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#i want to go away from here
inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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starwarjotta · 3 months
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whether he has a gun or a knife (or a lightsaber) or is unarmed, Cody's always deadly
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lucabyte · 3 months
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I don't know how everyone isn't also always constantly thinking about how burial rites seem to be potentially one of the few things Siffrin instinctively remembers about their culture. But rest assured. I am in fact always thinking about it.
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Textless version where they're just hanging out. It's fine!
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saltpepperbeard · 7 months
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is this anything
#OFMD#OFMD Season 2#OFMD S2 Spoilers#Gentlebeard#Blackbonnet#Edward Teach#Stede Bonnet#Edit#okay stay with me here lol STAY WITH ME HERE#ed's face really has me feeling some kind of way#((i mean that's a given lol but his EXPRESSION there more like))#i keep staring at it and going back and forth between thinking it's awe/reluctant intrigue#as though he's furrowing his brow because he WANTS to not get butterflies for stede but stede is making that Very Difficult HSDJKLS#OR#and hence me making this set-#he's feeling some sort of complicated emotion in seeing stede step away from the person he met him as#the colorful bitchy poised fine thing he fell in love with#because i am ALSO sitting here wondering if stede is doing this all entirely on his own volition#or if he was ENCOURAGED to do so by izzy or someone else as like a#'it'll win you more respect and win you back ed's heart if you act and dress this way' type deal#like something something another ongoing commentary on masculinity something something#but it could ALSO be stede really wanting that world/respect/look for HIMSELF#something something stede and ed wanting to be each other and delving into each other's realms something#but just as it soured a bit for ed#i have to wonder if it'll also sour a bit for stede#and they'll consequently find 'the other home' they're looking for in EACH OTHER#and settle into a mixture of swashbuckling ruggedness/finery and subsequently complete/compliment each other#IDK i'm not being very coherent about it HA but i have many many thoughts of course#stede changing up his entire aesthetic just has me very very intrigued on how he's going to move forward#and how others are going to perceive him
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ruporas · 1 year
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#but onto this comic... i think and talk a LOT about vash's loneliness bc trigun is just. kind of central on that for a good while! esp in#the original manga he was alone for a good portion of it and he tends to keep others away like how he ran away from meryl and milly when#they tried to tag along. and he was kind of bothered when he realized ww was following him around Too. at the core even though he loves#humans and he loves deeply the people he does know -- he isnt really much of a people person and i think thats been the case since he was#young considering his initial doubts towards humans... with the exception of kids bc kids dont give him moral conflicts. so suddenly#here comes wolfwood!!! his guide. someone TRULY affixed to him until he has to get to knives. someone who isnt budging and someone whos#really good at following him around and even seems like he goes like 5 steps ahead to make sure vash doesnt run on him#in one way its - i don't want you to follow me bc i don't want to burden you and i don't want you to kill the people i want to save.#in another way its - i like this companionship. i like waking up to you and i like ending the way with you. i like talking to someone who#knows my world. i like being in your space and sometimes i enjoy talking about our day#theyre just living together. like. roadtrip buddies or theyre also under the same roof because they're going everywhere together.#trimax they mainly spend their mornings together and if they had personal business attend the other person would usually know and itd only#be during the midday. anyway bc of this kind of companionship i figure that vash eventually grew accustom to it and he really. cant go back#to the kind of loneliness from before. it's harder to imagine and it'd be harder to withstand. esp after 2 years with lina and her grandma.#ruporas art
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tsuchinokoroyale · 4 months
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Happy new years… let’s stay hydrated together ✨
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#I didn’t end up going to the rave just stayed in with my buddies and had KFC (( Korean fried chicken )) and laughed til we cried so#it was still a wonderful start to the new year 💞🥰💞#but the fwb wanted pics of my potential rave look so I figured eh I brought the stuff anyways#and now I’m imagining locking eyes with a stranger on the warm and writhing dance floor#the beat thumps and shakes and rattles the air in our breath as the spotlights dance in the reflections of our held gaze#he pushes his way through the crowd with a singular stare and a wicked smile on his face#I smile and turn my back on him arching myself so he knows I am giving what he’s looking for#I take careful steps through the revelry toward the edge where the crowd thins out#I prop myself up on an available stool in a lonely corner of the club as he closes the distance between us#“now I wonder why you dragged me all the way here” he utters in a playful growl “trying to get far away from the crowd?”#I smile and I nod. “obviously. can’t really do what I want with you out there”#his eyes perk up and his smile gives away the desire building inside him. “yeah? why don’t you show me then.”#“I thought you’d never ask” I smirk. I reach down into my pants and pull out my phone#“so this one is blue. he’s the oldest but he’s sooooo sweet. and that’s Eva. my only girl she’s sassy but she loves swea-” he leaves#whaddahell I say demurely whimpering even… whaddahell…#gpoy
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shadebloopnik · 1 month
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Unrequited/One-sided Radioapple but it isn't treated like an angsty end of the world thing.
