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#incredibly fascinating
imaybeabear · 1 year
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Anna Williams did not run through miles of forest nor face off with an infected with literally only a switchblade and sheer desperation all while fucking IN LABOR, then cut her daughter's umbilical cord with her own hands, clean her up, name her, love her, and hold her for hours even as she knew and felt that she was dying, prepared to stab herself with that same switchblade to save her baby, then beg her lifelong friend to take her girl somewhere safe where she could grow up happy and protected only for Marlene to fuckin sacrifice that girl, that baby she swore to her dying friend to take care of, for a shoddy at best chance to save an already irrevocably shattered world. Both the Williams ladies deserved better than that.
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beaulesbian · 7 months
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every time i think zoro and luffy's sense of no-direction couldn't get any funnier a new scene like this appears to prove me wrong
and it's the robin's "we are heading south, so chopper, could you actually point them the correct way before we lose them here forever?" that makes it so hilarious this time
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fluffygif · 1 year
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Best experience to see dolphins  ❤
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emry-stars-art · 4 months
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I’ll continue to wonder why the Trojans make me want a modern/snapchat au so badly lol but I loveeeeee them so much, it’s almost one of the first things I drew for them 😂
I’m imagining they’re on some trip in wintertime and none of them are built for it but Jean, like me, is reluctant to give some things up
More versions under the cut
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eldritchravens · 4 months
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WHAT IS HAPPENING
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SO THIS IS WHY CLOWN POSTED A TON OF STUFF ON THEIR KOFI. SOMETHING IS HAPPENING.
So a few weeks ago some light changes had been made to the Welcome Home website and everyone, including me, was extremely confused right? There seemed to be a number of commands scattered across the site like "Write Hello." or "Write OK."
Everyone lost their damn minds because it was extremely confusing and nothing we tried worked! And no wonder nothing worked, because these messages weren't for us, they were for Wally!
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LIKE??! OH MY GOD???
At first I thought these messages were from Wally to us. Turns out, these messages were from whoever is managing this website for Wally to read and respond to. You know what this means? At least one person in the Welcome Home Restauration Project is starting to realise Wally is there, seeping through the site, and this person is attempting to communicate with him!
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When I tell you reading this gave me goosebumps... Good lord something really important is happening there. Wally is responding to the person managing the website. And this person is realizing that something is very, very wrong.
The barrier between our reality and Wally's reality is slowly breaking. Fiction is seeping into our world.
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AND THIS??? JESUS CHRIST.
I'm not sure why, but this right there made my skin crawl. The fact that Wally can just... demolish the laws of reality and flip an illustration on a website to show the "behind the scenes"... Where the illustration ISN'T SUPPOSED TO HAVE A FLIP SIDE. IT'S A 2D DRAWING. He could have just flipped the image normally, but no, he litterally showed us what was behind the curtain. That shouldn't even be possible. It's terrifying. I am confused, fascinated, amazed and terrified at the same time.
This is all I managed to find so far, let me know if other things have been discovered!
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ziptie-bouquet · 5 months
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Capillaries. Myelin sheathing. Microglia.
I love how the game seems to take inspiration from those simplified cell drawings with bright colors and exaggerated shapes.
I love how the devs seem to have used microscopic images as a reference to make their alien world feel more alien.
I love the way the myelin sheathing is on the cables because it makes electric signals travel at a faster speed in real life... Those designs work and don't feel limited by what they took inspiration from.
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jellieland · 1 year
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A week or two after the games, Grian will usually check in with the victor.
It's a habit that's probably more for his own benefit than anyone else's. But it is, he thinks, a good habit nonetheless.
After all, as fun as it all is, things can get a bit... intense, towards the end, and it's good for his peace of mind to make sure the last one standing is ok with how things shook out.
Nothing much has ever really come of it before; they're all pretty resilient. He doubts this time’ll be different. Except- well.
