thinking about how the three of the biggest relationships in bucks life are pretty significantly tied to helicopters/helicopter crashes,,, (partially inspired by this post by @maygrcnt)
taylor kelly: met her when her news helicopter crash. not the first person he seriously dated but definitely is the most serious romantic relationship he had yknow. can’t forget the whole couch metaphor arc.
eddie: i mean it’s pretty self explanatory but eddie’s helicopter crash when he was in the army caused him to be discharged and forced to be reliant on his family again, which is what made him move to la, where, of course, he met buck. they’re literally thee most important person in each others lives. they’re besties. coparents (when the only help eddie’s had as a coparent is shannon, who left (no hate to her it’s complicated shit and she did die but still she did), and his parents, who were controlling and not what either of them needed and also just generally really shitty to eddie at the time (ESPECIALLY re his parenting). and then buck comes along and like within a year he’s like i trust you with my life and my son and my sons life! after everything!! and puts buck as chris’ legal guardian in his will—) n e ways yeah that but also eddie’s ptsd related to the whole helicopter crash incident was super significant later in their relationship too bc eddie was at his lowest point (a place he’d been before but back then, his wife left him and his parents actively made everything worse instead of helping) and buck just like. steps in WITH eddie and gives him what he needs and like takes care of eddie and chris in they way they both need instead of forcing them into what he thinks they need like eddie’s parents did. yeah. and eddie actually did some healing then unlike the last time. so eddie is easily the most important and serious and intimate (like platonically but also Not) relationship buck has ever had, more so than any of bucks gfs.
and then tommy comes around!!! a fuckin helicopter pilot. he and buck first meet not necessarily in a helicopter crash but in a helicopter. in an emergency situation. and they draw SO MANY parallels between tommy and eddie and taylor (he and eddie have a lot in common like with the whole army and martial arts stuff and they get really close really fast and then BUCK HIMSELF drawing the taylor parallels. literally biting at my enclosure.) and wow! look at that! they kiss (and soon start a relationship) and tommy is literally not only the first man buck has ever kissed, but also the catalyst for buck realizing he’s bi. (or, at least, that those feelings bucks had for men in the past (cough cough eddie) are like mushy romantic/sexual/Very Not Platonic things.) literally even if they just kissed that once and had no relationship past that it’s still a massively impactful (non)relationship for buck!!!
and somehow. somehow the most important relationships in bucks life are all connected to helicopter crashes/emergencies. and they’re only characters who have such big connections to said helicopter crashes/emergencies. and they all have relationships that are incredibly important and impactful to buck. this is literally canon.
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the nancy boy thing is just so fucking insane because like. they broke from the spelling of this name to do it but also incorporated it into the spelling of his name with n for nancy (possibly showing how he associates it with himself). but the license plate could have been any letter and that letter could have been any word and they chose b for boy. they could have cut to the license plate from any letter in dennis and they chose n for nancy. and we already know the way dennis spells out his name/words in this scene is very important metaphorically they showed us with that alternate D.E.N.N.I.S. system he gives us so.....they did that on purpose and drew attention to it
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You know what would be the worst? If at the end of the war when all is said and done, after the clones lost every little thing they had, after Vaders rise and the Jedi’s fall, after all that death and hardship and misery? It would be terrible to be a clone and wake up like suddenly coming out of a coma, in a stasis chamber that they grew up in and rarely left, there was the craziest dream just before and there’s the lingering feeling something important just happened, this is Kamino 35bby, all the information they were just fed is already neatly stored in their perfect flash-memory brain. No ones died yet, all of that was a simulation based on a calculation of events to instal orders and hone the discipline of troops. It’s dark, there’s no way of telling if anyone or anything exists beyond the boundary’s of the inside. There’s a designated call sign and designation along with vitals displayed in the line of vision, it’s also counting down the seconds to when a new simulation is set to begin.
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One of the many things Exeunt gets so damn right is its treatment of change that is foisted upon you against your will.
