#i'm open to opinions

[detroitbecomeonline]

I know I have said it before and I'll say it again: The writers/director did North so dirty when we first meet her. Evading her eyes like a shy schoolgirl. No weapon on her person, not even a metal poll if not an AK-47. A human-lookin' ass falls through the roof and she doesn't kick his ass?? Give this woman a BUTTER KNIFE I don't care. She deserved better. She deserved to have a rocket launcher on her shoulder or something idk <3

#it would have immediately laid out her actual personality instead #of the shy woman love interest trope #i guess you could argue that it shows her opening up to the outside world over time in order to change it #but let's be honest DC was not thinking that #he went for 'bitter shy uwu fall in love when she opens up' and we know it #she should have had a shovel to foreshadow mistakes in capitol park or something #or at the minimum held eye contact like the rest of the gang ffs #i'm open to opinions #dbh #detroit become human #north dbh #mydbhbrain

[unluckyhoneybee]

hiiii! i just wanted to know your opinion on relationships with big age gaps and stuff like that (6+ years maybe)

Well, I consider this a kind of sensitive content for some people so the answer is under the cut.

First thing. I'm going to talk always about +18 relationship. If you are an adult and go for minors when there is an age gap, you are shit. I say the age gap thing because if you are 18-19 dating someone who is maybe 17 you are basically the same.

I think that it depends on the age. I don't think it's the same with 20-30 relationships than with 30-40 for example.

When you are in your early 20s, you still have so much to learn and experience. If you are dating someone in their 30s (or even late twenties), that person has probably already lived it all and has gone through it and it's looking for other stuff. I don't really know what people on their 30s want, I'm not even 22 (I'll be in a month and a half), but you know, settle and stuff like that. You want to have fun, experiment, discover new things, and even though people older want that two because I don't think we loose that, it's different. You are discovering things for the first time, you are naive and I think it's easy to be tricked. If you are 30 dating someone who is 40, you maybe want more similar things so it may be easier.

Then there is this stuff about people who seeks dating people younger, considerably younger. Why do I think this happens? Because that people is probably shitty. Experience wins. Always. If you date someone younger, who hasn't gone through certain situations, I think it's easier to trick them. Naive people is easier to manipulate.

For me there must be maturity in both sides. Both sides must know their part. I see myself now, and I know that I couldn't be with someone older. I fear to be with someone with more experience in life. It makes me feel anxious. I know it won't work for me. Maturity is essential in every relationship, yes. But in this case even more. You need to know where the limits are, why your partner likes certain things and not others. And for the older, to not pressure stuff.

For me it gets less problematic as the younger person is older.

In conclusion, it's not necessarily a bad thing (for me). As I said, both parts need to know your position. Obviously, you can't force things, you can't force the other to do things that they have already done or to force things your partner is not ready for.

For the young one, think about what your partner really wants, about how it would shape your life, about the stuff that you would need to do or stop doing for the shake of the relationship.

For the old one, think about how your partner maybe it's not ready for what you want, don't rush things. And the most important things, don't take advantage of the inexperienced person.

I don't know if it makes much sense, it cost me a bit to express everything in English, I can solve any doubt you have about this and I obviously accept other opinions (If you are going to be rude save it and go and fuck yourself)

#I'm open to opinions #Just be nice. #Rant #Honey bee gives her opinion

[veliseraptor]

this morning I am thinking about this little gem

and specifically about the feeling I've been turning over in my head for...a while, I think, about the way that there's this ambient assumption on Tumblr (and quite possibly elsewhere, this is just where I am) of...sub/masochist-as-normal-state, or at least sub/masochist-as-fine-but-not-questionable state, and it feels like that, on the flip side, ends up incidentally or purposefully constructing doms/sadists as the deviants, as inherently "sus."

and it lines up to a certain extent with the way that the conversations I see on this website about kink/BDSM often come from a sort of "presumed sub" perspective that leaves very little room for the thoughts and feelings of doms as valuable or important, and thoughts about an essay I read a while back that talked about the comparable societal acceptability of "fantasizing about being hurt" vs. "fantasizing about hurting people," and how "sadist" is a dirty word in a particular way that "masochist" isn't

it feels like sometimes there's this sense that (a) it's normal to have a little bit of sub/masochist tendencies, that's fine but (b) the only acceptable way to be a dom/sadist is if you feel bad about it. the ideal is to feel vaguely guilty, and mostly do it for the sake of somebody else's pleasure rather than your own.

I made a post a while ago that I can't find right now but it was, if I recall, "nails sign to tumblr door that says "doms have feelings too"" and I was joking but also I'm not.

#idk. getting kind of in my feelings #this has been something i've been thinking about more over the last couple years #and also kind of trying to be more open about? #because i think it would've helped me when i was younger #important text posts #lise has opinions #i guess is maybe the tag for this #anyway. i'm going back to work/whumpuary fic

[somegrumpynerd]

It's interesting to think about how, to me at least, Dust and Killer are like mirror versions of each other.

One who joins a villain enthusiastically, jumps at the chance to leave his past behind and have a purpose again, and the other who has to be dragged in, would rather rot in the consequences of his own actions.

One who needs orders, needs the distraction and the action and the thrill, can't sit alone with his thoughts for too long lest he hear them clearly, and the other who can't bring himself to ignore the ghost over his shoulder, would rather sit in place and listen to his own self loathing parroted back at him than stand up and find a way to drown it out.

One who doesn't associate with his past anymore, that wasn't me and I wasn't him, and cannot stand the thought of going back from where he came, and the other who wants nothing more than to be his old self again but feels so strongly that he doesn't deserve to return to the life he tore down himself.

They both wear their new names like dog collars, but one is a gift given by someone else because he's theirs, he has somewhere he belongs that he's expected to return to, and the other is a choker tying him to a post, warning others of his danger while never allowing him to get out of arm's reach of his past.

