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#in a way that is not deliberate and intentional like i think many of the things the writers are doing is
swordsmans · 1 year
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I am very, very curious about your opinions on ZoSanLu or ZoLawLu 👀
omg this is a deeply loaded question... partially because i have very specific dynamics that i like(???) for these ships that--now that i think about it, are actually the same dynamic. just.... zolu + a third pathetic man in love with luffy, basically. i don't really vibe with zosan in any serious shipping context, but i do love one-sided sanlu purely for the melodramatic potential of the world's most depressed rat pining after the monkey d. luffy. zolawlu has similar a foundation imo (zolu + loser), but i also could see that ship working as like a... friends with benefits thing. the in-universe politics of two captains in an actual relationship still makes lawlu pretty unbelievable for me, but again... one-sided pining? i'm absolutely here for that. i eat that shit up. my fave. incidentally, this is also the worst (funniest) possible context for sanlaw to happen. real pathetic4pathetic energy from two guys desperate for someone brilliant and unattainable.
in my beautiful world, everyone is a little bit in love with luffy and also a little bit heartbroken that he's sharing a brain with zoro 24/7. pretty much everything else revolves around that lol.
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littlestsnicket · 1 year
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time of contempt!yenralt is geralt not trusting yennefer and being too scared of upsetting her to say it and sleeping with her anyway and the way netflix!geralt is different, that would never work.
i don't think the writers aren't fighting yennefer's arc in season 2 nearly as much as they are fighting this other version of geralt. and well... i wish some nuances of character interaction had gone a bit differently in season 2, but the thing that irritates me more than anything else in adaptations is when changes are made and the production backs off on them rather than following through. so whatever. i'm more interested to see what they do than anything else.
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tibby · 2 years
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fascinating to me that the whole “don’t judge a book by its cover” mentality has really gone out of the window in terms of media consumption in recent years. meaning that the amount of mediocre or just plain bad content (books, movies, shows, etc) that get heaps and heaps of praise just because they look pretty (or in terms of movies/shows, have the right names attached) seems to have multiplied. 
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spacelazarwolf · 7 months
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Hey there! I’ve really appreciated your posts and perspective over this past month, I’m having a hard time (as so many Jews are) and your voice helps.
I’m hoping you can help me with reliable resources. A friend of mine condemned the Hamas attacks etc (as they should, to my relief) but is under the impression that Israeli govt is doing genocide to the Palestinians. I’ve no idea how to approach that to verify (or not), I don’t even know where to start looking. Do you have any suggestions?
Thank you.
thanks! this is a really tough question, but i'm going to do my best to break it down. also if anyone's thinking of clowning on this post without reading it, inb4 "omg ur denying genocide!!!!!!" bc this post is literally outlining, in detail, all the ways the israeli government is, by definition, committing genocide.
this is really long, just a heads up.
a big frustration i have with a lot of progressive or leftist spaces is the tendency to throw around words like genocide without being able to define the term or properly apply it to the situation in question. this isn't just a semantics issue. if all you're doing is repeating the buzzwords you've heard on social media, your "activism" is going to be less than useless. it is crucial that if you are going to talk about the current genocide in gaza, you must be able to define exactly what a genocide is and how it applies to what's happening in gaza.
i'm paraphrasing from this article by the united nations. the word "genocide" was coined in 1944 by raphael lemkin in his book "axis rule in occupied europe." it was developed partly in response to the shoah, but also to previous instances of what we would now define as genocide. it was recognized as a crime under international law in 1946, and codified as an independent crime in the 1948 convention on the prevention and punishment of the crime of genocide.
the definition of genocide
(from article II of the convention on the prevention and punishment of the crime of genocide):
in the present convention, genocide means any of the following acts committed with intent to destroy, in whole or in part, a national, ethnical, racial or religious group, as such:
a. killing members of the group; b. causing serious bodily or mental harm to members of the group; c. deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part; d. imposing measures intended to prevent births within the group; e. forcibly transferring children of the group to another group.
the 10 stages of genocide
a model created by gregory stanton, the founding president of genocide watch
classification - people are divided into "them and us"
symbolization - when combined with hatred, symbols may be forced upon unwilling members of pariah groups.
discrimination - law or cultural power excludes groups from full civil rights: segregation or apartheid laws, denial of voting rights.
dehumanization - one group denies the humanity of the other group. memmbers of it are equated with animals, vermin, insects, or diseases.
organization - genocide is always organized... special army units or militias are often trained and armed...
polarization - extremists drive the groups apart... leaders are arrested and murdered... laws erode fundamental civil rights and liberties.
preparation - mass killing is planned. victims are identified and sepaarated because of their ethnic or religious identity.
persecution - expropriation, forced displacement, ghettos.
extermination - it is 'extermination' to the killers because they do not believe their victims to be fully human.
denial - the perpatrators... deny that they committed any crimes.
application to the crisis in gaza
to start with the first definition from the united nations:
a. killing members of the group - YES
the death toll in gaza has risen above 8,000 according to the associated press. as far as i know, as of writing this post, there has been no ceasefire so the death toll will continue to rise.
b. causing serious bodily or mental harm to members of the group - YES
over 20,000 people in gaza have been injured, and gazans - particularly children - suffer incredibly high rates of ptsd.
c. deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part - YES
the israeli blockade of gaza has had devastating consequences for gazans. they are running out of food, water, fuel, and medicine, and this is costing additional lives.
d. imposing measures intended to prevent births within the group - unclear but leaning toward YES
whether or not it is the explicit goal, the current bombardment of gaza has put the lives of 50,000+ pregnant women in gaza at risk, along with their babies. babies who need incubators are also in danger as generators begin to run out of fuel.
e. forcibly transferring children of the group to another group - as far as i am aware, NO
according to the us embassy in israel, the palestinian authority ministry of social development is the only authorized entity regarding adoption of palestinian children. this doesn't mean it isn't happening, it just means i was not able to find any credible sources.
the 10 stages of genocide
classification - YES there is a long history in israel of othering palestinians, both socially/culturally and legally. former israeli minister of interior and minister of justice ayelet shaked shared a racist quote from netanyahu's former chief of staff explicitly framing palestinians as "the enemy."
symbolization - not yet there are no overt symbols palestinians, even within israel, are required to wear to outwardly identify themselves, but there are identifying features on their ids. in fact, the opposite has been happening, with far right members of the israeli government attempting to pass legislation making it illegal to publicly display palestinian flags.
discrimination - YES there is, again, a long history of discrimination against palestinians within and by the state of israel. it is difficult for palestinians from the west bank or gaza to gain status in israel, israeli work permits are used as a form of control, and often forcibly separate palestinian families.
dehumanization - YES former israeli deputy minister of defense eli ben dahan said of palestinians, "to me they are like animals, they aren't human."
organization - YES israel is currently carrying out an organized and brutal attack on gaza.
polarization - YES from extremist groups like hamas, to the corruption in the likud party in israel, there are very clear signs of extreme polarization. israel's siege against gaza has caused polarization across the entire globe.
preparation - YES gazans in particular are unable to leave gaza without a permit, and now with the blockade from both israel and egypt they are essentially trapped.
persecution - YES gaza in particular could absolutely be likened to a ghetto. as stated above, (in "usual" circumstances) they are unable to leave without a permit, and since hamas took control it is nearly impossible to get an israeli work permit.
extermination - GETTING THERE if the siege continues and gazans are unable to get out of gaza, there will be catastrophic casualties.
denial - YES i often hear that "israel has a right to defend itself" but i cannot possibly find a way to frame the current siege as "self defense."
so in conclusion, israel is - by multiple definitions - committing genocide against gazans. and it's very important to be able to identify specifics, especially if you are planning on having discussions about it. and i've said it in the past, but if you are not directly affected by what's happening - palestinians in particular, but israeli citizens and jews and muslims in the diaspora are also getting hit hard - it is IMPERATIVE that you are able to talk about this with a level head. escalating tensions and pushing away potential allies is only going to make things worse. find common ground, form connections, and then have a productive discussion.
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blue-mood-blue · 2 months
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I have been thinking about the blackening (as one does)…
…and it’s so interesting to me, the penalty Shen Qingqiu is faced with should he not decide to yeet his disciple into hell.
Account termination. Instant death. Sent directly home to his already-long-dead body, and that’s it for the villain of the piece who outright refuses his villainy. The protagonist needs a blackening for the story to continue, and Shen Qingqiu is going to provide it or get written out of the narrative. Either way, Luo Binghe is going to lose him. Either way, this is a turning point.
I wouldn’t claim that this is the intent of the penalty, but it fascinates me that the System has, potentially, backed the plotline into a corner - because Binghe still stands to be blackened even if Shen Qingqiu took the other choice.
Think about what that would look like, to him. He’s at the Immortal Alliance Conference, and everything is going wrong. He’s been outed as a demon, and not just a demon - the top tier of demon, as bad as it gets from the perspective of a righteous cultivator. His beloved teacher, the person who has been kindest to him and opened his home and heart to him, is standing there with his sword in hand, deciding what he’s going to do about what must look, to him, like a horrific betrayal. Binghe is apologizing. Binghe is begging for his life.
Shen Qingqiu hears him. Maybe it shows on his face, or in his voice, that he already knew; maybe there’s no hint at all, but Shen Qingqiu is suddenly talking quickly with an abrupt sense of urgency that Luo Binghe is having a hard time keeping up with. Telling him he’ll be wonderful - telling him he’s the best. Telling him the world will be his, with emotions cracking through that aloof mask that Binghe has never seen on Shizun’s face before, and it’s terrifying for reasons that Binghe cannot identify.
(He will, later. When he has time to think, he’ll realize it sounded like a goodbye.)
And then Shen Qingqiu is bleeding. And then Shen Qingqiu is on the ground. And then Shen Qingqiu is dead. There’s no countdown for Binghe - there’s no System, there’s no warning, there’s no answers.
Luo Binghe is a heavenly demon in the middle of a conference sabotaged by demons. Luo Binghe is alone. His fellow competing disciples are scattered, some dead or injured. The Peak Lord of Qing Jing Peak, the second in command of Cang Qiong Mountain Sect, maybe the only person he loved and who loved him back, is dead at his feet. No one will believe him if he says it isn’t his fault.
(He can’t believe it isn’t his fault.)
What choice does he have but to run? The last heavenly demon the cultivation world went up against has been sealed under a mountain for years, and one of the people responsible for that is probably looking for Shen Qingqiu already. They’ll be looking for him, too. There isn’t anywhere to hide; there isn’t any time to mourn.
There isn’t even enough time to ask why. Why again.
There is no closure waiting for him, because there is nothing to explain what happened. It just is.
It would be a different kind of blackening, certainly - less intense, probably, less of a warping, desperate thing. But how many times can one person have all the love and safety in their world torn out from under them before it starts to show? Before they just don’t allow things like love and safety to touch them, because that’s the better option?
Interesting to consider that, simply by offering the choices it did, the System rigged the story to guarantee that Luo Binghe would end up in hell (deliberate or not).
Interesting to consider that, even if Shen Qingqiu made what might have seemed like a kinder choice, there was every chance it wouldn’t have been.
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mariasont · 15 days
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Cause I'm a Sinner - S.R
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a/n: have yall seen the tiktok of reece witherspoon saying sinner instead of singer, yeah, that's what this is inspired by lmaooo
masterlist
‧₊˚ ✩°。⋆♡ ⋆˙⟡♡ ⋆˙⟡♡⋆。°✩˚₊‧
pairings: spencer reid x bimbo!receptionist!reader
summary: you keep singing the lyrics wrong and spencer has to fight the urge to correct you
warnings: fluffity fluff fluff, spencer reid being so cutesy, reader singing in the office like girl pls people are working
wc: 0.7k
You find yourself playing with a curl of hair, humming a song that's become a recent obsession. The checkered fabric of your dress kisses your knees as you fiddle with the bracelets that decorated your arm. You're ordering new office supplies and trying your hardest to update the inventory Excel. The numbers could be confusing, but you managed.
"I'm working late 'cause I'm a sinner," you sing softly to yourself, your toes a glossy baby-blue tapping along with the beat.
It had been looping in your head all morning, and now, you're making it everyone else's problem. It had become the backdrop to your day, a private concert for anyone who passed by where the notes are just a tad off-key, and the words probably jumbled.
