#i had no idea i'd posted this much when i started drafting this post a few months ago 😭

[thissying]

An overview of my F1 videos from Dutch media: documentaries, race weekend interviews etc., subtitled/translated to English when needed. Mostly Max, but other drivers as well.

MAX VERSTAPPEN

Anatomy of a Champion clips: Sophie Kumpen 📽 subtitled Family Dinner at Sophie's 📽 subtitled Max & Kelly, back from vacation 📽 subtitled nl.motorsport.com review ep 1 + 2

F1 Talks with Max Verstappen 2022 📽 (english spoken) Amber chose violence for the opening of F1 Talks 2022

episode 1, p1/5 episode 1, p2/5 episode 1, p3/5 episode 1, p4/5 episode 1, p5/5

episode 2, p1/4 episode 2, p2/4 episode 2, p3/4 episode 2, p4/4

Red Bull Racing Home Run, 10 December 2022 Max arrives 📽 text translation Max after his first run 📽 text translation 2023: Red Ginger Bull 📽

Picture Perfect 2022, 26 November 2022 📽 subtitled p1/5 p2/5 p3/5 p4/5 p5/5

Race weekend interviews with Viaplay 2023 Max on Father's Day and Penelope, GP Canada, 2023 📽 subtitled

Max, pole sitter and comedian, GP Canada, 2023 📽 subtitled

Max about Helmut's phone, GP Spain, 2023 📽 subtitled

Max telling the story about Sassy being locked inside the closet, GP Monaco, 2023 📽 subtitled

Max (of course) post-race, GP Miami, 2023 📽 text translation

Max post-race, GP Miami, 2023 📽 text translation

Max reacting to George saying his actions crimes were okay, GP Azerbaijan, 29 April 2023 📽 subtitled

Max's race win preference and who he fears the most for the upcoming race, GP Azerbaijan, 29 April 2023 📽 subtitled

Max about changes in F1 and his plans for the future, GP Azerbaijan, 29 April 2023 📽 subtitled Max on being ill before and during Jeddah, GP Australia, 31 March 2023 📽 subtitled

Max on the new fences rule and a Melbourne race win, GP Australia, 31 March 2023 📽 subtitled

Max and Nyck about The Lap of Jeddah '21, GP Jeddah, 18 March 2023 📽 text translation

If Max doesn't get pole and win this weekend, this could be why: GP Bahrein, 3 March 2023 📽 text translation

Race weekend interviews with Viaplay 2022 Max post-race interview, with a Daniel hug and touchy Lando, GP Abu Dhabi, 20 november 2022 📽 no subtitles/translation

Pre-race routine: reaction time tests with Max, GP Baku, 2022 📽 subtitled

Mike Hezemans congratulating Max on his pole lap, GP Mexico, 2022 📽 text translation

Pre-race interview with Max , Sophie's birthday, GP Mexico, 2022 📽 text translation

Post-WDC win interview with Max, GP Japan, 2022 📽 subtitled

Max on training for Singapore, GP Singapore, 2022 📽 subtitled

Miscellaneous 2023 Ayrton Senna and Max Verstappen, GP Canada, 2023 📽

Lewis, Max and George scheming in the cooldown room, GP Spain, 2023 📽

Foreign press about Max, GP Spain, 2023 📽

At age 25 Max Verstappen is already quickly on his way to becoming one of the greatest in Formula 1 history, GP Monaco, 2023 📰

Max & GP and the team pre-race, GP Monaco, 2023 📽🔇

Max and Ole post-qualifying, GP Monaco, 2023 📽

Max with GP darting in and out with super secret info, pre-sprint race, GP Azerbaijan, 29 April 2023 📽🔇

Max getting strapped into the maxi-cosi, pre-sprint race, GP Azerbaijan, 29 April 2023 📽🔇

Max pre-sprint race, GP Azerbaijan, 29 April 2023 📽🔇

Maxplaining to Charles, GP Azerbaijan, 29 April 2023 📽🔇

Max & Christian Horner, pre-qualifying, GP Australia, 01 April 2023 📽 🔇

Max & Christian Horner, Helmut Marko, pre-qualifying, GP Australia, 01 April 2023 📽 🔇

Maxplaining, Bahrein test day 1, 23 February 2023 📽

Pre-season testing interview with Max for Viaplay, Bahrein, 25 February 2023 📽 subtitled

Christian Horner and Max Verstappen about Ford, RBR Launch 2023 📽 subtitled

Christian about Daniel, RBR Launch 2023 📽

Max Verstappen about sim testing and improving, RBR Launch 2023 📽 subtitled

Max Verstappen about the new year + car, RBR Launch 2023 📽 subtitled

Miscellaneous 2022 Max's Machine trailer, with David Coulthard, 11 November 2022 📽

Max and Martin Garrix meeting at the garage, GP Mexico, 2022 📽

Post-championship win interview with Sophie Kumpen, 9 October 2022 📽 subtitled

Daniel x Max in Max Verstappen: The Next Generation 📽 subtitled

Daniel x Max background crumbs 1, GP Brazil, 13 november 2022 📽

Daniel x Max background crumbs 2, GP Brazil, 13 november 2022 📽

Daniel x Max background crumbs and Maxplaining, GP Singapore, 2022 📽

Daniel and George watching Max's last qualifying lap at Singapore, GP Singapore, 2022 📽

Sophie Kumpen and Victoria Verstappen, on RTL Late Night, post-GP Barcelona, 17 May 2016 📽 subtitled

Sophie Kumpen and Giedo van der Garde, on RTL Late Night, post-GP Barcelona, 17 May 2016 📽 subtitled

Jan Lammers on RTL Late Night, post-GP Barcelona, 17 May 2016 📽 subtitled

Max on the difference between working with Renault and Honda, 2019 📽 subtitled

Max about his onboards, Peptalk 2017 📽

Max, guest on Peptalk in 2017, playing Guess Who Said (I) 📽 text translation

Max, guest on Peptalk in 2017, playing Guess Who Said (II) 📽 text translation

OTHER

Race weekend interviews with Viaplay/Dutch media 2023 Lewis and Fernando banter, post race, GP Canada, 2023 📽

A tour of the Red Bull garage with Daniel, GP Canada, 2023 📽

George interview, about racing Max and that spatial awareness comment, and getting a gift. GP Canada, 2023 📽

Carlos about Le Mans and participating in the future (with Charles), Canada GP, 2023 📽 (link won't save. tag: le mans carlos)

Fernando post-race, GP Miami, 7 May 2023 📽

Lance Stroll interview, GP Azerbaijan, 2023 📽

Fernando Alonso checking if the lighting is flattering, GP Australia, post-qualifying, 1 April 2023 📽

NOS interview with Daniel Ricciardo, Australian GP, 1 April 2023 📽 + 📰

Daniel Ricciardo on when/if he's driving the car this year, GP Australia, 31 March 2023 📽

Nyck and Max about The Lap of Jeddah '21, GP Jeddah, 18 March 2023 📽 text translation

Viaplay visited orphanage Wat Sakraeo and talked to Alex Albon about it, Studio Formule 1: Bahrein Shakedown, 3 March 2023 📽 subtitled

