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artist-issues · 5 months

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I Saw Wish

And it was the worst animated Disney movie I’ve ever seen. I have to watch it again before I can get into the nitty gritty details. But I don’t need details to sum it up, because my dad actually said it perfectly as we left the theater:

“It was like someone who didn’t really understand Disney movies tried to make a Disney movie.”

Both the form (the technical arts of filmmaking) and the content (the morals, values, and themes of the movie) were totally horrible.

I don’t know who’s fault it was. Jeremy Spears was in the storyboard room and Mark Henn and Eric Goldberg did some 2D animation. But they must have gotten outvoted, or they must not care anymore.

Because holy cow. Here’s some stuff that’s just off the top of my head.

SPOILERS. Not that it matters, because nothing interesting happens in this movie.

The writing? Terrible. Ninety percent of it feels like the characters are filling time with quirky one-liners that are trying too hard to be appealing, then failing, then taking you out of the movie. The jokes aren’t funny. The characters just respond to each other in conversation to check a one-liner box. The other twenty percent is whole conversations repeating tell-don’t-show exposition that has already been covered, usually twice, in previous scenes. Like if in Tangled, every scene had included some variation of Rapunzel saying to friends and enemies alike, “I have to see the floating lights so I’m sneaking to the castle with this thief who wants a mysterious tiara I hid from him. Don’t tell my mother, she’s a bit overprotective!” Over. And over. And over.

The character motivations are way too broad. Asha? Her dream is just “that everybody around me gets to be happy.” That’s it, in a nutshell. No deeper exploration of that. Nobody asks, “why do you care so much?” Nobody tries to convince her she should look out for herself, and then she proves she was right all along. The King? We are told (not shown) that he doesn’t want anyone else’s dreams to be “destroyed.” But he in no believable way expresses that that motivation is still what’s driving him during the movie—what’s driving him is just a plain old lust for power, no nuance.

By the way, the whole premise of the movie? Undercooked. Half-baked concepts strung together with no definitive meaning. Therefore, it’s not believable. Example: The characters act like the wishes are beautiful—well, actually, no, this movie doesn’t know how to show, so there’s not a lot of meaningful acting—the characters just tell us that wishes are “the most beautiful part of someone,” and that’s why it’s worth going through this adventure to give their wishes back to them. But there’s no proof of that in the movie. In fact, it directly kicks it’s own legs out from under that idea, because it has every character who gives up their wish forget that part of themselves. Asha’s grandfather has forgotten his wish, but that doesn’t make him any less “beautiful.” She, and everyone, still treats him like he’s this wonderful old man who deserves the world, who everyone loves…but why is he so appealing? If he “gave up the most beautiful part of him?” The only character who is changed by their lack-of-wish is the Sleepy-analogue character…who is just sleepy, which is described as “boring.” But nobody else who’s given up their wish in the whole kingdom acts like that. It’s just him. Also, the King acts like it’s so important to protect the wishes from destruction. But what does destroying a wish look like? That actually happens to Asha’s mom. Her wish-bubble is broken, literally, and she just says she feels grief. But like. Why? She never remembered it in the first place; it had been missing from her life for years. Also, what the heck is a wish?! It seems to range from broad concepts like “inspire people” to “fly.” Just “fly,” like a bird. The desire to levitate off the ground is the most important, beautiful essence of one background character. Like, what?! But no character ever has the why behind their wish to make us care.

I could go on and on about that point. Like, think about Disney movies that wrote the book on how to make movies about characters with wishes. If Ariel were in Wish, her bubble would look like “dancing and learning and exploring on the Surface with someone who understands her.” But we believe that that is her real, genuine wish, and that it matters to her, because we are shown why being understood is so important to her. Because it’s missing from her life. There’s a scene where she explores a boat alone, and even her best friend doesn’t get excited about it with her. Her dad won’t listen to her point of view. Her siblings don’t ask her about her life even when they think she’s in love. She wants what she wants because of pieces of her life that we are shown.

We are never shown why Asha’s grandfather is obsessed with inspiring people, so we have no reason to believe it, or care whether he gets it or not. We can’t feel disappointed when his wish is said to “never come true,” like we did when Quasimodo was abused by the people he wished to join. We can’t feel elated when he finally “gets” his wish, like we did when Simba smiles on Pride Rock remembering the same way he used to as a cub and claims the crown with a roar. We don’t have anything to hang on to, nothing to relate to, nothing to grasp and feel with the characters. So we don’t feel, because they didn’t put the work in to help us feel. They just say, “the mom’s feeling grief. Feel grief.” And expect us to do the work ourselves. I have to stop harping on this point and move on.

But The main point of the movie is very broad because of that lazy premise, and it’s barely reinforced by any kind of appealing storytelling. If I had to guess, the point would be “Keep wishing for more even when it’s hard.” But the story they told to communicate that meaning was so unimpactful. Asha doesn’t have a dream of her own that’s such hard work to accomplish! (Neither does her grandfather; his wish is “to inspire people.” And at the end, we’re supposed to see him strumming a guitar and believe it’s inspiring? We were never shown how he worked hard to learn how to play the instrument. Or that he carved it with his own hands, or anything like that. So there’s no meaningful demonstration of working hard for it or achieving your wish even if it’s far out of reach.) And nobody except the king is trying to take wishes away from anyone, and he just does it literally, after they voluntarily give them to him, so there’s not even any impactful demonstration of “don’t let anyone tell you your wishes are dumb or unachievable, or stop you from reaching them.” Even when he takes them away, it’s just because they…could, someday, be used to threaten his kingdom in a vague, really unlikely way. There are so many things you could do with “keep wishing for more even when it’s hard.” For instance; you could say the main character has always been afraid to dream (wish for more), because maybe when she was a kid something wonderful almost happened but ended in tragedy, so she keeps her head down and doesn’t want much because if you don’t dream you’ll never be disappointed. She takes no risks, and has to learn that sometimes trying and failing is worth more than slogging through life all self-protective. I mean, the pieces were right there. She has this line about her dad, and how she wished he would get better but then he died. She has lines about how nobody should have to live with grief?? Then that’s never addressed again! It’s just a throwaway emotion-moment with no buildup or follow-through to tie it to and support that main theme.

The compositions of too many shots were so terrible. Characters got cut off in weird places. One shot has Asha dead center, with her grandfather on the left side of the table and her mother on the right, having a family dinner with a super exposition-heavy conversation that is meant to be emotionally charged. But despite everything else being perfectly centered, half of her mother’s body is chopped off. The movie’s shot like someone’s mom who doesn’t understand technology tried to take a video with her phone.

The charm of the art “style” wears off basically immediately. I know what they were going for. I see the sketch lines and watercolor textures. This is maybe the first time Disney ever failed to accomplish a visual “look” that turned out good. Everything looks dull. Muted. De-saturated. Slightly out of focus, but not in a cool Spider-Verse way. The sets or backgrounds are lazy; at no point does the scenery look complete; big, empty, boring spaces that do not create any kind of “stage” for impactful moments. The rendering looks unfinished. When Asha’s hair moves during her belting of the “I Make This Wish” song, it’s bad. It’s unnatural. It flops in a way that doesn’t make sense for the weight of her hair. The most impactful visual moments come from the villain, and they’re moments when he looks way too unhinged for the kind of line he’s saying.

There is no interesting character development. Asha goes from believing everyone is basically good and their wishes deserve the chance to come true , to….that, again. That would be fine, she could be a static character, if she proved contrast-characters wrong, in a believable way. But she never does. Because no other characters argue with her except the King. And it goes no deeper than “everyone’s wishes are basically good and they deserve the chance to make them true” vs. “nuh-uh, because I get to decide what makes them deserving.” The King doesn’t have any kind of interesting development, either. They don’t expand on his tragic backstory—it consists of one drawing of him near a broken boat, and a few images of the corner burned off of his family taoestry. They never say “King Magnifico wished for _____ and it was taken away!” They literally never tell you what his wish or dreams were, or what motivated him to create the whole kingdom that the movie’s premise sits on. So there’s no convincing sense of progression, how he got this way, why he’ll keep going “so far.”

The pacing is weird. It undercuts every moment that could have any kind of emotion behind it. One minute Valentino is suavely bouncing around, then he’s given a two-second beat to blubber with badly-animated tears that he’ll miss Star—then he instantly gets to have another funny one-liner so we forget he might’ve been sad a second ago. We’re clearly supposed to believe that the King and his wife are devoted to each other, and his turning evil was such a big betrayal, but there’s no time and no impactful evidence for us to believe either of those things. And even if we did, the moment he’s defeated and trapped in a mirror, and begs to be let free, the Queen kind of shrugs it off, makes a forgettable one-liner, and tells them to throw him in the dungeon. And he doesn’t look remorseful. And we don’t even get to assume he’s embarrassed or emotionally devastated that he’s come to this—because the last thing he says is “nooo, the dungeon is so smellyyy!” Like this is a half-baked LEGO short that can’t get emotionally deeper than what an actual 3 year-old’s parents might be okay with.