No sooner had Spencer walked in than his eyes were on you. The song you're mumbling is far from accurate, but strangely, they seem to fit you perfectly. In his eyes, many things seemed to.
He lingered for a second, watching you intently as you typed away at the computer, completely engrossed and unaware of him. You were the picture of focus which was rare. He considered correcting you, but something inexplicable held him back.
His mornings were always brightened by this scene: coming in and seeing your always-smiling face, which was, without question, always pretty, stunning, gorgeous, beautiful. He had a lexicon at his disposal, but no word seemed to truly be adequate.
As the chorus rolls around again, the same, wrong lyric slips out. He watches, a smile tugging at his lips, finding an unexpected sweetness in the way you cling to that line--the one part he thinks you're certain of.
Finally, Spencer clears his throat, deliberately stepping into your line of sight. He likes the way you have an involuntary reaction to him--the slight parting of your lips, the widening of your eyes, and the faint blush that dusts the apples of your cheeks.
"Oh, good morning, Dr. Reid!" you chirp brightly, a little louder than the quiet of the office warrants. He doesn't mind, and he can't imagine anyone else does.
He's just standing there, looking...well, looking like he always does, which is to say, effortlessly handsome. The urge to weave your fingers through his hair is overwhelming, so you clench your hands into tight fists on your lap instead.
"I'm digging the tie today," you add quickly. "I like that quirky geometric pattern. It's very...you."
Spencer peers down at his tie, a flicker of amusement in his eyes--most things you said had that effect.
"A pentagon?" he asks, cocking an eyebrow. It's not often that his choice of tie garners attention, but your enthusiasm rubs off on him.
"Oh, yeah, that!" you exclaim, your eyes alight with a keen interest that makes the tie seem like it's the most interesting thing you've seen all day. It probably was. You tilt your head to the side like a curious kitten. "You're a little late, everything okay?"
"Just car trouble."
You nod, your smile solid and sure. "Well, I'm glad you made it!"
He nods in response, the corners of his mouth lifting into a soft smile. "I better get to the office, have a good day, yeah?"
"Awh, thanks, Spence! You too!" you replied.
You hadn't called him that before. It might have been something you overhead from JJ, but it hardly mattered. The way the nickname rolled off your tongue felt natural, leaving him momentarily breathless, a flush rising to his neck. Spencer turned to leave, offering a slightly clumsy wave that sent your cheeks into another aching grin.
But then, there it is again--that same misquoted lyric, sung with such innocent conviction. Spencer paused mid-step.
"You know I think it's actually singer, not sinner."
"Huh?" you blink, smile shrinking ever so slightly into a purse of confusion.
He was quick to reply, his eyes softening perceptibly as they took in the slight dip in your smile. He had kind eyes. It was one of the first things you noticed about him.
"The lyric," he says softly. "It's singer, not sinner."
You hand flies to your mouth as a giggle breaks free. "Oh my gosh, really? I've actually been singing it wrong all day?"
"Well between us, I think I like your rendition a little better."
taglist: @hotchhner @khxna
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sparrowlucero · 2 months
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Even if a creator is a bad person it's still okay to like their work. People need to mind their own business.
Honestly it's not really that sort of situation. I'll actively defend Steven Moffat here.
There was a huge hate movement for him back in the early 2010s - which, in retrospect, formed largely because he was running 2 of the superwholock shows at once, one of which went through extremely long hiatuses* and the other of which was functionally an adaptation of an already well regarded show**, making him subject to a sort of double ire in the eyes of a lot of fandom people. Notably, his co-showrunner, Mark Gatiss, is rarely mentioned and much of his work is still attributed to Moffat (and yes, this includes that Hbomberguy video. Several of "Steven Moffat's bad writing choices" were not actually written by him, they were Gatiss.)
People caricatured the dude into a sort of malicious, arrogant figure who hated women and was deliberately mismanaging these shows to spite fans, to the point where people who never watched them believe this via cultural osmosis. It became very common to take quotes from him out of context to make them look bad***, to cite him as an example of a showrunner who hated his fans, someone who sabotaged his own work just to get at said fans, someone who was too arrogant to take criticism, despite all of this being basically a collective "headcanon" formed on tumblr. Some if it got especially terrible, like lying about sexual assault (I don't mean people accused him of sexual assault and I think they're making it up, I mean people would say things like "many of his actresses have accused him of sexual assault on set" when no such accusations exist in the first place. This gets passed around en masse and is, in my opinion, absolutely rancid.)
On top of that a ton of the criticism directed at the shows themselves is, personally, just terrible media criticism. So much of it came from assuming a very hostile intent from the writer and just refusing to engage with the text at all past that.
Like some really common threads you see with critique of this writer's work, especially in regards to Doctor Who since that's the one I'm most familiar with:
A general belief that his lead characters were meant to be ever perfect self inserts, and so therefore when they act shitty or arrogant or flawed in any way, that's both reflective of the author and meant to be viewed as positive or aspirational.
An overarching thesis that his characters are "too important" in the narrative due to the writer's arrogance and self obsession
A lot of focus on the writer personally "attacking" the fans or making choices primarily out of spite.
A tendency to treat the show being different to what it's adapting as inherently bad and hostile towards the original
Just generally very little consideration of the themes, intent, etc.
This one's a little more nebulous and doesn't apply to all critique but a lot of it, especially recently, is clearly by people who haven't seen the show in like 10 years and their opinion is largely formed secondhand through like, "discourse nostalgia". Which. you know. bad.
I think these are just weird and nonsensical ways to engage with a work of fiction. I also think it's really sad to see the show boiled down to this because that era of who is, in my opinion, very thematically rich and unique among similar shows, and I hate that it's often dismissed in such a paltry way.
This isn't to say people aren't allowed to critique Steven Moffat or anything, but the context in which he basically became The Devil™ to a large portion of fandom and is still remembered in a poor light is very tied to this perfect storm of fan culture and I just don't agree with a ton of it.
* I'm sure most people have seen the way long running shows and hiatuses will cause people to fall out with a show, with some former fans turning around and joining a sort of "anti fandom" for it while it's still airing. That happened with both these shows. ** Doctor Who will change it's entire writing staff, crew, and cast every few years, and with that comes a change in style, tone, theme - the old show basically ends and is replaced by a new show under the same title. As Steven Moffat's era was the first of these handovers for the majority of audiences, you can imagine this wasn't a well loved move for many fans. *** I know for a fact most people have not sought out the sources for a lot of these quotes to check that they read the same in context because 1) most of them were deleted years ago and are very difficult to find now and 2) many of them do actually make sense in the context of their respective interviews
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angelzai · 5 months
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Chuuya nsfw alphabet please
nsfw alphabet - chuuya nakahara . . . .ᐟ
NSFW CONTENT - MINORS DO NOT INTERACT!
wc: 2.2k
cw: gn!reader - no explicit anatomy mentioned, dom!chuuya, experienced!chuuya, nicknames (baby, doll, sweetheart), marking, unprotected sex, graphic descriptions of cum, cum swallowing, mentions of public/semi-public sex, mirror sex, praise, nipple play, finger sucking, teasing, dirty talk, references to overstim and light bondage
reid: your mind anon. this was so embarrassingly easy to write. for all intents and purposes osamu dazai is my pookie my snookums my dearest my darling my one true love but damn i do kind of want his boyfriend too. enjoy
. . . .ᐟ
a = aftercare (what they’re like after sex)
a is for attentive, actually
chuuya’s a gentleman. it’s whatever you want. the whole nine yards.
you want cuddles? conversation? a massage? a shower? a towel? music? tv? your hair braided or played with? wipes? water? wine? a cigarette? silence? sleep? the first thing he says after he lets you ride out your final orgasm is always “what can i do for you, baby?”
if his busy schedule allows, he prefers most to settle in and be in silence with you, soak in your presence, and just breathe you in until you both fall asleep
b = body part (their favorite body part of theirs and also their partner’s)
probably his neck or his hips and waist, since those are where and how you pull him further into you; mark him up in these spots, please <3
he loves those parts of himself also because you can lock your thighs/calves/ankles around him so easily and wonderfully
that being said, chuuya worships your thighs. always grabbing them, squeezing them, clawing them, smacking them, kneading them, gripping them, kissing them, biting them. i am a thigh man chuuya truther
c = cum (anything to do with cum, basically)
pretty and almost translucent spurts
lives and breathes to pump you full <3
please let him cum down your throat
will have you stick your tongue out to make sure you swallowed all of him (watching you do this will get him hard again instantly)
d = dirty secret (pretty self explanatory, a dirty secret of theirs)
wants to fuck you in a meeting so badly
preferably one he’s heading
doesn’t want to bring it up for fear of making you uncomfortable, even if you’re okay with public sex - he doesn’t know how you’d feel about him taking you in front of people you vaguely know
but the thought of sitting you on his cock and making you try to stay quiet and still in a room full of his subordinates? unnnghhhhhsnnn
he cannot let himself think about it or he’s bricked immediately
e = experience (how experienced are they? do they know what they’re doing?)
i think he’s got a good bit of experience! definitely not trying to push my manwhore chuuya agenda
doesn’t really know how many people he’s fucked, doesn’t really think it’s relevant information. what’s important is that he knows what to do with it
he’s the type to have a one night stand from months ago still trying to get his number. that’s how good he fucks
even if it’s casual or even if it’s rough, he has a way of making sex feel so comfortable and passionate
literally husband dick
f = favorite position (this goes without saying)
anything that optimizes how deep he can go <3 doggy, mating press, hot seat . . .
9/10 times there is a pillow beneath your hips
specifics aside, he just really loves having your legs over his shoulders
g = goofy (are they more serious in the moment? are they humorous? etc.)
he is not goofy.
at least, not in a deliberate, ironic way. if you’re laughing in bed, it’s a breathless giggle because everything he does is so charming or dreamy or romantic
h = hair (how well groomed are they? does the carpet match the drapes? etc.)
a true ginger call him fire crotch when he’s already mad and watch smoke literally come out of his ears anyway
he prefers to shave everything except for a little patch that connects to his happy trail <3
he doesn’t care what you do. man is thrilled to traverse the jungle if it means he gets to taste you
i = intimacy (how are they during the moment? the romantic aspect)
again, even if it’s just a hookup, he has a certain charm and natural way of making sex feel so special . . . so imagine what he’s like in a committed relationship. i’m foaming at the mouth
does he fuck or does he make love? how about both every single time. he just takes such good care of you, whether that means setting the bar for your wedding night or throwing you around and destroying your insides <3
extremely attentive to your actions and reactions. will come to understand the sounds you make almost like a language of its own and he is fucking fluent
j = jack off (masturbation headcanon)
looks so alarmingly beautiful while he does it.
long, languid strokes while he runs his other hand through his hair
his abs flex and twitch and sometimes his tongue lolls out a little while his mouth falls open and his head tips back to let the prettiest moans leave him
doesn’t masturbate often with you around; when he does it’s usually so you can sit across from him and watch while you touch yourself, too <3
k = kink (one or more of their kinks)
mirror sex
praise
nipple play
finger sucking
biting/marking
put it all together, and . . .
imagine the arc in your back while he fucks you from behind against the bathroom sink. you better not take your eyes off yourself, he tells you. and you can’t even protest to tell him he’s too gorgeous for you to only watch your own reflection because he’s got his middle and index finger pressing down on your tongue while his thumb holds your jaw firmly in place. his other hand reaches around you to alternate between your nipples - he tweaks them, flicks them, rolls them between his fingers and leaves it to you to hold yourself up while he does this, all while he sinks his teeth into your shoulder and groans all gravelly and hot into your ear about how filthy you sound, how good you’re being, how tight you feel, how perfect you are.
l = location (favorite places to do the do)
his office hands down
a little bit of an exhibitionist
it goes hand in hand with letters d and q - the looming threat of maybe getting caught balls deep in you drives him crazy
big fan of your/his bedroom too - allows him a pleasure that sex in his office does not, which is your loud and uninhibited moans and mewls <3
m = motivation (what turns them on, gets them going)
seeing you in any of the expensive clothes he buys you!!!
he of course keeps your taste in mind when he shops for you, but at the end of the day he’s buying you that high-waisted pant/button up shirt/platform shoe combo because he knows your ass is gonna look delectable in it
would also love to have you wear a chain with his initial on it - whether it’s a necklace, bracelet, anklet . . . catching a glimpse of it dangling off you from the right angle has him dragging you off to fuck so he can bite it between his teeth while he’s in your guts <3
n = no (something they wouldn’t do, turn offs)
chuuya will scarcely let you dominate him. he’s not completely opposed to it all of the time, but it’s a little more vulnerable than what he prefers. plus he likes his control, even - no, especially when he’s letting you think you have the reins
understands and values the psychological importance of aftercare - he never doesn’t do it.
o = oral (preference in giving or receiving, skill, etc.)
chuuya loves seeing you on your knees for him.
loves making you suck his fingers like you would his cock before he actually lets you on him.
he doesn’t need to fuck your face - all he needs is your dedicated tongue on his tip, a hand on his balls, maybe a finger or two in or around his hole . . . ugh he busts so fast
referring to c - bonus points if you swallow every last drop of his cum <3
talks you through it deliciously
“that’s it, doll, wanna see you work for it.”