And getting them both back-to-back while trying to understand mortals was probably enough to give Nightmare whiplash

#UTDR #UTMV #He kind of expected when picking up Dust that because they were so similar they would get along #And boy did he have a big storm coming #I don't think he and Dream ever fought that much as kids #I feel like they were relatively nice happy brothers for the most part #And having Dust and Killer in the castle together was eye opening #Not that they would have been considered brothers at that point but y'know #Anyway it's day 4 of my week off and I still have absolutely no motivation to draw which sucks #But I am working through cross stitching the lil pixel versions of everybody so that's nice #Also I'm not main tagging this because some people have very strong opinions about the characterisation of these two #and I know I'm doing it wrong just to have fun so

[kaladinkholins]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary��I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

--

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

#blue eye samurai #mizu x taigen #mizu x akemi #mizu blue eye samurai #mizu x akemi x taigen #blue eye samurai meta #also if you ask me PERSONALLY. based on my own analysis which you can read above. personally i'm placing my bets on option b (mizutaigen) #and this is simply bcs i think mizu deserves nice things and that includes getting dicked down and pampered and worshipped #whoops who said that #also mizu deserves to live a life where she can hand taigen's ass to him on a daily basis. ykwim. #BUT i am def open to a change of opinion regarding the mizuakemi rship as the story progresses #i just dont want the writers to reduce akemi into nothing but a love interest for mizu #the only way i can see a happy mizuakemi endgame scenario is if blue eye samurai becomes purely an angsty romance story #in which case then yes i fully endorse the akemi ending <3 #but that would probs require a whole genre overhaul? bcs currently the show is firstly an action-epic where the romance is just a subplot #but even tho i dont reeeeally want a mizuakemi endgame i still DEF want mizu & akemi to be romantically and/or sexually involved plsss <3 #like they cant have that slow-mo shot between the two of them as their first encounter and NOT DO ANYTHING W IT!!! #also i want mizu to be at LEAST a little sapphic plsplspls #shut up haydar #meta dissertations.pdf #haydar's fandom posts #i wrote this whole thing while delirious and covid positive

[coloriza]

"Sakura had never felt so validated in her love until she met a man made better by her burning."

The Void Between Fireflies by @renaerys

#sasosaku #sakura haruno #sasori #akasuna no sasori #this one was inspired by both jo's beautiful fic and a sasosaku month prompt “like fire” #jo is super duper talented and i highly recommend checking out her stuff #she is one of the few who truly nails sasori's characterization in my opinion #another fun fact is that she is partially responsible for the fact that i speak english #her stuff was the catalyst that really got me studying english back in the day #i read zero hour while having a dictionary open in front of me lmao those really were the days #anyways i'm rambling #my art

[wenellyb]

Buck and Tommy just got together and there are already hundreds and hundreds of posts in the 911 tags talking about how Buck and Tommy's "break up" will happen.

And it's fine, people are allowed to share their theories, I share mine as well, but I can't help but wonder what's the angle here?

From what I've seen, most people are sure Buck and Tommy are temporary because they're sure "Buddie is Endgame"? But how would they know?

As far as we know Buck and Eddie are best friends and there hasn't been any indication that the writers are planning for them to have à romantic relation in season 7. Reading interviews with shipping goggles on isn't canon, it's fan theory.

If they had planned it, they would have put some "seeds", some small hints here and there when Buck and Tommy got together, showing that Buck and Eddie's relationship is not meant to be seen platonic, like Buck being unsure about Tommy or Eddie being supportive but a little jealous.

But they haven't, all we've seen right now is Buck being head over heels for Tommy, telling his sister what he likes about him and telling Eddie how he can't stop thinking about Tommy. Buck has such a massive crush on Tommy he invited him to his sister's wedding.

Buck's coming out scene to Eddie was so beautiful and emotional, but there was no hint of Eddie being jealous or him having romantic feelings for Buck. We even got the sweetest and most platonic hug ever.

Where exactly are we supposed to get the message that Buck is harboring a secret crush for his best friend? Or are we supposed to imagine that he'll magically develop romantic feelings in the middle of the season?

I don't understand where the "Tommy is a placeholder for Eddie" theories are coming from???

Buck hurt Eddie to get Tommy's attention, his words not mine. How are the writers going to go from that and make us believe that he was in reality in love with Eddie? How would that go?

I have nothing against Buddie, I even like the idea of them, but at the end of the day, I believe what I see on screen. Fan theories are just theories.

I'm sorry but to me, Buck is all about Tommy.

As someone who has seen my fair share of TV shows, I'm wondering why anyone would think that that's the direction the screenwriters are going.

#it is possible that the writers are trying to set up a Buddie storyline but they wouldn't have done it like this #bucktommy #evan buckley #tommy kinard #eddie diaz #911 spoilers #also actors don't write the shows so people thinking anything said in these interviews will give us information about future plotq. #...I don't know what to tell you #I'm open to discussion as always... I love analyzing shows and characters and hearing other people's opinion

[reiderwriter]

small psa to american/non-uk fanfiction writers trying to write dialogue for characters from the uk or europe: stop using pet names

love, pet, duck, sweetheart, babes etc they're all regional pet names you'd probably only encounter in one part of the country, and most of the times the characters using them actually speak queen's english (think the marauder's/ sherlock etc they're upper class characters they're not speaking dialects)

pet names are also really condescending when they're being used by someone of the same age as you - when I'm in the uk I expect to get called love or pet a lot, but only by people my grandparents and parents age who view me as a child, or a creep on the street trying to get overly familiar

I don't know if this is just my personal ick, but it just doesn't sit right in the dialogue for me - think about the dialogue the characters use in the primary content you're writing for, and if they're not speaking in a specific regional dialect/ you can't tell if they are, or they're not a bit of a creep and a flirt, try not to delve into those unspecific pet names

((that is to say if you establish a small pet name between the characters within the fic that would work, or if its a kink related pet name like princess/ baby girl that would probably work too, just not in outside dialogue - we're still pretty stiff upper lip lmao))

#Fanfiction #writing tips #Writing English characters #writing pet peeves #marauders #bbc sherlock #If anyone has any opinions please comment I'm open to discussion and feedback!!

