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#i have another account and this isn't happening there. why my art account??? why...
petricorah · 10 months
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🚨🚨if you followed me in the last two days, please like this message. Last night, over two hundred bots followed me, and some even left really vague comments on my art, almost making it seem like a real person. i'm about to go and block people especially if you have the default icon.
i'm sorry. i know not everyone with a default icon is a bot, but there are viruses going around for if you check, and with 272 bots, I just don't have time to check. The are following me quicker than I can report and block, so I have to block default icons on sight.
please reply with something that sounds real to this post or like it or something if you followed recently.
edit: like twenty more followed me in the two minutes it took to post this. i can't block them fast enough. Not all of them have default icons, some are sneaky, but they're still bots.
edit edit: over 700 in the last 12 hours
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palskippah · 5 months
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Hi!!
Here's two pages of sketchy drawings of Queen River and baby Bowser bonding I did for @raysbrainrot! I loved drawing it, thank you very much!!
(Here's my commission info btw!)
Also, here's a few points that I think are nice to say but didn't fit in the drawings :''v (I have so many thoughts of them hepl 🧍)
-Queen River tried to sew a bib for baby Bowser bc he was drooling everywhere and of course she could buy them the nicest bibs in the whole kingdom and all- but she wanted for it to be special. She knew that many koopa mothers usually made clothes (only when needed because koopas don't really use clothes but babies sometimes need them) or accessories for their koopalings, so she tried that too.
>Thing is, she's much bigger compared to her own baby, and she struggled a lot to sew Bowser's name on the tiny cloth, she used no more than five stitches for each letter and even then she didn't account for the space needed, so all she could put there was 'BOWS' with a crooked S.
>She was embarrassed as hell when Kamek asked what was it that had her so upset and she showed him the sewn bib while he looked at it and she covered her face in shame, he started to laugh- and then the drawing happened and that.
>Kamek started almost always dressing baby Bowser in that bib, and soon the nickname 'Bows' stuck for a while, until the queen died and from then on Kamek started calling him Bowser or 'little prince' or 'your *insert current emotion*-ness' solely, bc it was the queen who (without meaning to) gave Bowser the nickname, and it was like a reminder that she wasn't there anymore. With time, the nickname faded into forgetfulness, and no one ever called the koopa prince that anymore.
-Btw remember that baby Bowser had like they/them pronouns mostly bc they didn't have idea if the baby was boy or girl 🧍something about royal koopas idk
-When Kamek told Luigi of all he could remember of the queen and Bowser bonding, there was a very clear fondness in the way he remembered her, even after so many years (Bowser's like thirty-and-a-few years old, so it has been so long ago), and that's another part Luigi thought was very adorable, aside from the mom and baby.
-I imagine babies marvel at the fact that there's a very big being taking care of them, so imagine baby Bowser also thought so of the very big koopa that always was very sweet and congratulated him even when he didn't do anything and cuddled him very lovingly- and then one day she wasn't there anymore and it felt like he lost a part of himself (I can't remember when is it that babies realize their mom isn't a part of themselves?? But :''''v), even if the other being that took such good care of him (dada) was still there, he cried a lot because the main one (mama) wasn't there anymore and no matter how much they called her she didn't come to comfort them.
That's all pipipi :'v I love them
Addition!
-After Queen River's death her portraits and pictures had to be taken down in the whole castle (maybe except the one in Kamek's room, which he looked at very sadly-) because baby Bowser kept seeing them and getting excited and making grabby hands to the portraits to reach them, and then they'd get sad and would cry when the paintings obviously didn't reach back for them. Kammy and Kamek (with a big pain in their heart) had the paintings and any art representing the queen to be taken down, so the prince wouldn't see them. That's also why Bowser started forgetting about her very quickly, and then they didn't get sad nor missed their mom 👍 cries
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percheduphere · 4 months
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honestly I'm more at a loss when people say sylki is canon. I am...very confused by what people mean by that. they were never anything romantic together? I honestly feel like I've missed a whole season of the show when that gets said. that's not from a shipping standpoint; that's from nothing happening that'd make them "canon"
like, to ship sylki is still to ship something that isn't and didn't become "canon". it's still wanting something that didn't happen between them
like, even if sylvie was an intended "love interest" (was she? even? on the basis of her being a woman that loki connects with?), I don't call that alone a romantic relationship between them being "canon". Like, if elizabeth bennet and mr darcy never became anything, they're not "canon". that's just something that could have been but wasn't.
they were never actually anything?
LET'S TALK ABOUT "CANON" & BISEXUAL REPRESENTATION, THE SERIES' MIDPOINT & THE THEME OF BETRAYAL, AND THE SUBJECTIVITY OF ROMANCE
I've been sitting on this inbox comment/ask for a long time because I wanted to make sure I respond in a way that feels productive, kind, and doesn't step on other fans' joy. Having said that, as a Lokius shipper, I think it's really important for Lokius shippers and Sylki shippers to unite on at least one subject and that's positive bisexual representation. This isn't meant to be a harsh reply--I understand what the anon is saying from their point of view--but I also want to delineate between canon and personal interpretation/taste.
I also want to note that it's unfair to disavow Mobius and Sylvie's impact on Loki, Loki's impact on each of them as a result of his individual relationships with them, and thus the impact Mobius and Sylvie have on one another separate from Loki. Doing so really halves the overall richness of the story, and taking this into account is why my metas are so annoyingly long. This one, in particular, is a mess but hopefully I've managed to wrangle it into some kind of coherence that addresses the anon ask that is respectful to Sylki. Fear not, Lokius shippers, I discuss Lokius in this post, too. But first, let's talk about canon and bisexual representation ...
CANON AND BISEXUAL REPRESENTATION
Canon is often defined as: 1.) what is actually written in text (as opposed to subtext), AND 2.) what the creator(s) verbally confirm.
I've said before and I'll keep repeating: the most important aspect of art is art's relationship with the reader/viewer. Individual interpretation is what escalates a medium to a deeply personal and, at times, spiritual level. Art is supposed to make us think and feel. We're supposed to interact with it and do with it what we will. This is particularly important when we consider that much of consumable art is hampered by the demands of capitalism. Fan-interpretation democratizes what people without power want to see and hear, whereas canon (especially mass media canon) often self-censures to sell to the widest audience.
From the creators' standpoint, Sylvie has always been intended to be Loki's romantic interest, and Loki was always intended to have romantic feelings for her. This is what the creators tell us. Whether or not one likes Sylvie and Loki together is subjective.
As for the text, the plot between Loki and Sylvie has the markers of a romance, albeit one that doesn't come into full fruition. By full fruition, I mean a happy ending with each character affirming one's love for the other and committing to being together. Now, a relationship doesn't have to be successful or reciprocal to be considered romantic. Heck, it can be absolutely toxic and still be romantic. Whether or not the plot is convincing in its execution of romance, however, is also subjective.
What romance requires is: 1.) at least one of the characters desiring the other, and 2.) at least one of the characters willing to sacrifice for the other. Sacrifices don't have to be big, either. They can be small and cumulative.
Canonically, Loki fulfills both of these romantic requirements for Sylvie. (More on Sylvie below).
Subtextually (that is, not canon as defined above), Loki and Mobius fulfill both of these requirements for one another.
I'm gonna soap box for the next two paragraphs, so you can skip over this if that's not your jam. Both romances, canonical and subtextual, can exist concurrently without erasing the existence of the other. Even if Loki and Mobius had miraculously become canon in S2 (it's Disney, this never would have happened but let's explore the hypothetical), that doesn't erase Loki's former romance with Sylvie in S1. To erase that history is bisexual erasure, which isn't okay. Likewise, quashing the importance of queer subtext in order to "kill the other ship" isn't okay either, as it reinforces optical heteronormative romance in mass media and is also a form of bisexual erasure.
What's more important than either ship "winning" is the positive portrayal of a bisexual character. This means a character who demonstrates genuine love and devotion to people of more than one gender. If we accept the canon AND the subtext (we don't have to like it; Sylki's not my cup of tea personally, but I accept it as real), Loki fulfills positive bisexual representation, however restrained that representation may be. The social goal is to get to the point where a media juggernaut like Disney allows its franchise characters to experience relationships with more than one gender canonically and positively. We're not there yet and I'll probably be dead before Disney ever gets there, but Loki can be seen as a historical stepping stone distinct from Aziraphale and Crowley (Good Omens) and Steve Bonnet and Edward Teach (Our Flag Means Death).
(NOTE: Polyamory is a whole separate subject matter, which I'm won't get into here.)
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ON SYLVIE
There's fan dispute over Sylvie's interest in Loki. I've previously written meta on Sylvie's sexuality and how she responds to Loki's romantic advances here. In S1, while she starts off frustrated, I think Sylvie slowly develops interest and was cautiously hopeful that she and Loki could figure out their futures together. Loki has been consistent about wanting to be with Sylvie and supporting her up until the necessary plot conflict of the series midpoint (S1E6; the S1 finale). This midpoint is the root cause for why Loki and Sylvie's relationship becomes strained. Again, this doesn't mean that the romance never existed--the plotpoints are there--but it does mean Loki's character development got in the way.