And that’s the worst offense: The movie is not genuine. It works hard for nothing, and it has no vulnerability. It just uses old Disney standbys to pretend to be vulnerable. Have the music swell and the characters gasp and the songs drip emotion when characters are meant to be saying or doing something emotional.

But truthfully, think of all the Disney movies you’ve ever seen with the hardest emotional moments. The sheer joy of Genie when he realizes he’s free. The anguish when Elsa thinks Anna’s been frozen forever, or when Anna thinks she’s dead. The trauma when Simba loses Mufasa. The longing and dreaming of Ariel when she reaches up out of her grotto. The sense of foreboding when Mother Gothel says “fine, now I’m the bad guy” or the heartbreak in Rapunzel’s eyes when she thinks Flynn has abandoned her, or the shame on Aladdin’s face when Jafar reveals he’s a street-rat, or the horror of cruelty when the stepsisters rip up Cinderella’s dress, or Kala’s tears when Tarzan leaves her in the treehouse, or Sarabi’s tears when Simba comes back, or Mulan’s father tossing aside the sword and token of the Emperor to embrace Mulan, or heck, even just Lilo pushing Stitch in the woods and telling him “get out of here.” This movie has no moments like that. It has moments you can tell that the filmmakers wanted to hit like that—but they don’t.

Because no work is put into building them up. You know how much Simba loves Mufasa, because you’ve been watching their chemistry more than any other character all the way up till he dies. You know how much Mulan wants to please her family because she spends all of Act I desperately attempting to do that. You know Quasimodo believes the world below is beautiful and wants them to accept him because he has interesting things like—talking to gargoyles, convincing us that he’s lonely; building a scale model of the townspeople, convincing us that he sees them in a beautiful way and wishes he were beautiful in more ways than one like them, too.

Right down to the facial expressions, none of them are as anguished, happy, sad, excited, silly, in any convincing way like all of Disney’s other movies. Asha’s “low moment” when she’s afraid her “wish” hurt everyone else (still vague on what that wish ever was) lasts two seconds, she’s not crying, she’s barely sitting with slumped shoulders, and her family barely spend two seconds comforting her. They basically just say, “aw, no, it’s not y fault, it’s the king’s.” And she’s like, “yeah okay” and that’s that. It’s like the animators we’re afraid to animate really intimate emotions on the characters’ faces. The voice actors, too.

And the whole movie is peppered with Easter eggs to past Disney movies. But all that does, if you really know Disney beyond the visuals, is make you think of how hollow this movie is in comparison. How much you wish you were watching Cinderella or The Little Mermaid or something with depth and vulnerability instead of Wish.

#I’ll talk more in an organized fashion later #wish #disney’s wish #wish Disney #wish 2023 #critique #spoilers

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inbarfink · 3 months

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Okay, so… The ending flashback in “I Remember You” is often assumed by fans to be specifically the moment where Simon and Marcy first met. Like, Simon stumbled on this Weird Gray Kid crying in the middle of the apocalypse, cheered her up with a dolly and only after that Simon started taking care of Marcy full-time.

However, while this seems to be a pretty logical interpretation of the scene - a look at the original storyboard actually reveals that was not the original intention.

You can argue whether or not it was properly conveyed in the finished episode, but the intent was supposed to be that these two already knew each other and were already a tiny lil’ post-apocalypse family (‘he has left her alone for some reason’ implies that they would usually be together at this point).

I mean, since this idea wasn’t really all that clear in the actual episode, a lot of people who did know about the storyboard notes (myself included) still assumed it wasn’t really canon. You know, it didn’t seem like such a big deal. What’s the big difference between Simon giving Marceline Hambo on the first day they met or not? What difference does it make?

And even when this idea was discussed, it was generally within the framework of, like, speculating about a possible connection between Simon and Elise (Marceline's Mom). And/or that Marceline specifically knew Simon before the War. Since neither of these ideas ever really came back in the Show itself, most people just kinda forgot about these Storyboard notes - if they ever knew about them in the first place.

It’s only very recently that it suddenly dawned on me; what was the original intent behind that scene, what is the meaning it was trying to convey, why was it so important to specify that Simon and Marcy already knew each other in that flashback.

If this is Simon and Marcy’s first meeting then the narrative is, like we mentioned above, that lil Marceline was crying in the rubble because she misses her mom or she just really processed that the world has been destroyed, or because she was tired, or hungry. Then Simon sees the poor little girl weeping and immediately sets on to cheer her up and help her in whatever way he can. That is still a very solid narrative that focuses on Simon’s kindness and strong parental instincts. I can see why so many people are attached to it as their interpretation for that scene. It certainly makes sense for Simon’s character overall and Marceline’s relationship to him.

But the intended meaning is actually uniquely important as a part of “I Remember You”. Because the narrative implied by the fact that they knew each other at that point is that Simon has left Marcy alone ‘for some reason’ (scouting ahead? Forging for food in a dangerous area?) and Marcy probably started crying because of that. Maybe he was taking longer to come back than he promised her to, maybe she just started getting anxious because she’s a little kid all alone (who already has abandonment issues pre-packaged from her mom).

But whatever the specifics are, with this one extra detail of ‘they know each other’ it seems extremely likely that Marceline was crying because she thought Simon had left her forever.

But Simon did come back, ran straight to her, comforted her and reassured her that no, he didn’t leave her behind, he’s right here. And then he gives her Hambo as both an apology for leaving her behind and a reassurance.

A reassurance that he’s still here, and he’s not going to leave her.

#adventure time #atimers #ice king #the ice king #marceline #simon petrikov #marceline abadeer #marceline the vampire queen #marceline adventure time #simon and marcy #i remember you #simon adventure time #adventure time simon #adventure time marceline #adventure time analysis #at simon #at marceline #simon at

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ventismacchiato · 10 months

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40 behind the lens — paper rings !

scaramouche x g!n reader

⇢ ˗ˏˋ time skip of three years ࿐ྂ

˗ˏˋ headcanons ´ˎ˗

✰ you and kuni graduate at the top of your respected classes and have been dating for almost five years now, known properly as the campus it couple

✰ neither of you moved in together until last year when everyone else started moving out of the shared content houses

✰ first xiaoae move out together, then childe, then heikazu, albenari, then ayaka going back home and venti living on his own

✰ living in the houses on your own was essentially a waste of money and space so jean ended your leases and you guys finally moved in together

✰ and after graduation, with jean’s help, you’re able to slide into the industry pretty easily with your large fanbases

✰ you start off as side characters that grow in popularity since your fans watch the shows and movies you star in just for you both

✰ i like to think kuni double majored in child psych along with film in case acting didn’t work out in his favor so he’s pretty and smart

✰ but since this is fiction it did work out for him cus dreams come true #livelaughlove

✰ id like to think star/you would also act but probably dials it down to direct full time instead

✰ you preferred to direct compared to acting so eventually you started to fund your own projects with kuni on your cast which helped you grow

✰ you try not to cast kuni in every one of your movies because then it’ll look like favoritism but he prefers to star in ones you direct

✰ you also get your friends to be extras a lot, most of the time it’s childe who begs you to let him be in the back for movies

✰ you guys probably don’t get engaged for a while despite living together, blaming it on scara’s commitment issues and the fact that your careers are your main focus

✰ alongside luna, your previous black cat, you probably adopt another white one alongside scara

✰ as for actor!scara headcanons imagine scara on hot ones, that one show on youtube, and he has a straight face the entire time as he eats the hottest wings and answers questions about you

✰i think he’d have a lot of fun on shows like that, example would be eat it or spill it by jimmy fallon, he would annihilate them

✰ he probably does all his own stunts, always giving you a heart attack as you see him falling from heights on harnesses, sometimes he convinces the staff to fool you into thinking he actually got hurt due to a broken rope as he plummets to the ground

✰ he does it so much that there’s enough content for ‘scara pretending to die in front of yn for ten minutes straight’ compilations

✰ you guys probably stream when you can but not as much with your jobs, i think star doing behind the scenes vlogs of you and scara together would be so cute though

˗ˏˋ headcanons ´ˎ˗

✰ was a communications major so he’s the PR manager for scara and you after graduating

✰ yes i know technically jean could do this but she has enough on her plate! i’m just thoughtful like that #feminist

✰ constantly trying to prevent you guys from getting into scandals, which is hard when scara cannot keep his opinions to himself