Yuki only has knowledge about the cars, Bahrein, 25 February 2023 📽

Race weekend interviews with Viaplay/Dutch media 2022 Lando Norris, post sprint-race, GP Brazil, 13 November 2022 📽

Kevin Magnussen on his F1 comeback, living in Denmark, and Mick Schumacher, GP COTA, 2022 📽

Christian Horner interview with David Coulthard, post-race, GP COTA, 2022 📽

Daniel "I 🧡 Austin" Ricciardo, pre-race, GP COTA, 2022 📽

Williams vs. Alfa Romeo playing Dutch Trivia, GP Zandvoort, 2022 📽

George Russell and Daniel Ricciardo chatting mid-interview, GP Monza, 2022 📽

Sjoelen with Charles Leclerc and Carlos Sainz Jr., GP Zandvoort, 2022 📽

Mick Schumacher onboard after scoring his first points, GP Silverstone, 3 July 2022

#i had no idea i'd posted this much when i started drafting this post a few months ago 😭 #to pin #f1 #max verstappen

[lightsaber-life]

guess who finally sat down to outline his nanowrimo project a whole entire day and a half before nano begins

#im actually glad i waited this long #i started writing down the outline based on some notes i'd scribbled down #and then immediately had a much better and funnier idea for how and where to start the story #love when that happens #i may possibly post snippets of it on this blog as i go #i may not though bc this rough draft is going to be VERY rough so i may just wait until i edit and post on Ao3 #it's gonna be a slow burn too which i have no natural talent for writing #so this is gonna be very good for me to practice BUT also it is not going to be very good to start out with #(i am repeating 'this is good for me it is okay to be bad at things' over and over to myself as i outline) #tendency towards self-deprecation aside this is gonna be so much fun #i haven't done nano since high school #and honestly if i make even half the goal i'll be ecstatic

[mayordoi]

Happy birthday to the number one princess in the world!! 💖

~from her biggest fans :)

ramble of my scattered thoughts on the piece under cut as usual cuz i love talking 😋

This has been an idea I've been cookin for a while, and it was so cluttered and unlike any other ensemble piece I've made... and I decided I oughta do it anyway. I love Miku, I love Vocaloid, and I wanted to do something really ambitious and crazy for her anniversary. Crazy that she's turning her "canon" age this year TwT

I had the idea floating around since like, May...? And then finally started acting on it around June 18. I'm terrible with deadlines, obvious with how I can never make a silly birthday post in time, so I started wayyyy ahead to make sure I have some room to be lazy lol, especially with an idea as ambitious as this.