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So let's talk about the series' midpoint and the interplay of Mobius, Loki, and Sylvie's mutual impact. The three are so deeply entangled that it's worth untangling their cause and effect on one another.
THE SERIES' MIDPOINT & THE THEME OF BETRAYAL
I keep stressing in my other metas that the series' midpoint (S1E6) is the most critical. Structurally, midpoints are where the story turns. Midpoints occur on multiple scales: at the episode level (typically in acts 3 or 5, depending on how the screenwriter divides their screenplay), at the season level, and at the series level. Midpoints are what provide the overall narrative and character arcs with movement.
As a whole, there are 3 key midpoints in the entire series:
1.) S1E2/E3 - When Loki betrays Mobius for Sylvie (midpoint of S1)
2.) S1E6 - When Loki betrays Sylvie for the "bigger picture" (midpoint of the whole series)
3.) S2E3/E4 - When it's revealed HWR betrayed Renslayer; Victory Timely is brought into the mix, and Sylvie reluctantly joins the TVA (midpoint of S2)
There is another betrayal that runs near-concurrently with #2, which is Mobius's betrayal of Renslayer (it begins in S1E4 and continues into the S1 finale). Thematically, we can take Loki's betrayal of Sylvie and Mobius's betrayal of Renslayer as mirrors of one another because these are the only betrayals that are motivated by good rather than selfishness. The selfish betrayals of #1 and #3 bookend betrayal #2 to highlight the beginning Loki's readiness to become a hero in S1E6. Where S1 focuses on Loki exploring who he is, S2 focuses on the hero Loki will become. S1E6 therefore serves as Loki's turn, his launching point to get to where he lands in S2E6. The story is really well-structured!
The poetic irony is that Loki's S1E6 betrayal was not an act of villainy, but an act of character growth.
There is plot set-up for Loki's betrayal of Sylvie, and that set-up is 2-pronged: 1.) from Sylvie's end, her misinterpretation of Loki's intentions, and 2.) from Mobius's end, the provision of unconditional friendship. Building up to these prongs are S1E1 - S1E3, in which Loki's self-interest and impulsivity are emphasized. S1E4 pivots Loki from self-interest and impulsivity to consideration for others and caution. Sylvie did not bear witness to Loki and Mobius's interactions in S1E1-S1E2 and S1E4 in the time loop chamber. She has no context for why Loki would hesitate killing HWR. I'll discuss this more under "Prong 2".
PRONG 1: SYLVIE'S MISINTERPRETATION
In the scene below (S1E5), Sylvie makes an assumption about what Loki wants and Loki admits via subtext that ruling a timeline actually won't make him happy.
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Sylvie smiles in response, implying she understands what Loki means, however Loki often speaks in double-meanings (he cannot be trusted) and Sylvie has doubts (she cannot trust). From Sylvie's point-of-view, Loki has discussed the desire to rule with her 3 times (writers' magic 3s again). Above is the third. The previous 2 are:
1.) In their first confrontation in S1E2, when Loki offers Sylvie the opportunity to be his lieutenant. (Can't find the gif of this. Grr ...)
2.) On Lamentis (S1E3) in the scene below:
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By S1E6, Loki has no interest in rule.
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He's honest when he says he's worried about the greater ramifications of killing HWR. Sylvie doesn't believe him. The question is how did Loki arrive at this point in his character arc? Why slow down now? Why worry about the consequences now?
The answer is in S1E4.
PRONG 2: MOBIUS'S UNCONDITIONAL FRIENDSHIP
It's established in S1E1 that Mobius knows Loki better than Loki knows himself and consequently better than Sylvie knows Loki. A lot of Mobius-haters despise Mobius's cold confrontational tactics but it is those same tactics that force Loki to self-reflect. And to be clear, Mobius uses cruelty in S1E1 because 2012 Loki would not believe in, let alone listen to, softness and compassion. Cruelty is a language 2012 Loki understands, therefore Mobius communicates with him on that level to get him to listen and start thinking about the answers to the hard questions.
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Not exactly the gif I wanted, but close enough. In this scene, Mobius wonders why Loki, who "has so much range", wants a throne. He then asks Loki, what's next? The implication of these questions is that Mobius knows Loki will never be satisfied. He knows, deep down, a throne is a poor substitute for what Loki really wants: love, acceptance, and companionship.
Mobius's tone is mocking, his note that Loki has a wide range is complimentary, and the question is serious. Further, and this important, Mobius gives Loki respect in conjunction with his cruelty, his compliments, and his seriousness by acknowledging Loki's intelligence ("I am smart"; "I know") and his potential to be more than a villain ("That's not how I see it"). Understandably, this strange, dizzying mix of seemingly contradictory truths puts Loki off-balance.
Their tenuous allyship becomes a friendship in Mobius's eyes near the end of S1E2. Mobius is practically squeeing about Loki's multiple breakthroughs and how well they work together to Renslayer:
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And Loki genuinely looks excited to help Mobius. Look at that fist-pump. Mobius doesn't see it, he's ahead of Loki, so his enthusiasm isn't an act. The seeds of mutual trust (rather than doubt) have been planted.
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Unfortunately, Loki's poor impulse control and need to hedge his bets out of self-interest lead him to betraying Mobius. Both Sylvie and Mobius take Loki's betrayals poorly.
The key difference is that Mobius cannot resist the desire to trust Loki, to want to be his friend. This desire creates Mobius's doubt in Renslayer, which in turn leads to his betrayal of her.
Forgiveness isn't easy. It requires the ability to accept disagreements and another person's shortcomings. It requires good will, faith, and a willingness to move on. It requires compromise and, at times, letting go entirely.
Mobius torturing Loki with the Sif memory loop was awful. His personal hurt is directly tied to the below admission, which informs Loki what Mobius thought of their relationship:
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And that revelation startles him. It forces him to evaluate his actions that led to Mobius saying such a thing (impulsivity; self-interest). Loki, who doesn't want to be alone, desires Mobius's friendship.
So when Mobius returns to Loki with an olive branch ...
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Loki offers Mobius an olive branch of his own by affirming the friendship Mobius believed in but felt betrayed by.
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Thus, Loki and Mobius accept each other's olive branches. They forgive each other and repair their relationship from there. This is critical thematically because Loki and Mobius each extend olive branches to Sylvie and Renslayer respectively, both of whom reject those olive branches more than once. Sylvie and Renslayer represent opposite ends of the chaos versus order ideology, for which neither is willing to compromise. Loki and Mobius also start out at opposite ends before meeting in the middle.
Sylvie unfortunately does not know anything about Loki's interactions with Mobius and how those interactions have impacted Loki's motivations. She doesn't know that Loki wants to "slow down and think about this" because the last time he acted on impulse, it turned out he almost threw Mobius's friendship out the window without realizing he had his friendship in the first place.
For her, the seeds of doubt have already been planted: Loki betrayed the TVA to pursue her, Loki expressed shock at Sylvie's desire to "walk away" rather than taking advantage of the "ultimate power vacuum" once the TVA is destroyed, he expresses the desire to rule 3 times. Therefore, it's perfectly reasonable for Sylvie to assume Loki would betray her for power even though she had hopes to the contrary. Romantic tragedy? Absolutely. Believable? Depends on who you ask and what your personal taste is.
There must be some kind of sentiment on Sylvie's part, however, because she chooses not to kill Loki. Instead, she kisses him goodbye and throws him through a time door.
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Mobius's friendship is therefore the catalyst for everything that unravels between Loki and Sylvie in S1E6 (the series' midpoint). I think it's safe to interpret Sylvie's tearing into Mobius in S2E4 as not only due to being in the TVA and having all her traumas brought to the surface, but also due to experiencing jealousy. This level of anger matches Mobius's outrage about Sylvie in S1E4! Note, however, that this interpretation of Sylvie's interaction with Mobius is subtext. Subtext goes many ways!
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THE SUBJECTIVITY OF ROMANCE
Are Loki and Sylvie a believable romance? It depends on your taste.
A fictional couple's overall successful reception by the audience (which is rarely if ever 100%) is contingent on a few things:
1.) Character development
2.) Story execution
3.) Chemistry between the actors
Reception and interpretation of the above are all subjective. In addition to these elements, another important factor is couple trope. Depending on your preference, some tropes might be nope while others are yum. You might even like most tropes but the actor chemistry, character development, and/or plot are just not doing it for you.
Loki and Mobius follow the tropes of:
Opposites attract/Complementary set
Sunshine and cynic
Enemies to allies to friends to lovers
Sherlock and Watson
Slow burn
Ride or Die
Loki and Sylvie, on the other hand, follow the tropes of:
Exceptionally similar but with key differences/Matching Set
BAMF duo
Enemies to allies to lovers
Bonnie and Clyde
Fast and passionate
Ride or Die
Loki and Sylvie's romantic dynamic may be compared to the following couples in other media:
Batman and Catwoman
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Jack Sparrow and Angelica Teach
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Benedict and Beatrice
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If you notice, they all have very similar personality traits. They also fight and fight a LOT. It's part of their charm and can add to their chemistry.
