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surveillance-0011 · 8 hours
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Have you ever wanted to be 100% accurate when creating Splatfest-related art? Consider downloading the Splatfest Script today!
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surveillance-0011 · 10 hours
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Hey what if I *draws your alien that hates humans as humans* lol
These are all a little old (from jan-march) but save for giblets I feel like I’ve got everyone pinned down nicely. Notes under the cut!! Don’t repost, feel free to tell me what you think 💕
1-2: Krubis. I hope you see my vision here. Mostly just trying to figure out if I like this hair texture for him or if I go curlier. I’m set for his work outfit though and I like the idea of him wearing glasses or shades 24/7. But yknow. I think this captures his essence. This is the sort of person he is in my eyes.
The second doodle is kind of rushed but I think in a human au maybe he’d forgo a prosthetic in most circumstances. Hell I think if he can remove the drill at all in canon then he does so when it comes to paperwork and shit. I think he was born without the arm so hes learnt to get by without any sort of prosthetic. I need to do more research into the matter though
3: Douglas. The shorter cut is more in character but I do like the (VERY SPLATOON INSPIRED BTW) braid idea. I think he’s on the younger side alongside the Skrendels? But also he’s very baby faced I think. To mirror the whole “actually Douglas was the silly blue goober the whole time” thing
4: Dr. Giblets. As I said before this sketch is a bit old but I did touch it up. A bit too lanky his face needs to be rounder. I think he’s the oldest of the officers maybe older than Garm. Probably? Not by much. Also 5 Torg in the corner but I didn’t like how she came out so she’ll be in the next batch of whatever 💔💔💔
5: Angela + Jonathan in armor bc for a human/more anthro au I think they’d all have these helmets that mirror the one big eye(and headcanons for what happens when they argue: Angela mediates between Jonathan and Mona, Jonathan does the same when Angela argues with Mona, and Mona just straight up leaves the two to beat the shit out of each other then tearfully apologize .). Also nipulon weezer blue.
6: Garmantuous. Idk if he should be bald or not. Also like 40? Could be a bit older maybe even younger… extra eyes HAVE TO be plugs though I have decided on this. I feel smart for this.
7: more Mona ^_^ more developed sketch of the same hc that he just dips if the other two ever argue + fem presenting alt design + probably what went through his head by the time the BH took out his other brothers during the fight. Also his hair would be bleached blonde 👍🏼 but all the Skrendels have very dark hair naturally.
(On that note: as mentioned before Krubis’s hair is all grey now to mirror the drill. Douglas not sure probably brown or strawberry blond/gingery but dyed blue. Giblets. Uh. Idk it’s pink ish but that way naturally somehow and greying obviously. Garm also blonde but probably bleached? And like I said Skrendels all have black or brown hair but Mona bleached his and Jonathan dyes his hair every now and then
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surveillance-0011 · 11 hours
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Some Frye doodles I made for those tough Fryedays
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surveillance-0011 · 14 hours
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Pearl and Marina new outfits✨✨ I love my lesbians
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surveillance-0011 · 14 hours
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Live Team Bunny reaction
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surveillance-0011 · 16 hours
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song sounds a bit like character i like is singing it 20 dead hundreds of thousands injured and missing and
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Dunno if you know but there is a Yo-kai watch event in ff14 right now.
Oh my god.......they're alive. And HE'S there.
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Do final fantasy players know what his deal is. Do they know he's a desperately lonely and always slightly horny middle aged alcoholic trapped in the body of an off-putting dog. Do they know how happy he'd have to be to be isekai'd into Final Fantasy and captured by a bunnygirl adventurer.
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Do they know he's so hilariously unpleasant that humans see him as possibly just a normal dog and he still got put in human jail for making women uncomfortable
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These aren't complaints, this is the funniest fucking character a collectible monster franchise has ever had. if you play this final fantasy please give him as good a home as you feel he deserves
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one time he bought booze for a child but really I think that one's on the bar for selling sake to what they thought was a dog
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everyone say in the tags what their current custom discord status is
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everything nintendo related in it's entirety is in the process of being removed from the Garry's Mod workshop due to a DMCA takedown (most likely) from Nintendo. It's a very sad day, lets all take a moment to remember carlos
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surveillance-0011 · 2 days
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High on hotdogs
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surveillance-0011 · 2 days
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I have a handful of old drawings but I’m def gonna sketch some new shtuff up.
Krubis posting this evening. For my mental health. Hold me to this.
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surveillance-0011 · 2 days
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Krubis posting this evening. For my mental health. Hold me to this.
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surveillance-0011 · 2 days
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i know shadow is a brooding edgelord badass with a gun but he should be a Little unhinged
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surveillance-0011 · 2 days
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surveillance-0011 · 3 days
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sometimes I think about the fact that the final final (for real this time) isaac dlc is called repentance and it ends with isaac ascending to heaven by realising there’s nothing he needs to repent for and that he didn’t deserve his abuse and then i want to cry a bit. just ugh. god. “are you sure this is how you want this story to end” because isaac thought that his life deserved to end in suicide and he’s being told directly that it’s not and he deserves happiness… and not even going into the religious stuff i think too much already about how suicide is considered theologically a sin and so many of isaacs personas represent the post mortem punishment he believes he's going to have but even despite that he reconciles with his faith and is able to move on anyway because what matters isn’t the dogma but in following the tenets to love one another and therefore love oneself… like god isaac was made for the self hating traumatised obsessed with Christianity kid i was around the time it came out and still lives inside me today bc that just fucking hits so hard man it’s beautiful unironically.
