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#i will think about it every single time i watch this scene for the entire rest of my life
markantonys · 10 months
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actual-changeling · 9 months
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i have watched the kiss scene and the breakup as a whole more times than i can count and my brain is still trying to process all the things it picked up on.
my newest painful obsession: aziraphale thought crowley came back for him.
they kiss, aziraphale says i forgive you and instead condemns them both, crowley leaves. the lip touching itself is fucking essay worthy because holy SHIT the amount of micro expressions flickering across his face is endless, michael sheen acted his ass off.
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i think it's a mixture of surprise, unspoken love, a HEAVY dose of fear, disbelief, and oh my god what did he just do what did i just do. he turns away from the door and we get a very very quick shot of how exactly he is angled.
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standing up straight with faked spiteful anger, the same anger he spit at crowley out of fear and insecurity, chin up, clearly waiting for something - or rather someone. we gotta remember that every single time crowley has left aziraphale, he came back. every. single. time. he came back and apologized, that's what they do.
crowley comes back and aziraphale forgives him and they continue bearing their silence.
the bell rings when the door opens again, just like it did when crowley left, and just. look at his face. how quickly he swivels around. the blink and you will miss it spark of hope.
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and then the pure devastation when he realizes it's not crowley.
aziraphale thought crowley was coming back for him. he was WAITING for him to come back. even after all that, he couldn't imagine crowley actually leaving him behind, especially not after that kiss and his entire indirect love confession.
just like crowley thought for a tiny heartbeat that aziraphale was kissing him back, aziraphale hoped, hell, he fucking thought he KNEW crowley would never abandon him. not after "i could always rely on you. you could always rely on me." aziraphale has taken him for granted, of course he thought it was him coming through the door.
but that spark of hope gets stomped out beneath the metatrash's feet and he fully turns around, unable to face him and the reality of it all.
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this time, he went too far.
this time, crowley did not want forgiveness.
he was about to say i love you and turned it into i forgive you, still clinging to their old ways, their old rituals, just that they are no longer those beings, no longer in that specific relationship. everything has changed.
they both thought the other would never abandon them. turns out they were both wrong.
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avis-writeshq · 7 months
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01 — better than revenge
summary: “she’s not a saint, no, she’s not what you think. she’s an actress.”  pairing: spencer reid x fem!reader genre: best friends to lovers, mutual pining, slow burn warnings: fluff, angst with a happy ending, Lila is a real piece of work here, VERY CANON COMPLIANT, Spencer’s a bit of an ass :( wc: 10.4k a/n: special mention to @astrophileous for beta reading MWAH SPARKS FLY MASTERLIST // MAIN MASTERLIST
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“Hey kid, wheels up in thirty.” Derek nods towards you, dropping a case file on your desk. 
You raise an eyebrow, flicking open the case file to the first page. A small laugh of disbelief leaves your lips. “Ooh, Los Angeles, media capital of the world. What’s the occasion?”
“Three murders, all shot in the head executional style.” 
Your face falls into a grimace as you grab your go-bag and tuck the file under your arm, following the rest of the team to the jet. “Spence and Gideon are there already, right? Talk about timing.”
Elle can’t help but grin at your words, slinking an arm over your shoulder. “Looks like you’ll see loverboy a lot sooner than you think.”
A shriek of betrayal leaves your lips as you throw her arm off of you. “I have no idea what you’re talking about!”
“Sure you don’t,” JJ all but cackles as she boards the plane, grinning the entire way. 
“I’m gonna kill you,” you grumble, dropping your things on one of the seats in the jet. “Seriously, I mean it. I know how to get away with murder.”
Hotch raises an eyebrow at you, his gaze that of a disappointed yet amused father. “Not the brightest thing to say while you’re in a room full of FBI agents.”
Elle lets out a ‘hah!’ as she sits across from you, crossing one leg over the other as she grins. “Get comfortable, buttercup, six hour flight and you’re not going anywhere.”
“Assholes.” You roll your eyes teasingly, brushing a strand of hair behind your ear as you turn to your case files. “And it’s not like that.”
“Oh, of course not,” Elle snickers, “you’re just friends.”
You throw a pen at her and it bounces off her leg harmlessly. “I can smell the sarcasm.”
“You’ll be smelling more of it,” Derek laughs, ruffling your hair. “Sit tight, kid, we’re in for a long flight.”
Once everyone was settled and the jet was high in the air, the team began to look through the files with Garcia on speaker as usual. 
“First two victims, Wally Melman and Chloe Harris,” You recite dutifully, glancing over the grotesque crime scene images. “Seems like they were both killed in public places.”
“Chloe was killed while walking her dog on the beach in Santa Monica which she did every morning, and Wally was killed outside of a massage parlour,” JJ reiterates, sitting down with a cup of tea in her hand. 
“In Culver City,” Derek adds. 
“Which he went to every Tuesday,” Elle continues.
Derek looks to the rest of the team, a thoughtful look on his face. “Well, if he knows their schedules, maybe that means he follows his victims for a while.”
“And not a single witness. So we know this UnSub can blend in,” Hotch mutters. “Regardless of the location, he has the ability to hide in plain sight.”
“So, he’s meticulous.” Elle nods, her eyes drifting from Hotch to the case file. 
“The media is calling Natalie Ryan’s murder the biggest celebrity homicide since Sharon Tate,” JJ adds, looking through the images of the newspaper clippings that were sent to her laptop.
“Great,” You muse, although frustration is clear in your voice. “What does that mean for us?”
Hotch lets out a sigh. “That everybody will be watching.”
***
“This guy is an assassin?” Detective Kim asks with disbelief as the rest of the team reiterates their thoughts once they were in the police department. 
“When you look at the victimology, there’s no obvious links,” Morgan points out. “All the kills were clean except in the instance of the last victim, Jeremy Collins.”
You nod, tucking a strand of hair as you reference the case files. “There’s absolutely no evidence left at the crime scene. Labs have found zero DNA, no manifestation of psychosexual release, and from what we can tell there’s no detectable signature of any kind. These kills are straight forward, almost like he’s on a mission.”
“Remember, our profiles are formulated not just by what’s present at the scene but also what’s absent,” Gideon says to Detective Kim.
“From all the evidence that we’ve gathered, we believe you’re looking for a Type Four Assassin,” Elle explains.
“Type Four?” 
Spencer immediately jumps in to explain, gesticulating throughout his explanation. “Type One’s are political assassins like John Wilkes Booth. Type Two’s are egocentrics looking for simple recognition.”
“Type Three’s are psychopaths,” Hotch continues, “cold-blooded killers who leave far messier scenes. Type Four, our UnSub, suffers from a major mental disorder and is frequently delusional.”
“The closer we come to figuring out that delusion, the closer we’ll get to finding the UnSub,” Reid points out. 
Everyone is left to their own thoughts and you look over to Spencer, a soft grin on your face. “How was your father-son bonding time?”
Spencer gives you a pointed look, but a soft laugh leaves his lips. “It was… fine.”
“Fine? Out of everyone on the team, Gideon chose you to present a talk about behavioural analysis and profiling to the LAPD. You love conferences. C’mon, give me something!” You nudge his shoulder gently. 
“We uh.. we went to an art gallery the other day. We met a movie star, so that was cool…” his cheeks are dusted with a soft pink as he talks and your curiosity only increases. 
“A movie star, huh? Look at you, mingling with the high and mighty.” You poke his cheek with a laugh. “Tell me about them.”
He flushes at the contact, clearing his throat. “Um… her name is Lila Archer. Have you heard of her? She’s–”
“Reid, (L/N), we’re meeting with someone,” Derek cuts in, nodding towards the both of you.
You blink in confusion as you follow him to another room. “Suspect?”
“Someone received a note,” Derek says quickly, glancing over at the note in Elle’s hands. “On a newspaper clipping of the latest murder.”
“Lila?”
A blonde woman was sitting in the next room over, her legs crossed over as she waits. Her eyes light up in recognition and she stands up. You can’t help but be impressed as you give her a quick once over. She’s gorgeous, exactly what you expect from a famous movie star. 
“I’m Agent (L/N),” You say gently, moving from your spot next to Spencer and holding your hand out. “This is Agent Morgan and I’m assuming you already know Doctor Reid. I understand that you received a note this morning?”
She wearily shakes your hand, her blue eyes flitting between you and Reid. “Yeah.”
“We just have a few questions to ask. We know that these things are sensitive, but we promise we’ll try to make the situation as easy as possible for you.” You shoot her a kind smile, excusing her weariness for fear or anxiety. “Is that alright?”
“Sure.” She respond curtly, shooting a smile towards Spencer before walking past you.
“Uh… okay?” You let out a little laugh in confusion and Derek raises an eyebrow at you.
“What was that about?” He asks, frowning.
You shrug your shoulders, watching as Spencer leads her to an empty desk. “Trust me, I have no idea. Maybe she’s just nervous and wants to talk to a familiar face.”
Derek hums in thought. “Maybe. But usually victims like this are more willing to speak to someone of the same gender. It’s strange that she was so direct to you.”
“She’s been through a traumatic experience. If I got a newspaper clipping with a message written in blood, I probably wouldn’t be too thrilled meeting new people either,” You defend, pursing your lips. “She’s probably just… scared, right?”
He doesn’t respond, moving to follow Spencer and Lila further into the police department. A few questions were asks about her relationship with the other victims, only to find that she was in fact the connection between the other victims. Wally Melman was a producer who Lila met with a few times to discuss a role, only for him to cast Natalie Ryan instead. Chloe Harris looked an awful lot like Lila, so it was likely that the UnSub got rid of her in order to ‘ice-out’ the competition. 
“(L/N), may I talk to you for a moment?” Hotch asks quickly, waving you over. 
You blink in confusion but nod, walking over to where he stands by the desk. “Yeah, what’s up?”
“I want you to try and get as much information from Lila as possible.” He gestures to where Lila sits in one of the victim waiting rooms. “This is your area of expertise. Try and find out if there’s any distinct information that she’s given to anyone so that we can track the UnSub.”
“Got it.” You offer a smile, fixing your shirt as you agree. “I’ll update you if I get any new information.”
You make your way over to where Lila was sitting, trying to look as friendly as possible. “Hey, Lila. Are you alright? Can I get you anything?”
She glances over you for a second, looking you up and down before shaking her head. “I’m fine. Where’s Spencer?”
Your brows furrow at his words. “Doctor Reid…? He’s currently going through the timeline of events with our colleagues. In the meantime, I was hoping to ask a few questions, maybe shed some light on the entire situation.”
She raises an eyebrow before nodding. “Okay.”
“Alright…” you clear your throat, taking a seat across from her. “You mentioned that you receive a bowl of red anemones on the seventh of every month. Do you mind… telling me why you like those flowers so much?”
She shrugs dismissively, running a hand through her blonde hair. “They’re pretty. I like the colour.”
You nod slowly, writing that down in your notes. “Well that’s understandable; they’re very beautiful flowers. But they’re a little uncommon as a favourite flower, don’t you think? If you like the colour, a more common favourite flower would be poppies or roses… are you sure there isn’t another reason? The meaning behind red anemones is forsaken love and death… does that intrigue you at all?”
She scoffs, “are you trying to accuse me of something?”
“Not at all,” you say quickly, “I apologise if it comes off that way. I’m just trying to find out as much as possible about the entire situation. For all we know, those flowers could have been sent by the UnSub.”
A short silence lulls in the room as well as an awkward tension. So, you try to take things from another angle. 
“I love hydrangeas,” you say gently, a small smile on your lips. “I like the way they’re always bunched together and the colours are beautiful. Only a few people know that I like them though. My close friend and colleagues, my family… do you remember telling anyone about your favourite flower?”
She’s quiet for a moment before shrugging. “I don’t know.”
Your face falls and you press a little more. “Are you sure you don’t remember? Maybe… maybe your manager, or a friend of yours?”
“I said ‘I don’t know’, okay?” She snaps, her hands balling into fists as she glares at you. “God, it’s not that hard to understand.”
You lean back in your chair, your gaze hardening. “I understand that this is difficult for you, but any information–”
“I don’t have any information!” Lila huffs, her hands placed in her lap. “Are you stupid or something?”
“The likelihood of these people being murdered because of you is incredibly high,” You say sharply, shutting your notebook. “If you’re withholding information from us it could prove detrimental to the investigation. I’m only trying to do my job. Asking you questions is part of my job.”
Her lips twitch at your words and she scowls. “I already told you I don’t remember.”
“Not remembering and not knowing are two different things, Ms Archer.” You place your card on the table. “If you remember anything, please give me a call.”
You get up from your seat, heading to the door, only to see that it was wide open with Derek and Spencer standing at the doorway. In seconds, Lila’s gaze softens and she runs out of the room, sniffling as she does. Your gaze follows her as she runs out of the police station, a look of disbelief on your features.
“What the…”
“Seriously (Y/N)?” Spencer demands, a frown on his face. 
You gape at his words. “What are you–”
He cuts you off, running after Lila. Derek raises an eyebrow in their direction before turning to you. 
“You okay, pretty girl?” Derek asks gently, patting your shoulder. 
“Honestly? I have no idea,” You confess quietly, biting your lip. “I’ve never seen him get so…”
“Upset? Angry?” he finishes, a small laugh leaving his lips. “You and me both. Look, kid, it’s not your fault. She was clearly being dismissive of your questions and she needed a reality check.”
“It’s not like I’ve never spoken that way when interrogating someone before,” You point out, brows furrowed in frustration. “Even then, Spencer has never had an issue with it. I just– I don’t understand what’s got him so worked up.”
Derek can’t help but laugh. “You’re a profiler. Isn’t it obvious?”
You pause for a moment, thinking through their interaction. “He has a crush on her, doesn’t he? He likes her. Of course he does. Brilliant, now he’s involved.”
Derek pats you on the back sympathetically. “Come on, pretty girl. We’ve got a job to do.”
***
Despite your original hesitancy, Hotch asked you personally to go with the others, meaning that you had no right to refuse. Well, you could, but that would mean throwing Elle under the bus and she would be much more helpful at the precinct than on set. So, before you could fake being sick and bail the investigation, you,  Derek, and Spencer went to check out the set of Lila’s movie, hoping to better observe her interactions with her costars and the staff. 
The inside of Lila’s small trailer is hot. Incredibly hot but relatively empty. As you look around, you gather that she’s either a minimalist or just didn’t have to spend a lot time in the trailer at all. Lila sits in front of the little group, wearing a robe to cover her costume: a cyan sequinned bikini set that she looked absolutely criminal in. Her hair has been styled in a classic blowout and you wonder how much time it took to get it to look so effortless.
“I’m not stopping my life,” she says, her voice almost stern as she steps out of the trailer and back onto the set.
You purse your lips as you glance at the paper in the plastic pocket, now labelled as ‘evidence’. Apparently it was taped up to the door of her trailer. Your eyes shift to Spencer who’s gaze doesn’t leave the door that Lila just walked out of for much longer than necessary. Neither of you have spoken since yesterday’s incident.
You hum thoughtfully, as you pull out your notebook, glancing at the notes you’ve been making. “Well, I guess the only thing we can do is talk to the people on set. Maybe they saw something. I’ll see if I can find out who has access to Lila’s trailer.”
Spencer nods in your direction. “Yeah, that’s… that’s a good idea.”
One of your eyebrows quirk up. “Okay…? Why do you sound so surprised?”
He flushes under your scrutiny, clearing his throat as the three of you begin to walk out of the trailer and towards the set. “I’m not! I– I’m not surprised. You’re good at your job.”
“You didn’t seem to think that yesterday,” You respond lightly, your tone petty and passive aggressive, gaze flickering between the cameras and lights on set. 
Derek coughs awkwardly before excusing himself and entering further into the set leaving you and Spencer alone outside by a vending machine. Spencer falters at your words and he runs a hand through his hair. The harsh Los Angeles sun beats down against your skin and you fiddle with the notebook in your hands. In turn, he fixes up his sleeves, rolling them up to his elbow, giving you a clear view of his forearms and large hands. 
“I’m sorry,” He says softly, chewing on his bottom lip. “I didn’t– I was out of line.”
“You were,” You agree, your gaze shifting between the chilled bottled drinks in the vending machine and him. “Buy me a drink and we’ll call it even.”
A boyish grin grows on his face and he nods, pulling out his wallet. “Yeah. Yeah, okay, awesome. Iced coffee?”
“You know me so well,” you respond with an equally large smile, poking his cheek. “Thank you!”
He presses a few buttons, grabbing a Cola for himself. You can’t help but laugh, giving him a pointed look. He quickly moves to defend himself, “It’s a hot day, okay? An exception.”
“An exception,” You repeat, trying to hide your smile as you crack open the lid of your drink and take a sip. “What happened to ‘Cola has 50 grams of sugar in it. That’s the equivalent of eating two full bars of milk chocolate’?”
He pouts at your words, opening his drink and you watch as a few bubbles rise to the top of the bottle. He takes a swig of his drink, sighing in content. “Shut up.”
You laugh again once you officially enter the set, nudging Spencer with your arm teasingly. He nudges you back, rolling his eyes and poking your cheek. You retaliate by doing the same, swinging your drink as you walk. 
Before you could do or say anything else, Derek taps your shoulder. “Hey, I need to talk to you about something.”
Spencer’s brows furrow. “Everything okay?”
“Yeah, just wanted to cross reference answers,” Derek dismisses. 
“Let me pull up my list,” You respond helpfully, grabbing your notebook. “Hey, Spence, do you mind canvassing the rest of the crew? See if anyone pays any special attention on Lila?”
He nods at your words, moving towards Lila, sipping on his drink. In the meantime, you turn towards Derek, a curious look on your face. 
“Little Miss Madonna has been glaring at you since the moment you entered the set,” Morgan says quietly, his gaze flitting to where Lila was making coffee. 
You practically snap your neck as you look up in her direction, watching as she quickly fumbles to make herself a cup of something. You turn away and you could practically feel her gaze burning against your scalp. A frown makes its way onto your face and you resist the urge to roll your eyes. You glance over to where she and Spencer were talking, blanching when you watch as she takes a swig of his Cola.
“You don’t mind, do you?” You hear her ask as she drinks and Spencer hurriedly shakes his head.
A quiet scoff leaves your lips and Derek nudges you with a look that reads ‘behave.’ You lift your hands in surrender and follow him over to where Spencer now stands by himself, Lila gone to talk to some other staff member.
“An exception, huh?” You ask Spencer, referring to his aversion to germs and sharing food. Your tone is mostly teasing despite the underlying bitterness beneath it. 
“Shut up.” He mutters quietly, cheeks hot from embarrassment of being caught.
Derek snorts, clapping his shoulder before moving on.
***
The next day, you were going over the evidence that was provided by the LAPD. Considering that it was a relatively young case, there weren’t copious amounts of evidence, meaning that there were still untied strings to go through. The entire situation proved more difficult than necessary; no one seemed to notice anything  amiss when it came to Lila and her relationships, and considering that the actress wasn’t very forthcoming with the information she knew, you were hitting dead-end after dead-end. 
Although geographical profiling was more of Spencer’s expertise than yours, you figured it wouldn’t do anyone harm by triangulating the previous three murders. He was standing beside you, his presence not unwelcome as he guides you step by step on how to plot an understandable and accurate profile. Hotch had asked him to coach you through the entire situation and explain his point of view, as well as his thought process when it came to geographical profiling. With a comfort zone now clearly expressed, you were discussing probable suspects on the phone with Garcia.
“Will Hunter… currently the town hermit, previous criminal record of armed battery and robbery,” Garcia recites, and you pull up his file.
“Mm… maybe? No, I don’t think so. His crimes don’t match the UnSub’s profile. He seems to be messier, uh, tending to use bats and knives than a clean shot to the head. And the profile suggests that the UnSub is able to blend in with the crowd.” You hum in thought, turning to Spencer.
“Hermits like Will Hunter wouldn’t be able to do that,” He explains to Garcia, putting his file into the ‘unlikely’ folder.
Garcia sighs in frustration and you can hear her furiously type away on her computer. “How about–”
“Hold that thought,” Elle says quickly, cutting Penelope off apologetically. “(Y/N), did you know Lila’s here?”
You blink in confusion, slowly shaking your head no. “She’s here? I didn’t get any calls from her.”
Elle shrugs at your words. “She looks like she’s going to burn a hole through your head.”
Your brows furrow and your gaze shifts to the blonde woman through the office window. She has her arms folded over her chest, a scowl on her face, before her cheeks burn in embarrassment of being caught. Spencer follows your gaze, his face lighting up at the sight of the actress. It’s almost as if he has selective hearing when it comes to his celebrity crush, clearly not hearing the part where Elle points out that Lila has been glaring at you the entire time.
“Can we talk outside?” You ask Elle quickly, getting up from your seat, not taking no for an answer.
Spencer opens his mouth to say something before he shuts it, watching as you drag your other co-worker out of the room. Your attention shifts between Lila and Elle, your brows furrowing. 
“What is it?” You ask, your back turned towards the actress. “Why is she here?”