[kenobihater]

of all the star wars movies, which of them do y'all 1) enjoy the most 2) consider the best quality and 3) think you've rewatched the most. add your answers in the reblogs or replies, i'm genuinely curious how much of an overlap there is within everyone's three answers. mine don't overlap at all! they're revenge of the sith, empire strikes back, and the force awakens :^)

#len speaks #star wars #revenge of the sith #empire strikes back #the force awakens #not tagging more films than that bc i cant b bothered. incoming tag ramble ahead bc i have sw brainrot rn and im making it everyones prob❤️ #i rlly struggled 2 remember if id watched tfa or aotc more. i went w/ tfa bc it was formative to me as a teen and ive seen it probably 6ish #times? whereas aotc was the first sw movie i remember (specifically the scene of obiwan serving c*nt in the bar lmao) but i've only seen it #for sure 4.5 and maybe 5.5 times. the .5 is from when i got bored after obi-wan's scene ended and ran off to go play in the mud or smthn 😭 #i'm sure tfa will eventually get surpassed in number of rewatches by aotc and rots bc i don't fw the direction of the ST but that's my #current ballpark estimate of my total number of rewatches #as an adult tho if i just wanna watch a star war i'll go with aotc bc it's fun and ends semihappily and i can turn my brain off for the #spinny lightsabers. it's great background noise or for if you're sick or whatever. rots on the other hand? i won't talk through that unless #i'm quoting it with my brother and i am LOCKED IN 100% entirely entranced by it all #i almost picked rogue one for the best quality answer but i think the character writing is weaker and the facial cgi is creepy. esb beats #it by a hair imho bc of that. the vader hallway scene goes hard tho!!! #also i'm not covering shows or games or books or anything else in this post - simply the films. might ask abt shows later but that might #also give me hives bc so many of the shows suck ass and i don't rlly want ppl extolling the virtues of t.bb in my notes 💀 #and yes i do think one's enjoyment and one's opinion of quality are two things that often overlap. but sometimes you just like something #bad and that's awesome. like rots is the best of the prequels by a large margin and i adore the opening and characters and many of the #scenes but that doesn't mean it's the best star wars has to offer ykwim? it's my specialest most favoritest sw movie but that doesn't blind #me to the dialogue lmfaooo

[mugentakeda]

some basic background notes on lu ten's weapon, scars, and why I chose the name for him that I did!!!!! This stuff is mostly for myself as i've said before (so I'm not super inconsistent when I write stuff for it hdfndkjn) but I know some of you like this nutty au lol (article on Liu Ju (Crown Prince Wei)) (samurai champloo fight scene with Sara to see a yari in action **including the windmill rock attack i mentioned)

#I picked liu ju not just because of like. The fact that he was a rebellious prince that lead an uprising against his father #but also the kind of ruler that he was said to be versus that of his father #because his father was apparently more interested in territorial expansion that burdened his people #and liu ju was more interested in the social well-being and economic recovery of the people and was known to be hospitable #very open to opinions (with a large council of advisors) #and favored lenient policies and helped overturned wrongful convictions often #SO YEAH. and that's all kind of what I'm going for with Lu ten anyway. discovering liu ju was like hitting the lottery hkdnfdjknf #apologies for this shameful geeking out..................... #dai li lu ten #atla #alicias art #alicias writing stuff

[spllwys]

sleep token rituals 3/? 𝅘𝅥𝅯 source — Aqua Regia

#the stroke .......... #controversial opinion- i am not the biggest fan of aqua regia #the opening synth + piano is so pretty and the lyrics are banging as per #but the chorus ... not sure i vibe w it #lgifs #alltag #str_series #sleep token #someone has probably made gifs of these before. sorry i'm new still - i have not seen every post and apologise if im stepping on some toes

[pickles4nickles]

So I’ve been watching playthroughs of Yakuza games for a while now, but when I saw that the newest game takes place in Hawai’i, the place where I was born, raised, and have lived in for nearly 30 years now, I knew that this was something I had to have first-hand experience with and not let some guy tell me how to feel about it, to put it bluntly.

I went on a month and a half long journey to finish this game, so I sat around for a bit like

Jesus Christ I should write a review on it.

So if you’d like to read about 5k words on what I thought about The Video Game™, here you go.

Overall, Like a Dragon: Infinite Wealth is a really really good game. However, as Hawai’i local it was kind of hard for me to turn my brain off to some of the cultural inaccuracies and as someone who tends to play smaller indie games, I clocked in about 110 hours on this and I burned out a little towards the end.

GAMEPLAY

Let’s get into Gameplay first because I think I have the most positive thoughts about it. If you haven’t heard my thoughts about Pokemon lately, it mostly boils down to “It’s the only RPG I’ve really been playing in recent years and the gameplay has been very watered down and I yearn for a decent PvE experience.” This game definitely scratched that itch in more ways than one.

Infinite Wealth’s turn-based combat system revolves around positioning. Some moves have an AoE of either a straight line or a circle. Positioning a character next to an ally will proc a combo move with them and positioning them near items will proc an item attack where you can beat a guy to death with a traffic cone or something.

The job system is robust. Every character starts off with a default class- Ichiban’s is Hero, an all-rounder that can pretty much do anything; characters like Nanba and Eric (I know the game calls him Tomi or Tomizawa, but I’m not the game and “Fuckin’ Eric” sounds way better than “Fuckin’ Tomi”) are magic-oriented, so they’re basically wizards by default. You can change their class to other jobs (Desperado is my favorite because it’s basically gun mage), which unlocks new skills as you level them up. You can also change jobs as much as you want and skills carry over between them, so there’s a bit of moveset mixing and matching that makes my brain feel good.

