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#i relate to uriel very much
pillow-boi · 2 years
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how uriel spent her time in isolation
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highseas-swede · 7 months
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Aziraphale and Trauma
[Just a note that I initially wrote this in response to this post: https://www.tumblr.com/theangelyouknew/732357015604756480?source=share&ref=_tumblr which is full of insightful info. I'm reposting my response here with some minor edits so it's easier to find in tags.]
This is something I actually find interesting within the fandom, because there seems to be this weird divide in fandom when it comes to Aziraphale.
See, I love Aziraphale. I think he's an amazing and well nuanced character, but a lot of the time fandom boils him down into this really simple version of himself. This happens both with people who dislike him and claim he's a bad person as well as with those who want to soften him up and make him more palatable. Aziraphale isn't the only one who has trouble with black and white thinking here!
Things like Coffee Theory remove Aziraphale's agency because the thought of Aziraphale doing something to hurt Crowley deliberately is something they can't stomach. If Aziraphale is acting under some kind of major magical influence, it means that it's possible to brush over the fact that he can - and has - hurt Crowley in the past and it certainly hasn't always been accidental.
There's a lot of Psychology I could touch on here, but it's honestly such a complicated topic that I don't really feel I can do it justice attached to a completely different topic.
But one thing I do want to touch on a bit is how Aziraphale asserts control in his own life via his connection with Crowley, and that touches on something equally complicated, which is something that's probably hard to understand.
Abuse victims are often manipulative.
I don't mean this at all as some kind of slight or insult. I've been an abuse victim myself and it's one reason I know it's true.
Fandom talks a lot about Crowley's trauma and he's got loads, to be sure. I think of that meme about "this bad boy can fit a lot of trauma" and it's very true. I've even seen people mention that Aziraphale has a different kind of Trauma than Crowley, which is also true.
What I haven't seen is someone addressing that the type of religious trauma is a form of CPTSD. CPTSD or "Complex PTSD" is a very specific form of PTSD. PTSD is characterized as being the result of a traumatic event - Crowley's fall, for example, is a good example of PTSD and I can go into that at some point. CPTSD is different because it's not a singular event, it's the result of being in a constant high stress situation. A lot of abuse victims - especially those abused by parental figures or significant others - have this form of PTSD.
A good way to see the difference is in comparing how they relate to their trauma. When Crowley thinks he's lost Aziraphale in S1, it sends him into a spiral. But importantly we see that this traumatic event is causing Crowley to go back to another traumatic event in time, triggering his memories of his fall. This emphasizes how much Crowley's fall defines his trauma. We rarely see him experiencing trauma at the hands of Hell, as he's mostly allowed freedom to handle his job on earth the way he wants.
https://cptsdfoundation.org/ defines CPTSD as "the results of ongoing, inescapable, relational trauma. Unlike Post-Traumatic Stress Disorder (PTSD), Complex PTSD typically involves being hurt by another person. These hurts are ongoing, repeated, and often involving a betrayal and loss of safety."
In humans, this is caused by having no sense of safety in key moments of development. It strips away sense of self, sense of worth and really any agency. We even see the angels using direct gaslighting tactics on Aziraphale in S2, which I'm surprised doesn't get mentioned more often: When they come to the bookshop looking for Gabriel, they mention Gabriel and then almost immediately when Aziraphale asks "you were looking for Gabriel", Uriel outright says a line that goes something like "Did we say we were looking for Gabriel?", leading Aziraphale to fumble and try to remember if they did, in fact, say that at some point (they did).
So, one big thing to know about CPTSD and this kind of abuse related trauma is that learning to lie and be manipulative is often what people have to do to survive. Children with abusive parents will learn how to be manipulative in order to get what they need or avoid losing things they need.
We see this with Aziraphale, time and time again. He could just ASK Crowley for things he wants. A lot of people point out that he could ask and that Crowley would probably give in to him most of the time anyway. But that's not how it works in an abusive home. Instead, Aziraphale maneuvers Crowley into situations where Crowley is forced to give him what he needs or wants.
His lack of agency, as a result of his CPTSD, is also why he needs to be worked into making decisions that he already knows - or at least suspects - are right. That's why they have their little dance every time Crowley has to talk Aziraphale into something by finding the right way to frame it so it makes sense with Aziraphale's strict rule structure. These rules exist as a defensive mechanism too. Having rules makes it easier to figure out how to avoid being hurt and Aziraphale cannot simply step outside the rules because it's Not Safe. Not even with someone he trusts as much as Crowley.
The entire apology dance scene stands out for a few reasons. Everything Aziraphale does in the entire scene is an act that allows him to take control of the situation. He's already won, so to speak, because Crowley is back and Crowley is going to do what he wants. The apology is unnecessary on every level.
This post talks about how uncomfortable Crowley has to be sharing a space with Gabriel. Gabriel is with the abusive team, whether or not he was directly involved with Crowley's fall. Crowley also harbors a severe distress and mistrust of Gabriel because of Gabriel's attempts to destroy Aziraphale, the most important person to Crowley. But it's worth noting that Aziraphale is uncomfortable too.
Another good indicator of how stressed Aziraphale is with all this is that he doesn't eat ANYTHING when Gabriel is in the shop. The only food he consumes in modern era is when he's in the Bentley which is a "safe" space. Gabriel constantly hounded Aziraphale over eating and despite offering Gabriel hot chocolate, we don't see him partaking himself. He does briefly drink to demonstrate how "drinking tea" works for Muriel, but he doesn't seem to drink from his cup at all after demonstrating.
The bookshop is also Aziraphale's safe space, his ONLY safe space - Crowley still technically has the Bentley, and honestly I feel like Aziraphale wanting to borrow the Bentley is actually partially because he needs to get away from Gabriel and the Bentley is the only place that feels safe for him at the moment. Shax ruins any illusion of safety for him, but Aziraphale is much more enthused for his trip in ep3 and a fair amount of it is because he's not trapped with Gabriel.
A small note here, as a thought occurs to me. Aziraphale asserting that the Bentley is "our car" is probably mostly for himself. He's trying to realign his thinking to make the Bentley an acceptable "safe space" for himself prior to the trip.
There is a very different relationship dynamic when it comes to Gabriel and Aziraphale because Gabriel is the constant source of Aziraphale's trauma. He's Aziraphale's superior, the one he has to report to, the one who passes down his missions and his punishments. When Aziraphale takes Gabriel in, he's just invited his former abuser of over 6000 years into his safe haven. This is a hugely uncomfortable thing for an abuse survivor.
Worst of all, because Jim is, for all intents and purposes, NOT Gabriel, Aziraphale can't bring himself to lash out at his former abuser the way he wants to.
That brings us back to this apology scene.
There are two major things going on here and both of them are bad and hurtful toward Crowley. They're also both intensely unfair. I love Aziraphale but this was definitely a dick move.
Firstly: Aziraphale is using Crowley to reassert a sense of control over the situation because he is spiraling. He can't assert control over his life and his shop, which is one thing that he falls back on heavily, and that leaves him scrambling to find somewhere where he can control his situation. He makes Crowley go through this whole unnecessary apology and dance routine because it makes him feel like he has control over SOMETHING in his life right now.
Secondly: Aziraphale is also enacting his own trauma on Crowley. He's treating Crowley the way Heaven treats him. This is a direct parallel to the way Crowley terrorizes his house plants because he can't do anything to the people who actually caused his trauma. This is, obviously, wildly unfair of Aziraphale to do - and I'm fairly sure there are other small moments where Aziraphale does this in a mild way, I'd have to rewatch again.
