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#i will take E-Girl
ponds-of-ink · 7 months
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Springtrap considers himself many things, but an angel is not one of them.
For very important context: I spun an aesthetic wheel and got angelcore. It was either this or VSCO-Trap. Visk-Trap, if you will.
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crvptidgf · 5 months
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true pain is liking a character from a show that has little to no no fics/no people thirsting for the same person on tumblr😓🤞🏻
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clown-owo · 1 year
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I'm not gonna lie when I started Persona 3 i wasn't particularly invested in Akihiko. Definitely wasn't planning on romancing him. Then I encountered the most insane piece of dialogue. I haven't been the same since. It haunts me.
the full dialogue under the cut:
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doehoney · 10 days
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sick note 🤒
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hanadoesstuffwrong · 2 months
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We all know and love zutara's Hades & Persephone parallels. Complimentary opposites constantly being misunderstood as a captor/victim- badboy/goodgirl- edgy/sunshine trope despite significant nuances; being torn between familial and spousal devotion; ruling over their kingdom as equally powerful forces of nature... Good good stuff.
But may I humbly suggest that we have been woefully neglecting the sheer dramatic potential of taang x Eros & Psyche.
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see-arcane · 2 years
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In honor of the last day of this bit of Droughtula, I present to you Count Dracula, King of Vampires, Nosferatu, and Big Spoiled Baby Fit-Throwing Brat Bat as he no doubt behaved during his interim of getting addicted to Lucy Juice. 
There is now a part 2 here.
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ransomdemands · 12 days
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yknow sometimes the way trans women talk about testosterone and being on estrogen is indistinguishable from the way terfs try to convince afab people not to start hrt
this is not a criticism mind you, their experiences are their own and completely legitimate, it's just a matter of competing needs - they need a safe space to talk about their dysphoria and how testosterone makes them feel and i need to not hear about how i am destroying my body with hrt
ordinarily these things are pretty insular to transfem circles but since instagram has been feeding me transfem content i'm seeing it more and more and yet again the algorithm is fucking me
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usermoon · 5 months
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e&a
if i wanted to know who you were hanging with while i was gone i would have asked you it's the kind of cold, fogs up windshield glass but i felt it when i passed you there's an ache in you put there by the ache in me but if it's all the same to you it's the same to me
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skillfulsecretagent · 4 months
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Eve on the Ps2 version of the videogame of Wall-E is the equivalent of "we are just friends" and they are cuddling like
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She kissed Wall-E about 3 times in the time they still werent considered a couple and that has me giggling like GIRL CHILL
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She aint playing around bruh in this version she is so flirty but isnt inlove with Wall-E (yet of course she falls for him on the garbage airlock)
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themintman · 2 months
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Shout out to Z-A for reminding me how much I love this stupid series
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pineappical · 9 months
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i got this embroidered a couple hours ago and this is how im looking in my chair while drawing ted rn
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e-adlirez · 2 months
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The art style of Cloud Castle is absolute ass bro why are their eyes so big
Idk man it just looks.... off
I wish they brought back the og art style like Blue Scarab Hunt because that was gorgeous
Well if you’re referring to the book's artstyle as a whole, then calm down buddy the illustrations as a whole are pretty good all things considered (believe me some of the illustrations in the later books are waaaaayyyyy iffier)
But if you are referring to Danilo Barozzi’s illustrations in the book then uhhhhh… yeah I don’t blame you, I didn’t like the big anime irises either, she didn’t cook with this one,,,
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The interesting thing is Barozzi also did pieces for Secret of the Snow and those looked fine (she did well enough that I have to squint to determine which ones were done by her). My guess is either she did a lot of the illustrations for the latter half of SotS and we just got used to it, or it’s because the artstyle of special editions 2 and 3 were more… experimental? Books 4 onwards developed a very specific… look for the artstyle that adhered very closely to the main book illustrations of Spanish Dance Mission onwards, thus the illustrators had to follow suit, resulting in whatever looks off to look especially off.
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(Even with this set of pictures, I’m only about 70% sure these are Barozzi’s because of how alike yet different the styles are from each other in the book. The first one could be Barozzi’s, but it could also be Giuseppe Facciotto’s, since he also did illustrations for SotS and his stylization means he sometimes puts the eyes really close to each other in a way that’s weird but still makes sense somehow.) On the contrary, books 2 and 3 (and I would probably even include book 1 there) had a more experimental look to the illustrations, which seems to be based more on (and this is just a theory of mine) Giuseppe Facciotto’s iconic work for the covers of Mouseford Academy books 2-12, 14, 15 and 17 in the English books (he did waaayyy more covers for the Italian Mouseford books— he was basically the cover guy for the Mouseford books for a WHILE) as well as the books from Spanish Dance Mission to Lost Letters. If you’re wondering why those covers go as hard as they do, then now you know why.
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(These aren’t all of Facciotto’s works for the covers we know in English but you can see that he popped off <3)
But yeah as you can see with special editions 2 and 3, the art direction seems to be heavily inspired by Facciotto’s artstyle.
However, when Barbara Pellizzari’s works became the aesthetic poster child of the books’ brand, that was reflected in the illustrations and how their aesthetic changed, as seen in the main books and how they look currently, special editions 4-9, and the Treasure Seekers trilogy.
