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#i might be down bad
caspertheconfused · 1 year
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Why are so many people in the Cinderella sequels hot? Like dude we got the baker, step mother, Anastasia, the prince, Cinderella, the queen, all of the guards, and godmother
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sugurei · 21 days
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Fem!Naoya is a crybaby pillow princess send tweet
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k00ldino · 6 months
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also i just remembered i have some people who know me irl following me. waves awkwardly. hii, sorry about the old man posting
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Minotaur Ranch
cw: cnc, dubious consent, monster fucking, bestiality(?)
Based on the Eggpregtober Fic 3
I keep imagining what it'd be like to work on a Minotaur Ranch.
The beasts mostly keep to themselves, grazing the fields and laying around in the shade. They can act real cute with you sometimes. Nuzzling into your palm when you scratch their head just right. Mooing impatiently to be let out after being cooped up at night. It's easy to forget they're running on primal instinct until one shoved you against a wall and rips through your pants.
That's when you remember the rules of the ranch: Don't pet the Minotaur, Don't feed the Minotaur, and Don't ever present your ass to a Minotaur.
You hadn't thought these rules were that important.
How could you have known that petting and rubbing their bodies with soothing touches would be seen as an act of submission. It never would have occurred to you that feeding them a bit of your lunch every once in a while would be seen as a sign of courtship.
And when you turned around to pick up some equipment off the floor, how could you foreseen that the bull behind you would take it as a sign you were in heat.
Muscular hands hold you off the ground. As your legs dangle below you, you feel the wet muzzle of your Minotaur lick into your neck. It's meant to be a soothing gestures as he lines his bovine cock against your opening, but all you feel is terror at the rough fucking about to take place.
You've seen the ways the Minotaur's fight each other in the fields. It's part of their DNA to show dominance to the weak. You've heard of monster "bitching" before, and you know it's supposed to be an act of ferocious claiming meant to humiliate a subservient other.
You close your eyes, waiting for the pain of being split on Minotaur cock, but instead yelp as they pull you up further off the ground and lick you. Their tongue is long, wet and thick, thicker than a human cock. You can't help but moan as it breaches your hole. That only seems to encourage it, roughly thrusting it's tongue into you as deep as it can go. You writhe in its grip. At the angle its holding you, you can look down and see its tongue pushing your skin taut.
Once it's satisfied you've been opened enough it moves you down, back over its cock and thrusts inside. It doesn't hurt. It's so gentle with you, fucking you like it knows you weren't built for the full force of a Minotaur's strength. You clench down as you cum from the treatment. It bellows loud and low at how good you feel.
It fucks you against the wall like that. Slowly rocking forward into your human frame You can't help but imagine if you had been any other Minotaur. Would it have fucked you harder? Or was Minotaur mating far softer than you gave them credit for? You'll have to answer those questions later. Right now, you just want to focus on your next orgasm.
You know its close when it starts to breathe heavier and thrust a little faster. Wet slapping sounds fill the air as its balls hit your thighs. In one final thrust, it groans and hot cum fills you. You can feel its balls draw up behind you. You didn't realize how long a Minotaur could cum until minutes passed and you were still being filled. Most of it has pooled between your legs and onto the floor, but your bulging tummy is aching from what little can fill it.
But you love it. You loved being bred by your bull. You wished you could be fucked over and over again just like this.
As it pulls out of you and holds you limp in its grasp, it hands you over to another Minotaur. The whole herd had watched you be claimed, now they think your a mare in heat. You can't blame them. As you spread your legs for the next bull, you think about how good it is to work on a Minotaur ranch.
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kittysauce · 8 months
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au where L and Light fall in love during the yotsuba arc ............... i think its a crazy interesting concept
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cozylittleartblog · 5 months
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worst way to start my new year, thanks. i have a lot of things to say about these companies but i'm tired and just keeping it focused to the pin side of things for this one. do not ever buy pins from these companies, literally ALL of them are stolen from small artists like me. if you want to buy enamel pins, check out etsy, and artist's personal websites and shops! (though even Etsy has some bootleg pins that ship straight from china, so tread carefully…)
Every pin I've designed is, thus far, EXCLUSIVE to my etsy. if you find it anywhere else, it's been ripped off! and once these stupid bootlegs pop up, it's basically a never ending game of whack-a-mole trying to get them all taken down...