Personally, I didn't feel any chemistry between Loki and Sylvie, I didn't feel like there was enough warmth between them, and I really wanted Loki to be loved by someone who makes an effort to understand him rather understanding his core traits off the bat by being the same entity. Loki and Mobius hit all the right story beats for me. Tom and Owen's chemistry as actors is remarkable. I'm also a sucker for ball of sunshine and cynic dynamics.
But that's just me. That doesn't mean I don't see what the creators tried to do with Loki and Sylvie in terms of plot, character development, and couple tropes. Some people felt chemistry between Tom and Sophia, others (like me) didn't. Whatever the case, the canon exists and the romantic tropes are there. I just feel the subtextual romance between Loki and Mobius is stronger and that, again, is my subjective judgment.
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the-thursday · 3 months
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Hello everyone, this post was long overdue, and finally, prompted by our beloved Howls also leaving, it's time for me to rip off the bandaid as well.
I would also like to announce a sort of departure from Ranger's apprentice fandom.
I do not know how many from RA fandom era from few years back are still here but I assume mostly newer blogs keep up with this account.
Take a lil history walk with me, if you will. I joined this fandom around 2017-18. I was very active around here, posting all kinds of stuff, fics, takes, incorrect quotes, art and whatnot. I made many friends with whom I had a great time and I am happy and honoured that I am friends with some of them till this day. Fandom became the second home to me as things hadn't been exactly easy irl and maybe I fixated on it too much, but gods know I loved this place so much. And I wish for everyone to experience this happiness and just as I made friends who became a significant part of my life, I wish that for you as well. Being surrounded by amazing and wonderful people and sharing similar interests is one of the most pure joyous feelings in this world.
As 2020-2021 rolled around, some of you know that things in my life picked up a harsh pace and I started to drift away. In 2021 I left the fandom because of that and unpleasant things with one of the people here. It was one of the most gut wrenching decisions I had made.
In 2022, I started gradually getting worse, but also had the courage to come back at the end of the year. I felt happy and welcomed and I am so grateful to everyone who made it happen, who supported me and gave me another breath. My mental health kept getting worse but I wasn't alone and that has been everything to me.
Now it's about a little more than a year since I've been back and again, I've met wonderful amazing people who I am happy and honoured to call friends. I don't regret coming back and I am happy I did, however I think it's time for me to go again. And below, I hope to explain why.
Like I said, I've been getting worse. Last autumn and this winter have been very difficult for me and I had to rethink some priorities, as life is going on the time left for me to invest in fandoms is getting thinner and thinner. Unfortunately, among them, isn't keeping up with this fandom. With my next words I hope not to insult anyone. The truth is, I don't find enjoyment in the fandom and content itself anymore, or more like, as much as I used to. I don't exactly vibe with posts for roughly the past half a year and I don't mean this in negative way, I just think it's for me to move on. All of the new people that I've seen have wonderful content and while I don't exactly vibe like I used to, I can see that you're having fun and that's important! People come and go and I do wish all the newcomers and seniors who are still here to have a great time, but I don't think I have energy, capacity and vibes to be part of it anymore. As you know, my blog has been very much inactive for a long time, aside from dumping my dumb sketches or reblogging something here and there. And rather than letting it rot, I'd like to cleanly move on. Anyhow, on self deprecating note, since really it's not like I've been someone prominent I don't think this is a loss to the fandom and this makes it easier for me.
So to summarise, my leaving is about personal things, my life moving and the fact I don't have the mental capacity or motivation to actively keep up.
So what does this mean? I won't be posting RA related stuff on this blog anymore. This blog will turn into a neutral main blog and I'll create one side blog for art that I hope to continue to make and maybe one blog dedicated to the work of Brandon Sanderson.
However, it doesn't mean that I am not up to goof around about RA anymore, however this will be done in DMs. If I sometimes get to draw and post RA related art, it shall be posted on my new art blog with RA tag. However, I don't think there's a high probability of public RA art from me anymore, because 1) need to move on and 2) I have a very strong and maybe confrontational opinion about art in this fandom that has given me a bad taste and discouraged me from enjoying making it and posting it. I won't go into details because I don't want to sour this post for myself and for y'all with it.
I want to thank this fandom for everything it has been for me and for everyone and I wish y'all some happy fandoming!
Yours only,
The Ranger Thursday 11
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genericpuff · 9 months
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no but listen, rachel has truly embodied herself as persephone because she's constantly trying to "distance herself" from her past as a medical fetish artist but then keeps the name that's affiliated with her medical fetish art-
Like, I can't believe I never noticed it before tbh, but that was the thought that hit me while I was explaining to someone on reddit what the name "used bandaid" meant and why it was weird that Rachel is STILL using it on her print cover books, even now when she just recently set up a new Facebook account with her REAL NAME and not the used_bandaid penname (I feel like this is an attempt to "legitimize" herself in the industry but idk).
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But that leads me into talking about how she keeps lying about LO being her first webcomic project and that really pisses me off. And yes, this is related to the used_bandaid thing, just bear with me here.
A lot of my contempt for this is for reasons that go beyond her, I just hate the notion that people should succeed on their "first try" and that's an idea that's often sold by people like Rachel who spin these grandiose stories of how they were just "trying it out" and suddenly wham! Fame and fortune! You can achieve all this and more if you just xyz!
Literally, in every interview I've found over the past couple years, she always heavily implies that LO was her "first attempt", that she had never used Webtoons prior to LO, and that she was just "dipping her toes" into the medium. None of this is true, she's literally been drawing webcomics since the early 2000's (possibly earlier but the earliest documentation we can find is of The Doctor Pepper Show), LO wasn't even her first webcomic on the Webtoons platform (that goes to The Doctor Foxglove Show which she ended up dumping a chapter in to work on LO almost immediately after starting it on Tumblr) and as much as she'll claim she "couldn't pay anyone to look at her work", she had landed a number of gigs that got her work out there, had been printed in anthology collections, and IIRC she had even won some small local NZ awards for her comics prior to LO. Shit, there was a local beer brand that had her art on its labelling.
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But it really feels like she's trying her damn hardest to hide all that, never mentioning or implying that she did anything prior to LO, that she was just a "struggling graphic artist working in retail" until LO happened.
So why keep the penname that's directly affiliated with that past identity ??
It boggles my mind, honestly, especially considering she had gone by MULTIPLE usernames back then, some of which were actually pretty sane that she could have used instead (such as Rach Alex, which she uses in her FB groups, and Rachel Royale).
I wouldn't blame her if she was trying to hide her old medical fetish stuff, whether she didn't want it affiliated with her new LO branding or if she's just embarrassed by it, I can totally empathize with that because god knows I wouldn't be all that proud to show off the cringy shit I got up to during my early days on the Internet. But if she IS embarrassed by it, you'd think the last thing she'd want to keep is the name that's directly affiliated with the thing she's embarrassed by. Almost like a certain pink protagonist who goes by the name she earned after doing the thing she doesn't want to talk about.
But if she ISN'T embarrassed by it, then why lie?
Why paint this picture that LO was a one hit wonder, that she lived on "struggle street" until she found fame and fortune on Webtoons?
Oh right. Because it's a better story.
Because it's way more romantic to be some struggling indie darling who "came from nothing" and achieved fame through one big idea. Because it looks good for the platform who's trying to attract people to their app and website on the promise that you, too, can be a success story simply because you followed the exact same perceived steps that you saw another person follow and advertise.
If you can't tell from my tone, I really fucking hate this kind of disingenuous wish fulfillment advertising. It's manipulative, it's cruel, and it sets people up with expectations far beyond their scope of reaching, both due to the luck and "being in the right place at the right time" involved at best (which is a HUGE factor in stories like these that people never talk about), or through joy-killing comparison at worst when you don't achieve worldwide fame on your first try and wonder why everyone else did (spoiler: they didn't, they just want you to think that because it makes for better headlines and it gets you using whatever product they're affiliated with.)
If Rachel doesn't want to be tied down to her past, that's fine. But it's incredibly irresponsible and flat out cruel to lie about that past existing at all because it sets a horrible precedent to those who look up to her and want what she has.
And I say all that because I've seen what happens to the people starting out who admire these creators who painted the picture that they were just successful right off the bat. It's not a fun headspace to be in, it's robbed many creators like myself and others of their joy in creating, and it's really all just a ploy to get you to spend time and money and energy on a stupid corporate phone app that profits off your emotional investment and labor. Don't fall for it. Pretending like the Act of Wrath didn't happen doesn't remove it from history.
Anyways, I was gonna leave it at that, but then I ended up doing another rabbithole deep dive through her Wayback Machine and found album art she had illustrated for NZ band PorcelainToy. Enjoy this piece of her "dark era" art that still exists without needing to use the Wayback Machine.