These are both behaviors common in CPTSD caused by environments that apply this constant state of stress.
I'm not going to say it's right, or that Aziraphale isn't being a bit of a bastard in this moment - he absolutely is - but this behavior does have some obvious triggers that might be easy to overlook. It's just important to understand that Aziraphale is falling into self-preservation habits that are actively detrimental to his relationship with Crowley. It's not just the manipulation, he's also hiding things and lying to Crowley when he really shouldn't be - both things often necessary in abusive environments - but he's doing it because that's the method that he's created that works with his abusive relationship in Heaven and he's falling back on it because he feels unsafe. The trouble is, this survival tactic does not work with Crowley and actively makes things worse because it shuts down open communication entirely.
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estrella-zoe39 · 5 months
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having orv thoughts. specifically the kim namwoon and kim dokja parallel thoughts. so im deciding to put this anaylsis of them i made a while ago here on tumblr dot com because,,,, god they kill me. this very obviously contains spoilers for like, a good latter chunk of the novel so i would only read this if you have like read the whole book or atleast uptil chapter 480 because upon reading that ONE line, i broke and made this.
enjoy!
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THEY FINALLY ACKNOWLEDGED IT IM SO PROUD
Analysis: The reason KDJ hates KNW so much is because he sees parts of himself in KNW that he hates. The part in which they both believe themselves to be "evil". The part in which they both delude themselves. And he hates KNW even more because in TWoS, KNW realises this and works on it.
Often in media, most people tend to hate characters that in essence, are most like them. The reason half the playerbase hates Mishima in P5 is because they see themselves in him. The weak, cowardly, attention seeking, and annoying part of themselves relates to Mishima. They don't like that about themselves because those aren't traits to be proud of. And oftentimes, people escape to medias like books and games to escape reality, not to be confronted by it.
KDJ once saw a part of KNW that admitted that he was a person deluded by a false sense of justice to escape the real world. A boy who had to grow faster than everyone else. A boy living in delusions to escape the real world. It hit KDJ, hard. He saw himself. He saw the ugliest traits of himself laid bare on the table. He hated it. So, he hated KNW too. He called KNW an unforgivable "character" because he knew deep down, it was what he hated most about himself.
Progressing through these scenarios though, KDJ realized. He realized his own delusions, his own pain. He realized he too grew a bit faster than the world around him. And confronting KNW was the last nail in the coffin. To admit that he is like KNW. To admit he went through that pain like KNW did. To admit KNW went through the same pain he did. And that's why he hated him, because while escaping reality, he saw a boy just like him in reality, and hated him because he IS that reality KDJ so desperately needed to escape from. KDJ growing and admitting they're the most alike is BEAUTIFUL and a scene I've wanted to see for so long.
Edit: I failed to mention this, yet, KDJ was and still is also so terribly jealous of KNW. KNW, had everything KDJ wanted at the time, which is YJH. To be in a world in which KDJ can have someone to rely on. KNW had that, with YJH, LJH, and Uriel. Yet, KDJ didn't. KDJ had to be in this ugly, disgusting world that he hated because no one around him cared for him. The only thing that could possibly care for KDJ was YJH, and when he saw KNW be greeted with open arms. He was jealous. He was jealous someone so much like him could get love from who KDJ needed it the most from.
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is-the-owl-video-cute · 10 months
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Saw your Neil Gaiman post and as someone that found comfort in Good Omens (and got hyperfixated on it), I'm finally glad that some people are finally talking about how he isn't that great.
Even as a Fan, GOmens fandom is so...weird. See, in other fandoms people won't give much of a flying f/ck about the authors besides some mild respect or praise, but GOmens praise Neil SO HARD, despite giving off some iffy vibes (that now I understand why, after that big post) Never liked how almost every single POC character in GO has such a minimal role, same with women characters, the fact he's been caught (and that can be easily checked) lying about his ideas surrounding GOmens, the way he went from "Is not a romance, but it can be if you want to" -> "i always wrote it as a love story" also how he went from "There won't be another season because of Terry and because the ideas for the next book were incorporated in the show" -> "It was in 2019 when I finished writing S2 with the ideas I discussed with Terry before he died" and like seriously no one never noticed how much of a clown he his lying and backpedalling all over again again? Then there's how bad rep for fat people Sandman was and instead of accepting criticism he just keeps giving some "vague intelligent answer" and sits and waits for his legion of fans with a parasocial relationship to defend him. But somehow he's treated as a world treasure and a genius with a big brain. And this is less problematic and more petty but I'll be honest. He isn't that much of a good writer anyway? The prose is okay is good, but the worldbuilding and lore and characters is mostly edgy and lacks deepness. His fans seriously want to make a sea out of muddle puddles,,, and that's fair! Is such a big part of fan culture to dig into the smallests of things and make an universe out of a cardbox background character, but please, don't give Neil the credit that he doesn't deserve. And what proves more to me that he isn't that good of a writer, is just...take a look at that mess of a S2 of Good Omens, it was so bad that some people had to THEORIZE that it was bad on purpose. I have such a beef with S2, characters like Muriel, Saraqael and Michael and Maggie and Nina were so heavily promoted and of course everyone was hyped, finally more POC, more disabled characters, and yay, women! And they're lesbians! And and...and hold on, how it is that Muriel didn't do that much at all? How it is that Saraqael after being so hyped BARELY had almost nothing to do, is really that all the disabled rep we got? How is it that Michael and Uriel barely had anything to do and were just background characters again? It just angers me with how with so many fem-presenting characters, and POC and disabled persons cast, they literally add nothing to the series, AND NO ONE EVER TALKS ABOUT IT. Is just this endless praise for Neil and his oh big brain. All praise Neil Gaiman, our lord and saviour of queer people. HOW IT IS, THAT THE TWO LESBIANS HYPED ROMANCE WAS ALL RELATED TO AZIRAPHALE MEDDLING WITH THEM TRYING TO SHIP THEM? And it also was bad, very badly done, is really this the women representation we got, seriously??? Talking about misleading advertising.
S2 was such such a mess, it just shows how much Good Omens needed Terry to be, well, Good Omens. I really suspect Neil stole ideas from the fandom because S2 was just a trainwreck of all the fanfic tropes you could find in GO fandom and is almost disrespectful to Terry's work in Good Omens, and I don't care for how much Neil makes his friendship with Terry as a pity party and as a "it gives me so much joy, Terry would be so happy", because seriously it's almost manipulative. Talking about Manipulative. His meddling with fandom is starting to feel unprofessional, but this ask is already long... Sorry lmao, something on me snapped after getting finally the solid evidence that Neil .Is. Not. Great
Oh he’s always been completely unprofessional but since he types in a mixture of corporate-speak and “cool dad” talk his fanbase doesn’t notice.
Here’s the thing about Neil, he’s both petty and extremely insincere. People criticized lolicon sin his presence and he was so offended on the behalf of weirdos who pleasure themselves to Hentai depicting child molestation that he wrote a several paragraph long response dismissing simulated child pornography as simply being “icky speech” that should be protected by the sacred American constitution despite, you know, the fact he’s not even American so his weird obsession with the first amendment and only ever really bringing it up to defend simulated child porn is and always has been suspicious.
As for his backpedalling, the man sees $$$$ and just goes for anything he can find to make more. People love to say “oh but he donates tens of thousands to charity!” yeah, usually to HIS charity for bailing out pedophiles. With funds typically out of the wallets of his fans due to fundraising it rather than coming out of his own checkbook so it’s not exactly a charitable action as much as it’s an empty gesture. And frankly he almost certainly just does it for tax benefits if we’re going to be honest here. He continued good omens because it would make money and generate more attention towards him and he’d be the brave hero who brought back show that did well. That’s it.