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surveillance-0011 · 3 days
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Theory: Each of the final bosses in Isaac represents a stage of grief.
Satan/The Lamb represents denial. As the first path added (though not the first finished), it’s the first step his mind takes on processing his own impending death and grieving it. It continues with the false narrative Isaac has created in his own head, of being demonic, and completes it. He overthrows his masters, and defeats the demonic part of himself. It’s a comforting lie, that he uses to avoid processing what’s happening. Mega Satan also ties into this, despite being also accessible on the Polaroid path- it’s Isaac either falling deeper into his delusions or regressing into them, and it represents Isaac's internal narrative becoming completely separate from reality- Satan is already a figure Isaac has been taught was real, and the Lamb is himself as the Antichrist, but Mega Satan is a ridiculous concept entirely to look cool. Isaac's no longer even slightly rooted in reality at that point- simply making up comforting delusions that are based off games he used to play.
Isaac/Blue Baby represents sadness. The second final path added, despite being the first finished, this represents Isaac's sadness and fear upon finally being able to comprehend his death. The Cathedral is something beautiful, a monument to a faith he still holds dear despite everything, and the Chest is both literally where he'll die and also clearly something he treasured in life, something he's leaving behind. The bosses here are not only happier versions of himself- representing Isaac losing any sense of happiness and peace at his own death and falling into despair- but also what he’s losing out on- his own afterlife. Isaac and Blue Baby are angels, while Isaac will forever be damned due to his own suicide. He feels hopeless melancholy, and even the happy memories of what once was cannot bring him joy.
Hush/Delirium represent bargaining. Isaac at this point desperately wants to live, and thinks if he can fight off the weakness from oxygen deprivation and the delirium from his brain shutting down, if he just is able to do that, he can escape, and everything will be happy, and he can live. Hush is a representation of his own suffocation- both being literally blue from oxygen deprivation like Blue Baby, but also being gasping for breath. Delirium is, of course, the intense hallucinations and delusions from his oxygen deprivation. Isaac tries his best to fight through them. But it’s already too late- by this point, he’s actively dying, he’s far too weak to be able to free himself. The symptoms are too severe to be overcome, and all he can manage is a glimpse of clarity, a memory of his life beforehand, before he loses all touch with reality again.
Mother represents anger. Isaac, now given up on any chance of escape, is angry- angry at himself for attempting suicide, angry at his father for leaving, but more than anything angry at his mother. She's the one who made him feel like he had to do this! She's why he's dying! In his addled state, he struggles to distinguish between the reality of his situation, the slow and painful suffocation in his toy box, and his fantasy, where his mother is trying to kill him. He fights to get a real weapon, puts together the fragments of the knife, but even after killing his mother and her heart again, he is not satisfied. In the corpse, he mindlessly attacks anything that reminds him of her, his mind conjuring a world entirely defined by her decaying body, and in the end, he kills her again. But no matter how many times he kills his mother, he is not satisfied. His anger has no point, no justification. He is trapped, and he cannot find peace through his imagination.
Finally, Dogma/The Beast represent acceptance. Instead of Isaac following the path of his delusions, he instead desperately fights for the memories that flicker in and out of his brain, to comprehend them. He thinks about his father, and how he left, and the arguments his parents had. He confronts those harsh truths- that his mother is not a monster, but a person. That his father is not a saint, but a person too. That he was never the problem- that his death is pointless, yes, but also that he is not sinful, that he is loved. And then, he remembers his home. His room, the halls, the closet in which he was locked in, the living room. Here, as his memories flash before his eyes as he's near death, he realises he's not at fault for his own abuse, but also that his mother was not acting purely out of evil and spite. He remembers the hateful words he heard on the Christian broadcasts she would watch, and the dogma that lead them both astray, and he fights it, dismantling the hateful preaching but holding onto the things that bring him comfort. He's able to, finally, defeat what remains of his delusions, the beastly and tainted ideas of his mother and Christianity, and he finally passes away at peace, knowing he was loved. Whether the final cutscene is a comforting illusion or his afterlife, Isaac dies knowing that he is loved and that he is worth something. For the first time in his life, Isaac is able to accept that he was never at fault for anything that happened to him, and at the very least he is able to die happy, remembering his games with his father and his mothers love long ago and Guppy. It’s incredibly bittersweet, but Isaac was dead from the moment he entered that chest. This is the best ending the game could ever realistically have.
Was any of this intended? Oh, almost certainly not. But I think way too much about the lore of this video game and you have to think about something when you spend twenty minutes minmaxing in Sheol I guess.
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