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baskeigh-ball · 5 months
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Ignoring the fact that ibis had the ai paint feature a couple years before this whole ai fiasco, after seeing your post, I decided to try it out to see if it really held up. I already knew what you said made no sense, as even stuff like ai painting requires heavy human input that isn't just someone typing a prompt in a thing and looking through thousands of images and somehow still calling it 'art'. Really, it's just some weird advanced bucket.
The ibis ai paint... really sucks. I'm pretty sure it hasn't even been touched since it was added. No matter what I did, I got random colours and whatever colours I had put there looked like it were from a filter, not to mention how my lineart bled everywhere like it was blurred out.
Ibis isn't problematic for adding that feature as not only was it added ages ago, but it was also just a gimmick only added because a few more popular paid programs added them, like Clip Studio Paint. I highly doubt even the company took it seriously considering how poorly built it is. This is actually the one time I'm glad some feature in an app sucks so much.
Another reason why ibis isn't problematic by the mere feature alone is that, when you look at the artists making content during the time of that update, it was received with humour. It was something fun to try, but ultimately dismissed for actual artwork, as nobody would use it to fully paint their works. Nowadays we see something slapped with the words 'ai' and think that it's instantly bad due to the latest issues with it and big corperations/ certain production companies but it isn't. It's just a lot of people abusing what was previously some fun gimmick, which it can still be, and for certain apps, still is. Nobody throws pitchforks at character ai, after all.
You can tell just by the size of this that I'm procrastinating on something. Ima go and let this rot away in your askbox now lol
You really thought this would fade away in my ask box, mwahahaha /j
I wanna start off by saying thank you for holding me accountable, I will admit that I got buzzworded pretty hard in this situation lmao
This information came as a surprise to me-- I was seeing posts pop up within the past week complaining about the ai feature on ibis, so I assumed it was recent. As it turns out, after reading your ask, I discovered that I got a few wires crossed! Because yes, the auto paint feature I referred to in my post has been around for years now, and was never taken seriously anyways
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So that was my bad (and yea ur right it's completely unusable, lmao)
But as it turns out, the feature that people have been complaining about DID come out recently. It was called the AI Example feature, I think the idea was that you make a simple drawing and the AI adds 99% of the detail and color, which I've seen a bunch of other programs do.
...and then it was immediately removed due to some pretty major backlash, which, duh
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^ This is the only evidence I can find of the 11.2.0 update that included the AI feature on the actual site; their update history stops at 11.1.0. But there's also the news page about the removal of the update, so it's not like they're trying to pretend it never happened.
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So tl;dr, I jumped on the hate train a little too quickly and never did enough research to figure out what the actual update was, and that it's been removed by now anyway (which I couldn't have known until today, ofc, but i did kinda post that thing about ibis today so it's still a pretty major oopsie)
I think I can say with confidence now that I agree, ibis paint isn't problematic to use-- they made a mistake with this update, but they actually listened to their users and removed it LITERALLY the next day. So, thanks for letting me know! I'll also edit my last post to prevent any misinformation, just in case people make the same mistake I did :]
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coexistentialism · 5 days
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Hey answer this at your own leisure- I have DID and I really relate to a lot of your posts? I think ive even sent you an ask before but i forget so i apologize if ive said the same thing.
Ive known Ive had DID for ages- and in the beginning i thought i had a ton of alters, and now years later 5 months have passed and i dont know who i am at all. Alter advice isnt helpful at all cause it feels like I have no differences. So basically I feel like nobody, Except When Im writing and roleplaying? I have tons of ultra developed characters that I "project" onto and I've been theorizing that my characters Ive created are actually vessels for alters? Or actually my alters? I think I even explained it once as "my characters are all self inserts for my different selves"… Ive never heard of this ever happening to another person and im very unsure. Of course I dont expect you to like diagnose me or anything but i was just wondering if you…had any input? Thank you for taking the time to read this btw I know it was long.
Hii, I went to sleep most of the day, so I'm just seeing this now lol and I love this because that's basically my experience, albeit it with some differences.
Once I was diagnosed and throughout my questioning, I figured that most of the "characters" I made were just alters.
I actually still struggle to comprehend creating characters that isn't just "you" (an alter in some way).
The Warrior cat books were a special interest of mine, and I "created a character" named Rainwhisper, but it wasn't really a character, it was just Me, as a cat in the series.
I liked Utau and Vocaloid, and I created my own Utau called Roxy Mizu, bit it was really just Me as an Utau.
Art and writing is a big way for alters to express themselves, it makes sense. Especially if you grew up in an environment where many of the other ways of self-expression weren't allowed. For example, I was never allowed to look or dress the way I wanted, and most self-expression was punished, made fun of, Not Allowed. So it makes perfect sense to turn to other means of self-expression, when you have no other way to express yourself as a person, and as individual alters (who may not realize they exist, but they are still expressing themselves).
For me as well, my online accounts have also been a huge way of expressing myself (/individual alters to express themselves). Certain icons associated with certain usernames. I get uncomfortable if my Discord icon is something that I don't really vibe or resonate with/doesn't really feel Right. I always grew up changing my icons and usernames a lot, sometimes coming up with a ""fake name"" to use for myself online "for privacy." In reality, I do think it was just alters wanting their own names ad wanting to express themselves, we just didn't know it/realize it/weren't aware we existed as our separate selves at all.
I've known other systems like this, but it never quite feels the same. But lots of systems have talked about how their "characters" turned out to be alters.
Similarly, video games can be a huge way to express yourselves as individual alters (again, without necessarily realizing it. It's not like I ever knew "I am my own separate Entity and this is me now lol" it's never like that for me). Especially if the game has a lot of customization options for your player character, you might find yourself constantly changing how your character looks to fit your Vibe/mood/etc. in the moment. This is my experience, and I 100% think it pertains to different alters expressing themselves.
I'm all about the small details of alter differences when it comes to figuring out alters. I think my autism is kind of an interesting thing in that regards, and because my DID experience is so.. Subtle? It makes sense why my autism combines with that to be able to notice incredibly small details like that, that I find that many other systems just. Overlook completely and/or don't even realize are things at all. Like, I just notice that many systems don't even realize or know that you can be switching without even knowing it, but without individual alters even knowing they exist at all too. It just feels like/seems like most other systems online just go "I know this is an alter because (distinct overt thing)" but don't realize it goes deeper than that sometimes for a lot of systems actually.
I've definitely had experiences where I felt so distinctly different that it was at least easier to assume I was some kind of alter, but it's still not quite like that, and is not my norm (and usually only happens while high).
For many people with DID, it's really, really subtle and alter switches are happening without the person and without the individual alters even knowing/realizing it. I actually read a research paper recently that really put a lot of my thoughts about this into words, Diagnosis Of Covert And Subtle Forms Of Multiple Personality Disorder Through Dissociative Signs if you want to read it! I've been working on a bigger post that goes over it, and goes over my own additional thoughts and feelings about how to figure out if you have DID through incredibblyyy subtle things like what's described in the paper.
It is from 1988, so some info is outdated, but it was still so, so nice to finally read a paper that really talked about these things. I wonder if I can find similar papers from more recent years ("recent" here doesn't necessarily mean like 2020-present, I consider things from 2010, and/or 2015 onward much more recent than, like... 1988 for example LMASNDKS)
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steamberrystudio · 10 months
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30/07/2023 Devlog
Hallo! Time for another quick devlog here on tumblr.
Summary:
All Sprite expressions coded in Yuu's route
One additional sprite finished and added
The Ramble:
So...I have finished sprite expressions for Yuu's route. 😵
It was gruelling.
It took me a while to realise why it felt like so much more work than the last couple of routes and I realised it was due to the fact that it's Endgame.
The Endgame routes tend to have a lot of huge group scenes as the characters have group training sessions, missions, and lots of meetings.
When I thought about it, I realised that the last three routes I coded were Lance, Quill, and Reuben. While there *are* group scenes in those routes, none of them happen with as frequency or as many characters as a lot of the Endgame group scenes.
So yeah. This was pretty tedious and I gave myself several headaches (LoL).
But the expressions are complete.
I have a few more sprite images to complete and put in the game but all the expressions are coded so once the images are done, I should be able to just plug them in and have them show up properly. That said, I'll still need to go through and double check that nothing is broken and no one is randomly stripping or losing their face (which is what happens if I typo something. LoL)
So yeah, the main remaining things are the sprite and CG art.
Upcoming Weeks:
As I said, it's really down to the sprites and CGs. I do have a few other small things to do like the ending card and other minor stuff. But the *big* thing is the art.
That's what I'll be working on in the upcoming weeks. It's really difficult to gauge how long CGs and sprites will take. Sometimes I can finish an entire CG in one day and sometimes it takes three days for one CG.
And of course it comes down to how much my hand cooperates.
Once the art is done and coded, we'll move into the beta stage for Yuu's route. =O But I don't think we'll quite be there by my next update here. But we shall see! 
I'll basically be in drawing-mode going forward! 💪💪
When Stars Collide:
There isn't a whole lot to talk about for WSC this time around - I got the new "bridge" background for The Ophelia. It has a really different vibe than the old image but it makes me excited to see all the new ones.