✰ aether probably has a heart attack everytime scara goes off to do interviews since scara always ignores the pre written answers and goes on tangents, which his fans love but twitter not so much

✰ xiao as an animator wud be so sexy guys. like walk with me here imagine an operation true love anime after the drama and webtoon are a hit so he gets to animate for the anime and storyboards with albedo

✰ i’m tryna intertwine all of them even after they graduate can you tell

✰ as for him and aether they probably tie the knot a little while after graduating, small wedding with just close friends and family

✰ xiao would edit one of those pretty wedding videos that youtubers do

✰ but they don’t film the entire wedding for their channels cus they gotta gatekeep

✰ id say xiao probably still streams but he mainly just draws with music in the background or works on his stardew town with aether

✰ xiao probably strains his wrist a lot from all the work he does so at promotion events he’s always wearing a brace on his hand

˗ˏˋ headcanons ´ˎ˗

✰ okay in this au let’s all pretend he’s the creator of operation true love cus rmbr he’s a writing major and a huge romantic

✰ like how sexy is that, obviously it does well cus all his fans all read it and so it gets turned into a drama

✰ directed by you of course starring kuni as eunhyuk

✰ he’s still head over heels and throwing up in love with heizou, they probably adopt a cat together when they move in together

✰ i imagine if kazuha ever wrote a murder mystery novel he’d have heizou read it to decipher if the culprit was too easy to figure out

✰ nothing really exciting about heizou’s major in this au, he probably just becomes a detective and streams on the side, known as kazuha’s partner in the entertainment industry and attends all the events when he can

˗ˏˋ headcanons ´ˎ˗

✰ obviously goes into the art industry, works on a lot of graphic novels and novel covers and sometimes album covers

✰ when kazuha’s work gets turned into mangas or graphic novels he always does the art for it

✰ he probably paints nari’s favorite flowers for him and they adorn their house’s walls

✰ i’d say he doesn’t stream as much anymore but if he does it’s probably just him doing commissions with music in the background

✰ nari’s major is also not exciting in this au, probably becomes a forest ranger or a college professor

✰ albedo builds him a greenhouse in the back of their house for him

✰ the type to bring hurt animals home and fosters them back to health

˗ˏˋ headcanons ´ˎ˗

childe

✰ stealing from my pookie mrbeast for inspo

✰ he probably does stuff like has a whole business for his videos and side hustles like merch and a food company

✰ like maybe he and diluc collab to make an energy drink or something

✰i mentioned he fancies diluc like once in a previous chapter so that’s why he’s with diluc who streams a little

✰ they probably met properly at another twitch con or creator event

✰ very wow factor oriented like he does more than just stream games, he prefers to work on big challenge videos and loves giving away money

✰ like he would host those extreme hide-and-seek challenges with all his youtuber/streamer friends in weird locations and get them to do weird dares with him

✰ i think heizou would win those types of videos most of the time, whereas scara barely tries and still seems to almost win

✰ diluc probably does one stream a month because it’s not his entire focus, probably also a business major and just appears in childe’s videos once in a while

✰ how cute would it be if childe was always at his 110% in videos and extra hyper to make them more entertaining but when diluc joins him he’s more calm and cute

venti

✰ his streaming fanbase gives him a jumpstart in his music career yk how it is

✰ does a bunch of osts for shows and movies. still streams but also is a popular musician

✰ not an idol 😍🤞 has to be a little different than jptp but does start out by opening for tours and makes it on billboard

✰ i do think he’d eventually do a world tour though on his own and stray away from streaming to focus on his music, would probably just upload vlogs if anything

✰ does the operation true love ost so everyone is working tgt and he’s single in this au cus #singlerep

ayaka

✰ honestly i don’t care what happens to ayaka she’s just there ig

✰ keep doing what ur doing queen! i’ll support you from all the way over here!

behind the lens !

masterlist — prev | next

yes i’m using yeonjun as scaras face 🤞

also sorry if this isn’t as in depth as the jptp one i’m just tryna wrap this fic up ☠️

author’s notes — just like jptp i just wanted to do a bunch of headcanons :] this is how i envision their future and if u don’t agree talk to the wall cus idc 😊

synopsis — you, better known as STARDUST, and BALLADEER have always been in competition for the top streamer spot on twitch, which is especially impressive since the two of you have never shown your faces. you’ve never been on good terms, constantly one-upping each other in matches and getting into petty arguments on twitter, causing your fans to also dislike each other. that’s until BALLADEER does a face reveal that breaks the internet with his good looks…which makes you realize it’s the same guy you went on a date with last night. the type of date that made you crave to see him again. the only problem was he didn’t know you were STARDUST and he was way different behind the lens than he portrayed himself online to you. should you keep your identity a secret to salvage the relationship or just let him go?

taglist is closed — @captainzep @elysiumarchieve @plinkuro @sakkakuu-squared @eliqusgenma @vuvulia @kunikuzushiit @ins4nebish @stxrgxzxr @lilacponds @uma-umie @mitsukifilms @caesars-bubbles @wheneverthesunrise @its-like-twilight @kazuhalvrr @erosdevil @thenightsflower @p1utto @noodleshark420 @lxry-chxn @court-jester-stuff @lauragalliart @veyu002 @kaeyas-eyepatch-69 @leathernourishingshoepolish @satowaluverr @lexlapis @drunkwithfever @exhaustedcommunist @vincanzu @ainlaw @ovaliz @kitsuvil @whatamidoing89 @celestair @kunihaver @kazioli @xiaosoneandonly @cridtiins @cherrybeomgyu @asukahiriko @moon-320 @orionicchaos @cartierfiles [1/3]

#scaramouche x you #scaramouche x y/n #scaramouche x reader smau #scaramouche x reader #scaramouche x gender neutral reader #head in hands free me #behind the lens smau

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neoflect · 4 days

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sharing some of my disorganized jojo musical thoughts now that ive had a week to sit on it and ive rewatched it several times over. i intended to wait to publish something like this until a subtitled version was available, but im not seeing any indication that thats happening any time soon so for now youll have to deal with my loose interpretations from my extremely rudimentary and rusty japanese… so take what i have to say about the finer points of characterization with a grain of salt. gratuitous spoilers below obviously, both for the original source material and the changes made in the stage production

my feelings are OVERWHELMINGLY positive. of course there are things i can criticize or that i would have personally done differently but oh man… i have literally not thought about anything besides this fucking show for a week. im 100% confident in saying this is a better adaptation of the source material than the tv anime. sorry to the davidpro staff, i respect their hard work and their love for jojo and their dedication to what is by any metric a pretty difficult property to adapt off of the page, but i dont know if i can ever forgive them for leaving half of the first episode’s storyboard on the cutting room floor in order to fit a standard half-hour tv slot, especially considering that what they cut is some of the really crucial character-building stuff. happily those scenes are not only reproduced in the stage version, some of them are expanded upon!

with the quick disclaimer that i’ve only managed to get my hands on the final 4/14 performance with shotaro arisawa and yoshihisa higashiyama, from what i’ve seen the casting is perfect. i’m sure there’s a rip of the 4/13 performance somewhere (i’ve seen clips) but i haven’t been able to find one… every single performer knocks it out of the fucking park, the cast chemistry is incredible and even the minor characters are loaded with charisma. and mamoru miyano… my god… mamoru miyano i owe you an apology. i was not familiar with your game. of course hes been killing it for decades at this point but i had soured on him a little bit recently because i felt like he was overcast in everything and i just didnt connect with his dnt reinhard at all, so when the casting was initially announced back in august i was underwhelmed, and of course my standards for the dio role in particular were astronomically high… i’ll go more into detail later in the post because i have so so many things to say about dio’s characterization here but mamoru miyano’s performance is like, life-changing. i had impossible expectations and he exceeded them.

sorry if im gushing. i am a hater by nature. its unusual for me to be so thoroughly pleased with something. im not even a musical theater guy. these are strange new feelings for me.

just to balance things out i’ll talk about a couple of the things that didn’t really work for me: first of all, the music is just ok. my initial draft of this post called the music “bad” but three additional viewings later i have warmed up to some of the songs. i don’t know if this is a shortcoming by dove attia as the composer or if it’s just me, as i said i’m not a musical guy and a lot of the genre conventions of musical theatre are not really the things i look for in music that i enjoy, but like… even at their worst they are serviceable. nothing here is sonically unpleasant to me. high points are “resolve of the ripple” (zeppeli’s hamon training song, a jazzy swing number - it’s simply catchy and fun to listen to) and the closer “phantom blood” (a sweeping ballad that reprises the earlier “light and darkness”/”golden spirit” leitmotifs into an epic duet between jonathan and dio as they join hands and walk off into the darkness together… made me cry! i wont lie! on every single one of my numerous viewings this one got me misty eyed!)