He’s just discount, off-brand Elon. Rich white man who thinks he’s gods gift to man despite bumbling through even the most basic concepts because his fans would walk into traffic blindfolded to defend him from even the mildest of criticism.
People on here just like him because they’re starstruck that a creator of a popular IP is active on this site and because he produces media that’s adapted with white middle aged twinks who are dubiously romantically affiliated.
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bildads-shoes · 4 months
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Ever since I saw this incredible post I've been thinking a lot more about the book vs show differences, and one of the things my brain keeps returning to is the very different presentation of Heaven and Hell.
In the book, I feel like the majority of the time Heaven and Hell are mentioned, it's simply in reference to them being adversaries. They're often just referred to in the context of being Aziraphale and Crowley's bosses, both equally uninterested in humanity or the details of their employees' actions. Hence, we really do see them as not being so different from each other, and dislike them both equally. Personally, I feel this is a bit different in the show.
In the show we actually get to see Heaven and Hell. We get to see Beelzebub for more than a couple of lines, we get to meet Gabriel, and we get to feel the atmosphere of Heaven and Hell as settings.
In terms of their general vibe, the difference feels pretty stark. Heaven is empty, cold, unfeeling; every interaction between the angels we see is laced with mistrust and two-faced scheming. Hell, on the other hand, does have emotion; it's a deeply unpleasant space, of course, but the way the demons complain to each other feels more honest. Take Uriel and Michael: we've seen them throughout both seasons, yet I can't recall either of them expressing a single honest feeling. Shax and Furfur, on the other hand, have had a lot of honest moments both with each other and with other characters. In a bizarre way, Hell becomes more relatable, more likeable, in the show.
Of course, there are massive issues with Hell, but they don't necessarily come across at first glance. The really dark aspects are almost always played off with jokes, to the extent that we don't talk about them that much. Beelzebub is pretty well liked from what I can tell, despite evidently having extensively tortured their employees - but it's part of a funny scene so we instinctively overlook it. Gabriel, on the other hand, seems widely loathed; he's just blatantly a dick in Season 1, and we don't see enough of him actually as himself in Season 2 to balance that out. I'm sure that's also in part due to fake-Aziraphale's trial being resurfaced in Season 2 as a serious, traumatic event for Crowley. We aren't shown the impact that Hell's treatment of Crowley had on Aziraphale, so once again Heaven ends up seeming like the more 'evil' side.
So I suppose it's no surprise that we end up having more discussions surrounding dismantling Heaven in Season 3, with Hell's toxicity being a slightly lesser topic of conversation. It does instinctively feel a little like Heaven is the 'bad one' in comparison, whereas we have to actively analyse those throwaway/comedic moments to acknowledge the massive issues with Hell. Therefore, to me, that neutral/equal presentation of the two 'bosses' in the book is no longer the case in the show.
Perhaps this is all because the show is shifting more towards commentary surrounding religious institutions as opposed to the Cold War energy of the book. Or perhaps we'll be explicitly shown more of Hell's dark side in Season 2 and will return to truly seeing them as equally bad. Or maybe you have a totally different interpretation (please let me know 👉👈). I don't know man, I just needed to get this thought out honestly lol.
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kadextra · 10 days
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so on a whim I started reading omniscient reader’s viewpoint manhwa
..and got hooked on the story so hard that I easily blasted through all available eps in less than a week. istg they put dr*gs in this thing it’s so good???? 😭
[SPOILER WARNING! big ramble ahead. if you’ve never read it, leave this post. consider checking it out you won’t be able to put it down]
lets get this out of the way first.
RAHHHHHH KIM DOKJA….. KIM DOKJA I LOVE YOU
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GUYSSSSS 🥺 LISTEN. HE’S SUCH A GOOD PROTAGONIST. MY TRAUMA BOY. MY DUDE WITH THE POWER TO INFODUMP PEOPLE TO DEATH. YOU SELF-SACRIFICING IDIOT. his cunning intelligence makes him super attractive what can I say, I LOVE smart mcs with ambiguous morality and self sacrificial nature
here’s a big ✨shut your mouth✨ to every character who’s said he’s ugly- get your eyes checked, get a job get away from him (I know it’s because of the fourth wall’s filter it’s not their fault I’m just being silly)
the fourth wall is such a cool power to have. the complexity of how it acts based on his perception of fiction vs reality as the reader …. that’s very interesting and well thought out!!! how it lowkey has a consciousness too and it’s so tied into his mental state makes me want to psychoanalyze this guy even more. probably one of the most unique powers I’ve seen created and explored in a story tbh
I think the entire system of how the world works is really well done in general. constellations watching the apocalyptic bloodbath via livestream and sending donos to their favorite little guys shouldn’t work as well as it does and cracks me up so much 😭 (uriel is the best). I enjoy learning about all the irl different fables, history & mythologies too. plus doing my own research is fun! I did a deep dive through the web to learn about dokkaebi folklore lol I’m having a good time
I also related hard to how dokja read TWSA throughout his life, the story was a companion for him. got choked up bc I reflected on how much my own favorite companion stories for years mean to me. there’s been situations I’ve thought “what would (character) do?” dokja saying stuff like “what would joonghyuk do?” felt like I got called out <3 I’d probably be the same as him if my favorite characters suddenly came to life
anyways yeah I caught up with the manhwa looked online and discovered it comes from an already completed novel with over 500 chapters and the manhwa is barely a third into adapting it though it’s been releasing every week for 4 years. and that it’ll take like 10 more years to finish. I then planted my face in my hands and screamed with despair
I’ll shrivel up waiting to see what happens……………heyyy woahhhh.. whats this light of salvation ? the novel file just completed download on my phone ? that’s crazyy wow I opened it ? im scrolling it right now ? omg I’m telling myself in the mirror “pace yourself, try to space your reading out do NOT read too fast” ?
jokes aside im excited, first I’ll take some time to read back through the earlier chapters for extra context of scenes! >:D after I finish doing that…. pls pray for my self-control to try stretching this for as long as possible. I’m pumped to see what happens next with this demon king part so maybe I’ll read along with the manhwa unless I get too impatient heh
to conclude- I had no idea the fandom of orv was so passionate. while closing my eyes to spoilers, I was looking at beautiful fanart and animatics (watched this one and ascended that’s one of my fav rin songs). I can tell how much you guys love the story, there’s always going to be people like me who get interested so keep it up :D if the fandom does end up reading this, ummm *knocks on the door* hi im new
I will likely talk about it more in the future!! tagging under #orv & “ #kade reads ”. might draw fanart on my art blog too bc brainworms <3 happy reading everyone
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ineffablydelighted · 9 months
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[How exploring the Ineffable Husbands' dynamic in Good Omens can help us figure out what the show/book is all about, Part 1/?]
Also called: This human has, apparently, too much time on her hands and will be trying to Effable the Ineffable for [...] hours.
Ah, Hello! 👋
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I'm ineffably delighted to meet you all! 😇
Let's cut to the chase and bear with me as we try together to analyze further the subject of the day:
Aziraphale is in love with Crowley and I am pretty sure he is aware of that fact BUT 
[yes, there is a "but", do not erase me from the Book of Life just yet, let me explain first, homie 🥺] 
I do not believe he can comprehend WHY he is just yet, and what that would mean for him in terms of... well... EVERYTHING he ever stood for.