“She gave me a list of people who know what her favourite flower is,” Elle says quietly.
Your ears go red at her words, your eyes practically bulging out of your head. “Excuse me?”
“She called me yesterday,” she explains, handing you the list of people. “She said that she remembers who they were and came in today to give me a list of people.”
You scoff in disbelief, throwing your hands up in the air in frustration. “I gave her my card.”
“She called and asked for me.” 
You scoff again, rolling your eyes. “Oh, so suddenly she can remember everything when she talks to you, but nothing when she talks to me? She’s not very slick.”
The door behind you opens, revealing Spencer who has been listening in the entire time. His jaw is clenched and a frown is etched upon his features as he looks at you accusingly. 
“Maybe she just didn’t remember,” he points out harshly as you and Elle re-enter the room.
An incredulous look makes its way into your face. “Excuse me?”
“She didn’t remember, and now she does,” Spencer says, and from the corner of your eye you watch Elle slowly leave the room once more. The door closes with a soft click.
“That doesn’t change the fact that she went to Elle and not to me,” you respond, trying to keep your voice even and your words clear. You take a deep breath in an effort to calm yourself down.
Spencer scowls at you. “Maybe she has every right to go to Elle after you snapped at her the first time you tried to talk to her.”
“Are you– are you being serious right now?” A humourless laugh leaves your lips as you glare up at him. “Look, Reid, I’m sorry that I’m not her biggest fan and that I don’t kiss the ground she walks on, but I was doing my job. A job that I believe I am quite good at. It’s not like speaking harshly is unheard of when it comes to the retrieval of information.”
He flinches when you call him by his last name but he stands his ground. “If you were so good at your job, you wouldn’t have to speak to her that way,” he argues, and you can see the vein in his forehead begin to protrude.
His words sting and bite you and suddenly you feel your resolve snapping. “You know what?” The words are slow and deliberate as they leave your lips, and you jab a finger against his chest. “I get that you have a crush on her and that you’re finally going through puberty but that does not mean that you can ignore the job you are currently on.”
He swallows thickly and he opens his mouth to retaliate but you push your finger against his chest once more.
“I am not finished.” Your voice is low with frustration and annoyance as you scowl, glaring up at him. “I don’t care who you’re attracted to or who you want to sleep with. I don’t give a damn if that someone is victim in the investigation because it’s not my problem. I do, however, have a problem when you undermine my ability to do my job and do nothing to fix it.
The worst part is the fact that you’re my friend. You’re supposed to be supportive and helpful and– and– and understanding.” Your mouth is moving quicker than your brain can register and you’re stumbling over your words as you snap at him. “I’m supposed to be able to go to you if I’m going through something. I should be able to talk to you if someone or something is bothering me, but now I’m just afraid that you’ll call me crazy and then criticise me all over again.”
His face falls and he looks at you like a kicked puppy as the words slowly sink in. He reaches out to you, his hazel eyes searching your face but the only emotion that you’re showing is anger. You push his hand away, the frown set on your eyebrows. It’s only then when you realise that Garcia has been listening into the conversation the entire time, your heart lurching to a stop when you hear her cough on the other side of the line.
“Um… is now a bad time to say that I didn’t get any other hits for the profile?” She asks tentatively through the speaker, and you feel your face burning.
“I need air,” you announce to no one in particular, before grabbing your files and storming out of the room.
Elle catches your arm on the way out, her eyebrows knitted together in concern. “(Y/N)-“
“Hey. Sorry.” You bite your lip, loosening the grip you have on your papers. “Where’s Hotch?”
“With Derek and Gideon,” she says gently. “Lila got another note and we’re going to check on her manager. Do you want to come with?”
You exhale before nodding. “Yeah. That’d be good.”
“Okay.” She squeezes your arm gently, her eyes flitting between you and Spencer who was inside the conference room, pacing back and forth. “Is… everything alright?”
“Honestly? No.” You offer her a wry smile, shoving your files into your bag. “But it’s fine.”
She chuckles a little in disbelief, leading you to the black SUVs outside. Derek and Gideon were already there, waiting patiently for the two of you while Hotch has already left in another SUV. Apparently the ‘no profiling each other’ rule was thrown out the window as soon as they saw the state you were in, and Derek quickly makes his way over to you.
“(Y/N), are you–”
“I’m fine,” you snap, before closing your eyes tightly and letting out a deep breath. “Sorry, Morgan. I’m okay, just had an argument with Reid.”
At that, his eyebrows shoot upwards. “Since when did you call him ‘Reid’? And what do you mean you had a fight with him? He literally can’t say no to you.”
“Yeah, that was before a Miss Archer walked into the room,” you mutter bitterly. “Shot a literal arrow through his heart. She put her name to good use. I never stood a chance.”
“Hey now, don’t say that,” Elle says, climbing into the SUV. You follow closely behind and she continues. “He’s just confused right now.”
You can’t help but scoff. “I really doubt that.”
Gideon starts the car, looking at you through the rear view mirror. “You’re a profiler. What do you really think?”
The words die at your tongue and you deflate into the seat of the car. You hate to admit it, but Gideon is right. You should be able to figure out exactly what Spencer is thinking. After all, he’s your best friend– you shouldn’t have to be worrying about guessing games when it comes to him.
Hotch is the first to arrive at the manager’s office, watching as your group pull up in front of the building. Once everyone clambours out of the car, they enter the building, a sigh of relief leaving them as they enjoy the air conditioned lobby. With a flash of a badge, the receptionist is quick to tell you which floor and room number Michael was in.
“Floor 11, Room 03,” you mumble to yourself as you scribble it down in your notes.
The elevator ride is silent and you rock back and forth on your feet as the lift begins to rise. Your head is spinning with thoughts and regrets as you consider the harsh words that you spat at Spencer’s face less than an hour ago. You must not have been hiding your frustration well because Hotch finally says something. 
“Is everything alright?” He asks, much like a father would when their child is having a tantrum. It’s fitting.
You shrug. “I will be.”
“Is it to do with Reid?” 
You cough awkwardly, glancing back at the notes in your hand. “That obvious?”
Derek snorts from behind you. “Yeah, a little.”
“Everyone knows you’re in love with him,” Elle adds, a teasing lilt to her voice.
“I am– I am not in love with him!” You all but shriek, shooting her a half hearted glare and you stutter out a response. “I mean, I– uh– I like him but–“
“You are a horrible liar,” Derek cackles and you groan. 
Hotch and Gideon watch amused at the interaction, and the latter finally pipes in.
“Profiling isn’t something you can just turn off,” he explains to you, his tone gentle. He reminds you of a grandfather giving advice to their youngest grandchild, and a small smile makes its way onto your face. He continues to speak, “it’s subconscious and it becomes a habit. The only time it stops is when you either need it most, or when you don’t want to see anything.”
The elevator comes to a stop on the eleventh floor and Michael’s office wasn’t far away. The writing on the frosted glass reads ‘1103, Michael Ryer & associates, talent management’ and Elle raps on the door.
“Hello?” 
“Mr Ryer?” Gideon calls.
She knocks a few times again before opening the door entirely. “Michael–”
You’re met with Michael Ryer, dead in his arm chair and shot to the head, just like all the other victims. Despite having faced these circumstances before, you still feel sick to the stomach as you stare at Michael’s lifeless body and soulless eyes. It’s unnerving.
“Up until now every victim was a person who could be perceived as a threat to Miss Archer,” Hotch comments as they enter the room, pulling out his phone.
“Yeah, but Michael was a friend,” Elle says with a frown.
You look up from your notes. “He was a threat to the stalker.”
In less than twenty minutes, the LAPD dispatched forensics and evidence teams to the office. Lila and Spencer were on their way back to her house, deciding that it was best to deny the stalker access to her. You rifle through Michael’s belongings: his schedules, his files… everything until you come to one particular manila envelope. 
“Morgan, Elle, look at this,” you murmur, pulling the photos out of the envelope. “Pictures of Lila… nude.”
A flash of a grimace passes along Elle’s face, but it’s gone as quickly as it appears. “He was probably paying someone to keep them out of the press.”
“The name on the file says Joe Martinez,” Derek mutters, turning the envelope over.
The name must have struck a chord, because Detective Kim’s head immediately snaps around to look at you. “Paparazzo?”
You blink. “You know this guy?”
“Yeah, I deal with him a lot,” Kim responds, his face stoic. 
“We should follow that lead,” You comment, tucking the photos back in the envelope and looking over at Detective Kim and Derek. “I’m ready to go when you are?”
After an okay from Hotch, you, Derek, and Detective Kim make your way over to the Joe Martinez’s place. After knocking on the door to his place multiple times, Derek decides to open it in the way he knows best: by kicking it down. You grip your gun, holding it out in front of you as you travel through the hallways. 
“Clear!” You yell out upon pushing another door open, seeing nobody inside.
“(Y/N), you need to check this out,” comes Morgan’s call, and you follow the direction of his voice
Pinned above a small desk are picture upon pictures of Lila Archer. When she has lunch, when she’s out with her friends… it’s almost as if this person has completely documented her life. It’s a little nerve wracking, knowing that someone could follow you and take photos without anyone even realising.
“Hey is that–” you pause, pulling a piece of paper off the wall. “This is Lila’s schedule.”
Derek blinks in surprise. “I’m guessing he’s not supposed to have that?”
“No,” Detective Kim responds, and your gaze shifts to the table.
“Hey, isn’t that–” you feel your heart practically stop as you see who’s in the photos. 
“That’s Reid,” Derek mutters.
Kim shifts through the photos. “There’s a whole bunch of them,” he says, pulling out at least five or six print outs. “Is he a target now?”
Derek scoffs, throwing the photos on the table and pulling out his phone, making a beeline for the exit. “Not if I can help it.”
You and Detective Kim follow him out, making your way to the SUV. 
“Reid? Hey, it’s Morgan. Listen, you gotta watch your back over there, we just found a bunch of close-up photos of you at this guy Joseph Martinez’s studio. It looks like he could be the UnSub.”
As he speaks you feel your heart pound in your ears. Your head is dizzy with fear and you’re following after Morgan who’s walking unbelievably quickly. 
“He has a ton of photos of Lila and Nathalie plus a call sheet for Lila’s show,” Derek continues, the speed of his walk not wavering. “(Y/N) and I are on our way right now but I need you to be real careful until we get there, all right?”
You look down to shove your notes back into your bag when you hear it. The distinct vrooming of a motorcycle engine. You don’t think too much of it, only turning your head to look over your shoulder, your hand finding the handle of the car door. That’s all it takes for the motorcyclist to drive straight toward you and the others, pointing an arm out.
“Gun!” You manage to scream, just before the UnSub open fires, hitting Detective Kim. 
You dive behind the car, grimacing when your knee collided roughly against the pavement. By the time you manage to recover and grab your gun out of its holster, the UnSub is long gone. You stare as Morgan fires a couple shots before watching the motorcyclist ride off into the LA traffic,  and you turn to Detective Kim.
“You got hit. Where?” You ask, shoving your gun back into its holster.
He grunts in pain, his entire weight on the car as he groans out, “yeah, it’s fine. Just my shoulder.”
“Derek, call for help,” you order, pressing firmly at the wound with your hand to lessen the bleeding. He lets out a cry of pain and you wince. “Sorry, it’s bleeding a lot. Gunshot wound to the shoulder, no exit wound. Seeing as you’re not already dead, I don’t think it hit any major arteries, but it might have busted your collarbone. You’re lucky if that’s the extent of the damage. The shoulder contains a bunch of important and major bloodlines, as well as nerve endings.”
Derek turns to you with a wry smile. “You’re starting to sound like Reid.”
“You spend four years with him, you’ll start to learn a few things,” you respond with a humourless laugh. You continue to press against Detective Kim’s wound, murmuring an apology. 
“You should talk to him,” Derek prompts.
You scoff, “we have a detective bleeding in front of us and the thing you’re worried about is my love life?”
“Isn’t the first rule of relieving pain through distraction?” He asks. You shoot him an unimpressed look and he quickly nods his head. “Okay, sorry.”
Ten minutes later, Detective Kim is hoisted into the ambulance. You cringe as you wash his blood off your hands, once, twice, then a third time to make sure everything is gone. Your shirt has a couple of blood spots and you can’t help but frown; you liked that shirt. At least the stain isn’t too big– just a few splotches here and there. 
“It’s a good thing you held the wound,” an EMT praises, working quickly to secure Kim’s shoulder. “He shattered his collarbone, but you seemed to have managed to control the bleeding.”
If it weren’t for the circumstances, you would have shouted a clear ‘I told you so’ to both Derek and Detective Kim, but you keep your mouth shut.
Hotch, Gideon, and Elle arrive moments later, speaking to Derek about the detective’s injuries. 
“You okay?” Elle asks gently, squeezing your shoulder. 
“Yeah,” you murmur, wringing your hands together. “Just a little jumpy. I’ll be fine.”
“We need to get to her house,” Gideon mutters, glancing at the group. 
Without another moment to lose, you’re clambering into an SUV, gripping the steering wheel until your knuckles turn white. Elle climbs into the passenger seat beside you, her brows knitted together in concern. She opens her mouth to say something but shuts it, watching as you start the car and speed off into the direction of Lila’s house. 
After slamming the door shut and gripping the gun firmly in the palm of your hand, you follow Derek through the back entry of the house. You weren’t even sure if it could even be counted as a ‘house’; the place looked like it had at least five bedrooms on both floors. Derek glances at you, signalling to be quiet, then another to keep your eyes on him. A quiet splashing in the pool alerts your attention, and despite his attempts of getting you to not look, you do. And as soon as you do, you really wish you hadn’t. 
You are met with the sight of Lila Archer in her bikini-clad glory, in the pool with Doctor Spencer Walter Reid. Doctor ‘pools are incredibly unhygienic, harbouring more than 50 million different types of bacteria’ Reid. And as if it couldn’t get any worse, you watch as their lips touch again and again, his hands cupping her face and her hands arms around his neck. 
Spencer pulls away from the kiss, his breath heavy and his head spinning. This is wrong. He’s not supposed to being do this. His brain is short circuiting and it’s even worse when he considers all the germs that could be in this pool. His head spins with the names of viruses and bacteria that could be festering in the waters he was currently in, and then he remembers he has more pressing matters to attend to. Namely the girl who was literally pressing her lips to his. 
He pulls away, stammering over responses. “We can’t– we shouldn’t. I’m a federal agent and you’re–”
Lila stares at him, amused, with her hands cupping his neck. “There’s no one here.”
“I’m supposed to be protecting you,” Spencer tries again, anxiety gnawing at his stomach. This is wrong. Unprofessional. Then his mind wanders to you and the nagging voice in the back of his mind urges him to do something. 
“There are police out front,” Lila says, kissing him again before continuing, “there are coyotes out back.”
“This is completely inappropriate,” Spencer stutters out, his hands reaching for her shoulders. Her skin is cold from the summer night’s breeze, even more so considering how they’re submerged in disgusting chlorine-filled pool water. 
“This?” She presses her lips to his once more. “What’s this?”
“This isn’t–” he swallows thickly, his cheeks flared. “No, there’s this thing called transference–”
Lila pulls away, her stare drifting from his eyes to his lips as she asks, “you don’t like me?”
Spencer blanches at the question. “What?”
“You don’t like me,” Lila repeats, more sure of herself now. “It’s because of her, right?”
He frowns at the insinuation. “‘Her’? Who’s ‘her’?”
“The other person on your team,” Lila says, her words bitter. “You like her don’t you?”
His mouth goes dry and he opens and closes it like a fish out of water. “What?”
“Let me change your mind,” she whispers, bringing her lips to his for the nth time. 
Spencer barely has time to react, his hands moving to the side of her face and he imagines that she’s you. But she’s not you and you would never kiss him in the middle of the pool. You would never pull him in by his tie and cut him off when he’s speaking. He pulls away. 
“Stop. Stop, Lila, I’m sorry, I have to– I have to tell you something.” His mind is blanking. Why is it that when he needs it, his brain shuts off?
“What?” Lila asks, her lips moving to his cheek and then to his jaw. 
“I didn’t want to tell you this before because I was a bit worried.” He’s screaming at himself in his head, kicking himself because ‘why the hell did he just say that?!’ Regardless of the way he wishes he could shut his mouth and run out of the pool, he continues, “I don’t know how to say it but I can’t not tell you.”
“What is it?” She finally pulls away and Spencer lets out a breath of relief.
The relief is short lived because he starts to blab, “Your manager, Michael–”
“What?”
“Gideon went to check on him but he got there too late.” Spencer thinks he’s going to hurl, his mind running a million times an hour and screaming, ‘No you idiot! No, no, no! Out of all the things you could say–’
Lila scrambles out of the pool, clearly distraught, and he reaches out to touch her arm… only to be swatted away with her sobbing and telling him not to touch her. He figures he deserves that and follows out of the pool after her. 
“How could you– how could you not tell me?” Lila demands, her tears mixing with the pool water already on her face. 
“I was afraid you’d be upset,” Spencer says lamely, water dripping from his trousers and he just wants a towel. 
“You– you knew what you knew and… how could you not…?” She’s on the verge of hyperventilating and she looks at him before looking away. 
“I’m sorry,” Spencer says quietly, not knowing what else to say.
Lila retreats into her house, shutting the glass sliding door behind her and Spencer can only watch as she throws a pillow at the wall before going up the stairs to her room. He stands there, in the cold, dripping wet from the pool water and he wipes his face with his hand. His gun sits on the table, damp, and he has the urge to scream. Before he could do something exceedingly stupid, the sound of footsteps alert him and he spins around. 
“Elle?”
“We found him in the bushes,” she says to Spencer, nodding to the guy being cuffed by Derek. 
“I told her she should cut those.” He says dismissively, wiping his gun with a towel. He looks at her and then at you. He swallows thickly, noticing the way your eyes look him up and down, the disapproval oozing in your stare. “I– uh– I fell in.”
“Yeah,” you respond, holding the camera up and a sarcastic smile blossoms on your face. “I’m sure there are plenty of photos of it.”
He sighs, “(Y/N)–”
“Hey, stop shoving me, man!” Joe snaps as Derek pushes him to walk forward.
“You’re a suspect in the murder of Wally Melman, Natalie Ryan, and Jeremy Collins.”
You watch as Joe’s face comically contorts from annoyance to confusion as he jumps to defend himself. “Murder? What? Whoa! Whoa, whoa, whoa–”
“Just shut up with the ‘whoa’. We know for a fact that you have hundreds of photographs of Lila Archer and Natalie Ryan on the walls of your studio. You have Miss Archer’s daily schedule on your desk. You’ve been stalking her.”
“Look, guy, hold up. Every paparazzi’s a celebrity stalker,” Joe says and the rest of the group turn to look at him incredulously. He continues to speak undeterred. “If you don’t stalk them, you don’t get the shot, and if you don’t get the shot, you don’t sell no pictures.”
“Yeah, well this one’s gonna cost you,” you hum, holding the camera in your hands and ripping the film out despite his yells of defiance.
Derek steps forward, pushing Joe to keep him walking. “Tell it to your lawyer.”
“Wh– I’m still being locked up?”
“That’s right, at the very least you’re trespassing.”
Elle and Derek walk Joe out of the premises, and you push the pulverised film against Spencer’s chest. He grips it in his hands, a soft ‘oof’ leaving his lips at the contact. 
“You’re welcome,” you mutter, albeit a little bitterly, as you turn to follow the rest of your team out.
“(Y/N), listen, it didn’t mean anything,” he says softly, squeezing the film in his fist tightly while the other hand reaches out to you. 
You roll your eyes, opening up the sliding door. “I told you, Reid, I don’t care who you sleep with.”
He splutters a little, pushing his hair away from his face. “We didn’t– I didn’t– we didn’t sleep together, you know that.”
“Even more reason why I shouldn’t care.”
His hand grips onto your shoulder, turning you around so that you’re facing him. “But you do. ‘Shouldn’t’? You care. You clearly obviously care, (Y/N).”
“I don’t,” you deny, pushing his hand away. “Reid–”
“Stop calling me that.”
“–it doesn’t matter. I don’t care. I’m leaving.”
He grabs onto your arm, stopping your retreat. “Why are you being like this?”
“I am not ‘being like’ anything!”
“(Y/N).”
“Doctor, this is highly unprofessional.”
He has to stop the frustrated groan that was moments away from leaving his lips as he stares at you. His eyes ghost over your frame, stopping directly at the dark red splotches on your shirt.
“What happened?” He demands, taking a step closer. “Are you hurt?”
“I’m fine.”
“Who’s blood is that?”
“Detective Kim’s.”
“What– were you shot at?” 
His hands fly to your face, trembling and cold, and you would have thought it was romantic if he didn’t do the exact same thing less than twenty minutes ago with another girl. 
“It doesn’t matter,” you dismiss quietly. 
“Don’t say that.”
“God, you act as if we’re dating or something!” You snap, pulling away from him. 
He stops short, his cheeks and ears reddening at your words. His mind goes blank and suddenly he feels very warm at the idea. Dating you? Every moment he had with Lila in that pool is nothing compared to the idea of dating you.