Something about it all itches at the back of his mind, and he hasn’t been able to work out why. There was the actual ending, of course, but also Grian may have been whispering in Martyn's ear about how boring that final showdown was turning out to be, and how narratively satisfying it would be if he just betrayed the other two and got it over with, so.
If nothing else, it feels like he's got no reason to break with tradition.
There's just one more concern.
Martyn seems to have made it almost impossible to contact him.
It's not... unheard of, for players to keep to themselves most of the time, especially when it comes to those they don’t share a server with. It seems a little uncharacteristic of Martyn, but the last time Grian saw him outside the games was before they even started, so maybe he does things differently these days.
There are certainly a great many reasons why that could be the case, most of which are perfectly sensible.
But Grian's never been able to resist picking at a puzzle put in front of him, whether the puzzle likes it or not, so he is going to talk to Martyn. And he can just see what happens, and worry about any consequences if and when they appear.
Luckily, he already has a way to do just that.
He doesn't usually need to do this - although it is very funny to startle Scar or Mumbo with it sometimes when they're concentrating. Honestly it's usually less effective than communicators, with how much effort it takes.
But he does have a way. The same way he used to whisper in Martyn's ear very recently, in fact.
He reaches out, away from his home, away from his body, and it feels a little like simultaneously overextending himself, and putting his foot down on a step he thought was flat ground.
That is... not how this usually feels.
It's odd. Rather unnerving.
But it works.
He finds Martyn. Watches the vague shape of him solidify into something more real.
He’s still wearing his red life outfit, for some reason. His eyes are closed. Around his head, the coral curls like a blood-red crown.
“What do you think you're playing at?” Asks Grian.
Martyn blinks his eyes open slowly, looking less confused than Grian would expect for someone hearing a disembodied voice out of nowhere. “Oh good.” He says dryly. “You again.”
He squawks indignantly. “Hey, what's that supposed to mean?”
There is silence for a few seconds.
“...Hey.” Martyn says, and as flippant as he suddenly sounds, he looks as thrown off balance as Grian feels. “Not sure who this is, but I think you might have the wrong number!”
“I think that's unlikely.” He deadpans. “Where are you? I haven't been able to get hold of you.”
“Uh-” There's a short pause as he looks around at wherever he is right now. “Falling into endless nothingness, looks like. Same old, same old, am I right?”
Grian rolls his eyes. “Yeah, ok. Well, I suppose you don't have to tell me.” A part of him makes a note of Martyn’s wording, though. Just in case.
“...Hm. Well, not gonna lie, I do appreciate the change of pace, but I would love to know what exactly you want from me. You know, just on the off chance that you feel like giving me any clues.”
It's at this point that Grian remembers: one of the main reasons this method of communication is good for messing with people is that it makes him sound, um. A little different. And while he can see Martyn, it’s not as if Martyn can see him.
...Best to just pretend that hadn't slipped his mind.
“You do realize this is Grian, right?” He asks, as though it ought to be obvious.
“Riiight, yeah, sure.” Says Martyn. “And I'm also Grian, did you know that?”
“Oh for- what, do you want me to tell you some secret only the two of us would know, or something?”
“Nah.” Says Martyn. “That wouldn't work.”
“Elaborate.” Says Grian, through gritted teeth.
“You know what? I don't think I will!” Replies Martyn brightly.
Grian takes a deep breath in through his nose. “I'm beginning to wonder why I bother.” He grinds out.
Martyn snorts. “Tell me about it.”
There's a short silence.
“But- ok.” He continues. “Just suppose for the sake of argument that you are Grian.”
“...Yes?” Asks Grian warily.
“I have a question for you.”
“...Yeeees?” Asks Grian, even more warily.
The silence stretches for several long moments.
“What's up?” Asks Martyn.
“Yeah ok, this isn’t worth it, I'm leaving now.”
“Wait! No, I'm serious!” Under the amusement, there's a note of something that sounds almost like nervousness in his voice. It's uncharacteristic. Unnerving.