It will also be the perfect roots to answer the biggest question yet :
What is Good Omens all about, exactly?
[Yeah, it's a tough one. When I say "bear with me", I really insist on the fact that it will be LONG. I will try my best to make it fun to read and to allow some "natural breaks" but know that I would appreciate your unshared attention if you're willing to give it to me. 😇]
Although, would you have the chance to ask him about it (probably looking at a cup of tea as we would all do in Earthy fashion), Aziraphale would have somewhat of an answer to give you, probably in the range of:
"Because, deep down, Crowley is the nicest being I've ever known."
Is it false? No, Crowley IS nice. Swaggeringly nice, occasionally unhinged, but still. Nice.
And that is somewhat the core of the... "problem" for our soon-to-be Supreme Archangel [Yep, the pain is still fresh, thanks for asking, you're welcome for reminding you 😭👍] because, as much as Crowley learned nuances due to past experiences (Falling being, most likely, the most traumatic one,) Aziraphale remains bound to think in absolutes. And everything relates to THIS perfect meme right there:
[Whoever you are, person/entity who has done that, you have forever my utmost gratitude and respect]
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I'm far from bringing anything new to the table here, but to Aziraphale, Crowley should NOT have fallen in the first place. Because of how nice he is. Crowley IS an angel, to him. In fact, I'll go even further by stating that, to Aziraphale,
Crowley is more of an Angel than ANY Angel in the "Main Office."
Let's present our other contestants, shall we?
When he ruled, Gabriel was an absolute a** and had an ego the size of, idk, at least A DOZEN GALAXIES. He made Aziraphale feel like... well... poop most of the time they interacted.
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That is why, in S2 when Gabriel/Jim tells him "I love you", Aziraphale, even being and considering himself a "creature of love", happens to be utterly unable to either reciprocate or take the compliment. At this moment, later enhanced when he reminds himself of the Job case, he realizes he is able to feel, if not hatred, NOT love NOR admiration for somebody he should somewhat consider a role model.
That is very important for Aziraphale's present and future character development, especially considering Gabriel/Jim's own fate, so please keep that in mind.
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Michael? Oh God, Same if not worse: too condescending and ambitious in the wrong way to inspire anything nice to anybody.
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Sandalphon just does what they are told but can totally throw a punch if necessary.
Uriel is mostly cold, occasionally cruel, and can also be physically threatening.
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[I love the actress, though. Gloria Obianyo deserves a Ph.D. in Resting Bitch Facing for her performance in Good Omens alone and I'm here for it.]
S2 Saraqael seems to be more layered but has also been hurtful to Aziraphale (especially when she ironized that he couldn't possibly be the 25-Lazarii-magnitude-miracle caster).
Overall, S1 Aziraphale refers to the "Main Office" Angels as "BAD ANGELS!" after their hostile encounter. We could see from his face he would have wanted to use harsher words but couldn't get past his forgiving, decent nature.
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Before we talk any furfur-ther [Am I proud of this so-called pun? A-BSOLUTELEH 😎🤭], let's add a really important stone/layer to our favorite Angel's thinking: to him, it is simple maths:
GOOD = RIGHT, BAD = WRONG
And let's save it for later, shall we?
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[Killgrave dear is just here to remind you you can take a break anytime to drink a glass of Talisker if you'd like, or, more so, if HE'd like. Also because that character is THE best David Tennant role on television - 10th Doctor being the worthy third, I let you guess which character is our second now - and I might have wanted to use this gif just to be able to say that, who knows? *whispers* Mysssteryyyy...]
Anyway.
To a being like Aziraphale, who mostly thinks in dichotomy, being an Angel requires one main requirement: being GOOD.
[Buy a farrrrrm and be good! Not just "pretendy" good but. properly. GOOD! - NO, I couldn't find the gif and YES, I'm mad about it, but since I'm also unable to make one myself, I'll just shut it.]
That is why he refers to the Main Office Archangels as simply being BAD.
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At that moment, they had been mean to him, threatening, and, by doing so, they became somewhat active in Hell's Armageddon project. Making them "bad" angels, but, more so:
Bad at BEING Angels.
Aziraphale, on the other hand, is, at heart, the penultimate goody-two-shoes: he does feel bad about himself whenever he does something bad/wrong such as lying (it has started to change, and I'll nuance that statement another time, but you get the grip).
He is constantly scared he might fall whenever he somewhat defies God's will or the idea he built in his head of what an Angel should be(have).
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But have you paid attention to how his "Angelmates" NEVER seem to CARE about their own displays of, let's say "unconventional characteristics" for what should be the highest "Representatives of the sole concept of Good"?
Have you ever seen Gabriel or Michael being self-conscious about their narcissism and condescending tendencies? Uriel about their coldness? Saraqael about their sarcastic nature? Any of them about their use of violence? Of course not! They seem to be perfectly fine with it!
They own their characteristics, good AND bad.
Aziraphale does not.
Aziraphale is... soft. Even if he, at times, expresses regrets to be just that, he also applies it to his Angelic nature.
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You know who else is soft?
Crowley.
Crowley is soft because he cannot kill children and takes it upon himself to LITERALLY DEFY BOTH GOD AND SATAN'S WILL TO SAVE SAID CHILDREN, including two annoying ones [especially the one who DARED to hit on Aziraphale but that is a topic for another day]
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[MASSIVE Bildad the Shuhite fangirl here, consider yourselves warned.]
Crowley is soft because he cannot even kill GOATS.
Defying both God's and Satan's will to save kids? Yeah, eventually, okay.
Defying God's and Satan's will to save goats? Man, that's so effingly. more. powerful.
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[Oh, look! A bird flying, normal thingy, nothing to see here, buh-bye!]
Crowley is soft because he proposes/"tempts" Aziraphale to "eat a spot of lunch", especially whenever his Angel experiences stress.
We have barely seen him eat, which might indicate he does not have such a strong taste for it personally. He only goes to the Ritz to enjoy Aziraphale's company and to watch him happily eat scrumptious, comforting foods.
[Okay, also because it morphed into a proper kink at some point but that is NOT today's subject, so stop trying to make me deviate from it! 😣]
Oh, and, before you bring that up, no, the alcohol motive is not relevant since he can, in all probability have a glass of Talisker in ANY sort of pub/restaurant in London.
[As a proper peated whisky lover who happens to be French, let me tell you this is NOT the case in my country and I'm super duper jealous of you, lads.]
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Crowley is soft because he takes care of both Gabriel and Aziraphale's bookshop, even if it is clear he loathes the first and expressingly said he would not be a bookseller "even at gunpoint."
And, by "taking care of", know that I MEAN IT: he kept an eye on Jim, didn't wake him up when he heard him snore, answered any question he had, no matter how seemingly stupid they were [Even if Crowley, of all beings, cannot be anything but a raging "There is no stupid question, only stupid answers" representative] and offered him hot cocoa. As for the Booksho-P[uhhhhh *exhales in asthma*], he attempted to repair Jim's messy ordering twice and meticulously rearranged the place after ✨the Ball✨
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[What do you mean, "he also Killgraved him into jumping out of the window?" HE ALSO STOPPED HIM FROM DOING SO, THANK YOU VERY MUCH. #NotBiasedInTheSlghtestIndividual]
Crowley is soft because he shares his Bentley with Aziraphale. Which is a VERY. BIG. DEAL. considering it was, at the time, HIS LAST ONE AND ONLY PRIZED POSSESSION.