This new profile thing of the girls? This was done by Pellizzari (coloring was done by Flavio Ferron), and thus it became the main reference for how the girls look in the book’s illustrations.
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And it’s not just in the general direction to the artists for how to draw the Thea Sisters, but also in the direction given to the colorists. Alessandro Muscillo was the colorist for the special edition books since book 1 and the Treasure Seekers trilogy, and you can see that the direction for the style varied through books 1-3, like maybe direction was experimenting with the mood the illustrations were to convey, beginning with the cartoony and bright colors of book 1, easing into the more grounded and layered palettes of books 2 and 3
Then book 4 was when they transitioned to using digital art /j
I jest, but seriously book 4 was the debut of the coloring style we end up keeping for the rest of the special editions and for all of Treasure Seekers, which is very… bright :D
(I would show more picture examples but I manually took pictures of my physical copies for the Cloud Castle and SotS illustrations and gwuh I’m too lazy to grab my entire collection just to take pictures,,)
Bright as in like… the colors are very defined and saturated. I dunno how to describe it, but when you see it, you get what I mean. It’s very bright and pretty and colorful and it stands out. There are still variations that happen on occasion (Star Fairies in particular uses a good dose of airbrush for the lighting and shadow effects, and Crystal Fairies looks like someone had a bit of fun using sparkle brushes), but other than that, it’s very bright. I don’t hate it, but I do acknowledge that yeah, if I was introduced to the series when it had fully transitioned to the new style, I never would’ve gotten into the series in the first place, because the older books had something that didn’t make it feel specifically catered to girls. The colors were bright, but not too bright. Colorful, but unified. They weren’t that complicated, and they didn’t have to be because the colorists (plural, there were at least 3 per book once upon a time) were popping the hell off with the colors they were given. But y’know, the newer books’ consistent style did give me a good spot to practice drawing mouse furries so I’m not complaining too much about the newer style, haha.
(Tiny baby E’s (it’s literally from 2020 what’re you on about mate) her first mouse Violet drawing using Barbara Pellizzari’s artstyle in Treasure Seekers 1 as an anatomy guide!!)
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With that said tho, yeah I miss the old books -m- dunno if it’d fit the aesthetic of the special editions but m a n we could’ve had it and it probably would’ve looked cool
Also the illustrations go way harder in the older books, like Prince's Emerald? I've talked about Prince's Emerald and how it goes hard before, and I still stand by it and say that it does in fact still go hard
Maybe it won't fit the uh splash of color they gave the hardcovers, but imagine they grabbed Giulia Basile's coloring work for the graphic novels and used that as sort've a basis for the coloring style of the hardcovers. Not exactly the same-- would probably still add a touch of whimsical watercolor and/or paint to the very cel-shaded style, but we could've had something pretty dope -m-
Anyway that's my ramble simultaneously defending the hardcovers' artstyle and reminiscing on what could've been haha
#geronimo stilton#thea stilton#thea sisters#questions with e#rambles#the style of the older books is gorgeous but the main thing I'm wondering is can it pull off fantastical whimsy#that's the main thing i dunno if it can do (i would love to be proven wrong tho)#the style is so grounded that i'm wondering if it can pull off what the hardcovers needed it to do#which is convey the otherworldly fantastical thrill of exploring the fantasy worlds (which uh the newer books were able to do but#my main gripe is that fantasy and reality are near indistinguishable in vibes coloring-wise#sure there are sparkles and stuff is more saturated but the girls' dorm in book 4 still has the same-ish feel of the land of clouds#i dunno what it is. the bright colors just feel mundane somehow and don't take a shift when returning to reality)#looked at my books again and i think it might be the fact that the later books have no grounding color?#compare book 3 to book 5 and you'll see it the most distinctly methinks#the newer coloring style doesn't have a color that grounds the illustrations' palettes and thus everything's always bright 100% of the time#the girls' colors are always at their most saturated#like they're always under broad daylight in terms of lighting#it's not eyebleeding or anything but they don't look affected by the lighting in the setting they're currently in#and the result is it looks.... meh?#we get so used to the bright colors that they end up looking meh somehow#i'm not an art expert by any means this is just my observations as someone with a little too much brainrot
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clair-de-lunar-tears · 9 months
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pod gave everyone this poll for science
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tequiilasunriise · 10 months
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Let’s see here- an abusive, narcissistic prick who manipulates women and has a clear red raging bull design but the fandom calls him a “fucken goatman” regardless?
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At the very least Adam was so homophobic that, in a roundabout way, he became the number one Bumbleby truther (“I will make it my mission to destroy everything you love, starting with her”, “WHAT DOES SHE EVEN SEE IN YOU?!”, etc etc), the fuck does Montyass got going fer him???
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storfulsten · 11 months
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You don't have to...but I wanna see Whitty listening to music with headphones in, and Bf is just curious about what he's listening to. Also they're on a bench, and Bf is sitting next to him looking confused as to what he's listening to.
(My guess? It's a Corpse Husband song, since in my opinion, it goes that way for Whitty.)
sorry it's so sloppy and lazy and probably not quite what you wanted but here
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whitty's just vibin and bf is just hella confused bc yea.. hearing some dude that sounds almost exactly like your crush singing about choking and other such things sounds totally groovy and not all that awkward at all no sir lol
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whatkindofnameisella · 3 months
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356 pages into royal assassin and im feeling the first rumblings 😎
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