wait i forgot this is supposed to be the part where i’m being critical. ok my most loathed song in the musical is “dio’s world”. sorry dio nation. it doesn’t really work for me. i think this might be a case of my standards/expectations being too impossibly high because it’s not even really the worst song in the whole thing. and of course miyano eats it up so it’s not really his fault. i just find it kind of underwhelming… i find the melody a little grating, it’s kind of just a generic rock number, it’s just missing a particular je ne sais quoi…. the essence of dio isn’t there… lyrically though i am obsessed with the premise of dio recruiting his minions by selling himself as a kind of social revolutionary who is upending and inverting the brutal hierarchy of post-industrial victorian society with zombie blood magic. you win some you lose some.

the second sticking point for me is the costumes. they’re perfectly serviceable… adequate… but i mean when it comes to jojo “serviceable” and “adequate” costume design obviously falls well below what’s expected, right? a lot of the outfits have kind of a boxy, almost flat-looking kind of unflattering fit on the actors, which if i wanted to be generous i could attribute to the challenge of bridging the gap between these frail slender musical theater twinks and the two-meter-tall 250lb roided-out beefcakes theyre meant to be embodying. (bearing this discrepancy in mind a lot of the insane martial arts stuff in the second act doesn’t really land with the oomph that it should, but i also understand logistically why this kind of casting is not practical, and all things considered i think shotaro arisawa does a really incredible job of embodying jonathan joestar even though he kind of looks like i could snap him in half over my knee like a twig. he’s very cute. so i’m not mad about it.) of course, again, logistically, i understand that in a stage musical production, where actors only have minutes to complete costume changes, some sacrifices have to be made to the creative vision in the name of practicality. nevertheless this is jojos bizarre adventure!! i want to see some fucking baubles!!!!!!

which is all to say that… after carefully considering it for some weeks… i still have extremely mixed feelings about dio’s grink ass feather bathrobe look. it’s not that i dont think its something he could wear (the concept of dio lounging around in his gothic vampire palace doing re-animator style body horror experiments on the local wildlife in this “officer i have no idea what happened to my husband”-ass nightgown is nothing short of hysterical to me) but then he wears it into combat and i felt a little disappointed… it has the same unflattering fit issue as the other outfits in the show, and it is just such an un-araki-like design… where are the gaudy color combinations? the bizarre geometric patterns? the tease of an exposed boob/thigh/midriff? erina gets a stage-original dress design that i have fewer issues with because the excessive pleats and ruffles have more of an araki-esque sensibility, but every time i look at dio’s robe it feels like there’s something missing. i’m going to choose to be nice about it because it’s not at all a deal breaker and, again, mamoru miyano devours the look. it’s fine. it’s always fun to have a new dio outfit. if anything, the fact that the blu-rays are being marketed as “2024 cast version” gives me hope for the possibility of a future production with a new vision for the costume design. (although the fact that this was such a difficult production - with stunts and pyrotechnics and moving setpieces - that its entire first week was cancelled indicates to me that the prospects for a future production from a different company are impossibly slim. i guess there’s always hope?)

in terms of the writing and the changes that were made from the original narrative, honestly i don’t really have an issue with anything that was cut. sorry if there are any diehard stans of Poco’s Unnamed Sister out there who are steamed that their favorite minor late phantom blood character got the axe, i kind of understand how you feel because i’ve been malding over david pro cutting the Danny Lore for eleven years, but i think it was the right choice and the story flows so much better. the real juicy meat at the core of phantom blood as a narrative and the thing that brings it head and shoulders above so much of the rest of jjba is the character-driven drama - that deliciously pulpy victorian gothic family tragedy - and the relationship between jonathan and dio. the musical beefs up the character drama and slims down the action-driven second half by trimming out the extraneous battles. the only real downside i see to this is that the absence of tompetty and his prophecy makes zeppeli’s arc and death feel INSANELY abrupt, but tbf that’s not a deal breaker for me. sorry zeppeli. you were born to die.

okay. okay. i think 1500 words into the post is enough fucking around so let’s talk about the real reason why you and i both know we’re here

musical dio is SO fucking sad. he’s positively wretched, you guys. he was born in a wet cardboard box all alone and forced to eat cement when he was six. he cries even more than he does in the source material and even when he’s not crying he frequently delivers his lines as though he is moments away from bursting into tears. back when the musical first opened i was snooping on the reactions on jpn twitter and one commenter said they could see miyano’s tears and snot from the nosebleeds even without opera glasses, a remark i initially assumed was hyperbole but that i now think probably was not. araki’s dio is certainly tortured and a deeply pathetic crybaby beneath all the cruelty and posturing, but changes in the musical and miyano’s embodiment of the character bring this pathos to the fore. he is literally haunted: dario’s ghost lingers, a manifestation of all of dio’s traumas and insecurities that emerges from the recesses of his memory to taunt him with the reminder that he will always be his father’s son, all the way up until the very minute that jonathan breaks down the door to his vampire lair. i am OBSESSED with this - not only for the obvious reason that i delight in dio’s suffering personally but also because kong kuwata is a delight and he fucking kills it every time. also lends itself to a category 10 leitmotif moment at the top of the second act when dio emerges from the charred ruins of the joestar estate singing dario’s theme and calling out to jonathan - if i had to pinpoint this is probably the moment when this musical stuck for me as the Real Deal. they Get It.

the first solo number in the show is dio’s disney princess I Want song (amazingly, simply titled “dio”) where he weeps for his late mother and his wretched lot in life, and then - in a creative decision that made me clap my hands and hoot and holler at my screen in real life - there is a reprise of this number (delivered, naturally, through tears) when dio is almost arrested for murder and decides to become a vampire instead. so there’s this amazing hopeful uplifting inspirational orchestral music accompanying the onstage action of dio ruthlessly slaying jonathan’s dad and then getting pumped full of lead by a bunch of cops. it is brilliant. 10/10 no notes. it’s moments like this that i think really sell the “softening” of dio in the stage version for me, even though i am historically Not A Fan of fanworks that take a similar angle - like, yes, he is sad, but specifically he is narcissistically obsessed with the spectacle of his own suffering, he is boiling over with bitterness and rage for everyone around him who (by his own estimation) could never hope to have suffered as much as he has. this sensitivity and self-pity he wallows in are not expressions of a guilty conscience or a desire to change - they’re entirely the opposite - every cruel and monstrous deed dio commits is always justified to himself because he is simply the saddest little boy who has ever existed. he has been done wrong by the world and so there is no limit to the depravity he may reasonably respond with. i’ve seen several commenters describe this as a drastically different interpretation of the character from araki’s dio (and someone told me on twitter that mamoru miyano himself has also said this, but i cba to go digging for an actual source so take it with a grain of salt?), but i… dont think thats the case! dio’s obsession with his own weakness and his self-perception as the eternal underdog (as compared to jonathan) are certainly more exaggerated in miyano’s performance, but i don’t think this is an angle to the character that’s been manufactured out of whole cloth. the genre conventions of the stage musical force the melodrama up to eleven and dio’s incredibly repressed angst is the most rich vein to mine for that. hair-trigger sadist dio is still here, it’s the same guy, he’s still killing people mercilessly, you’re just getting to see him sing a big ballad about his feelings instead of confining those to an internal monologue.

if anything, the exaggeration of dio’s pathetic/cowardly/crybaby traits combined with his megalomaniacal aspirations and bottomless well of cruelty is just right. it’s perfect. fucking around, finding out, and then trying to weasel his way out of the consequences with crocodile tears just so you don’t see him drawing his knife to cut you clean open… yeah. thats the stuff. thats my one true blorbo. sad to say i will love him for ten thousand years.

i think that might be all i have to say… or at least all i feel like saying here… most likely ill come back and edit this post later. i certainly have some additional thoughts and some more esoteric/controversial takes but they’re not suited for a public blog. real ones will understand. im keeping my eyes peeled for somebody to translate this thing but to be frank i am kind of enjoying this little corner of fandom as it is right now: just the asians and the true hardcore phantom blood phreaks. i have not had this much fun in jojo fandom in almost a fucking decade. as soon as somebody publishes an english version my timelines going to get flooded with all the most deeply annoying “kono dio da” “speedwagon waifu” reddit guys and 15 year olds and my suffering will proceed. unfortunately this is my lot in life and i am doomed to be here forever because dio put a worm in my brain

#⚰️#jjba tag for blacklisting purposes but i dont want this in the main tag

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tainbocuailnge · 2 months

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I think there is a difference between the comic as a sequence of images with text and the comic as a comic. it's a subtle difference that an untrained eye might not see but the more one as artist draws comics the clearer this difference becomes, because one who first aspires to draw comics will soon find they are merely drawing sequences of images with text.