Imagine they slowly get closer after all the banters, and eventually becoming close friends. Lucifer ends up catching feelings for him, and after a long while, decides to confess and ask Alastor if he felt the same.
Alastor admittedly does not feel the same.
He's getting uncomfortable, struggling to keep his composure because he's DONE this before. He KNOWS how this ends. He remembers Vox and all his insistent declarations of affection and desperate pleas for Alastor to reciprocate; the possessive entitlement. He remembers how all those sickly sweet words morphed into something venomous when he didn't give the lowlife what he wanted. He remembers the anger, the ridiculous notion that it was Alastor's fault why he was so mad, that Alastor led him on and that he obviously deserved something in payment for it all-
So yes, Alastor knows how this ends.
It doesn't mean he isn't disappointed though, because he actually LIKES Lucifer, far more than he ever did Vox. Perhaps not in the way the king might have wanted, but he did. He treasured their little talks, their drinking sessions, their shared love for their instruments, Lucifers singing, their little duets, the banter, the playful jabs, the sparring.
He'd even slowly grown accustomed to the other's touches, not feeling the same surge of disgust and discomfort whenever the shorter man would grab at his arm in excitement, forgetting his usual thoughtfulness of Alastor's touch aversion for the short moment of whatever distracted him. Alastor even enjoyed it at times, relaxing at the feel of soft feathers beneath his claws, or the sensation of gentle scratches against his ears.
Difficult as it was to admit, Alastor had grown to care for the angel, the same way he had for Rosie orv Mimzy.
But no matter how fond Alastor was of Lucifer, it didn't change the fact that he didn't feel the same way romantically, or even sexually. No way in the 7 rings of Hell was he going to lie to Lucifer about either, not going to even entertain the idea of pretending he reciprocated for Lucifer's sake. He respected his friend too much for that.
So a clear, direct rejection it is. It was a shame, but nothing could be done. He said his piece concisely, and waited, shoulders set, back straight, smile and eyes a careful blank canvas as he prepared for the inevitable.
Lucifer nodded, a normal soft smile still in place, "Thank you for your answer, it means a lot."
Which......what? Alastor expected an outburst, or at the very least sharp words.
What he did NOT expect was....acceptance? And not just that but, a happy one? Contentment?????
"You're....alright with that?", he had to ask, he had to. Lucifer was clearly just very good at masking his upset.
But the damn angel just smiled?? And it didn't even look fake, just as bright and soft as his normal smiles, albeit a little confused?? Lucifer smiled at him, his brows furrowing in a bit of confused disbelief, as though Alastor is being the weird one here.
"Uhh, yeah??? Why wouldn't I be??? Yeah I may have some feelings for you but its not like you're obligated to feel the same. Above anything else, we're friends first and foremost and i'm alright with that..."
Then he seemed to have reached his own little conclusion as his words trailed off, because suddenly Lucifer's eyes widened in realization of something, and his words picking up with a sense of panicked urgency.
Alastor would really like to know what Lucifer's supposed realization was about himself because he had absolutely no clue.
