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#i learned that while i was writing this

bamsara · 3 months

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Stinky overheating dumb dumb Arson vs his superior Desktop PC little sister that he's fighting me to transfer files to

#its a little bit funny #im also trying to learn how to mod cotl woth ru's stream in the background while also writing fanfic on arson #we multitasking #sara shush #i have yet to transfer art and writing over to pc yet #<<<working on it

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roboticchibitan · 8 months

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Once again thinking about the ATLA post series (not in continuity with the comics) fanfic I'll never write that follows Azula going to work in Iroh's tea shop in Ba Sing Se and her ensuing struggle with psychosis and realizing she was in the wrong and is just as much the victim of an abusive parent as Zuko was.

In this story Iroh tries to help her and at first she HATES it. She hates his kindness, she hates the sadness on his face when he sees her struggling, she hates all of it. At one point she snaps at Iroh to stop pitying her and he says, "Don't you know the difference between compassion and pity?" And she snaps back that they're the same thing and he replies, "You're wrong, Azula. Pity is simply feeling sad for someone's circumstances. Compassion is the desire for their circumstances to get better." And it hits her like a ton of bricks that this man, unlike her father, wants what's best for her. He's only ever treated her with kindness and she's disrespected him and called him weak for it and it's the most actual love she's ever received from a father figure in her fifteen years of life. And she wants nothing more than to cry in his arms but she can't yet because she doesn't know how to show weakness in front of anyone because of what her father did to her.

I see a post floating around sometimes where someone said that as a child, Azula is the scariest character, but as an adult, she's the saddest and I agree. She was 15. She deserves a redemption arc.

#maybe someday I'll write it #I know the struggle of having a cruel parent teach you to be cruel #and having to realize that your own cruelty is hurting you and you need to learn to be better #and struggling with psychosis while this realization is happening #I think I'm uniquely suited to tell this story but I don't have enough to start writing yet #atla #avatar the last airbender #azula

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eyrieofsynapses · 5 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the��immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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yuwuta · 1 month

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yuuta exhibits such previously abandoned, recently adopted dog behavior. incredibly anxious all the time, even though nobody’s out to get him or leave him behind. waits for you to return home or from school or from work excitedly, just to see you when you walk through the door. follows you around senselessly, hovering in your space just for the sake of companionship. initiates affection in prodding ways—starts off next to you, then a hand on your thigh, then deems it safe to lay all the way down, then slowly pushes his head into your lap. gets up whenever you need to get up, and resumes his position as soon as you’re ready. brings you gifts as a sign that he’s thinking of you, and maybe because he likes the affection it brings out in you, maybe because he likes the gentle affirming touches of a hand in his hair or a pinch to his cheek. rests his head on your stomach or his chin on your shoulder when he’s sleepy, stays there, immobile, and will not move unless absolutely necessary. sometimes he gets surprised when he hears you calling for him, there’s a moment of disbelief as he thinks “me? really? you need me?” but it’s very quickly overshadowed by this compulsive need to show up, to please, to do anything for you, which is why he always answers when you call. he doesn’t realize that he has puppygod eyes, especially when he’s excited or confused, but he does and it’s incredible endearing. very reluctant to share your space or attention after a while, considers that to be sacred and he won’t risk being let go or lost again, so as a safety precaution, he keeps himself right by you, waits for you always.