This was finished on July 12! So I had to sit on this for an annoying amount of time. Very difficult for someone like me who just wants to talk about everything I'm working on to the masses. But at the very least, that gave me the time to work on the draft for this post.

~~~

Here's some ~behind the scenes~ scribbles leading up to the finished piece!

Left is the chicken scratch plan i made in my handy dandy notebook (whenever things are getting real and ambitious, i always made a rough ROUGH plan in there. Usually I'd do a rough pass of the full thing, but this was too complicated for me to do traditionally. I majorly benefited from digital tools to make this possible). CyberDiva and CyberSongman were considered, but I ended up cutting them cuz I just didn't feel like drawing them sorry-- (just pretend they're off to the side. They gave Ruby and Clara the pizza lol). Right is the "final" completed sketch (before I decided to include Chika mid-way through coloring and VY1 and VY2 near the finish line). I started by drawing the main "groups" separated on a different canvas so I can plop them into the main canvas for easy rearranging and transforming. However I got lazy and ended up drawing everyone in the bottom right corner directly on the canvas since I liked seeing the big picture of everyone's positions. Y'know.

Almost excluded Chika! But I like her design so much that I just felt like including her last-minute. You win this time, Chika fans. VY1 and VY2 were very close to being cut! I added them when I began doing the banner and thought "eh why not". I figured their non-human designs would be pretty easy to include pushed back in the bg. Ik VY1 is more commonly associated with the fan design, but I referenced the hairpin cuz it was simpler and the fan looked very annoying to draw 😭

Sorry to the fans of many Vocaloids I had to cut because this composition was insane enough as is. I promise I wanted to include fellas like CUL, LUMi and Sachiko 😭 I will admit I was a little biased on who I wanted to include over others. Like, I don't normally care for Bruno and Clara, but I wanted to get some more international 'loids in the mix. Also wanted to stick in the realm of official designs and not fan-designs since, as much as I can appreciate those, are just a whole "wait who is that guy supposed to be" situation I didn't wanna deal with. I also did wanna include even more character references through the balloons, but they ended up being kind of ugly and overcomplicated the BG :,) (Oh, and while this was originally planned to be a Vocaloid-only piece, I did end up including Teto, Neru, and Haku 'cuz those are Miku's besties dude!!! They may not be Officially in the club but they're her girls and it would be criminal to not invite them to her birthday).

Anyway, this project marks the first time I've drawn a lot of Vocaloids. Lily, Piko, Rana, Yuki, Yukari, Miki, Maika, and many more lol. All of 'em I've heard or seen in passing, but now I actually drew them, and some have really cool and fun designs!! I got into a habit of drawing Merli after this since I just love her design for example. And I'll probably be drawing more lol!!

Oh and the last thing I'll add for now!! The cake is indeed made up of various song references!! I wanted to reference the "big four" producers, just absolute icons in Vocaloid history. The pink/black checkerboard is "World is Mine" (Ryo), the crescents on the side is "Rolling Girl" (Wowaka), the smiley faces is "Matryoshka" (Hachi), and the three hearts on the side is "The Vampire" (DECO*27, which is sort of a symbol of his whole Mannequin album tbh). I know "The Vampire" is a bit modern but I couldn't think of anything else off the top of my head. I'm a fake DECO fan I know 😔 "Matryoshka" was originally going to be referenced in the colors of the candles but believe me it looked like shit so I just went for something else last minute 😭

That's all I have to say!!! Hope you didn't mind the text wall if you made it here. I hope you like it as much as I do!!!! Happy freakin' birthday Miku!!!!

I have to deal with tagging all these characters now for my page,,, in the drafts my tags got cut off after a certain point so I think I'm massively breaching the tag limit 😭 um... I'll figure that out later...

not losing sleep that i can't tag everyone, even for page organization purposes because some characters have pretty generic names and some are a little hard to see in full yknow. If you're one of those people who tag every character in the art piece you reblog... I am very sorry.

#mayor doidles #fanart #vocaloid #hatsune miku #miku #kagamine rin #kagamine len #rin and len #meiko #kaito #megurine luka #gumi #kamui gakupo #ia #vflower #mayu #kaai yuki #oliver #otomachi una #fukase #sf-a2 miki #utatane piko #yohioloid #big al #sweet an #kasane teto #i literally dont think i can tag everyone. um. so you get the idea right #digital art #cell shaded

[boxbug]

A Canary’s Final Flight

My piece for @trafficzine 4th edition! Get it for free here! 200 pages of excellent art and fics, incredible work from all participants and from the mods especially!! huge shoutout to the mods for real

Process notes under the cut! (I struggled a lot so it's a bit of a novel)

So the entire process was a Ride. I knew when I picked this prompt that I was going to have a hard time, because Jimmy’s final death had been illustrated a billion times over by extremely talented artists. But I had a Vision of the snapshot of the second before the impact, when everything is still but you know what’s about happen. It was very much inspired by the clip of Fog by Jabberwocky, bu the thing is, they have the advantage of all the build up of the fall, and that’s when the trouble started.

This was my first version, and obviously it wasn't working. And I was trying so hard, with so many iterations! Small wings, big wings, no wings, different poses, less backgrounds elements. I'd done compositions were everything seemed peaceful but something is Wrong, but it wasn't working this time.

So instead I focused on what rendering I'd like to do - I tried a painterly approach, for that visceral feeling, but it wasn't working either (but hey, I did keep the red sky, so, progress)

At this point I'd been doing back and forths for weeks and I was just as lost as at the start. Now that's my tip for people who make art of any kind, in situations like that, stop thinking about how you can make the best piece possible, and think about you can have fun with it (because when you aren't it's visible). And for that was, 1 - going back to using ink and pen nibs and doing way too detailed inking, and 2- looking at Dave McKean's covers for Sandman (which, funnily enough, was also a reference for my previous trafficzine piece)

And from there I was actually going somewhere! Between the jagged rocks, the red sky, and the increased verticality with the borders, I had hit the vibes I wanted.

I did some experimentation with the border, and even though I really liked the bad boys I drew they were taking too much away from the lonely desolation, so I actually used Red (Unecessary Redstone)'s idea of all of Jimmy's worldy's possessions scattered on the ground post impact, with the idea to make it looks like the central image is his grave being dug.

(and yes for a short amount of time the were supposed to be clock markings on the sun, but there was already enough going with the wings so I scrapped that) (also fun fact the reason why the wings aren't fully material but more ghostly is because my toddler cousin was watching me draw the very first draft and asked why he didn't just use his wings and i went :( so the wings are a metaphor now)

So from there I found a bunch of picture and took some myself, cut and assembled everything together, added shadows in all the appropriate places, and repainted some elements so that everything would look better intergrated (some of the wheats are basically 100% handpainted, the cardboard as well). This took a suprisingly long amount of time, but I was done!

Well I wasn't expecting to have that much to say, but I hope if you're still reading, it was at least interesting!

#trafficzine #limited life #limlife #limlife fanart #jimmy solidarity fanart #solidaritygaming #i forgot all the tags augh #curse of not posting often #mcyt fanart #mcyt #zine illustration #zines #my art

[xamag-draws]

BBR thoughts 2024

Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies

This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not

So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters

I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash

I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted

Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it

At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do

Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction

So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older

I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet

When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"

But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work

If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now

I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:

Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)

I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat

I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least

I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example

I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep

I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor

I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence

The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers

Some new Dolly outfits

Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days

Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo

I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused

One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book

An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well

So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)

#my art #xam rambles #the black brick road of oz #long post #ohsees tag

[parvulous-writings]

Did you get another request? It's headcanons for Astarion, Gale, and Halsin react to his shy gn crush confessing to him before running away because they're scared of being rejected. Thanks!

Okay I DID get the original request, but accidentally published it when I meant to put it in my drafts, apologies! I'd like to thank the Down By The River Music Box Version for giving me the focus I needed to do this in one sitting! XD Also these three are my BOYS I LOVE THEM

Warnings: None! (besides fluff)

Notes:  My requests are currently open! My pinned post (found here) contains both a list of characters I write for, and a masterlist!  Original character list - please request for these too!

Astarion

Before you even start the conversation with him about liking him, Astarion knows what this is going to be about. He just knows - he's been through this enough times to recognise that look on your face.

It's an easy conclusion to come to - to him, it's a thought of... 'who doesn't like him?' He's hardly known someone that he couldn't tempt, one way or another.

As you approach him, his lips are already curling up into that familiar sultry smile of his. He knows exactly how he wants to play this: "Well, well... If it isn't my favourite travelling companion... What brings you to my tent, my dear?"

You feel your cheeks burn as soon as he opens his mouth, your gaze casting aside as the words hit your ears. He always seems to know how to take someone's breath away.

You blurt out your confession as fast as your lips can manage, nothing more than a mash of words, hardly understandable - but Astarion understands with ease. He's been through this a lot, he knows the dance all too well. Before he can let a chuckle leave his throat, you're gone, leaving naught but a cloud of dust in your wake.

Nevertheless, had you been within earshot of the elf, you would have heard a rather dry laugh from his lips. To have someone turn tail from him, it's new. Something about the situation speaks to him though - it shows that, even after he's seen two hundred years of nothing but shadows and debauchery, there's still innocence in the realms. And he sees that it lives on in you. It's almost... endearing to him. Almost. Unfortunately it takes a lot to make his undead heart stir, anymore.

Unlike most, Astarion doesn't chase after you - he doesn't even consider it. In his past, he's never been one to chase after someone who likes him, he's always a magnet for them. He stays comfortably in his tent, eagerly awaiting your return. He knows you will, no matter how shy you are, or how long it takes.

Such a sweet thing... I'm sure they'll come around to speaking more openly eventually. Astarion's thoughts echo all that he knows from his past - one way or another, those who are charmed by him come back; though, he must admit, he does quite like the idea of playing this little game with you, whether you realise you are playing or not.

Gale

Gale doesn't really label your timid nature or actions as 'shyness', he sees it much more as an air or aura of mystique about you - which he absolutely loves. His scholarly instinct tells him to dive in, to explore all there is about you, and to uncover all of your mysteries. However, he knows you are your own person - if you wish to tell him any secrets you have, he's going to let you do so mostly at your own pace, only nudging or prompting once or twice.

When you approach him one evening, he's so over the moon to tell you about something he's recently figured out, relating to a problem you've been trying to solve outside of camp, that he doesn't initially notice the rather skittish demeanour you've adopted. He's so quick to launch into his little pre-planned speech that he hardly notices you talking to him, until you've already run halfway back to your own tent.

Gale just... Stands there, in stunned - almost offended - silence. Had he done something? Was it his recent discovery? Had he launched into it too quickly - given you too much information all at once? All these thoughts go through his head one after the other. He hadn't even caught what you had said, and that worried him the most: He had no clue whatsoever what you had said to him.

So it isn't long before he's practically marching towards your tent - determination in his eyes. He will find out what you had tried to tell him. He clears his throat to get your attention when he gets close enough, folding his arms over his chest in a rather defensive position. "I suppose you have a reason for running off like that whilst speaking to me?" He questions, quite tensely. As you begin to shakily explain your feelings for him, his arms drop to his sides again.

He's very pleasantly surprised to learn that the only reason you ran off mid-conversation was due to embarrassment, rather than anything that he had done. He would hardly have been able to live with himself if that particular question had gone unanswered. So, he settles himself down in front of you. "Alright.. How about we try this again... With you having my full attention this time?"

Halsin

Halsin could tell by the look on your face that whatever you wanted to tell him, it was important. Of course, true to his nature, he wasn't about to force it out of you - he's much more content for you to take your time in telling him.

So, he just sits with you, in a peaceful silence, waiting for you to work up your courage to ask him. And when you finally do, Halsin can't say he's shocked by the words - it's not always easy to hide attraction or love from someone who's been alive for over three centuries. What does surprise him, however, is the fact that you're so quick to flee the encounter. Though, he finds it quite sweet that you, unlike him, still have embarassment hinging around socialising - particularly when it is centering around matters of the heart. He doesn't think any less of you for it, a skill like that takes years of practice, and he's had three hundred and fifty years to hone this skill of his.

Throughout all his life, and his many lovers, this kind of thing has happened to him only a handful of times, so it still catches him off-guard most of the time. Thankfully, he knows how to handle the situation.

He gives you some time to yourself, allowing you to collect your thoughts. He knows that if he tries to approach you too quickly, you may become more frazzled, spiral more in your mind. And that is the last thing he wants. If you two are to be with one another - which he hopes is the outcome of the situation - he wants you to have a clear head, and know what you want.

When he does decide it's the right time to go to you, the first thing he does, is ask if you are alright. "How are you faring, my heart?" He takes a chance with the nickname, and he can just about see with the way your head whips round to look at him that he's certainly caught your attention. "You seemed... Out of yourself, before. Perhaps you would like to discuss it?" He moves to sit with you then, and even as he kneels , he towers over most. "At your own pace, of course..." He offers you a smile. It's a kindhearted smile - one that you can tell is straight from his heart. You feel a little more comfortable, and though it is a slow conversation, you get there before dawn.

#requests open #x reader oneshot #x reader requests #headcanons #baldurs gate 3 #bg3 x reader #bg3 headcanons #bg3 #astarion x reader #astarion #astarion ancunin #astarion bg3 #gale of waterdeep #gale dekarios #bg3 fanfiction #bg3 gale #halsin x reader #halsin headcanons #halsin baldur's gate 3 #halsin bg3

[julianalvarez9]

CHANGE YOUR MIND / MASON MOUNT

SUMMARY: You never really liked Mason Mount, even before he came to your club. Turns out, he's a very persuasive man, who will do everything he can to change your mind.

PAIRING: mason mount x ten hag!reader

WORD COUNT: 1.3k

WARNINGS: mason is a lovesick fool, use of ten hag as a plot device i'm so sorry

AUTHOR'S NOTE: it's been agesssss since i've posted something, so here's this! (something's that's been sitting in my drafts and i didn't dare finish for almost a month!). would reallyyyy love some feedback!

Your eyes go wide at the sight of him, resting calmly over the cap of his car, hands hiding inside his pockets. Mason looks straight out of a movie; one where the protagonist is waiting for his lover outside of their home. You try to not think about that, or about the warm feeling in your chest, as you angrily make your way towards him.