"I mean, we ARE still friends right?? I don't- I- I hope this doesn't like- change your opinion of me. You're not- oh gosh I'm not making you uncomfortable am I? I- I won't mention it! You can even forget this whole confession ever happened! We can just go on as before! I don't feel any different or would act any different! Honest! I mean, I don't regret confessing because you deserve to know and I'm not ashamed of my feelings, but I don't want you to be uncomfortable! It doesn't change the way i'll treat you! Or change any aspect of our relationship! I don't even think I like you more as a lover than as a friend! I really, really do love our friendship, it matters more to me than any thoughts of being in a romantic relationship with you! So please just forget it all-"
Alastor let the word vomit wash over him, every word leaving him more confused by the minute.
Because yes, there's the desperation he expected, but...it was more about, convincing Alastor to remain friends?? Reassuring Alastor that nothing has to change?? That their friendship is the most important thing here??
(If anyone asks, no Alastor's heart didn't swell. Only lesser beings would have had the urge to cry, and Alastor is anything but.)
Lucifer is unknowingly reassuring Alastor of every single one of his insecurities about the situation. Because Alastor DID want to remain friends, he cared too much about the man to let it go so easily. It was rare to find people who treasure friendships above romantic relationships.
"I don't tend to forget easily, nor will I forget this one in particular.", he spoke, finally finding his voice. At Lucifer's defeated, pained expression( is their friendship really that important to him?), he continued. "But....yes. I'd like that.. To remain...friends."
He didn't often say the word out loud, being comfortable enough with each other that it need not be reassured with the label. But with Lucifer brightening up like his namesake, relief and happiness palpable, Alastor felt no qualms at declaring their friendship out loud.
So life went on as usual. True to his word, Lucifer remained basically the same. The following weeks were a bit stilted for Alastor, as he put some rather painful distance between him and the angel; limiting their interactions, their usual touches.
Anytime now, Lucifer would break and show his true colors, Alastor would think, waiting for the boot to drop. Lucifer would end up angry, and dissatisfied, and that was that.
But it never happened. Lucifer never expressed discomfort when Alastor avoided him, seeming to be understanding of the others need for space. He was just as affectionate as before, though initially a bit held back, as though gauging Alastor's comfort.
Months would pass, and the king never faltered. Their friendship remained strong, if not growing ever closer than before. Alastor found himself even growing more comfortable with the man. Affectionate touches were becoming common, hugs and head pats and cuddles being a welcome thing, with the reassurance that the shorter king would never disrespect his boundaries.
Lucifer seemed genuinely happy about it, despite being clearly told that none of Alastor's actions hinted at anything romantic. In fact, he seemed ecstatic that Alastor was getting more affectionate towards him as a friend. The embarrassment the radio demon felt at having Lucifer basically tear up (no really, he was crying so hard, full on drama sobbing) with joy in front of him was intertwined with the sheer incredulous fondness he felt for the man at that moment.
They were sitting at a couch one night, more than a year passing since that confession. Lucifer was leaning back, resting against the cushions, while Alastor had his head on the smaller one's shoulder, nuzzling at the crook of his neck, legs tucked close to his body. Both had a book in hand, two nearly empty cups of tea on the table in front of them. Every so often, Lucifer would flex his fingers that rested on Alastor's head, running a digit against the other's ear, often prompting the demon to lean into the touch. White wings enveloped the two, blanketing them against the chill of the night.
As Alastor turned the page of his own book, relaxing into the touch of his dearest friend, he wondered how he ever got so lucky in hell.
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poorly-drawn-mdzs · 6 months
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Wei Wuxian eats a watermelon. Yep!
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wolves-in-the-world · 19 days
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the thing about eliot spencer as a character, right. the thing about him.
(and as always your mileage may vary on my analyses so if we disagree that's cool actually)
is that he is in fact a somewhat emotionally constipated idiot who is occasionally sensitive about his perceived masculinity and gets defensive about emotional intimacy around other men (largely hardison, who's much more comfortable expressing affection and embracing a softer kind of masculinity), but eliot displays enough emotional awareness and sensitivity and respect for women etc etc that anyone who's been subjected to that era of television will put on rose-tinted glasses without even looking twice.
