just enjoy exploring said possibilities mostly through the dynamic i have in my head for him and emmet because it's fun. it interests me. i see cool potential in it. i enjoy it a lot. and while i don't think i ever portray volo super accurately, or even emmet for that matter, i still think i've come a long way since first finishing pla and ever looking at emmet/volo interactions. but regardless of all of that, that's the beauty of a ship of this nature. a ship that has absolutely no basis in canon. because it really can be anything you want it to be. it can be enemies to lovers, it can be more wholesome, it can be whatever. it's not locked into a specific dynamic because the characters have never officially met each other, let alone had a conversation. and even if that were the case... AUs are still a thing. :D
anyway that's pretty much all i had. just wanted to talk about it a bit because i've seen a recent uptick in people mentioning all of the hate and dislike for the ship etc and i dunno. i enjoy the ship a lot. it's just sad to see that there's still so much hate around it even though a lot of the content now is not like how it originally started. not from what i've seen, at least.
and while i don't expect anyone who hates it to ever warm up to it, i just wish it could be understood that the more toxic, unhealthy dynamic is not the basis of anymore. there are healthier portrayals of it now.
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iraprince · 1 year
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Heyo! Any advice on struggling to get your art seen in the world? I feel like no matter how much I post, or what I post, people never see it or seem to like it. I love art and am pursuing it as a career (hence why Im getting a degree in it currently lmao) but its kind of disheartening to work really hard on something, post it, and no one sees it.
oh, man. i'm afraid for this one i don't feel like i have a lot of solid advice. having a large-ish following online feels like something that kind of just, like, Happened to me, mostly on accident/in ways outside of my control, and even if i had some ideas on how to potentially replicate those gains i don't think they'd work consistently. (also, a lot of my large jumps in follower count came from mental health related work going viral bc it's #relatable; this is something i have complicated feelings about and it's absolutely not a viable, like, "strategy" or something that i would recommend, in the way that ppl can say like, "fanart gets attention!" or stuff like that.)
so, i don't have advice for how to actually GET those eyes on your art; i can maybe help with making ppl more likely to STAY once they do find you, and how to build a following that will actually help you maintain a living from your work -- bc i have TONS of peers w a following a fraction of the size of mine who get more jobs than me, are doing cooler/more "professional" stuff than me, etc! (heads up that most of my experience is on twitter; i know less than nothing about places like instagram + tiktok, and while tumblr functions very differently from twitter i feel like i handle things mostly the same here, aside from doing less personal posting/being less talkative and not 'networking' or following many people).
SCROLLING BACK UP TO ADD A SPOILER ALERT: AS ALWAYS I HAVE SAID "HAHA IDK I DON'T REALLY HAVE ANY ADVICE" AND THEN PROCEEDED TO TYPE A FULL ESSAY. IF YOU ARE ON DESKTOP YOU CAN HIT THE 'J' KEY TO SKIP THIS POST. IF YOU'RE ON MOBILE, I'M SORRY
a very important thing, especially professionally: it HAS to be easy to see what you do. (this is easier here on tumblr, where u can have a designated art tag etc, than on twitter, which is an awful website that sucks. <- guy who makes all his money on twitter) this means, like -- if i see something from you and get curious and click your profile, it should only take one more click to quickly see at least SOME of your art. on a professional account, it's probably best for your icon to be your own work, something snappy and memorable and eye-catching that reads well at a small size; people shouldn't have to dig for 20 minutes before they can start browsing your art. on twitter, this means TRY not to gunk up your media tab with a ton of reaction images/screencaps of your gacha pulls/etc; on here, it means make your art tag easy to find; on any website, a portfolio link, prominently displayed, is the best bet. (i am still working on that one myself lmao and i've been working professionally full time for a few years now so like, there are outliers and wiggle room on all of this).
next! it's great when your audience finds you, but you have to find them, too. find artists who do similar stuff to you and get into their stuff -- sincerely, not just as "networking." (like only do this with ppl whose stuff you actually think is cool, not just trying to get in mutuals with everyone you see in hopes of a bump, obviously.) get interested in other indie artists, find the people who are working/publishing in the spaces that are exciting and aspirational for you, and support them! i don't want it to sound cynical when i say there's a kind of give-and-take built into this; the point is not "well, if i reblog/retweet a bunch of YOUR stuff, maybe you'll feel obligated to boost mine in return," but that when you find other artists/creatives who are on the same wavelength as you, you will naturally stumble into pools of people who want to support art like yours, and you and your newfound peers will help each other when you hype each other's stuff up and direct followers to each other! (again re: things going differently on dif websites: this is twitter-specific for me, bc i use my tumblr as a gallery/portfolio. that doesn't mean it doesn't happen here tho! it can and does happen everywhere!)