Once you reach him, you're ready to voice your concerns about his presence in your parents' home. "What are you doing here?".

The urgency in your voice only made the Englishman grin harder, if that was even possible.

He shrugs, clearly not preoccupied about the matter. "Came to see a friend, offer her a ride to work". You roll your eyes, annoyed, because obviously, this is Mason. This is the same insufferable guy you've got to know for months now, ever since he signed for Manchester United.

By looking at the watch on your wrist, and knowing your dad's entire routine, you know you two are running out of time.  "C'mon, Mount, you need to leave!", you urge, and he tilts his head in confusion. "What? Why?," as if his entire life, at least, sport related, wasn't threatened by the man about to walk out the door.

"Did you hit yourself on the way here? Did you happen to forget who I live with?".

He shrugs, again, claiming "I don't mind". A second after, "he actually likes me. More than you do, at least". It's not the first snarky remark he throws your way, but it's still too early for you to pretend he hasn't got a special capacity for getting under your skin.

"I'd like to see if he continues to like you when he sees you talking to his daughter in his front yard".

You're right about that.

Yeah, Mason is your dad's new shiny toy, awarding him with being a constant feature in the starting eleven in every United game, but you doubt he'd be alright with whatever he's trying to do. After all, he never liked any of your past boyfriends, or friends who he -somehow- recognized as undeserving of his little girl, his only daughter. "I think he will," Mason says confidently, "I'm actually a great son-in-law, you know?".

You swear it is too early in the morning to have rolled your eyes the number of times you have in his presence, during the past three minutes. You ask, hopeful that the sly remark works to get him off your back. "Has being this cocky actually helped you, in some way?".

When his smile falters, you grin. It's probably the first time he doesn't have something, anything, to hit back, and you consider it a win for your side. "It did," he answers truthfully a beat after, and now his smile is bigger than ever. "Look, you're smiling at me".

You try, hard, to stop your cheeks from going red, but the way you can't really hold his stare any longer is a win for him. He basks in this feeling, knowing himself to be able to make you nervous must be a good sign, right?

At least, he hopes so.

"Okay, stop fucking around or you'll be late," you warn, coming close enough to him to push him off the hood of his car, and towards the driver's door. You try to ignore the way your fingers burn after touching him, deciding not to acknowledge the warning signs that something had changed in the past few weeks. You don’t despise him nearly as much, but you’re not keen on the idea of him knowing about it. Yet.

Mason opens the door of his car, and gets in. You nervously watch back, to the entrance door, after seeing what time it is. 9:13 AM. Your father will be out the door, any second now.

You hope that, the next time you look to the street, the car will be gone, and any trace of the Englishman vanished, like a dream. But instead, when you turn again, the tinted window of his car is down, and he's looking mischievously at you. "Already caring for me? that's new, Ten Hag".

"Go away, Mount".

Hearing the door open, just a few seconds after seeing Mason's car disappear from your street, makes your blood turn cold. The piercing question from your father doesn't make things better. "What are you doing over there?". There’s nothing you could possibly say that will convince your father, and saying the truth isn’t a possibility right now; so, instead, you defuse the question. "Nothing, nothing. Are you ready to leave now?".

The way to Trafford Training Centre is quiet. Your father isn't one to talk much normally, but the silence squishes you until you feel like you're holding your breath. He knows, you're sure, and you’re gonna make Mason pay for it. 

That’s it, if you reach the training ground alive.

"You know, I think Mason is a good kid".

The affirmation is nowhere what you had expected your father to say, so you can’t hide the furrowed brows and defensive tone that comes along with it. "We're in first name base already? Wow, that's new".

The car stops in the red light, and your dad takes the time to turn his head in your direction. He sees your fixed gaze ahead, brows still furrowed, and his head tilts in confusion. "And he's trying really hard to get in your good graces".

"That's not true".

A beat.

"I saw him this morning".

After that, you're left waiting; either, for the disapproving voice in his tone, the yelling, or the pointing out reasons why you shouldn’t be this close to a player, much less someone like him. But instead, he’s silent. And somehow, the silence is scarier.

The air feels thick, and it’s scarily similar to how it feels when a storm is brewing. Hot, too heavy, and like the entire sky is about to fall apart. And a few minutes after, with the car finally parked, and the training center standing tall just a few meters ahead, Erik begins to talk.

“I don’t have a problem with it. Whatever it is”. In other circumstances, you’d laugh at the way he signaled with his hand when saying it, almost like dismissing the entire ordeal, as if he still, so many years after introducing other boyfriends in the past few years -not one that’s worth mentioning, though-, refused to acknowledge that his little girl is not so little anymore.

“I know I always said it’s not a good idea. And I still don’t think it is,” he remarks, but holds a finger up before you can’t argue against what he’s saying, “but, as I said, he’s a good kid. And, most importantly, he’s aware that if he breaks your heart, he won’t play anymore, so-”.

The horror in your eyes must be evident, because he starts laughing before you can tell him off because of his antics. “Dad!”.

“So, you can go out with him. Just don't break his heart, yeah?” You can’t even respond because he gets off the car then, taking his things with him before closing the car door. Yes, you come in together, but since you insist on keeping family business out of the club, Erik begins making his way in alone.  “Could really use my star player having a great season".

In the distance, you can see Mason; he’s smiling widely, with a coffee cup in his hand, and standing just by the door. He opens it, to let your dad in, and you shake your head in feign disapproval.  “Right, Mount?,” Erik calls, alluding to his previous statement; the one he can’t possibly have heard, given how far he was when he said the words. Between the three of you, you’re not the only one that knows that it’s a test, so Mason answers accordingly.

“Yes, sir, of course”.

#football imagine #football imagines #football x reader #football x you #football x y/n #football fanfic #mason mount x you #mason mount x reader #mason mount imagine

[in1-nutshell]

Hey, not sure if you're down for writing a continuation of the “Megatron 'accidentally' adopting human Buddy who fears nothing” post. But there was a line “Rung has a line of bots that express the same worry for Buddy one day doing something dumb and not being able to come back from it.” that I think should be expanded upon. Dangerous things are constantly happening to the lost light crew and Buddy must have the devil's luck to come out of everything that happens unscathed. I'd like to see that luck run out. I'd like to see the crew panicking because Buddy got hurt badly and there's been no news if they'll recover or not. I want to see Megatron deal with the impending mortality of his newly adopted kid poorly. And I want to see everyone on the lost light panic even more because if Megatron doesn't start a war if this kid dies, Whirl absolutely will. P.s please let buddy live, I may crave angst, but not that much.

Have a good day, love your writing

Ooooh! Have you been peaking at some of my drafts? haha! I have been thinking about what would happen if Buddy ever got hurt on Megatron's watch. But now more bots are going to watch.

Hope you enjoy!

Megatron and Fearless Buddy who gets seriously hurt

SFW, familial, platonic, angst but happy ending, mention of injuries but nothing graphic or detailed, Human reader

MTMTE/LL

As we all know Buddy fears nothing

And this put some stress on their friends and new dad, Megatron.

“Hey Megs!”--Rodimus

“Rodimus, don’t call me that.”--Megatron

“Yeah, not gonna happen. Anyways I was wondering if you’ve seen Buddy anywhere. They were supposed to show me something?”--Rodimus

“Show you what?”--Megatron

“Something about being a present for being Brainstorm’s ‘Guinea pig’?”--Rodimus

Buddy flying by on a jet pack.

“Hi Roddy! Hi Megs! Bye Roddy! Bye Megs!”--Buddy

“…”—Rodimus and Megatron

CRASH!

Both mechs start running

But as time continues to go on, their little antics are just normalized. Sure, there are still some bots that know the true fragility of the human life span. Such bots included but not limited to Ratchet, First Aid, Velocity, Swerve, Rung, Megatron, and Whirl

“Where are you going with those pilars?”—First Aid

“It’s nothing illegal, yet.”--Buddy

“What type of answer is that!?”—First Aid