“What are you talking about?” Asks Grian, trying very hard to keep his voice at least mostly free of annoyance.
“Oh, you know! What's going on, what's the deal, what'd you want to talk to me for?” There's a slight hesitation. “You need help or something?”
“I- ok. That's actually sort of relevant. It's really nothing too complicated, Martyn.” He says, grumpily. “All I wanted to do was make sure you're good with what happened at the end of the last game.”
Martyn blinks, and goes very still.
There is a long silence - long enough that Grian starts to feel concerned.
And then Martyn laughs.
It's not a nice laugh.
“Good, huh. You want to know if I’m good with it. That sure is an interesting choice of words.”
“...How so?” He asks, guardedly.
“Grian. Grian, I’m not sure if you remember this, but I won. I won this one, Grian.” Every word he says, however restrained, sounds like it’s had to claw its way out of him. He glares at nothing. “And guess what? It's just like the others. I don’t really care enough for any of it to matter to me, anymore, and that's fine by me.”
Now that's... a lot to unpack. “You- I'm sorry?”
“Well that makes one of us then, doesn't it?” His voice is coated with scorn.
“What are you talking about?”
“Do you actually think I’m going to explain myself to you?” He asks, looking half-amused. “You, of all people?”
“Well unfortunately, Martyn, I can’t exactly put Ren on the line, so I’m afraid I’m all you’re going to get.” He snaps, and instantly regrets it when he sees the look in Martyn’s eyes.
There is a short silence.
Grian shifts uncomfortably. He’s not going to apologize, obviously. But. Well. “That... ok, maybe that was a bit much.” He says.
“...Little bit, yeah.”
There is another silence.
After a while, Martyn speaks.
“I would’ve betrayed him too, you know.” He says coolly.
“What, Ren?”
“Yeah. At the drop of a hat. Soon as it was convenient.”
“I mean sure, I suppose?” Says Grian, caught off guard. “You didn’t, though. Did you? When you had the chance.”
“Eh.” He shrugs, as though that’s an irrelevant detail. “It would’ve been more dramatic later. You know how it is.”
...There's no real way he can justify saying no to that, is there? “Yeah.” He says. “I guess I do.”
He tries to picture the King, betrayed. The Hand, triumphant.
“I dunno, though.” He says, thoughtful. “I don’t think you ever could’ve done it, to be honest. Not in the first one. Whatever it was you were planning, it was just never how that story was going to go.”
“That’s not true.” He says it just slightly too fast. “I know that’s not true.”
Grian scoffs. “You know thinking about something isn’t the same as doing it, right?”
“What, no, really?” He rolls his eyes. “You don’t say!”
“What I’m saying,” He lets his voice turn biting, “Is that you’re being stupid.”
Martyn lets out a startled laugh. It’s surprisingly genuine. “Wow. You’re really bad at this, dude.”
Grian bristles. “Well why am I the one who has to do it then? Why don’t you talk to someone else, if you hate talking to me so much?”
“I mean…” He makes an unconvinced noise. “Obvious problems aside, when do you even expect me to do that? We usually have other things to worry about.”
“I don’t know, maybe at literally any point between the games?” He sighs exasperatedly. “There’s no way you’re that busy.”
“Between the games?” Martyn asks incredulously, and Grian suddenly feels as though something dangerous is hovering over their heads, just about to drop. “What do you mean, between the games?”
“I mean between the games! Like- now! What do you think this is, right now, if it’s not between the games?” He snaps.
“This right now?” He looks nonplussed. “I think we’re usually asleep for most of this bit. Or possibly we forget about it. As you can probably imagine, it’s hard to know for sure.”
“Now I know that’s not true.” He says firmly, ignoring the unease trying to creep up on him. “I know I do stuff between games, and I know I don’t just forget about it. That makes no sense.”