He watches as you roll your eyes before tugging your arm out of his grip. He wants to cry out again, to say something, but his head just seems to repeat the words ‘we’re dating’ over and over again. 
“Just forget it, Reid.” You look to the house and your gaze grows steely once more. “Your girlfriend is calling.”
*** 
“I want to try and talk to some of Lila’s close friends,” you say to the others after getting off the phone with Garcia. “According to Penelope, there’s a girl named Maggie Lowe on the list that Lila gave us and they’ve known each other since college. Apparently, they spent a lot of time together and Lila helped her get a job.”
“I’ll go with you,” Elle says instantly, climbing into the car. “Why Maggie?”
You start the ignition, backing out of the driveway and onto the main road, following the GPS directions. “They spend almost all of their time together. I mean, she must have noticed something off, you know?”
Elle nods slowly in understanding. “She knows about the red anemones, right?”
“Yeah. And she was the one who found the note taped to the door.” You pause, thinking through the evidence again. “Her apartment is right in the middle of the comfort zone.”
“You think she could be the UnSub?”
“It all seems too convenient. But then again, we didn’t profile the stalker as a woman. There have got to be some inaccuracies or things we overlooked because of the gender,” you murmur, stopping at a red light. “Call Garcia for me.”
The phone rings once before Penelope’s unmistakable voice chimes through. “Speak my pretties, and you shall be heard!”
“Hey, Pen, can you check what vehicle is registered under Maggie Lowe’s name?” You ask into the speaker, parking in front of the apartment.
“Checking, checking… aha! It’s a Honda Motorcycle, she just got it serviced six and a half months ago.”
“That’s the vehicle that the UnSub was driving when they shot at us,” you mumble in realisation. “Call the others, the UnSub might be Maggie Lowe. We’re checking the apartment now.”
“Gideon and Derek are at the art gallery to talk to Parker Dunley,” Elle points out. “I’ll let them know we’re at her apartment.”
There’s a typing on the other side of the line and Penelope chimes in once more. “Bad news, my loves. The cameras report Lowe’s motorcycle leaving the apartment complex half an hour ago.”
“Garcia, call Reid and tell him what we know. Elle and I are going into the apartment. We might find evidence or clues on who the next victim might be.” 
With that, you hang up, getting out of the car and running up the stairs with Elle hot on your heels. 
“Maggie Lowe?” You call through the door, knocking once then twice. 
You’re met with silence and you grimace, deciding to do Derek’s favourite move: kicking the door down. With a crash, the door slams open and you grip your gun a little tighter in your hand. Bathroom, clear. Kitchen and pantry, clear. Lounge, clear. Bedroom, clear– you stop short. Pictures– framed pictures– of Lila hung around the wall. A cork board with newspaper clipping and magazine cut outs were pinned meticulously to the cork backing, each one with Lila’s face and name circled with bold red marker. 
“Holy shit…” Elle whispers, holstering her gun and staring at the wall. “This is… this is beyond obsession.”
“You’re telling me,” you respond, putting on a blue glove and flipping through the cork board. “Call the others, Maggie is definitely the UnSub. Someone this obsessed must have…” you pause, filing through the desk on the other side of the room, “… a diary. Each murder was described to detail in each entry, as well as her feelings towards Lila.”
Elle grimaces as she looks over your shoulder to read the diary entries. “Grim.”
You huff out a laugh. “Yeah.”
Above her desk are images of Lila. Every single show she’s been in since Julliard, every time she was mentioned in an article, posters, newspaper clippings of the murders… the entire ordeal makes you feel sick. 
Elle sucks in a breath, staring at the desk. “She’s got Lila’s entire life documented.”
“And she’s probably already at Lila’s house,” you mutter, grabbing your phone. “We need to get over there, now.”
*** 
“The city of angels everything you thought it would be?” Derek asks amusedly, leaning against the wall of the jet as he watches you pour your third cup of coffee in the past three hours. 
It’s a couple days after Maggie Lowe was apprehended and the team were on the jet home getting some much needed rest. The aircon was put on full blast and you couldn’t be more grateful for it, enjoying the coolness on your skin in contrast to the hot Los Angeles weather. 
“I’m never coming back here,” you quip, your gaze shifting to where Spencer sits. He’s reading a book but he hasn’t turned a page for the past thirty seconds. “If I were to overthrow America, Los Angeles is the first place to go.”
Derek snorts, his eyebrows raising. “You don’t mean that.”
“I do,” you huff, finally looking at him. “I’m serious!”
“Sure kid. Totally believe you.”
He’s teasing, a knowing smirk on his face as he watches you chug the coffee with a grimace. Your tongue burns and you fill the cup with water and chug that as well, ignoring the amused look Derek keeps sending you. From the corner of your eye you see Spencer reading his book. At least, it would appear that he was reading to someone who didn’t know him. But you know him. He’s been staring into the pages for the past minute now and that alone was enough to let you know that he was paying more attention to your and Derek’s conversation than to the words on the page. 
You resist the urge to roll your eyes as you sit beside Elle who is already fast asleep. You envy her for a moment as she leans against the plane window, blissfully unaware to your mental torment. Stupid Spencer and his stupidly pretty face. From where you’re sitting you can see the back of his head and you glare at that the ridiculous mop of brown on his head. 
The rest of the plane ride is uneventful and by the time you make it back to the office it’s already late. It’s nearing one in the morning and everyone begins to head home. Derek is yawning as he leaves the office and Elle has a look that screams ‘Don’t talk to me’. Gideon is long gone and Hotch was in his office, packing up the last of his papers and files. 
Spencer is sitting at his desk, combing through the paperwork and stashing a couple pages into his satchel. He bids farewell to Derek and the others before shoving his train pass into his pocket. 
“You’re taking the train?” You ask, finally speaking to him.
His eyebrows raise in surprise and he shifts on his feet, gripping the strap of his bag. “Um, yeah. I took the train here, so...”
“Oh.” You nod, glancing at the clock. “No you’re not.”
He huffs out a laugh. “What?”
“You’re crazy if you think I’m letting you get onto a train at one in the morning,” you say, pointing with your chin to the elevator. “You might be a man and all, but it doesn’t change the statistics.”
You know his weakness. Statistics. Facts. Spencer hates the fact that you know him so well. 
He relents, getting into the elevator with you. “I thought you were mad at me.”
He hears you scoff, pressing B1 on the elevator. “Just because I’m mad at you, doesn’t mean that I’m going to let you do something potentially dangerous.”
He hates the way your words makes his heart flutter and he continues speak. “I didn’t mean to make you upset.”
“It doesn’t change the fact that you did,” you respond curtly, watching as the elevator doors open. “Come on, my car is that way.”
Spencer flinches at your tone. “I’m sorry.”
You laugh. “You don’t even know what you’re sorry for.”
“I–” the words die on his tongue as he wracks his brain. “I thought it was because you didn’t like Lila.”
“That’s true,” you murmur, unlocking the car. “Look, Reid–”
“Please,” he cuts you off, his voice cracking as he practically begs. “Please stop calling me that.”
He doesn’t miss the way your eyes flicker to him as you tug the car door open. “You want me to stop calling you by your name?”
Spencer’s nostrils flare as he gets in the car. “You know that’s not what I mean.”
You laugh again as you start the engine, glancing at the mirrors. “Everyone calls you Reid. It shouldn’t be any different for me.”
He huffs. “But it is different. You’re… different.”
“How?” You challenge, backing out of the parking spot and getting onto the main road. You’ve memorised the route from Quantico to Spencer’s apartment in DC– an almost one hour drive and you understand why Spencer hates driving to and from work. 
He falters before shaking his head. “It doesn’t matter. Just please don’t call me by my last name again.”
“Spencer,” You try again, missing the visible relief in his eyes, “I’m not mad at you because of something as miniscule as a girl. You’re entitled to your own relationships outside of work.”
“I don’t under– oh.” The realisation dawns on him when he recalls all the words you threw at him at the precinct. “I wasn’t a very good friend, was I?”
“No, Spencer, you weren’t.” You don’t hesitate to say it and Spencer winces at how quickly you agree with him. “You were unfair and let your emotions get in the way of the case. You criticised me and undermined my authority and then you had the absolute nerve to act as if nothing was wrong.”
“I’m sorry,” he croaks out, the lump in his throat getting bigger. 
“It hurt, Spencer,” you say, and your voice cracks as well. “It hurt because you’re my best friend and I would have supported you through everything. You know that. And I get that friends fight, but I thought that we wouldn’t fight about something as stupid as who you hook up with.”
“I didn’t hook up with her,” Spencer says quietly, and he thinks he might cry. “I’m serious, (Y/N), I didn’t hook up with her. She kissed me–”
“It doesn’t matter.” Your gaze shifts to him for barely a second before it’s back on the road. “Like I said, it doesn’t matter who you’re attracted to. I just didn’t think it would effect our friendship.”
“I’m sorry,” Spencer says again, holding onto his bag. 
You’re quiet before continuing, “ I know you are. I know that. I’m sorry that you thought that you needed to justify your feelings to me.”
He swallows thickly, watching your face carefully. You didn’t do anything to make him feel like he had to justify himself. If anything, it was Spencer’s conscious that made him feel the need to explain himself. The guilt that he felt after kissing Lila was enough to get him to feel sick. The guilt that he felt after knowing how badly he hurt you was enough to make him want to grovel at your feet. 
“You didn’t do anything wrong,” He mumbles, wetting his bottom lip. “You had– have– every right to be upset.”
“I don’t want to be upset anymore,” You say as you continue to drive down the freeway. 
He’s quiet before he finally says, “I miss you.”
“I miss you too.”
He swallows the lump in his throat and he presses the pads of his fingers into the corner of his eyes. “I’m so sorry.”
You finally park in front of his apartment, leaning against the chair. “I know. I know, I’m sorry too. I said… a lot of things.”
“I deserved it,” he says, a small laugh leaving his lips as he finally looks at you. “You’re right, I wasn’t being fair.”
You hum, leaning over the console to give him an awkward hug. He presses his nose into your shoulder, breathing in your vanilla perfume. His arms wrap around your middle and he realises how much he missed this. How he missed being close to you. 
“I won’t do it again,” he promises. 
“I know.”
“I really am sorry.”
“You need to stop apologising.” Your words come out like a laugh and he realises how much he misses that sound too.
“I’ll make it up to you,” he says into your shoulder. “Coffees for a month. I’ll even get you those croissants you like, even though they’re really overpriced.”
You laugh again and he smiles. 
“You apologising is already good enough,” You say, squeezing his arms. “Now go get some rest, Spence.”
His smile widens at the nickname and he finally pulls away. “Good night. Thank you for driving me home.”
You smile back. “Good night. Don’t mention it.”
The next morning, you find a steaming coffee on your desk and a freshly baked croissant in a brown paper bag. Spencer waves at you and you can’t help the goofy grin on your face as you take a bite into the croissant. 
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I watched James Somerton's final video, and all I got was this 6 page document
As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.
The TLDR (is this too long to be a TLDR?)
The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.
He makes a “haha this show is so weird right guys” joke 10 different times
He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good
He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”
He sees the sexual abuse as “not to be taken literally”
Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5
The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person. 
He says Dios gets his powers by “deflowering women”
He calls Akio, known child predator, a chaotic bisexual
Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom
His final point is that Utena was the real prince all along
There are no citations
Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.
Part 1: Intro
This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:
0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.
1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido
4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)
As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime
Part 2: Part 1
(At least I know I’m not funny, unlike James Somerton)
Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01
Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40
6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga. 
7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.
9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)
9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons
10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom. 
He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done. 
11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.
13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.
14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)
Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.
14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women
16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.
Part 3: Part 2
17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me. 
The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?
You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.
Part 4: Part 3
Here’s where the reading falls apart folks
At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World. 
This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical
This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.
I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.
24:36: Shiori slander, for those who care
After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him. 
28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)
This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase
And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.
Part 5: Part 4
Thank god this part is short. Much like Dios’ on-screen presence.
32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.
Just to be a pedant, this is pretty explicitly disproven in the show
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Confusingly, both earlier and later he will address these two as the same character. 
33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?
Part 6: Part 5
This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.
38:30 The part where he states that Dios gets his powers from deflowering women.
38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”. 
38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance”  THE ASSAULT IS ABOUT AKIO NOW???
39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.
Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.
At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand
Part 7: Part 6
42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami
46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince
48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim
Part 8: Part 7
54:01: His concluding point is that Utena was the real prince all along. 
In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.
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andypantsx3 · 3 months
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idk when i will write this (i'm calling dibs on this set up btw) but i have a "there is only one bed" scene living in my head rn, where like shouto & bakugou are on a joint secret mission and somehow you fall into it, some random civilian they've picked up along the way and are forced to drag along for your own safety.
night falls and bakugou's gotten you the last room at some seedy motel that lets you pay all cash, and no one is pleased when the room is dingy and so small that it's taken up entirely by the bed. the one singular bed, that is.
"the brat sleeps in the middle, i'm not cuddling up to your candy cane ass," bakugou tells shouto gruffly.
shouto ignores him, watching you closely instead.
"i will take the floor if it makes you uncomfortable," he offers, the consummate gentleman. he's been the kindest of the two of them, throughout this whole ordeal, the one who'd pulled you out of the way just as you were about to be cremated. something in your heart clenches at the thought of him cold and alone on the dirty carpet.
"it's fine," you tell him, heart in your throat.
a tiny smile quirks his mouth, and bakugou scoffs behind you. you haven't known bakugou long, but you know enough to guess he's rolling his eyes.
it's quiet as everyone readies for bed, bakugou claiming the first shower. shouto takes the time to reorganize his pack and you help him divide up everything in the minibar between the three of you, everyone ravenous after the events of the day.
it's a relief to wash the grime off of you too, finally clean again after days. you're loath to redress in your same filthy clothes, but you have nothing else. you scrub the worst patches of grime off in the sink, resigned to a couple damp spots, before nervously making your way back into the bedroom.
you can smell the cheap hotel shampoo in bakugou's hair as you settle down between the two men, feel the heat of shouto's body next to you, still damp from his shower. there's barely two inches of space between you and either of them, the bed meant for two, not three.
"you better not fuckin' kick in your sleep," bakugou tells you, his voice a low rasp in your ear. you suppress a shiver at how close he is, but even that can't stop the way you roll your eyes in the dark.
"i'll aim towards you," you say, unable to help yourself. you can feel the exhale of his snort on the back of your neck, and you can't quite tell if it's amused or displeased.
shouto is the first to drift off, his quiet breaths growing even and deep and steady. you can just see the faint smudge of his long lashes fanning over his cheeks in the dim. he looks just as beautiful asleep as he does when he's awake, and your own cheeks warm at the idea of sharing a bed with this man. both of these men. bakugou is beautiful too, even if he's obnoxious.
you think bakugou is still awake when you finally manage to drift off too, but you're the first to awaken, the silver-grey fingers of early morning light barely sneaking beneath the drawn curtains.
in the night all three of you have drifted closer—much closer than is proper. you're wedged securely between them both, shouto a long, hot line against your back, bakugou's chest firm against yours. you're so close that you can feel both of their chests rise and fall as they breathe, feel the tickle of shouto's breath against your neck, bakugou's against your temple.
one of shouto's hands is fitted to your hip. you can feel the impression of every single one of those long, elegant fingers warm against your skin. one of bakugou's muscular thighs is wedged between yours, too, your legs tangled. it's hot between the two men—you can feel your skin dampening with the heat of their bodies.
you don't dare move, nerves—and something horrifyingly more pleasant—pooling in your gut. you lay like that for a long time, eyes closed, heart pounding, until bakugou shifts, rolling over and awakening with a groan. once he's reoriented himself, you feel him shove shouto off of you, too, cussing him out in a low, raspy tone, rough from sleep.
the cold where their warm bodies once pressed against you is a physical impression of the absence—and you think you feel the loss of their proximity far more keenly than you should.
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ashintheairlikesnow · 9 months
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Okay so here, I think, is why I think Red, White and Royal Blue succeeds spectacularly as a romcom, and actually to me is a better-than-average take on the genre.
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First, the leads have absolutely scorching chemistry. They are incredibly believable as two men absolutely infatuated with each other. They each kiss like drowning men shown water, right down to how each grabs at the other, at hair or back or neck and face.
They each have developed their character having a specific characteristic even when flirting or kissing. Henry grabs Alex's hair, for example, every single time, in a way that makes it clear he spends serious time thinking about that hair.
Fair enough, Henry.
They also do something even goddamn better.
They are friends. They are believable as two people who could actually get along long enough to fall in love.
They are allowed to become FRIENDS.
They are given time to get to know each other before they get physical. You can feel their interest in each other growing. And, to my opinion, you can tell that Henry is feeling Alex out through texts to see if the interest might be reciprocated even though he thinks it can't possibly be.
One thing that kills me about romcoms is how the leads will have witty "sexy" banter but don't seem to actually like each other. They are enemies who fall into bed but aren't really believable as lovers.
Henry and Alex are believable, because they... Well. They're impossibly silly even when tearing at each other's clothes. They have awkward moments.
They laugh.
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Alex laughs in bed. He holds Henry in a way that is romantic, openly so. Henry is overcoming the conditioned hesitation and avoidance he has, his smiles and warmth and laughter come with rare vulnerability - Alex is a man who throws himself head first into life and has no such compunctions in the moment. He laughs because this is awesome and Jesus Christ, Prince Henry is too hot to be real.
They like each other, they stumble, they laugh.
But also, another reason this works so well?
The sex scene isn't scorching.
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Watching the sex scene felt realistically intimate. It felt like I had walked in one real people and needed to leave. It was intense in a way that felt like something I maybe wasn't meant to see.
It was filmed so well. So much romanticism and deeply felt adoration in a simple grasping of a hand, the look in soft eyes, a hand pressed against a back. The edge of a knee just in frame. Looking up and looking down.
It felt like we walked into their room during and saw them both laid utterly bare.
Henry's look of vulnerability and nerves and pleasure, Alex looking slowly over his face to take it all in. Moving slowly, then, when everything they do before this is hurried or hidden.
It works as a romcom because you believe 100% these two men could get to like each other, fall in love, and stay that way.
You believe Henry's very real terror of rejection from the public because he already knows his family, beyond his sister, will reject him. You believe that Alex is a headstrong idealist who is sure that you can bulldoze through any wall too tall to climb.
And you believe that between the two of them, they can find a way around the wall entirely.
This movie is a master class on how a movie can get you to suspend so much disbelief if the leads sell their characters. The importance of believable chemistry.
And also... Isn't it nice to see a queer love story in a world that is, in some ways, just a few shades better than our own?
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P.S. you cannot tell me Stephen Fry did not chew the goddamn scenery in circles all around everyone during his single scene. That man was having a ball.
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blkkizzat · 6 months
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summary: After a really shitty blind date you end up lashing out at a sexy stranger, sarcastically posing him a question he's more than willing to answer. a/n: Toji got me feral as fuck today y'all but I make zero apologies. Especially for this trifling ass gif because wtf else was I supposed to do after watching this scene, who isn't thinking this is the real question!?!? wc: 3.1k over 2.1k of it is literally just Toji being a munch
eta- put a cute frame over the gif ❤︎
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You were sitting alone in a dive bar after a sorry ass excuse of a blind date. Drowning your sorrows you definitely needed something stronger than the seltzers in your fridge at home.
Things on your date were going well until the end of the night when the conversation turned frisky. You then whispered into your date’s ear that you wanted to ride his face.
That's when your date’s actual face turned to repulsion. Your blind date flat out said eating pussy was gross and refused.
You had dealt with previous boyfriends not wanting to go down on women so you weren't dealing with that shit again.
Nuh-uh. No way.
After not-so-politely telling him to kindly go and fuck himself you grabbed your purse and walked right the hell out of there.
And here you are now.
Alone.
At a sketchy ass dive bar that was mostly emptied.
Three shots of tequila in and a fourth setting on the table waiting for the room to stop spinning before you down it and go home.
Your head was resting on the cool bar countertop as you cursed the entire male species for their existence.
Selfish jerks. Every single one of them.
That would be the last date you would go on in a while. The only man you wanted to see was the bartender when he handed you another shot of tequila and then he could go fuck off too.
So when you felt a large hand on your lower back and a gruff but seductive 'Hey mamas' blowing hot air in your ear you fucking lost it and the full wrath of your scorn and sarcasm was directed at this man.
"LISTEN, I've just had a really shitty blind date. I just want to take this last shot of tequila, stuff my face with KFC and go home. So unless the answer is 'Yes' to the question 'Do you eat pussy?' Get the fuck out of my face, please and thank you!"
You didn’t care who heard your drunken tirade as you lifted your head to face the punching bag for all your current male frustrations.
Your jaw dropped.
The man who stood beside you looked like he walked straight out of Greek mythology. He was tall and muscular with tan skin and his black compression shirt stuck to him like a second skin giving you a detailed view.  
Shit he must be a boxer, or a martial artist or something. There was really no other excuse for a man to be that ripped.