Ryu Ga Gotoku Studio, (the Yakuza devs, which we’re just gonna abbreviate to RGG from here on out) have always been REALLY good at asset reuse (again, I cast a dirty look to Game Freak). They’ll make a whole-ass map of a region and reuse that same map for several games down the line. Not only do you spend a significant time in Ijincho again and not only do you go to Kamurocho for little bit… AGAIN, but there are two… what I can only call “macro” games that have the best asset reuse I’ve seen in, like, maybe anything ever.

DONDOKO ISLAND

Like A Dragon: Infinite Wealth comes with a whole-ass Animal Crossing clone that’s also kind of The Sims called Dondoko Island. In this, you rehab an island that’s being used as a dump for some trash pirates (no, seriously, they’re actually pirates, yar har and everything) back into a five star resort. There’s a whole-ass crafting system where you go around the island, harvesting resources, to build furniture and facilities, which include whole-ass buildings which have appeared in past Yakuza games. The crafting system is GREATLY improved over Animal Crossing: New Horizon in that you can skip the goddamn animation and craft multiple of the same items at once. You don’t even have to have all the materials in your inventory, it’ll take it from your storage. Placing items in the world is also in an overhead view and the only grievance I have with the system is that placing paths is really weird and you can only place a limited number of them. But overall, Nintendo, was it really that hard to put into the video game. Why did you make AC:NH disrespect my time in that way?

Once the island has been cleaned up enough, you can start inviting guests over, which all have their own set of preferences for the vibe of your island (rustic, pop, sleazy, etc), their lodging quality, and how much of the island’s flora and fauna (and minerals, I guess??) you’ve discovered.

I really really liked Dondoko Island because who am I to say no to a management mini/macro game with decoration elements. I mostly really appreciate that it doesn’t waste your time. I wanna say I finished it in like less than 20 hours… which is not short for a game within a game (actually, that’s insane for a game within a game), but for a game of this genre, it’s pretty short.

There’s also an entire separate mini-island that further helps you with efficiently running your island by passively collecting resources over time and just being a general stockpile of bugs and fish to catch. But I can’t talk about this part without talking about…

SUJIMON

A returning character voiced by Keith Silverstein in the English dub – yes, that Keith Silverstein, who voices Masayoshi Shido of Persona 5 and Zhongli of The Genshin Impact™ is a professor who documents the behavior of weird and often hostile middle aged men, called Sujimon. When Ichiban goes to Hawai’i, he asks him to also document the native Sujimon there as there’s a prominent Sujimon scene there. Mans wasn’t kidding as there is an underground, more or less ilicit Sujimon fight club called The Sujimon League with its own Elite Four called The Discrete Four.

In the previous game, Sujimon was just your bestiary (literally called the Sujidex), but now it’s a whole-ass game, which I can mostly only describe as simplified Yokai Watch, but a glorified card game. Just so we’re not here for forever talking about middle-aged men cockfights… because I can talk about the mechanics and inner workings of middle-aged men cockfights for a hot minute, Sujimon League basically operates on a 3v3, with an additional bench of 3, rock-paper-scissors kind of system. You’ll need strong Sujimon to get through this macro game and you’ll recruit new guys through four ways- through random fights on the map, through literal Pokemon GO raids, through a gacha system, and through combining Sujimon of the same type into stronger Sujimon (don’t think too hard about that one). I had a LOT of fun with this and, again, it scratched an itch I’ve had for a while. Almost all of the Sujimon are just guys you’ll fight in-game, so, again, an excellent use of asset reuse.

Sujimon smoothly integrates into Dondoko Island in a way that makes Palworld look even more balls-less than it already is. You know that little island I was talking about a few paragraphs back? That’s Dondoko Farm. You can put your Sujimon to work on it! As you’re running around on Dondoko Island, letting it consume your life, your Sujimon will grow crops, scrounge around for resources, and earn some cash for you. The island also has some resources to help with Sujimon League by leveling them up with a small investment of some dondoko bucks and your time, but also a Pokemon-Amie type mini-mini game that helps strengthen the friendship of your current Sujimon team.

Yes.

This game lets you pet-

The sweaty, weirdo middle-aged men.

Don’t think about it too hard.

Especially don’t think about it too hard when you have a Sujimon on your team that uses Xander Mobus’ voice clips.

Anyway, there’s also another minigame called Sicko Snap, which is basically Pokemon Snap with Sujimon. It’s a good one, too.

STORY

I guess… the best way I’d explain my feelings on Infinite Wealth’s story is

Objectively, this is an okay story. Like, it’s par for the course for a Yakuza game. I have a lot of personal grievances with this plot which I’ll fully unsheathe my blade for in the next section, but for now I’ll just say… this game is basically Hawaii Five-O crammed into a Yakuza game and that was an emotional rollercoaster ride that I’m not sure I enjoyed.

Like a Dragon’s main theme is “Even if you hit rock bottom, it’s never too late to get back up again” and that’s something I hold near and dear to my heart.

They have used this theme to my benefit and to my dismay as this also apparently means it’s never too late for ~*Romance*~ which, sure, yeah, okay, true, but did it have to be Ichiban and Saeko?

I’m trying to give the game the benefit of the doubt because… to me, it’s mostly one-sided (as in, like, Saeko’s willing to give him a chance, but isn’t as crazy for Ichiban as he is for her) and, like, dude is allowed to have a crush. But from what I have seen… because I never got around to finishing her Drink Link (I was gonna but I’m like really burned out on the game), they kinda strap C4 to the Bechdel Test and raze a village to the ground with it when it comes to Saeko’s character arc because most of her dialogue and interactions are about The Incident with Ichiban, which sucks because she had more character than just a romance interest for the protagonist in the previous game. If you’re also REALLY not into this plot point like I am, the story DOES NOT let you forget that this indeed happened as it seems to be a plot thread that might continue into the next game as well.

Needless to say, I don’t ship it, and I don’t get to block tags and just walk away from this one.

The game also kinda keeps nudging at, “Hehe, Chitose’s pretty cute too, right?” to which I say

Yes I understand she’s of legal age but she’s only like 21 AT MOST and Ichiban’s like 40-something you stop with that.