I decided to add in a "Music room" in the extras which is not something I've done before. But since this game won't have a consolidated OST anywhere, I thought it would be useful. And I'm planning a fun little feature for it.
I haven't written much more than what I had two weeks ago. Maybe 10,000 words or so (a little less, I think). But I have done a lot of planning regarding the new character and new chapter. And I have started making edits to existing scenes to account for Kav's presence. 
I have written all of Noel's chapter 5 scenes, and all of Raif's chapter 5 scenes, and started Yren's chapter 5 scenes as well.
So yeah, that slow-moving train is....slow moving still.
That's all for now - see you in a couple of weeks!
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cosmica-galaxy · 3 months
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Okay. Clarification time.
Regarding the concern for Smols situation, I will state MY point of view regarding this little hiccup now that Turtleduck deactivated so suddenly. Just to help settle some confusion or worries some people have for what may have happened.
So, what happened?
Basically, Turtleduck was asked by Smol if they were upset with the wars going around on our blogs, which started this little hiccup.
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Please keep this in mind for a little bit later.
So Turtleduck stated that they don't like to see the fighting going around the blogs. Aight, that's fair. Not everyone cared about the DILF/MILF wars and that's totally fine!
However.
It was this comment that followed this conversation that probably snagged things a little bit.
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(Yes. I blocked out turtleduck's profile to prevent their identity from being leaked as I consulted a friend for a comment to double check if I was be a little miffed for no reason or not.) As you can see, the last sentence is worded pretty poorly. This came off to me as "I want ruin people's fun so that they can go back to entertaining me". Even if that was not the intention, the comment painted a really rude and entitled picture on turtleduck. Even my friend that I consulted for an outside eye on this comment spoke about how rude the comment was toward the end and how even they felt like they were self-serving in a way. Not only that--
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--Even STRUX felt that it was rude. This is why Strux is saying this in the original post.
Another thing to keep in mind is that, while Turtleduck claimed to have not liked our blog battles (which would've been find on it's own), they were actively ENCOURAGING blog battles.
I'm pretty sure a lot of my moots got THIS same message.
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They sent it to multiple large skibidi blogs (strider, strux, another dead, ect.) in some hope that we would all jump on coolbeardrunaway with smol bottles. But my question is, if you are against blog battles...why are you actively encouraging them?
That's a little hypocritical, right? In short, I got the same ask and I didn't respond to it because I saw the previous message and was a little miffed.
Nothing overtly major happened. It was just a series of poorly communicated comments that rubbed a fair bit of us the wrong way.
Wait, is THIS the whole reason for this hiccup?
As far as I know, yeah. If anything was said otherwise, I have no knowledge of it. But it was mostly because of that second comment that lots of brows got raised and Smols became upset. Smols is doing fine, by the way! Don't worry! But why did Turtleduck deactivate their account??
I have no clue.
This isn't some scalding hot tea, it's barely lukewarm at best. This isn't some large scale drama either, its just someone being a little too honest with their intentions and desires.
Does this make turtleduck a villain?
Obviously no. I had no intention to hate nor despise turtleduck nor shame them. In short, us in this skibidi community are moots of moots and we entertain each other through these "wars" for both interaction and fun. We share art, stories, characters, ideas, ect. We love doing these with each other and sorry if that is not what followers came here for, but I'm not going to apologize for having fun with my Tumblr friends. I am not being chained up and made to be your source of "content" and entertainment. I, like all of my skibidi moots, are people with lives and interests. We don't live on this platform to serve and entertain you. Don't insult artists when they give you everything they can for absolutely free. Treating us with basic respect isn't that hard. If I had to say anything at all, I would have only have some parting advice for turtleduck. You are the type of person who makes group activities, roleplays, and fandom collabs not as fun as they can be. If your first reaction to seeing a bunch of people having fun in a community by sharing ideas and making art for one another is to throw a wrench into the works to make everyone pay attention to you and cater to your own personal interest...I can't blame Smols. I would've of blocked you too. That's all!
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td-rarepairs · 7 months
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List anon is back, and I am gonna now give a part 2 to that list explaination I gave a few weeks ago, and this time with way less Ezekiel:
Scott x Harold:
If I had a nickel for every farm boy I shipped with Harold, I'd have two nickels. Which isn't a lot but it's weird that it happened twice.
Ella x Sammy:
The ship's name is the best thing in the world to me, and it's the 'bullied by the worst character' duo! Yes, I'm also giving a take here too, I won't mind getting sued.
Scott x Manitoba Smith:
It's growing on me, and I love it already. Also that all-stars scene before the infamous scene of Mal appearing definitely gave Scott some kind of awakening that he denied.
Ezekiel x Cody:
Yet another ship where I hate one of the characters in the ship, but I still love it, and now I ship Ezekiel with all the drama brother members. What happened to get me here?
Ezekiel x Lightning:
In Total Roblox Drama, I was Zeeke (Ezekiel), and I got called "Thunders (Lightnings) Toy Boy." I couldn't stop laughing at that for a while. But then I thought about it, for a bit, and now I ship something that no one else ships... NOT YET AT LEAST-
Gwen x Bridgette:
I just like this one, and I can't really remember why.
Chase x Zee/Chase x Ripper/Ripper x Zee:
Character I like x The two worst characters of the reboot, also, the first time I put multiple ships in one category!
Wayne x Caleb:
One of the same reasons I love Damiwayne: Wayne thinking he's just an ally, and then boom, the Bi thoughts arrive.
Ezekiel x Topher (Clone High):
First crossover ship! Also yes, it's because they're both of the worst characters, but in a positive way.
Topher (Total Drama Pahkitew Island) x Shawn:
I found art of it that I love on a tiktok account that I love, so now we have this in this list.
Izzy x Sierra:
IB4IB (Insane Bitch for Insane Bitch).
Alejandro x Cody:
Surprisingly, this is (to me at least) both Alejandro and Cody's Bi awakening.
Tyler x Harold:
Nerd who's a little good at sports x Jock who sucks at sports.
Sierra x Heather:
"Boyfriends are temporary, but girlfriends are forever" - Heather.
And once I can think of anymore, I'll share them! Thank you for listening to my list of these all. - List Anon
.
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niinnyu · 8 months
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A little rant about leaks because I'm lowkey dreading them. And I'd appreciate it if you'd read it (and if not... 👁👁).
I find the jjk fandom's (though it's true for others too) reliance on leaks very off-putting. I know people want to look forward to something in the middle of the week and talk about it, but this just feels disrespectful, while also being at the cost of other people getting to enjoy it as they want to whether you care about getting spoiled or not.
So many people just don't tag leaks and spoilers properly (forget places where tagging doesn't even make a difference). Seeing things trending with the context of previous chapters explains everything. Not to mention people mis-tagging spoilers and leaks interchangeably (you can remove leak tags after the chapter is officially published but not spoiler tags!!) And no, you're not subtle with your 'out of context spoilers' to someone who has all previous context.
But what boggles my mind is why would you want someone to shout the punchline of a joke in your face before any of the setup has been done. You'll have a bunch of deepfried 2 pixel screenshot of screenshot quality manga panels of crucial moments with none of the build up and pacing. Paired with the most lacklustre explainations of what's happening (the phrasing of which can be biased to the leaker's opinions). Translating isn't easy. To convey what exactly something means from one language to another in an effective and in the intended way isn't easy (shoutout to fan translators tho y'all are amazing thank you for your time and effort)
And whether you care about the story or not, heck even if you think the mangaka themself doesn't care about it, it is just so disrespectful to the content that you're consuming. Making comics and manga isn't easy (churning them weakly is insane imo esp when a lot of mangaka aren't even full time artists) so why wouldn't you allow yourself to consume their story the way they've themself laid it out. Where one panel comes after the other. Where one expression has context in the next page. Where a dialogue has weight only when placed with another dialogue. Give the creator(s) this little grace too, because whether you like a story or not, there is still a huge amount of effort and skill, by multiple people, going into it.
And I personally love interacting with the fandoms I'm in, literally sometimes the only source of joy I have (yes ik leave me alone) is interacting with other fans and having my mind blown over their art and writing and theories. And I'd rather not be spoiled unless I'm myself seeking them out or just reading the actual chapter. So this involves me either spoiling it for myself before someone else does it, or spoiler dodging for 5 OUT OF 7 DAYS A WEEK EVERY WEEK.
I'm not even saying you should only look for official sources or whatever because I know not everyone has access to legal places to read (tho the shounen jump app is there for those interested, but yeah i get it for other publications), but there are better ways to read/hate-readyour fav/least fav manga out there without ruining it for someone else. The wait is juuust a couple of days more. There is absolutely no dearth of fan made content that can't help you last another few days, maybe your new fav fan creator is right around a little wait (ahem check my bs out if you'd like ahem ahem).
I just want to be able to interact with the fandom for more than just 2 days a week, and I don't like my accounts dying because i dissapear 5 days either, and is that a such a bad thing? I come online to have fun, not run an obstacle race y'know?