You chewed your lip as your eyes slowly trailed up his body, drinking in his statuesque form to finally arrive at his face framed with shaggy raven hair.
Fuck he is really hot too.
The man, although sexy, looked intimidating as hell as he towered over you. 
You winced as you thought you were in for it with his response and you started to already form an apology in your head.
But instead of anger the man just looked down at you with amused knowing eyes as he allowed you to ogle him. 
He also wore an insanely devious smirk, his scar pulling up at the corner of his mouth.
“Heh.”
From that point things were a bit of a blur as he snatched up and downed your shot of tequila, grabbed your arm and led you away to the back with you barely having time to grab your purse.
You only registered what was happening once your back hit the cold tile of the bathroom wall and saw this sexy mysterious man lower himself to his knees before you.
His large muscular hands trailed all over your body, never leaving you.
"W-What are you doing!?"
You didn't know what to think, this was all happening so fast.
Was this intimidating but sexy as fuck man that you just met, yelled at and didn't even know his name, about to eat you out!?
"Heh, I’m answering your question, mamas."
The man spread your legs at the ankles, not even bothering to lift up the skirt of your dress. Choosing instead to just stick his head right up in there, letting the fabric drape over him.
"Wait at least tell me your na–"
Your sentence was cut short as you gasped at the sensation of his nose pressing into your clit through your black laced panties.
The man wiggled his nose against your clit like he was giving it eskimo kisses. He then salaciously took a huge whiff of your scent through his nostrils and puffed out the large exhale of warm moist breath directly over your cunt sending tingles through your body.
"Fuck, who wouldn’t want to taste this sweet slutty cunt?"
He mumbled, making the comment more to himself than you but your legs still shook slightly from the vulgar compliments and vibrations of his voice in your pussy.
You were practically purring now. You could feel the surge of heat and need rushing over your body spreading out from your core. 
Especially now as his tongue was dragging up the thin lace of your panties and stopped to suck at your clit through the textured material. 
It felt absolutely wild. 
“F-Fuck!”
You moaned loudly and quickly covered your mouth with your hand.
His hands slid up your dress to roughly dig into your hips and pull your pelvis more forward as he smashed his face into your cunt.
Your last bit of reason was telling you to stop him. You didn’t know him at all and what if someone walked in and saw you both? 
However, once you feel the man’s mouth grab the hem of your panties and drag them down your legs to remove them by his teeth alone, your common sense was discarded as well.
You exhaled as you threw your head back in resignation, missing how he slyly pocketed your black lace panties once he finally had them off of you. He would be taking those with him.
You looked down at him as he rose up again, pulling up your dress. He placed a chaste kiss on the mound of your now completely exposed pussy as you squirmed in excitement under him.
“Y’er gonna be a good girl f’er me n’ do what I say, so I can eat this slutty pussy out the way she deserves, eh?”
The cocky smirk on his face never left and he reached both hands around to grasp both your plump ass cheeks, kneading them and enjoying the way your soft flesh squeezed through his fingers.
“Y-Yeah, uh-huh, I’ll be good. I p-promise.”
You breathed out those words too rapidly causing you to realize how needy and desperate you sounded. Your hips involuntarily bucked towards him and you became pliant in his hands.
God, you were nearly begging him with your entire body at this point. 
But the fact was you would be begging him anyway if for some reason he found some good sense and decided this was all way too crazy to be happening right now.
Fortunately for you, you apparently stumbled on the fairy fucking godfather of pussy eating appearing seemingly out of nowhere and who clearly didn’t give a single fuck as to where he was.
His eyes looked crazed and his grin widened at your consent. He released your cheeks to roll up your dress further. 
He gave it to you, but not for you to hold with your hands but with your mouth. 
“Bite down on this f’er me, yeah? Heh, wouldn’t want to draw a crowd from your screams.”
Of course he is arrogant too. 
You rolled your eyes but were obedient. You were too caught up in the thrill of what was happening to disobey him and have him stop.
You bit down on the bunched designer fabric.
“That’s a good little slut f’er me.”
He mockingly praised you and gave an abrupt slap to your ass.
You whimpered around the fabric.
You really didn’t understand why you just couldn’t use your hands though, but you soon found out as he threw both of your legs over his shoulders. 
Your hands were needed to brace yourself, that much became obvious to you as they flew to the wall behind. You grasped for any kind of stability you could find on the slick tile so you wouldn’t topple over. 
His strong wide hands wrapped around your thighs and brought your dripping core closer to his face.
A barely audible ‘Itadakimasu’ was all the warning you got before you felt his flat heavy tongue dig into your cunt.
“S-Shiiiiiiiiit!”
Exploring your pussy like uncharted territory he took his time to lap, slurp and swirl his way through, roaming in the intoxicating folds of your cunt. A fast learner, he noted what made your body twitch, your leg shake or an extra hitch in the deep moans that escaped you through the fabric in your mouth. 
Wanting to hear you scream, he swiped his canine over your clit before he traced his tongue over the bud and sucked hard.
Mission accomplished as your muffled scream came through the fabric of your dress and a hand of yours left the wall to find purchase in his hair, pulling on it hard.
He growls into your pussy with approval when he feels the harsh tug on his black strands and continues working you over, pulling all sorts of vulgar noises from you as he slobbers and spits into your cunt.
The man was fucking nasty the way he devoured you like it was his last meal on death row.
“S-so, close-ahh!” 
Your muffled voice told him but the man could already tell by the way your thighs had enclosed around his head, twitching against him while suffocating him deeper into your core.
The tension that wound itself into a coil in your stomach reached his limits and it finally broke when you felt his canine swipe against your clit a second time.
Your cries choked out as they clumsily made their way out of your mouth still stuffed with your drool soaked dress. 
You quivered and gushed into his mouth, eyes rolling back and your other hand found its way into his hair. Wrenching his locks in between your manicured fingers as if you intended to scalp him from how hard you were twisting.
That only served to encourage his efforts however as he slurped up your juices more fiercely. You clawed at him to release you but you might as well had steel around your body as neither his bulky muscular arms nor thick head budged.
Fuck its too much!
Finally pulling black with a pop he smacked his lips and exhaled an ‘ahhh’ as if he was taking a pause from stuffing himself with a delicious meal.
“This cunt is so fucking creamy, need some more of ‘er.”
You shook your head as tears welled in your eyes at the sight of him salivating over your puffy pussy lips glistening with the combined fluids of your cum and his spit.
“Mm, you want me to stop? But she doesn’t want me to.”
His thick tongue flattened to take painfully slow licks over your slit, the man’s fierce green eyes never leaving yours as they flared with primal urges.
You never had someone aggressively eat you out like this, not to mention actually enjoy it this much.
This man was fucking insane.
“Let’s ask this slutty pussy what she want’s, eh?”
The man tilted your pelvis up, lifting your lower back off the wall so he could move close to your hole that was fluttering, shamelessly clenching around nothing. 
“See that, ma? She’s winking at me, inviting me in. How can I say no?” 
He sounded absolutely unhinged as he slowly extended his tongue to push up into you.  
Your muffled sobs were drowned out by the erotic squelching sounds of your cunt echoing off the tile walls. 
He accelerates you to the point of overstimulation with such vigor that you easily cum on his tongue again for a second time. 
This time your legs trembled more violently and your heels dug into his back causing him to grunt deeper into your pussy. The sharp digging of your heels into his back did nothing to discourage him as his tongue fucked further into your hole without mercy. 
All you could do was wither in his clutches as he rolled his tongue inside you throughout the high of your second orgasm.
You were panting and your jaw became slack as you slowly lost the ability to hold your dress in your mouth any longer. Releasing it along with a well of drool that once freed, overflowed down the corners of your mouth to drip down your neck and chest along with your tears.
“One more mama, I know this slutty pussy can give me that at least... Tch, and take off that dress if ya ain’t gonna hold it, ya? Let’s see those pretty tiddies, eh?”
The man’s distasteful and outright crass words should have turned you off. 
But his filthy tongue not only drains you of your juices but also any kind of restraint or decency you had left. His brash words only make you all the more aroused.
Obeying him once more, you rid yourself of the dress pulling it up and over your head, not caring where it landed. 
You would rather it off than in your mouth anyway. Opting to not wear a bra with this dress you were now naked save for your heels.
“Nice tits.”
You rolled your eyes as his crass compliment but wore a small grin yourself as you playfully shook your shoulders allowing them to jiggle down at his face.
He chuckled at your display but his voice quickly turned devious again.
“Make sure y’er holding on tight this time, eh?”
You strengthen your grip on his raven locks but you still weren’t prepared for when he rose up off the ground entirely to stand, completely shouldering your weight. 
“ACK!!”
The altitude change wasn’t something you expected. He held you up off the wall like you weighed nothing to him and although you felt secure around the lower half of your body, an arm still flailed around for balance. 
Thankfully, you discovered you could hold on to the pipes that hung from the low ceiling yet it creaked as you held on. 
Shit, you hoped it would hold.
Seeing you secure yourself the man wasted no time enveloping your cunt with his hot mouth. The gravity of your weight pushing down your core on his mouth had him more needy for air and you felt the pulses that rocked through you from his rough exhales with fervor. 
“Fuckfuckfuck!”
It proved to be much more difficult to keep your cries of pleasure contained. But you bit your lip to try to suppress yourself into a whine instead of a scream.
Although that all went to shit once you saw the reflection of the two of you in the dirty floor to ceiling bathroom mirror. 
You could still clearly see your forms and the way you looked. Your face completely blissed out, sweating and panting as the mad man did everything but rest while he was between your legs, circling and suckling as if he personally challenged himself to drain all the fluids from your body. 
You tighten your hold on the pipe and experimentally roll your hips forward and your other hand, threaded behind his head through his thick hair pulls him closer as well. 
“G-God-f-fuck-shiiiiit!”
You didn’t care who the fuck heard you this time, as you watched yourself in the mirror thrust your hips forward to fuck deeper into his face, building up a rhythm. 
Your tits bounced up higher with your back arched as your mouth hung open spilling out curses, cries and moans alike. The scene was better than a porno, so hot, so feral, you half wished someone was recording this.
Absolutely loving the thought of you losing yourself to his depravity and you taking on a more aggressive role, the man growled with approval once more into your cunt as his tongue continued to unravel you. 
Your movements became more frantic as you could feel your third and most intense orgasm yet approaching. He eagerly relinquishes more control to you as he allows you to grind his face farther into your pussy.
You shuddered as you felt a shock of electricity wreck your entire being, assaulting all of your senses with the feeling of pure ecstacy. Your toes ached from the intensity of their curling in your heels and your mind only filled with the sounds of the sloppy gurgling noises from the man below you literally being smothered by your cunt as you rut into him.
It wasn’t just the cheap fluorescent lights of the bathroom eye-level with you when white filled your vision and you felt yourself release to convulse and squirt all over the man’s face. 
If you weren’t holding onto the pipe above for dear life, you’re sure you would have fallen.
After a few moments the man easily shifted his hold to your waist and brought your feet back to touch the ground. However, you were still more than a bit shaky and a few steps backwards had you bumping into the wall and sliding down to the floor. 
Your fluids leak out into a small puddle on the ground between your sticky thighs.
The man whose name you still didn’t know slicked his hair back into place as he glanced down at you, disheveled and heaving on the floor. 
“Gochisosama, mama.”
He smirked even with his face completely drenched with your nectar. He brazenly circled his tongue around his lips and corners of his mouth to greedily lap up any of you remaining that he could before wiping his mouth with the back of his hand.
“Name’s Fushiguro. Toji. Heh, and yeah ma as ya now know, I do eat pussy.”
You gave a weak chuckle at that but your eyes were glossed over and you were fading a bit. You can’t recall the last time you came that hard at all, let alone from just getting your pussy ate. 
“Now, I gotta question, ma.”
Your body, still vibrating with the aftershocks of your intense orgasm has left you non-verbal so you simply nodded your head for Toji to continue.
Toji crouches down to your level which reveals his monstrous and fully bricked cock straining through his sweats. 
Your eyes widen when you see it and you knew then everything about this man named Toji Fushiguro was fucking ridiculous, in both size and demeanor.
Lifting your chin so you could look him directly in his eyes, Toji slid his thumb over on your bottom lip. 
The appendage bullied its way past your lips and pressed down on your tongue. Your mouth opened wide and he inspected you like he was a doctor examining the back of your throat.
Pleased with what he saw, Toji gave you a shit eating grin.
“You swallow kids?” 
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© ʙʟᴋᴋɪᴢᴢᴀᴛ 2023. ᴀʟʟ ʀɪɢʜᴛꜱ ʀᴇꜱᴇʀᴠᴇᴅ. ᴘʟᴇᴀꜱᴇ ᴅᴏ ɴᴏᴛ ꜱᴛᴇᴀʟ, ᴛʀᴀɴꜱʟᴀᴛᴇ, ᴄᴏᴘʏ ᴏʀ ᴄʜᴀɴɢᴇ ᴀɴʏ ᴏꜰ ᴍʏ ᴡᴏʀᴋꜱ. ᴛʜɪꜱ ɪɴᴄʟᴜᴅᴇꜱ ꜰɪᴄꜱ, ᴅʀᴀʙʙʟᴇꜱ, & ɢʀᴀᴘʜɪᴄꜱ. ᴛʜᴇʏ ᴀʀᴇ ᴀʟʟ ᴍᴀᴅᴇ ʙʏ ᴍᴇ ᴜɴʟᴇꜱꜱ ᴏᴛʜᴇʀᴡɪꜱᴇ ꜱᴛᴀᴛᴇᴅ. ᴛʜᴀɴᴋ ʏᴏᴜ.
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a/n: Istg I'm working on part 2 of Werewolf!Toji but theres no pussy eating in that and he needed to eat some pussy today. I deserve that and y'all deserve that too.
So here. Come and let our feral hunger feast together as Toji feasts on us.
11/4: a quick afterthought of what happened next.
Reblog to spread the depravity as everyone needs to have this crazy ass header pop-up on their timeline lmfao. But likes and comments are appreciated all the same!
tags of depravity please don't send me away for this one: @callm3senpaii @ryomens-vixen
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vidavalor · 7 months
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What I love about the cellar scene in the Job minisode is not even that it was Crowley who "tempted" Aziraphale into first trying food but that the scene shows that Aziraphale then took one look at Crowley lounging with a jug of wine getting off on watching him lose his mind with pleasure over eating for the first time and promptly decided that he was extremely into Crowley watching him like that... and that after this night, Aziraphale decided he would keep Crowley's interest more in the future by then becoming exceedingly well-table-mannered for the rest of eternity.
Every single time they have eaten together for millennia since, Aziraphale has been sitting up straight with a napkin on his knee and not a hint of mess and yeah, okay, so he's naturally a bit like this but he is leaning into it *hard*. He's been inviting Crowley to watch him eat since 2500 B.C. and turning it into the complete *opposite* of Job *on purpose*. Oh, a tiny dab of cream at the corner of his mouth? Only there for a teasing second before Aziraphale meticulously dabs it away... He eats every meal like he's being served in Buckingham Palace and on the surface, it might look like he's pretending that the ox rib night never happened but they both know it happened so it's really *referencing* it, every single damn time, for millennia. It's moaning over how scrumptious something is, like he's restraining himself from a full-on food orgasm in public, because he *is* and every time he intimates to Crowley the pleasure he's getting from the food but restrains himself from full-on gorging on it with true abandon, Aziraphale is intentionally reminding Crowley of the one, single time, thousands of years ago that Crowley got to watch him go wild with unbridled pleasure.
It is the exact opposite of what Aziraphale would do if he never wanted Crowley to ever think about the ox rib night ever again. It is *designed* to make him think about it every single time they eat together and Crowley absolutely knows it. He's gone in for it with his eyes wide open. ('Blown wide open' is probably a more accurate description...). So much so that being together is coded for them as high, fine dining-- dining at the Ritz. Aziraphale's been edging this poor demon over oysters and dessert since ancient Rome and that was all fairly evident in S1 but S2 deciding to be like 'actually, Crowley isn't *wondering* what Aziraphale would be like if he let loose over this meal, he's *remembering* what Aziraphale was like the one time he got to see him out of control-- and that he's entirely responsible for Aziraphale's food lust in the first place' is among the best 'new context from flashbacks' stuff in S2.
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ventismacchiato · 1 month
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RAFAYEL HEADCANONS
canon complaint, established relationship
sorry guys, can u tell i have a favorite
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matching everything. phone charms. earrings. nails. socks. you name it, he’ll buy everything in two.
begs you every other day to get a matching tattoo with him. he’s even drawn up multiple designs for you to choose from and will keep asking you until you eventually agree, how could you refuse?
hates cats, says he’s allergic (he’s not) but will run out the room when your cat walks in when he’s staying over. one time you asked him to feed it when you were away on a mission and you watched through your cat cam as it took him fifteen minutes to get the bravery to even get five feet near your cat.
so very chronically online. he’s a certified yapper. you’re his only follower on his private twitter and best believe he’s posting every single thought he has, and he expects you to reply to every single one. also asks you to match profile photos, but he has commitment issues so you guys change them almost every week.
you usually wake up to at least one voice note from him, minimum of five minutes long. you got used to playing them as podcasts as you got ready for work.
honestly he already probably gets his nails done, but will let you do them for him. more so force you, he’s lazy. but if you like to have yours done he would be able to do the prettiest designs for you.
aquarium dates are his favorite, no need to get a guide because rafayel will talk your ear off the moment you’re inside.
boy who cried wolf. fakes being sick for your attention so much so that you don’t even believe him when he actually is. not until thomas tells you that rafa has been whining about missing you in bed.
clearly has abandonment issues and gets upset when you don’t let him know where you are or if you’re okay. he’ll show up at your apartment the few times you pass out from a mission and forget to reply, ready to be mad at you. but the moment he sees your wounds and tired eye bags he loses any ounce of anger he once had.
love language is quality time, doesn’t matter what you’re doing as long as it’s together. he’s the type to tag along when you need to go grocery shopping or pick up something. he just likes to be beside you.
he is a brat, so he’ll laugh as he watches you struggle to carry all the groceries back inside. but it’ll only last a few seconds before he scoops them from you. if you guys go to a carnival together his immediate thought is to win every prize there. it’s only when he’s sucked the poor booths dry is when you have to tug him away.
claw machine dates are weekly and mandatory, but if you think you’re getting a turn think again. he gets too into it and forgets to share. you’ve come to learn you just need to pry him away from it
always follows the sidewalk rule but in return will make a big deal out of you opening doors for him since you’re his bodyguard. he’s the girlfriend in the relationship fr
that’s not the entire time though, when it’s just you two and he’s all worn out from being annoying all day his tone will go softer and his gaze warmer. he loves you he really does he just showcases it weirdly
constantly asking, morelike begging, you to stay the night. even if you have work the next day he says he needs you to fall asleep. it’s happened so many times you eventually brought one of your uniforms over and some clothes so you could spend the night and still go to work. it’s hard not to give in to him.
loves pda. if it was up to him he’d have his hands on you constantly. will get sulky if you don’t hold his hand when you go out.
much like xavier i don’t think he would enjoy working out. but if you need to go to the gym to train he’ll sit on a yoga ball beside your treadmill and talk your ear off. he’ll spot you on the machines but won’t go near anything. he will offer to sit on your back as you do push-ups though. you decline.
nsfw
probably a switch but after seeing his tipsy invitation and ebb and flow scenes he’s giving he prefers to be on the bottom. probably bratty at the beginning but he according to the cards he gives in pretty easily, letting mc tie him up and referring to you as master likeeee. i feel like he just wants you to enjoy it more than he wants to enjoy it. gets off at seeing you get off type of deal.
he’s giving pillow princess vibes but if you ask he’ll give you the same treatment but tease you the entire time tbh he’s sooo bratty but i can’t see him being a hard mean dom. like he’ll give into you but make you work for it. edging kink all the way
“hmm, should i stop? i can’t let you finish this quick.”
“wow i didn’t know you were so sensitive here.”
“i haven’t even used my fingers yet and you’re already this wet.”
100% down to try any sex toy can you imagine him buying some sort of tentacle dildo as a joke cus he’s a mermaid but then you end up actually using it on him one night
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formulaforza · 9 months
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—the seasons of love
or: the enemies to lovers situationship fic charles leclerc x female reader summ. winter, the first time. the start of the year, the start of it all. minors dni, nsfw warnings under the cut. 7k words part two part three part four part five
18+ because: brat taming, fingering, oral (f receiving), name calling, spit, unprotected sex, overstimulation, booty call!, masturbation (f receiving), voyeurism, mad sass, fucking porn without plot basically.
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There’s nothing special about the club scene in Monte Carlo. If you’ve been to a club in any major city, anywhere in the world, you’ve been to a club in Monaco. It’s all neon lights and kaleidoscope colors and poorly lit dance floors and mid-tier DJs who think they’re the next coming of Jesus. 