It doesn’t feel like Ichiban really had a character arc in this… unless you count “proposing on the first date” to “saying I love you on a redo and then being weird about it again” as character growth. He went to Hawai’i, had some shenanigans, found mom, got backstabbed again, fought the cult (which I’ll be really salty about in the next section), went back home to help Eiji’s character arc. This isn’t a bad thing, it’s just… Ichiban went on another adventure. And it was ok. I think maybe the game was sizing him up to, again, take Kiryu’s place and be The Hero, but… we already did that already? And I’m not even sure if the game was able to complete that message by the end of the game.

Kiryu probably got the most character development out of this game and talking this over with my friend Andrew, he brought up that it kinda wasn’t fair that this is supposed to be Ichiban’s game, but he had to share half of it with Kiryu. And I agree. His sections were also really hard to get into if you haven’t been a longtime fan. Again, I have a decent amount of Yakuza knowledge, but with Kiryu’s memories, a LOT of it went over my head.  It seems like RGG’s been trying to retire him as a protagonist for like three games now and MAYBE this time they’ll actually do it after this victory lap they’ve given him. But he did learn that “my friends are my power” and “never ever give up, you still have time to do better.” And you know what, that’s rad.

As far as the villains go, just, I dunno, they’re fine? Ebina and Eiji are very “okay bitch, stay mad, then,” and it’s. Fine? My only complaint is that Ebina’s arc felt like it was under-seasoned before they put it in the oven to cook and they could’ve peppered it on a little earlier in the game or something. Bryce’s entire deal I may have taken a little too personally, but that’s for later. Dwight was literally just Danny Trejo doing a villain role and I have absolutely no qualms with it. He was fun to watch.

The supporting cast was fun as always. Eric I hated at first, but he grew on me in the same way that, like, I’d bully a friend. Chitose I also kinda hated at first, was very sus of, but then she had a character arc that was pretty good. The Yokohama gang didn’t really have character arcs to them, but they were still fun to hang out with nonetheless. We got to learn a little bit more about Seonhee and she’s really fun. Both her and Zhao, who is my favorite for several reasons, are really really fun characters as they are both crime bosses (former, in Zhao’s case) who are BIG FUCKING WEIRDOS and I love them for it.

Joongi Han becomes a party member WAY too late in my opinion that, in a way, he’s technically an optional party member, or at least like getting a Dratini right before the Pokemon League in Gold/Silver/Crystal. He had some fun character moments, but felt kinda like an afterthought.

But also, ain’t no way he got his Hawai’i clothes at Hilo Hattie. There’s no way.

To wrap up my thoughts on the main story, I’d just like to say: the plot point that they sailed to Japan on a little tugboat in a handful of hours as opposed to WEEKS is peak Hawaii Five-O vibes and it infuriates me, but everyone kept telling me “it’s okay, the coast guard picked them up, like, halfway” and I will sit down and not start a fistfight over it. And just. That was the vibe of the game for me. Just… alternating between a J-Drama and Hawaii Five-O.

I don’t really have much to say about the substories except that they’re either almost Oscar-worthy material or they’re a snoozefest that I just tabbed through. I can really only think of three substories off the top of my head that were EXCELLENT, though - Nancy and Olivia, the artificial snow quest (THIS ONE IS EMOTIONAL WHIPLASH), and the traveling aquarium one. The rest I mostly just tabbed through because they were just……. Eh. But I think I’m okay with that since we have Sujimon and Dondoko to make up for it.

THE CULTURAL GRIEVANCES

So as I type this section out, I run my hands over my face to remind myself and say

This is a game that takes place in Hawai’i from a Japanese perspective, written primarily for a Japanese audience and I assume that certain things may come from a place of ignorance, but not maliciousness.

Hey Tumblr.

I want you to read that first bolded sentence again.

Because I know how you guys are with reading comprehension.

But that being said, as a Hawai’i-born Chinese person, there’s quite a lot about the Hawai’i cultural aspects of this game that I have problems with. If you wanna see me roast this game, you can stick around, but if not… Here is your chance to bail.

I’ve tried my best to write this in a way where I look at the thing that pissed me off and ask myself,  “Am I taking this too seriously or do I actually have a problem with it?” and write more or less objectively, but some of it might still come off as overly caustic. Just. I tried.

And after a deep breath,

Ho brah,

We go.

WHAT IS HAWAIIAN CULTURE, ANYWAY?

To start off, I’m not sure if RGG knows the difference between being a Hawai’i local and actually being of Hawaiian blood…? The game mentions at the very beginning that Akane is half-Japanese… and half-Hawaiian, which makes Ichiban one-fourth Hawaiian, which makes ME kinda… squint. Like, we’d need to know more about Akane’s backstory, but if you know anything about indigenous cultures, finding someone who’s half native is HARD nowadays. Akane also looks pretty light skinned for someone who’s allegedly half-Japanese, half-Hawaiian but that’s just my tiny nitpick?

I’m also… not sure what kinda research RGG did on Hawaiian last names because some of the ones I see on random enemies are kinda… 

Who is that

What is that

I have never seen anyone named that in my entire life

Sure, my worldview is a little shut in, but, no, what IS that?

Mililani is not a last name, that’s a neighborhood, why’s she Lani Mililani?

WHAT IS THAT?

The pidgin in the game is also there, but… small kine hit or miss. For those of you who don’t know, pidgin is Hawai’i’s creole, which came from a bunch of cultures who don’t speak the same language eventually falling into a kitbashed language system that works for everyone. Looking at the VA listing in the credits, they did hire some local people (they have Hawaiian names) and some of the VO performances work really well like Obispo in the restaurant side story and the cab driver dialogue that ONLY comes up in the Japanese audio version of the game for some reason. Others… are… hm (I don’t know what’s going on with Jeff the taco truck guy). I feel like the voice director got the intonation on the line reads down pretty well, but on the localization side, the syntax and grammar are a little off. Pidgin tends to come off as “broken english,” but it’s technically not since it’s its own language system with its own rules. So you have a lot of line reads that are in the right inflection, but the way it’s written is wrong for pidgin dialogue.