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I've spent a few days thinking about what to do moving forward. It's not the breakup of a celebrity couple that's affected me the most, it's the feeling of losing my safe space in the Tumblr Swiftie fandom. Every time I've logged onto this app in the last few days I've flinched and quickly exited the dash to get away from yet another take mocking and ridiculing Joe. Or minimizing his very valid fears. "Unbothered 3.0". Rewriting history to make the last 6 years seem insignificant. Comparing him to CH as if petty jealousy is the issue here and not years of harassment. Celebrating the return of Taylor Swift, The Brand, no matter what that means for her future happiness. And circulating pressers that make it sound like Joe was a therapy dog who's no longer needed. All of which is making me feel physically ill. For both of them. And even when this stuff isn't coming from the people I follow (who for the most part have nuanced and fair takes), it's coming from their anons. And no matter what I do I can't get away from the outright cruelty and shocking lack of empathy for the person Taylor has credited with saving her life. Even though swifties know better than anyone what Joe has had to put up with for over half a decade. Given that treatment, I suppose it shouldn't surprise me that this is how he's being discarded. But fuck it hurts. So where does this leave me? This blog was never supposed to be an update account or an ask blog. I just wanted a space to fangirl over my favorite actor. But in the last few months this has become a space for Joe fans to be excited for his upcoming projects and clown over castings (remember a few weeks ago when we were giddily figuring out his next movie because of insta follows? yeah, take me back to that please). And I know some of you rely on this blog as a space to both appreciate Joe and vent your frustrations with his unfair treatment. I have 70+ asks in my inbox right now, the vast majority of which are well written, thoughtful takes on what's been happening. And I agree with pretty much all of it. Thank you for taking the time to send me your thoughts. But the truth is, I simply don't have the emotional capacity to reply to them right now. I can't do it. I can't talk and think and dwell on this. To quote a song that's too painful to listen to right now: "I'm just too soft for all of it." So I feel like I have two options if I ever want to be able to be active on Tumblr again: 1. Unfollow all swifties. Because just seeing pictures of Taylor (especially from the pap walk) makes me feel ill. And it's affecting my opinion of her even though I'm mad at her fans, and not her. And I don't want that to happen or the music to be tarnished. But I also don't want to break mutuals and hurt someone's feelings. And I want to know what's going on with Taylor. I'm a huge fan of her too, and I want to be excited for tour and the re-recordings. So that's why I'm going with option 2: Take a proper break. A real one, this time. Hopefully this all won't feel so hard with some time and distance. I don't know if it will solve anything, because swifties will get back to talking about Joe in the future (whenever she makes art about this) and then I'll probably have to flinch every time I open this app again. Because he will have been reduced to yet another ex swifties can make fun of. So maybe I have to go with both options in the end. If I do, I hope any mutuals out there know not to take it personally. I wish more than anything that I could return to the days of being a casual fan who wouldn't have thought twice about any of this. And maybe that's what I need to try to get back to. For my own sanity's sake. I'm sorry to any Joe fans out there who need a place to vent. I feel like I'm letting you down, but I just can't do this right now. Maybe I'll be able to in the future. Maybe I'll leave this blog and go back to my main instead where the subjects will be more varied. I don't know. I'll always be a Joe fan though, and no shitty presser or swiftie narrative is going to change that.
Please just be kind to each other, and to Taylor and Joe. Let's hope the best for both of them, and please please please don't tarnish all the good that this relationship gave them. And all the beautiful music it gave us.
All my love
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hxhhasmysoul · 5 months
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"JJK really went from a loved manga to a mid-to-bad story with insufferable fans 🙏 may more of us hate it in the future. It snatches the spotlight from genuinely good shows and its another case of "general shonen fan will call any trash 'goat' if the fight is well animated".
I used to be a fan, until the start of the culling game. And after this controversial, inconsistent and inhumane adaptation of shibuya, im glad that I have no interest in both manga and show anymore.."
Thoughts on that statement? Do you think culling game really that hard to understand, cause I saw quite a lot start dislike JJK since that arc....?
If I had seen this in the wild I would've blocked the account that produced it. I block for very liberally and while I will block for obvious bigotry and shitty harassment behaviour, so like serious reasons,I will also block for general annoyance. Fandom is my hobby and I don't want it to be annoying and stress me out through unleashing my adhd and flood my brain with thoughts. And this qualifies as annoying.
But since you brought this to me I will actually explain why I find these kind of posts annoying and not worth engaging with.
While I would've blocked it before I got to the second paragraph on the "may more of us hate it in the future" alone, I will actually start analysing it from the second paragraph where op pretends to give an explanation for this turn in attitude towards JJK they experienced.
Reason 1:
"I used to be a fan, until the start of the culling game."
Op invokes the Culling Game arc as if it's an obvious reason to dislike JJK and hence your question at the end of the ask. And I will get to that but I need to set the stage first.
Reason 2:
"And after this controversial, inconsistent and inhumane adaptation of shibuya,(...)"
(Side note, I find it genuinely dodgy that Shibuya, an actual rl geographical location is not capitalised when the abbreviation of the manga's title is.)
What is controversial, inconsistent and inhumane about the adaptation of the Shibuya arc? The working conditions at Mappa are inhumane indeed, but it's an industry wide problem and with how JJK is a beloved title the animators actually could do a strike with a chance of the company making concessions. I don't think there would've been the same amount of fan support and pressure for animators of smaller titles. And the way the anime is produced isn't really the reason why JJK as a story should be hated because the story isn't responsible for industry exploitation that has been happening since long before JJK was even conceived by its author.
The word "controversial" honestly feels flippant when it's together with the far more appropriate "inhumane" and feels like it was added for the aesthetics of having 3 adjectives.
Now the word "inconsistent" actually makes me believe that the outrage in this sentence is not genuine and is typical posturing of "I'm critical of the media I consume so I'm a good person" crowd." This is the only adjective that actually describes the adaptation and not its creation process. And the inconsistency of the adaptation is in its animation quality. And that inconsistency stems from the inhumane working conditions. Pulling is out as a reason as to why op is "glad that I have no interest in both manga and show anymore." feels really callous and shows their hand, that they are upset that they can't consume the pretty moving pictures in peace anymore.
Huh...
"It snatches the spotlight from genuinely good shows and its another case of "general shonen fan will call any trash 'goat' if the fight is well animated"."
This is a typical example of trying to put on the guise of intellectualism through being against the popular thing. There's also this classist distinction between high art and pop culture with the idea that only a certain level of education and intelligence allows for interacting with high art thus it's only for the intellectual elite.
So there's a certain group of people who equates obscurity with quality because if they can claim liking things that others don't know about they feel like they are smarter than the rest. This way they can make an appeal to intellectualism even if they are not interacting with what would traditionally by the upper classes and social climbers be considered high art.
Popularity means that the unwashed masses like it and and the intellectuals will look down on them and their tastes, even if the intellectuals are leftists. The mob is defined by its stupidity and by liking primitive and simplistic things for vulgar reasons.
In this framing, the moment JJK became popular it lost any claim to quality. JJK is liked by the "general shounen" fans who only like pretty moving pictures. The shounen fan mob doesn't care about the "genuinely good shows" and because the mob is huge and loud those better shows suffer in obscurity. Of course no show gets specified by op because they are addressing this to those who are in the know - like those who are at their level will immediately conjure the image of those "genuinely good shows" and nod along.
And now we will circle back to the Culling Games arc. This arc feels like a HxH arc, especially Hakari and I love it. But not only for that. The arc is much slower than the previous ones and I actually hoped it would be a signal that the story will slow down like this, take more of its time to follow one or two characters and delve deeper into them. I love how that arc fleshes out the power system so much more. I hoped we would get more on the new and old characters, and we get it on same Yuuji, Megumi, Maki, Noritoshi, Hakari, Kahimo, Charles, Higuruma though not enough on Kirara, Uro, Remi, Ishigori or the Kyoto school characters or later on Hana and Angel, the time wasted on Yuuta could've been used much better. But alas then Gege cut the breaks and put their foot down on the acceleration pedal and it makes me sad.
The thing is that the Culling Games are disliked because of how slow they are and how much reading there is in them. You will read the chapters online and the comment section will be full of:
"wtf, i'm not reading that lol."
"what did i just read, i don't understand a thing"
"ugh, does anyone know what's even going on in this manga?"
So saying that JJK fans are "insufferable" "general shonen fans" who only like flashy animation and the bring up the Culling Games as a reason why JJK is bad, is very funny to me.
People also stop liking JJK at the Culling Games because the Shibuya arc removes or sidelines several favs of the western tumblr and twitter fandom. Sexyman Nanami gets killed, cute Inumaki gets sidelined, sexyman Gojou gets sealed, sexyman Chousou stays in the tomb with a woman and it's becoming very hard to be delusional that Kenjaku isn't a real important character of their own but actually sexyman Getou who will return soon.
There are many new characters introduced who aren't sexymen, apart from Higuruma and Kashimo (canonically Kashimo doesn't have a defined gender but when has that ever stopped the fandom).