“eyes up here, baby, look at me.”
“you’re gonna swallow all this cum, ‘kay?”
he returns the favor eagerly, don’t you worry
an absolute animal when he’s going down on you. his nails in your hips, his hands gripping your thighs, his fingers playing with you when he’s not spreading you apart
eats you like he’s starving and will not stop even after you cum.
p = pace (are they fast and rough? slow and sensual? etc.)
he’s all over the place.
he’s really good at slow and sensual foreplay, but when he’s actually in you or tasting you he can’t hold himself back
whewwww you both gonna be sweating.
tries to save slow, sensitive sex for special occasions . . . but he usually builds up to fast, frantic fucking anyway
passion on 100 regardless. he is going to take you to heaven
q = quickie (their opinions on quickies, how often, etc.)
loves. loves loves loves loves loves.
loves sitting you on the kitchen counter and cumming in you before he leaves for work
loves sneaking away with you on his breaks to rail you in a supply closet
loves seeing how many times he can make you cum before the meeting he has to be at in twenty minutes
loves bending you over his desk like he doesn’t have a few of his subordinates on their way up to his office to drop off a report
loves bouncing you up and down on his cock in the car ten minutes before your dinner reservation
truly whenever he can. chuuya <3’s quickies
r = risk (are they game to experiment? do they take risks? etc.)
he’s down to try anything once, period.
communication is the most important thing to him - experimentation and risks just need to be discussed beforehand
s = stamina (how many rounds can they go for? how long do they last?)
he can go three or four rounds at a time, each lasting anywhere from less than 10 to up to 30 minutes; he’s usually pretty impatient to see you falling apart on him <3
it’s a different story if he’s only going down on you. he can do it for hours. you’ll lose track of time, numbers, colors, your own name and birth date etc
t = toys (do they own toys? do they use them? on a partner or themselves?)
chuuya definitely owns some high quality rope and a pair of thigh-to-wrist cuffs <3
for you, of course.
he doesn’t get tied up unless you really, really beg him
will occasionally let you tie his wrists while you ride him <3
u = unfair (how much they like to tease)
likes to tease you verbally more than he does physically.
he’ll try to hold off on making you finish, he really will! but most of the time he just can’t help giving you what you want.
what he’ll do is make you cum for a third or fourth time with hardly any effort and then throw it in your face - “so needy for me, huh?” “barely takes anything to have you squirtin’ all over me.” “think you can give me a couple more, doll?”
v = volume (how loud they are, what sounds they make, etc.)
can’t help the fact that he whimpers.
so much pretty, breathy whining and cursing - it almost takes the bite out of his domineering sometimes . . .
(lots of “ah- ah! fuck, fuck, fuck fuck f- fuck! y- yes, ugh . . .”)
. . . but he makes up for it with how his voice drops almost an octave when he talks
big talker.
“swear you were made f’me.”
“fuckin’ take it, sweetheart. doin’ so good.”
“ngh, fuck- gonna make you cum all over this dick.”
so much of your name <3
w = wild card (a random headcanon for the character)
sometimes he’ll cum so hard he blacks out for a few seconds. that’s all <3
x = x-ray (let’s see what’s going on under those clothes)
thick.
like a fucking can of coke bitch.
6.5-almost 7 inches hard, curves upward the tiniest bit, pretty and tan with a sensitive red tip
v-line to fucking die for.
y = yearning (how high is their sex drive?)
higher than a goddamn kite
he is down to fuck you 24 hours a day 7 days a week 365 days of the year for as long as you’ll let him
just. insatiable. so greedy. takes everything you give him every single time and eats it up. cherishes it like keepsake. burns it into his mind and thinks about it at work the next day and gets himself so horny he’ll have to jerk off in the bathroom and send you a picture with the tagline “look what you do to me”
z = zzz (how quickly they fall asleep afterwards)
it just depends if he’s sleepy or not! he absolutely can stay awake, get up and moving, go back to work, whatever
but as mentioned before it is his favorite thing to do after - if he’s sleepy, you’re sleepy, and his chaotic life graces him with the time and peace, he will fall asleep with you in his arms so fast.
regardless, he’s so clearheaded after you make each other cum <3 he just adores you so much
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moony-2001 · 6 months
Text
The real-world impact of Lore Olympus
i.e. do your research Rachel
Trigger warning: racism, fetishization, appropriation, mentions of SA
Long post ahead
A while ago, someone told me that Lore Olympus was just a silly little comic written out of boredom. That it was made to be "funny". They told me that "[I] can't hope [for] an extremely [well-written] story when it was just made with the intention to make something goofy" and that if Rachel actually wanted to make something serious like I had, she would write a book and not a comic.
At the time of this exchange, it was past 1 a.m. and I was exhausted. I did not want to argue with this person and it simply wasn't worth my time or energy in the moment.
But looking back at that (mostly one-sided) interaction, I can't help but think that there is so much wrong with that point of view. Of course, everyone is entitled to their opinion about Lore Olympus, whether good or bad. But Lore Olympus isn't just some silly little nothing comic about nothing important. It is a comic that actively appropriates and erases Greek Culture. It is a comic that has no respect for the actual stories that have been passed down over thousands of years whether by word of mouth or written text. It is a comic that perpetuates a false narrative and harmful stereotypes about characters or certain groups of people. So, no, it's not just a silly little comic.
Incorrect information
Here’s an example of what I mean:
When I was doing research for my post about the 10 year time skip, I looked up Leuce to reconfirm the little information I knew about her. Wanna guess the first thing that popped up about her?
A Lore Olympus Wiki article.
Okay. How about Minthe? Hundreds of pictures of her from Lore Olympus and a LO Wiki article as one of the top 3 results. Both character are horribly represented in LO and unfortunately there isn’t really any documented stories or records that can refute how LO paints them. Because of this, other characters in Greek Mythology like Leuce and Minthe, whose stories have little to no documentation, stand to suffer the most harm from deliberate misrepresentation on Rachel’s part.
Of course well-known and better documented figures in Greek mythology face slander as well. What about Thetis or Leto? How about Apollo? All of their portrayals in LO are HORRIBLE. I have seen people online absolutely drag them to filth not because they're upset about how the character is portrayed compared to their mythological counterpart, but because they have no knowledge of how they are actually portrayed outside of LO. They just assume that's how the characters are. Similarly, people who have either very little or no prior knowledge of Greek Mythology and Culture would look at the comic and go "Yep, sounds legit. It must be true." and go about thinking that what is portrayed in LO is accurate to what was transcribed thousands of years ago.
Creative interpretations and racism/fetishization within LO
Don’t get me wrong. Creative interpretations and artistic liberties can be great. When they’re done tastefully. I personally think if done correctly, a Greek myth spun in a modern way has the potential be very good. But that's not what we were given.
Characters like Minthe, Leuce, and Thetis (all nymphs btw) are portrayed as trashy tramps who put out and are used as a foil sabotage Persephone and/or her relationship with Hades. Compare that to Greek Mythology where in the Iliad, Thetis is very well-respected by the gods, particularly Hera. Unfortunately, other similar characters like satrys (and basically any character that isn’t a god) are usually portrayed as a low-class POC that can be easily exploited, manipulated, or used as a temporary villain/lover/pawn to “get back” at Persephone, our white-coded protagonist who can do no wrong.
Additionally, there is a clear race/class bias against characters like nymphs in LO. We see many cases scattered throughout the comic of gods like Hera or Aphrodite referring to nymphs as "trash" or "low class" or the idea that nymphs do not belong with gods being heavily implied if not outright said. I cannot tell you how often I've seen Minthe be called some variant of "cheap" by the readers of LO. Even Persephone (who created the flower nymphs) treats them with such disrespect. She frequently calls them some variant of "stupid" or "simple" like saying how they're not the sharpest crayons in the box even though she's the one WHO MADE THEM. However, it's so odd not really to note that nymphs like Echo, Amphitrite, or Psyche (who was previously disguised as a nymph) are not discriminated against. This is because they are liked or trusted by the gods they are around and ergo are often portrayed as the "good ones", which is a disgusting mindset to have.
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We also see the fetishization of nymphs in the comic that is disturbingly similar to the fetishization of women who are Black, Asian, or Latina. It is a known fact that Hades has a flower nymph fetish. Not only is this implied in the comic, but Rachel stated it outright in an old Patreon post. Nymphs are also generally treated as sex-symbols, disposable, and as a lesser-than. Zeus frequently displays this behavior by abandoning nymphs he knocked up in the mortal realm.
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For example, when Persephone finds out Apollo is dating Daphne, she isn't upset he's dating her friend. She's upset he's dating a flower nymph, beings that are generally considered to be "rare", "dumb", and objects of sexual desire. Ew.
Even on the Lore Olympus website (loreolympians.com) nymphs are regarded as "beautiful", "desirable", and "very exotic". And when they're not described in a sexual manner they're say it with me now regarded as "low class" or "workers" for some kind of god/goddess.
Final thoughts
So not only is the characterization of characters like Minthe or Thetis harmful to Greek culture and the stories that are so ingrained in their society, but it is also perpetuating harmful stereotypes about people of color and women who are confident in their sexuality.
Of course, the characters within Greek Mythology had their own issues. Zeus was a serial rapist, many of the goddesses deemed to be "feminist" by today's standards were actually horribly misogynistic looking at you Athena. But 1. that's just how things were back then (but that does not make it right) and 2. all of the good, the bad, and the ugly is still there in Greek Mythology. They're not denying how fucked up it is, but they're also not changing their history to better fit their own narrative or the narrative of the modern world. It exists, it happened, but now it is studied and called out by historians.
Rachel, on the other hand, is doing exactly that. She is actively changing the Greek's cultural history to better fit her fic's narrative. She is constantly sweeping things under the rug or going "No this is how it ACTUALLY happened". Lore Olympus is marketed as a "feminist retelling" yet somehow, it takes allllll the ugly parts from Greek Mythology (rape, incest, problematic age gaps, dubious consent, etc.), mixes it with a majority of the issues we have in the modern world (white feminism, rape-apologists/rape culture, grooming, fetishization of certain minority groups, etc.) and then amplifies the concoction to 20. Lore Olympus cannot be a "progressive, feminist, retelling" and also have characters that are morally apprehensive/come straight from the ancient myths. It does not work. In fact, IMO it makes all the problems from both eras worse.
News flash: actual cultures that are still thriving today are not your toys. They are not "made up". They matter. Do better.
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lovelyunholyc · 1 year
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heyo :)
what are your thoughts on nanami with a breeding kink lmao
why hello my dear, i'm so glad u asked 🤭
nsfw !! minors and blank/ageless blogs will be blocked !!
fem! reader, breeding kink, pregnancy mention but no actual pregnancy (yet?!), unprotected sex, creampie.
"more," you breathe, in spite of your lungs protesting, in spite of the way your heartbeat thuds so loudly in your ears you can hardly hear the faint, whispery little whines that escape you with every deep, intentional sweep of his hips.