when people say an artist is clearly inspired by anime they often use "anime" to refer to japanese pop culture in general, but if you look more closely you can often tell it really is specifically anime rather than manga that inspired them, because the paneling and camera angles in their comics will read like a series of anime screenshots rather than a manga page. similarly, when I was a teenager really popular manga that had anime adaptions would sometimes get "animanga" reprints where they replaced the panels with the equivalent anime screenshots of the scene, and they often looked like dogshit because the very premise showed blatant disregard for why the original comic worked in the first place. these two examples are both about anime because i am a weeb but it applies outside that context too. a cartoon storyboard can be read as if it were a comic, but what it really is is a sequence of images with text that has yet to be refined into its actual intended format.

there are many artists who only employ the medium of comic because what they actually want to draw is a video, or a video game cutscene, but the only tool actually at their disposal is the ability to draw a series of images and add text to them so that is what they use. there is no shame or mistake in doing this, you have to make your art with the tools that you have available, and if the sequence of images with text is enough to convey the idea then it was the right tool for the job. but these are different mediums with different visual languages, languages which have a lot of overlap and can occasionally be used in each other's stead to achieve similar results (especially when drawing a fanart comic of a video game for example), but which are still ultimately different. the comic and the video and the cutscene are all different forms that a sequence of images with text can take but they are far from completely interchangeable.

there is a key difference in approach to the comic as a series of images roughly interchangeable with other forms of series of images like the video and the cutscene, and the comic as specifically the comic. this difference in approach is not always necessary to achieve results, an artist who wants to convey a scenario they came up with needs only the sequence of images with text to achieve this. but the difference between a comic with good writing and art, and a comic that is a good comic, is in whether it was treated as a comic rather than a sequence of images with text. I say this as an artist whose nearly every comic has been simply a sequence of images, because I just don't have the patience to refine it into a comic when I merely want to convey my idea rather than draw a comic. it takes a particular skill and insight that have to be developed and practised separately from the ability to draw well and the ability to write well in order to become good at making "the comic" as synthesis of the two.

it's hard to specifically point out the essence of this difference between the sequence of images and the comic because it's kind of a vibes thing honestly, and it depends on where and how the comic was meant to be published too. comics meant to have paper print editions have different constraints and requirements and frameworks to work with than webtoons meant to be read on slim mobile screens in a continuous scrolling format. a good traditional comic will consider not just how each individual panel looks but also the way each page as a whole looks, and how the pages look next to each other in a spread, and how it feels to turn the page towards the next spread. a good webtoon will consider the movement of scrolling down and how this affects the transition from one moment to another in its composition. time is time in videos and cutscenes but space is time in comics, and the space your have available determines how you can divide time across it. when you make a webcomic on your own website you have no constraints but the ones you set for yourself, and sometimes this leads to things like homestuck, which would not work in any other format than the one it created for itself.

the best comics are good because they tell their story and present their images specifically in the form of a comic, in a way that would not be possible if it were not specifically a comic. I think this is true for basically every medium, I'm just thinking about comics specifically lately, because even though I don't really consider myself a comic artist - because I usually draw sequences of images rather than comics - the thing my clients want to pay for is often still "a comic", and they don't know or care to tell the difference. it's a difference that, as established, is often fairly moot anyway, because as long as it successfully conveys your idea it's good enough. but it's precisely because the sequence of images is often good enough that the specific skill of the comic artist is often overlooked.

#anyway i love cuchulainn

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evilspiritweek · 5 days

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RC9GN Pilot got leaked lol

youtube

Actually super glad that the full pilot got leaked lol For those not familiar, a sample of the storyboards got posted online a few years back, so it's nice to see all the context wrapped up into one video:

youtube

There's a lot I want to say and compare, but finals are coming up, so might have to put a pin in that lol. Here's some of my first thoughts:

Most of the voice actors seem to be the same with the exception of Randy (and maybe Bash). Not a hundred percent confident, but I'm thinking that it might be James Arnold Taylor (whose most well known for being Johnny Test)

I love the addition of Cranzky (I think that's how you spell it?) I just think the addition of not only more villains (also women ones) would've been neat.

Not a hundred percent confident on this, but I think the character designer for this might be Stephen Silver (Kim Possible, Danny Phantom) Most of the characters don't really fit his style, but eh way Viceroy was drawn makes him look straight out of Kim Possible haha

As an aside, be sure to check out his work here!

That's all I can think off the top of my head right now. Hope all ninja show fans eat good tonight!!

#the va sounds so familiar but i can't put a name to it omfg #rc9gn #randy cunningham 9th grade ninja #randy cunningham #video #pilot #stephen silver #show analysis #2024 #og pilot from:#2010 #Youtube

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the-solar-system52 · 8 months

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DIGITAL CIRCUS THEORY

I was scrolling through Gooseworx's tumblr page and came across some images from the development of TADC. So I'm gonna theorize on what is going on in these scenes!

The first is a storyboard! On the drawing layer, Jax has a smirk on his face and seems to be looking at Ragatha (or maybe Pomni? it's hard to make out)

On the 3D layer, we see Gangle (presumably Happy Mask Gangle considering her carefree body language and no broken mask in sight) walking away from Jax and Ragatha. We also see Jax's model in an idle pose.

As for environment, they seem to be standing in a large hall with colourful cubes in the background, something red on an upper ledge and what looks to be a hole in the wall?? (those are probably placeholders tho)

My guess is that Jax is about to prank Gangle (probably breaking her mask) and is saying something mischievous to Ragatha like "watch this 😼". This lines up pretty feel with what we saw him doing in the character introductions.

The next are a bunch of funny smear frames from (what I assume to be) fully animated scenes! Although they look weird, it's very exciting to see a glimpse of what will happen in the pilot!

Caine flying on the stage we saw in the first teaser.

Pomni standing on the stage we saw in the first teaser.

Jax jumping in a room with brown/red walls.

Ragtha sitting down IN THE SAME HALLWAY WE SAW IN THE FIRST TRAILER! WHERE THE BLACK LINE CAME FROM!

Gangle lying face down on the floor (she's so me)

Bubble...sticking out their tongue?? I think??? In the same stage we say in the first teaser.

This where stuff gets interesting! Zooble is standing in a strange location with a checkerboard floor and walls made out of building blocks!

And this seems to be Kinger glitching the very same location! The building blocks look very similar to a castle, playing into the chess theme!

Another shot of Jax jumping in a room with brown/red walls, accept now we can see him jumping into a hole with the same checkerboard floor!

Jax sliding down a red slide.

Jax turning around (maybe laughing) on what looks to be the iconic stage.

A lot of these images reminded me of THIS promo from the Glitch Productions YouTube channel.

It has the same reflective checkerboard floor with Gangle lying face down on the floor! Although this is just a teaser, and not a screenshot from the actual pilot, I do think it's foreshadowing what'll happen in this episode.

So heres my guess on what some of these mean! I think this promo, the Zooble and Kinger images, the images of Jax jumping, the image of Gangle lying down AND possibly the storyboard, all take place in the same area!

This area seems to be a life-sized chess board with colourful blocks in the background making a castle! Assuming all these images were taken from the pilot, I think this will be the main location of the first episode! It will probably be where Caine teleports them to do Pomni's first challenge!

Considering the floor, I think this challenge will be real-life chess! With the character playing as different peices, working to try and capture Kinger! This may be used to show why Kinger is always so paranoid, because in chess the King is actually a very weak peice.

This may be looking to deep into it, but this may also explain why Gangle has fallen down in both teasers. Maybe, if the peice your playing as gets killed in the game, your out and you either faint, have to pretend to be dead or actually die and get revived later.

Or I'm completely wrong, we'll just have to "wait and see!"

#the amazing digital circus #the digital circus #digital circus #tadc #tadc jax #tadc pomni #pomni #kinger #gangle #zooble #Tadc gangle

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redbuddi · 9 months

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How do you cope with drawing backgrounds? I haven't found a healthy method yet

Well first thing's first you need to develop a passion for backgrounds and how much they can add to a work. If you only view it as an obligation, then you'll never allow yourself to see how much you can do with them.

I'm lucky because I was a Motorcity fan when the show was airing, so I was exposed to backgrounds like this that all of us in the fandom would pour over:

(cant find source, pls lmk if you have it)

by hungerartist

(By Abraham Martinez, cant find a social but will update with one if someone sends it)

These backgrounds aren't just fantastic because they're well-drawn, (although make no mistake, they are extremely good,) but because of how they wordlessly flesh out the world and the characters. The show takes place in a cyberpunk dystopia, where a new Detroit was literally just built on top of the old one, Detroit Deluxe. All the backgrounds above are from old Detroit (AKA Motorcity), but now look at one from Deluxe:

By Ivan Aguirre

Instant change, right? Motorcity is dark and grimy and falling apart, but it is dripping with personality and love.