Tonight is no exception. The air is thick and heavy with the scent of floral perfume and alcohol, the entire room shaking with the pulsating beat of the bass, reverberating off every single corner and shaking the liquor in your glass. Bodies move—yours included—half in sync with the music, half in step with their drunken stupor. Perched in the safety of Charles’s section, away from the swaying forms of laughter and shouting and screaming, your entire body thumps alone to the beat from the DJ booth a couple meters away. 
Across the section, Charles sits stoic on a couch, taking up a seat and a half and frozen like some magnetic force. His eyes are stuck on you in a way that pulls goosebumps from your skin, makes you irrational angry at him. You’re feeling particularly bratty today, egged on by the tequila and his visible annoyance. 
You’re on your way to interject into his pity party when your sister catches your arm, pulls you by your bicep to dance with her. Her palms are sweaty and cold and you hope that it’s the condensation from her cold glass that’s got her all clammy. The two of you have always been quite a sight after a few drinks. You get your tolerance from your mother, are both disastrous lightweights, feel the need to give any and everyone around you a show. 
The two of you twirl to the music with little effort, laughing like you’re seven and the hazard littered floor under your feet is the old brown carpet from the family room you grew up hosting dance parties in. It’s all hair and giggles and hands in the air like you just don’t care. Everytime your glance catches his, he’s staring back, nursing his drink and half participating in a conversation with your brother-in-law and Jo. 
“What’s his fucking problem?” you ask, leaning over to shout into your sister’s ear.
“He can’t dance,” she slurs. You snort. He can dance.
You whistle, loud and commanding and cat-call-ish even though he’s already watching you. “Charles! Get out here and dance, you fucking buzzkill!”
Your sister joins in on the fun, playfully swaying her hips to the music, tossing out an imaginary fishing line to her husband and reeling him over, calling along teasingly to Charles. “Yeah, show us what you’ve got, Il Predestinato!”
Charles rolls his eyes, crossing his arms over his chest defiantly. “I don’t dance,” he calls back with a soft chuckle. He tries to play it cool, like always, but everyone in the room knows you’re pushing his buttons. You always are. The reason he keeps you around is the same reason you stay around; your families’ relationship predates any animosity between the two of you. That, and the friend group was founded before you loathed each other and it would be too much work to try and split it up now. You’d probably never see Joris again. 
You dance closer to him, putting on a dramatic show and a poor fight against the urge to continue challenging him. “Come on,” you tug on his arm, just out your bottom lip into a pretty little pout. “Live a little.”
He’s never been able to turn down one of your challenges, however thinly veiled they might be. It’s his own personal sore spot, the one that you poke and prod as often as you can. Competition has always been the foundation of your mutual annoyance, it’s not going to suddenly change after some eighteen years of consistency. Finally, he relents, lets you think you’re pulling him to his feet, dragging him to dance with you and your sister. 
His moves are stiff and awkward, almost hard to watch. You laugh, because he’s wound up so fucking tight in two weeks you’d have a diamond. “See!?” your sister laughs, the contagion of it spreading to even the brunt of the joke. “I told you!” she continues, slinking her arm around her husband’s neck sloppily. His arm grips her side to hold her steady. It makes you feel sick. 
A smirk tugs on his lips, and for a brief moment, there’s a hint of something more in his eyes. Not annoyance or frustration. Something seven, something innocent and childish. It’s fleeting, and you take a deep breath because the music feels quieter now. You down what’s left of  your cocktail to clear your head, to calm the sudden flutter of nerves. 
The more he drinks and the longer he’s forced to dance, the lighter and more magnetic he becomes. “You know, Charles, I never thought I’d see the day,” you tease. He’s been in a near constant state of pity-party for weeks now, ever since his dumb ass got dumped by another girl wildly out of his league. 
He rolls his eyes, but his tone is as amused as it is drunk. “Don’t get too excited. It’s the liquor,” he retorts, a piss poor attempt at downplaying how much fun he’s having. He wouldn’t dare to give you the satisfaction. You lean in closer, brush your body against his, fueled by the noise and the alcohol. 
“The liquor doing the touching, too?” you ask. 
He’s always been a touchy drunk. Since before you and your friends were allowed to drink, he’s been hands-on. And maybe it’s because this is the first time he’s grabbing your hips, the first time his broad hand is flat over your stomach, but you’d never noticed him as this touchy with his girlfriends or his girls that appear when he’s around. Whatever it is, the more he drinks, the more comfortable he is with his hands on you, and the less you find the nerve to care. 
It doesn’t matter how many times he does it, though. Every touch burns your skin. It’s a sick little game you two play. Sick and twisted and so, so unlike the two of you. 
Watch yourself—he warns, hand on the small of your back. You play with fire. Well established and well documented, though; you never back down either. No, the thrill of annoying him is enough to dive head-first, to push his buttons until they stick. “Am I?” you ask, as innocently as the tequila can muster, taking hold of his wrist and moving it so his arm is wrapped around your midsection, fighting to settle in the space between your waistband and shirt hem. 
You respond to every one of his careful touches, ever lingering finger on your arm and your waist and your back. When you close your eyes, you imagine the nonsense patterns he draws on your skin like it’s on canvas in a museum, hung front and center just for you. Your inhibitions are slipping too, and you let yourself trail wandering fingertips over his body, too.
This isn’t the Charles you’re used to, the one you go head-to-head with every fifteen minutes. This is something entirely new, so far into uncharted territory you’re not even sure which way is north. There’s something particularly intriguing about the nerves bouncing around your gut. 
Everything fades away into the dark and crowded club. You don’t know if your sister and brother-in-law are still standing there, if any of your friends are. All you know if the electric charge of this, of every teasing remark and touch that draws you closer, forces you to test the waters of the newfound layer of tension. 
Everything is building, it feels like, to some grand crescendo of emotion and desire. Before there’s room to explore it, though, to dive deeper into the unspoken shift, the moment is interrupted by the return of the friends you didn’t notice leaving. 
The night drags on, the lines between annoyance and attraction blurring into some chaotic muddle of intoxication. Nothing is clear, nothing except the sobering and unignorable pull. It lingers in the air above you, in the space between like a secret just begging to be unraveled. 
You’ve got another drink now, because you can only think of one decision that would be worse than more tequila. In due time, you’re worried you’re a lost cause when it comes to that choice as well. His eyes stay on you, even from a distance, and you revel in the glory of his attention. Embolden by it all, you continue fucking with him. “Having fun yet, Charles?” you ask, knowing smile, voice dripping in subtle suggestion. 
He raises a brow, the corners of his lips quirking up. You don’t think you’ve ever spent much time looking at them, the soft shade of pink and the softer skin. “I suppose I can tolerate it,” he replies with teasing eyes. He’s irritated by your laugh, by your proximity, by your lips brushing against his ear when you whisper; you’re not the only one here trying to have fun. His jaw tightens but he doesn’t take your bait. Instead, he pulls you closer, sways in rhythm with you and replies, “I’m here to enjoy myself, not entertain you.”
He sends your brattiness running full-tilt. Forces you to carefully consider every movement, every ounce of playfulness that you allow to seep into your demeanor and the proactive sway of your hips. You grin at him every chance you get, sly and calculated, daring him to resist.  
You lean in close, brush against his ear and can blame it on practicality, on the bass and the music and the DJ if anyone were to question your actions. You rest a hand on his chest. “I know you love my attention.”
His breath hitches at your audacity, heart racing so quick you can feel it in your palm. He pulls you closer, dangerously close to your lips and says, “you talk too much. Maybe it’s time someone shuts you up.”
You scoff, low and teasing. “I’d like to see you try.”
[18 minutes later]
You step into the well-lit lobby less than a pace behind him. Your hands are interlocked, have been for every block of the darkened streets—since he grabbed yours and pulled you out of the club. “Admit it,” you giggle. “You love having me push your buttons.”
He remains stoic, jaw set as he pushes the button on the elevator. The tension is at a boiling point. You’re either about to kill each other, to be on the news for some grand double murder, or something so, so much worse is going to unfold. 
He leads you to the apartment without a word, but as soon as the door closes behind him, all is lost. Your head is bumping into the drywall before you even realize what’s happening, his lips harsh against yours, the pent up frustration and desire snapping like a dried twig. 
It’s fierce and passionate and while you never, not for a single moment in your life, imagined what he would taste like, you somehow knew it would be like this, cool and fresh and drunk. He licks into your mouth, messy and intense, teeth clacking and both of you fighting for some nonexistent upper hand. 
Fireworks are going off outside. They shake the windows with explosive gravitas as you’re blindly led by his backwards steps down the hallway. You realize that in an entire lifetime of knowing each other, this is the first time you’ve been in his place. It’s not what you expected, from what you can gather—all clutter and red cars and a boy who never had to drop his dream. “They’re going to look for us,” you say between sloppy, open mouthed kisses. 
He mumbles against your skin, strong hands on either side of your jaw. “Let them look.”
You walk through a doorway, into a bedroom clad with clutter and blue sheets. He would have blue sheets. There’s another firework, loud and booming, it makes you jump. You check your watch over his shoulder, pretend your hand doesn’t shake. “It’s almost midnight.”
“Okay.” Your knees bump into his and he sits on the edge of the bed.
You laugh, climb onto his lap, your arms strewn around his shoulders, broad and strong and you laugh again–this time into his mouth. What the fuck is going on. Seriously, what the fuck is this? “Happy New Year.”
He sighs, pulls his mouth from yours long enough to roll his eyes, to speak annoyedly into the hot air between your lips. “Yeah, whatever. Happy New Year.”
“Charles,” you mutter, hand on his chest. You think he’s going to regret this more than you will. People have always told you he’s the best kind of person. You’re not held in the same regard, and you know it. Some people are made to regret and others are made to be the regret. 
“Jesus Christ,” he laughs, but it’s curt and passive. Annoyed, as always, even when he palms at your ass, traces his hands along the bottom of your hiked up dress and pulls you down against him with a bruising grip. “Shut the fuck up.” You tug at the hem of his shirt, pull it off over his head in a swift movement. 
“You’re doing a piss-poor job at making me.”
He moves you like you’re a fucking doll, like it’s lightwork, tossing you down against the mattress and swapping your positions in a swift movement. The strength and agility of it makes your head spin. He’s not supposed to make your head spin, he’s supposed to make it ache. 
But no, no. You do ache for him. All of you aches for him, for his calloused hands and the roughness of his jeans against your thighs and the soft contrast of his lips against everything else. It’s embarrassing. You can’t believe he’s got you like this, hands pinned above your head while he buries his tongue in your mouth, grinds his hips against yours. The coarse denim is almost painful on your sensitive skin, but the growing bulge pulling the fabric tight is more intoxicating than any cocktail. 
“You’re such a fucking brat,” he says, bites a bruise against the skin just above your clavicle. “Spoiled little shit.”
He sinks to his knees, big blue or green or whatever fucking color his eyes are today watching you intently, boring into you with blown, hungry pupils.  His fingers trail along your underwear, pulling the thin, lacey fabric to the side, and then removes them all together. He gloats when he runs his thumb through your folds. “So fucking wet.”
“It’s not for you,” you goad. 
“Oh?” He nods slowly, spreading your slick with the steady digit, watching you carefully for reaction. “For who then?”
Your eyes flutter shut when the pad of his thumb presses against your clit, circles it slowly, teases you. He’s unfocused, his mind lapsing and giving you a much needed in, a clear shot to piss him off. “Your teammate.”
“Fuck off.” You first. 
“You’re right, Charles,” you speak slowly, careful to control your breathing, to hide every tell you might have. “Someone should shut me up. Do you know anyone?” Without warning, he thrusts two fingers inside you, curls them like someone had given him a diagram of your body. You gasp at the suddenness of it all. Yeah, he mutters, utterly delighted with himself. Yeah, I think I know someone.
You roll your eyes, push his head down, down, mouth onto your core. There, in the midst of licking a long stripe through your cunt, he fucking laughs, shakes his head with a subtlety you’d never perceive if it wasn’t for the tip of his nose bumping your clit when he does it. At least he can follow basic fucking instructions. 
His dick must hurt pretty damn bad, all hard and swollen in his pants, because he’s unbuttoning his jeans and freeing himself from the constraints of the fabric while lapping at you, the other hand still fucking into you with steady pace and hazy curl. You can’t see it, view obstructed by the mattress and limbs and hair, but you can tell by the way his shoulders move that he’s trying to get himself off at the same time he works on you. 
You’re not going to make his job that easy. You require all of his attention, pure and undivided and hopefully just as infuriated as you are. You reach down to the apex of your legs, pull his head up by his chin. “Just fuck me, already, you prick.”
He rises to his feet, shakes his head, “you’re a needy little thing,” he remarks. Needy? You haven’t fucking seen needy. 
He guides the head of his cock through your folds, spreading slick and spit and smacking himself against your cunt. 
Your lips purse into a sharp line. “Don’t tease me.”
“Why not?” He taunts, “you’ve been teasing for hours.”
“It’s different,” you grumble. 
“How?” You could strangle him, him and all his questions. What’s a person have to do to get fucked properly around here? You already sacrified your morals by pulling tight against the navy blue sheets.  A woman can only make so many sacrifices. 
You groan, heavy and exasperated. He’s such a pest. “It just–oh, fuck you–” without warning, he plunges into you, buries himself in your cunt until he bottoms out, skin on skin and the sore sting of him stretching you. Your fingers bruise into his arms, nails scraping over his shoulder blades with a gasp. He gives you no time to adjust to him, rutting into you with deep, measured thrusts. What was that, he prodes. Somehow, you find the poise to stabilize yourself, to reply smugly. “it just is.”
His objective isn’t your pleasure, no. That would be his prerogative, a side privilege, a requirement in his quest to get you to close your mouth and stop pestering for once. Making you come is just another box to check. 
You don’t fuck someone if you’re not going to finish, though. Sleeping with Charles might be a lapse in judgment, but being someone’s play toy, letting him reap without sowing, that’s a complete disregard of your dignity
Your fingers find your clit, circle it in just the right sequence, combining with the curve of his cock to push you closer, closer, closer to the edge of the fucking world. Your entire body burns, everywhere, all over, all at once you sweat. Tell me–he insists, voice short and breathy. Tell me when you’re going to come. “I thought you were trying to shut me up?”
“Just, fuck, just tell me.” He palms over your breasts, still covered by your bra and the fabric of your dress, however thin. “So many fucking clothes,” he grumbled, stalling inside you, hands slipping under your back, between you at the mattress to pull you off the bed. You hastily pull the dress over your head, toss it somewhere onto the clothing cluttered floor. Better? You ask. “Better,” he nods, bites your bottom lip roughly, licking against your teeth. One of the hands that explore the skin of your back make quick work of the clasp on your bra, dropping the straps from your shoulders and your back is against the sheets again, his hands groping at you, pinching your nipple between his middle and ring finger, working over it until you’re humming profanities and huffing into his mouth. 
Hate and desire is such a fine, blurry line. Anyone who tells you differently is a liar. 
“M’gonna,” you choke on your words. “I’m–shit–I’m coming.”
“Yeah,” He picks up his pace, maintains a steady, toe-curling rhythm. “Come for me,” his voice heavy and growled. “Come on my dick.”
You do. You come for him, hard and long, wrapping a leg around his hip in a failed attempt to still him, to just be full of him and nothing more. He’s stronger, though, and fucks you through the whole thing, faster, harder, big hands braced on your hips for leverage. You explore the idea that a person really could be fucked in half, forced right open. 
“Good try,” you sputter, shaky and broken words leaving your lips before you’ve found a gravity that isn’t him. You lean up to kiss him, wrap your hand around the back of his neck and pull him to meet you halfway. Your fingers tickle the short hair at the nape of his neck, raise goosebumps to his skin. “Maybe next time,” you hum into his open mouth. 
He spits a long string of saliva into your mouth when you move to close the gap. You laugh around it, down it in a single gulp and lick your lips, sticking out your tongue to showcase your empty mouth, big innocent doe-eyes watching his reaction, his eye roll and devilish smirk.
“Like I said–” you start, but he’s flipping you over, tossing you around like a ragdoll.  You giggle, high on the teasing and the taunting and then he’s fucking your face into the mattress. He’s got your hair gathered up into a ratty ponytail, uses it like a handle, forcing your back into an arch, your ass to perk up into the air. 
God, he’s so fucking deep, turning you into a mess of bruises and sweat stricken skin. Your hips bounce back against him, angle in any imaginable way in an attempt to feel him deeper, to feel him in your stomach and your chest and your head. To feel him everywhere that counts. 
“Putain, taking me so good, baby” he groans, lets the praise and the pet name slipping past his lips in a moment that goes unnoticed by neither of you. He smacks your ass with a firm hand, trying to mask his words after they’ve already been spoken. Your eyes roll back into your head and you come again, without warning. You decide before you get to think about it that it was the stinging imprint of his hand that pushed you tumbling over the edge. Whatever the real reason, you’re up two-nothing, or, depending how you look at it, he’s the one winning. 
That’s all any of this is, one big game. A power struggle. You’re always fighting to win, and this is not different. If there’s a way to lose at a game where everyone is supposed to win, one of you is going to fucking find it and force it on the other. 
You’re the one doing the flipping, now. The pushing and the shoving so he’s on his back. You straddle him and he gives you this look like he’s fully pussy-drunk, sick and euphoric and floating somewhere far from here. You’re so winning at this. “Jesus Christ,” you poke, “wipe your fucking drool.”
His entire face contorts when you sink down onto him. Everytime you think you’ve reached a limit, he finds a way to hit a spot impossibly deeper than the last. His hips lift up off the bed to meet you halfway, rutting into pleasure spots you didn’t even know you had, hand moving to your cunt, thumbing lazily at your clit, leaving you fuzzy and drunk in a mess of mumbled moans above him. 
When you come for the third time, messy and sweaty, nothing that leaves your lips is distinguishable, a mess of French and English and curses and nonsensical mewls. “Fuck you,” he moans, breath shaky when he pulls himself out of you. Your body clenches around air, aches for him to return. 
He does, after he moves you back into the position it all started in. “So close,” he tells you, sinking slowly into you, his sigh hot and alcoholic on your shoulder. His pace is slow, then fast, then slow again. He’s as rapid as his breath is irregular. You better pull out–you groan, every muscle in your body strung out and exhausted and you’re coming again. It’s blinding white behind your closed lids, ears ringing and muscles flexing involuntarily. He’s wrecked you, finally, left you a mumbling mess. 
He pulls out almost in sync with your orgasm, jerks himself no more than twice between your legs before he’s coating your stomach in hot stripes of cum, loud, guttural moans leaving his lips in a way that looks and sounds practically pained. “Christ,” he heaves, watches on as your fingers dance through his orgasm, spreading it over your skin and coating your fingers. You don’t break eye contact when you stick two of them into your mouth, swirl your tongue around them tauntingly, sucking them clean and pulling them from your mouth with a pop. You hold the clean hand up for him to see, palm facing him. When you turn it, you pull down all but your middle finger, flip him off cockily. 
He swats you hand away, “Never fucking again,” he tells you. 
“Oh, you don’t have to worry about me,” you scoff. “I never want to see the inside of this apartment again.”
“Why are you here, then?” He remarks, turning the corner into what you assume is the bathroom, tossing a towel to you from across the room. You clean yourself up before anything dries, before coming up with a quick rebuttal. 
You don’t come up with one, mind as tired as the rest of you. This game has been exhausting. “We’re never talking about this,” you say, pulling your dress over your head, stuffing your bra into your handbag because you aren’t sure you have the strength to clasp it closed. “Ever.”
“No shit,” he says, tosses your underwear in the general direction of you. 
You bend over to pick them up, step into them with the snap of the elastic. “Promise me.” You have no idea where your shoes are, but he’s already ushering you out of the room, herding you down the long hall with wide, swooping waves of his arms. 
“I promise.”
“Pinky,” you say, spot your shoes haphazardly stepped out of in the entryway. You don’t have any memory of them ever being on.
“Absolutely not.”
“Charles,” you lean against the wall to slip your heels on, hook up at him with a sober glare. He closes his eyes like you won’t be able to see them roll behind his lids, pinches the bridge of his nose and squints before dropping a heavy breath, holding out a pinky to you. You interlock it with yours. “Thank you.”
He pulls his hand from yours, turns the lock on his front door and swings it open, fingers wrapped around the edge, other hand gesturing out into the hallway. “Get the fuck out of my house.”
“With pleasure,” you say, stepping past him and into the well-lit hallway of sprawling marble floors. You stop in front of the elevator, press the button and wait for his inevitable comment. 
“The whole brat-schtick you’ve got going on isn’t as believable when your leg shakes underneath you,” he calls down the hall. You don’t turn your head to face him, just extend your arm in his direction and flip him off. You hear his chuckle as he latches the door shut behind you. 
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Everything about today has been dreary–from the near constant mist that falls over the city, to the chilly temperatures, to the poor excuses for men that grace the screen of your dating app. This is not how Fridays in your twenties are meant to be spent, sulking in the dark of your bedroom after a miserable day at work. 
You’re supposed to be out, partying with friends and making drunken decisions that have you waking up in a stranger’s bed after a good night you hardly remember. 
