this is sooooo silly but i keep thinking about it. disgraced would-be-debut author cait corrain (a youtube video about that if you aren't aware of what i'm talking about). i can't remember where it was shown right now that they were talking to a biracial artist they were commissioning to draw a black character for them. for some reason they just kept wanting to like overexplain why they are going to an artist of color and how they would do a better job (why not just tell that particular artist how you appreciate their particular skills?). bc they were like well a white person probably wouldn't do as good a job on it. this might not seem like the most important thing to point out, but you don't need a reason to commission artists of color. you can just do that. there's nothing inherent to the art of drawing that would make white people less able to drawing people of color, or any person less able to draw anyone else with different features than them. especially if what you're seeking is a realistic piece; an experienced realistic artist shouldn't have trouble drawing ethnic features that they don't personally possess.
it felt like cait corrain was just very much overspeaking on troubles with racial representation in popular art. and they don't really know what those problems are or how they arise. when white artists are bad at drawing people of color, it's usually not that they just have some sort of difficulty of perceiving accurate shapes or forms. it's that their stylistic preference has a bias towards lighter skin, eurocentric features, that sort of thing. you don't have to tell an artist "i think you'd be better at drawing this character because you're non-white." like that's just so weird.
oh wait super important edit im making immediately bc i meant to say this in the original post: U CAN HIRE ARTISTS OF COLOR TO DRAW THINGS OTHER THAN PPL OF COLOR. HIRE ARTISTS OF COLOR FOR ANYTHING U WANT COMMISSIONED. U DONT NEED A VIRTUE-SIGNALLING REASON TO DO IT. u could even have them draw one of your white characters (gasp)
1 note
·
View note
Hi!!!!!!
I really love your art and I was wondering if you had any art tips?
I'm pretty good at drawing realistically, but I struggle with more stylized or cartoon-y stuff...
Here I’m going to talk about the two, in my opinion, the most important aspects of stylization is: ‘Simplification’ and ‘Exaggeration’
First, simplification,
I took this picture of a man holding a hammer, if you just look the silhouette, it is very complicated the pose is stiff
Try summarize the pose with only two simple lines, one representing the head, torso and the leg, the other representing the arms. This is the line of action. Now you got the two lines, play around with it try make it flow better. (Google ‘line of action’ you can find a lot more better examples)
The next step is to simplify the previous drawing throw away all the bumps and little details, take what you think is the most important and draw it based off the line of action you just acquired. this step might take a lot of practices so look at tutorials and draw a lot you’ll get there (Go on YouTube and search ‘life drawing tutorial’ they teach this step really well)
This is how you simplify a complicated pose! I’ll talk about how to simplify character after the next point
Second is exaggeration
I’m using the same photo here again blocking the person black so we can see the silhouette clear. This time we’re not finding the line of action, we’re reducing this person into a simple shape, to me, he looks like a rectangle.
great, now we try drawing this man with only rectangles
After blocking out the simple rectangles, exaggerate them, make the big ones even bigger, the small ones even tinnier.
Make the main focus of the drawing clear and easy to see, the audience needs to be immediately on that thing the moment this drawing shows up! What’s the focus point of the drawing? The hammer, it’s too small for one to find so let’s exaggerate it make it huge.
Tada, now you have a clear and cartoony silhouette, the rest you can fill in however you like
To cartoonify a character is easy, similar to how you cartoonify poses, you take out the little details and leave what you think is the most important, the things that makes the character unique, and exaggerate them
((Here I’m using a genshin character because their character designs are known for being a hell to animate (genshin fans don’t come for my ass this is only for educational purposes))))
I’m… not the best at explaining things so if you can’t understand any of these please let me know!!!!!!!!!!
687 notes
·
View notes
yaoi couple. yuri couple. i see no difference, love is love
(body type refs + notes beneath)
i wanted to try out lightly stylizing dunmeshi characters by drawing their different body types in my headcanons!
some notes:
marcille is very stick-like with GIANT ears. theres no real reason for this, except i wanted to make her look like a noodle.
falin is very soft and squish AND strong, and could DEFINITELY crush marcille in one go. in my mind, a lot of that muscle mass came from being a chimera
laios is built like a wrestler, so i wanted to make him rectangle shaped compared to his sister's pear shape. the easiest to draw by far, but his hair was a pain
kabru's armor and demeanor makes him look very round and approachable, but underneath all that hes on the pointier side. i wanted to give him a bit of a dexterous look. he's still a sword swinger, but his fighting style seems a lot more agile than laios... at least when it comes to humans!