And it just doesn’t sound 100% right to me.

There’s also some… small pronunciation nitpicks that I have. Ukulele is pronounced the white way - it’s not Yooka-Laylee like the Chameleon and Bat, it’s ook-oo-leh-leh like Tapu Lele, the Pokemon. Some characters pronounce Hawai’i as huh-why and not ha-wuh-ee, which is more right (it’s SUPPOSED to be ha-vai-ee but I’m not native Hawaiian and this is kind of an axolotl situation so, y’know).

But shout-outs to the “Whatchu lookin’ at?” line guy.

Because that one is just, no notes, perfect.

NOTHING CAN BE NORMAL, I GUESS

Something that rubbed me the wrong way in this game is the mystification of a culture that’s foreign to you, that is, taking a culture that’s not yours and describing or representing it in such a way that it sounds so deviant and hard to comprehend compared to the one you’re used to. Think of that one tweet where someone describes hamburgers like a white person would describe asian fruit.

There's the lei substory where the girl needs to make a lei with blue plumerias (which does not exist by the way) because there’s an urban legend that if you give a blue plumeria lei to someone, it’s a way of confessing your true love. Lei are just… things you give as, like, a “congrats!” kind of a thing. Or if you wanna be touristy about it, a “welcome!” kind of gift. There’s nothing mystical about it, most grocery stores stock a few that you can just pick up, grab and go style. 

The entire game mechanic of “shaka to make friends” was so?? Like maybe after 8 hours into the Hawai’i map, I was like, okay, I’ll just… fine. I’ll accept it. But my god did I not appreciate it when Kson came up to me and was like “what’s a motherfucker gotta do around here to make some friends” and told me how FRIENDLY the Hawaiian people were and how you can just throw a shaka to make friends; while me, probably the saltiest, introverted Hawai’i local that throws stink-eye at tourists who can’t watch where they’re going, playing the video game on that day was like, “We don’t fucking do that, hello??” I don’t even know why we shaka?? Most people you ask that question will just be like “idk it’s the local thing, they do it at the end of the 5pm news on KHON2.”

There’s a substory in this game with a character named Nathan, but we were all calling him racist Alpharad because he kinda looks like him (ALPHARAD HIMSELF IS NOT RACIST OR IN THIS GAME I WANNA CLARIFY THAT) and he’s basically, like… a weeb. He’s recording what seems like a PBS special on Japanese tourists in Hawai’i, but he’s kind of a shitter about it. He makes Ichiban choose between local foods and cold-ass rice and becomes upset when he chooses kalua pork over the rice since it wasn’t The Japanese Option. It escalates to making Ichiban play darts with shuriken and when he loses, he tells him to “live up to his dishonor,” slides him a knife and board, and asks him if he wants to take a finger or hara-kiri. To which Ichiban goes “dude, I get you like Japanese culture, but you can’t treat people this way”

To which I look back at the game like

You clearly understand how this feels, so why are you doing this to Hawaiian culture?

Again, I understand that a lot of this game was written with maybe just ignorance, and not malice, and this isn’t really a call-out post to RGG or anything, but BOY…

Okay.

Now we get to my biggest gripe with this game.

PALEKANA CAN SUCK MY NUTS

I’m kinda disappointed in their choice to use a Hawaiian cult as a plot point. It’s not quite a native savages kind of a vibe, but… In the year of our lord 2024, I thought we would know better than to portray an indigenous religion as a bloodthirsty cult? I also don’t like how they’re conflating the Hawaiian religion with what’s more like a Christian/Catholic cult in this.

Palekana is portrayed as “cultists who worship a goddess who lives in a mystical land, forbidden only to her chosen and maybe one day we’ll be worthy of her blessings.” Hawaiian religion is… not… like that at all? They did get the part about “giving back to the community” correct as a part of Hawaiian culture is mālama ‘aina, meaning, you need to care for the land you live on, which is… reasonable? I guess the other basic idea of Hawaiian religion is that certain places, things, and times that are important, and you shouldn’t touch it unless you wanna fuck around and find out. But the game just kinda wildly overboils this.

Like, I don’t claim to be an expert, I’ve only scraped the basics from what I learned in school (a year’s worth of Hawaiiana lessons in middle school, a semester’s worth in college; went to a private Catholic school, took two world religion classes in college), but Palekana has a very Catholic European religion kind vibe instead of a Hawaiian one. And I really, really don’t like that the game conflates the two. The Palekana cultists wear hoods, which is a distinctly European thing (it’s too hot for hoods here!). The beaded necklaces also seem more like rosaries, which, again, very Catholic. The idea that a god-figure will save you is also a VERY Catholic idea. I’m also assuming the goddess Nele that they use in the game is an expy for Pele, which… okay, like, you can do that with locations. Ala Moana Shopping Center represented as Anaconda Mall in the game hurts me a lot, but… to change up the name of the most prominent deity in Hawaiian religion is like

Dude, I’m not Hawaiian, but I know better than to shit on Pele?

Maybe I’m taking this a little too seriously, but it comes off as a little(??) disrespectful.

To give them the benefit of the doubt, maybe RGG wrote this plot point in this way to be like, well, they’re the villains, so we’ll write them so hyperbolically evil and wrong so people won’t mistake that for the actual culture? But my gut reaction is that they’re only writing from what they’ve seen in the movies and they wanted to make a story like that.

This was my least favorite part of the plot because not only does the cult aspect feel like it’s in bad taste, but it’s SO MUCH of the story and you REALLY can’t get away from it.

Alright. So now that I’ve aired that out of my system, I’m finally capping off this section with the part of the game that hit the closest to me and that is

CHINESE IN HAWAI’I

Listen. Again.