God, you need to get fucked. It’s been months. Two months and ten days–not that you’re counting. Because you’re not. Counting. You aren’t. 
You’re just restless, basking in the loneliness of the night, unable to shake the weight of your thoughts, of two months and ten days ago. Of Charles and how infuriatingly good he’d made you feel. The complexities of your relationship, the shift in the very DNA of what you know, it makes your heart race–a messy muddle of annoyance and desire that yearns to be untangled. 
You give up on the dating apps, know that even if you do match with someone, there’s nothing that can be done to solve your problem tonight. You opt instead to scroll through social media aimlessly, searching for any distraction from the ache in your gut. Your hand unconsciously slips under the hem of your shirt, cups your breast while you scroll and scroll and scroll. It does little to quell your struggles. In fact, the game is over the moment you become conscious of your hand’s placement, the moment you start to massage your breast, to run your fingers over your nipple until it’s hard and perky. 
You switch to the other breast, fingers gently tracing over the skin, sending chills up your arms, pinpointing the ache in your core. Your hand slides down your stomach, dips below the waistband of your shorts, into your underwear. You’re so worked up–pent up, reaching a boiling point. 
Your middle finger glides through your folds, grazes over your clit, teases the slick at your entrance before dipping in, collecting enough to spread it around. Your clit is swollen, needy like the rest of you, and the pad of your fingers do little to relieve the pressure. Your fingers move clockwise, then counter. Vertical and horizontal and every combination of every direction and even though you can’t remember the last time you were this horny, this desperate to come, you can’t. 
You slip in a finger, and then another, try to find the right curl and the right spot–to no avail. Now, you’re thinking about his fingers, about how much bigger his hands are, how his nimble fingers pumped in and out of you with sheet-gripping, whimper-inducing pace. 
Your phone taunts you, his contact behind the locked screen just waiting to be messaged. 
You try to resist. You hate him. He hates you. God, he knows how to fuck you, though; veiny hands and thick cock leaving you a writhing mess. Fuck. Fuck, why can’t your fingers move the way his did?
You cave, reaching over to grab your phone and text him. Hey. What are you up to tonight? It’s a mistake, you know that it is. He’s so damn annoying, there’s nothing about him that doesn’t drive you up a wall. Frustration makes the heart go fonder, you suppose, or maybe the cunt ache harder. 
Within moments, your phone is buzzing against your palm with his reply. Chilling at home. You coming over?
You roll your eyes. No.
Ok.
You bite your bottom lip so hard you think you might accidentally draw blood. It’s phantom, almost, the way you can so perfectly imagine the sting of him stretching you out, the soreness of his bruising kisses, the swollen, wet head of his dick slapping against your clit. Come over.
You couldn’t pay me.
Door’s unlocked.
Give me 20.
You’re in the bedroom when he knocks. Three times, you wonder why he isn’t just walking in. You ignore the banging, let the universe decide for you if he’s meant to turn back and walk his happy ass out of your building. The universe decides he won’t be doing that, though, because he knocks again. Louder this time. 
You pull yourself out of bed, feet creaking on the hardwood floors as you move to pull the door open. “I told you it was unlocked,” you grumble. 
“Eh,” he shrugs, dumb fucking grin on his face. “Wasn’t up for your games.”
You internally debate just how bad you need him here, if it’s worth all the trouble that is him. It’s not, almost certainly it isn’t. You invite him in anyway. 
“So, what’s the deal? Can’t get yourself off, so you call me?” He teases. Your frustrated blush gives you away before a witty comeback can slap the smirk off his face. “Oh my god,” he chuckles. “I was fucking around, but really?”
There’s no point in trying to lie now, not when your face has already betrayed your trust and revealed the truth. “Calm down,” you groused. “The last thing this world needs if your head to get any fucking bigger.”
He continues laughing like this is the funniest thing that’s ever happened to him. You want to smack the smile off his face, dimples and all. “The last thing this world needs is for this–” he gestures between the two of you, “–to become a thing.”
You mock his movements, the dumb look on his face. “This is not a thing. It’s just two friends–”
“–We aren’t friends.”
You sigh through gritted teeth. “Two not friends helping each other out.”
He crosses his arms over his chest, chews on the inside of his cheek while his eyes trace your finger, head to toe and back to head again. “You do know how ridiculous you sound, right?”
You breathe out in resignation, heading down the hall towards your room. “Can we just get on with it?”
“No.”
You stop in your tracks, turn on your heels. What the fuck is he here for, then? “No?” You close the gap between the two of you, plant your hands firmly on either side of his jaw and kiss him, all tongue and spit and rough lips. You knock him off balance, falling out of step when he kisses you back with a matching intensity, hands hovering over your hips. He doesn’t rest them there, you can feel the warmth in the space between your skin and his, the force that pulls you together. 
When he does settle his hands, it’s not to deepen the kiss, to swallow any more frustration. It’s to put distance between your mouths. “I want you to–”
You nibble on his earlobe, cut him off with your hushed words. “I don’t give a fuck what you want, I want–”
“Show me how you touch yourself,” he commands, voice failing to waiver to your hushed level, an air of snugness to him.
“Charles,” your voice cracks with his name, a hint of your under the surface insecurity peeking through, putting themselves on display for him. Here! Here! Look at me! 
“Show me, or I’m leaving,” he says, and it’s all throaty and husky. 
(Eleven minutes later)
Legs spread for him, two fingers moving busily against your core, circling your clit, teasing your hole. 
He stares at you like he can see your fucking soul, watches from his spot across the room, leant against the old wooden dresser, arms folded and ankles crossed. You stare back–harder, maybe–like if you win the little contest your cheeks won’t burn so bright, you won’t feel so exposed, so vulnerable, so embarrassed. 
Those feelings fade, they do, with each flick of your wrist. With every glance of his hungry eyes to your fingers, to your cunt, tracing their way up and down your body, you feel calmer and calmer. And when he runs his hand over his mouth, along the stubble of his jaw and off his chin, you’re closer and closer. 
It pulls whimpers, soft and slow and sweet, from your lips. There’s a sick thrill to it, to him seeing her like this, all needy and open and sensitive. It’s empowering, almost. 
He breaks no more than twice, watches every brow quirk, lid flutter, and lip twitch with raw, intimate eyes. He’s less interested in what you do to yourself, the curve of your fingers or the noises they create, than he is in the way you react to the movements. 
“You’re not even fucking watching,” you say, the letter sounds falling to your breath, hitching as your fingers angle just right. 
“Watching what matters.”
“Oh? And, uh–” you huff. “What’s that?”
He laughs, dimples digging deep into his cheeks. You’ve always thought they made his smile so childish, like you can’t take anything seriously when it comes from someone with primary-school dimples and giddy eyes. You don’t struggle to take it seriously, now. “You’re thinking about me.”
Your eyes flutter shut, a soft sigh parting your lips. “Says who?”
He pushes himself off the dresser, saunters over with heavy feet, stopping at the foot of the bed. “What are you thinking about?” He humors. 
Your eyes roll. You’re thinking about a lot of things. Half a dozen, atleast. About your fingers, the way they move against your swollen cunt, sticky with creamy slick, and how his fingers are that much longer than yours. About how loud he walks, how his heavy feet stand at the end of your bed, crossed arms that pull his t-shirt tight across his chest. About the fact that you’re not sure you locked the door behind him because you were so distracted by the way his sweatpants hung from his waist. About how he doesn’t bother to adjust or hide the protruding bulge under the fabric right now. About the curve of his cock, about how pathetic and full it makes you, utterly unable to spend time thinking about anything but how well he stretches you out. About his hair, flat and straight and wholly unstyled, how your hands would mess it up so nicely, tug and twist until he has something smart to say. Beyond frustratingly, he’s right. As you quickly approach a high, breath quickened and movements desperate, all you’re thinking about is him. “Things.”
“Mmhmm,” he hums, ever the rake, unsatisfied with your response. 
You add a third finger, steady pace and a held stare. The muscles in your leg twitch. You’re so fucking close. “What are you thinking about?”
He sways, rocks his weight from his left foot to the right, runs his tongue over his teeth. “Things.”
A coy smile upturns the corner of your lips. “Mmhmm,” you mock. 
He moves around the bed, trails his fingers over your skin; from your ankle, along the bone of your shin, a bruise on your knee. They stall on your thigh, trace small, soft circles on the inside of your leg. “You really want to know?” 
He’s such a tease, keeps moving up, up, up, over your stomach and through the valley of your breast. “I–ah– I,” you stutter through your words, fingers working tirelessly to push you over the edge. Restless, further irritated by his delicate touch, his fingers up to your jaw now, slotting themselves there, you nod. “Yes.” 
He leans over you, your lips inches apart, open and hot breathed. “Too bad,” he whispers into the space between, closing the gap and kissing you with an insatiable kind of fervor. Your fingers still, your other hand reaching to grip the back of his neck, to pull him deeper into the kiss. It’s a kiss that’s half as good as the sex, the breaking of the unbearable tension that’s filled the room while he’s watched, the promise of what’s to come. A lustful implication. His hand leaves your jaw when you pull apart for air, moving over your stilled hand. “Let me?” He asks, and it doesn’t feel like much of a question, the way he’s already slipping his fingers under yours before you can even squeak out an answer. 
There’s something entirely different about his fingers, like the way that you can’t tickle yourself. You can’t predict his moves, every movement of every ridge of his fingerprints is something entirely surprising. “Yeah, fuck, you make, ah, make yourself…” You give up on the sentence, your body failing your mind in its ability to spit out a comeback. Yeah, you wish you could tell him. Yeah, make yourself fucking useful.  
He laughs, slides his long middle finger inside you, pumps it twice and slips in another. You gasp at his sudden movement. “You’re embarrassing yourself, baby.”
Your back arches off the sheets. “Don’t call me that,” you seethe. 
“But,” he curls his fingers against the spot you’ve been trying to reach all night. A moan tumbles from your mouth and he smirks. “It makes my job so easy.”
“Fuck you.”
“I was going to let you come first, but,” he chuckles. He’s so proud of himself it makes you ill. “If you insist.” 
His hand stills, threatens to pull out of you entirely, but you’re covering it with your own, holding him there when you look up, hips instinctively grinding against him. “I’ll kill you. I will.” 
You’re pushing him out of your apartment by the end of night, locking the door behind him. Your leg shakes when you slide down the door onto the floor. This is the last time, it has to be. Once is an accident, twice is a coincidence. Thrice. Thrice would be a pattern. You won’t let it become a pattern. 
You wake up at seven-thirty and your hair is still in knots, your body still aching from him. You find a new bruise every time you look in the mirror. You can’t shake the image of his messy hair, of the feeling of the brown locks between your fingers and the sound he’d make when you’d tug on them. 
It won’t be happening again.
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Rambling thoughts of various Yuri manga I’ve read
1. Kase-San and Yamada (Morning Glories sequel series) by Hiromi Takashima
notice how Kase’s name is first, which is representative of her being the main one to cause problems in their relationship
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If you asked me what my favorite yuri manga was like 2-3 years ago, I’d say Morning Glories and Kase San everytime. Every avid yuri fan has either read or watched Morning Glories because, at the time in 2010, it was groundbreaking, and I stand by the fact that the original series still holds up to this day. It was cute, sweet, wholesome and only had a few obligatory “we love each other but we’re giRLs😳😳😳” moments. Most of all it wasn’t a pseudo-incest-straight-male-porn-pandering-garbage-fest—also known as “Citrus”. Was it cliche at times? Yes, but they all are lol. Did they add to the dumb ass “blonde femme and dark hair masc” trope? Also yes. But it was adorable and it was my first ever yuri so it holds a special place in my heart.
And it SEEMED like it was only going to get better in Kase San and Yamada, the sequel. The girls would be heading to college and the story could theoretically focus on more mature topics while they navigate their new relationship. Keyword: theoretically. Unfortunately, instead of exploring interesting relationship dynamics and storylines, the plot of each story arc boils down to: Kase is insecure because a man breathed next to Yamada or Kase is being completely insensitive to Yamada’s feelings…again…—> ✨miscommunication drama ✨—>big over dramatic apology scene—>boring makeup sex or other romantic gesture.
Literally that’s how every single plotline goes. Kase is so goddamn dumb and insensitive to Yamada’s feelings and Yamada’s a complete doormat who can only stay mad for 0.2 seconds before getting pussy whipped like a spineless ass bitch. And for all that Yamada sacrifices for Kase; her hometown, her dreams, her apartment, what does she get in return from Kase? Oh that’s right; bare minimum romantic gestures and a neglectful partner who can’t even call her “girlfriend” in front of others:
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Like I thought we were over this shit. It’s been THREE years of them together, a whole anime production, and god knows how many irl years and we’re going back to “we love each other but we’re giRLs😳😳😳” WHY???
And then Kase later goes onto bet her entire three year relationship over the ugly bitch in the next panel, so now I’m questioning whether or not Kase even loves Yamada with the amount of bullshit she’s put her through. Which COULD be an interesting plot point, but Kase never gets any consequences for her actions and the creator genuinely thinks this is romantic and full of tension so I’m 10000% positive that this arc, just like all the others, will end with some makeup sex and we’ll be right back to step 1. Sigh.
2. Tamen De Gushi by Tan Jiu
Tamen De Gushi’s problems are interesting but it’s NOT because of the Chinese government💀
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So today’s dark haired masc and blonde femme of the day are Sun Jing and Qiu Tong, respectively. Their personalities aren’t anything to write home about, if you read ANY high school yuri romance, then you know exactly what happens in this story beat for beat. But, BUT, however derivative it is, I find their dynamic very endearing and down to earth. Idk maybe it’s just the translation, but other yuri stories often have this very inauthentic “anime” vibe to it. Which is to say the characters act very cutesy, overly dramatic, and have this stilted, caricature-esque acting of how the creator thinks teenage girls are supposed act.
However, I’m happy to report that Tamen De Gushi is a breath of fresh air in this regard. The characters and interactions they have are grounded and feel organic, which makes them feel like real people, not aliens pretending to be human. This really elevates the humor in turn, oh did I mention that Tamen De Gushi is super funny? Because Tamen De Gushi is super funny, here’s one of my favorite panels and it’s all because of Sun Jing’s goofy ahh expression:
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Like go girl give us nothing
If you’re wondering why I haven’t spoke much about the actual romantic relationship between the girls, that’s because there isn’t one💀 Which, okay, that’s not a fair assessment, they have a ton of romantic tension and they flirt a lot. It’s certainly building to a great romantic relationship, but it can’t quite get there due to legal/political reasons sadly. 😔
Edit: I received new information in regards to what happened to Tamen De Gushi. While I reached my limit for posting pictures, I want to point out that the Chinese government had nothing to do with Tamen De Gushi getting censored, rather it was a dispute between the author and the publishing company. The prior information I received was false and I prob should’ve looked it up more so sorrrry. The fact still remains though that after their big lesbian kiss towards the middle of the story and maybe a few other moments, that’s just kind of it. You’re stuck waiting for something to develop, but nothing really happens. The comic very quickly becomes a collection of slice of life segments and cute pictures that imply a relationship between the girls, but not really ;) ;).  Now things are just kind of left in purgatory for the foreseeable future and, well, that’s Tamen De Gushi y’all.
Compared to Kase San and Yamada, the characters were much better, which is not saying much, but without an actual romantic storyline, there’s just not a lot for me to comment on to be honest. It’s really pretty though, look at this art :
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3. Beauty and the Beast Girl by Neji
my personal favorite and the BEST yuri I ever read
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So next on the list is Beauty and the Beast Girl (I’m going to abbreviate to BatBG from here on) , which I already spoiled my feelings on the matter so this will basically be me gushing about this story for several paragraphs straight, enjoy.
Contrary to what the title suggests, it really has nothing to do with Beauty and the Beast’s story except in name. The main girls are Lily Blind, who is actually fucking blind 💀 and Heath the monster girl. Already I’m happy because instead of blonde femme and dark hair butch, it’s blonde femme and of-course-you-have-purple-hair-and-pronouns masc. Lol, all jokes aside, Lily, unlike her blonde femme counterparts is quite assertive and voices her opinions all the time. In fact, she’s the one who pushes Heath to be more open and communicate with her rather than the other way around. This is, in part, due to the story BatBG is trying to tell. I say BatBG is in name only to Beauty and the Beast because Lily isn’t trying to find the “beauty” within Heath or learning to love a beast or whatever, she’s fine just the way she is and her love for Heath is unconditional. Plus the only thing beastly about Heath is her appearance…which I’ll harp on later, but her behavior is in no way different from a regular human except in very rare, specific moments.
At its heart, BatBG is a story about forgiveness (the creator literally says as much) , but it’s also about the cycle of violence that results from being outcasted and deprived of love. BatBG is set in a world of humans and monsters, where the monsters are outcasted and either have to stay away from human society like Heath or assimilate themselves by hiding away their monster like traits, which is a really queer narrative on top of an already queer story. I don’t want to go into too much spoilers, but sometime before the beginning of the story, Heath in-directly hurts Lily before they ever meet. However, it’s not about Lily needing to forgive Heath, or trying to get over the pain she inflicted upon her, rather its Heath learning to forgive herself and in effect, learning to love herself as much as Lily loves her.
Another big aspect of BatBG is disabilities, Lily Blind is in fact Blind lol and while there are times she struggles with her blindness, she never views her disability as something she needs to be ashamed of and never, ever, blames Heath for it or holds it against her unlike what many, many, many, many other stories end up doing. Her blindness isn’t treated like a super power either, it’s a legitimate disability. She just accepts that it’s a part of her and goes onto say that if not for her blindness, she would’ve never met the love of her life, which I found to be an incredibly profound thing to say.
Now that I’ve gotten this far, I suppose I can add a bit of a disclaimer. So BatBG is waaaaay more explicit about the physical affection between the girls than in any of the previous stories I talked about. Heath and Lily are constantly kissing on, hugging, and almost always flirting with each other, and make no mistake, these girls do be fucking. The sex scenes are never perverted or gross, but genuinely super sweet and romantic, which makes it way hotter imo (huh imagine that🤔). And aside from being hot, it also serves a purpose! Lily’s pretty damn horny underneath all her nice girl antics and while it’s not a major part of her character, it does give a slight edge to her personality and, most importantly, balances out the dynamic between Heath and Lily. It would’ve been very easy to fall into that boring trope where Heath is aggressively horny and Lily is the submissive blind girl, but by making Lily be the one to initiate the sexual encounters, it not only compliments Heath’s more reserved nature, but breaks the stereotype that people with disabilities are pure precious being who couldn’t possibly have sex, which is ableist af btw. Many people think the existence of any sex scenes at all is superfluous, but in BatBG, it truly elevates the story, the characters, and the romance in ways that wouldn’t be nearly as satisfying without it.
Now, with as much praise I gave BatBG, there is one criticism I have, but it’s a quibble really, and it can be explained in a single image:
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There is a dissonance between the story and the art, the story says: “Heath is a big, ugly scary monster”
The art says:
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And like yes, it can be argued that Heath is simply regurgitating the things bigoted people have said to her, but at no point in the story is this ever challenged or brought up in any meaningful way. Lily is blind so she doesn’t know what the hell she looks like and the other characters aren’t any help either. It’s not a big deal or anything, it just would’ve elevated the story if Heath was actually kinda ugly/more monstrous and not incredibly beautiful because right now it’s giving skinny girl who calls herself fat all the time, and it’s like, babe, who tf are you fooling? 😭
Other than that, BatBG is incredibly profound despite its premise being so deceptively simple and I love it to pieces so …yeah! READ IT.
4. Superwomen in Love! Honey Trap and Rapid Rabbit by sometime
Well, at least there are no blondes
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So imma just abbreviate to SiL btw
Alright, let’s get started. The premise is that a villainess falls for the super hero girl and then that plotline is dropped in about 16 pages. I’m not even joking, the villainess falls for the hero, loses her job as a villain and then joins the hero all in one chapter. The REAL plot is actually about a council of evil alien-humans who want to destroy humanity because of generic super villain reason #434: the leader of the aliens is sad and misunderstood :( I’m not even going to lie, I had 0 interest in “X” (the generic ass name of the main villain) and her band of useless lesbians. They did literally nothing in the story except be a nuisance and contribute to X’s incel breakdown at the end. Their inclusion actively made SiL worse because the story has this weird tonal problem where in one breath the villains are portrayed as complete jokes and then you turn the page and now they’re shooting children like girl what💀 And these useless lesbians hog sooooo much of SiL that desperately needed to be given to Honey trap and Hayate to develop their relationship.
When the story DOES actually focus on Honey Trap and Hayate, it’s pretty good, even cute at times, there just wasn’t enough time given to them to flesh their relationship out. As it stands, Honey Trap and Hayate don’t have much of a dynamic, or personality for that matter. Honey Trap’s main gimmick is that she’s extremely horny for Hayate and delulu:
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Aside from that, she’s a great value version of Heath, but even a watered down character is better than, like, nothing. All I really know about Hayate is that she’s nice, heroic, likes wearing tacky clothes and ….that’s it. She loves Honey Trap because…………they fought together a few times so why not🤷‍♀️ I’d say at least that’s better than Tamen De Gushi, but actually it’s not because these grown ass women don’t even kiss , all we get is a love confession and their gremlin love child and that’s supposed to be satisfying I guess.