(cant find source)

Deluxe, meanwhile, is bland and sterile. The most striking thing about it is the giant ominous Kane Co. tower, dominating the skyline. It creates a completely different tone and feel just by location, as the bright and vibrant color of Motorcity is constantly under siege by empty whiteness. The metaphor there is obvious and very powerful in my opinion. Apart from obvious cyberpunk anti-corportation message, I don't think they chose Detroit as the setting just because they like cars.

And all of this is stuff you can figure out just from the backgrounds!

On top of that is the fact that when you're doing layouts or compositions, especially if you're drawing a comic or storyboards, its good to have the background drawn or at least roughly laid out first so you can better determine what camera angle you're going for. A lot of the time if you don't your shots will end up looking kind of samey, usually just people's torsos.

#ask #asks #motorcity #i will always loop things back to motorcity if given the chance

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688199 · 5 months

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Astruc’s bullshittery: Debunking his tweets

Astruc’s tweets and claims about Felix is something I would never understand. He contradicts himself, for what? To make people hate Felix?

Case 1:

Sure he isn’t referring directly to this “version”. But when the PV was made, the concept of polar opposites was established, even shown through the early storyboards with Chat Noir presenting Ladybug with candles. It may not be a curse here yet, but it shows that Chat Noir was always meant to genuinely love Ladybug.

So it proves that the concept of Felix pretending to love Ladybug is a very “one-off” idea. Heck, even in the PV, you can see Felix being quite eager to transform. Does he look cursed to you?

Lastly, the existence of the 2012 bible is evidence that it’s possible to make Felix/ Chat Noir have an ulterior motive behind being flirtatious yet at the same time not moving away from his love for Ladybug.

Case 2:

In what way is this mysterious and evil? Again, even though Felix has the “Adrien” name in the bible, it’s obvious that Astruc is separating Felix (suit wearing, dark personality boy) with Adrien (the canon one).

It is true that Felix may be a bit evil, with that one singular image of him dropping an apple on Marinette’s head. But it’s a super early concept that isn’t present in the bibles (further supported by the fact they are shown to be able to use powers without transformation, and Felix being a pure misfortune manipulator.), meaning the idea didn’t reach that far into pre production.

That version of Felix is also shown more in Quantic Kids concepts, and even then, he was shown being slightly affectionate towards Marinette (cue that image of him smiling at her).

Instead of mysterious and evil, Felix had been long moulded more into someone who is driven, confident and dark (sarcastic). There’s way more art and descriptions depicting him that way.

Astruc even contradicts himself here when he says he cannot imagine Marinette liking Felix because it’s so clearly stated here why she does.

Not only that, Felix is written to have a soft side which he doesn’t show others. He even has fondness towards Marinette. But he doesn’t allow himself to fall in love. This means he actually sees himself falling for her if he gets distracted.

Overall, Felix might have underwent a very rough patch with him being mysterious and evil like what Astruc says (though in the fandom this version is often referred to as Nathan), but the development of his character shows that there was a lot of focus on improving Felix.

The time where Felix officially “became” Adrien is a few months after the earliest bible we have, where you can see the most changes being applied to the “Adrien” name. He doesn’t have a picture attached to the description (showing how they were still coming up with his design), he’s Papillon’s son, and has the goal of wanting to fit in rather than healing his leg. This is “Adrien” and no longer “Felix”.

Based on what Astruc said, he came up with “Adrien” because blah blah blah, but the Felix we’re seeing in the earliest bible is the same Felix he was dealing with before he came up with “Adrien”. Which, in my opinion, had quite a bit of depth to him that could be written well.

So is Astruc just straight up lying/ exaggerating Felix’s development and character in order to justify his decision to replace him with Adrien?

Adrien is significantly easier to write about as he’s more one dimensional, whereas Felix has a lot more inner conflict happening.

Maybe that’s why Astruc said: “Try writing Felix for 72 episodes”. He’s admitting to being a bad writer :/

#ladybug classic #precanon ladybug #ladybug precanon #ladybug pv #felix sphinx #thomas astruc #he can go fuck himself

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animehouse-moe · 2 months

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Delicious In Dungeon Episode 10: Preparations

With these last two episodes, it's been pretty clear that Trigger has been conserving their best efforts for episode 11. Larger KA lists, more outsourced staff, less experienced leads, sorta the whole 9 yards.

That's not a bad thing, though

I mean, just look at cuts like this one in the episode- the magic's still alive. We still see the quality that exists within the episode despite the relative inexperience of some of the staff.

Similarly, even though Munehiro Tomoyuki is a little experience and has some... questionable storyboard credits, they have some great ideas, like this cut of the Red Dragon. It really establishes the insane scale of the beast, as well as helping draw our attention towards the dragon's weak spot at the crook of its neck and chin.

(also shows off some of the great monster AD work in the episode)

There's really a lot to enjoy and appreciate with the episode, even if it isn't of the insane quality that some might wish it was, and I really enjoy talking about it, so if you want to read more of my thoughts you can find them in a full review of the episode here

#delicious in dungeon #dungeon meshi #ダンジョン飯 #marcille dungeon meshi #marcille donato #marcille dunmeshi #dunmeshi #dungeon meshi anime #laios touden #chilchuck #senshi dungeon meshi #anime #anime and manga #anime staff #studio trigger

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hkthatgffan · 10 months

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NEW VIDEO ON MY CHANNEL!!

I recently had the chance to talk with Ethan Marak of Stoopid Buddy Stoodios, about his work on the Gravity Falls episode Little Gift Shop of Horrors.

youtube

He shared some great new info on the stop motion process and never before seen photos from the set.

Below is a transcript of what I asked and his answers...

1. How did you get involved with Gravity Falls and were you a fan of the show beforehand?

I was working as an Animation Director at Stoopid Buddy Stoodios when this project came my way. The studio producers would cast Animation Directors to projects that were a good fit, and my known love of classic stop-motion animation in the Ray Harryhausen style made them consider me for this job.

2. Alex Hirsch mentioned in the GF box set that they contacted you directly about working on the show? What was that process like?

As I recall Alex was very into the idea of using stop-motion for this episode and he was very enthusiastic and excited visiting the set and seeing all the puppets and sets. When we translate an established 2d animation to stop-motion, there are a lot of creative considerations and decisions that need to be made for the designs and animation style to work. As I remember Alex trusted us to guide that process, and was flexible with any small limitations that came up.

3. Additionally, he mentioned that Disney originally did not want to do stop motion due to the cost and so Alex said he inquired about frame by frame costs and looked through everything that was done to see if it would fit the budget. How did that whole situation affect the filming and in turn, what was it like working with Alex and the GF team?

I wasn’t involved in any aspect of the budgeting for the project so I’m not sure what give-and-take with Disney occurred to make the numbers work for stop-motion. I don’t remember feeling like the shoot was under-funded.

4. How much creative freedom did you have in regards to the episode? Were things planned out beforehand or did the crew let you come up with ideas for the stop motion as you went along?

The team from GF provided character designs, storyboards and backgrounds. It was our job to create the puppets and shoot the animation in a way that fit into the background plates convincingly. I can��t remember for sure, but I think GF did the final compositing themselves. Everything is meticulously planned out in stop-motion animation, so that we don’t spend time building or shooting anything that isn’t going to be on screen. We had a lot of freedom as far as the style of the animation, and we were going for a cartoony look that worked for GF but also paid homage to Harryhausen, which meant paying more attention to the weight and subtleties than we might on other projects.

5. Were there any scrapped/deleted or cut aspects of the animation that did not make it into the episode? These can be scenes either planned out or animated that never made the final episode.

Not that I recall, no.

6. Would you be okay with sharing any behind the scenes photos, videos, memories, stories or more from your work on the episode that would be okay to be public now? These can be of the shoot, interesting stories or trivia about it, crew reactions, set up, etc. I understand completely if that is not possible but it would be great to learn about/see the animation process for this episode, the sets, characters, etc.

I’ll let you know if I ever find the behind the scenes photos I took.

Side note: Ethan did find a ton of photos to send to me that you can access here or as I shared below...

However, there were several I was asked to not share, such as behind the scenes images of the character designs and storyboards of the animated version of the monsters that was used to help map out the movement of the stop motion. Those are internal works that are not allowed to be shared and I will sadly not be able to. That said, @robertryancory shared these designs of the character publicly years back that look very similar to what I was sent. But what I was shown were colorized versions and almost final looks of the characters.