they're all trans in my headcanon. kabru doesnt have top surgery scars because he had a small chest to begin with. marcille also has a small chest, but that's not at all unusual for elves.
laios already got top surgery but even after that his chest is still larger than both kabru and marcille, lol. its all muscle, although i didnt draw it. there's a running gag about how he just donated it all to his sister, but with the way that dungeon revivals work who knows if its a joke or reality
379 notes
·
View notes
Hello! Hope you're having a great day/night! I absolutely adore your art, you are one of my favourite artists. I love the way you shade and do backrounds. Also everytime I get into a new show I immediately see your art for it??
I was wondering if you had any advice on drawing more realistically (backrounds, anatomy etc) but still keeping a style?
Hey hey!
Thank you so much!
I have a pretty good understanding of facial structures, because before I got into drawing more semi-realisticly, I heavily focused on realistic portraits. Here are some example, these are from around 2019!
(yes, I was really into danmei and kpop back then, haha)
I just always loved drawing/painting faces and it was all I did. But at some point I realized that I wanted to do more than that because just portraits felt super restricting. So it took me around 2-3 years to somewhat find my style. Thought it would be fun to show a little timeline! Advice will follow afterwards :)
2020
I began working on my OCs in 2020 and since I didn't have an exact reference to work off of, I struggled a lot. My art from this year is super wonky.
2021
Still wonky, but the Lokius obsession was the jumpstart into finding my style! My work from this year is all over the place haha, I was experimenting a lot.
2022
This first ofmd piece is pretty much the first drawing where you can see where my style is gonna go, which I think is pretty cool! This is the year I made the biggest progress cos I was drawing SO much. These two pieces are only six months apart. The one on the right was the first time I gave drawing a background a proper go, too! It was a good year.
2023
And this is where I am now! I'm still constantly learning and improving, but I'd say I have a style you can recognize now!
Now here comes some actual advice, haha:
What I highly recommend you to do is to study your favorite artists as much as you can! I have like 5 A4 sketchbooks all from 2020 that I filled with sooooo many studies, where basically all I did was look at artists I like and copy how they draw stuff, to try and figure out how to stylize certain things. Some of my favorite artists are Ami Thompson, Velinxi and TB Choi. But I also liked to just scroll through pinterest and study all the art I came across that I liked! For example, if I saw a really great drawing of a pair of pants I would copy it many times in my sketchbook and try to learn how they stylized the folds. Doing this for a prolongued period of time will naturally improve your own work! It'll be difficult at first, but you gotta push through, it's gonna be worth it!
I also highly recommend studying unique faces to try and avoid the same-face syndrome. Find some cool looking people and try to draw them as simple as you can! Maybe even draw a little timeline where you first draw them as cartoon-y as you can, and keep going until you end up with a more detailed, realistic drawing. Maybe in the middle of it you find a step that feels the most fun to you, so you can try to build on that! It's a great way to figure out what kind of style might be the best for you.
Here are some cool faces I found on pinterest!
I have a pinterest board with many more!
One REALLY important part of learning how to draw all kinds of things is to understand forms and shapes and how to manipulate them. I have so many pages in my sketchbook filled with just shapes that I drew from all kinds of angles without any references.
This is a great video on it:
6 Ways to Draw Anything by Proko
Learning how to do this is so crucial! Young artists often think they first have to learn all kinds of detailed anatomy before doing anything else, but all that's gonna do is make you tired and hate drawing. Shapes are where it's at! Once you understand how shapes work and which ones to use for certain parts of bodies or objects, drawing is gonna get so much easier! Once you understand them, you can get into details such as muscles and bones!
And honestly the most important point is to just absolutely love what you're doing! I wouldn't be doing this if it wasn't for the fact that I get extreme hyperfixations on certain media that turn me into some kind of beast where I can suddenly draw 10 detailed illustrations a week, haha. Just be passionate about what you do, find something you REALLY love and go crazy!
