Look what I GOT. A tenkona fan gave this to me for free :)) it’s a fucking 24 year old SPECIAL Shounen Sunday magazine issue that contains extra cheeky angel content.
Holy shit guys actually.
Very kind fan also drew fanart and gave me some prints of it
TikTok I made about tenkona got popular. All in my nishimori propaganda plan.
(I DIDNT KNOW ITLL BE WATCHED BY PEOPLE WTF NOW THERES AT LEAST 1000 PEOPLE MORE WHO KNOW TENKONA THATS CRAZYYYY WHAT THE FUCK SOME PEOPLE SAY THEYRE GNA READ IT I DONT TRUST THEM BUT AT LEAST THEY KNOW THE NAME)
I love being in non existent fandoms because I have no one to show my SPECIAL LIMITED EDITION JAPANESE DEATH PARADE DVD BOX SET and BOTH DEATH PARADE AND DEATH BILLIARDS STAFF BOOKS WITH OFFICIAL ILLUSTRATIONS + STORYBOARDS and 40 PAGES OF DEATH PARADE STAFF ANIMATION NOTES
Oh and I cannot forget the other even more non existent fandom that consists of only me because I have a HIROYUKI NISHIMORI MANGAKA BOOK and 17 VOLUMES OF OUT OF PRINT TENSHI NA KONAMAIKI OFFICIAL ENGLISH MANGAS IN HONESTLY PRETTY GOOD CONDITION
Sup to my 10 followers. As y’all know I like to write ladybug precanon stuff, such as analysing its potential, and actually writing fanfiction from time to time. I also occasionally do content for a super niche series called cheeky angel, but whatever.
As much as I like to do allat, I haven’t been doing any of those lately. Why? Well because Ive been very inspired by my dear haters (yes I’ve received a fair share of them in my asks and on tiktok lmao) and their suggestions.
“If you know so much then why don’t you write a series yourself???? If it’s sooo easy.”
Challenge accepted.
Im working as a writer for several indie comics currently. They’re all in pre production and have yet to release. Probably won’t release until 2025 to be honest. But yes, I’m writing comics. And I’m self-studying storytelling and screenwriting too. This is why I’ve been a bit busy. And I will be busy for a while, giving me little time for ladybug precanon.
But I’m glad to have shifted my love for concept potential over to something that is more productive (lol). Instead of crying over spilled milk, I now help artists flesh out their concept and ideas to the best of my abilities, allowing their stories to not go down the miraculous ladybug route of wasted potential. And I’m super blessed to be working with talented artists who trust me enough to do this.
I’ll still be active in reblogging art and stuff. I just won’t be doing the fanfic writing or analysis stuff.
Thanks for reading and supporting :)
Ps if you ever see a webtoon canvas comic that has the writer credited as 688, then you’ll know that these projects have finally come into fruition. I hope they do honestly.