"more?" nanami asks, his tone playful, cocking his head to the side in question as he pauses to brush away the damp hair sticking to your forehead with those long, elegant fingers. "you want more, darling?" he moves your legs over his shoulders, shuddering along with you when that shifts him into a different angle - a deeper, more precise one that nudges the tip of his dick right up against your sweetest spot, making you whine again. "can you take it? for me?" his voice grows more strained the longer he speaks, gasping as he tries to keep his composure when your walls are so snug and tight around him, when you're practically sucking him in, arching into his warmth and writhing against your bed in pure pleasure.
you're so wet it's been beyond obscene, the evidence of your arousal and his making a mess of you - it drips out of you from the countless times he's cum and made you cum, you've lost track of how many times at this point, especially with the way he always puts your pleasure above his. your thoughts are all muddled, brain fuzzy and overwhelmed in the best way, but you can't get enough, pulling and squeezing at him and deliriously begging for more, more, more, lost in ecstasy and the adoration you hold so deeply for him.
nanami is all too happy to comply, just as lost in his bliss, in the carnal, nearly animalistic need to fill you until you can take no more, to pleasure you until he's certain he is all you can see, feel, think about.
and nanami does not often consider himself a selfish man - he actively tries not to be, but above all else, you make it so incredibly difficult.
"yes, ken, p-please, i need you," you're whining, nearly begging, nodding your head desperately at his queries as he draws his hips back, slow and deliberate, just so you can feel every ridge and vein of him along your walls. he gets his desired effect, that sweet little gasp of yours, the tears glittering across your pretty eyes and leaking out of the corners like diamonds in the low light of your shared room. and when he glances down, the practically mouthwatering sight of your combined juices coating the base of his cock as he inches it out of your sweet cunt, the way it glistens on your skin.
for someone so meticulous, he sometimes still wonders why the mess of it, the inherent debauchery it symbolizes, fascinates him so.
he stops just before the head of his cock pops free, turns to press his lips across your knee over his shoulder, chuckles a little bit into your skin as he slowly - excruciatingly slowly - slides himself back into the velvet clutch of your walls. "need more, hm?" his voice is like honey, just the right amount of gruff at the edges from heat, desire, maybe exertion. it sends pleasant chills down your spine, your fingers searching blindly until you find his grasp and weave in between his own.
"i can give you more, my love," he murmurs, leaning in to mouth at your jaw, nipping lightly at your skin just as you gasp at how he slides home just like that, buried to the hilt in you once more. "everything i have, it's all yours."
you moan as he starts moving again, undulating his hips steadily, slowly building up your pleasure once more.
"anything you want," he's at the edge of your jaw, his breath tickling your ear, teeth picking at your lobe, "i'll give it to you." his voice is so deep and low now you think you can feel it thrum through your entire body.
even in your delirium you search for his lips, tilting towards him until he kisses you without question, letting go of your hand only to cradle your cheek as you open up for him, sucking on his tongue and moaning so sweetly.
nanami pulls away to get you to breathe, smirking a little at how insatiable you are, how lovely you look spread out underneath him, heart squeezing at how much you trust him with this most vulnerable part of you; it is never lost on him, and he thinks he'll be more than happy to worship you and your body for as long as you'll have him.
"ken," you pant, one hand on his cheek too, the other gliding down to rest just underneath your own stomach, where you tap lovingly, gifting him a weak, albeit mischievous little smile. "wanna feel you."
nanami groans from deep within his chest, marveling at how quickly and easily you can spark that inherently depraved instinct within him.
he falters for only a moment before his pace quickens, and he's pounding into you so ferociously, you're clawing at his back, barely coherent, tugging at him and whining encouragingly.
he had never been this selfish, not until he met you, not until you'd ripped his heart wide open. not until you'd given him everything you had, and asked for nothing in return, not until he'd attempted to give you the world, and all you wanted was him.
would it really be selfish, then, to give you what you'd asked so sweetly for? to fill you up, as much as you like, to shape you to his cock and paint your walls with his seed, until it drips onto your skin and your sheets and makes a mess of you like he's been doing for lord only knows how long now, to give it all to you until your belly's full of him, until you're full of him...?
and if you still wanted more of him, would it really be so selfish to fill you with his babies, to prop your hips up like that and make sure it takes, to make love to you every night until you're round with life, with his life, his and yours, and beyond that?
nanami leans in just to kiss you, just to swallow up your lovely little sounds and tell you how much he loves you, though you already know. he slides his hand between your bodies to rub mercilessly at your clit, nipping at your neck as your whole body writhes beneath him, follows each forceful thrust of his hips. he savors your broken cry of his name when you cum - he isn't sure which one this is, he can't be bothered to keep count, but you're just as beautiful each time, just as addicting to watch, to feel as your walls clench and flutter around him, and you lose yourself to this little slice of heaven only he can give you.
he digs his hips into yours until he can't, the tip of his cock shoved up against your cervix, and he can't hold it off any longer, he spills into you with a shudder and your name on his lips, your fingers in his hair and your heart against his ear.
he doesn't stop until he's spent, and undoubtedly sure he's fulfilled his promise of giving you everything he has.
.
.
in other words, yes.
and he doesn't realize he has it until you bring it up, and doesn't get super vocal about it until he's comfortable in your relationship, and you've actually talked about it and your future and whether or not you want a family because he's a respectful king and will always and has always taken precautions either way
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ushiromiya · 9 months
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(madoka magica / rebellion spoilers below. TW: suicide and controlling behavior)
I don't know the direction in which walpurgisnacht rising will take homura's character but I can say with confidence that from at least where rebellion left off that I truly believe that homura made the decision that she felt was the most correct one even if it meant she had to become a monster in the eyes of every person that loved her. she felt that if things were left in the way the law of the cycle was currently running things that it was inevitable that kyubey would eventually capture madoka in her goddess form, study her, and use her to as a source for mass amounts of energy at the suffering of herself, the others within the law of the cycle, and magical girls at large again. this is something he explains very clearly when talking to homura before her transformation into homulilly.
I get so exhausted when I see people try characterize homura as an actually evil person with completely selfish desires and no regard for others. all of her actions, while not explicitly explained outright, when looked at closely always indicate that she does things out of her care for the other girls but feels like she bears the burden of having to do it alone because she believes she's the only one who doesn't let her emotions get in the way of protecting madoka and the others from kyubey and sometimes each other.
I will always use the scenes of her interactions with mami and sayaka in rebellion as huge examples of this. she has no reason not to kill them if she's a completely selfish and unemphatic person that only cares about madoka and no one else when given many opportunities to do so. I also don't personally think she keeps them around JUST because of madoka's happiness either. she very easily could have suppressed their roles in madoka's life with the world rewrite and clearly choose not to. I believe her mocking sayaka and acting in a clearly "evil" manner is deliberate acting on her part to frame herself as a villain. she might believe this would her actions more palatable and will create distance between herself and everyone else to protect them as well as allow her to assert more control in this situation. it is further emphasized how she truly feels with imagery displayed in homura's new world around herself (shoes abandoned on the side of a building to potentially indicate suicidal ideation, a half moon alluding to homura feeling unfulfilled and unhappy with this decision, her dancing around happily before stopping and slowly falling off the cliff side with a similar implication as the shoes).
homura's relationship with the others is incredibly complicated but she cares for them deeply too as they are also people she considers friends, she just had a particularly strong attachment to madoka. we don't get to see as many instances of her interacting with them as we do them interacting with each other as we are unfortunately only really privy to homura's life after she began looping for the most part but we can see it in the way she has expresses concern and distress for them in moments where she believes they are in real, tangible danger of being hurt (she's winces and tries to turn away when aiming for mami's leg and screams out when she believes mami is about to be truly harmed after their gun fight, which neither ever had the real intention of hitting one another with any of those bullets in the first place). her entire witch's labyrinth is one where everyone is happy and gets the lives they desire. why would her labyrinth, which is meant to reflect in-part her inner feelings and desires, appear that way if she didn't truly want that for everyone?
rebellion is so compelling to me for all of this and so much more!! (I could write a whole other post on the way it presents it's freedom with danger vs control with safety question at the end of the film) she is a girl who has repeatedly suffered incredibly traumatizing events and longs for a world where the person she loves and the friends she considers dear are safe. homura is not really the devil, but she wants to appear to be because being the devil would be easier than being a human being in these circumstances.
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clairdelunelove · 1 year
Text
cigarettes and exchanges
simon 'ghost' riley x reader
genre: fluff! (smoking drabble!)
warnings: slightly suggestive, cursing, smoking, suave!ghost
synopsis: ghost understands that his cigarette addiction is getting out of hand. but, in his defense, he's just never had a motive to quit! you offer to help and perhaps your new reward system will work for the lieutenant!
a.n. this could be read as a continuation to 'frosty kisses' or a standalone! and no, I typically don't like when men smoke but will I make an exception for ghost? yes. I hope you lovelies are doing well! let me know what you think about this headcanon I have for him heh! here's my kofi! <3
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been pondering about ghost’s inclination to smoke a cigarette whenever he’s stressed and how you might’ve found a better alternative– one that he craves even more.
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another operation typically meant an increased likelihood of risking a multitude of unknowing, blind lives– an embittered fact that accompanies the line of duty he’s in. it’s a cruel contract that he’s familiar with yet the guilt never dissolves. in truth, it’s the torture of bad conscience that he can never shake off. he shoulders through resting recruits, footsteps heavy on the patchy floorboards while weaving clear of the crowd. some shift on their feet to avoid being pummeled by his powerful gait as he makes a beeline to the door. it’s assumed that such a strong reaction from the man would raise alarm but no one pays him any mind– aware of the lieutenant’s ache for solitude after the completion of a mission. whispers of his infamous smoke break settled amongst the lips of veteran recruits. and truthfully, it acts as a deliberate retreat that he wouldn’t commit to in the public eye. stepping outside and gazing into the abyss was an escape from the detached facade he gives into when he slips into a role of leadership. a position that’s necessary yet promises contempt– an emotion that not even he could run away from.  
ghost who perceives that his reliance on cigarettes is a bad habit he should break. knows that he could quit, in all honesty, since his self-discipline was so tenacious that many envied him for it. was never tempted with superficial vices that other task force members sought after. however, cigarettes are a psychological and chemical crutch that he’s been unwilling to drop. and he’s wise enough to realize that the chemicals do more harm than good to his body but it serves as a form of self-medication for him. helps him deal with wartime stress– the unyielding tension and restless nerves that disturbed his rare nights of sleep. reasons that his thoughts are clearer whenever he pulls out his lighter. he rationalizes that his incessant, troubled mind is finally hushed. lulled to rest. all he has to do is flip open that little white box and he’s instantly rewarded with the one predictable outcome in his life. 
ghost who wordlessly offers a spare cigarette to you when your figure slips beside him. his gloved fingers pinch at the small roll as he outstretches it towards you. you shake your head, muttering a gentle, “no, thank you though,” and he wittingly predicts the polite decline. there was nothing else you could’ve requested from him at this moment. food, entertainment, and rest were all found within the base– not outside. he rocks back on his heels. your tendency to keep him company is a habit you’re guilty of. not that he minds. recalls a similar scene that unfolded the night before the new year. and he’s aware that your lingering is intentional; as deliberate as the giggles that he manages to pull out of you during these softer times. the companionship sparks a fervor in him. one that he’s compelled to cultivate and cherish with you. 
ghost who rumbles, “your life expectancy just went way up then, pup,” due to your unwillingness to smoke. it’s a praise. don’t engage in the faults he has. you’re too pure for that. his heavy-lidded eyes spot the tinge of a smile dancing on your lips on behalf of the nickname. satisfaction burns within him. possessiveness claws at him. needs to get his mind off of the strong emotions. grasping at the lower edge of his balaclava, he tugs the darkened fabric up and neatly folds it over the slant of his nose. it’s not the first time he’s been partially unmasked with you. presumes that you wouldn’t actively question his identity and throw him into a crisis. yet, your curiosity magnifies to unveil the enigma that is simon ‘ghost’ riley, your lieutenant, who unknowingly causes your stomach to excitedly flip and churn with every interaction. 
ghost who turns away from you to place the cigarette in his mouth. it balances atop his full lips, a position so enticing that you’re willing to trade places with the inanimate object, and ultimately quell the yearning. his other hand fondles the box of cigarettes. “you can always replace the cigarettes with a new reward system, ya know,” you suggest. your voice is light, dipping on the last syllable, and he understands that you mean well. yet, he raises a dark eyebrow while flicking on his engraved lighter. connecting the cigarette to the end of it, there’s a satisfying burn before he deeply inhales. a cloud of misty smoke swirls around you even if he shifts away. the stench intermingling with your sweet fragrance and lingering. a sort of imprint that brands you as his. your gaze flits over to him to eagerly trace the fair, sharp jawline that’s visible without the guise, and you sputter, “like having something sweet. I heard people quit smoking by chewing bubblegum or having lollipops.”  