And the western fandom does not like Yuuji and even among those who claim to like him there's a not insignificant subset that likes their head canon of him as a manic pixie dream himbo that they like as a background to their favs and not as someone the story concentrates on.
Basically the Culling Games are not fast and flashy enough, and the arc is really hard on those fans who were skipping dialogue when it delved into lore and power system in the previous arcs. Already Shibuya gets difficult at times if you didn't pay attention to the world building in the earlier chapters but with the Perfect Preparation and the Culling Games and anything after I imagine it must be a chore to read when all the concepts seem new but the plot and character arcs heavily rely on the previously established world building.
The truth is that if you delve into the fandom tags it quickly becomes perfectly clear how poorly the fans are acquainted with the text. How to many fans the characters exist mostly as their head canon versions and not as they are in the text. You will see fans complaining that the manga changed into something else from something they liked. But when you learn what they think the manga used to be it becomes apparent that they were ignoring huge portions of the text for one reason or another and just focused on the parts that interested them. That they blow out of proportion the significance of their favs and get disappointed when the story doesn't centre them.
It's okay not to want to follow a story when the character you liked dies or gets sidelined but that doesn't mean that the story is bad for it, that it's definite proof of bad writing or whatever. And it's not the story's fault that someone only liked one or two characters and didn't care about the rest, it happens.
And this is the crux of the issue. People who write opinion like the one above speak as if they represent some large group. The language of the post you cited suggests that there's some general consensus about the quality of JJK, about the Culling Games being the reason to dislike it. That the choice is exclusively between these two options:
thinking that JJK is "mid-to-bad" for some reasons that should be obvious to the reader
or being a part of the unwashed anime fan masses who like it only because of the animation.
You're either among the intellectuals who are in the know and also morally correct in their hatred for the story or you're an insufferable cretin.
People like the author of that post can't just dislike something, can't fathom that something can be not for them. For them it's not okay for something to exist in a neutral way and not be for them. Them not liking a thing means that there's something "objectively" wrong with the thing and the people who like it. And they can't fathom that a serialised story not going in the direction they like doesn't mean that it's "objectively" badly written. It's natural to feel disappointment when the story one used to like turns into something they don't enjoy anymore. But posts like this hint on the fact that the author believes that stories exist just to satisfy them personally and when it fails to do that it needs to be publicly denounced and anyone who dares to like it needs to be shamed and informed of their intellectual failures.
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wackyrumble · 1 year
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FINAL
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Roommate v.s. Isaac and Miria
Roommate - Diary of a Tourney Kid
A clone of Adam Ruins Everything that came out wrong. He debunks things in the same way as his original, but completely incorrectly. Bill Cipher turned him into a hand puppet and fused him with a clone of another character. Fought Walter White and his evil shadow self, Walter Black. Read more about Roommate below.
Isaac and Miria - Baccano!
"They're incredibly flamboyant bank robbers, perpetually dressed and acting a decade or two out of date and never notice this is weird, they made themselves and two dozen other people immortal by accident, they didn't *notice* that they were immortal and unaging for seventy years, and when they did notice they immediately concluded it meant they were vampires. (Vampires don't exist.)" Apparently this last part might be inaccurate but I don't know this series and I love misinformation. Read more about Isaac and Miria below.
Full description of Roommate:
"OK OK OK SO LIKE. HE'S FROM THIS MASHUP TOURNAMENT HOSTED ON SOUNDCLOUD & DISCORD CALLED "DIARY OF A TOURNEY KID, RIGHT? YES, IT IS BASED OFF OF DIARY OF A WIMPY KID IN NAME, THEMING, AND A BUNCH OF THE CHARACTERS IN IT. AND YES, THE ENTIRE PREMISE WAS STARTED BY GREG HEFFLEY TRAPPING A BUNCH OF PEOPLE IN THE DIARY. LOOK. OKAY. THAT ISN'T THE POINT HERE. (including a few real people but. roommate isn't one of those real people, LOL)
so Roommate is, like, a WEIRD case. he's a clone of a TV personality version of a real guy(adam conover specifically the whole thing he does in, like, adam ruins everything), but is SPECIFICALLY STATED TO BE A SEPERATE CHARACTER IN LORE. LIKE. HES A WHOLE OTHER GUY. HE DOESNT EVEN ACT LIKE HIM. HES LIKE. THE SCOOBY DOO VILLAIN EQUIVALENT OF A MAN. all he does is run around and "Debunk" shit but hes getting it all totally WRONG. It's like, if someone who never watched adam ruins everything before took one look at its name, the blonde, glasses wearing combover having guy on the cover, and went. "oh, this guy is gonna be HORRIBLE, isnt he". and in the shows case thatd be wrong but in roommate's case, he's...he's so pathetic. he's not even the same guy at this point. (and also literally isn't. but)
He never even manages to intimidate anyone even once. not even mr beast and ninja fortnite, (part of a team called Dubious Duo) who he just. VERY much annoyed via "ruining" twitch. He also got turned into a meaty handpuppet and fused to another clone of a different character by BILL CIPHER, of all characters but then immediately fell into a hole. He got his shit beaten out of him by a 19 year old punk catboy JUST before this, too. the punk catboys name is Wolfgang Amadeus Mozart BUT HE IS IN NO WAY RELATED TO THE REAL GUY. HES LITERALLY JUST. SOME RANDOM TEENAGER.
Also, extra fun facts about him include: during an event that happened on the discord, he canonically went ":3". He made his own ytp and posted it on the soundcloud account, too. he put a bunch of goofy wacky cartoon sounds in it. (his mashups use these sounds a lot outside of the ytp, too.) (incase you REALLY wanted to hear the ytp, though. here it is:
P.S: extra information from a friend because they like to infodump this sort of thing & this isn't nescessary at all. but: He gets the fandom nickname of "Roommate" from his connection to Collegehumor & the Insane Clown Posse song In My Room, which he used in the tournament & is strongly associated with. He's so. He's so normal.
(P.S, P.S: THE IMAGE I SENT WITH THIS IS TECHNICALLY ART OF HIM FROM A CROSSOVER WITH ANOTHER SOUNDCLOUD TOURNAMENT THAT HAPPENED. BUT. its the best render i have that isnt done in like. ms paint LOL. IN SAID CROSSOVER (WITH A TOURNAMENT CALLED "THE PERFECT TOURNAMENT") HE ALSO FOUGHT WALTER WHITE AND HIS. EVIL SHADOW SELF, CALLED WALTER BLACK. WHO WAS LITERALLY HIS SHADOW.)
also: nobody in the fandom knows what his deal is, either. they literally just couldnt catch the real adam conover at first so they (In canon) just went "well! time to make a clone, i guess!" and then he came out WRONG."
Another description of Isaac and Miria:
"Ok. they are two people but do not seperate them. they are the stupidest immortal people in existence.
They became immortal in 1931 and would have died a bunch of times. they didnt realized they stopped aging and were immortal until 2001. They dont know how train robberies work so they just rob people then get onto a train. They tried to become good people after robbing a bunch of places by instead robbing the mafia, this worked because they dressed in such stupid costumes that bystanders assumed they were street performers
This video has a good job having their cadence of how they act" "so you take this boxing game. you give it a title defense mode. and then once you beat THAT youre in mac's last stand. you lose 3 times and you retire. the game is over. this is mostly familiar faces. the same human boxers you've already fought to make it this far. but theres also a CHANCE. that you will fight Donkey Fucking Kong. straight up him from the donkey kong games and shit. just an actual cartoon monkey. and you might not! if you get unlucky you could be forced to retire, never having fought Donkey Fucking Kong in a boxing game. and i think thats just like. what makes it all so insane that hes just there. also hes in the audience the whole time throughout the game as a sillhouette. hes hard to notice. but hes always watching. studying you for when he eventually faces you in the ring."
youtube
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karenandhenwillson · 2 months
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The actual call out part of this whole thing
As said in the first post, I'm not naming names. I did tag two people in a post when I first involved myself in this situation. That was because I for one wanted them to see my response but I didn't want to reblog several other posts with the same post of myself, but I also talked about something one of them had said and mentioned a private conversation that at that point I could only assume had taken place with the second person and I didn't want to talk about them without them knowing. 
(Again, the rest is under the break. I've clearly had to many thoughts to share.)
I'm not in the habit of talking about people behind their back in public posts. So I tagged them with the thought that it would give them a chance to react for themselves either by commenting on the post, reposting themselves or reaching out to me in DMs. Instead the first person blocked me sight unseen and the second never talked to me at all and consequently blocked me sometime late on Tuesday judging by when I could still access their blog and when I couldn't anymore.
In reaction to being blocked by the first person, I included this in my next post:
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Interestingly enough, the first person responded with this:
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No idea where I called them childish, but whatever. It's honestly par for the course of them and their friends to put words in other people’s mouths, mostly with the goal to make them look bad. I'll discuss another instance in the post about communication, too.