(and he is, don't get me wrong, incredibly emotionally aware for a professionally punchy guy with enough trauma to sink the titanic. it still startles me to see.)
on top of which we have the layers and the accessories and the excellent hair with the secret braids and the way he barely has an ego and he's good with kids and protective of his team without taking it too far, and some of us never stood a fucking chance.
#eliot#eliot spencer#orig#further discussion in further tags#I'm being perhaps a little critical and there are other ways to read eg the fragile masculinity moments#but I Do think they were intended this way and largely come across this way#I'm quite happy playing with a fanon eliot who's better at this shit is the thing? it feels faithful enough to the original.#but this is something I'm chewing over in a rewatch and it's interesting so far#the fact that he pretty consistently respects women doesn't stop him from treating men and women differently y'know?#the fact that his bantering with hardison expresses affection and gets quite soft over time#doesn't stop him from pushing hardison away on a semi-regular basis. often physically.#the fact that the fandom unanimously decided he's an utter gentleman in matters of dating#doesn't quite negate the time he physically stopped aimee from getting away when he wanted to talk to her#though that's one I might disregard because it's so early and I think they hadn't quite figured out the characters then#and it was admittedly a brief moment followed by very consensual happenings#perhaps. honestly. eliot may be reflecting the attitudes of the show here.#which were very progressive for the time and are still startling on several fronts now but also showing definite signs of age#arguably fanon eliot (as I understand him) is eliot adjusted for inflation. as it were.#there's a lot going on here I'm having a normal amount of thoughts about it I'm. stopping now
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non-un-topo · 11 months
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Thinking about the sniper duo
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bubblegumr1ck · 4 months
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Listen. Listen. I am gripping your shoulders painfully. I know this is just Morty in The Hole and the whole thing is about his dependence on Rick but. They buy a house together. Why are you dialling the number for the psych ward
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flythesail · 9 months
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I'm so tired of the way tv is working right now. And it's not working. Seasons are getting shorter, and shows are canceled before they even get a chance to prove themselves. Shows with new concepts often get the worst of it, and it just makes me so sad to think of all the fantastic stories we're losing because of a system that prioritizes profit over the art itself. I want to live with these characters over years. Get to know them and grow with them and not watch as their stories are crammed into six episodes or even worse, go entirely unfinished.
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zhuletta · 10 months
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Don’t ask me what rune Link’s using just know Zelda likes it
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laurenfoxmakesthings · 11 months
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ID: A thread of tweets by PinkRangerLB, a trans lawyer, that say the following.
"We in the LGBTQ+ community must understand that our dead were real people. Vital, awake, worlds unto themselves, like us. They didn’t live and die for the sake of our learning, but they have a lot to teach.
I want to tell you about Hart Island and hope in the darkness. /1
When I say they were real people I mean I do not believe they are necessary sacrifices, or that our dead paid a cost for us. They loved, they feared, they had favorite TV shows and candy bars. They were here and it will never ever ever be okay that they’re gone. /2
They’re not symbols or metaphors. They had books to write, vacations to take, meals to cook, and the world would be better with them still in it. We aren’t enriched by death, but we can stand in their shoes and see the future. /3
Hart Island, if you don’t know, is where New York City buries bodies that aren’t claimed by a licensed funeral director. At the height of the AIDS epidemic funeral homes were urged not to embalm AIDS fatalities. /4
In New York, as elsewhere, stigma toward the queer community was at a level that even now it can be difficult to remember. Many queer people who died of AIDS had been disowned by their birth family because of their identity, their HIV status, or both. /5
To make matters worse, their partners and found families had no rights to their medical care or their bodies after they passed. The hateful families that could claim them often didn’t, and the families that loved them were powerless to see to their wishes. /6
You can read more about all this at the memorial’s website, here:
hartisland.net/aids_initiative
/7
You can feel their weight, can’t you? The absence is heavy. And it’s important we understand that weight, because it’s a flat fact that current attacks on LGBTQ+ rights, trans rights especially, will kill people. There will be more absence, and it is not okay. /8
And when we say we have hope we are not saying it’s okay that they will be gone.