ghost who curiously prods, “somethin’ as sweet as you?” and the idle thumping in your chest accelerates into hammering when his gaze locks onto yours. his teasing is too sudden. you stiffen at the inviting drawl of his voice and the mannerism is one that he’s too familiar with. his eyes skim the soft features of your face, noting your skittish behavior, and deems it necessary to compose himself a bit. doesn’t wish to scare you off. but he’s pleasantly surprised to hear you ask, “you think I’m sweet, lieutenant?” his gloved fingers lift the cigarette to his lips again to take another long drag, “oh, I think we both know the answer to that, pup.” another mention of the nickname– another wave of heat rushing to your core. the statement throws you into a frenzy because his deep-set eyes seem more fitting for the bedroom and the revelation has you internally scolding yourself for the stray path your mind takes. 
ghost who’s unaware that it’s his turn to be as motionless as a marble statue when you edge closer. speculated that the rancid cigarette smoke would dampen that sugary aroma that invades his senses when you’re in his proximity. it doesn’t. just promotes the stark difference since it’s a specific scent he traces back to you. always causes his skin to tingle whenever he catches a whiff. a curse abruptly leaves his lips when he’s broken out of his reverie. your hand settles on the center of his chest, a tender touch that compels him to trail his gaze to your face. makes no effort to halt your movements. why should he when you’re the root of all his desires? immediately, his brain conjures up an arrogant remark; a natural reaction to his usual encounters. however, when he drags his eyes to yours and perceives that your usually bright eyes are hooded– he’s silent. 
ghost who allows you to push yourself up on your toes and pluck the cigarette from his mouth. doesn’t even manage to get another drag of it. never finds himself craving for it once it’s taken from him. instead, he’s fixed to the spot while you stare at his lips, revealing a small scar blending in with a muted shade of pink. your thumb gingerly brushes against the meager feature. a detail that is so ardently ghost. the rather concealed scar ignites something affectionate between the two of you. a shared secret that he’s let only you uncover. you slide your fingers underneath the sharp curve of his jaw and the gentle touch seizes his attention. pressing close to the juncture of his neck, you murmur, “let's exchange your cigarette for something sweeter, yeah?”   
ghost who stifles a groan of satisfaction when your glossy lips finally press against his cheek. warmth blossoms in his chest. fiery sparks, a discerned emotion that he thought he had lost, set him alight. for once, he’s rejoicing at the mere coincidence of being partially unmasked. and when he conceived that this overwhelming rush was fulfilled, you stunned him again by pressing another delicate kiss dangerously close to the corner of his lips– directly where his scar was. “a prize whenever you don’t smoke,” you propose while pulling away. he curses a resounding, “fuck.” it was dizzying. a singular glance was all you needed to discover that he’s completely flushed from your touches. his breathing is uneven too, teetering on what some would call desperate. drawn out and amplified. however, if that’s what he is– for you– then so be it. ghost was free-falling. plunging into another bad habit. a dependence that he’s afraid is more addicting and chronic than nicotine. you.  
ghost who hums deliciously low, “playing a dangerous game here.” his voice invokes a shiver within you. a sweltering heat crawls up your face, lingering at the uppermost part of your cheeks. the vowels dripped from his tongue like honeyed venom and you caught it. stored it, like it was fundamental to your existence. before you can withdraw, a strong hand encloses around your wrist. the touch is sure and solid– undoubtedly his. and when you peer at him, he’s admiring you through thick, pale lashes. his eyes are like silvered stone, cutting through all your defenses as his focus darts along your face. mapping– no– sketching out your softest features for the sake of his pleasure. the pleasure of admiring art. 
ghost who then raises the hand that’s gripping the box of cigarettes, notably to gain your attention, and tosses it behind his shoulder. the cardboard carton falls to the floor with a muffled thud. and in the span of a couple seconds, ghost completely eradicates his dependence on cigarettes. the promise of something sweeter causing him to reconsider and amend for all the time he could’ve spent smothered in your syrupy kisses. he leans to graze his lips against a sensitive spot in your neck, his nose nudging at the tantalizing crevice of skin. without the barrier of his mask, you’re hyper-aware of the greedy nip that ghost leaves and he’s awarded with a breathy exhale escaping your glossy lips. anticipates the way your knees buckle but he easily steadies you. he hums, dark and encouraging, at the receptive noise. fancies hearing it regularly. surely reserved just for him. you distinctly sense a corner of his lips tug upward once they’re on your neck again and he questions, “gonna give me ‘nother prize now, sweetheart?” 
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youremyheaven · 16 days
Text
Saturnian Women: Bad Girls to Trad Girls? 👀😲👩‍🏫
Saturn is the planet of discipline, restriction and rules. Saturn is considered a "strict teacher" who uses discipline, difficulties, delay, duties, dealings, and denials at times to ensure that the student really imbibes their lessons.
There has been much discourse lately on Saturn mahadashas and tbh, I would say to not worry about it too much. Saturn punishes but it also rewards, so if you stay true to its teachings, i.e, keep your head down, do the work and stay firm but humble, Saturn will give you success in proportion to your efforts.
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Jennie, Vishaka Moon, finished her 19yr Saturn mahadasha in 2019 and you can clearly see the many themes of Saturn that played out in her life. She spent 5yr living overseas by herself as a child with another family (Saturn deprives you, to some extent, of your family's love and support) and after she moved back to Seoul, she began living at the YG dorm and trained for 5 years and 11 months, which is one of the longest training periods among popular idols today. She has talked about how she's never lived at home or had the experience of living with her family until she was 18-19 and she's always sounded bittersweet about it but all her hard work paid off. Today she's the face of K-pop, one of the most successful idols of all time, an icon and an it girl. She gets torrential amounts of hate over her "attitude" for the supposed partiality that YG had towards her and yes for being "lazy". This is Saturn's harsh energies coming through. Are Jennie's performances lacking from time to time? Yes but is she the only idol whose performances feel meh/"lazy"? No. Is she the only one who gets brutally called out for it? Largely, yes. Saturn does not allow you to get away with your skimping and most definitely does not let you take shortcuts.
The reason most people suffer during this mahadasha is because its human nature to want instant gratification and choose the "easier" option. But yk who does not like that? SATURN. This planet is all about being principled and doing things the "right way". You cannot do something immoral and expect to get away with it during this mahadasha but another thing about Saturn's influence is that it often makes natives deliberately "rebel" or step out of line because they internally crave punishment and want to be disciplined. Think of Saturn like the dom in a BDSM relationship and yourself as the bratty sub who's always asking to be punished. Its kinda like that. I've noticed this with many Saturnians as well as people experiencing Saturn dashas, they have no intention of being "bad" or doing the "wrong things" but they do anyway?? because they want Saturn to discipline them and put them in their place. Often times these natives choose the "harder" path subconsciously by forgoing many chances to choose from other options. They really want to prove themselves "worthy" and "deserving", sometimes to their own detriment.
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Karina from Aespa, Punarvasu Moon is also currently undergoing her Saturn mahadasha and so is Wonyoung, Purvabhadrapada Moon (they'll both finish their Saturn mahadashas at around the same ish period of 2031-2032). They're both incredibly successful so if you're experiencing this dasha, dw about Saturn depriving you of success bc its not true. You just have to work hard.
Wonyoung started training at 12yrs of age when she was a few years into her Saturn MD and Karina also started training during her Saturn MD (she was 16 tho). They both spent yearsss training and became massively popular upon their debut (Saturn rewarding hard work) but often got unwarranted hate for absolutely nothing because Saturn "punishes" you to keep you humble in the face of massive success. With Wonyoung, I feel like her Magha Sun (leo rashi) works in her detriment in this dasha because she can be very self indulgent, come across as pompous or bratty or arrogant and Saturn does not like those things 😬with Karina, she received hate initially but things were cleared up and it was understood that those rumours of her being a highschool bully were fabricated along with those fake screenshots and some of her old classmates spoke up about her virtuous character and how kind and sweet she actually was. This is again, Saturn's karma coming thru. Good karma will help you out of tough places in life. Karina has kept her head down and worked hard, people criticized her initially for being a bad dancer but now she's known for her stage presence and x factor.
She's now known for her kind, humble and goofy personality because that is who she really is. Saturn rewards those who remain down to earth and humble and all the love Karina receives now (she is the most followed 4th gen female kpop idol surpassing Wonyoung in less than a year) is part of Saturn's rewards. However, she still faces challenges, like with her dating scandal or with her Chinese boycott last year but again, its her willingness to stay focused and power through that has helped her navigate those situations with grace. She hasn't been dragged the way Jennie or Wonyoung has been. I also think her having Mercury & Venus in UBP (a Saturn ruled nak) has helped her embrace Saturnian principles easier than the other two but she also does have a debilitated Saturn so ://
I think Jennie has had it especially tough because she's Uttarashada Sun and Sun & Saturn are enemies so she's struggled to be as grounded and docile as Saturn wants its natives to be.
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If you think about it, there is a reason why all the Kpop it girls have Jupiter ruled Moon and experience Saturn mahadasha at the height of their fame. For starters, the Korean music industry is very "restrictive" in nature and idols are very tightly monitored and controlled (all Saturnian themes) and those who thrive the most in this system are Jupitereans who are undergoing their Saturn MD. They learn to channel the expansiveness of Jupiter through the restrictions of Saturn. Think about how Jennie, Wonyoung and Karina have all been deprived of creative freedom, how their labels pick and choose their endorsements and limit their interactions and in general, despite being young, rich and famous, they live like blue collar workers in some ways?? This is all Saturn's effects. It makes you work hard, rewards you for it but does not let you indulge too much in it.
There is a reason why Jupiter moon is soooo common among popstars. Performing in front of packed stadiums with 50,000 fans is an experience only few get to have in this world and to get that, you have to toil day and night through punishing schedules and constant travel where you dont enjoy yourself materially. This is a very blatant manifestation of Saturn restricting pleasure and enjoyment. (Jupiter ruled Moon natives experience Jupiter dashas first and then its followed by Saturn mahadasha, so usually at their peak, they're undergoing their Saturn MD)
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Now, I want to mention something Claire Nakti mentioned in her Saturn men video, she said that Saturnian men are often extremely rebellious when they're younger and deliberately "act out" because they crave the punishment and discipline that Saturn imposes on them. They subconsciously want to be put in their place. This sounds hella masochistic but I think its helpful to think of it in terms of BDSM dynamics (dont laugh lmao). To an average person, its confusing as to why someone would want to be spanked or tied up or hurt or be in "pain" or be submissive but some people genuinely derive pleasure from being in that position, that's what's fun for them. They "ask for punishment" bc they enjoy being "punished". I dont want to say Saturnian individuals are kinky masochists who deliberately do things that will lead to terrible consequences and harsh punishment but tbh, there is no other explanation for their behaviour. I suggest watching Claire's video where she cites manyyy examples of Saturnian men "acting out".
In Claire Nakti's video about Saturnian women, she mentions how these women are more at ease with following traditions and submitting to them than others because they find it 'freeing' to obey.
But tbh, although women internalise their qualities more in general, I think Saturnian women are just as likely to have an "unruly/rebellious phase" before they embrace the rule abiding nature of Saturn because the truth is limitations are what gives us true freedom. Saturn teaches us that if you have "too much", you can feel confused and lost. it's more important to have "enough".
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Hwasa, Pushya Sun
Hwasa is a great example of Saturnian natives and their need to both rebel and conform. Hwasa belongs to the group Mamamoo and although they're all talented, they weren't as successful as other Kpop groups in the mid to late 2010s, esp since they also came from a smaller company. In 2018 at the MAMA awards, she performed in this red latex bodysuit and went instantly viral and her performance became vvv controversial since its practically unheard of for a kpop idol to reveal this much skin or put on a performance that is very sexually provocative. she received a LOT of flak for it, people bodyshamed her, slut shamed her etc but this also brought a lot of attention to her and her group and people started taking more notice of them.
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Hwasa was on the cover of Cosmopolitan later that year (you have to be a pretty big deal to land mag covers in Korea esp when you have sooo much competition from sooo many idols/actors etc, Hwasa was up until then just an idol from a smaller company whom others often criticized for not being "pretty enough").
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Hwasa continued to "rebel" by posing semi nude, appearing on the cover in what Koreans considered "immodest" clothing etc. But some of the criticism subsided bc as more and more people discovered her music, her talent as a singer and performer stood out so they started praising her for her talent & hard work (Saturn rewarding hard work).