it is really not a competition. i know that SOMETIMES it is in like, a really nitty-gritty numbers sense; people only have so much money to spare, they will make choices about whose patreon they can afford/what comic to buy/etc, that's true. but to me that's not competition. people who are sincerely into your stuff will hang on until they can afford it; maybe that means someone follows you for two whole years before the planets align and they have the budget/opportunity to commission you. by hanging out in similar circles you are not taking potential business or opportunities away from anyone else, nor are you risking leading your own audience to Someone They'll Like Better; you're just offering more options, and the internet is VAST and endless, and EVENTUALLY people will show up who are into YOUR STUFF, SPECIFICALLY. helping each other is never going to stifle or delay that!!
and my final chunk of advice is the one i give constantly that everyone is probably super sick of hearing but i just seriously seriously believe in it, even tho i know it's slow to pay off and hard to follow: keep doing exactly what you want to. keep doing it!!! you have to!!! yes, i mean the stuff that's getting like, 2 likes and 0 reblogs! the stuff that 'nobody likes!'
earlier i mentioned i have gotten big follower bumps from like adhd comics and stuff like that going viral. the thing is that, from a professional standpoint: my follower count has like, more than quintupled from where it was at a few years ago; my patreon income has absolutely NOT quintupled lmfao. it has less than doubled, over that same period of like... i wanna say over 4 years. that's still good, i'm grateful for it, and i owe a lot of it to the sheer numbers game (the more ppl see ur work, the more likely it is you'll reach someone who decides to support you), but there is absolutely not an actual direct correlation between numbers and career success/stability.
where there IS a direct correlation is between "people who give a shit about the art i really truly love making" and "people who like my art enough to support me professionally." HUGE chunks of the followers i get any time something goes viral slough off over time; there's nothing wrong with that, they just follow me bc something was funny/interesting and end up realizing my work's not actually their thing. but the ppl who follow me bc they're into all the stuff i post most consistently, the stuff i care about and am passionate about, stick around. and i would not have found them if i wasn't posting the shit i care about!
out there there are people who will be 100% crazy about the stuff that is 100% what you want to make. it's like actually statistically impossible for there not to be. the more niche your thing is, the longer it will take to find them, but they absolutely exist. but if you give up before you find them -- if you start saying, "well, i'll put in 50% of this idea that i love, but the other 50% is too weird and nobody's gonna like it and it'll flop" -- well, in that case, you can only ever find the ppl who are 50% into what you do. don't fuck yourself like that!! you cannot deny yourself the possibility (the INEVITABILITY!!! IMO!!!!!) of finding the people who will 100% get what you're doing.
so: on a pragmatic level, i'm sure there will be ppl who disagree with me on this, and who think it's absolutely mandatory to do fanart as a crowd draw or learn about algorithms and posting times and get on tiktok and do the visibility grind and everything and that it's stupid and irresponsible to tell people not to. i'm sure it's also easy to point out that i'm speaking from a place where i now have more eyes on my stuff than i know what to fucking do with so maybe i'm just totally out of touch and being naive or something. but for me the most important part of doing art now, ESPECIALLY as a career, is to keep loving it and to believe in what i'm doing and to build an audience that cares about the same things i do. and i think it is really really vital to make that your top priority. bc if you don't, then even if you DO crack the code to suddenly getting tons of notes on everything etc -- will you even keep wanting to do it?
this job is hard. it's lonely, in my experience; i spend so much time sitting in front of my computer alone. it's unstable, which is stressful and can be frightening. it's emotionally taxing, for me, because art is so important to me that it's hard to set boundaries and separate my identity from it and actually treat it like a job. it has taken me a long time to find success doing this; maybe i could have gotten there faster if i had tried to find ways to draw an audience specifically, but i think if i had somehow managed to get a big patreon following/tons of commissioners/etc by doing something formulaic or doing stuff that specifically gets tons of attention, but isn't what's natural for me -- i don't think i would have lasted very long that way. this is already hard and complicated enough; i don't think it's sustainable to give up any unnecessary ground on doing exactly what you're passionate about, bc at least in my case, that's mandatory for this even being a livable career for me. i would burn out and decide to do something else very quickly if the only way to succeed was to chase numbers/engagement.
doing it this way is very slow. if i hadn't been able to lean on family/my wife while starting up, i would have had to have a day job for much longer (like, years, probably) while saving up and preparing to go full time; for as long as you struggle to get traction, it may mean going full time has to be on the backburner. but the thing is that there's nothing wrong with that, it's the reality for the vast majority of us (from what i've seen) -- and you'll eventually build a career that can last way longer, i think.
okay oh my god i'm done. sorry about that. like i said this job is pretty lonely and i sit here all day and think about this stuff and then generally do not talk about it with anyone until somebody asks me about it and then i repeat myself at length again. like i did here. anyway have a good night sincerely and i hope some part of this was helpful!!!
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