#atp i need to shut and write the omega verse fics that consistency plague my mind #but while im here time for my obligatory megumi mention bc i mentioned dogs teehee #yes megumi attack dog hes megumi grumbly yes megumi bark bark bite bite BUT BUT BUTTTT #megumi is also used to like... hm........ taming? having? caring for? people in his life and also literal (divine) dogs #so for him yes he bites and barks #but he also... he gets confused if YOU dont follow him around like a puppy bc everyone else in his life has so why not you?#gojo's always been the annoying yapping pomeranian chewing on his arm even if he didn't ask #always in megumi's space even tho he didn't ask but he learned to deal with it #won't admit it but knows that too much attention is better than having someone who couldn't give a shit about you #yuuji is the golden in everybody's life and megumi is no exception #unmovable unshakeable and incredibly addictive even if he doesn't mean to be #and very very attached to the people he cares about so yeah yuuji is loud and annoying but he's also loyal and megumi respects that so fine #nobara is like... she decided she liked megumi and was upset about it so she bit his ankle and he tried to kick her off but she has too muc #pride to get shaken off by someone as scrawny as megumi and somewhere along the way megumi became impressed that she was still there even i #it hurt a bit and she was a little rough it's not like he was worse so fine whatever she can stay too #so if you like... if you dont hover around megumi if you dont pry if you dont prod then he has to be the dog smh #now he's gotta bite for your attention and nudge you and how annoying. he's gonna keep doing it tho. as long as he has to #or until you learn to fall in line and accept your leash too whichever comes first n e way.... anyway.............#somebody's pampered omega always gets what he wants megumi complex is showing......#this was about yuuta right? ok i'll put his tags now....#juju #jujutsu kaisen smut #jjk x reader #jjk smut #jjk fluff #jujutsu kaisen x reader #yuuta okkotsu x reader #yuta okkotsu x reader

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puppetmaster13u · 7 months

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Prompt 56

Hear me out: Au where GIW took Vlad while he was in the hospital or close to it. They learned about the ecto-contamination, how somehow he was still alive, continuing to live even while his temperature fluctuated between extremes that should kill a person, that should be impossible. So they sweep in- wipe all files on the man, and slip away. Of course this means that Vlad never becomes Plasmius, his Obsession never gets to form around Maddie It’s Freedom he just wants to be free, to see the sun one last time nor does he become an antagonist. In fact, he has no idea about what his old college friends are up to, nevermind the existence of their children. But that doesn’t stop Danny from becoming a Halfa himself.

Ultimate Enemy came into being from Danny getting captured and also tested on, to where he nearly shattered. He lost everything, he just wanted to be left alone, but they wouldn’t stop, and well, they have two specimens now, they don’t need the first now, do they? Dan is still a fusion of sorts, of a Danny who ate Vlad’s ghost. But he didn’t have a choice. Vlad was already splintering, was already dying, and they both agreed that the GIW couldn’t get a Core, that it would be catastrophic. And maybe, just maybe, with the power boost Dan could escape, do something. But that core? That grieving, broken core that Hates just as much as Dan does, it doesn’t just raise his power.

Danny, he learns all of this. Looks into the eyes of a him who has lost everything, not just once, but thrice, and has an epiphany. He’s not the only one, not the only halfa, and it’s earlier in the timeline, all this not come to pass and…

“We can save him this time.”

Bonus DCxDP crossover on if they flee to Gotham or Bludhaven- a heavily traumatized Dan, a visibly sick and injured Vlad, a worried Danny, and a new clone they manage to stabilize along the way while breaking Vlad out of that hellhole. Or maybe they did a half blind dimension hop with wishing for somewhere safe to hide where they could actually get help.

#prompts #danny phantom #they get to go on a government destroying spree #honestly would write this but i have so many wips #But honestly I feel like it would focus more on Vlad and Dan (at least at first)#dcxdp #dpxdc #dan phantom #vlad plasmius #Vlad's obsession latched onto Dan the moment danny ended up in the labs #GIW are going down #guys in white #Vlad's obsession for freedom got corrupted into revenge while Dan was there #Because before it was just him but now they're torturing this *child*#This child whose lost Everything like he did #Not helped when he learns this is his old friend's surviving chlid and that they're now DEAD

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wordstome · 8 months

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what is it with me and school/university settings because I can't stop thinking about having a nasty one night stand with König at some frat party and he becomes obsessed with you while you don't even know his name. you're just trying to get through uni without crashing and burning while coping using drugs and sex and there's just this fucking guy who you slept with once and now he's everywhere, caring about you to an infuriating degree