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she continued to receive a lot of flak for her outfit choices and Hwasa it seemed was almost hell bent on pissing Koreans off by doing exactly those things that they shunned. She was criticized for this look as her bra is visible through a sheer top and what did she do next?
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she went to the airport in a white top and no bra 😂😂needless to say K-netizens were PISSED OFF. but at the same time she started making appearances on variety shows where she gained praise for her humility and lack of pretence. (Saturn punishes but rewards)
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this is an excerpt from her 2020 interview with Cosmo (the Cosmo cover above is from her 2019 cover), here we can see Hwasa admitting that "one year ago I was more daring because I felt like I had to be that way no matter what" which reflects on how many Saturnians are rebels without a cause. She then says that "As I go on, I feel like I'm being more strict with myself" showing the progression from the rebellious, unruly phase to one that embraces strictness and discipline. This does not mean becoming a doormat, it means you become more gentle and patient. Its through suffering (which Saturn def brings about) that we learn grace.
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I think Hwasa has described it well.
Saturn is considered the most aggressive and cruel in Indian astrology. It symbolizes karma and rewards or punishes based on one's deeds.
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Selena Gomez, Pushya Stellium (including Sun & Rising)
When her Revival album came out in 2015, Selena was 23 and trying her best to shed her Disney girl image. So she did what most child star turned popstars do, she posed nude. This was very out of character for a girl who wore a purity ring until she was 18 years old and was generally perceived as the "sweet innocent" one among all Disney stars.
During a roundtable interview in 2022, she said
"I actually did an album cover and I was really ashamed after I did it," Gomez said. "I had to work through those feelings because I realized it was attached to something deeper that was going on. And it was a choice that I wasn't necessarily happy that I made, but I think that I've done my best, at least I try to be myself. And I'm not an overly sexual person, sometimes I like to feel sexy, but that doesn't mean it's for somebody else. It can be for me. Now I understand that there are certain boundaries that I need to set for myself, and I respect and adore so many people, but I’ve got to do what’s best for me."
Obviously the need to "rebel" against her Disney sweetheart image was imbedded in her by the people who work with her, like her management team but Saturn's most powerful tool is regret. You do things without much thought or act out or act rebelliously and through regret or after suffering its consequences, you learn to draw boundaries and impose limitations upon yourself. Just because you can do certain things does not mean you should do them. Saturn teaches us this by limiting freedom.
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Miley Cyrus, Anuradha Sun & Mercury
We cannot talk about Disney stars gone wild without mentioning Miley lol
She was the biggest Disney girl of her time and worked vvv hard, doing world tours starting from her early teens and then filming the show, girlie basically never had a minute to spare. Once the show was up, she was in a hurry to shed her Disney image and lets just say... she embodied Saturnian rebelliousness to its extreme.
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Miley lost her virginity to Liam when she was 16 and by the time she was 19, she was engaged to get married to the only guy she ever seriously dated. She definitely was embracing "tradition" etc so her "rebel" era was a sharp left turn. She went from being a teen bride to twerking in nude latex on stage. For the next couple of years, Miley smoked weed, embraced a hip-hop sound, wore little clothing and "rebelled". Her rebel era marked the end of her relationship with Liam and interestingly enough, the end of her rebel era was marked by her renewed relationship with Liam.
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She entered her soft girl era and started to shed her "rebellious image" and found balance
“I carried some guilt and shame around myself for years because of how much controversy and upset I really caused,” she says. “Now that I’m an adult, I realise how harshly I was judged. I was harshly judged as a child by adults and now, as an adult, I realise that I would never harshly judge a child.”- Miley said in her British Vogue interview
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Miranda Kerr, Pushya Rising
If you watch her interviews from the late 2000s and early 2010s, she's super flirty and now she's more mature and ladylike which is kind of a superficial evolution of Saturnian influence.
Miranda is rumoured to have been the world's most expensive yacht girl at one point in time. She accepted $8.1 million worth of jewellery from fraud Malaysian billionaire Jho Low. All these gifts were seized by the government later on bc Saturn does not let you keep things you obtained illegally or in unprincipled ways.
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In 2014 during an interview for British GQ (these pics are from the shoot) Miranda said:
"The older I get, the more confident I am about asking for things I enjoy," she said. "One thing I've noticed is now that I'm having less sex my body isn't as toned. The more sex I have, the more defined my arms and stomach get. Orlando and I always had great chemistry. One-night stands aren't my thing. I made Orlando wait for six months until I even kissed him… I always ask for a critique on my performance. I always want to better myself in every way."
She also said,
"Let's put it this way, I've had an orgasm in the air before. Alone. And together." 😲😲
This is sooo remarkably TMI for a woman who now presents herself as so poised and ladylike??
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After she started dating her now husband Evan Spiegel, CEO of Snapchat, they remained celibate for the 2years they dated prior to marriage and Miranda said they're "very traditional".
Interviews of Miranda now make her sound like one of those femininity coaches on YouTube.
"My grandma taught me that men are visual and you need to make a little effort," the model said in an interview with The Edit. "So when [Evan] comes home, I make sure to have a nice dress on and the candles lit. We make time to have a nice dinner together. At work, I'm like, 'We need to do this!' and, 'This needs to happen!' But at home, I slip into my feminine and empower Evan to be in his masculine."
In another interview, she said:
"Don't feel like you have to do and be everything. Let the man do some things for you, because if he cares for you, he will want to. When I get home, I'm not the boss like I am at work — I slip into a more feminine role. I take everything off and put on my Stella McCartney silk robe. I'll put on a red lip or red nails, and it lifts my mood. Sexy underwear also gives you a spark. I collect underwear from my travels. Lace, lingerie, bodysuits ... they're like souvenirs."
And in yet another interview, she said:
"He would rather me hug him than give him foot massages. He's like, 'Can you just come and cuddle up? Can we just snuggle? I don't need a foot massage.' I'm like, 'Come on, it's good for you!' … He's very loving like that. I'm a very lucky girl."
She went from being a "rebel" to living like a trad wife.
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Eva Mendes, Pushya Moon
She's yet another Saturnian who had a rebellious early career ("rebellious" for a woman basically means capitalizing on your sex appeal) and then embraced a more "traditional" life.
In 2020, she said:
"You can’t do sweatpants,” she said on Extra while promoting her makeup line, Circa. “Ladies, number one cause of divorce in America, sweatpants, no!” 
This is again an example of a "femininity" minded person who thinks women have to "ladylike" (Saturn embracing traditional gender roles).
She took a 10yr break from acting to focus on being a mother and said that if she returns to acting she wont do "violence" or "sexuality" which she did do prior to her marriage and motherhood. She also got married later in life and had this to say:
“When I was 40, it was a big deal for people when I was pregnant, and it wasn’t for me,” Mendes said. “And then I was 42 and I was pregnant with my second one and people were like, ‘Oh my God, you’re going to be so tired. That’s why people have kids in their 20s.’ I was like, that’s the most sorry, asinine thing I’ve ever heard.”
She continued, explaining of parenting, “It takes more patience. In my 20s, I shouldn’t have even been around a child. I was just foul-mouthed and smoking. I could not have raised kids in any other era of my life but now, for sure.”
She's indirectly referring to a more "rebellious" phase of her life and how now she has the patience to be a mom. one thing Saturn teaches you is patience, thats for sureee.
Saturn influence also causes delayed marriage.
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Madhuri Dixit, Pushya Moon was 32 years old when she got married (in 90s India this was ancient and not as "normal" as it is now).
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Salma Hayek, UBP Moon
there isn't enough dirt on Salma to show that she had some "bad girl" past to move beyond but she struggled for many many years. her life really exemplifies the delayed success of Saturn bc saturn truly rewards patience
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Rani Mukerji, UBP Moon
She got married when she was 36yrs old and is married to one of the biggest film producers in India.
The themes of Saturn delaying marriage but ultimately pointing to marrying into wealth has been true in the lives of many of these women, including Salma who is married to a billionaire.
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Ellen Pompeo- Anuradha Moon
She was 38 when she got married. Another thing I've noticed with many Saturnian women is how they struggle to conceive or have issues with their fertility (usually caused by the delay in marriage as they're older when they become mothers).
Salma has talked about how she struggled with gestational diabetes when she was pregnant and how she wishes she could have had more children. Rani Mukerji has spoken about her struggles with fertility and how she lost her second baby to a miscarriage, 2/3 of Ellen Pompeo's kids were carried by a surrogate.
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Monica Bellucci, Pushya Moon
She was 35 when she married Vincent Cassel and had her daughters in her 40s.
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Hillary Swank, Pushya Sun
She was 44 when she married her current husband. (She did get married at 23 and was married for 10yrs , which means they separated after her Saturn return)
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Jennifer Lopez, Pushya stellium
She married Ben Affleck when she was 53
She was 35 when she married Marc Anthony with whom she has 2 kids and was married to for a decade. All her other marriages were brief and short lived, pointing to how Saturn makes you get rid of anything that isn't "right" for you
Usually whenever Saturnians get married young, they end up getting a divorce. This is a massive generalization and obvs wont apply to every Saturnian but I've seen this with many people, even Miranda Kerr who married Orlando Bloom in her 20s ended up getting divorced after her Saturn return.
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Sophie Turner, UBP Moon
Sophie started dating Joe when she was 19 and married him when she was 21 and he was 28. According to rumours she felt really trapped in the marriage and felt like she hadn't experienced much life. She went from being on a TV show for 10yrs and missing out on normal teen experiences to being a wife and a mom. Many have accused Joe of grooming her as well. They've ended up getting a bitter divorce as well.
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Mariah Carey, UBP Sun
She was 23 when she married the CEO of her label who was 20yrs older than her. He had known her since she was a teenager 🤮🤢🤢Mariah has, like Sophie described feeling "trapped" in her marriage and how she had "no freedom". Tommy is famously controlling and kept her under lock and key pretty much. He is now married to Mexican pop star Thalia who was once a huge name in Latin music and is now virtually absent from public life. So his tendency to keep his wives locked up wasn't limited to Mariah, I guess.
Mariah divorced Tommy when she was 29 during her Saturn return as well and he made her life hell for the next few years (do not marry and divorce your CEO kids)
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All throughout this post I made mentions of how Saturnians "rebel" and then "embrace tradition" but what is "traditional" isn't always "right". These two things aren't synonymous. Hwasa went against tradition by dressing sexy. Would that be considered scandalous in say, America? No. She went against the tradition of her culture. But it did not make her actions "wrong".
But sometimes this tendency to obey traditions can manifest in more extreme ways and make someone have very right wing esque or conservative views, even.
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JK Rowling, Pushya Sun, Saturn in 1h (in Purva bhadrapada)
Rowling was once a beloved author who was known for her highly inspirational rags to riches journey. She became the first writer to become a billionaire. But now, she's known as a transphobe and many of her former friends and allies have distanced themselves from her. Its crazy bc she almost exclusively tweets about trans people and has made it her life's mission to talk about who is a "real" woman and who isn't (Saturn's desire to conform to traditional gender roles) but her transphobic era seems to be her rebellious Saturn phase where she is seeking punishment. It literally makes no sense as to why out of the blue one day she started to tweet and say these things and why she's sooo insistent on her views but its like she's digging her own grave.
Saturnians often do bizarre things that seem like obviously bad ideas to others and suffer terrible consequences for it because they crave Saturn's harshness. She could've never written another book after Harry Potter, fucked off into oblivion with all her money and farmed strawberries for the rest of her life with her legacy intact but Saturn has stripped her of it. I wont be surprised if in another 10yrs or something, she comes forward to talk about how embarrassed and ashamed she is of whatever she's doing now as this is also a pattern among Saturnians to feel guilt and remorse for their past and apologize for it.
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Oprah Winfrey- Anuradha Moon
Oprah hasn't been fully exposed and cancelled yet but I hope she gets what Ellen got because she's such a vile, toxic hateful person.
Oprah has a long history of platforming some incredibly toxic people, leading to a lot of pain and suffering. The relevant one right now is Dr. Oz who used his Oprah-given influence to sell scam miracle cures and other supplements.