7. Do you still own the models or sets made for this episode? If so, what condition are they in (and if possible could a photo(s) be provided)?

I checked with the studio and as far as I can tell the puppets were given back to Disney at some point. There was a brief period where I remember the puppets were displayed in the lobby at Stoopid Buddy Stoodios.

8. Overall, what were your thoughts on working on Gravity Falls, the episode overall and the show later on? If Alex Hirsch or another GF crew member from it were to ask about helping in work on a new project, be it for GF or another show, would you do it?

I really enjoyed working on the episode and it is a stand-out project for me! It came out really beautifully and the GF team was really kind and respectful to us, and genuinely interested in our process. I’d absolutely partner with Alex on something else if it came up.

9. One extra question; Did you work on the mini stop motion bumper for Disney XD as well? If so, what was that like and what ideas were made for it that perhaps did not make the final promo?

Yes I directed that spot. It was another really cool project that gave us the ability to bring GF to life in stop-motion. The Stan puppet was amazing and looked so good- and our animators really brought him to life. We went though an extensive design process for the XD logo creature before deciding on the version you see in the spot. The goal was to make it look convincing as a taxidermy creation that Stan would have built, and to work in as many little eyeballs and body parts as possible that could move around.

BEHIND THE SCENES FOOTAGE OF THAT PROMO!

A huge thank you to Ethan for sharing this info and photos with me. Please do go check out his personal work on his Instagram, as it's some really cool retro stuff that I really loved checking out.

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ziorre · 8 months

Text

✨Commission info✨

I'm ready, I'm rested, I'm refreshed! And I'm completely charged to take care of your new ideas and characters!! Especially for this, I'm trying to expand the ways to bring your characters to life so that you can see them and be convinsed that they exist! I truly believe that every character is awesome and original and deserves to be shown with their own story! And I'll try to help you with this in a way that is more convenient for you! You just pick one below ;)

✨ PRICES:

- SEMI-REALISTIC STYLE (for the cases, when you want it looks more real without much stylizing)

- USUAL STYLE (for the cases, when you don’t mind it looks more stylized and a lil sketchy)

- STORYBOARD (for the cases, when you want to tell a story and don't mind to do this in very sketchy stile)

(this is a new way to tell your story in several frames. It'll look like still frames from a video, where you can show the dynamics of the scene and insert replicas in the form of subtitles. The form and type of storyboards can be redesigned. Keep in mind that frames will look very sketchy and with visible inaccuracy! DM me for more details ;))

Aaand...

👀COMING SOON!!!👀 - 3D MODEL OF YOUR CHARACTER

* you can find more examples on my page by commission tag and more examples of storyboards by rita diaz tag ** a helpful post describing a right order for your refs

✨ DEADLINES: After you DM me with a brief description of your idea, I’ll tell you the approximate date when I’ll be able to proceed with your commission !!!!Always warn me in advance if I need to draw art by a certain deadline!!!

✨ PAYMENT: What: USD or RUB When: full pre-payment (when you sent me the email and we approved the art idea) Where: Boosty (russian platform, supports payment via PayPal)

✨ THE PROCESS: You write to me in private messages on Tumblr, briefly tell me your idea of our future art, what style and what slot you want (full body / half body / bust). Then I give you my email address and you send me an email (with your Tumblr name as the topic please) with all necessary references (your character's face claim, their pose, clothes, background etc.). You describe the idea of the art in details, where it takes place, and other things that I need to know so that I can base the sketch on all that info, because after you approve the sketch, I don’t change art much in the further stages of the work, just some details. I send you the payment link on my Boosty page. Send you the sketch. After you confirm that you like the sketch, I finish the work and send it on your email😊

✨ OTHER: - I don’t correct the art after you approved the finished version. - I don’t copy other artist’s work or poses from their work. - I publish every commission on my social media, if you don’t want it to be published, just let me know. - If you’re not sure about art idea, I can suggest you 4 sketches with different poses/concepts/angles for extra $20 and you pick the one you like the most. - For significant corrections or a lot of small ones at any stage of work, an additional fee may be charged (this doesn’t apply to some small adjustments or details witch I missed). There are 3 free changes at the each stages of the work (sketch, finished version), further - $2-$5.

___________________________________

And of course I can't skip to say a huge thank you to those who commissioned and continue commissioning art from me! It means a lot! For real! This is not only material support, but also moral one, saying that I’m not wasting my time and energy in vain, that I’m moving in the right direction, that people like what I do! I can't tell how inspiring it is!! 300 commissions! I’ve never imagined that one day I would draw so many art for others! Just.. wow!! Thank you again so much for trusting me bringing to life your ideas! I truly appreciate it!😌

____________________________________

I think this is it, right? If you have any questions, feel free to DM me ;)

I’ll be VERY grateful for your reblogs!! ❤❤❤❤❤❤ (and thank you very much for this in advance, it helps me A LOOOOOOOOOT, I see each and every one of them! You’re the best!!!) Thanks for your attention! Have a good day =)

#commission #far cry 5 #cyberpunk 2077 #baldur's gate 3 #my art

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absolutebl · 11 months

Text

This Week in BL

June 2023 Wk 2

Being a highly subjective assessment of one tiny corner of the interwebs. Organized by which ones (in each category) I’m enjoying most.

Ongoing Series - Thai

Step By Step (Tues WeTV & Gaga) ep 7 of 10 - I really adore the family/household dynamics in this show. All the relationships between siblings are so well executed. All the tension and sub text and covert glances in the first “modeling” sequence was so good. I really want to watch the BL within this BL. Bruce is THE BEST. Jeng shutting down everyone with a cool few words is genius (especially given the curt sharp flat way he speaks Thai). Why does nobody have parasols or sun hats or sunshades or sunglasses or anything? I’m actually not mad about seeing an attempted reunion with the ex, bc we are getting to see both that (and how) they once were good together, and also the cracks that drove them apart (and will not allow them to ultimately be together a 2nd time around). I do feel sorry for Jeng, he moved too slowly and lost the 1st round. The captions were not good in the trunk seen, but trust me it was totally hilarious.

La Pluie (Sat iQIYI) ep 7 of 10 - I finally figured out why I am so tense around this show. In openly taking to task and challenging the soulmates trope, this narrative is telling viewers not to trust it’s core trope - which means we cannot trust the main couple to end happily, nor can we trust those characters who believe most strongly in fated mates (Pat & Mai). This means I, personally, not only can’t rely on an HEA but (as someone who also does not believe in soulmates) I am not entirely sure I even WANT an HEA. This has NEVER happened to me before. It makes me uncomfortable because that’s a core part of my identify with these shows. I mean, good job La Pluie, but also.... huh. Back to this ep: Uh oh. The crush is obvious and the soulmate knows what’s up now. The sex scene twist was v interesting, v gay, and v unusual in a BL. Unfortunately it’s still a BL so the faen fatal just HAD to appear. Will there ever be one out of Thailand where this trope doesn’t show up? Next week is the tried & true uke damsels off into the woods alone. Sigh.

Our Skyy 2 (Bad Buddy & 1k*) eps 12-16fin - Jimmy, baby, why so hot in an engineering smock? Please have mercy. Aw, Marc is back in yet ANOTHER BL. Definitely the current record holder for most BLs at any one time. (His filming schedule must’ve been insane at the beginning of this year!) PatPran are still great, and their eps this had me hooting with laughter (startling the cat). I forgot how much I enjoyed this show and cast. (Ohm looks great with longer hair, but also he’s lost a lot of weight. I hope he’s OK.) OhmNanon give pitch perfect LTR energy. Throwing EarthMix into the, erm, mix is fun if awkward. NO SINGING. 2 damsels in the forest! Also PatPran = geniuses at mock fighting. So much flirting. It was all quite adorbs. But me-thinks Chief & Tian have been eating moonlight chicken. Full review below.

Be My Favorite (Fri YouTube) ep 3 of 10? - was enjoying it up until the last bit, why so digusted by smooches? Bad GMMTV no green tea for you. Trash watch here! Rollercoaster about to go DOWWNNNN.

Luminous Solution (Sat Gaga) ep 3 of 6 - I still only like the high school characters + Dome (WHY so gorgeous?). Is he a magical spirit too? Also, the subs were well off kilter.

Ongoing Series - Not Thai

Our Dining Table AKA Bokura no Shokutaku (Japan Thurs Gaga) ep 10 fin - God they’re so cute. This show used the manga as a storyboard, so I knew the “crisis of faith over possibility of loss” would happen. Still in live action this felt tonally off. While understandable given Yutaka’s character, and ultimately particularly important for the dad and a relationship with the family, I don’t know we needed it in this BL. The book does have a better ending second scene, but it wouldn’t be possible to do it on screen easily. Ultimately, this show had a simple, touching, quiet end to it. That’s very like the show as a whole. I did love it - it’s been top of my list all along. Full review after the special airs.

