No i'm like actually annoyed by people whining about deaths, in a horror show, that you know is about two brothers and their manpain.
Like is this doing media right girl?
Its so central to the weird found family wanking, like its such an irrelevant thing but eh now i get its activism for them.
Carver era is generally the problem because its extremely brother codependency centric, while Kripke era is centered on it, a lot has to do with outside forces and their tragic fate and the end result wouldn't atleast have them be together happy, Carver era though is esentially about their codependency getting worse to the point of destroying everyone around them, and the side characters are for that narrative.
Like genuinely i don't know what whining about Kevin's death does, like makes it found family i guess if he just stays there all happily, if its not about how Dean says he would do it again even when it means Sam goes through all that and his body kills Kevin. Its the catalyst for the heavy divide and misery.
Or about Charlie, when the point is that Dean goes over the edge with people trying to save him and dying and gives into his darkness and that Sam says he'd do it again even when it release something terrible and has caused Charlie to die.
Like what does it mean to continuously whine about very very narratively significant deaths, that would have the entire show be different. Like no pain nothing just found family destiel fluff i guess.
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I'm genuinely tweaking rn, I've read all the fics and I don't know what to read now 😭
all of my fics ?? lol wow i appreciate that sm <3
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(please heed any tags or warnings on each blog and/or work and be kind and respectful)
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Gaz : You do know we're still here, right?
Ghost : >=(
Gaz : My bad, I'll just pretend I'm not here then
They just came back from a scary mission.
Yes, they're just bashing their masks against each other and not actually kissing
Yes it's awkward for everyone except them because they don't care because they're in love.
Yes, Soap is standing on his tippy toes. What good is having a boyfriend built like a mountain if you can't scale him?
(Yes I gave up on the outfits. I hate drawing clothes, if you hadn't noticed)
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For the Royal AU Twinyard backstory... Maybe Andrew, as a second son, was sent away for study? He could have become an apprentice to a knight or a scholar when he was young, maybe even with the Spears, and that's where Bad Shit Happened. And then he could have returned when he became of age, or when their last parent dies and Aaron needs a familiar (ha!) face around
*excited* okay okay this has been brought up a few times now and every time I read it the idea grows on me more, you’re all so smart for it
(I was gonna put the art at the end but this got a lot longer and sadder than I anticipated so. Sometimes Andrew likes to do stuff like this when they’re stuck talking to important boring dignitaries)
(It’s the main reason Aaron develops an incredible poker face)
tws this time are all canon compliant
Honestly yeah! I do think this is great because I want the twins’ father to be around after birth and for a while, because the whole point of Andrew being sent elsewhere is probably so they can give that extra attention to Aaron and raise him as the heir to the throne. So it’s a perfect balance, in my mind, of a family that cares enough to get Andrew an education/proper upbringing and a father that doesn’t care enough to spend time on a second son.
In my head the Spears would be almost always overbearing, partly because Andrew is the prince and they Do Not want to disappoint the royal family and partly because Andrew is the prince and they immediately assume this little five year old they get on their doorstep is going to be a spoiled brat. Even though he isn’t. And, as you may guess, the only thing they turn a blind eye to is Drake. Drake, their own son, probably the real spoiled brat that gets his way in all things, even with the young prince. Faces no consequences, even when Andrew tries to tell someone. It’s probably his governess or nanny at first (either way, it’s not really important what the role is, just that she’s there). And this woman has been Andrew’s biggest advocate since he arrived, she genuinely cares about and is worried for the little prince with his bruises and fear. She cares enough to bring this up to Duke Spear - maybe he really is dumb enough to just be unaware, she hopes - and confront him about Andrew’s treatment. But of course the duke doesn’t do anything to discipline his son. Instead, the governess is fired and a new woman takes her place, a woman that isn’t as outspoken and won’t ever question the authority of the Spear family. Andrew learns soon enough that trying to tell someone or speak out only makes things worse for himself. Sometimes he still wonders where that first governess is, if she’s doing well.
Meanwhile at the castle, Aaron is going through his own rigorous training. A lot of the same stuff as Andrew is learning, honestly, with a few added duties and lessons and a lot more official meetings he attends with King Minyard. It’s a pretty average upbringing for an heir, I think.
Then maybe when Aaron is around the age of ten or so, King Minyard passes. This wouldn’t normally be a political issue, since it’s expected of the Queen to take over and divide the king’s half of the duties as she sees fit until either she remarries or has an heir become old enough to take the throne, at which time she may pass it to the child or continue to reign until she either passes or is deemed unfit. And, politically, this is exactly what happens. What most don’t see is how grief stricken she becomes and then remains. She can’t pull herself from her grieving, and instead of passing duties to more fitting people, Queen Tilda simply lets young Prince Aaron take on as many duties as he can without breaking down. (Though he has, before. Likely a few times. A kid being pushed past his limit again and again.) Aaron grows up so much faster than he ever should have. He’s thirteen now and sometimes he shakes with stress.
Then the queen finally gives into her grief and passes as well. If it weren’t for Katelyn, Abigail, and Betsy, Aaron might have been next to lose his mind, leaving the throne empty. As things are, Aaron swallows everything down just long enough have word sent to the Spear family. He wants his brother back. A familiar face and his quiet, desperate hope: someone to just help.
And return him they do. Andrew’s been perfectly competent with all his studies, they say, they’d even managed to break that stubborn streak. (They didn’t like he wouldn’t speak or shake hands when instructed. They didn’t like being told no.) And yes, it’s a familiar face. Aaron sees the carriage door open, sees his twin for the first time in eight years, but he isn’t sure he recognizes Andrew. Andrew isn’t supposed to have bags under his eyes like this. Andrew didn’t hold his jaw so tightly. And Andrew certainly didn’t answer questions like some kind of unthinking, unfeeling shell.
The first thing Andrew says to Aaron getting off that carriage is “No.” It’s quiet, but he does say it. Aaron is confused - he’d thought they’d still be allowed to hug each other, or shake hands at least - but he does step back and instead ask if Andrew wants to see his room. He can see Andrew relax.
It might hurt Aaron a little when he watches the Spear boy get a hug with no protest, or how Andrew quietly addresses the duke with more than a one word sentence. But he’s not going to ask about it for a while. He’s the stranger to Andrew here, after all.
(I think Andrew does let him ask. The most he tells Aaron about it - maybe as much as a year later - is that the younger Spear had been much worse at listening than Aaron ever is. It is much better here. At least you and Nicky understand the meaning of ‘no’. Leave it at that. And after that Aaron is even more supportive of Andrew’s wide bubble than he was before. He enforces it himself when he has to. And growing up together for longer, with no looming secrets or much reason for animosity between them - it isn’t Aaron’s fault King Minyard decided to hand Andrew off and the twins are both mature enough even at that age to know it - means the twins are much closer than in canon. I don’t think it would be a typically ‘fond’ relationship, because they’ve both still been through it. But they support each other in all things, no questions asked, and always get through problems together.
It doesn’t take much longer than that first year for Aaron to earn the right to touch Andrew, even if he does need to give or show warning before he does. Andrew never says it, but he’s grateful that Aaron is generous with his shoulder pats. It feels a little like the validation he never got anywhere else. And Aaron never says it, but he’s grateful that Andrew is always at his side to tell people ‘no’ when Aaron is technically not allowed to.)
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