And the worst part is that SiL has the audacity to pretend the romance was something that it clearly wasn’t:
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Girl…yall were “””enemies””” for 10 panels.
Now, it’s stated they have been rivals for a while, but I guess Honey Trap forgot all of that because the moment she sees Hayate’s face, my good sis is pussy whipped for life. And that’s in spite of apparently being the evilest one out of the evil group because Honey Trap has no grudge or baggage toward Hayate. She immediately turns good with no issues and Hayate is only distrustful of Honey Trap for 1 or 2 speech bubbles and then she’s not. Anything else that happened was off screen, which means it didn’t happen. Ironically, the very next entry on this list will do a MUCH better job at an ex-villain love story, but for SiL, there’s just not much going on.
Another reading of this story is to call it a “parody” but…no, it isn’t. SiL isn’t a comedy, yes there are comedic moments that poke fun of the genre, but the rest of the story genuinely wants you to take it seriously. Except it can’t. X and her league of dimwits are boring as piss and they oscillate between Saturday morning cartoon villains and child murderers seemingly on a whim. So I can neither be endeared to them nor take them as a serious threat. Honey Trap and Hayate are there, but I lament on all the potential lost from what could’ve been an amazing relationship.
5. Yamujiburo/Kianamaiart’s Hanamusa webcomic
This one is kind of cheating, but I also don’t care let me talk about hot MILFs💀
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So the final entry on this list is a webcomic series by one of my fave artist: kianamaiart! And it’s right here on tumblr so check it out!
I stumbled upon this webcomic a few weeks ago, fell in love and now I want to talk about it. This yuri pair thankfully has no blonde femme in sight and instead features two popular Pokémon characters: Jessie from Team Rocket and Delia Ketchum, Ash Ketchum’s mom. What I love about this ship and the world Kiana creates around them is that it’s a very unconventional pairing. There’s just not many romances where a single mom falls in love with an ex gang member and the best part is, Delia being a mom is a big part of her character and she doesn’t ignore Ash in favor of her new relationship with Jessie. She has time for both and doesn’t prioritize one over the other, which many ppl fail to do even irl so good on you Delia!
Now, as for the romance it self, Jessie and Delia are a unique pair. Jessie’s overconfident, brash, drama queen personality doesn’t automatically put her in the “dominant” role and Delia’s sweet, motherly personality doesn’t automatically put her in the “submissive” role. Their dynamic in the webcomic actually plays out in the reverse, Jessie is the one who gets easily flustered and Delia’s…intense, to say the least:
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(But Tbf if Delia looked at me like that I’d be at her beck and call too💀)
This subversion of these tropes creates a fun dynamic for the couple and it’s super adorable to see how their energies bounce off each other in each new situation Kiana puts them in. I also love how both Jessie and Delia inspire each other to live out their dreams and they become better versions of themselves by being together.
And one last thing, I don’t have any smart commentary to go along with this, I just really like this drawing of Jessie:
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no thoughts, head empty
Final Thoughts
Soooo yeah, that’s the end of my dissertation on yuri comics. I know I ended up dragging a lot of popular yuri, but it wasn’t my intention to make you guys hate any of things I talked about. These were just my thoughts as an avid yuri fan, so let me know your thoughts as well, especially if you read any of the yuri I talked about. And even though I’m super picky about the type of yuri I read, I’d still love to hear any recommendations. Who knows, it might dethrone the undefeated champ that is Beauty and the Beast Girl.
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actual-changeling · 5 months
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Welcome back to Alex's unhinged meta corner, and today I have something surprisingly not kiss-related—though it is still about the final fifteen because hey, gotta keep the brand image.
I read this post by @goodoldfashionednightingale and began typing a small response. Then I made the mistake of drinking half a litre of coffee on an empty stomach right after taking my adhd meds and my brain began vibrating at the speed of light.
But oh, have I discovered parallels. This, my friends, is about the nightingale, where it comes from, what it means, and what the fuck happened in part 3 of 1941.
Ready? Let's go.
Now, as OP said in her post, s1e3 is important. In the script book, Neil himself says that these flashbacks are where the producers would tell him to cut scenes to save money. They suggested every single one—except for the one he ended up taking out, which was the bookshop opening scene set in 1800. The others are building blocks, you need them to see how their relationship progressed and what kind of important milestones they had.
(side note: author is very miffed that english does not have a separate subjunctive form like german which makes quoting lines way more confusing than it has to be)
The one I want to mention is neither 1941 nor 1967. No, what I want to talk about is 1601. This might be about to get a bit rambly but I will do my best to keep it tidy.
The focus of that flashback is on the Arrangement, yes, but it gives us a lot more information than that.
they both see Shakespeare's plays regularly, maybe even meet in the crowd
Crowley prefers the comedies
Aziraphale does not seem to have a preference, he enjoys the tragedies and presumably the comedies too
there is an oyster woman selling food -> reference to their meeting in Rome when Aziraphale tempted him to try some oysters
Aziraphale reflexively denies their relationship
Crowley might say he is not worried but circles Aziraphale the entire time, keeping watch
they both ask favours of each other and both agree to do them
What stands out to me in relation to what I am about to expand on is the line that Crowley delivers after Aziraphale's little 'buck up'—which Crowley finds adorable btw but that's a post for another time.
"Age does not wither nor custom stale his infinite variety."
Why would he say that? What exactly is prompting this? WHY say that specific line?
At first I thought it might be to tempt Shakespeare because he does commit art theft by just copying that line down, BUT I think there is more to that. So much more, in fact. I am wiggling now because I am very excited about this and my adhd meds are kicking in anyway.
First things first: the line itself.
It appears in Shakespeare's play Antony and Cleopatra, a romantic tragedy, which was first performed in 1607 aka six years after this meeting. Enobarbus is talking about Cleopatra and describing why Antony won't leave her. Her.
Ccrowley uses his—again, who is he even talking about? Hamlet? Shakespeare? Random poetic quote?
No, I think this line is about Aziraphale and it's a code. Right after, the next line from Aziraphale is "What do you want?", meaning that this is their code phrase for 'I have a favour to ask of you'.
Age does not wither nor custom stale his infinite variety
Age will not affect his appearance nor will he ever become boring to Antony. Crowley, who later chooses the name Anthony for himself, tells Aziraphale, an immortal, that he will never age and that he will never grow bored of him.
It's flattery, pure and simple, and it's code at the same time. This establishes the important fact that they might use more of Shakespeare's work as code/already have a system in place (even though he steals Crowley's line for later).
They play their little morality game of back and forth, Aziraphale agrees, Crowley probably manipulates the coin toss, and THEN we find out that the oyster woman is called Juliet.
Why? What is the meaning of that? Why give her a name and that name in particular? Why bring the sexy oysters back into it?
Romeo and Juliet premiered in 1597, so it is safe to assume they have both seen it by 1601, but this is mostly for the audience, not for us-or is it?
Aziraphale gives Crowley puppy eyes until he agrees to make Hamlet popular, and while I don't think Juliet itself is a code word, although it's very interesting that the OYSTER woman is the one with that name (especially adding what we now know about Job), Romeo and Juliet might be.
Yes, the Nightingale song came out in 1940 but the bird has been around for much, much longer, and, as many probably know by now, also shows up in Romeo and Juliet.
This is where I am starting to vibrate at the speed of light because listen to me. Listen.
Crowley is Juliet. Anthony J. Crowley. Antony Juliet Crowley.
(side note: I'm not saying that Crowley chose it based on that—though I am not not saying that—but that it is a clue for us at the audience.)
Why do I think that? In the play, Romeo spends the night with Juliet and then goes to leave as the night begins to end. Juliet tries to stop him and tells him that the birds they are hearing aren't larks, which sing at dawn, but nightingales, which sing at night.
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Who is the one always pushing for more? Crowley. He is the one trying to convince Aziraphale it's safe, they're safe to spend time together.
Romeo disagrees with Juliet and says 'I must be gone and live, or stay and die'.
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Leave and stay alive, or stay and hell/heaven will punish us. It gets even better though.
We all know how Romeo and Juliet ends: Romeo thinks Juliet is dead, kills himself, Juliet finds him and then kills herself too.
Hey, do you know how Antony and Cleopatra ends?
Antony thinks Cleopatra is dead, kills himself and dies in her arms, then Cleopatra also kills herself—by snake poison; Romeo also died by poison.
The parallels are THERE. They are jumping down our throats! Two tragedies, two sides, several familiar names and phrases, same fear, same ending.
I think by now you can guess how this ties back to 1941.
We do not see how that night ends, but we know it ends. One of them wants to stretch it out, maybe even quotes Romeo and Juliet because look at the setting!
Candlelight, wonderful night they spend together, the threat of Crowley's early demise, and, to quote the play once more, this time Romeo: I have more care to stay than will to go.
Crowley thought it was his last night on earth and went with Aziraphale to his bookshop, to be with him, because he cares more about that than the fact that he will be dragged to hell come morning. Do you remember?
"Expect a legion to come for you first thing tomorrow" THAT is the threat. They have until dawn, just like Romeo and Juliet, which is why she is so desperate for the birds to be nightingales. Fortunately for them, Aziraphale saves the day, BUT there is NO SECURITY. They do not KNOW if a legion will still show up or not. If dawn is a deadline and they will need to fight.
Sure, they improved their chances, but who knows? Maybe they will come for him anyway, it's not like hell is all fair and square.
The best part: it gets even better.
Juliet eventually panics and tells him to go, and Romeo drops a line that huh, sounds oddly familiar, doesn't it?
'More light and light, more dark and dark our woes!'
Remind me, what does Aziraphale say again? Ah, yes. Perhaps there is something to be said for shades of grey.
There is more. Yes, even more. We know the whole rescue relies on a magic trick, a switch. Guess what Juliet yearns for while telling Romeo to go save himself?
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Oh, now I would they had changed voices too. While they did not for Romeo and Juliet—they kiss and part—they did for our two. One fabulous switch and we're good.
(side note: Toads? Associated with hell. Larks? Associated with the dawn, yes, but also heaven since Romeo says 'Nor that is not the lark, whose notes do beat the vaulty heaven so high above our heads.')
So, this was a whole lot of information, let's see if I can summarize my thoughts.
I believe the nightingale is a code word that has existed even before 1941 and gained a lot of importance over the years. In 1941, the song is added to the meaning and whatever happened between the two that we have not seen yet, it fundamentally changed their relationship. Maybe they kissed, maybe one of them tried to convince the other to prolong the night but they parted on not-great terms.
The nightingale and the song become a symbol of hope, a goal to achieve, another uninterrupted night, maybe, or an uninterrupted life.
When they part in the final fifteen, it's morning. Crowley points at the sky and says "no nightingales", which at that point has several different layers to it.
No nightingales because their night is over, just like with Romeo and Juliet, and please, please allow me to add another detail, because I am frothing at the mouth over this. The scene I quoted, known as balcony scene, do you know what it is preceded by?
A ball.
Star-crossed lovers defying their sides, falling in love at a ball, getting a hurried, wonderful night together but torn apart by danger of punishment, the nightingale as a dream, as a wish for unhurried time together. Family rejection, torn apart by parents, willing to die for each other so they can reunite in death.
No nightingales. The ball, the romance, is over, their dancing is over, heaven is tearing them apart, and Aziraphale returns to heaven while they are both stuck in a pit of misunderstanding and miscommunication, all bound together by fear for each other.
The thing is, Crowley hates tragedies, he never liked the "gloomy ones", and he does not want them to end in one—luckily, this isn't the end. Yes, they kiss and part, but the play keeps going. We have an entire act 3 to fix what Romeo and Juliet couldn't, to ensure that this is a COMEDY, not a tragedy.
Both Antony & Cleopatra and Romeo & Juliet died out of fear, hurried into making bad decisions because they knew what would happen if their sides were to catch up with them.
Crowley and Aziraphale can reunite heaven and hell with love, not death. This is THEIR story and they are writing the ending. No more day and night, no more deadlines, no more hiding and sneaking about, no more fear of larks and sunshine.
Good Omens will end the way it began: In a garden with two no-longer-star-crossed lovers embracing the song of a lark as well as that of the nightingale.
I hope this made sense to everyone who was no present while my mind started to vibrate itself into a puddle because the thing is I can see Neil doing all of this completely on purpose.
Thoughts? Questions? Additions? Come and join me in my insanity and until next time I have a mental breakdown over this show (probably in like two hours).
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joelsgreys · 1 year
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jealous
Post Outbreak! Joel Miller x Female Reader
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summary: You aren't together, but Joel doesn't want to see you with anyone else.
warnings/tags: 18+ ONLY, MINORS DNI. JACKSON ERA. asshole Joel, jealous Joel, he softens up a bit though. established dynamic, Joel and reader have known each other for a decade.
word count: 2k
a/n: highkey i recycled this idea from myself b/c jealous Joel is like...so hot to me. i love this trope, my favorite variant is when he gets aggressively possessive however i don't think i can top some of the amazing fics out there that have gone that direction so i took a softer, fluffier approach to it. also, happy tlou finale day everyone, we'll get through it all together 💗
Jackson, Wyoming
Winter 2024
“Before you head out for patrol, I just wanted to say that I had a great time with you last night.”
Joel’s blood boiled hot in each and every single vein in his entire body as he watched the scene that was unfolding before him just outside of the horse stables. It was late in the evening, and Tommy’s group was gearing up to head out for tonight’s patrol.
You had just finished saddling up your borrowed horse, Daisy, when Owen had sauntered up to you. Joel didn’t know the man, aside from his name. He had been placed in Owen’s patrol group once or twice in the past several months since returning to Jackson, but for the most part, he’d never spoken more than two words to him, and even when he had, it was only when he really didn’t have a choice. Though he didn’t know Owen, one thing was for damn fucking sure—he didn’t like the way that he was looking at you.
And he definitely didn’t like the way that you were looking at him, either.
In the decade that he’d known you, Joel had never seen you lay your eyes on another man before, not until this very moment.
And it was bothering the fucking shit out of him.
“Yeah, I had a really nice time too,” You replied, flashing him a warm and friendly smile. It was in your nature to be sweet and kind to just about anyone you felt you could trust, that was nothing out of the ordinary, but seeing you interact so effortlessly with him only made Joel’s anger bubble even hotter.
Owen reached out to take your hand in his and Joel angrily clenched his fists the moment he touched you. “We should do it again sometime. Maybe on a night when you’re not stuck with patrol duty?” he suggested.
You nodded, smiling once again. “Sure, I’d really like that.”
Joel couldn’t fucking take it anymore.
He was mere seconds away from losing his goddamn mind. Though he had every desire to go up to Owen, snatched his hand away from yours and give him a piece of his mind, Joel had to remind himself that the last thing he needed to do was cause any kind of trouble in the settlement—Maria wouldn’t have any of that in her community, even if he was her husband’s brother.
After taking a minute to somewhat calm himself enough to a point where he knew he wouldn’t throw a punch, he stiffly walked towards the two of you, calling your name. “Hate to interrupt,” he practically sneered, “But we’re startin’ to lose our time. Tommy’s waitin’ for us at the gate.”
Owen grinned sheepishly, squeezing your hand. “Sorry about that, Miller. I didn’t mean to keep your patrol partner, here.”
Ignoring him, Joel narrowed his dark brown eyes at you. “Get on the horse and let’s fuckin’ go. Now.”
Your smile faded, your mouth falling open slightly in shock at his tone.
Though you knew Joel had always been rough around the edges with other people, he’d never spoken to you like that before. For a brief moment, it almost felt like he’d just slapped you across the face.
Without waiting for your response, he whirled around on the heel of his leather boot in the snow and stalked off towards his waiting stallion, his rifle hanging over his shoulder.
Owen frowned, letting go of your hand. “Jeez. What’s his deal?”
“I don’t know.” Your voice wavered slightly. “But I’m certainly going to find out.”
After bidding a quick goodbye to Owen, you quickly walked over to Joel just before he could climb up into the saddle of his horse.
“Excuse me, but what the fucking hell was that?” You asked fiercely as you approached him. 
With his back still to you, he rigidly replied, “What was what?”
“Get on the horse and let’s fucking go. Now,” You mimicked him, crossing your arms over your chest. “How dare you fucking talk to me like that! What’s your fucking problem?”
He remained silent.
“Joel?” You waited for a moment, but still, he said nothing. “Hello? Joel, I’m talking to you! Answer me!”
Slowly, he turned around to face you. His eyes had gone stone cold.
You’d seen him give those eyes to others before, but he had never given them to you.
“In case you’ve forgotten, we have a lot of work to do around here. Tommy and Maria expect both of us to pull our fuckin’ weight if we want to stay here. You understand that?”
“But Joel—”
“We don’t have time for you to stand around flirtin’ with your little boyfriend over there and wastin’ time.”
Despite being angry, you could have laughed—you almost did.
Not wanting to add fuel to the fire, you managed to hold it back.
“First of all, we’re not fucking teenagers, Joel, so cut that shit out,” You said, letting your arms drop back down to your sides. “I hardly know Owen. We met at the Tipsy Bison last night, we had a few drinks and we were just telling each other that we had a good time, that’s all.”
Joel snorted, rolling his eyes. “Well, ain’t that fuckin’ sweet.”
You raised your eyebrows at him, taken aback by his behavior.
“You know, if I didn’t know any better, Joel Miller, I would say that you were jealous or something,” You accused him. You felt a shiver go up and down the length of your spine. It was hard to tell if it was because of the frigid, negative degree temperatures outside—or was it due to the fact that there was actually a possibility that the man you had been helplessly in love with for almost ten years now was bothered by the idea of you being with someone else?
He scoffed in response. “Don’t fuckin’ flatter yourself, sweetheart. I ain’t jealous.”
“Then why the hell are you so upset?”
“I ain’t upset, either.”
“Okay, then why else would you be acting like such a damn asshole towards me?” You challenged him, causing his jaw to clench tightly. “If you’re not jealous, then why do you look like you’re fucking ready to murder Owen with your bare hands?”
Joel groaned out of frustration. “Jesus, can you just fuckin’ drop it? We have to leave before Tommy—”
You reached out and grabbed his arm. “We’re not going anywhere until we talk this out, Joel. I need to know what’s going on with you. Please. Just fucking talk to me.”
He snatched his arm out of your grasp and took a step back. “What the fuck do you want me to say? That you’re absolutely right? That I’m fuckin’ jealous? That the second I saw that prick take your hand, it took every single ounce of strength I had inside me not to walk over and knock his fuckin’ head off his shoulders?”
You exhaled the shaky breath you hadn’t even realized you’d been holding back. “Joel, you have no fucking right to be jealous. You know how I feel about you, you have always known how I fucking feel about you. But you were the one who told me that we couldn’t be together, that we could never be together.” Your voice began to tremble, and you paused for a brief moment, trying to collect yourself. “You’re the one who said that we’d never be anything more than smuggling partners. Even after everything that’s happened with us, what we’ve been through with Ellie—you still keep me at arm’s length, now more than ever before.”
“So you finally found somebody else,” he stated, bitterly. “That it? You tryin’ to move on from me?”
“Yes. No.” You let out a small groan, knowing that if there was one thing you could not do, it was lie to Joel. “Yes, okay? I’ve been trying to fucking move on from you.”
Joel’s stomach sank at your admission. “And he’s the guy, huh?”
“Owen is a nice guy. And I really liked spending time with him—” You looked up at him, seeing the hurt flash in his eyes. “I’ve been so fucking lonely, alright?” You continued quickly before he could say anything. “You’ve been avoiding me for months now, Joel. Ever since we came back to Jackson, things have changed. Do you think I haven’t noticed that we only ever talk when we’re sent out on patrol together? That we don’t eat our meals together anymore like we used to? That whenever I even try and approach you, you make up some excuse to leave, even when we’re in our own fucking house?” Hot, frustrated tears blurred your vision. Not wanting to cry, you furiously blinked them back. “Ellie asked me the other day if something was wrong with us. Even she notices the way you’ve been treating me these last few months, Joel. How you avoid me like I’m the fucking plague.”
Joel opened his mouth to speak, but then clamped it shut, not knowing what to say.
“You can’t be upset with me for trying to move on, not when you’re the one who’s been pushing me away—and I don’t just mean here in Jackson. For ten fucking years you’ve been pushing me away, Joel.” Your voice cracked, and a tear finally gave way and slipped down the side of your face.
His expression suddenly softened. “I had to push you away, darlin’.”
You subconsciously stepped closer to him. “But why?”
“Because, what I felt—what I’ve been feelin’ for you, it’s somethin’ that I didn’t think I could feel for someone ever again. It’s so strong and runs so fuckin’ deep that it scares the shit out of me,” Joel confessed, a trembling edge to his tone. “Before Wyoming, it was so fuckin’ easy not to think about it. We were too busy fightin’ to survive, to protect Ellie—now that we’re here and every goddamn day isn’t a fight for survival, things changed, alright? What I feel for you runs through my mind all fuckin’ day. There ain’t no avoidin’ it.”