None of this ignores intersectionalism, higher rates of infection in targeted communities, death rates higher still. When I say things *can* get better I am not ignoring that improvement favors /9
the privileged.
Things got better. ACT UP and other activist groups organized and gained ground through community building, mutual aid, and grassroots action. Culturally, the tide began to turn. Federal action by Reagan and then Clinton contributed very little /10
(and in fact often caused harm). Direct action by activists galvanized AIDS research and the tide turned with very little government help.
In New York City, the death rate for HIV/AIDS patients fell by 62% from 2001 to 2012. So here’s what I’m saying. We’ve been seeing /11
an escalating backlash against LGBTQ people for years now. It gets very easy for us to come to expect the worst case scenario. Trump won, states are attacking trans kids, Roe was overturned. So now we say WHEN the Supreme Court overturns gay marriage, WHEN a national /12"
abortion ban passes, WHEN trans healthcare for adults gets criminalized.
And don’t get me wrong, those are all very real threats. We have to fight like hell. I am not pretending that times aren’t dark, that people won’t die, or that it will ever be okay that our people will /13
suffer and die. But things can, and do, get better when we fight, when we look after each other. The tide will not inevitably turn, but *we* can turn it. We can say that when the wall finally fell, our hands were there, pulling it down brick by brick. /14
And those we lost, if we remember them, honor them, we are their hands too. /15"
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obihoe · 2 months
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naruto in that waterfall scene truly was like. the villagers have shunned me all my life and now they love me but its all fake cuz they just love me for what i have done to protect the village i HATE those fuckers, they can shove their autograph requests up their dumb asses and then he is like. well i got the solution. to solve all this hatred. to dissolve it and cure it. i'll just keep trying to become who they want me to be, if i manage to be the person THEY want me to be, they will love me and i'll keep their approval. this is the solution to all my problems ^_^ and then he like, hugs his dark self and it dissolves and the whole thing is done its like sfdfdgdgfs. okay, way to repress ur own feelings and do the exact same thing that youve already Been doing all ur life so far LOL. literally victim-blaming ur own self for what others have put u thru but alright. 👍
#naruto#posts#takes that are news to literally nobody here but yeah ..#its like 'i just have to be strong and be positive ^_^ just like that killer bee guy'#which like yeah cool that killer bee kept his cool all this time and just remained chipper but still.#its not his and neither naruto's fault that he was hated and ostracized all this time. lol#it shouldnt be Their responsibility to just be cool with it. and/or make it better#ANYWAY. this is all obvious but yeah#i also do have to say i kind of like the way killer bee's story of how he grew up was presented. nevertheless#cuz he's just like yo yo yo check out these cool rhymes 😎😎 while everyone throws like tomatoes at him or smth. asfsfdgds#like he just cannot be bothered#even when motoi his friend opens up to him abt hsving tried to murder him (which is like huh?? okay. youre scared#of the eight tails so youre just gonna ATTACK his jinchuuriki? w a silly little kunai as well like okay???)#anyway but his friend tells him he secretly hated him and wanted him gone and he's like whatever man 😎 give me ur fist#we are best bros forever like sfsdsfsfs#its kinda cool i think. like u COULD maybe frame this as 'ppl are going to treat u however they choose but if u just stick to urself#and know who u are. u have worth independent of them. believe in ur own strength cuz youre FUCKING cool and youre YOU#nobody can take that away from u. even if they throw eggs at u' or smth then that would be great!!#but no its framed more as 'well u just have to keep being nice and take it and believe that u can become better#so that they will love u' ... which is :[ like naruto bbygirl fuck those villagers .. u are worthy no matter what they say#ANYWAY. lol#killer bee
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chaikajpeg · 8 months
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rough damianya drawing bc i miss them. ref under the cut
reference photo: bridge to terabithia (2007)
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