But for the most part the crew thinks Buddy is almost as durable as they are. Yes, even Megatron has been guilty of this type of behavior. He isn’t too proud of that.

“C’mon Fleshy jump and do a flip!”—Random Bot

“Bet—”--Buddy

“I think not.”--Whirl

“Whirl?!”--Buddy

“If you break your dumb fragile bones who else is going to come with me on planet expeditions? Cyclonus? I think not. He sucks out all the fun.”—Whirl

“I am literally right here.”--Cyclonus

So, let the angst begin.

The place was being invaded by space pirates.

The pirates where taking the bridge and had successfully barricaded themselves in.

“Why can’t we just break the door down?”--Buddy

“The main room has delicate equipment. One wrong move…”--Megatron

“Okay that’s a bad idea then.”--Buddy

“We just need an opening from the main door and we can figure out the rest.”--Rodimus

“Hey, I’m tiny enough to fit through the crack under the door. I can open the door!”--Buddy

“Absolutely not.”--Megatron

“For once I’m agreeing with him.”--Whirl

“Hey, its not like we have many options here. Unless someone else has a better idea then I am quite literally the only thing stopping these guys.”--Buddy

“…go then…”--Megatron

He was going to regret saying it like that. The computers dashboard in order to unlock the door or at least give it an opening. So, when they were sure that the aliens weren’t looking, they sprinted over to the console by swinging up with a grappling hook to the chair and began running towards the buttons.

They had indirectly activated the plasma screens.

These were holoscreens all over the ship that would show what was happening on the bridge. Everyone had a front row seat to Buddy sprinting across the console. There where cheers as Buddy was coming closer and closer to the button

“They made it!”--Rodimus

“Way to go Buddy!”--Tailgate

“Just press the button.”—Ultra Magnus

“That’s my Amica—”--Whirl

It was right there…

The alien came out of nowhere…

“EW! A Rat!”--Alien

“A ra—"--Buddy

They swatted Buddy across the room in one swift movement. They’re tiny body hurdling across the room and off screen. A small sickening crack was heard.

It was barely noticeable.

But it caused a deafening sound across the entire Lost Light.

 Good news for the crew, Buddy’s shoe came off from the force of the hit and successfully pressed the button opening the door.

Everyone is lined up to take these aliens down.

Megatron and Whirl are at the forefront of it.

Megatron is trying to find Buddy while Whirl is absolutely destroying everything.

Megatron spots Buddy slumped over in the far corner of the room.

No motion, nothing

He is just frozen in place.

“Buddy…”--Megatron

“…”--Buddy

“Megatron! Move!”--Ratchet

Ratchet snaps him out of it as he is trying to help Buddy.

Megatron snaps out of it a cover him.

Buddy is rushed out an into the medbay.

Everyone is waiting.

The sudden gravity of Buddy’s mortality weighs heavily on the minds of everyone involved.

Megatron sulks in his room thinking about how he failed them. He can’t bear to sit by Buddy in the med bay. Ratchet understands and tells him that he when Buddy wakes up.

Whirl on the other hand, stays by Buddy’s bed side the entire time.

“Hey Tiny. It’s been a hot minute since you’ve open those little eyes… You mind opening them up?”--whirl

“…”--Buddy

“Fine be like that…”--Whirl

“…”--Buddy

“Well, you’ve missed a lot since you took that hit. One you have a ton of inner most energon by your room and a growing number of get-well gifts. I personally made sure none of you’re a secret bomb. Megs is still in his room and its giving everyone the creeps.”--Whirl

“…”--Buddy

“… Don’t tell this to anyone… but we miss you, you scared the ever living Pits out of us.”--Whirl

“…”--Buddy

Whirl has lost every good thing in his life. He is going to make sure that this one thing does go so soon.

Buddy does wake up

“Hye Whirly Bird?”--Buddy

“Buddy?!”--Whirl

“Why you looking at me like that? Someone died?”--Buddy

“You nearly did Tiny!”--Whirl

“But I didn’t, huh? It takes more than a hand to stop me.”--Buddy

“…I guess huh.”--Whirl

Megatron is zooming over when he hears. Buddy is trying to play off their injuries to try and keep the peace.

“Hey Megs.”--Buddy

“Buddy…”--Megatron

“You okay? You look like you’re dying.”--Buddy

“… that was a poor choice of words.”--Megatron

“Yeah I guess— woah, Megs?"—Buddy

Megatron gently holding Buddy’s hand the best he can

“Just let me hold you please, just a little bit.”--Megatron

“Sure Megs.”--Buddy

As they are recovering Buddy is treated with a bit more respect than they had before. Good thing too, they did after all manage to save the ship after all.

#transformers #transformers x reader #idw mtmte #mtmte x reader #mtmte megatron #mtmte rodimus #mtmte whirl #maccadam #mtmte x platonic reader #human buddy

[drippingmoon]

Merry new year to everyone, again! 🥳💞🥂

I know it wasn’t an event this year, but writing a yearly wrap-up is really therapeutic, you know? So I decided to continue the tradition, and if anyone wants to join me, absolutely view this as an open invitation^^ Introduction is over, and now let’s see what 2023 looked like:

(spoilers: I adored it. I'm also probably going to make this my fixed post, in case anyone ever wants to catch up with me. And also because my second baby, AoS, is growing, and it doesn't have an intro, but I can't leave it out.)

Stats

Aquiver, Aglow: 181k (draft 4) + 195k (draft 5) + hmm, draft 6 is an outlier, because I didn’t rewrite from scratch, so I’m unsure of the written word count. I didn’t change much from draft 5, so I’d say an extra 15-20k. Total word count: 376k+

Remains of a Night: 120k 

Aberration of Sunlight: 134k

This was definitely my most productive year to date. And I got so hungry: the more I wrote, the more I just wanted to keep writing, and honestly? I’m proudest of myself for literally carving writing time whenever I got a spot into my schedule. Mostly it was from 8pm-11pm, but I had a mad run where my only free window was from 1am till I literally felt I was dying… I’ll talk about that separately🤣🤣👌

Though, I'm seriously understating it.

Like a lot of other people, I would have all these hours when I was younger when I didn't have anything to do, yet I'd still find some excuse not to write. "I'm waiting for the right time." "I'm anxious I'm not going to get it right." "Tomorrow! Tomorrow I can start right from the morning, and I'll have more time to write, yeah?" or "I'm too tired now, it's late..." and so the snowball rolled down and downhill and I found every reason under the sun not to write, now that I think about it. Sigh. So much time wasted. But I can't regret it either, because I needed those baby steps at that time.

And now! Now I do what I thought I'd never learn to: I prioritize, and I actually organize my daily stuff so it's not so impossible anymore to have a little bit of writing time. I don't take it for granted either. It feels like such character growth for me, I'm immensely proud of it.

And for the record? This year was a huge improvement over yesteryear mentally, too. It turns out, what I needed to get over my word count anxiety… was to be faced with people who literally didn’t give a fuck about it, and just cared about the story. One of the most unexpected things beta stage managed to do to me… was to quench all my anxieties. It’s as simple as that. I read and enjoy very long books. People also do that. So, I’m very happy to say I’m no longer in a tizzy about ‘quiv. It might kill my chances for trad publishing, it might not. I’ll be happy come what may.

Because it’s so simple how working on ‘quiv or thinking about it makes me joyous, and now I can just enjoy that freely. I will miss writing this story so much. I really will. But at least I’ll have it forever to reread, and I hope this thought brings comfort to everyone who also has problems letting go, like it does to me.

Let’s break it down a little, shall we?🤩

Aquiver, Aglow◇◇◇

My little star of the hour. How fond I am of it.

Like you could glean from above, ‘quiv went through three drafts this year. More specifically: in the first part of the year, practically almost as soon as February arrived. I knew it was getting closer to the final version, and gave me the push to finish all three back to back. I couldn’t justify anymore the bazillion AUs I do with rewrites (basically, WHAT IFs from events, WHAT IF it went this different way, WHAT IF Tyrone actually said this here… and so on and so forth. I wanted to test out as many pathways as possible, and did I exhaust every one of them in existence? Definitely not. I don’t think that can happen, you just keep getting new ideas. On and on. What happened, instead, is that these couple different pathways, at some point, cemented themselves as canon in my mind. I didn’t want to tease myself with alternatives anymore, and that’s when I knew they would be it. Some bits from the first draft, some from the third, some from the second. Some were even draft 6 originals!

It’s a bit of a weird process. I definitely didn’t need to reach draft 3, and meet Mezusa, because I could’ve feasibly made it work with just Yles in the story. It still would’ve made sense, though in a different way. But if I hadn’t… I might’ve missed one of the best characters I’ll ever probably have created, and the story (and Yles) is much stronger for her, if you ask me. 