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would love to see any drawings/ur design on jeremy fizgerald (if u have any)!! /nf
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Been working on a design, can tell me what yall think!
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spilledkaleidoscope · 11 months
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unreliable narrator
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lilisettean · 4 months
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Phantom Touch | Headcanons
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About: It was one thing to video call him, it was another, however, to call/answer while you were barely clothed.
Pairings: Xavier/Reader, Zayne/Reader, Rafayel/Reader
Notes: This idea came to me when Rafayel video called MC in the middle of the night (Lv 20 Random Painting). Also should I do Caleb's as well?
Warnings: 18+ only please! Enjoy :)
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Xavier
It was by accident when it happened. You were trying to find your favorite hairpin after your shower but it was nowhere to be found.
You searched high and low, flipped cushions and threw your blankets onto the floor. Nothing. Goddamnit you can't afford to lose that hairpin- it was one of the gifts Grandma gave you, you just simply can't lose it.
In an act of desperation, you called Xavier on your phone, not caring whether you pressed on normal call or video call. You just needed him on because you might've left it in his place.
To say Xavier was surprised the moment you came on screen would be an understatement. He almost dropped his phone (it did slip from his hands but he was quick enough to hold onto it), and not a word you said has registered in his brain.
His eyes were fixated upon the water droplets that clung to you skin, following the trail a drop of water left behind as it slid down from your neck, to your decollete, and between your cleavage. His mind was busy tearing that insolent piece of cotton fabric into shred for daring to shield you from his gaze.
It was only when you shuffled forward and waved a hand in front of the camera did he snap out of his less than innocent daydream.
"Xaiver? What are you staring at?" "Are you aware of what you are wearing?" "...Shit-"
"No, don't." He said the moment you tried to cut the call, and instead, with much strength he could muster not to ogle at your form again, he diverted your attention.
He found your hairpin lying on his bedside table and when you were about to thank him, a mischievous smile crept up his face, and you just knew what he was about to ask.
"Can I have a reward for finding it so quickly?" Xavier asked, his gaze predatory as he flicked his eyes down to stare at the towel that was clinging onto you for dear life. With slight trepidation, you settled down on the sofa, and slowly peeled off the towel that you knew he wanted off. Now.
You squeezed your thighs together and bit your lower lip when you heard the soft Mmh over the phone. He greedily drank in the sight of you, your bare, still unmarred skin glistening under the soft lights.
A daring thought suddenly struck you. Smiling at him, you brought your hands up to your breasts, propping them up and giving them a good squeeze (which he quietly groaned your name in response), before flicking your nipples.
You knew he was hard, with how he slumped against his sofa, one of his hands nowhere to be seen. The stuttered breath he let out made you wonder whether he was palming over his hard on as you gave him this little show.
He was. He was pressing his cock against his palm, rutting against it as you played with your pert nipples. He was imagining grinding his cock against you, fucking your slick folds as he buried his face between your breasts.
In a daring move, you tilted your phone downwards and lifted your legs, showing him the effect he had on you. But before you could spread yourself further to give him a better look, he suddenly stood up, giving you an eyeful of his clothed cock that was straining against the front of his pants.
Before he abruptly cut the call, he eyes drooped to a seductive narrow, and pinned you in place as he spoke.
"Don't move. I'll be there within the minute."
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Zayne
Zayne, despite his icy demeanor, was a softie and a worrywart when it comes to you. He would always tell you to call him once you were home just so he knows you made it back safely.
So when he received a text asking if he was free and alone instead of a call, his curiosity was piqued.
As soon as he said that yes, he was alone and about to be off work, he received another text. A text that he did not expect you to send.
It was a picture of you on his bed, wearing nothing but one of his white button up shirts, if he can even call it that. You didn't button it all the way, leaving your collarbone and cleavage bare for him to see.
He immediately video called you, and as expected, instead of commenting on your attire, the first thing he asked was-
"Why are you in my bed?" "I knew you'd ask that first. Really?"
You explained with a huff that you wanted to surprise him a little. It has been a while since you two have seen each other for more than 5 minutes, with you two being busy with work and all. And with his day off being tomorrow, you jumped on the chance to be with him.
After a beat of silence and you fiddling with the hem of his shirt, he sighed, his features softened at your nervous fidgeting.
"Well, go on then. What do you have to show me?" "Show you- Aren't you still at the hospital?" "It's a peaceful day and I'm alone in my office. Would you give me a preview at what's in store for me at home?"
