I hate his silly ass
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So I saw this one post about morro theorizing that he most likely died from starvation (well technically its not really a theory cause how else would he have died from when he was literally stuck in a cave with absolutely nothing to help him survive????) and I just want to say to that post WOAAAH because to me that is really dark cause in a sense, he was always hungry for something as in physically and metaphorically. Physically as in before Wu took him in we literally see morro having to resort to eating scraps from garbage in order to feed his hungerness and he doesn't even escape from it in the end as that causes his inevitable death as a human.
Metaphorically as in how much he desired and craved to be the green ninja so bad even when he's a ghost that hunger to be the green ninja before still plagues him and never leaves him which once again, causes his second(?? Idk what to call it...) death as a ghost.
Or maybe I'm just looking too deep into this let me calm myself down and remind myself this is a kids show....
(Btw kindaasrikal made the post I was talking about credit to them :33)
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with your halo slipping down, to choke you now
(Renea quit getting really inspired by random ass songs challenge)
this looks way better than the last finished drawing i did of him but that aint saying much
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I'm so dunmeshi pilled rn I saw the mars eclipse tweet and then spent like 3 hours drawing mithrun on top until the original pic wasn't even recognizable anymore
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It's the first time I've sketched Bucky in at least 5 years, and it will likely be the last. But in honor of 10 yrs of CA:TWS, here is the last 11thsense Bucky.... ever🚬
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wait….people are surprised?? people are surprised yanderedev is a pedophile? holy shit where do i even begin with everything he’s done over the past 6 years of yanderesim’s development?
there is no way you’d look past the sexualization of japanese high school girls in yandere simulator(in which he tried so hard to say they’re 18 even though they’re wearing the wrong uniform). he did a poll asking his fans if he should add a inventory ui where ayano would open up her skirt to check all her supplies, had the audacity to do another poll to ask if his fans want it uncensored or not: and when his fans said “no, please censor it” he made a whole essay on how it was necessary???
there were also other disgusting “hot takes” he made that clearly points out he’s a pedophile: like the time he argued that there should be a sex license instead of the age of consent??? what the FUCK?
AND YOU GUYS ARE TELLING ME YOU’RE SURPRISED???
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The h
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woe mundane monopoly headcanons be upon ye
follow for more of modern au hua cheng’s outfits
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the gorgug-porter conversation is interesting to me because like. yea for the overwhelming majority of the conversation porter’s being shitty & trying to fit gorgug into a box that gorgug just does not fit into by trying to make gorgug’s relationship with his rage more focused on the aggression aspect of it. but then there’s also this specific thing that brennan brought up again in the ap, which is that gorgug’s relationship with his rage is wholly “this is a tool i use to protect my friends.” which isn’t a bad thing! but that’s his Whole relationship with it, & gorgug seems to place next to no value on his rage in relationship to himself. which is problematic, because it’s first & foremost his rage.
being raised in a household with a sort of toxic positivity largely meant that, whether or not it was his parents’ intention, gorgug internalized the message that more traditionally “negative” emotions such as anger are the wrong response to something. part of the reason he prioritizes his artificing is probably because it’s “fixing” things. in comparison to being a barbarian, which gorgug associates with “breaking” things. good vs. bad behavior, in his eyes.
it’s a totally unacceptable bar to measure a 16 y/o by, but i do think part of porter’s reasoning for not letting gorgug multiclass is him recognizing that gorgug generally does not value anger as a valid emotional response to something, at the very least for himself. & that directly conflicts with what being a barbarian is, because whether you like it or not, that rage is what fuels you. but again, barring a kid from pursuing something they deeply care about in part (not entirely, porter has a lot of more bullshit reasons) because of their fundamental values & world outlook is crazy.
so yes, 98% of porter’s reasoning is pretty shitty, immature, rife with a toxic view that there’s only one proper way to access rage, & generally not a good thing to do as a teacher, but also within that reasoning is the 2% of ‘there is a fundamental part of yourself that you only value if you can use it to take care of other people & you need to accept that as something that can take care of you, too.’ but that’s something to discuss with a therapist or a guidance counselor, not something that should hugely impact gorgug’s academic future.