“I mean, I don't necessarily mean everything between the games, more just this specifically.” He gestures around at nothing. “That gets more complicated, though. But you- hm.” He looks curious. “That’s interesting. Where even are you, then, at the moment?”
“I’m at home! Which is where I thought everyone else was too!”
Martyn seems to consider this for a few moments, and then he frowns, and then his expression goes blank. “…Oh.” He says. “Yeah. No, that… makes sense, actually. Yeah. You’re probably right.”
“Wha- what do you mean? Right about what?”
“Everyone probably went home. Or, at least, they thought they did. And hey, what’s the difference, when you get right down to it?”
“...Ok, I’m going to ignore the second part for now, I already got past that little existential crisis after Ren and Doc’s whole… thing… in season eight- if you think everyone went home, why are you- what was it you said- ‘falling into endless nothingness’?”
There’s another pause.
“...You’re really gonna make me say it, huh? That seems cruel, even for you.”
“Wait, no, what do you-”
“Where else do you think I would go?” It sounds less like an admission and more like an accusation. “What ‘home’ do you think I have left, Grian?”
“Look.” Snaps Grian, feeling vaguely tricked. “It’s not my fault that you-”
“Yeah, it never is, is it?” He glares into the darkness. “It’s always a tragic inevitability with you, never a choice you’re making. That way you get to stab people in the back and pretend to be sad about it. Best of both worlds, huh?”
Grian splutters for a few seconds. “Why are you being so rude to me??”
“Because you’re you and I’m me.” He smirks. “Don’t know what you expected, honestly.”
“Oh yeah? Who’s hiding behind inevitability now?” Grian retorts, perhaps a trifle vindictively.
“I never said I wasn’t a hypocrite, sometimes. Also, I never said I felt bad about it.” He replies levelly, and all at once, they’re talking about something else.
“You didn’t need to say it.” Snaps Grian. “You might be good at lying but you’re not perfect. I could see in your face that it hurt.”
He narrows his eyes. “It felt good, actually.”
“Wow, good for you.” He says, almost amused suddenly. “You didn’t say I was wrong, though.”
His expression twists into something unreadable. “I know you, Grian. Like recognizes like.” He says, voice low and dangerous. “You’re a liar.”
Grian shrugs, despite the fact that Martyn will not see it. “And you’re a coward. Your point?”
“I don’t need to justify myself to someone who refuses to admit that he could have chosen to be better, if he’d ever wanted to.” He spits out.
“Hey, at least I don’t try and convince myself I’m a monster just because I want to survive.”
That one strikes something tender; he can tell. “Right, yeah, and you’re just a blameless angel and everyone you cut down had it coming, I’m sure.”
“I didn’t say that. But since you bring it up… how many people did you give up your time for, again?” He grins. “Is it less than one? Because I think it is. I think I’ve got you beat there, Martyn.”
“And where did it get you?” He snarls.
“Home, in the end.”
Martyn flinches back as though he’s been struck.
“Did you forget about that part?” Asks Grian.
There’s a long pause.
Martyn fidgets with the end of the banner he wears around his waist, pulling at where the white threads are coming undone. He stares out into the darkness. “Yeah.” He says. “I guess I did.”
The satisfaction of winning the argument feels less potent, suddenly.
“You’re right.” Says Grian, after a while. “I’m really bad at this.”
Martyn laughs quietly. “To be fair, I’m not exactly helping.”
“You’re really not.”
He sighs. “You know pulling the knife out just makes the wound start bleeding again, don’t you? That’s all we’re doing here. That’s all we’re going to do to each other. We’re too alike to do anything else, unless we just don’t do anything. And hey, we’re not great at that either.”
“Hmm.” Says Grian begrudgingly. “I’d say something about inevitability again, but I honestly don’t think you’re wrong.”
“We both just enjoy pushing buttons too much to be particularly good at not pushing them, I guess.” Martyn sounds half-amused, half-resigned.
Grian makes an irritated noise. “Yes, alright, I don’t need another reminder of the whole button debacle.”