He stared on intently as you teased your nipples, brushing over them while they were still covered. Your pert nipples poked through his shirt, the outline of them fueling his imagination.
If you were on his lap right now, he would've done that for you whilst sucking on one of your nipples through the shirt you were wearing.
You were about to unbutton the shirt but his voice stopped you. "No, don't. Leave it on... Good."
He made no move to touch himself, as anyone could walk in at any moment, but by God did he want to. His eyes flicked between your flushed face and your body, already imagining the places he would leave his mark on.
He already knew what he would do to you once he got home. He would set you down on his lap, forcing you to feel how hard you made him with your little show, and leave open mouthed kisses on your neck while slipping his hands under his?- no, yours now, with how well you wear it, shirt.
But deep down he knew that once he got home, he would have no patience for that. He would most likely push you down to the bed and use one hand to grope your breast, while the other fixed your hip in place, allowing no escape as he rutted his stiff cock against you. He doesn't care if his pants get ruined, he just wants you-
"Zayne?" Your voice brought him back from his thoughts. And with much reluctance, he motioned for you to stop. "That's enough for now sweetheart. I still have to get home first." "Should I send you more pictures while you're on your way?" "No need. Just be a good girl and wait for me."
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Rafayel
Being a painter, Rafayel would sometimes work late into the night, busy with his newest piece. And while he enjoyed the peace and quiet nightfall brings, at times he would find the studio too quiet, too suffocating, especially without you around. Thus, he would call you and ask you to keep him company as he painted.
And on this night, it was no different. Save for the brush strokes against the canvas, the room was too quiet for his liking. He had expected you to pick up within a few rings and show up disheveled on call, but as soon as you answered the call, the thought of teasing you like usual quickly dissipated.
"What- What are you wearing?" He diverted his gaze elsewhere, occasionally sneaking peeks at his phone screen while you blinked the sleep away from your eyes. Instead of your usual pyjamas, you were wearing a lingerie set he had not seen before.
He had half a mind to tell you to pull up the strap that had fell off your shoulder mid sleep, but the words died in his throat the moment you shifted and the strap slipped further down, revealing more of your decollete to him.
The blush that was already on his face intensified when he noticed the hickies on your skin, the evidence of him ravaging you highlighted by the moonlight shining through the window.
"Rafayel? What is it?" You asked, still half asleep. You wondered why he was quiet until you found him staring intently at your chest and- Oh. Of course.
You had bought it because you wanted to surprise him by taking pictures of it. But it seemed that you were too tired and fell asleep in the process. "...Surprise? I wanted to show you earlier but-" "Wait. Hold that position."
You did as you were told and froze. He was studying you again, perhaps for future reference. As much as you liked being his model, you pouted at his antics. Not even a single reaction? Sighing, you broke the silence between you two.
"I could come over and wear this for you, if you want." "You would do that for me?" "Of course." "Then come." "What?" "You said you would come over, no? Then come now. But before that..."
"Would you mind showing me more before I tear it off?" And how could you say no to a request like that?
Settling your phone down, you bent forward to show him your cleavage before standing to show off the lingerie you were wearing.
"Turn. Now hold it." You fidgeted as you faced away from the camera, wondering what he was doing as he marveled your form. The faint sound of rustling clothes and a belt unbuckling floated from the speaker, and you instantly knew what he was up to.
"Do you enjoy it that much?" "And what about it? Turn again."
As expected, he was sitting on an armchair, slowly stroking the base of his cock as he watched the thin fabric flutter around you. Heat pooled within you when caught his eyes roaming all over you, his face flushed and lips parted as he touched himself.
He groaned when you parted your legs to show him more of you, his cock throbbing at the sight of your slicked folds. Precome beaded at the tip as he stroked more, with some of it sliding down his tip and to the underside of his cock.
Something within snapped the moment you dipped your fingers into your wet entrance. And with one smooth motion, he stood up, unintentionally (or perhaps intentionally) giving you an eyeful of his stiff cock, and picked up his phone.
"Enough. Come to me now." "Just don't tear it when I'm there." "No promises." "Rafayel-" "Hurry now, before I come find you instead."