#OH MY GOD WHAT IF THE READER CHARACTER GIVES HIM THE NICKNAME KONIG WHILE THEY'RE FUCKING #and she just doesn't care enough to learn his name so she just calls him konig #i just have a thing for reader characters who like #do not match his energy whatsoever #but he's persistent and devoted and has a massive cock #and once she gets closer she's like oh okay. there's more to this guy than i thought #oh fuck do i like him???#it's fun having a cod writing sideblog i can just talk to myself #and have all my thoughts in one place #2am thoughts #König #König x reader #konig #konig x reader #cod #mw2 #cod mw2 #university au #fic: now playing

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baalzebufo · 1 year

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additional doodles of The Silly

i love the idea of fakey being solid Most of the time... until its convenient for it. either it gets goopy when its feeling strong emotions or if its just like ‘oh im being pushed away?? you’re pushing me? well thats incorrect. im slime now. hi :)’

also ive been drawing and writing a lot of freaky/antagonistic interactions with these two so peppi deserved a hug

#alloyart #fake peppino #peppino spaghetti #pizza tower #also hi thank you so much for all the positive feedback to my other doodles and that Thing I Wrote it means a lot #i love writing fakey as this just. unknowable Thing half the time. he doesnt mean bad... but it doesnt exactly mean GOOD either #its just doing what he knows to do. which is not very compatible with peppinos desires to have a normal afternoon #but i think he learns to stop trying to eat peppino after a while and they have a less antagonistic relationship #... well maybe he doesnt COMPLETELY stop. but. enough that peppi can brush it under the rug. lol

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commsroom · 6 months

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mission launch for minkowski's crew was in march 2013. ostensibly, they were put through some mission training, though the extent and effectiveness of that is kinda dubious. pagliacci takes place in 2013, exact date unspecified. but it has to be early. let's say... mid-january.

eiffel thought he had ruined the rest of his life before he'd even turned thirty. he probably spent his thirtieth birthday in jail. and then... for some number of days, weeks, maybe even a couple of months, he exists in this state of, well. of limbo. cutter gets him released from prison, and flies him out to canaveral. he doesn't speak to his family, obviously. they don't want to hear from him, and don't even know. he's still a prisoner, but no one around him knows that, either. at some point in this time frame, goddard first exposes him to decima, before hilbert even knows who he is. and he lives wherever goddard is accommodating him, and he has to go about his day-to-day life in this transitory state between a 26-year sentence he'd just started really grappling with, and the very immediate reality he's now about to be sent into deep space instead.

they give him a certain amount of freedom; it's not like he can go anywhere. he doesn't do much, anyway, is not feeling appreciative for his momentary second chance at life, given the circumstances. he blows off most of his mission training, and they're surprisingly lax about that, which in retrospect probably should have been a sign. he sits around and smokes, mostly. gets takeout food. but he goes to see movies, as much as he can. as much as he wants to punish himself, he needs to do something, or he'll go crazy, and it's not like he'll get a chance to see a movie in a long time. he was already resigning himself to maybe never going to a movie theater again.

the film adaptation of les misérables was released in december 2012. it's entirely feasible it could've been one of the movies he saw in this time period. i think the idea adds some resonance to his shared reference with minkowski in the finale, at least, in the way it pulls things full circle. intentionally or otherwise. and, incidentally, the 2012 film adaptation of les misérables, a story that notably features an ex-convict protagonist seeking redemption, was released on december 25th. call that serendipity.

#wolf 359 #w359 #doug eiffel #i don't know. just a thought. just some coincidences i think are kind of neat.#and @ beth hephaestuscrew i'm so sorry i asked if i could reference our conversation and then reworked the post #but in spirit i want everyone to know that this thought came from a conversation with her a while ago #when she was writing her minkowski musicals essay. go read that also. putting this part in the tags but #i think it would be funny if minkowski never got around to seeing it and actually gets mad at eiffel for it later like #THAT'S what you were doing? instead of learning basic safety protocols or how to Operate Our Space Station??#you don't even like musicals!! and i was busy!!#i don't know what her opinion on the movie adaptation would be but i am sure she has strong opinions about movie adaptations of musicals

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