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[Should I mention that the Bentley FALLS IN LOVE with Aziraphale or is debating on whether or not that falls into the Oedipian complex territory off-topic? Yes, I'll see myself out.]
Crowley is soft because he rescues Aziraphale on countless occasions, even though, 99% of the time, that is pretty much unnecessary.
For real, guys: if Aziraphale had been discorporated in the course of his 6000+ years on Earth at any other given moment BUT on the eve of THE WAR with a capital "W", nobody in Heaven would have flinched.
[I do have a theory, though: maybe being re-incorporated takes quite a long time, which would have meant too many years apart from each other, hence the growing Damsel in Distress kink in Aziraphale, idk THAT IS NOT TODAY's SUBJECT, OKAY?!]
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Also, Crowley is soft because "doing that makes him so happy".
Do you know who is supposedly "so happy" to save living things, aka GOD'S CREATIONS? Angels.
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Crowley is soft because he rescues Aziraphale even when it is ACTUALLY ENDANGERING for both of them
He risked: his life, his pretty comfortable position "he carved out for himself", both his Earthy and Infernal homes sort of speak, AND EVEN HIS CAR to save his Angel's bottom/help him out in the direst situations (like stopping time to stop SATAN HIMSELF.)
[Also his past/present/future existence altogether, but the Bentley is more important, as I'm sure we'll all agree.]
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[That is a Class A Protective/Helpful Husband, right there.]
Crowley is soft because he encourages Aziraphale to follow his passion for ✨prestidigitation✨
Even though he is pretty... amateurish at it. Not only does he encourage him, but he also HELPS him when he accepts to be his dashing assistant on stage.
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[Yes, he does tell S1 Aziraphale to stop doing magic because he "has no idea how demeaning that is" but I'm pretty sure it was BECAUSE of S2 1941's events. Also, #WeStan1941Crowley here.]
Crowley is soft because he works pretty hard to make two humans he barely knows fall in love.
Yes, he also does it to cover his and Aziraphale's 25-Lazarii-magnitude-miracle lie BUT don't tell me his amazed expression when he thought he was about to witness Nina and Maggie actually falling for each other was not the purest, sincerest of all.
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Finally, even if I could come up with more examples,
Crowley is soft because he saved Aziraphale's books JUST because he KNEW and CARED that Aziraphale CARED about said books.
That also, in Michael Sheen's very own opinion [as stated by Neil Gaiman in S1 GO DVD commentary], shared by many fans, and myself very much included, marks the moment
Aziraphale falls in love with Crowley.
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[I DARE you to tell me THIS is NOT THE LOOK OF LOVE PERSONIFIED, go on, fight meh.]
So. WHY did it happen at that moment in particular? Well, because, first of all:
As a proper Jane Austen fan, Aziraphale is a slow burner.
Also, to him, an actual Angel, love is everywhere, so differentiating one love from another might be more difficult for somebody who can feel it whether or not it is even their own.
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BUT [have you started getting used to my "but"s yet or should I harass you some more?] Let's go back in time to see how every previous encounter (that we know of) led to that pinnacle, shall we?
[Oh and, YES, this sort of essay will be long, and NO, I had no idea how much it would be when I started writing it, and still haven't, tbh 🤷‍♀️]
During part 2, we will also dive a little bit deeper into what Good Omens is all about.
[Yeah... I figured we would all need a break at this point.]
More on that later, then!
Hope I kept your interest at a reasonable peak. See you soon, Angels ❤
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Need help to find the rest of this analysis? I've got you covered! Follow me, Angel 😇
Previous - Beginning (you're here) - Next
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bunbunsa · 2 months
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A Collective Tarot Reading — A Message From Archangel Uriel
I feel like it’s something to meditate on, even for me. There's a sense of harshness in this reading, but it's coming from the right place.
Take what resonates.
Cards: Page of Pentacles, Queen of Pentacles in reverse, X of Wands in reverse, VIII of Pentacles in reverse, The Lovers in reverse, II of Swords, VI of Wands, Knight of Swords.
All that's good will come to you soon (but there will be trials awaiting your goals). Believe in your strength and the honour of fate. A promising financial opportunity is on its way—you only need to know when to seize it. Don't spend the money you’ll get too soon. Save some of it because you might require it later, but remember not to worry too excessively. It’ll be crucial for the time of release when you'll finally be able to catch a breath of relief. A break will be very much in order, and you ought to accept it with gratitude. There's a need for you to reconsider some of your spending choices as well.
Your inner conflicts will be blocking your growth and happiness. Do not forget about your skills and the power of your mind or you'll never stop contradicting yourself. Have faith and trust in your own abilities. Do not fear moving forward—the risks will be worth it in the end. Leave what's not benefiting you, and it’ll be a great victory bringing you success, even in the social area of your life.
Remember to stay put and not be rash or impulsive. Use your intellect to solve problems, either personal or related to another person (or a group of people—can be an inconsequential scandal not worth getting angry about).
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maggot-monger · 11 months
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how do you think lucifer knew about pop culture and such? like even in season 5 when he was the original version of himself the writers hadn’t ruined yet, he uses a lot of slang and modern idioms. and i guess we could just say bad writing lol but what’s your opinion?
hiii hi lucifer's s5 pop culture references are one of my favorite dialogue writing choices of the show tbh! the tl;dr is that i think lucifer did a lot of digging around in nick's mind while he was hanging out in nick's body, but i'll like, show my work and stuff also lol
so, in 5.01, before lucifer has a physical vessel and is appearing in nick's dreams, there are no pop culture references in sarah!lucifer's speech, and very little slang. the same is true when lucifer speaks to azazel through the sacrificed nun in the flashback in 4.22.
the pop culture references start after lucifer has taken nick as a vessel and has full access to everything in nick's mind and body, not just whatever can be accessed through dreams. he also starts moving more casually and fluidly, with little gestural quirks that imo have a similar effect to the pop culture references: communicating with humans in human-oriented ways that humans will easily understand and that will make him more relatable to them (not necessarily more likable, but maybe less alien, at least)
so, i think the pop culture refs are picked up from his vessels' memories and thoughts! he got in there, he got total, internal access to nick's memories and his body's habits and his speech patterns and stuff, and starting using those materials in his own communication styles. and then maybe also picked some up through exposure once he had the basics down, after he'd been out of the cage for a while
speculatively, i'd guess this was part of why nick was appealing to lucifer as a vessel: from what we see of nick, we know that what he wears looks like he has a job that has him in work boots (so, probably not white collar, and probably therefore has a vernacular more similar to sam and dean's than someone who would be spending his days in a corporate office, for example) and has pretty standard spn-core ways of speaking. having nick as a vessel puts lucifer more in sam's world visually, in speech, and in movement style more than other possible vessels would. he probably knows a lot of the same pop culture sam does, and he probably talks the way people sam is comfortable and familiar with talk — so, if lucifer learns to talk like a human from nick, lucifer also will come across as a familiar, relatable type of person to sam (didn't work too well but like, A for effort). idk if lucifer would have known enough about human class structures etc to be able to identify nick as the right kind of human to learn human culture from in order to talk to sam, so disregard if that seems too circular...but imo it's smart from the writers/costumers/etc, even if it didn't factor into lucifer's choice at all
(all of this makes different angels' characterization really interesting, i think, because some of them do a lot of human-ifying of themselves like this, while others don't. does castiel not do it much for the sake of jimmy's mind/memory privacy, or because he just doesn't care very much about seeming human? what's up with uriel and michael using pop culture referneces but not much human body language? like i know it's largely inconsistency in writing and acting choices for different characters but just assuming it's actually character-based reasons, i love it. and imo it implies that lucifer is very curious about humanity, even though he wants to get rid of them, and is good with rhetoric in that he understands the value of speaking to people in a way that feels familiar (he sucks at rhetoric in some other ways lol, but he was doing a good job on that, at least))
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Good Omens 2 Episode 1: what’s in a name
So I have just watched the first episode of season 2 of Good Omens, and I am going to write this post instead of watching the next episode right away for two reasons: one, watching tv for too long gives me a headache, and second, I refuse to let the streaming companies’ obsession with dropping entire seasons at once stop me from enjoying the journey, and enjoying the journey for me means stopping to think and write about things.