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introspectivememories · 3 months
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too many of you guys think nico is the loser and not lewis for letting the divorce go on for so long. like they're both losers about each other. emotionally constipated idiots who can't talk about their toxic homoerotic friendship that imploded on itself like 8 years ago and are now making it everyone else's problem. yeah nico's on television or in beer gardens talking about lewis all the time but like every other month some reporter is like "lewis, what's your favorite moment in your career?" and lewis no hesitation is like "oh man, karting, y'know? everything was simpler then" and then spends another six months skirting around nico's name. like this whole thing they're doing in the media isn't some kinda extended foreplay for them. they're both still pressing on the bruise to make sure it's still there!!! every few months, they're literally just asking on public television, does it still hurt for you like it does for me? and like clockwork, someone will release new information about them or one of them will say something about each other (in my heart, he's still my best friend/yes... and teammate) and the answer will remain the same, yes, of course, always.
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puppetmaster13u · 10 days
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Prompt 308
Honestly, Damian is so disappointed in his father right now. And his so-called siblings. The friends allies he had made over the years and he had been swapping multiple times, and still they hadn’t realized. Danyal was as pale as a corpse, closer to Drake for Pit’s sake! Jordan had red eyes! Elena was a girl! Respawn had white hair! Surely someone noticed- thank fuck, hello Todd, no he’s not on patrol, listen, listen, he needs you to know that Father? Blind. An idiot! The others more so! Yes yes, they’ve been doing their single-person trick, but surely someone should have caught on yes? And they haven’t- Oh? What a wonderful idea Akhi, he shall inform the others of this idea, the Lazarus waters do make dna testing quite hard to do. 
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faggotry-enjoyer · 6 months
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thinking about how so much of the left spent so long making dual loyalty accusations that so many jews had to reiterate that "judaism != israel" as in "just because i'm jewish doesn't mean i support anything and everything the israeli state does wtf" only for the left to turn around and start saying "judaism != israel" as in "israel has nothing at all to to do with judaism" as in "any and all discussion of antisemitism with regard to israel is irrelevant derailing" (at best) and have the gall to act like they're saying the same thing because those are the Right Words, right? forced them to put up a shield only to rip that shield from their hands and beat them with it. vile. fucking vile.
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eyrieofsynapses · 5 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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bowenoke · 9 months
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edit: btw it is not safe to wear contacts in the shower! the option is included for accuracy, but please consider throwing on an old pair of glasses or just going blind into that wet box instead.
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bamsara · 12 days
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When did you get arson? Like how old is a living fire hazard and how was it still working
He's over 6-7 years old, which given the daily use I put him in is pretty decent. Also the guy said yesterday that it might not be the thermal paste that gone out (Arson was clean, so it's not dust or debri blocking fans) but the silicone inside it had melted/degraded over time. I'll hopefully find out his prognosis later today (and im kinda hoping the guy can see if heat damaged the keys too badly if it's repairable or not so I can still properly write on him)
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never change, man !
#phantom of the paradise#potp#swan potp#nightmaretheater#65 layers and about 24 hours . Eeeyyuppp#Look into my beautiful mind boy#Its a bit unusual to what i usually draw#but i had to push a specific look for this piece#hopefully you all are picking up on the corperate look . the advertisment look#Sneeze. Anyways my point is industry destroys creative people. This includes swan#I feel like phrases like these ; how he was put on a pedistal…. it lead him to be Like That#as awful as he is he desperately needed help#it might seem like vanity on the surface#but i think its… more than that#long story short: we need to destroy the beauty industry. the skincare industry. the anti-aging industry#It ruined his psyche forever and he cant let go of the ideal version of himself he will never truly be again#i dont think he can at this point. hes in too deep and hes suffering for it no matter how much he feels hes fixed his problems#he cant accept a version of himself that isnt that perfect young man. because he never confronted his problems. he just ran away#anyways . Hi swath *punches him**kicks him*#i dont care if nobody gets me lalalalla my truths and headcanons are awesome forever and i live in my own reality lallaallal#sorry i think im gonna be posting about swan alot for a few months hes making me sick#i wass gonna post this earlier but my internet was real bad#*lays down in my pile of pillows* eat up boys. haha#sidenote: drawing white blond people is horrifiying. Boy your skin and hair are the same color. Introduce some contrast to yourself. Please#adding on: its inportant to note this focuses on him looking st himself in the mirror alot on purpouse#to remind himself what he ‘’’’really’’’’ looks like#the 4 middle pannels all represent that too . u have to be in my brain ri get this#sorry for unleashijg another swan essay in my tags. will happen again lol
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