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I feel bad for Starlo.
Star has a point, idk what the four were ticked off about, there is like 99% chance everyone willingly participated in the trolley problem, based on what we've seen of his behavior thus far it's not like Starlo to be that big of a jerk/drag them by force/yell at them to do it. Ed's words:
he does it because Star asks NICELY
clearly jealous
It genuinely seemed like a fun time/fun roleplay, especially since every day is the same. Like, the five are supposed to be a rowdy and adventures bunch, what exactly did Starlo do wrong, I'm genuinely confused and curious. Except taking a big liking in Clover (his posse should know that this is a big moment for him, according to Blackjack they've known each other since high school and had the same liking for westerns. So they were basically a nerd gang.) Starlo was kind, patient and considerate towards Clover the whole time, even warned Mooch about them not being bandits, taught Clover gun safety, wanted to bring his posse along for a fun time, thanked Ace for telling him about getting Clover a new hat...
Sure, at first he only liked Clover for being a human, but as Ceroba says, that changed and he grew to genuinely care about them, plus I can't help but think Star saw himself in Clover and that's part of the reason he was so proud of them all the time even when they messed up (I'll talk more about this at some point)
What exactly made Ace want to leave the gang? He even said how he doesn't mind "getting run over by the fake train"
he's so nice. says sorry for forgetting the safety goggles even when he was scatterbrained due to his excitement. I love him so much
The only real "faults" (I'll call them temporary faults) I saw in Star during the Wild East section was that he was even more enthusiastic and more proud than usual. But how couldn't he be when he met a member of the species that he has admired for so long because they have real cowboys and sheriffs on the surface (who are seen as brave heroes who deliver justice, while Star canonically feels like a nobody farmer). His posse should have realized Clover wouldn't be there forever and just let their boss enjoy himself with his "deputy who'd have to leave sooner or later anyway"(or be more patient with him/ask him why he feels this strongly towards Clover/if there's a deeper reason for that). His friends including Ceroba just turn their back on him so quickly instead. The moment he's gotten the chance to feel valued for once and put himself first and not have to take care of this whole town and everyone in it and live his dream of meeting a real human, suddenly "his personality is damaged?"
Star's literally built this whole town, organised everything, he worries about everyone, Ceroba (plus was the one to give her emotional strength before and after Clover's sacrifice), Kanako, the monsters, his family, struggles with feelings of worthlessness yet never wipes that smile off his face, always does his best to be hopeful and optimistic and make others laugh, gave his posse a nap time so they don't become exhausted, gave Ceroba a free home, didn't act upon his feelings towards her and was a 110% supportive, caring friend instead. THAT'S who he is. He's the papa bear of this friend group, the glue holding everyone together.
He was just *really* excited. Y'all know he's insecure and just wishes to escape who he is and yet y'all blame him for liking Clover so much. Yeah, the four are very clearly jealous. But why won't the four of you control your feelings for a while? As mentioned, Clover WILL HAVE TO LEAVE EVENTUALLY. They won't be Star's "deputy" forever (the kid who's just as into westerns as he is, who values justice just as much, who also values doing the right thing. Someone he clearly felt understood in the presence of, whom he loved; just look at the way he talks about Clove during Showdown). Star seems genuinely confused of what he did wrong poor guy just wanted to live his fantasy for once and feel important:
Even at the beginning Moray's like "oh no Martlet is upset" Mooch replies "don't be a buzzkill nothing exciting ever happens around here" and Ray's like "Yeah you've got a point"
If you all agreed to have a little fun with a human who will very soon leave forever why is Starlo's enthusiasm such a big problem? If the posse weren't into this after all (unless they were simply too jealous which could have been solved with a honest talk and a little patience) why are you doing this "rowdy" job with Star in the first place? Do you want your boring routine day to day life so much back? Or just for Clover to leave (which they will soon enough)? You, western enthusiasts, literally met a real human, A HUMAN FROM WESTERNS YOU ARE SUPPOSED TO BE PASSIONATELY INTO (clearly not as passionate as Star but passionate ENOUGH to understand where he's coming from).
... okay.