For that matter, yes, full rewrites every single draft might take a lot of time and effort, but honestly I don’t think I’d ever change my writing process (save for the moments of frustration when I think I will lol) because of the sheer satisfaction of it. Whoever said so long never to settle on the first version, I owe you a beer and probably some curses as well lmao, but very lovingly. You shaped my writing life.

I don’t have much else to share about ‘quiv, other than it’s off with my beta readers my beloved, and maybe a tentative promise that, if anyone wants, you’ll be able to read this precious ball of hope of mine relatively soon. This story is so gentle to me. And as much as I loved to write and work on it, I dearly hope that whoever decides to give it a go, is treated just the same. That’s the only wish I have.

I also don’t know if I’ll go trad or self-published. Instincts say trad, because I fuckin’ suck at marketing (fact), and I know I’d grow resentful if I’d have to put so many hours into advertising when I know I could instead… write. I’m a writer. That’s the only thing I know how to do. Trad, however, might not be as kind on a ~200k as life’s been, so I might not have a choice. If it comes down to that… I’ll just treat it as I do everything. I don't love this story any less if I just write, publish without a fuss, hope that maybe, just maybe, a reader or two will stumble upon the story and we could talk. Maybe we can have the fun of our lives, create some genuine connection. I know that’s applies to a lot of writers. I hope we can accomplish it.

And so, I’ll finish this section of the wrap-up with a kiss to my ‘quiv, for all the warmth it’s ever brought me. It’s come so far, I know it can live distinct from me from now on. It brings me great comfort. And I look forward to the times I’ll reread it, and we can relive our best experiences together. Never thought I’d get to this point. Thank you, ‘quiv.

Remains of a Night♤♤♤

Mwhahaha! And because ‘quiv took all the pressure, this left AoS to be an extremely fun and spirited experience. Literally the chillest I’ve ever been writing. In many ways, it’s more my thing than I expected ‘quiv to be: I get to murder characters left and right, it’s more plot-heavy and banking on the tension created by a creature that horrifies the characters down to their marrow, but still the only way to defeat it is to know it better, which, uh, might have unpleasant consequences for them. It’s got chase and stealth scenes, and it always shoots me with adrenaline to think about them. In short, exactly my jam.

It’s not a new book, nope. You knew it before as Aberration of Sunlight, but from the get-go I felt it would be bigger than ‘quiv. Very fortunately for me, I had a place where to break it, and behold: there’s RoaN (book 1), and AoS (book 2). There might be a third book, which I dearly hope not because titling sucks, but it depends on the Sycamine arc. More on that in AoS.

One last thing to note, before we delve into the story (hoo-ray for earlier drafts, because I can talk more frankly about them). This is the culprit of my 1am writing adventures!!😫❤ My schedule became too packed, then NaNo came round and I couldn’t pass up the opportunity to honor how AoS began, because it was last year’s NaNo, aaand I’m happy to say I won NaNo, somehow, with 56k down before I died. At that time, I only had one section left to write (from both books), otherwise, hahahaha, yeah, it wouldn’t have flown. Still, most of draft 2 I’d written in September-October, with my fairy lights, late nights, and cups of hot cocoa, exactly like how life should be<3

Alright. We’re going through them chapter-by-chapter again, exactly because I love seeing the titles so much:

ACT 1

Cracked Visor, Scorpion Grass

I did it! I did! Twas another shower thought I managed to get down in time. Bare broken sentences, but they did the impossible, and arranged this chapter into a structure I adore to bits and won't ever change. (And 'quiv's naughty voice left me alone for once and I could write it properly!) While I don't think I'll ever be happy with a first chapter (not as a concept, but the writing — part of me will always wish that the reader just had all the information already lol), this one is in the right place.

It pays its respects to the story of the broken helmet at the foot of a spaceship, and how it reconnects Madigan with all the people who'd suffered from being tethered to the planets when they yearned to fly, but the Beast punished them cruelly for it. It makes him feel phantoms of their efforts. The tone is exactly what I needed this story to start from: melancholy and numbly hopeless, against the backdrop of the Beasts's echoed cries.

Rain Through the Universe

Unlike 'quiv, because RoaN and AoS are way more plot-heavy, it's not as easy to change things willy-nilly (whereas 'quiv was all about character bonds and dynamics). As such, it's very similar to draft 1. Because of that, I'll frankendraft next (select and combine drafts 1 and 2, rewrite to connect them) and afterwards I'll try something I've always wanted to. (Scrivener keeps hinting at it!) I'm gonna split the chapters into scenes, and focus on those individually and how I can just rewrite them and set their purpose in stone<3 I'm excited!

As for the chapter itself, gods, I love the atmosphere. Just the wreckage of a sundered ship, and Madigan’s sudden madman appearance making a lasting impression on Spica, because how could it not. They no longer answer distress calls in that age, it just means more dead bodies. In fact, they're forbidden to. Madigan instead brings him what he himself lacks: hope. And a lot of crawling around while dreading the Beast's lambent eye opening, and oh my, the moments are really flying by😈👏 extreme fun for me as the writer.

Aberration of Light

If you remember, the books follow two timelines, which will connect at some point. The first and main one is Madigan and Spica’s story. The other is Holloway’s, in the distant past of that universe, and who’s been dubbed the most selfish man in existence. That’s important, because of how the Beast came to be. But that becomes important later. For now, a weird-ass new recruit has joined the ship, and the witchy crew will very soon start making bets if she’s the Beast in human flesh, which really wouldn’t bode well for their future.

Night Falls On Their Reflection

Draft 2 became Spica’s draft. It was high time. He didn't exist in the original idea beyond chapter 2, but he refused to die with his story untold. And now he's one of the most independent thinkers I've ever written. Now he's Madigan's son (yes, even at 25), best friend, back-to-back partner all in one, and I could watch the trust and mutual respect between these two forever. To be sure: Madigan comes up with the dumbass plans, and Spica's only too happy to follow him through everything (it is good fun.)

He's repaying the incredible kindness Madigan's shown him when answering his distress call, after all.

But it goes a bit further than that, doesn't it? Madigan is used to watching over myriad people. He's the Superintendent of his planet, and while he genuinely loves people, kindness is his default. It doesn't go further than that for him. He doesn't necessarily think people need, much less desire his presence there beyond Madigan extending help, and most of the time, he's content with that. Kindness does make him happy. And it should be the same with Spica now, shouldn't it? He's kind, but he's not Spica's family, nor ever will be. Yet he immediately feels a connection with the boy, that has nothing to do with bonding over escaping-a-cosmic-disaster. And so does Spica.

This is the moment when Madigan starts feeling guilty, for stepping where he should not. But here's the beauty of Spica's character: he's nothing if not dead sure of his own feelings, and what he sees with his eyes. It's okay if Madigan keeps unexpectedly taking steps back. For very long, there'd been nobody to support Spica's beliefs. So he does the same, as when he followed his heart to go into dead space: he believes in himself and Madigan, and that their paths aren't meant to diverge. They mean too much to each other for that to ever happen.

(In short, and legend says you can still hear me screeching about these two ten thousand years later, I love these two so much, and especially the parallels between Spica going alone into outer space and loving Madigan.)

(And, okay, obviously all these developments don't happen in a single chapter, but I couldn't stop gushing🤭🥰.)

Who Puts These Tombs in Ice

Overall, I think draft 2’s Luitgart performed worse than draft 1. Mainly it's the setting I want to revert (still an icy, sempiternally dark hell, but with different ice constructions) because some of the beats are a huge improvement, and again, I gotta combine the two. Otherwise, I’m still as obsessed about the Luitgart arc as I’ve ever been, and huge thanks to it for being so strong it could function as an ending of its own, allowing me to split the book.

Gettin’ into spoilery territory, but I have to un-kill Madigan so many times it leaves me in hysterics. That was what I was supposed to fix this draft. It got worse. Considerably.