Worse (in my opinion) is Dr. Phil, who has used his Oprah-provided stage to send children to “reform schools” in exchange for kickbacks. Many (included the infamous catch me outside girl) have claimed that these institutions are hot beds of physical and sexual abuse. There are also allegations that Dr. Phil actively aims to make guests on his show appear less well adjusted so that he can yell at them. Famously, a winner of the show survivor who was struggling with alcoholism claimed that Dr. Phil’s staff gave him a bottle of vodka to drink before the show so that he would be drunk and look like shit to justify Dr. Phil berating him.
Oprah also dedicated two shows to a man known as John of God, heavily implying that he may actually be able to heal sickness through faith in God. He was, obviously, a grifter who would perform dangerous surgical procedures (and would cut people’s eyes with sharp objects) on people without a license. He was also a serial rapist, and several women have claimed they traveled across the world to meet John of God due to Oprah’s show only to be raped.
This example is more fitting of the traits I explored in part 1 of my Saturn dominance post where I talked about how many Saturnians seem to be scammers and liars.
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Grimes, UBP Sun
for an edgy alternative indie artist, Grimes has surprisngly trad views
In one interview, she said:
"I kind of like the patriarchy, I like the supply chain, food, Uber, roads... umm, civilization, you know there's a lot of good things that came from it. I think it's sort of oppressive and overly dominant, and if you don't include women in things they can easily become toxic, you know."
she was married to elon musk so im not too surprised that her worldviews are...weird... (she likes the patriarchy bc it gave her uber,,, gotcha...lol)
Sometimes honestly, esp in today's world where everybody has more social freedom esp in America and can do whatever they want, a lot of people "rebel" by embracing tradition. Grimes is actually deploying Saturn's need to rebel against the order by peddling her faux trad views.
The current tradfem movement (that I predicted 2 years ago😌) is a reflection of how each generation rebels differently. You give someone a lot of freedom and they do whatever they want with it but soon enough fatigue sets in and you desperately crave structure and order, so you discipline yourself and restrict yourself. in an era where dating has become so toxic and loveless, a section of society embraces a 1950s type tradwife lifestyle to go against the norm.
there will be a part 3 that expands on Saturn's manifestations further but this is it for this post<333 tysm for reading<33
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ofbreathandflame · 8 days
Text
This is a very long post!
These last couple of months, it’s been interesting to talk about Nesta as a character and how her subsequent characterization is so integral to pointing out the problems in the series. Whether or not you view Nesta to be ‘real’ or ‘good’ character is one thing, and often subjective. Our own personal backgrounds may muddle or influence whether we like these characters or not.
The reason why I think Nesta is an interesting character is because of how she kind of…ruins the story, or the illusion of a story we are given. There are many times in the story where I think SJM could have elaborated on the qualities that she gushes about, but she intentionally chooses not to. For example, if SJM kept Rhysand consistent, I could see him disliking Nesta and wanting to actually hurt her, but have him think about Feyre and her wants and ultimately relent to Feyre’s want. One thing about Tamlin’s abuse that I think was done well was the fact that he genuinely seems broken up by the fact he can’t control his anger, and he feels something akin to guilt, but he doesn’t stop the abuse. It highlights the effect of the victim, not the intention of the abuser. I don’t know if it was intentionally done, but I liked that element of his abuse. I also liked that the dangers that Tamlin are worried about are real – the threat is real. Why? Because I think it proves, to some extent, that we should not justify abuse, even if the abuse seems rational. It proves that in this world, these men should still adhere to the fact of self-control. How can Feyre in a relationship with Tamlin if he can’t regulate his emotions around her?
But then the story does something weird – it embodies Rhysand with these very same qualities. It also recreates Tamlin’s abuse of Feyre with…Nesta – and then justifies it. Nesta arrives in a similar position as Feyre, yet the story goes to great lengths to vilify her for not reaching out; this is a far-cry from how the story (and stans) think about Feyre. (paint scene, fire scene, solstice scene, and hiking scene). We're supposed to sympathize with the decisions being made; so much rides on the fact that the IC are doing this out of the kindness of their heart:
Did Nesta notice the faint glimmer of worry in Amren’s smoky eyes—understand how rare it was? More than that, did Nesta understand that this meeting wasn’t to condemn her, but instead came from a place of concern? Her simmering stare told him she considered this purely an attack.
We're supposed to think about the worry of the Inner Circle and not think about the way they've decided to express their worry. Its similar to this scene that we get with Lucien to Feyre about Tamlin:
“I’ve given him time,” I said. “I can’t stay cooped up in the house forever.” “He knows that—he doesn’t say it, but he knows it. Trust me. You will forgive him if his family’s own slaughter keeps him from being so … liberal with your safety. He’s lost those he cares for too many times. We all have.” Every word was like fuel added to the simmering pit in my gut. “I don’t want to marry a High Lord. I just want to marry him.”“One doesn’t exist without the other. He is what he is. He will always, always seek to protect you, whether you like it or not. Talk to him about it—really talk to him, Feyre. You’ll figure it out.” Our gazes met. A muscle feathered in Lucien’s jaw. “Don’t ask me to pick.” “But you’re deliberately not telling me things.” “He is my High Lord. His word is law. We have this one chance, Feyre, to rebuild and make the world as it should be. I will not begin that new world by breaking his trust. Even if you …”
Lucien is continually asking Feyre to place Tamlin over her own happiness; he is asking her to consider his feelings before she considers his own - partially because this is the way Lucien is characterized to handle Tamlin's abuse himself. Cassian is asking Nesta to consider the Inner Circle's intention over how she feels. Amren and Rhys immediately shame and threaten Nesta - she is valid in her anger. She has interpreted this meeting as an attack...because it was. I think its especially telling that the later scene is asking Nesta to have empathy for Amren who is arguably the most abusive, abrasive, and unproductive person in that entire meeting. The second part of Lucien's monologue end's up being true for Nesta as the Inner Circle end up doing the same thing to control Nesta's behavior -- whether that be by leveraging Elain, outright forcing her, or even the decision to withhold Nesta's power from her -- these echo the exact same plot points we see in MAF with Feyre.
Let’s compare some scenes:
It was worse than a crown, actually. Built into the box were compartments and sleeves and holders, all full of brushes and paints and charcoal and sheets of paper. A traveling painting kit. Red—the red paint inside the glass vial was so bright, the blue as stunning as the eyes of that faerie woman I’d slaughtered— “I thought you might want it to take around the grounds with you. Rather than lug all those bags like you always do.” The brushes were fresh, gleaming—the bristles soft and clean. Looking at that box, at what was inside, felt like examining a crow-picked corpse. I tried to smile. Tried to will some brightness to my eyes. He said, “You don’t like it.” (MAF: Chapter 9)
“You’re going, even if you have to be tied up and hauled there. You will follow Cassian’s lessons, and you will do whatever work Clotho requires in the library.” Nesta blocked out the memory—of the dark depths of that library, the ancient monster that had dwelled there. It had saved them from Hybern’s cronies, yes, but … She refused to think of it. “You will respect her, and the other priestesses in the library,” Feyre said, “and you will never give them a moment’s trouble. Any free time is yours to spend as you wish. In the House.” Hot rage pumped through her, so loud Nesta could barely hear the real fire before which her sister paced. Was glad of the roaring in her head when the sound of wood cracking as it burned was so much like her father’s breaking neck that she couldn’t stand to light a fire in her own home. “You had no right to close up my apartment, to take my things—” (Silver Flames; Chapter 2)
She could barely stand to hear the crack and pop of the wood. Had barely been able to endure it in Feyre’s town house. Snap; crunch. (FAS: Chapter 21)
"He had Enough of the coldness, the sharpness. Enough of the sword-straight spine and razor-sharp stare that had only honed itself these months"
He understood. He really did. It had taken him months—years—after his first battles to readjust. To cope. Hell, he was still reeling from what had happened in that final battle with Hybern, too
Another grin as he lifted the small, wrapped parcel. “Your Solstice present.” “I don’t want one (FAS)
“Nesta forged a new Trove,” Cassian said, reining in his rage at the truth of Azriel’s words. “She could create anything.” He nodded to Rhys. “She could fill our arsenals with weapons that would win us any war.” Briallyn, Koschei, and Beron wouldn’t stand a chance. “Which is why Nesta must not learn about it,” Amren said. Cassian demanded, “What?” Amren’s gray eyes held steady. “She cannot know.” Rhys said, “That seems like a risk. What if, unaware, she creates more?” “What if, in one of her moods,” Amren challenged, “Nesta creates what she pleases just to spite us…’ (SF)
He appealed to Rhys, “You’re all right with this? Because I’m sure as hell not.” “Amren’s order holds,” Rhys said, and for a heartbeat, Cassian hated him. Hated the mistrust and wariness he beheld on Rhys’s face.(SF
“No. She knows the labor will be difficult, but I haven’t told her yet that it might very well claim her life.” Rhys spoke into their minds, as if he couldn’t say it aloud, I haven’t told her that the nightmares that now send me lurching from sleep aren’t ones of the past, but of the future. Cassian squeezed Rhys’s shoulder. “Why won’t you tell her?” Rhys’s throat worked. “Because I can’t bring myself to give her that fear. To take away one bit of the joy in her eyes every time she puts a hand on her belly.” His voice shook. “It is fucking eating me alive, this terror. I keep myself busy, but … there is no one to bargain with for her life, no amount of wealth to buy it, nothing that I can do to save her.
So much is happening here – there’s actually more scenes, but I don’t want to go and find them all. I wanted to include more similarities between Feyre and Nesta (I might make a separate post with all of those). To some extent, I think a lot of these quotes, even without elaboration echo the point I’m about to make. In quote #4, Cassian’s narration berates Nesta for not being integrated into the family and not being happy at Solsitice, but we the audience know that Nesta (1) isn’t being talked to, (2) she can barely stand the sound of the fire, (3) Feyre forced Nesta to come by essentially holding her rent over her head. And there’s just way to many parallels between how Nesta feels at the NC and how Feyre felt at the Spring Court. Nesta is drowning; she tells us that – Rhysand’s subtle anger is something she not only notices, but internalizes. She specifically mentions that she doesn’t take any of Rhysand’s positions because they were pity offerings; he’s only doing it because of Feyre. The story then decides to let him spearhead the conversations around Nesta’s autonomy. In the first quote, Tamlin's overall ignorance regarding Feyre's mental state, and her aversion to things such as the color Red were considered red flags; yet when Nesta has an aversion to fire, when she is neglected and nearly dies the story spends so much time trying to tell the audience that Cassian simply didn't know - it doesn't say anything about him.
But one of the biggest indicators of this ruin of the story is the fact that Amren and Rhys believe that Nesta should not have her power because ““What if, in one of her moods,” Amren challenged, “Nesta creates what she pleases just to spite us?” (Maas). The issue, as consistently reiterated, is a control one. They don’t trust Nesta simply because they cannot control her – that is what is highlighted as the issue in the story. Furthermore, Feyre doesn’t let Nesta know, she defers to a process that she doesn’t have to. She outranks everyone in that room; if she wanted to tell Nesta was rules would stop her – that’s literally been the way Feyre has characterized (see: Wraiths, the HL meeting attacking Beron, Tarquin and the BoB, Mor/Feyre w/ the Suriel), yet in this moment when she disagrees with Rhys – she essentially defers to his command. She simply expresses a subtle wariness and then moves on. Feyre has the power to just tell Nesta is the point that I am making here. It’s Nesta’s power; they forced her to do these tasks, and when she has one moment of autonomy in making the sword – they are argue that Rhys should make himself High King and Cassian, despite his earlier provocations, believes in this. He agrees with it. And even though I am going on this long, wordy analysis, I think a lot of what I am saying is kind of really clear In these quotes even without explaining.
To bring this back, Rhys (and Feyre somewhat) are only excused because the story believes their intentions were good (see quote #7), which conflicts with what we’ve already seen. These are…the exact same justifications we get about Tamlin; he truly believes that by making her safe, he is making her happy – but we know Feyre values truth over safety. And so the story undermines its lessons by not condemning the actions of its characters and instead leans into moralistic reasons. The argument now isn't even that Nesta isn't being abused, but stans and even the story (subtextually) believe that Nesta deserves the abuse - or that it's purely a consequence of her own immaturity, yet this is a far-cry to how Feyre is perceived in similar situations. The story argues that these characters understand that Nesta is not in her right mind - but constantly the story expects her act functionally in the face of her depression, even though the very reason the decided to lock her up is because they all unanimously believed she could not function by herself. She's expected to respond appropriately to their jabs, do missions on their behalf, train, and work at the library with no pay. She cannot leave Velaris without a Chaperone and all of her Chaporene are employed officials who are gone for the entirety of the book. No one ever actually offers to ever take Nesta out to see the town. I am seriously tired, and really concerned with the way Nesta's abuse is talked about.