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Okay got an idea, i started this as drawing all the kiddads but i didn't really wanna do that (might finish that later) so its just Lark and Sparrow. This is them as older teens (about church of doodler time), they are so dear to me!!!
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happy birthday to our favorite sopping wet guy
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I'm always emotional about the fact that, when Minkowski tries to justify her choice to send Eiffel back to Earth on the Sol in the finale, she never directly expresses a reason for her decision that's specific to him.
She tells Hera, Lovelace and Jacobi "If - if - we don't make it through this... if we don't stop this... people need to know what's coming. They need to know what's happened." She gives them a reason which is logical, practical, and impersonal. It's a 'big picture' reason, focused on humanity as a whole. Minkowski's own emotions don't really enter into this justification at all. That's the kind of decision-making she wants her crew to think she's using. If this was Minkowski's main motivation, it wouldn't matter who was sent back, so long as they could explain Cutter and Pryce's plan. I don't think Hera, Lovelace, or Jacobi believe that this was the main reason why Minkowski sent Eiffel back, and I'm not sure whether Minkowski expected to actually convince them.
Jacobi asks "did you tell him that before or after you sent him on his merry?" But in fact, Minkowski didn't tell Eiffel at any point that he needed to tell the world about events on the Hephaestus. If her primary motivation had been about having someone to deliver a message back to Earth, she would have given Eiffel suitable instructions - she wouldn't have just trusted him to figure it out.
Instead, the most direct reason she gives to Eiffel himself for why she's sending him back to Earth is "I need to know that at least one of us makes it back. That I got someone through this." This is a more personal reason, where Minkowski's emotions are relevant, but it's still not explicitly about Eiffel himself. It's about saving "at least one of us", as if it doesn't matter who that "somebody" is. I think this justification is closer to the core of Minkowski's motivations than what she tells the others afterwards. Her responsibilities to her crew as a Commander have always been important to her, and she doesn't want to have failed in keeping them safe. And Eiffel is the only member of her original crew who she's able to save in this way. Hilbert is dead, and transferring Hera over to the Sol to be sent back to Earth on her own would come with a whole host of problems.
But I don't believe for a moment that the reasons she sends Eiffel back are purely practical and abstract. I don't believe for a moment there's no personal significance to her decision to save him specifically. I don't believe for a moment that it was all about her practical plan for the wellbeing of humanity, or her desire to have fulfilled her duty to at least one non-specific member of her crew. She doesn't just need to save "someone". She doesn't just need to save "at least one of us". She needs to save Eiffel. She needs to save her friend.
The closest she gets to saying aloud that her motivation is about her care for Eiffel in particular is when she says "Go home, Eiffel. Hug your daughter. [...] Goodbye, Doug." She was prepared for those to be the last words she might ever say to him. And there's at least something in these lines that implies she wants Eiffel specifically to return to Earth. I don't think it's that she saves him because he has a daughter. I think when she tells him to go home and hug his daughter, it represents more than that. It's about how she wants him to be able to move forward and live his life. It's her saying that he deserves the interpersonal connections that are valuable to him. It's about her not wanting his story to end there on the Hephaestus.
It kind of breaks my heart that even in that situation, she can't fully say aloud that the reason she wants Eiffel to survive is because she cares about him specifically. She has to give the justifications that are about her as a Commander and not about Eiffel as her friend. She doesn't tell him that she's saving him for his own sake, because he matters to her so deeply, because his safety is so important to her.
And I really wish I could believe that Eiffel didn't need her to say it, that he could just understand just from her actions how much she cares about him. But as the Sol flies away from the Hephaestus, he tells himself that he's there because he "never had quite as much chest hair as Lieutenant Commander Renée [Minkowski]" and because he "could never get it right". So I don't think Eiffel ever really appreciates that Minkowski sends him back not because of what he can't do, but because of who he is: her friend, one of the most important people to her, someone who has brought so much value to her life, and someone whose death she refuses to contemplate.
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ed and al petting iggy
(for the request thing)
bad idea
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me trying to keep calm in the tags/comments when ganke is drawn skinny in milesganke fanarts bc the movie could be the artist’s only exposure to him and they don’t know ganke is fat in the comics (i’ve set my house on fire)
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