When you aren't particularly adaptable and happy in your little enclave, external forces uprooting your life can and does feel like the end of the world.
But Endeavour isn't the end of Morse’s story--sitting at that churchyard he may not know it yet but he will meet people who will come to mean so much to him; there will be so many more concerts and drinks with friends and convoluted puzzles to solve.
And still that doesn't (and won't) negate the grief of what he has lost, of the now past he can never return to again. It's such a hard balance to get right--to let us sit with that grief without sugarcoating it and yet with the knowledge that neither is it the end.
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Guys I went on a date today and the guy is ex army, trained medic, has a St. Christopher's medal and an ex-wife (not a firefighter though). The way he talks about how he feels about one night stands and attraction was giving high-key demisexual vibes. This is extremely funny in so many ways to me. I basically went on a date with a version of Eddie Diaz. 😭 I didn't even think about it until now as I was writing a fic about Eddie and his St. Christopher's medal and was like...PAUSE wait a damn minute.
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Tagged by @unintent, THANK YOU BELOVED 🧡
Name 4 songs that you consider YOURS. Songs that no one else understands like you. Songs that they can try to pry from your cold dead hands:
mine are:
star treatment by arctic monkeys (painfully obvious, my alternates for this are there'd better be a mirrorball or the ultracheese. don't ask me abt any of these unless you're prepared for me to get deeply vulnerable and personal)
my own soul's warning by the killers (this has become a sort of anthem for me i guess, i feel a weird almost spiritual connection to the lyrics)
mama by genesis (this encompasses childhood for me)
there, there by radiohead (a song my brother told me to listen to years ago and it's been one i have held dear ever since. we both sat in silence when he played it for me and it brought tears to my eyes, still does. it's a very special memory)
idk who to tag, there aren't many of you following this blog but if you see this and wanna do it then go for it!!
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"And so the Hawaiians look at all of nature as important, and they look at the signs of nature as messengers coming from their family who has passed on. Signs come in rainbows, double rainbows, odd forms of clouds, they read the roll of the waves and some of the waves are signs that they look at, you know. Those are things that the Hawaiian needs to be aware of in order to fulfill its connectedness to, you know, to its ancestors that have passed on.
So we cannot separate ourselves to the trees, we cannot separate ourselves from the waves and the ocean, from the clouds and its cloud forms, from the mountains and the hills, the animals from the limu, to the pipipi, to the kūpe‘e, you know, to the manō, to the pueo, to the ‘i‘iwi, to the ‘o‘o, all of these are all signs upon which we had better be aware of, because it is through them that we get messages from our ancestors."
"Oh yeah, sharks do. Sharks, the significance of a shark, especially with the niuhi, the tiger and the white shark, they were compared to as chiefs. Kamohoali‘i, who was the brother of Pele, was a shark. That was his form, his other kinolau or his other form was a shark. Because of the ferocity. The same kind of attitude of absorbing and taking all with no consciousness to end result, the main thing is to consume. The same attitude is compared, comparing the shark to love. It’s all consuming. To the point where one cannot think consciously to what is being done. And so the Hawaiians have a saying:
Kūpau wau i ka manō ka manō nui ka manō nui kūpau wau i ka manō.
And it means, “I am finished to the big shark, all consumed by the big shark, I am finished.” It doesn’t mean he’s dead because the shark bit him. It means he is so deeply in love that he doesn’t know how to think, you know? So shark has that other side of its attitude that is used by the Hawaiians to describe the all consuming idea, without consciousness. And that is funny that the Hawaiians would also compare that to love. But they did that because they knew nature. Hurricane ‘Iniki, all consuming, it has no bearing on who’s the chief or who’s the commoners, you know. It’s all consuming. Hawaiians understood that, and they used that kind of proverbial idea, and I just use that to illustrate the insight and connectedness with nature. But in relation to the shark, that is how it is really used."
x. Parley Kanaka'ole, "Hawaiian Waters: House of the Shark"
🦈
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