This is a story about Hawai’i, written by a Japanese team, for a Japanese audience.

Yakuza is a series that often talks about the racial conflict between the Japanese, Chinese, and Koreans. And I don’t expect them to portray any of these groups in anything more than a neutral light in this game about Gang Crime.

But ohhhhh my gooooood did they get the Chinatown section so wroooooooong.

Right off the bat, the big glaring problem I have with this game is. All the guys speak Mandarin. I think they might just be reusing voice clips from Yakuza 7, which, sure, fine, I understand that video games are hard to make and expensive.

In Hawai’i, like, real-world Hawai’i, not the bizzaro Hawai’i this game takes place in, we’re definitely starting to see more Mandarin-speaking immigrants show up, but most of the town speaks Cantonese.

Most of the people here a generation or two above me come from Guangdong or Hong Kong, which are Cantonese-speaking areas. It’s an entirely different dialect that’s really only been represented in small bits in media I’m familiar with, like in Jackie Chan Adventures (the uncle’s chant is basically “no more ghosts, get out of here” in Cantonese) and Digimon Tamers (“Moumentai” is “it’s okay/don’t worry about it” in Cantonese), and it seems really hard to get VAs that speak it, so I’m not… really that mad about it.

BUT. Then there’s Wong Tou.

Wong is the Cantonese pronunciation of 黄 , Huang or Hwang in Mandarin.

So like… clearly they knew?? But?? Decided not to go all in on it??

(And then Daniel Dae Kim is his face model and I just??? Bro’s Korean, hello?????)

And then there’s the name of Wong Tou’s gang. The Ganzhe.

Which is a stupid name.

The Chinese dictionary gives me 甘蔗 which translates to sugarcane, which. I get it. The plantation times. The Chinese and the Japanese and the Filipinos and the Portuguese and whatever all used to work on the cane plantations.

…But you’re out here calling your BIG KNIFE GANG “Sugarcane??”

My guy, you could start a reggae band with that name instead.

SPEAKING OF REGGAE-

No one knows how to pronounce Ganzhe properly besides Eric’s VA apparently? All the other VAs pronounce the gan closer to “van” when it’s supposed to be more like a “gone.”

Yes. That’s right.

Ganzhe is pronounced more like ganja.

You know.

The Marajuanas™

I’m a Hawai’i-born Chinese, first-generation local on my mom’s side and third-gen local on my dad’s. I grew up in Chinatown, so this was a section of the game that was near and dear to my heart. So I THINK and HOPE you’d understand my frustration to see that work needed to be done on the representation of my culture in this game. It was definitely a little fun to see my hometown modeled in this game- they got Maunakea Marketplace and Keikaulike Mall down pretty accurately and some of the motifs on the buildings made me do a double take because they were so familiar to me. BUT, man, this cultural aspect of the game needed A LOT of work.

SO TO FINALLY CLOSE THIS OUT

Japanese people love Hawai'i a lot.

I think Japanese people love Hawai'i more than Hawai'i locals do.

But as for portraying it accurately, I understand that no one can do it as well as a local islander can. Did I personally think they did the best they could?

………………ehh

Like, if you turn your brain off, it's fine??

If you turn your brain off and not let Palekana get to you, this game is fine.

It can be a little campy.

It can be a little Hollywood.

It can be a little Disneyland.

And despite my four pages of bitching about it, at the end of the day. It is fine.

So with that, I’ve hit like ten full pages on this Google Doc. Despite half of this review being me complaining about what they got wrong about Hawai’i culture in this game, I liked it a lot! When the game didn't have me strapped down for an episode of a J-drama or Hawaii Five-O, I liked running around town, fighting guys, making other guys fight other guys, and managing a resort island. If anything, this game actually motivated me a little to make more local-themed stuff, because as I notice people getting older, there’s less and less people to correctly preserve highly specific culture stuff like this. So a lot of that responsibility falls on me, y’know?

Thank you for making it to the end of this review! I know it was a lot. I don’t know what happened. I do recommend this game, but I ask that you do NOT finish the game with the takeaway that you have learned everything there is to know about Hawai’i.

I’ll fight you with a lawn chair (in Minecraft, for the FBI agent reading this) if you do that.

Other than that, I think you’ll have a lot of fun but also take your time because this game is, like, a 100 hour commitment. Not Persona 5 Royal long, but a commitment nonetheless.

#like a dragon #like a dragon infinite wealth #pickle art #sure uhh I guess I will put this in the tag #IF YOU FOUND THIS VIA THE TAG AND YOU REALLY LIKE THIS GAME #HI HELLO I DO TOO I JUST HAVE SOME STRONG OPINIONS ABOUT THE CULTURAL ACCURACY OF MY HOMETOWN #PLEASE DON'T YELL AT ME YOU CAN STILL ENJOY IT #anyway I've had this sitting around for like... most if not all of march #and I finally got the spoons to put the finishing touches on it #and come to terms that I'm probably not opening the game back up anytime soon

[pocketgalaxies]

listen. idgaf whether fearne wanted the shard or not. this isn't about fearne saying ashton should have the shard. this is about ashton taking the shard without telling the rest of the party! this is about ashton (nearly) killing themself because of a misguided assumption about what the party needs, without any actual discussion about it! this is about ashton's persistent inability to let people speak for themselves instead of presuming to know what's best for them! do you hear me!!!!!

#whether or not bh forced the shard onto fearne has nothing to do with whether or not ashton could've just told them that he wanted it. #whether or not ashton could've just told them he was about to do something that would probably kill him right then and there #whether or not ashton could've just told them that he thinks they needed him to do that #i spent a VERY long time on that first post making sure it came across as reasonably diplomatic and open-minded while still honest #but if ppl continually respond to that by telling me that my subjective opinions on this character are Incorrect #and that there's some secret third thing i've been too narrow-minded or stupid or whatever to consider #then truly why do i even bother!! #text #nova shh #critical role #cr3 #cr spoilers #cr meta #cr negativity #blacklist cr negativity if you don't want to see this stuff. truly i'm sorry lmao

[i-write-things]

Don't read this unless you want to ruin your day

Alright, I need to get something a bit controversial off my chest. Here goes:

Chrollo would still prize the troupe over his darling.

