The more I think about it, the more I realize that you can fit all of Detroit’s human supervillains into three categories: STEM people, history nerds, and guys who like to go fast.
Meltdown is a chemist with a stunning disregard for personal protective equipment, Headmaster is a robotics “whiz kid” who designed and built the functioning Unit, and Professor Princess apparently has a PhD and designed her own tech.
Slo-Mo has the mannerisms of a 40’s gun moll, and Angry Archer is… the Angry Archer, both aesthetics being extremely outdated in futuristic Detroit.
Nanosec does high-speed chases, and Master Disaster orchestrates high-speed races.
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hey you. watching the game awards. wondering “why did the cast of alan wake 2 do a full on fucking musical number?”. go play/watch someone play alan wake 2 immediately. this is not a request this is an urgent command
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psa that the day there are no jgy stans left on tumblr dot com is the day i am dead
but rest assured i'll go to my grave exactly as i lived: obnoxiously proclaiming to everyone within earshot how great lianfang-zun is. narratively, metaphorically, spiritually. sexually, too, like why limit myself. i like to keep my options open
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Unironically think that each of the bros (+April) don’t actually get how impressive their feats really are so they just do what they do and on the off chance someone comments on those feats they all react like:
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New Season, New Outfits!!
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You ever think about how Ryne probably got a more honest yet closed-off Thancred while Minfilia got a more disingenuine yet open Thancred?
Like, the Thancred Minfilia knew and grew up with was the one we saw in arr, the flirty, teasing and sassy but friendly man who was clearly not very honest seeing as no one- not even Minfilia- noticed how worn out he was from his constant work. Even just by hw he's noticably more prickly and. not quite rude but. more outwardly cynical? He's always been kinda cynical, but in arr his teasing and banter hides it well, which never disappears but is more. natural? genuine? now. Krile directly points out that he's much more brusque than she expected of him based on how Minfilia described him.
And sure, you could attribute that behaviour to his grief and stress (which is certainly a part of it) but considering he acts much the same in ew, when he's finally moved on and come to terms with everything (and is also post-shb character development), I think it's safe to say that this is the most honest we've seen Thancred be.
But this is all Ryne has known him to be. She's never seen Thancred be flirtatious or as social and friendly as he is in arr, she's only seen him be brusque and cynical but still teasing and kind. But he's also far more closed off from her (and others) bc of That Whole Deal going on. Urianger has told her more about Thancred's true feelings than Thancred himself has. and even that's not a lot, for Urianger is not only not a mind reader and doesn't know everything that goes on on Thancred's head, but also is reluctant to share more than is necessary since it's not his place to divulge these things (and also he himself is not free from the folly of emotional self-isolation).
With Minfilia though, he's open enough that she's never doubted that he cared for and loved her even when he couldn't spend much time with her, and she felt comfortable enough to admonish him when he did his usual self-destructive behaviour (you know, becoming an alchoholic at 17 and All That Entails)
Just. food for thought
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These could've been modern dragons.
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i think the lonely feeds on exclusion, not absence. i think it feeds not on the fact that no one can help you, but rather that no one cares to even try. if you know someone out there is trying to help you, you won't feel lonely, no matter how far away or unable to actually help that person is.
that's one thing that the statement of barnabas bennett can teach us about how the lonely functions, and how jonah magnus feeds it. he could have helped, but he watched. the indifferent watcher. an amoral gaze that only seeks to know. what's lonelier than being seen, but not helped?
i think the spiral feeds on doubt, not insanity. i think it feeds on your fear of betrayal, your fear of unreality, of being lied to. you belong to the spiral once you don't know what to trust anymore, once everything feels fake.
that's one thing that the statement of michael can teach us about the spiral's existence, and how gertrude robinson feeds it. the facade she puts up around almost everyone hides a ruthless woman, who doesn't care what or who she has to sacrifice to achieve her goals. this is the facade that had michael shelley fooled, and eventually, literally fed to the spiral. that moment of betrayal, of the mask slipping off, of realizing that it was all fake. do you think that that's when he realized that nothing was real?
eye avatars really, really have this tendency to feed other fears.
with that in mind, which one do you think jonathan "on good terms with oliver banks" "goes around ending avatars' existences" "dies at the end" sims has been feeding?