Despite them blocking me, they clearly still got screenshots or maybe have a second account to watch the situation. (And yes, as I have screenshots, I've obviously also friends providing me with those.) Which is a ridiculous thing, honestly. Of course everyone has the right to curate their own online experience. But if you decide to block people in a debate, step out of the debate because you are actively making it impossible to communicate with you while still vague or not so vague posting about the situation on your own blog and actively trying to pull others into the debate to lead your attacks in your stead.
This person clearly made assumptions about what I meant with my comment about blocking conversations while complaining that the other side wasn't interested in those. And I don't know, but I felt it important from the very first moment to point out this wrong assumption. I didn't talk about them blocking the artist, I talked about them blocking me for nothing else but the audacity to back up the artist instead of bowing down to their opinion. (Also, reading what I wrote again, I also wonder how the confusion could have been created at all. I clearly said I couldn't reblog some posts because I was blocked by the person who creaed the blog. How do you go from there to me talking about the artist?)
Edit: It was just pointed out to me that the artist called this person childish in the tags of their re-post of the original art that they made after the call out pots went online. I had not fully read them or at least didn't remember! But alas, another point for how convoluted the vague-posting after blocking someone is, and how much it muddles up the communication!
But that happens when you don't talk with people but just about people, isn't it? You'll make wild and wrong assumption and won't even notice it.
Also, you asked this:
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My paragraphs above are the answer to it. You clearly don't want to have a conversation at all, so no one is taking you seriously enough to talk to you off anon. And you've also proven two years ago you'll put anyone on a list for just leaving kudos on the wrong fic or a like the wrong art, let alone arguing with you.
Some readers might wonder why I bring up the situation of two years ago at all. For one, of course, because one of the people I'm talking about already brought it up (and—oh how surprisingly—twisting up and outright lying about what happened). But also because there is a pattern here.
Because the root of the situation two years ago is the same group of people who started it this time as well. It is actually the exact same person who first wrote the artist and then turned unkind as soon as the artist asked for clarification, posting several times on her blog to tell people not to support the artist, all the while also complaining when that didn't work. A little over two years ago, the very first list of "undesirables" that later led to the whole explosion in fandom, came from this person.
(And I feel I need to point out, there were POC authors on this list from the very first iteration on. But of course, the list was created to make fandom safer for POC fans, even though the first iteration of the list before it got expanded wasn't even about Chimney or racism at all despite other claims by the person who brought it up in the last couple of days. It all started with some fics about Maddie that they didn't like, and denying that is so hilarious when their very first fic in response to it still holds the same passive-aggressive tag about "a response to that other awful fic". Yes, I did just go and check if you had changed your tags in the meantime.)
What I have seen from their posts, they don't care that they might have driven away a POC artist from this fandom permanently, again. While others who posted call out posts on Monday have apologized (though, in some cases not very honestly), this group has either not said anything about it or are now complaining about being the original victims (… I don’t even have words without getting really rude!) Or they claim they can harass someone publicly, but apologizing only works in private:
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Do you really think the artist should be comfortable with having a private conversation with you after you already twisted and widely shared other private conversations they had with your friends? And do you really think attacking someone openly doesn't also deserve an open apology? What's a private apology worth if the person you hurt had to endure all that hurt openly but now isn't allowed to hear the apology just as openly?
There have been several claims that the conversation was always civil and there was no one asking for anyone to bully the artist:
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(free sprace to show a new screenshot beginning)
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Snapping at the artist in response to them asking for clarification isn't being polite. Sitting on your end of a private conversation and sharing this conversation around widely—I'm even assuming openly with everyone in your Discord and also probably looking for the worst meaning in every single word because I'm sure you had already made up your mind the artist had to be a spoiled white girl—is not being polite. I mean, part of this conversation was later—in this case I have to say thankfully because it cleared up one of the misinformation spread—even posted by someone who said to have not been involved until she wanted to boost your call out post. Claiming the attention their art gets is inflating their ego is not civil.
Creating a call out post at all, and then doubling down not once but twice (just counting the reposts, not the other posts about the topic being posted that same day), is so far away from being polite. Honestly, how can anyone think this is polite:
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(free sprace to show a new screenshot beginning)
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(free sprace to show a new screenshot beginning)
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The last thing said by one of these people, I want to address this:
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The way this situation went, every artist coming into this fandom in the future will very carefully think about even trying to create art about Jee-Yun. Those who already created art of Jee might decide to delete it at least from their own accounts out of fear to be hit next.
That's what your call out posts led to. And what they would have led to even if you hadn't met resistance. Wide resistance, even from people who in the past supported you. And who this time first didn't join in your call outs and later even openly spoke up against it. I truly hope those same people will step up in the future to support your victims instead of just condemning you after the damage has already been done.
I'm convinced they'll do it again, sometime in the future they'll find another victim and they'll also find once more people who'll agree with them without checking or by letting themselves be lured in by their twisted tale of it. Even now in their non-apologies (that's not including everyone who apologized, but some of them) they twist around what happened, claiming to be misunderstood or to be the victim. So they, again, clearly didn't learn anything.
I hope other parts of this fandom will have learned then to step up and support the victim even if that's sometimes a difficult step to take because it will make them a target, too, or make the situation at first worse for the victim. (I felt that way on Monday. That me getting involved would lead to the situation exploding like it did two years ago. I'm doubting this post a little because of the fear of that very thing happening, though I still feel it important to put these thoughts out there. I'm also feeling encouraged by some of the pseudo-apologies to make sure that this situation will not be forgotten. And at this point I hope if it does explode, I'll be the main target of that and not the artist.)
Why am I sure they'll find new victims in the future?
Because this is not the first time they again attacked someone over the past two years. They have targeted their old victims several times, have targeted new people, too. Both on their blogs very openly but also in their victims' comments sometimes anonymously, sometimes not. This is just the first time they found any kind of traction again. I assume because they found a victim completely new to fandom who had at the beginning no backup at all, no fandom friends to turn to for support. I do wonder now if they have found other people like this even before the events of two years ago and successfully driven them away from fandom, celebrating it in their discord server as a victory. Sadly, this also isn't the first group in fandom as a whole to behave like this. There are so many examples practically in every fandom you look at. So even if this particular group by some miracle stops being bullies, others will step into their place. So everyone else of us in fandom needs to be careful and considerate and be ready to take the risk of stepping up.
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genericpuff · 7 months
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Wait wait wait, former LO reader here that's just been hearing about it through sources like you up until now—you're telling me that Kassandra conveniently giving the prophecy when she did (where Psyche and Eros could eavesdrop) was not, in fact, established as a repeat of a previously given one that still hadn't changed yet, which is what I assumed Apollo had to be verifying?
There are FOUR episodes featuring Kassandra.
Episode 226:
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She's first established here and it's purely as a cliffhanger. Psyche steals a pen drive (and again, by "steals" I mean she picks up the pen drive that's been conveniently left on the ground behind Apollo) and she breaks into it with Hephaestus' help and finds the photo.
Episode 227:
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For some reason, despite Hephaestus being able to delete Apollo's photos on HIS PHONE through PERSEPHONE'S SIM CARD, he can't track down Apollo's digital footprint or this mortal woman.
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(I wanna mention btw how ironic and kinda sad it is that Rachel's trying to sound smart with this as if it's "impossible" for Hephaestus to track Apollo's digital footprint, when there are literally entire accounts that have managed to backup and preserve her old art that was posted across multiple alt accounts and aliases over the past 20 years. IDK that's just a place where my mind went with that lol)
Episode 252 (SEVEN MONTHS OF REAL LIFE TIME LATER):
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(another anon mentioned how jank this pose is and yes, it's jank lol)
This meeting is very brief where she lore dumps her backstory of having prophecies no one believes, and yet despite this, Apollo believes her prophecy and immediately finds the plant that was just CONVENIENTLY blooming during the time frame that he learned of it. And yes, this is presumably the first time he's heard of this "prophecy".
"These things take time" and yet the time it took for Kassandra to conjure up this prophecy for him CONVENIENTLY lined up with when it needed to happen.
Episode 253:
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She recounts this "prophecy" to Eros and Psyche (which isn't even really a prophecy, most of what she recounts is history and the "prophecy" is literally just the blooming cycle of a poisonous plant lmao it doesn't connect very well to the same "prophecy" that Ouranos recounts to Apollo later on in this same episode)
And then during that time, Apollo has already made the cupcake that goes on to poison Zeus before Eros and Psyche can get to them in time.
Now, one thing I want to mention that's really silly when it comes to the whole "convenience" thing. Not only did Apollo find out about this plant within the 12 hour window it was blooming, BUT Psyche happened to find the pen drive with Kassandra's information on it around the same time because she immediately goes to Eros and they proceed to track down Apollo and Kassandra. Psyche became a goddess ten years ago, but she CONVENIENTLY finds this pen drive (again, sitting on the ground behind Apollo) just days before this convenient 12 hour time window prophecy thing. And we know it's only a day or two at most because if you lay out the timeline of season 3, it literally takes place over the course of like, a week. Rachel literally hasn't learned a thing about pacing or planning out story events in the 5 years she's been working on this comic.
It's a big hot mess and this is why planning out your story is important.
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