There, I said it! Here me out! The spider is everything he's ever fought for. He gave up his personality, his childhood, his life for the spider. He's not going to give it up for one person, no matter how much he loves them.

I get it, I'm just as fond over the idea as Chrollo holding you over anyone else, but it's time to face the sad truth. It's not to say he wouldn't feel sad picking you over the troupe. But he wouldn't feel bad about it, unless it happened to be the death of you. Because part of dating him and loving who he truly is, is accepting the things he does, has done, and will continue to do. It also means he you'll just have to accept the fact that the spider is his first priority. Again, it doesn't mean he doesn't love you. Of course he does, and he'll sure put up on he'll of a fight to make sure you know he loves you and to keep you safe. But, c'mon, let's be honest with ourselves here. Do it truly sound characteristic for Chrollo to give up the spider because he fell in love?

I feel like you could make an argument for Yandere Chrollo, because Yan! Chrollo is mostly about interpretation. So this one is a personal belief of mine and I'm open to debate this with Yan! chrollo. I can see Yan! Chrollo maybe Carrington more about the reader than the spider, but also not. I mean, yandere is an obsessive love. But deep down, it's still Chrollo. And I feel like something everyone is forgetting that regular! Chrollo is a yandere, too. Not your stereotypical kidnapping and forcing you to love him yandere, but still. It's very subtle, but the man is a mass Murderer and theif. But that's a separate debate. The point is, exaggerated Yan! Chrollo could possible hold darling over spider, but again, it's open for debatd.

But regular Chrollo? I'm sorry, love, but it's just not true. Chrollo would love you with all his heart, and a huge part of his heart belongs to you. But the whole of his heart belongs to the spider. I'm sorry. And the sooner you accept that, the better.

#i write for you #chrollo x reader #chrollo #yandere chrollo #yandere chrollo x reader #writing for you #chrollo headcanon #sad truth #please don't hate me for this #I'm open to a reasonable debate #but please don't scream at me #it's just my opinion #but be honest with yourselves #do you agree?

[trashfangirlsworld]

(this is not crit, just some character analysis)

Something that I noticed lately is that tallulah has been lashing out at people always for stuff out of their control -sunny, for coming from egg island -qwilbur, for not being there despite knowing why he can't be -more recently, luffy, for the same reason as sunny, and for having people want to hurt him just for existing

And it's not like she has no reason to feel like this, she does, but I feel like it's very obvious that since coming back from purgatory she's been... bitter; and it's understandable, she came back from a really traumatizing experience, and there was definetely gonna be consequences because of it, but there have been brief moments where I've been surprised at the extent of them.

Yesterday, when sunny went over to their house on the wall, tallulah actually pulled out her axe for a moment, and qphil had to tell her to put it back, which is something that quite shocked me as even though tallulah has been clear about not trusting sunny, I never would have expected her to even consider doing that.

Something that also shocked me is the fact that tallulah didn't seem to really care that her father actually came back like she wanted. When wilbur managed to log on that day, I was expecting there to be angst in the future about tallulah missing her father's return because she was taken, instead she just seemed indifferent to it.

Finally, yesterday there was a moment when tallulah subtly blamed qphil for what was happening with the purgatory workers ( paraphrased, "all of this because "luffy" wasn't handed to them?"), the comment actually went over qphil's head, because clearly while he understands that tallulah doesn't trust luffy and he is fine with it, I don't think he'd ever expect tallulah to think him responsible for anything happening to chayanne or even wishing harm on a defenseless creature that he explained has been tortured.

Ultimately, I think that the trauma of her two months being missing has caused tallulah to become angry and depressed, and at the moment she's trying to find something to direct her anger towards, so she lashes out; quite similarly to qwilbur when he came back to find out tallulah was missing and he fought with qphil

I hope eventually she finds some peace, maybe by becoming friends with sunny or talking with her father whenever he can come back (I'd say I hope she gets therapy but I'm unsure how effective melissa could be in this situation lmao)

#I'm always open for respectful discussion btw #so if anyone wants to add their opinions to this #you're welcome to #qsmp tallulah #qsmp character analysis #qsmp

[cacodaemonia]

These are statements that can co-exist:

Data scraping methods used to train AI text and image generators should be regulated by governments.

Researchers, journalists, and archivists use the same data scraping for their work, and AI text and image generators also have legitimate ethical uses.

Data scraping is legal in many places and it's not easy for websites with publicly available data to prevent it.

Some people have had/will have their income negatively impacted by AI-generated content. That sucks and they have my sympathy.

It's unethical to fire employees or contractors (or pay them less, etc.) only to replace their work with content from AI text or image generators.

It's shitty that tech bros are making fun of many people's concerns about AI-generated content.

It's shitty that a lot of people are throwing around blanket statements like, "Anyone who uses AI-anything is a thief."

It's likely that most individuals will never be harmed by AI-generated content because such generators do not 'steal' or copy specific works of literature or visual art—it's more like they're taking averages from huge amounts of scraped public data.

I'm concerned about both the data collection methods used to train AI content generators and how much information they have already used for training.

AI text and image generation is not inherently evil, nor are people who use it. It's a technology with many applications and can be used for both ethical and unethical purposes.

Capitalism is unethical.

+++

(no, I don't check my notes, so if you want to call me names for pointing out that this is a complex and nuanced issue, have fun with that)

#ai-generated images #chatgpt #open ai #ai-generated content #capitalism #i'm so very tired of the childishly simplistic takes about this issue i see all over tumblr #like i literally have variations of ai___ filtered so i see less of them #i'm begging you to form your own opinions and stop getting them from the people who yell the loudest #actually go read about how this works and ways that artists and writers use it sparingly in their processes just like other tools