I really hope this was somewhat helpful! My inbox is always open if there's any more questions :)
180 notes
·
View notes
so back in april i had the idea to draw ace attorney characters as if they were in fantasy life (so essentially combining two of my favorite games) but only finished phoenix then. tonight i finished up the page with some more, and since we know what the new lives in fantasy life i will be, i got the excuse to include vera as an artist :))
id under cut
[image ID: 5 digital drawings of some ace attorney characters drawn in the fantasy life art style, which is a very expressive, stylized chibi style. they are drawn in the outfits for different lives as if they were in fantasy life. in the top left, phoenix wright is drawn as a paladin, with text next to his head that says "Phoenix Paladin". he is wearing silver armor with gold trim, the trim forming a 'P' on his chest. the 'P' has a red gemstone in the center of it. his shoulder guards also have red gems on them. he has a long blue cape fluttering behind him, as he stands confidently, holding a sword in his left hand and holding up a shield with his right. the sword and shield are also silver with gold and red accents like his armor. next to phoenix, in the top middle, apollo justice is drawn as a blacksmith. he has text next to his head that reads "Apollo Blacksmith". he is wearing a teal apron on top of a white shirt and pants. his sleeves are rolled up, and he has a red piece of fabric tied around his waist. he is wiping sweat off his forehead with his right hand, and holding a hammer in his left. next to apollo on the top right, is vera misham. she is drawn as an artist, with text next to her head that reads "Vera Artist" she is wearing a pink beret that resembles her bandana, and has a paint brush with pink paint on the very top. she is holding her sketchbook in her right hand, and a paint brush in her left. she is wearing brown gloves that are stained with various colors of paint. she is wearing a pink dress with a darker pink collar and bow, and the skirt of the dress has a darker pink line going horizontally across it. she has a white apron tied around her waist that is also stained with various colors of paint. she is wearing brown sandals. on the bottom left of the drawing is trucy wright drawn as a wizard, with text next to her head that reads "Trucy Wizard". she is in an excited pose, running while holding her staff, a tall wand with a glittering green gem on top. she is wearing a light blue pointy witch hat with a white ribbon wrapped around it. the inside of her hat is pink. she is wearing a medium length black dress with a white belt, and she is wearing pointy white shoes. she is wearing a light blue cloak, with the hood on her shoulders, that has her green diamond brooch hanging where the ends of her hood meet. her cloak is fluttering behind her and trimmed with white and gold, the insides if her sleeves being pink. on the bottom right of the image, ema skye is drawn as an alchemist, with text next to her head that reads "Ema Alchemist". she is wearing gold goggles with pink lenses, and her hair is drawn more poofy than usual. she is wearing a white coat over a light green dress. she has a pink tie loosely around her neck, and she is wearing a darker green corset with gold buttons. her shoes are plain black. she is holding a potion bottle filled with a yellow liquid in her right hand, and is looking at it calmly, with the left hand in her white coat's pocket. end ID].
432 notes
·
View notes
I got so freaking excited seeing the trailer for "The Wild Robot", so naturally some fanart was in order! I didn't expect the painting to look so oily and have so many softer edges, but I still think it came out really nice and was good practice! Colored pencil really has helped me figure out a personal painting process, as here I actually used a similar layering technique as when I work in colored pencil.
Aside from that though, I haven't read the books yet (though I plan to after I see the film) but this movie looks like it's gonna hit so many of my favorite tropes and features when it comes to fiction and animated stories, including: non-human protagonists (and both of my favorite kinds, animals and robots!), stylized visuals, robot learning to be more than just their programming yet still maintaining their original robot skills and behavior to a degree, robot with emotions and unique ways of showing it, character in the wilds adapting by studying the animals, post-industrial-level technology existing in harmony with nature and the wilds rather than being portrayed as inherently harmful to nature and therefore inherently wrong to make (this is a big one for me), the odd duo, the gentle giant, a character finding belonging in an unexpected environment, just general wonder for the beauty of the wilds, and probably other things that'll come to me as I understand this story more.
But even beyond that, I just had to draw Roz because she's so freaking cute! Like, even excluding the adorable way she mimics the animals or glows when happy or how her "eyelids" give her more facial variation, in design alone she's so round and sweet looking! And somehow her being big and bulky to juxtapose her kindness with an strong and imposing stature just makes it even better! I love characters who are large and intimidating at first glance but total softies on the inside. Brightbill's definitely in good hands!
If the film holds up and Roz also has a clear and entertaining personality beyond just being curious and caring, there's a 60% chance that come September she'll become my new robot blorbo (roblorbo?), up there with C-3PO, Wall-E, and Five Pebbles!
Also, another version of the sketches from when they were just the lines for comparison!
259 notes
·
View notes