There is more silence.
After a while, Grian speaks again. “There’s something I was wondering about, actually.”
“Oh yeah?” Martyn raises an eyebrow.
“What’s the reason?” He asks.
“You’re gonna have to be more specific with that one, mate.”
“‘This is a death match for a reason.’” He says matter-of-factly. “That’s what you said. So- what is it? What’s the reason?”
Martyn blinks, then lets out a short, harsh laugh. “You think I know that?”
“No, not really. That’s why I wondered what you meant when you said it.”
“It- look. I don’t know if you’re expecting philosophy from me, or something. It’s a death game. People die, and it doesn’t have to mean anything. It doesn’t have to be special, it doesn’t have to be honourable, it doesn’t have to be fair. That’s what I meant.” He frowns. “You know that.”
“I do.” He admits.
“Then why ask?” Martyn looks around as though this time, somehow, he might be able to find Grian’s face in the dark.
He doesn’t.
“I just-” Grian sighs. “What do you want?” He asks. “What do you actually want, Martyn?”
The question sits heavy in the darkness between them.
“What do you want me to say?” Martyn asks. He sounds more tired than Grian’s ever heard him.
“I want you to tell the truth.” Grian says. He needs to know. He needs to know.
“Now, Grian.” Says Martyn, voice gently chiding. “Have you met me? You know I can’t do that.”
“Pretend it’s a lie, then.”
Martyn’s grip on the banner he wears tightens, slightly. There is a long, long silence.
“Or how about,” Says Grian, eventually, “You say something, and I won’t know whether it’s a lie or not.”
There is another pause.
Martyn frowns at the red of the fabric in his hands, as though it might offer him something.
As far as Grian can tell, it does not.
He’s just beginning to give up hope of ever getting an answer when Martyn speaks, so softly he almost doesn’t hear it.
“I want it to be warm again.” He says.
It’s quiet.
For a moment – just a moment, no more – Grian remembers bloody, aching fists. He remembers burning heat.
“Well.” He says. “That makes one of us, then. Doesn’t it?”
“Yeah.” Says Martyn, voice low. “I guess it does.”
There’s another short second of silence before Martyn speaks again, sounding cheerful. “So, suppose I’ll see you in the next one, huh? If that ever happens.” He grins. “Wanna take bets on how hard Scott’ll have to try not to win it? I’m gonna go with very.”
Grian snorts. “I’m not taking that bet. That man is infuriatingly good at surviving.”
“You’re not wrong! You are not wrong.” He gestures into the void. “And don’t even get me started on Timmy’s whole thing, I think we both know how that one’s gonna go. Unless you want to bet against him being gone first next time round?”
“You’re not Scar.” Says Grian. “There’s no way you talk anyone into taking that bet in a million years. Except maybe Timmy.”
“Fair, fair.”
There’s a short pause.
Grian hesitates for a moment before he speaks – almost, but not quite, reluctant. “Why do you keep looking back?” He asks. “There’s nothing left for us there. You know that, right?”
“I mean, let me know when you find a better place to look.” He tilts his head to the side slightly, curious, and frowns. “Do you really never want to go back?”
“No.” Says Grian. “Never.”
Martyn opens his mouth, and then, uncharacteristically, closes it again. “Yeah.” He says. “Me neither.”
Grian is tempted, momentarily, to tell Martyn to take the banner off and let it go. Let the darkness take it. Prove it.
But just like Martyn, he lets it drop.
Mutually assured destruction is a potent thing.
Now all he has to do is the hard part. The part he’s dreading most of all.
The main concern is phrasing it correctly. Making it sound just how he wants it to sound.
After some thought, he thinks he’s found the words he's looking for.
He could always be wrong, though. He’s usually more one for incredible violence than smooth talking.
“Martyn?” He asks cautiously, casually. “Do you want me to help you?”
The expression that crosses Martyn’s face is unreadable.
He processes the question for a few moments, before he answers.