Love Tractor (Korea Weds iQIYI) eps 1-2 of 8 - I LOVE IT SO MUCH. IT IS EVERYTHING. SHUT UP I AM FERRIL FOR THE BEAUTIFUL CITY BOY AND THE YOUNG FARMER. Come on. Korea. SRS? Plus some language play? I just go die now.

Star Struck (Korea iQIYI & Gaga) ep 7-8 fin - Man this was a difficult show for me. I know we’re supposed to identify with HanJoon but I really felt for YooJae. I’ve been in his position more often than I care to count, and it’s terrible to lose a friend because they caught feelings and you did not. It’s an awful thing to hold a friendship hostage on condition of a romantic relationship. Especially if the other person is not sexually interested in you! All that said, the boyfriend ep was okay. Not sure I believed in this relationship, but it was cute enough. The final ep was (how do I put this?) a loser. We spent a lot of time with terrible home lives and then a semi happy for now final scene? Whatever. Full review below.

Vian the series (Vietnam YouTube ) ep 6 of 12 - somehow I keep missing this one, I’ll catch it next week.

Naked Dinner AKA Zenra Meshi (Japan Fri Gaga) ep 9 of 12 - I think the Taiwanese boss is my favorite character. Japan rarely (if ever ) trots out the faen fatal trope. I mean I named it with a Thai word for a reason, it’s not from origin yaoi at all. Yet still there she is. Sigh. This show.

Stupid Genius (Vietnam Fri YouTube) ep 1 of 6 - RL Studio (Stupid Boys Stupid Love) bringing us yet another high school set VBL. It’s actually not bad. I see a lot of common faces whom I’ve enjoyed in past VBLs.

It’s Airing But ...

House of Stars (Thai Mon iQIYI) 12 eps - I bounced at ep 3. Will binge if told it is worth it at end.

Stay (Pinoy YouTube) 7 eps - It’s mostly in English and set in LA so I’m not bothering but the first one did drop.

Ever After (Pinoy ????) - I got nothing.

Takumi-kun Series 6: Nagai Nagai Monogatari no Hajimari no Asa (Japan Sun ????) 10 eps - NO ONE ASKED FOR THIS and no, I have no idea where to get it, why would I? (Say it with me everyone: Oh Japan, must you?*)

Boys Love Omegaverse (Japan ????) - honestly tho? Who tf cares? You’ll still tell me if you find it, because inquiring minds... Irony of this airing at the same time as Takumi-kun. Full circle much, Japan?

Tin Tem Jai Special (Thai ????) - honestly I checked Gaga & iQiyi in my territory (craptastic hotel) and neither had it listed so I quickly gave up. I mean OF COURSE I WOULD LIKE TO SEE Lee Long Shi in a bathtub, who wouldn’t? But...

Just because I didn’t watch the special doesn’t mean I can’t gank Lee Long Shi wearing nothing but soap bubbles for you.

I’m not a monster.

Ended This Week

Our Skyy 2 final 4 eps thoughts: This was an interesting combination, and don’t get me wrong I very much enjoyed it, but it felt like the story was carried by PatPran’s characters while the setting and narrative followed an ATOTS arc - ultimately disjointed. OhmNanon are so bold and vibrant they’re too stark a tonal contrast to EarthMix’s more refined and elegant approach, so for me the screen presences and the style of story clashed. It was like a bouquet made up of tulips & roses: they are both flowers and they’re both pretty, but I feel like they actually belong in different vases. Still, enjoyable. And I got a crying kiss. Always makes me happy. Definitely the best of this bunch, and probably the best Our Skyy (and I genuinely loved both the NLMG historical installment and SOTUS.) 8/10

Star Struck. A friends to lovers story that felt more friends to tolerant yet disinterested partner. It was more about challenges with parents and class strife. I would’ve been disappointed if the show hadn’t come out of nowhere so I had no expectations. But as KBLs go, don’t bother. 6/10

Next Week Looks Like This:

Starting:

6/15 Tokyo in April AKA Shigatsu no Tokyo wa (Japan Gaga) 8 eps - Based on a yaoi, this is a reunion romance that takes place in an office. Japan does Our Dating Sim? Yes please.

Still Coming - June 2023

6/22 About Us but Not About Us (Pinoy movie from 2022 on Prime) - A professor grieving the loss of his partner meets an ambitious literature student.

6/24 Why You (Khmer BL ????) - Billed as a horror romance, not sure if this is a movie or a series where it will air... nothing except that it exists.

6/24 Tie The Knot AKA Under the Same Sky (Pinoy movie on Prime) Trailer - I guess Prime is coming for our Pinoy BL? From OXIN Films (Rainbow Prince), announced for 2022 based on a true story, Briggs's family runs a bridal business but he has never had a chance to fall in love until he meets Shao, a groom to be.

6/25 Dinosaur Love (Thai iQIYI) Trailer 5 eps - from Ultimate Troop about a uni student, Rak, whose partner cheats on him with Rak's best friend. This gives bad boy hazer Dino an opportunity to hit on Rak at last. From The Yearbook people so I will not watch this as it airs. After Remember Me? Never again with them.

2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED)

THIS WEEK’S BEST MOMENTS

Bruce is so damn fantastic in this show.

Consent comes in all different forms. (both Step by Step)

Fight fight fight!

Sex sex sex blow job! (both La Pluie)

Smartest boy in the show.

Not enough InkPa... never enough. Never never never!

Love the suit.

All from the Our Skyy 2 BB + ATOTS cross over.

(last week)

Current Kpop earworm? IVE’s I Am

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sabertoothwalrus · 2 years

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eep sorry if youve been asked this, but when u go abt drawing bgs for ur comics, do u look up references or use imagination, and how do u practice drawing bgs for storyboards rather than illustrations? im rlly not sure where to start, and i feel like a lot of advice focuses on rendering bgs rather than it feeling ~lived in~ or actively being used or augh not sure how to say!!

hhhh ok this is something I am also still in the process of trying to figure out, and I am not a professional storyboard artist so I will attempt to answer to the best of my ability.

when it comes to storyboards, the amount of detail bgs will have during the boards phase will depend largely on both the studio AND the specific production. some 3D shows will have a render of a commonly used room the board artists can angle around for their shots. Adventure Time boards tended to be pretty loose, while the Owl House boards are EXCEPTIONALLY clean. DTVA seems to have bgs created in a several step process, and I'm not exactly sure of the timeline, but I know they have vis dev artists that do more illustrative, conceptual drawings to get the vibe, then the board artists draw out what general angles will actually be used, then layout artists/bg designers who actually go in and DRAW those bgs and add in all the little details, and THEN the colorist comes in and...colors it. I don't think every studio distributes the work in this same way. Not every studio is going to want board artists to draw clean backgrounds, but MOST will get pissed if you refuse to draw them at all djfhgdjf

If you want some tips about adding small details, this has some really useful advice.

I don't add lighting or grayscale values to my comics unless it's important to the tone/clarity, and I think that's generally the case with boards too (at least for TV, I don't know as much about boarding for feature). Here's some advice about adding lighting.

^ here's a bg I put a little more effort into than usual. I referenced some images of thrift shops I pulled up on duck duck go, some of my own memories of thrift shops I've been to, and even went on the shiftythrifting tumblr. This was just a silly comic I knew I'd be posting on tumblr rather than a serious board, so it didn't matter to me if it was perfectly clean or not. some of the shapes are... vague. and loose. but who cares sdjhfjd I think (?) it conveys the concept that this is a thrift shop.

^ for THIS comic I wanted imply hunter crowded them in the bathroom to "talk in private" which felt like a very 16 year old thing to do + there were already some nifty references of the Noceda's bathroom. and listen I know it's not perfect. I didn't draw ANY perspective guides, did more trial and error than I probably needed to, the cabinet is WAY too high. (even in the original, why is this bathroom so spacious???? why is the toilet so far from the wall where the toilet paper is???) but even with all the mistakes, it doesn't matter! no one probably noticed while watching. you see it so briefly, and your attention is still focused on the characters.

I'd say the main thing when drawing bgs for storyboarding & comics is to focus on Perspective and Composition above all else. It's ok to be loose, but make sure you still have Clarity. Be mindful of proportion ("how big is this character in comparison to the objects around them?") and angles ("if this is a low angle, shouldn't I be seeing the ceiling/sky?") etc etc because even if you know you won't be drawing it perfectly, it helps to still have it in mind.

#art help #perspective #backgrounds #comics #storyboarding #photos

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