So this is my reaction to episode 1 of Good Omens season 2. Spoilers, duh.
The fil rouge that runs through the episode is the theme of names. We have Aziraphale who introduces himself by name in the flashback to Crowley, who does not reciprocate that kind of introduction, which paints a picture of where they stand in relation to each other, i.e. not exactly on the same page.
And then we have Maggie, who makes a gift to Nina based on her name (the Nina Simone record), but Nina cannot play it, which represents how they cannot be on the same page at all due to circumstances.
Of course we have James long for Jim short for Gabriel. And then we have Muriel, who is asked her identity so she has to say her name but also insists she’s nobody. Also, in the first scene with Michael and Uriel, Michael states their names out loud, which emphasizes how their identity is tied to their name, which highlights how Gabriel not remembering his name and then being forbidden from using it is an encapsulation of his struggle with identity. (There’s also the clothes - being naked is as far as you can get from the normal condition of angels with their pristine outfits, but that’s quite an obvious imagery trope.)
So this is an episode that deals with identity and how it relates to interpersonal relationships.
The first scene is absolutely lovely. They are immediately comfortable with each other - Crowley feels free to act nerdy, Aziraphale, despite his fear of saying anything “inappropriate” at all, expresses his concerns regarding Crowley’s attitude. But they’re not quite on the same page, due to their differences in personality. Crowley is nerding out about the nebula and doesn’t quite get that Aziraphale is trying to connect in a different way (exchanging names). So Aziraphale feels that Crowley doesn’t care about him, but then Crowley shields Aziraphale with his wing. Crowley is not the kind of person who likes to use words to express emotional matters, Aziraphale is (thus how he makes Crowley speak his apology out loud, complete with dance). Crowley’s love language is actions, not words, more specifically actions to protect Aziraphale.
An additional difference between them that is highlighted in the scene is how Aziraphale cares primarily about people, while Crowley cares primarily about nature (stars, ducks). Crowley is interested in the universe as a whole, and doesn’t have much affection for people in general. Aziraphale loves people. And that’s why one stayed up and the other went down, of course.
And of course the difference between their priorities is the source of their conflict in this episode, as Aziraphale sees a vulnerable angel (something he can relate to very much) and automatically decides to help him, but Crowley’s priority is Aziraphale’s safety.
Nina and Maggie are wonderful mirrors for our main characters, although way behind on the relationship process than Crowley and Aziraphale are. Nina needs to keep Maggie at a distance, due to her being already involved with another person and thus being unable to let herself connect with Maggie. Nina is perfectly capable of being affable and sweet, as shown with Aziraphale, so her curtness with Maggie can only be explained by the fact that she finds Maggie cute, and that’s why she cannot let herself get close to her, so she does her best to put up a wall between them.
Basically, Nina doesn’t have the player to play the record on - she does not have the circumstances to metaphorically let herself listen to Maggie’s music.
On the other side, Aziraphale has a record player, and has started listening to his beloved music, but Gabriel’s arrival interrupts him, just like Gabriel’s arrival creates a conflict between him and Crowley.
(The records are gay love, yeah.)
Crowley’s anger, though, forces Maggie and Nina to connect a little more - I would say something about anger not being a primary emotion, but stemming from love, but we were all here for Supernatural meta first, so it’s way redundant.
Speaking of Crowley being, um, smoking, let’s change the topic to fire/heat and light.
At the beginning, Crowley is trying to make a nebula happen, but forgets the first step i.e. “let there be light”, and Aziraphale helps him remember to do it.
Then there’s the empty box of match sticks in heaven. Out of place, because there should not be any material object in heaven. I’d say it represents a source of light and heat, but it’s empty, so it is and is not at the same time.
Conversely, Gabriel is naked and cold but then Aziraphale gets him a blanket and hot chocolate and he stops being cold. Not quite fire/light, but still warmth. So, again, heaven is coldness (but not quite in the right conditions to change, thus the match stick box being empty) and earth is warmth. (Hell is coldness too, of course, with its damp, dark spaces and ineffective neon lights.)
Then we have Crowley’s lightning and smoke, which makes the electricity (light) go off in the coffee shop, but then Crowley comes back and fixes it.
(A note: the box with the arrows pointing up - clearly representing “up up” is empty. Boxes are empty, heaven is empty, Gabriel is naked. Something something metaphor.)
Cinematographically speaking, the episode all revolves around sources of light, like the sun (I love what they did with the lighting when Gabriel gets to the bookshop). In case you missed it, in the flashback scene Crowley protects Aziraphale from being hit by the sun, which bounces off Crowley’s wing:
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And then, insert something about lamps here that traumatizes Destiel people.
In fact there’s the quote on the match stick box:
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[ID: partial screenshot showing the quote “Out of his mouth go burning lamps, and sparks of fire leap out - Job 41:19”.]
I’m sure the exploration of this theme is just the beginning.
I guess these are the things that stood out to me during my watch. I’ll conclude this post with a final consideration: this is it! Now we’re talking - it’s a queer comedy! It sets itself absolutely as a queer comedy. It goes straight to the point. It’s no longer a comedy with a queer overtone. It’s a queer comedy. I love it. I can’t wait to watch the rest. But still one episode at a time.
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muzzleroars · 3 months
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Any interactions between risen ferryman and everyone?
the ferryman is a strange presence in heaven - long accustomed to the styx and the sinners they carried across it, they have a quiet yet strict demeanor. the world they come from is, obviously, harsh and relentless by its very design, and they had to meet it in equal measure to deal with the husks that constantly poured onto their ship. it makes them a bit out of place with the other human souls who have forgotten things outside of paradise yet they also can't hope to breach the circles of the true angels, and they fear almost that hell has made them unfit purely over time.
however, michael, who brought them here in error, is the first to understand them in their personality and their unwavering faith in god. he invites them to worship with him, guiding them through the heavenly service as one of the high priests of god's altar, and i think they spend a lot of time together in study as well. michael has rarely experienced human faith which differs greatly from the angels, and in time too they begin to relate over the harshness of the duties they once carried out. the ferryman's always quite glad when v2 visits as well, not only appreciating it as a wealth of deep thought and helpful philosophies, but also simply grateful it's as out of place as they are. v2 shrugs it all off, saying if they're in with mike there's really nothing anyone can say about it - it helps them explore, enthusiastically moving through heaven's streets or its now vast outskirts in ways they may not have alone.
uriel is just as reserved as they are, but the ferryman marvels at all of his vast works, now completed, a library impossible to see the beginning or end of. yet they learn uriel very much enjoys stories - he knows the whole of history, but he listens with rapt, meditative attention to the ferryman recount their life on earth or their time in hell. he appreciates the personal touch, they find, and they end up sharing dozens of stories while uriel is a wonderful source of everything they had ever wished to know (he knows too all the little questions they had asked themselves, and the answers to them even if they're now long forgotten). importantly, the ferryman helps uriel use his hands once more in art and writing as they trade their stories.