“Nah. I’m good.” He says, voice guarded. “Don’t worry about it.”
And that’s the rub, isn’t it.
Because now Grian has to decide whether he’s going to let Martyn lie to him or not.
Whether he’s going to pass the test that’s been set before him, or not.
...
Grian’s not a monster.
He’s just realistic.
There's nothing he could do, anyway.
“Well.” He says levelly. “Just let me know if that changes.”
(Martyn would do the same to him. It’s not a justification, or an excuse. But he knows it to be true.)
Martyn stares out into the darkness. His eyes are almost, but not quite, resentful. “Sure thing, man. Why wouldn’t I.”
It’s not said like a question, so Grian doesn’t answer it. “Well, you know I can’t stay here forever.”
“I do know that.”
“Any messages you want me to pass on to any of the hermits? I know you haven’t seen Mumbo in a while.” It’s not really a compromise, or a peace offering. Hopefully, however, it’s close enough to one or the other of those to act in their stead.
Martyn closes his eyes. Breathes in. Breathes out. Opens his eyes again. “If you were Grian, then maybe.” His gaze is cold. “But I think this hypothetical has gone on long enough.”
...It’s a lot easier for both of them, if Martyn believes that.
He’s positive Martyn knows that.
Just this once, perhaps he can manage to not look a gift horse in the mouth.
“For what it’s worth,” He says, looking away, “I moved on from the Bad Boys when it got too expensive to keep them alive.”
“It’s not worth a lot.” Says Martyn flatly. “And it would be worth even less coming from Grian.”
Grian sighs. “Alright. Fine. I’ll see you around, Martyn.”
“I know.” Says Martyn. He closes his eyes.
After a few moments, Grian does too.
When he opens them, he’s home.
Oh, that doesn’t feel good.
It really doesn't.
He could dwell on this. It wouldn’t be hard. He could drown himself in guilt over what he’s done, or not done, or will not do.
But- well.
Grian never really saw the point in letting someone else drag you down with them.
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I saw a post earlier joking about how all the nines in the Mighty Nein will seem a little overplayed or heavy-handed to non-stream fans, which is true and amusing—like, have a bazillion nine-related things happen to a group called the Mighty Nein in a scripted show and it’s deeply heavy-handed foreshadowing; have it happen in a game of chance where the party name is a joke about dice rolls and you’ve got one of the coolest twists of coincidence in the world. (Side note, can’t wait to see how or if they even try to explain the party name in the TV show.)
BUT this also got me thinking more broadly about the challenges of adapting a game of chance into a TV show—how you keep those coincidences and lucky rolls, which are some of the very coolest moments in the campaign, from feeling like easy outs or lazy writing. Some of them seem easier than others—like, you don’t need to know how goddamn lucky the rolls were for the blueberry cupcake scene to be incredible, because it’s also such an incredibly clever beat—BUT. I’m thinking about Cad’s divine intervention in 140.
A zero-two. He rolled a zero-two. When fate said no, Caduceus said please. And it worked. Fate said okay, you can have this one. They’ve earned it. And it felt the way it did because it wasn’t just an inspired story moment. In a scripted show, whatever happens was always going to happen. But CR isn’t scripted. It was chance and fate and luck. It was a prayer that reached the Wildmother and that prayer was a d100.
And luckily for purposes of adaption, it’s a campaign—hell, an episode—that shows you the way divine intervention doesn’t always work. (Jester calling out for Artie, my heart.) So they’re well set up to keep it from feeling like a deus ex machina. But god. God. How do you replicate the feeling of that moment? Of knowing it‘s over, and then suddenly it isn’t?