“Joel—”
He cut you off. “I never meant to hurt you. When we got here, I thought it’d be best to put some distance between us. I thought that maybe if I spent less time with you, what I feel would just go away somehow. But I was wrong. Wrong and stupid to think that what I’ve been feelin’ for ten fuckin’ years would just disappear.”
“What do you feel for me, Joel?” You whispered, looking up at him.
Your eyes widened in a slight surprise as Joel reached up and gently cupped your cheek in the palm of his gloved hand. He put his other hand on your hip and pulled you as close as he possibly could to him. He looked deeply into your eyes as your arms wrapped themselves tightly around his neck. Joel leaned down into you, and the both of you stood absolutely still, each waiting for the other to make the final move. 
Finally, it was Joel who closed the remaining distance between you and him.
He softly pressed his lips to yours. Any and all hesitation that he might have had before vanished completely as you parted your lips, allowing him to deepen the kiss. 
“That,” he said breathlessly once he’d pulled away, “Is what I feel for you.”
“Never thought I’d see the fucking day,” You murmured against his lips, a tiny, joking smile tugging at the corners of your mouth.
Joel leaned his forehead against yours and sighed, his warm breath tickling your nose. “Look darlin’, m’real sorry about earlier. I shouldn’t have spoken to you like that. It’s just that seein’ you with that prick, the thought of you with him, or with any other man that ain’t me, I just couldn’t fuckin’ handle it.” He paused briefly, taking a look around. Part of him hoped Owen was still around and watching his every move. “I’m gonna have to find a way to make sure every man in Jackson knows you’re mine.”
“I’m yours,” You assured him, gently. “Believe me. You are the only man that I could ever want. I’m all yours, Joel.”
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a-writer · 3 months
Text
Dancing around - Azriel x reader
I'll never get over the fact that Nesta and Az danced together in Hewn City which means that it is canon that Az actually knows how to dance so... here goes nothing:) Also took some things from scenes in ACOSF and changed it up a bit!:) enjoy<3
Warnings: no actual smut but a lot of smutty talking and thoughts.
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"You don't have to do anything you don't wish to. But Elain mentioned that you have particular skill on the dance floor. Skill that once won you the hand of a duke in a single waltz." Rhys said as his eyes fixed upon Nesta.
Yes, sending her to dance with Eris was risky. But they didn't really have more options right now. Cassian wasn't looking too happy about that.
"Over my dead fucking body" He exploded. "Why can't (Y/N) do it?! She's a good fucking dancer, that's for sure."
"Thanks for the compliment, Cass." You smiled at him, his eyes full of hope for you to take his side. "But I'm with Rhys on this one. If I thought it was going to work I would do it, trust me... But Eris has known me for years, he knows I despise him. He's not going to buy the act and you know it. Plus, it will be fun to see Nesta toying with him." You gave her a wink while Cassian groaned.
"You want me to dance with Eris?" Nesta looked at you, but it was Rhys who answered.
"I want you to seduce him. Not into bed, but to make him realize what he might attain once he understands that we have no plans to break this alliance. To weigh the benefits more strongly than the risks."
"I'm sure you will do just fine, Nesta. I can show you all the dances so that you'll be prepared." You looked at her with bright eyes. Dancing lessons, always so fun.
"Nesta hasn't agreed to anything." Cassian snapped. "Even one dance with that prick is too much-"
"I'll do it." Nesta cut in, looking at you.
"Good" You smirked at her. "We start tomorrow."
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The Winter Solstice celebration was in full swing, people drinking and dancing to the beautiful music. With Rhysand and Feyre in the throne, you were sandwiched between Cassian and Azriel, the former glaring daggers at Eris' back while he danced with Nesta and the latter monitoring everything, his left wing resting lightly on your back.
"Fuck." Cassian growled. "I can't stand and watch this." He stormed off towards Mor, who was hiding behind a pillar on the other side of the throne.
"How long do you think will take them to realize?" A slow smile crept on your lips as you looked at Az.
"Realize what, Azriel?" Your innocent eyes met his cold stare. Everyone knew that they were mates. Everyone but Cassian and Nesta, apparently. And Eris, luckily.
"You look beautiful, (Y/N)." The sudden change of subject almost gave you whiplash. "As always."
His eyes roamed down your body, covered in a Night Court black dress that hugged every curve of your body. A small strip went around your neck and back, securing two pieces of fabric covering your breasts diagonally, forming a triangle that showed the tan skin of your torso, from the middle of your breasts until the top of your navel. A tight skirt was attached to it and your back was left exposed, your hair tied up in a tight ponytail that flowed down to the top of your ass. It seemed like time had stopped while Azriel's eyes covered your entire body. Finally returning to your face, his stare found your eyes and suddenly you felt a blush staining your cheeks.
"Uh..." You coughed, trying not to think too much about that stare. "Thanks, Az. You cleaned up nice, too." Winking at him, you turned to look straight once again.
Cleaning up nice wasn't enough to describe him. Az was... Az. His eyes, his body, his hair... All of him made you think the dirtiest thoughts ever. Like how his lips would feel against your skin, how having him look at you with that intensity in his eyes would feel while he was moving inside of you- Stop.
You needed to stop. You coughed again and felt Azriel looking at you again, a smirk covering his lips. Okey, maybe your smell had given away what your thoughts had been about, but he didn't know that you were thinking about him, did he?
Before you could overreact, he leaned towards you, his breath tickling the shell of your ear. You could feel goosebumps erupt all over your skin as he whispered. "Would you like to dance with me?"
You turned, your faces so close that your noses were almost touching, and you could see the amusement glinting in his eyes. Without breaking the eye contact, he lifted a hand in between your bodies and you took it, trying to calm the rapid beating of your heart.
"Sure, Az." Your voice was higher than you'd intended, but still you plastered a cool smile on your face and lead the way to the dance floor.
A new song began just as you were settling down in a circle of couples. You could spy a glint of red hair on your peripheral vision, and you knew that Eris and Nesta were still going. Good. She seemed like she was having fun, after all.
The music began and both of you bowed, presenting yourselves to one another. He offered one of his hands and you gladly took it, taking one step closer to him. His other hand snaked across your waist and settled on your back. It was cold compared to your burning skin, and you could feel a shiver running up your back. Trying to suppress it, you forced yourself to look up at Azriel, a small sigh leaving your lips.
He was handsome, beautiful. The kind of person who turned heads wherever he went. A small pang of jealousy filled your chest at that thought and you shoved it down. It was ridiculous. You and Az were nothing, even though your chemistry was something else, that was for sure.
Azriel began moving, leading both of you graciously across the dance floor.
"I'm always surprised to see how good of a dancer you are." You were looking at his shoulder, trying to calm down the raging fire burning your insides.
"You'll be surprised to know how good I am at many things, (Y/N)." You could feel his smile as he said the words, and it was clear that he was aware of your body. Of the goosebumps, of your galloping heart and of the sweet, imperceptible to everyone but him smell of your arousal.
You tilted your head back, looking him in the eye, and the color stained your cheeks as you already found him looking at you. And then you felt it too. His slightly dilated pupils, his tongue swipping on his bottom lip and... His smell. It was just a slight change, you wouldn't even have noticed it if it weren't for the way he was looking at you. But there it was. Something muskier, rougher. Darker.
"You could show me, you know." The words left your mouth before you could stop them.
You were always teasing Azriel, making jokes, giving him shit for always being so mysterious. But this felt different. It seemed like the whole room vanished and you were the only ones dancing around. His hand tightened on our back, bringing your body impossibly closer to him. You could feel his heart through your own chest, and a knowing smirk creeped over your face as you realized that it was beating as fast as yours. Azriel leaned once more, his mouth caressing your ear.
"I've been waiting to show you for a long, long time, (Y/N)." His voice was deeper, and you had a hard time suppressing a moan.
He moved away and you almost whined until you realized that the dance was over. You were about to grab his hand again and demand to know more about what he just said when Cassian appeared.
"Az, I need you to go dance with Nesta, please." He signaled with his head towards the throne. "Eris is talking with Rhys and I need to know what's going on."
"Sure, brother."
Cassian sprinted towards Mor once more and you were observing your High Lord and High Lady. Rhys wore a cool smile, just like Feyre, but you could sense the worry in her eyes. You didn't even see Azriel moving until the front of his body was flushed against your back, his hands possessively gripping your hips.
"Tonight is the night I'll show you everything that I'm good at." He lowered his head, pressing a quick kiss just below your ear. "And I'll show you everything I've been dying to do to you."
Your eyes almost rolled back into your head and you were about to become jelly in his hands, but you managed to turn around quickly, grabbing one of his hands before he could slip away.
"Make it a promise, Shadowsinger."
Azriel smiled and winked at you, before he went to find Nesta as the next dance began.
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yzashaven · 8 months
Note
GOD IDOL SCARA IS SO HOT <33
Please me like that Scara <3 get jealous and show it
SO REAL and we love jealous scara in this household <333 fem bodied!reader btw
CW // just a bit of degrading, fucking in front of a mirror, semi-public, hints of ownership/possessiveness
1st part
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thinking about...
yandere idol!scaramouche who would keep his eyes on you for practically the entire concert, watching you with keen eyes. and literally every single time you'd take a glance at the other anemo boys, he's already planning on a way to punish you.
ㅡ♡
slow yet deep sharp thrusts meet you from behind, having you bent over a desk in his dressing room backstage with your head down and a hand to your mouth to cover up the noises. "you don't have a reason to look at them, you know?" he pulls you up by the hair to huskily whisper directly in your ear. "take a look in front of you, baby." he says, gesturing to the mirror. the reflection shows a lewd scene of him fucking you senseless, the look on your face looks of one of pleasure and complete overstimulation.
his pace suddenly picks up in speed, "who's the one fucking you this good? not them, that's for sure." his hand is on your hip, gripping it tightly as the other crawls down to rub at your clit, adding to the already overwhelming pleasure. "they can't make you feel good. only i can, right?" you weakly nod as you can barely bring yourself to respond properly as lewd moans are the only things that left your pretty agape lips.
"come on, i want you to say it. say you're my bitch. my slut and my whore to love and fuck."
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won4ver · 1 month
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hii, eires!! so i just saw your prompt list (super comprehensive, i'm in awe) and this idea immediately popped into my head as i was reading through them: their friends find out you’re not as scary as you look + you rub your cheek against their chest
and in my mind, riki starts dating someone but he's always been secretive about her when it came to the other members. they only ever saw her in passing since he doesn't want to hang out with her at the dorms where 6 other (stinky) boys live. and she has a very cool/cold aura about her and a rbf (much like riki 😭) so they worry she's mean or up to no good but in the scenario they stumble upon a cute and fluffy scene where riki and her are all lovey w each other :> and teasing ensues and riki gets all embarrassed and grumpy and she ends up being nice lol. it doesn't have to include all 7 of them, and you can pick any other prompts or ideas!! but that's my suggestion, yea :D
✈︎ the perfect moment
pairing : idol!bf!riki x fem!reader
warnings + genre : slight angst. fluff. teasing. riki gets angry and storms off. height difference.
wc : 2k
a/n : HIII N STOP I LOVE YOUR REQ SM??? i literally loved writing this so much, you’re literally a genius. i hope you like it, and that it lines up with your expectations! this was my first ever request so i’m a bit nervous lol. PLS LMK HOW I DID🫶🫶
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“Have you spoken with Riki today?” Jay looked up from his phone at Heeseung’s worried tone, his eyebrows furrowing as he tried recalling a time he talked with their youngest member within the last twenty four hours.
“Uh no, why?” Jay tried not to let his nervousness show, barely stopping his voice from wavering. It wasn’t unusual for Riki to be away from his phone during their days off. If anything, it was expected of him.
Ever since he’d gotten together with you, he’d always spend his free time with you, typically spending the entire time at your apartment. 
But what wasn’t usual was him going no contact the entire day. Usually, he’d pop a few messages every couple of hours, informing his members about his plans and his sleeping arrangements.
“He hasn’t responded to anyone’s messages, Jake is getting worried because Riki told him that he’d call around noon and it’s-” Heeseung made a show of turning his lit-up phone screen towards Jay, bold numbers in the top center, “already seven.”
As if to confirm Heeseung’s words, Jake began spamming their group chat, questioning every single member about his whereabouts.
Jay gasped as he remembered his last conversation with Riki, one that took place just as he caught Riki leaving around six in the morning. “He’s with YN. I’m pretty sure they went to her family’s place in Incheon for lunch.”
Heeseung suddenly recalled Riki informing them about his trip a few nights ago, an excited smile on his face as he rambled to his members about how much he’d been looking forward to today. 
“Oh” The two boys shared a look, their expressions clearly troubled as they both thought back on the same memory. They didn’t mean to completely dismiss Riki’s excitement. They wanted to be excited for him, but it was hard.
They both remembered the way they all grimaced as they heard your name, their evident disapproval showcased on their faces. It was clear to everyone that they didn’t approve of you, well it was clear to everyone except for Riki up until that moment.
They all watched as his face dropped, confusion filling his eyes as he questioned them about their expression. Heeseung almost wished he could go back in time to stop himself from humiliating you in front of everyone, to stop himself from making his wrongful assumptions in front of your boyfriend.
He could hear his own words loud in his ears as if he said it all over again. “Riki, I don’t think she’s right for you. She’s never once shown any intention to even meet any of us, she just seems stand-offish.”
If that didn’t completely throw your boyfriend off, then his leaders following words definitely did. “She doesn’t seem like a good person to be around, I don’t think I’ve ever actually seen her smile.” 
Heeseung saw the way Riki completely hardened at their words, his eyes glaring holes into them as he stood up from his chair. He could feel the way he flinched when Riki’s chair screeched against their dorm floor as he stormed outside, his house shoes still on.
“I feel bad about what happened that day.” Heeseung shook out of his reverie as he glanced over at Jay, his eyes glazed over the same way. “He’s barely said a single word to any of us since then. He literally gave me the cold shoulder yesterday!” 
It was clear to everyone in the group how much Riki cherished you. They saw it in the way his entire body perked up at your name. Or in the way they all watched him stay up late making little origami bouquets for you even when he had an early schedule.
It was so easy to dismiss all his acts of love because they’d never seen the two of you in action, only seeing a small glimpse of you as their managers dropped Riki off at your apartment for your weekly sleepovers. Or when they caught sight of you sitting in their company lobby while waiting for your boyfriend, head cladded in black headphones.
They all remembered the way you’d react when you caught them looking, the way you’d avoid their eyes and look down at the floor. Your oversized jeans and graphic hoodies didn’t help with their image of you either, your style matching their youngest perfectly. 
Those small peaks were enough for them to form their own opinions of you, enough for their dislike of you to build to the point of spilling in front of your boyfriend.
Jay felt his phone buzzing in his hand, a phone call from Jungwon coming in as his and Heeseung’s conversation paused. “Hello?” Heeseung couldn’t hear what Jungwon was saying over the quiet radio, their manager ignoring their conversation as he sat bobbing his head in the front. 
“Okay, Heeseung and I will reach the dorm first, once we get home I’ll try calling Riki again.” As soon as Jay ended the call he was quick to summarize their entire conversation, Heeseung nodding along as he agreed to call Riki as soon as they returned.
Their dorm was completely silent as they unlocked the door, all lights turned off sans for the smallest ray peeking from under Riki’s door.
Both boys’ eyes widened as they saw two pairs of shoes beside the door, a small awe of amazement leaving Heeseung’s mouth as he saw their matching shoes. “Jay, look! They literally have matching dunks.” He bent down to untie his shoes, eyes never leaving the smaller pair. 
“Her feet are so small, how tall is she?” Heeseung shrugged in response, their limited knowledge about you showing in their questions.
“Riki told me that she’s five three, she literally barely reaches his bicep.” Both boys jumped in shock as Jake appeared behind them, Sunghoon, Jungwon, and Sunoo following close behind him.
“You actually almost just gave me a heart attack” Sunoo snickered at the two boys before he paused in front of them, just now also noticing the shoes sitting beside the door. “Oh my god?” He gasped, a hand flying over his lips as his eyes sparked. “I think that’s the cutest thing I’ve ever seen?”
Jungwon leaned over Jake’s shoulder to see what everyone was staring at, regret coming back in full force as he recalled what he said to Riki.
Everyone settled down on their couch, their outer attire still around their shoulders and they relaxed for a minute. Through the silence in the living room, they were able to hear a small feminine giggle, one followed by a laugh they recognized as Riki’s right away. 
Jungwon stood up from his spot, tilting his head towards the door with wide eyes. They all stood frozen in spot as they finally heard the quiet music coming from his room, barely loud enough to hear over your giggles.
All the boys shared a knowing look, deciding this was the moment they’d finally properly meet you. They all stood around Riki’s door, Jake in the front as he gently grabbed the door handle. They all watched with bated breaths as the door opened, releasing it as they saw that neither of you heard it.
All their jaws dropped at the scene in front of them, the pure innocent scene in front of them not only melting their hearts but changing their thoughts on you.
The sight that welcomed them was one straight from a romcom, everything down to the way you looked into each other’s eyes was filled with nothing but love.
You stood in front of Riki, one hand entwined with his with your other wrapped tight around his waist. Your cheek was resting against his chest, chin pointed up as you looked him in the eyes with the brightest smile on your face.
Riki’s smile mirrored yours, hearts barreling out of his eyes as he held you tight against him.
Your feet were on top of his, sock-cladded heels elevated in the air as you stood on your tippy toes. For the first time since they’ve seen you finally ditched your jeans and an oversized sweater, both of you wearing your matching sets of lotte world pyjamas. Riki’s filled with small pictures of Lotty, and yours with Lorry.
Riki quietly hummed along to the music, playfully singing random parts to you. 
These moments together were his favourite, the soft ones that were shared between just the two of you. In your private world without the perceptions of others ruining your moment, it was perfect.
Well, it was perfect until Jay accidentally awed out loud, both your heads snapping towards Riki’s ajar door. Riki reacted before you, gently lowering you onto the ground and pushing you against his back, hiding you from the others’ view. 
Riki could feel your nervousness, your hands rubbing small shapes into his stomach as you held him tighter. Riki glared at his members as he felt your heart racing against his back, his protectiveness coming out in waves as he broadened his stance to hide you better.
“Is there something wrong?” Sunoo could barely keep his smile down, even with Riki’s glaring eyes he still looked completely harmless.
His long hair was done up in a half-up ponytail, his zigzag headband pushing his bangs out of his face. “You guys are so cute!” Riki raised an eyebrow at him in confusion, eyes losing their sharpness as the members started complimenting the two of you over each other. 
“Can you all leave, please? We’re kind of in the middle of something.” At your boyfriend’s surly wording, you gave him a soft nudge to the back. He quietly apologized to his members as they all gaped in amazement, “You got in to apologize with just a tap? We need you around more.” Riki turned red with embarrassment, closing his eyes tight as he focused on your hands around his waist.
You finally peeked out from behind your boyfriend’s back, automatically being met with all six boys staring at you with a soft look, small smiles greeting you as you looked from member to member. Riki felt you wiggling behind him, his protective instincts coming up again.
He turned his back to the members as he held you against his chest, looking down into your eyes for any sort of discomfort. When you nodded at him with a smile he finally stepped to the side, his hand clasped around yours as he pressed his side completely to yours.
Seeing your height difference in person differed completely from just hearing it from Jake. The actual image of the two of you beside each other was one they’d never forget. 
“Hey, you’re yn, right?” You nervously nodded your head towards Heeseung after looking into Riki’s eyes for reassurance. Heeseung smiled brightly at your cute acts, a tender affection filling whatever disapproval he held before.
Heeseung walked towards you, ignoring Riki’s warning looks, and reaching his hand out toward you. “I’m Heeseung, Riki’s eldest brother.” You wrapped your smaller hand around his own, your anxiety almost completely washing away at his gentleness.
“It’s nice to meet you. Riki had told me a lot about you.” Riki groaned out loud as you outed him, a soft whine of faux annoyance leaving his lips as he tugged on your entwined hands. “Don’t tell him that! That was supposed to be our secret.” You looked away from Heeseung to look at your boyfriend, a big smile on your lips as you gave him the softest look you could muster. 
“I mean it’s fine, you can tell them anything” Riki looked away from you with flushed cheeks, sucking his bottom lip into his mouth as he tried to hide his lovesick smile.
“I didn’t know you could slow dance, Riki.” The room erupted with laughter as your boyfriend groaned. You easily allowed him to disconnect your hands so he could tackle Jake in a headlock, loud “la la la”’s leaving his mouth as they all teased him.
“Riki, dance with me!” Heeseung joined them, acting like he was going to wrap his arms around Riki’s waist. “Baby, help me!” Riki tried calling you for backup, only to let out a sigh of betrayal as you joined their teasing.
Even if your relationship with his members started off rocky, there was nothing any of you would change about this moment. It was completely perfect.
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