raphael is the most unsure relating to them with the little contact he's had to those in hell - however, the ferryman is more gentle than their demeanor can sometimes suggest. they enjoy fishing together, with raphael taking a good interest in how the ferryman had once cared for the souls they carried across the styx - they had fiercely defended the sanctity of their ship while also still making it as comfortable as hell could allow. i think they also enjoy learning from raphael, who has very little to share his knowledge of herbs and cures with now since they're so defunct.
they feel a bit awkward for some time when they visit gabriel, though he insists he is nothing but happy for them now. he's glad to receive news about heaven's state from them when he knows his siblings can have a very different perspective from the human souls there, and gabriel is an invaluable source in turn for navigating heaven. v1 is actually quite the comfort as well, a risen "soul" itself that can relate to their confusion and occasional frustrations transitioning from sinner to saved. it gives them much more confidence, seeing it fully embrace its new state and not care about its mistakes, though they know its situation is quite different.
difficulties do arise with the prime souls and lucifer, however, who each have their reservations or outright rejection of the ferryman's current status. minos and sisyphus take issue in accepting their elevation, both ghosts now locked in what they died for and much more unable to see nuance. minos is conflicted, wanting the best for human souls but too damaged by the institution of heaven and how it is upheld by humanity as well. sisyphus views it as ceding to the law of heaven, how the only way to be allowed into their fold is through the deepest supplication over decades. lucifer entirely pushes them out, their visits accordingly short as it will always attract his open hostility - he will see no angelic presence in hell that has no business with him. gabriel has attempted to soften lucifer's treatment of the ferryman in particular, but he's made little progress.
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page551 · 1 year
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any thoughts on who lhh is referring to when he's asked "who's the heroine of orv"
I'd lie if i say i haven't given much thought to this so it's nice that now i have an excuse to talk about my picks
side story spoilers below
so lhh says the name of the female character he thinks is the most eligible to be "the main heroine of orv" but in this case main heroine is not referring to the main female character (which is undoubtedly hsy) but the love interest (although lhh does say that he didn't write orv with romance in mind)
he presents a set of criteria to justify his choice. those being
she didn't have much screen time
she is someone lhh created solely for kim dokja
(he also says smth else in the following chapter. more on that later)
based on these criteria alone i have three picks in total (i did exclude jung heewon, lee seolhwa and uriel from this altogether. lee jihye and shin yooseung as well for obvious reasons. also the 1st criteria kinda immediately rules out both hsy and ysa which was a surprise to me to say the least)
1863rd hsy. she fits the 1st criteria as well as the 2nd because we need to understand that in lhh's eyes, 1863rd hsy is also a character he wrote about
jang hayoung.
punisher
when you look at these three it's kinda obvious that the scale is tilted towards 1863rd hsy the most right. it makes sense except that in the following chapter when lhh and the other readers are transmigrated into the world of 41st turn twsa he thinks the following:
"Who did this to me? Was it hsy because i pretended to write orv all this time?
Was it yjh because of all the ways i described his pain?
or maybe it was kdj because i just finished telling everybody of his secret tastes?"
now i dont wanna rule out 1863rd hsy completely just yet but also i dont find a man crushing on a woman to be a secret taste. fork found in the kitchen lets move on.
jang hayoung and punisher are kinda in the same box here except that 1. kdj has a very different reaction towards punisher as opposed to jhy where he visibly gets flustered at the mere thought of her much less sight, and 2. while jhy was written into the narrative bcs kdj specifically asked tls123 for a second protagonist, yjh is the character that was created solely for him.
we just need to wait and see which one of these three is lhh's favorite character after all cuz thats what he says in a hurry lolol
anyway, end of post. hopefully it doesn't sound biased although I'm joking for most of it. if there's one thing i dont like to do while reading orv related content is make theories bcs singshong will most likely find a way to prove me wrong </3
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tacetnix · 1 month
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[GetToKnowMe(me)]::Start()
Tagger: @hexenjagd // Oh you~ Name: TK! Pronouns: He/They Most Active Muses? -- Mary, both here and in FFXIV -- "URIEL", an OC that I can best describe as 'What if John Carpenter's The Thing was a psychic emotional vampire and was trying to figure out human coexistence on a whim. -- Tsengel Malaguld, my FFXIV main who is a big loving himbo as a facade for a calculating lizardman terminator.
RP PET PEEVES: Oh you aren't ready for this list. Where to begin?
God-Modding is the old adage. When someone can't let anyone give them consequences for their actions. Whether it's saying heinous stuff, assaulting other RPers and then refusing to acknowledge attempts to settle the score, etc. etc. People who refuse to take what they dish out. Most recently this was someone who "avoided all the guards trying to tie her down because she assaulted a man in public because she's really flexible". If it comes down to two people not knowing how to solve a scuffle, please roll. That's wat luck and the dice are for.
People who refuse to engage in what's going on group-wise and then complain that there's nothing to do. This is very particularly targeted to some people outside of the RPC here but I wanted to throttle you. 'I'm not engaged in [Group Activity]', well I apologize but 20 other people were. You are not giving me critique or constructive criticism by saying 'I'm bored.'
Oh, my god, people who just enter a chat to say 'I'm bored.' as though they're expecting people to spoon-feed them with interaction.
Loops back to the god-modding point but "I'm too powerful for you, so I'm gonna no-sell anything you do to express the difference in our power levels." like, dude, get hit, at least give the person you're fighting the pleasure of seeing their blow push you in the dirt a bit. Have a reaction rather than "haha no *punches back with anime*". >// Multiversal RP is fun until the Anime character wants to fight.
"I am strictly into [x] so if you're anything other than something I wanna fuck then I'm going to be extremely hostile to you and casually and vocally espouse how much everything other than [x] is awful and will cite it often as a reason why I refuse to engage in any RP in this public area.' >// Unfortunately, this has happened multiple times, much to the detriment of peoples' safety and comfort in public spaces I've been in. Moderators have refused to step in, and the behavior has been allowed. ://///
"My Character is Vocally Racist." You suck. You chose to pretend like that's a character trait. You're choosing to make every minority who's experienced that shit IRL to see it again in the middle of their feel-good hobby. 'It's realistic' and you're the one choosing to bring that realism into a space for people to enjoy. Costs you zero cents not to make your characters straight up bigots.
That's all I got for now, but I could keep going, I'm sure. Sorry to just splurge all over main; I've had some baaaaad RP drama go down in the last few months in other mediums/RPCs.
LEVEL OF RP EXPERIENCE: Hah. Haha. Been RPing for 16 years about now. Started back in SPORE while coming up with little stories for my creations, and RPing out diplomatic relations with other people, to going to the JoeyRay's Bar forums for StarCraft 2 where I actually picked up proper narrative RP. Then I went to DeviantArt, RP'd in the chatrooms and learned sauciness (way too young, but oh well), and then was brought over to Tumblr by my ex who showed me @axemurderercreighton back in the day. And I've stuck here, through UNDERTALE, through Skype, through Discord, through playing FFXIV. Always back to here as a casual place to RP.
FLUFF, ANGST, OR SMUT? Angst is the most reliable, but I know I write good smut and it lets me play out fantasies. Fluff is fun, but in moderation. Too much of it and you grow stagnant. Angst brings with it conflict, and conflict drives stories onwards. Smut is the victory lap, and if that also helps serve conflict, then fuck yeah, two-for-one!