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malevolent is actually not a lovecraftian horror, malevolent is a simulator for the experience of working as a couples therapist for the most unhinged gays imaginable
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youre-dreaming-302 · 5 months
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Drowned God 1996
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keepthetension · 3 months
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went back to the first few eps of dff to get a memory refresher and when fluke says por will probably die soon, jin says
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and the camera cuts to phee giving jin this look
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which may be absolutely nothing at all but i can't stop thinking of it as a "oh? now you're desperate to help? now you're worried about letting a friend die?" face
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thebeautifuldaughter · 8 months
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fascinating to watch how hozier speaking Irish in his new music is making some people: 1. fetishise him further and/or 2. make 'fun' jokes about gaeilge/gaelic/'''garlic'''' bc like. babes. i can guarantee you neither of those actions are separable from the lingering impacts of colonialism.
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threegunbrainrot · 1 year
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i dont have any trigun mutuals so i'm just gonna ramble my thoughts into the infinite void of tumblr. and im sure others have touched on this same topic but
it almost seems like vash is getting softer with every new installment of trigun? like incredibly consistently and incredibly specifically.
let me explain.
i'll start with tristamp and work backwards; the tristamp vash we all know and love there is incredibly adverse to violence.
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more often than not he ACTIVELY refuses to fight and just WON'T draw his gun. this post loosely counted the amount of bullets that he shot throughout all of season 1, and almost ALL of them (like to an insane degree) were dished out against knives, who vash knew was strong enough to take the hit.
the few times vash does draw his gun against a human in tristamp, it's as a blunt force weapon (against the badlads gang and livio, for example) or to disarm others/save someone with ricochet (like shooting the punisher before wolfwood can kill livio).
he just doesn't shoot people. at ALL.
then if we look at 98 trigun, things change drastically.
here, vash isn't afraid to hurt people a little if it means more will be saved in the end. of course he never kills, but he actually shoots people here. not only that...
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he holds a casual, sarcastic conversation while pointing his weapon at people.
he constantly shoots at limbs to immobilize people, fires warning shots extremely close to peoples' vitals, and performs several very insane trick shots throughout the show to wound those with armor.
tristamp vash wouldn't even draw, but 98 struts around firing warning shots into the sky and singing about bloodshed for intimidation! i'm not sure there's a single episode where he doesn't shoot someone at least once.
...so what about trimax, then?
(PLOT SPOILERS AHEAD)
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he is so. shockingly. violent.
of course he never kills. of course he's still trying to save people, but there's this anger in him that i was completely taken off-guard by reading for the first time.
tristamp vash is so soft he's painful to watch. 98 vash makes a heartbreaking effort to be as silly and nonthreatening as possible, constantly making himself out to be the fool. but trimax?
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he's... literally grief-stricken and out for revenge. explicit revenge. he's angry and he's hurt and he lays his intentions out so clearly. he's making THREATS.
seriously:
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hunting legato. HUNTING him.
it's not even a matter of drawing his weapon anymore. he does it constantly, and fires just as much. never to kill, but he doesn't joke around the way 98 vash does. the most he'll offer is a sunny smile to reassure others and nothing more.
i'm not that far into the manga, either. i'm sure there's countless more (and probably better) panels to convey this side of trimax vash, but i suppose it also says something that i've found so many panels depicting this so early on.
but the progression of vash's personality is fascinating regardless.
from a tortured, angry loner desperately trying to cling to his morals for rem's sake
to an equally devastated man who devotes himself so completely to acting the role of the fool
and finally to the sad, chronically depressed shell of a person in tristamp who refuses to so much as draw his weapon.
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captainkirkk · 2 days
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Patient's distressed mother: I don't think I want to impulsively give my dying son medicine that has a good chance of killing him much faster- House: WOOOOW your only child is going to DIE and it's going to be your fault for not making this split second decision right now, you fucking MORON
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greensaplinggrace · 1 year
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does anybody else think about how all of the darkling’s survival techniques were taught to him by a woman experienced at surviving in a man’s world?
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bb-enablefreebuild · 19 days
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My fav hc is that harrow who has never been exposed to adequate sunlight appears to be very pale at first but once her body is controlled by Nona her true tan potential reveals itself
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