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adeliniel · 2 months
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SFW alphabet | Feyd-Rautha Harkonnen
It's been 2 years since I wrote anything! Such a long pause for me. But Dune brought me back. Happy to write again!
Please, enjoy and let me know what you think^^
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A = Affection (How affectionate are they? How do they show affection?)
As a surprise for you he’s not that affectionate in public. Feyd might hold your hand or touch your shoulder, just to remind everyone who you belong to, but he doesn’t really need to prove anything to anyone. Things change dramatically when you two are in private. Feyd doesn’t talk much, he prefers to express himself through touching. Depending on the mood, it doesn’t always mean a nice, gentle touch. It can be rough and demanding, or light, almost teasing as well. But he tries to make sure that you’re on the same page and he’s not hurting you deliberately. 
B = Body (Their favorite body part of their partner, why? Do they like touch?)
Eyes. He likes how you look away, your cheeks red, when he stares you right in the eyes. He likes your tender gaze when he looks back at you with so much desire to be intimate, to share something only you two can understand.
Feyd is more into touching than talking. He knows his body well and he can express more with just a simple touch. He has an opinion that talking is just a wasted effort and that the body never lies, so why waste precious time when he can show you his true feelings right there simply using the body language.     
C = Courtship (What do they do to take your attention?)
Na Baron has such a famous and intriguing personality, he doesn't have to do much to attract your attention. People either want to know him, or prefer to stay as far away as possible to not get into trouble.
It’s you who one day caught yourself thinking about him more than usual. Wanting to have at least one more look at him, you started taking longer ways to your chambers, just in case Feyd is wandering around the station sometime late at night.  
D = Domestic (Are they the type to settle down with you? Are they willing to help with chores? What is your daily routine with them?)
Wherever he goes - you go with him. You are his family and Feyd has no intentions to leave you behind. You’re his wife and he wants you right beside him.
E = Espousal (Do they want to marry you eventually? Who proposes to who?)
Of course. That’s the only way he sees your future together. Not just tradition, not just necessity, but a way of confirming how serious and precious this relationship is. It was kind of mutual decision, Feyd did a proper proposal anyway.
(Although forget about kneeling, sweet words and typical "Will you marry me?", cause it wasn't even a question.
F = Fragile (How protective are they of you? If they are, how do they show this?)
Absolutely knows that you’re fully capable of defending yourself if needed, knows that you can stand up for yourself and would never interfere unless he senses a real danger. Feyd gets a great pleasure out of watching how independent and confident his darling is. And even more when he sees you putting his brother to his place (below you).
G = Gifts (What type of gifts do they give their s/o? Do they like receiving gifts?)
Feyd is not big on gifts. You already have so many things, everything you want is there, he feels like whatever he chooses, it won't be worth it. If only he could give you, say, a planet, that would make a great gift. Just enough to show you the depth of his feelings.
Nor is he huge on receiving presents. In fact, there’s nothing you can give him that he doesn’t already have. Wealth, power, glory and love - Feyd is blessed to have it all. The best gift you can give him - your full presence and loyalty. And an heir.  
H = Hugs (Do they like hugs? How often do they do it? What are their hugs like?)
He didn’t really understand what’s so special about hugs at the start, but grew to kinda like them as the time passed. Although he likes physical touch and that’s how he usually shows affection, Feyd thinks that hugs are just a substitute for something more significant. He’d rather hold your hands or grip his hands around your neck. He will also definitely choose stroking, petting and/or choking over hugs.   
I = Intimacy (How romantic are they? Do they have problems with intimacy?) 
Not that Feyd has particular problems with intimacy, he just doesn’t know what to do. Playing with you is easy, but being present and real is challenging. It took a lot of time before he could put his smirk down and look you straight in the eyes with his heart wide open, showing his naked insecurities.  
J = Jealousy (How jealous do they get? What do they do when they’re jealous?)
Jealousy is, probably, his biggest insecurity. He knows that he’s good, but sometimes he questions himself whether you find him good enough. Despite his power and status, Feyd knows that there are other men and he can’t help but compare himself to them.
Noone knows about it, even you for a long time, because he never talks about it. He never shows when he’s really jealous. He does play with you sometimes, pretending to punish you out of jealousy, but it is never the case of his real feelings. He keeps it all to himself.
K = Kisses (What are their kisses like? Where do they like to kiss you? Where do they like to be kissed?)
All that you can and can’t imagine. He starts slowly and then ends up biting your lips and tongue. He likes the power it gives him over you, likes the taste of your blood, he likes to dominate and to use his opportunities.
And more than that he loves that you reciprocate it, that you show your passion, you express your love and loyalty to him. He does like that it goes both ways. He likes to feel that both of you are alive and feeling.
Recently Feyd has discovered that pleasant feeling when you kiss the back of his neck. it gives him goosebumps and he can’t get over it.     
L = Love language (What’s their love language?)
Touch. He doesn’t need words to express his feelings when he can just touch you. Feyd uses his hands, mouth, tongue to love and punish you, to express his worries, anger, to be gentle or to be rude. Years of training made him a great master of his body and he’s convinced that his body language is way better than him talking.   
M = Morning (How are mornings spent with them?)
He’s usually awake and gone long before you get up. But on those rare occasions when he doesn’t need to be anywhere early, he’d wake you up just because he’s bored.
N = Nicknames (What do they call you? What do you call them?)
Was happy when you moved from calling him Na-Baron to just simply calling him by his name. He finds it intimate enough and doesn’t see a point in creating nicknames. 
He tried to say “My love” a couple of times, but didn’t really feel into it, so he stopped.
O = Overture (How did everything start?)
Slowly and way less serious. Feyd mocked around quite a bit before actually growing feelings towards you. You didn’t expect much, considering the difference between your social positions, but the man of his power can do whatever he wants and choose whoever he desires. You felt you were lucky enough to fall in love with him before he approached you with his confession.
“Possessive” you thought, accepting Feyd’s invitation to visit him in his room that night.
(To your biggest surprise nothing sexual happened. Instead you met a deadly serious Na-Baron telling you about his plans to build a long-term relationship with you.)  
P = Pace (Are they fast-paced in a relationship? Or do they like to take things slow?)
Feyd is unexpectedly chill in the relationship. Apart from all the passion and desire, he smells a sense of security, he knows that you’re not playing around, that you’re not going anywhere, so there’s no need for drama. No need to rush when you have the eternity ahead to enjoy each other. 
Q = Queen/King (Who takes the initiative in relationships?)
Absolutely, 99%, he’s the lead. Even though he likes to play games, where he pretends to give you control over him and lets you dominate, it never goes beyond the bedroom door.
R = Remembrance (What is their favorite moment in your relationship?)
The night when you first had sex. That tingling feeling of something completely new happening, so expected and desired. Exciting moment of mutual trust. Feyd’s fascination, seeing you wanting him just as much, feeling that you’re not afraid, even knowing who and how he is. Holding and having you all for himself, and even more than that - belonging.
 It was no vanilla, rather a night full of passion, a bit rough, but definitely long and enormously pleasant.
S = Salvage (What issues does this relationship help him to cope with?)
Feyd doesn’t have many insecurities, but for a long time he felt like he can’t find a suitable partner, and it made him feel like he’s lacking something significant in his power. A partner that’d be strong enough to put up with his character. Someone not just for breeding, but to show the world that he has it all.
Marrying you gave him more control over his social status and made his life complete. Love is a nice addition to it, but it also cured him from feeling not good enough.
T = Tiny (How are they around children?)
Children are not an option, they are an obligation, you knew it from the very beginning. But it doesn’t necessarily feel like a burden. It has to happen sooner or later, so Feyd is generally looking forward to it.
The idea of being able to create something all by himself, without his uncle’s or brother’s influence or power, makes him feel really proud of himself. And you.
U = Ulterior (What’s their secret?)
Quite rare, but he feels tired. Feyd doesn’t want anyone to know or see him like it. He’s afraid that it will affect the way others perceive him. And so he disappears. Sometimes for hours, sometimes for days.
It scared the shit out of you when it happened for the first time. You genuinely thought he died in a battle. But you got used to it with time, and learnt not to disturb him in moments like these.    
V = Vulnerable (How long until they can be vulnerable around their s/o? What are they like in this state?)
No surprise it takes quite a while. He’s longing to be seen and heard, but it also takes a lot out of him to start sharing. Not that he’s afraid of being ridiculed or betrayed (he’d simply kill you, if this happens). He worries that if he starts talking, he might not want to stop. Having someone loving and caring listening to him with no judgment is something completely new in Feyd’s experience. And for a long time he doesn't know how to address it. 
W = Wound (How do they feel about exposing their scars/injuries?)
Feyd is proud of his wounds and scars. His masochistic side induces him to mutilate himself, and the sadist inside of him prefers to do it right in front of you. Just to enjoy that look of confusion and disgust on your face. It really turns him on.
As much as that he likes when after this little play you take care of his wounds and cause him some more pain.      
X = Xtra (A random headcanon about your relationship)
Feyd LOVES to be spoiled and to have your undivided attention. Something he never had before. He wants it all, all the time. Whether he’s bragging about how good he’s at fighting, or just quietly lies on his stomach while you gently stroke his back, or complaining to you how hard it is to be a Baron, he wants your full attention to his persona right there, right now.
Y = Yearning (How well do they cope when their SO isn’t with them?)
It is a really rare occasion that you are apart from each other for more than a couple of hours. Usually you just don’t have anywhere else to be. Feyd is so used to having you around, he doesn’t even think that it can be different or that you’ll disappear. And if it ever happens, he’ll set the whole universe on fire just to get you back.     
Z = Zzz (How are nights spent with them?)
Feyd is actually a nice quiet sleeper. He doesn't snore or steal the blanket, doesn’t even take your side of the bed, even though he’s used to sleeping alone. Although being busy in his new role, he spends more and more time managing tasks and goes to sleep really late, so you do get lonely nights sometimes.   
Thank you for reading!
You can find more of my writings right here
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theneighborhoodwatch · 2 months
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interesting that sally is the one that brought eddie to the party and brought frank over to him
y'know, i was gonna answer this with a "yeah, so?" but... that fact, in combination with the fact that she became a bit of a person of interest herself in the october 13th update (albeit not to the same extent as eddie was in this update) in combination with this oddly symbolic shot from the commercial reel/holiday special:
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is really making me wonder. i know back then i said that i didn't think that sally's story had much truth to it, and that at best, she was just accidentally correct about some future plot point on a more metaphorical level - but now i wonder if "sally's story is an embellished version of something she actually did experience that she's telling to sound less suspicious" carries more weight than i originally thought. y'know, like, a covert attempt to explain the unexplainable, even if only to herself. a monster, after all, is a physical thing that you can kill if need be. whatever eddie (and following this train of thought, sally) saw... not so much.
maybe... and i have no evidence for this, but maybe part of sally's animosity towards eddie is like, some subconscious resentment over the fact that for whatever reason, she doesn't feel safe to entrust anyone with the truth of what she actually saw (and furthermore, the truth that she doesn't know what she actually saw - god forbid the perfectionist be less then perfect!) like "ahhh look at this loser, i bet he wouldn't even be half as good as i am at keeping on the down low if he saw even a fraction of what i saw. no class! no tact whatsoever! why, he'd break down at the first sign of true adversity, with how accustomed to mundane labor he is!" the tragedy there is, of course, that sally does not deserve to be in a position where she feels like she has to hide something like this from her neighbors to begin with, but she doesn't have the emotional self-awareness to realize this. does that mean she led eddie to the homewarming party with the intention of exposing him to the horrors? ...it's possible, but i can't see that being compatible with this specific theory, so i'm going to set it aside for an alternate reading for someone else to come up with. either way, her approaching eddie with frank and then leaving right before eddie snaps back to reality (or rather, the layer of reality he's most accustomed to) does feel very deliberate in this reading. so many questions...
of course, to reiterate, that's all purely hypothetical. her feelings towards eddie could stem from something totally different and the screenshot above could just as easily be a visual representation of her big honkin' ego. but, like, once upon a time i thought the letters that made up the YXWVOE code were nothing, so. you never know!
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