PLOTS OR MEMES? Give me a skeleton of a plot an we'll fill in everything in between. I prefer spontaneity to a firm constellation of everything that will happen for years down the line. Improv is the spice of life. Memes facilitate the funniest stuff that's happened in RP, but you wouldn't get there without plotting and having relationships with others. So... cop-out answer, but both.
LONG OR SHORT REPLIES? I err on the long side. But at the barest minimum... - Respond to what your partner has given you to work with (usually matches their length pretty well). - Offer insight into my characrer's thoughts or feelings or give them a general action to help immerse in the setting/scene. - Give my partners something to reply/respond to.
However long that all takes is how long my replies will tend to be.
TIME TO WRITE? Whenever I can. When I'm at work I'll steal Discord replies, when I'm waiting for bad lights I'll type and respond. When I'm in the bathroom -- you get the idea. Discord is my preferred method because I can respond without having to have icons or formatting or what have you. It's easier to just throw random ideas like darts on a board, and I get more clear notifications when someone's responded to me.
ARE YOU LIKE YOUR MUSE? For better or for worse, I put a lot of my anxious thoughts and my paranoia into Mary. I put a lot of how she overthinks based on my own ideations, and in a way... all of that is merged with a lot of how my wife acts. Almost any time I write Mary and you feel the love that I put into her actions, it's because I'm basing that on things I've seen and experienced intimately. She always had this role in my mind of 'cold woman who is accidentally adorable' but -- it took seeing someone who I found absolutely adorable to find the life-inspiration and information to properly convey that and bring it to life in a way that was natural and earnest.
.........God that was so much I'm so sorry for splurging. Tagging: @yellowfingcr @urbanumviolentium @bidotheuncanny @theblackwarden @tinyredrose (to surprise some of you whenever you get back, ehehe)
Thanks again to Cat for @ing me. It's been fun!
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akhmatowa · 9 months
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I am thinking about Sandalphon today, whose sliminess was played so brilliantly by Paul Chahidi it still makes me shudder.
He isn't known as an archangel in the same way Michael or Gabriel or Uriel are, however, reaching a little bit out of the Christian canon, there seem to be two theories about him: he's the twin brother of Metatron; or he's the prophet Elijah, who rose to become an angel.
If the first one is true, then he's very closely related to the one who is probably responsible for the mess GO's Heaven and Hell have found themselves in. And it would make so much sense for him to be the angel behind Sodom and Gomorrah and for him to be the one punching Aziraphale.
And if the second one is true, then there are some very interesting possibilities for historical flashbacks since in the Bible Elijah was the prophet who killed some 450 of Ba'al's (read: Beelzebub's) priests and caused a very rapid decline in Ba'al's religion.
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Would love to see the potential lurking within in hypothetical S3.
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good omens s2 episode reaction: 1
hi! i've been watching good omens season 2 with my family, one episode a day, and writing down my reactions. it occurred to me that it would be better to post the reactions individually rather than all in one post. so here's the first one, from a few days ago! spoilers for s2 e1, obviously, but not for any of the other episodes.
[the rest of my reactions: e2, e3, e4, e5, e6 - links will be added as i post them]
starmaker crowley!! he's so happy! seeing him get excited about the universe is so cool! the dynamic where he's annoyed about his work and creativity going to waste and wondering why the plan is like that, and aziraphale is enchanted by the stars but warns him not to ask questions, is exactly how i would have pictured it. the wings moving to express emotion is a nice touch. the sheltering wing same as eden!!!! when they met on the wall of eden, they didn't seem to know each other, so i would guess their memories were erased but the instinct to shelter the other beneath their wing remained, which is so sweet. i didn't get a good look at how crowley's eyes were when he was an angel, obviously not snakey yet. 
the next time we see crowley being on the bench with shax where he's asking what's the point of it all hits even harder in contrast to his pre-fall self. i wonder why he's so cynical and why he hasn't spent as much time with aziraphale! did something happen between them?? i hope future episodes explain. 
"you only call me when you're bored, you want to tell someone about the good thing you've done, or something's wrong" (paraphrased). why doesn't aziraphale call more often??!!? or maybe he does, but crowley is interpreting his attempts at reaching out as boredom and wanting to brag about good deeds. either way, it's sad that their dynamic is so different from the fluffy post-s1 that most fanfic imagined. 
lots of focus on maggie and nina. i like them, but i wonder whether they'll actually be relevant to the story. they're so aziraphale- and crowley-coded though! dark color scheme/light color scheme, cynical/sweet, old fashioned/modern. from maggie's lines about not drinking, i already relate to her, growing up sheltered and deciding i'm not interested in partying because it's not the kind of thing a good girl like me would do. nina already being in a relationship is an obstacle to her and maggie's romance, but it seems like her current relationship is unhealthy from the type of texts that were showing. interesting effect to have them written on pieces of paper that pop up. 
the special effects on beezlebub are wonderfully creepy, and so is beezlebub zirself. (is neil gaiman's post about beezlebub using ze/zir pronouns canon?) the threat of being erased from existence entirely is especially threatening to crowley and aziraphale because if they never existed, they never would have stopped the apocalypse. 
gabriel/jim is delightful! i had already seen a lot of his funny lines in trailers and sneak peeks, but my parents and i definitely laughed. a lot of the lines have great meme potential. 
there's a lot of potential for angst in crowley's reaction to gabriel: crowley recognizes that gabriel was abusive towards aziraphale, but aziraphale himself doesn't recognize that. i wonder if crowley remembers being an angel and whether he has history with gabriel. 
i didn't love the michael and uriel in heaven scenes. it's cool that there's an angel in a wheelchair though! 
we got the song good old fashioned lover boy! unfortunately, not in the sweet way that so many animatics use it. although it blasting while crowley speeds toward aziraphale's shop is pretty good. 
good on aziraphale for demanding a real apology! the song and dance are hilarious. i've already started learning the dance just for fun. 
they seem to have dropped the narrator, which i didn't notice at first because the dialogue was very good on its own. it was a fun convention, though. i wonder if any of the main characters from s1 like adam and anathema will be appearing. 
my overall rating: 8.5/10. i think it would be a higher rating if i hadn't seen so much of the episode through sneak peeks already. there's an intriguing mystery set up! the dynamic between aziraphale and crowley is tenser than i was expecting- i hope we get an explanation for why- but i guess we still need conflict between them. seeing them again is like reconnecting with an old friend!
✅ discussion in the replies and reblogs - yes please!
❌ spoilers for the rest of s2 - no!
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sylphidine · 1 year
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For the character ask meme, I would love to hear your opinions on any of the Good Omens characters.
Michael the Archangel [TV series]: 
hate them | don’t really care | like them | LOVE them | THEY ARE MY PRECIOUS
ship with: I don't really ship Michael with anyone, although I can see her/them being brittle-civil exes with Gabriel.
friendship them with:  We don't get to see enough of it onscreen, but I headcanon that Michael will occasionally ask Uriel to be a sounding board. Otherwise, poor Michael is a loner.
general opinions: Michael's controlling side is something I can relate to [I have a soft side for characters who like rules and order], but I also like the little touches that show her/them quietly questioning the absolute rigidity of the heavenly hierarchy, and thus questioning herself/theirself. Michael is not nearly as much of a cardboard cutout character as Gabriel, and a lot of that is down to director's choices and the actor. No offense meant to Jon Hamm, he plays Gabriel BRILLIANTLY, but the character's purpose is to be the clueless yes-man. Doon Mackichan shows those moments of self-doubt very, very well.
Thank you for the ask!!!!!
Fandoms for which I'm taking asks
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