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my notifs recently got me thinking about the very random concept of "what if there is a second, secret CHB. directly below normal CHB." and i ended up brainstorming it in the discord.
context for how this originated: one was just a random notif on my post talking about the tunnels under the Hephaestus cabin, and the other was some tags from @drksanctuary on my fake readriordan article mentioning the idea of a chthonic demigod camp.
so. my brilliant (read: "smashing my 2 brain cells together") idea: the elaborate and seemingly infinite tunnels under cabin 9 are remnants of an abandoned underground CHB that exists directly underneath camp. It's basically just normal CHB except in a big cave system, probably connected to the labyrinth somewhere and has the separate tunnels, and instead of the Olympian cabins it has chthonic cabins. there's probably also some infernal nymphs and etc down there too. since all chthonic demigods can learn to shadow-travel they probably used that to get down there, and a lot of chthonic demigods probably have geokinesis just by nature, ergo the tunnels (for when they don't want to shadow-travel, or can't).
in brainstorming with the discord we decided it could be cool if some of the cabins lined up with the above-ground cabins, either for thematic purposes or associations or whatever. Like there's maybe a Hermes and maybe Poseidon cabin in the chthonic CHB too that just link to the above-ground ones, but also like Persephone cabin lines up to Demeter cabin because of course it does. and maybe Hecate cabin lines up to Cabin 8 cause Artemis is sometimes 1/3rd of Hecate. Maybe Angelos cabin is beneath Cabin 1, and Zagreus cabin is beneath Cabin 12. Things like that.
The other ones i thought of were either Hypnos or Thanatos cabin lines up with Apollo, because twins, and the other is just right beside it (because twins). And Charon's cabin is beneath Cabin 9, ergo why the tunnel system connects to it (because Charon. Ferryman. Surface access. It makes sense in my brain).
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I love that Tendou spends the entirety of Kabuto in love with Kagami. I love that it takes Kagami like 40 episodes to figure it out because he's a dog person trying to understand a cat. I love that Tendou seems so cold because he's so self-centred and blunt at times while overly vague and closed-off at others, but his love is all-encompassing and unconditional. I love that Kagami is the typical bumbling main rider in the role of the secondary, that Tendou is his rival but not vice-versa, because Tendou is still the true main rider who openly likes his ill-tempered secondary from the start, though he shows it in a way that no one who doesn't know Tendou would be able to understand. I love that when Kagami finally figures it out, he realises it's been love the whole time, and that there's no grand gesture needed. I love that he knows Tendou at that point. I love that he understands what Tendou wants to hear, and it's not bold proclamations or heroic speeches, but something that seems blunt and presumptuous in the way Tendou himself is. Cook something for me (continue to love me) (I want to be loved by you)
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i am an athena cykes defender forever and ever until the day i die but god. somewhere out there there is a universe where apollo justice got actual follow through and it kills me that i am not living in it
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thinkin bout that "too many hats in game design" post.
I love to collaborate. most of my game design career has been collaborative. the problem is everyone's a game designer, and far fewer people are layout artists and editors and marketers and the like (in my experience). and at a certain point of collaboration, if you're the only one with a certain skillset, you ONLY get to use that skillset and there's no time for anything else.
not sure where I'm going with this except that I've been thinking about how much I love layout design but how I also don't love it enough to give up the part of game design that is actually designing the games.
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My favorite school will always be Storm because it's my aesthetic and I vibe with it more than anything else but from a narrative standpoint Death is my absolute favorite. Like almost all the interesting Wizard101 NPCS and the two major arc villains we've had all come from there, and everyone sans Penny has some sort of trauma associated with their school of choice due to the very magic they're practicing, or the individual that practices it. There's so much going on in that area where everyone inside it and outside is affected, even the world around them.
Even death itself is an interesting topic irl, and also the fact that Death is feared even in the wizard world opens so much content for multiple stories RIGHT THERE, and then you have internal problems such as Ambrose himself seeming to keep his biased opinions close to him and keeping necromancers at an arm's length, and that perspective then bounces off on other people (Morganthe, which starts her villain arc; Duncan, who was persuaded to switch schools even BEFORE he became a villain; Dworgyn and Mortis, who are left behind). It's just story after story after story. All the interesting characters and their stories are right where Death is and if Storm wasn't my absolute favorite it would be Death. Necromancers seriously rock and they're so cool in every single way
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i made what was a huge medical decision today that has been received very badly by my family and i feel absolutely nothing but pure freedom and joy about it. the thing i'm really fixated on rn is when should i post this fic i just finished
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Improvement :3
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The Pythagoras Trio is everything. They have a guy who wants to be loved but gave up on it so focused his sights on lashing back at those who made him feel that way but somehow found people who loved him, making him desperately try to return that favour through the work he excelled at instead of by sharing who he really was. They also have a guy who grew up trying so hard despite being average until he miraculously got his dream but that was because of his brother, and even after he found his true talent he struggled with inferiority. And they also have a guy who basically sparkled with talent that was cultivated by someone who was using him to feel good about himself, a guy who loves so much because he was so lonely and desperate for friends and yet was ripped away from it because he could not abandon a friend who left him.
They're teammates. They're best friends. They're narrative foils of each other. They have violent fights. They understand each other like no one else can. They can't understand each other fully. They have the drama, the support, the angsty breakups and divorces, the emotional getting back together, the brotherhood, the comic relief trio role, the secrets - they really have it all.
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