(One constant: the chapter being a love letter to Madigan, and how his first answer will always be to help the other, no matter if they deserve it or not<3 and finally, finally, he gets acknowledged for it, and the favor returned.)

ACT 2

Lemon-Dotted Days + Remnant

Two Holloway chapters! I’m actually massively pleased with how they’ve turned out. Last year, I said the main issue was that I had an outline, and that never works for me. So I did what I do best and rewrote everything from scratch, and the result is both uncanny and… unexpected.

Unexpected, because I never in my life thought Holloway’s voice would make me laugh so much. He’s supposed to be unsympathetic, but then you get his interactions with Saintlark (the new crewmate, possibly Beast) where they’re contemplating the harvest of a nebula, and he’s harshly critical of it, which gives Saintlark hope… only to go deadpan One Moment Later: if they’d used the nebula to prolong their lives instead of bolstering the war, they wouldn’t have died like clown idiots. 

And, they could’ve maybe stolen immortality from the nebula. They would've had to share it with him, of course. Or he would've murdered them to get it.

That, my guys, is his personality in a nutshell.

I have a lot of feelings on Holloway now, and most involve me huffing and slapping my forehead while groaning, but oh my gods. Was it ever so fun. And wait, wait, wait. Since I'm talking of humor (apparently a lot of comedy fit into this horror lmfao) I have to show you guys the following section🤣🤣👏:

Corpse Snow

The drifters are set howling on the ice. They share glances, five separate vehicles nodding at each other. Madigan revs up the engine, splitting the air with a jet of steam and vibration.

The last of the marines are climbing into the box. A figure flashes past Madigan’s drifter — and he leans over, teeth grinding because of his ribs, and he does his very best to grab someone by the back of their suit and pull. Workout days were never his strength, though. He only succeeds in stopping them in the frost smoke.

It’s Spica dangling from his hand, expressionless.

Lieutenant Hahn instantly seizes on the situation. He throws Madigan a long, withering look. “Whatcha doing, Boss?” he asks softly, about to unhinge his jaw again.

Madigan nudges Spica into the drifter. “Picking up your boy.”

Spica gets the hint and deposits himself into the front seat, glancing from his father to his Superintendent. He seems to give up on whatever’s going on, and makes himself cozy in the frosty spot. And Madigan, of course, pretends not to notice Hahn’s drifter sliding closer.

“And you didn’t consider I might want to have my son with me?”

Madigan looks up and sighs. “Lieutenant, dear Lieutenant,” he starts pleadingly. “Why won’t you show some leniency to a poor, wounded man?”

Hahn’s drifter stops, summoning a breeze across the icy floor that gently rocks the other vehicle. His breathing distorts the comms with static. “And what exactly is my son right now?”

“My trusty navigator,” Madigan answers easily.

“Sir’s emotional walking stick?” Spica pipes in at the same time.

They both look over. Spica’s quietly turned to the navigation, as serene as daylight, seemingly oblivious to how Madigan's expression changes, lightning-fast. He quickly hides it under the guise of a polite mask, as the marines stir and turn their attention on them. They’re snickering.

Lieutenant Hahn throws up his hands, giving up on everything.

This is also the first 30k chapter I’ve ever written. It's everything I've ever wanted to do with ice.

Heart of the Void

The end of the book. Originally, it was the ending section to Corpse Snow, but since it already got so ungodly long, I chipped off that bit and I have to say I’m very happy with how it works as an epilogue! So it ends the frosty, weary journey, and I can’t see the two books as separate yet, but here we bid goodbye to the first.

Aberration of Sunlight♧♧♧

I did the unthinkable and created a fifth arc. This might not seem like much to you, but I was screaming bloody murder you guys😭😭😭. Sigh. It’s so sigh. For so long, AoS consisted of four clear-cut acts, but it was necessary. With the introduction of Sycamine, and making it two books, it was just needed. It’s still one of the worst things I’ve ever done because I was used to four��💔

(The chapters continue from where RoaN left off – from chapter 10, to 21.)

ACT 3

Retro Spectrum

Sycamine, oh Sycamine. Definitely the break I needed before Days in Darkness. It made for a really neat beginning. It’s calmer, focusing on the knowledge they have on the Beast. It’s also a reflection on Procyon (their main star) and the story of the two straggler dog constellations, and what they'd been running away from. I liked the direction it took. It veered away from the Beast for a bit, so the tension kept expanding in the background. And when it returns, well... maybe they shouldn't have been so eager to see it again🤭.

It suffers from the same syndrome as draft 1’s first chapter… it’s there in the vicinity of the idea, but too much to the left. Not bad for a first attempt. The setting annoys me – I really don't enjoy writing cities, and AoS didn't change that. So, for our next try, I was thinking... maybe we don't need to be on the planet, but up close and veeery personal with it. It's a secret❤.

And, oh gods. I put a moustache-twirling villain in this. And then I couldn’t stop myself from naming some sucker Sweetman Calories. I don’t know what happened to me during those days, but I’m crying🤣🤣🤣.

Toast to the Light

Holloway and Saintlark’s story is slowly coming to an end. Unexpectedly bleaker than draft 1, yet it feels much more sincere. Holloway has a way of saying everything Saintlark needs to hear. No surprise. They did that to themselves.

Dissonant Recognition

Ahhhh, the Madigan-is-slowly-losing-his-grip-on-reality chapter, or maybe he should really stop staring into the suns. One of my favorites<3 Also because it features Moren (!!!) who has a blast staying in the grey morality area, because she doesn’t know if her actions could ever matter, or if she could change anything. Does she just exist? Is she a player or just pawn? Who knows. Besides that, she gets along great with Spica. They form such a teasing duo, the level of mutual respect they felt for each other on sight was a delight to write. My favorite ally of theirs, even if her destiny lies elsewhere.

Night Beneath the Elevator

Best title hands down, dethroning Solgesis. I’m going batshit crazy about the visuals, it's exactly my thing. This half-light slanted over an elevator waiting in a rundown basement to be boarded. And there's something underneath it, and always has been. Something insidiously creeping up and waving its tendril fingers at you as you're just waiting for the fucking thing to ascend. Immaculate, guys, I'm telling you, and I'm cursing my hands because I can't make a wallpaper of this. I want to eat that atmosphere.

Time-sensitive missions, y'all.

And why the heck did nobody inform me I was going to add Command as an actual character and have them talk with Madigan?! That entire convo, made up entirely on the spot but somehow with a direction, made me realize what an idiot I’d been for not doing it sooner. They mean so much to Madigan, after all.

(And Mariya. So much Mariya in these chapters.)

ACT 4

Loop System

Like Who Puts These Tombs in Ice, draft 1 might’ve done it better. Not Spica and Madigan, though, because of the sheer development Spica’s been through and the dynamic he’s managed to form with the crew. It's different from Madigan’s, but similar enough that it’s got Hahn commenting lightly: [Spica’s] picked up quite a few habits from Madigan, hasn’t he? Almost as if they’ve gotten very very close, huh? How about Madigan tell him more?

(I adore writing Hahn.)

Outreach

Another Holloway chapter. Doesn’t have the punch of the kids subplot from draft 1, but this just makes it worse for Saintlark personally, because, this time, the consequences are on her.

Days in Darkness

I knew the moment I first got the idea this would be my favorite chapter. Well, it finally happened in draft 2: when the entire crew is here, this time, and ready for the final countdown, to relive the experience of being trapped in a ship that's disintegrating. No more heroes left behind. I'd been so tired writing this chapter in draft 1, but this time around it was incredible. Everything went up sharply from here, both in terms of events and how on fire I was.

(Maybe less than the gorgon, but I was.)

ACT 5

Echo Terminal

The first of the two log chapters.

I've never written smoother, more visual chapters than in this period. Days in Darkness changed me so much, I was writing day and night by this point and couldn't get enough. Well, I hit my limit in the second half of the very last chapter, but I am beyond satisfied. Even the Beast's metamorphosis took me by storm, because I'd been wondering what the final verbs, the final images, the final design for it was going to be. I didn't expect it to come to me this early, and with such thrill. Those were my very best days of the year, and I toast to them.

(And I knew it was going to be fantastic when Halo's Warthog Run OST started blaring in my head, with as much adrenaline.)

Where, Now? + Solgesis

My beloved. The second and last of the two log chapters, but it’s Noelle Saintlark’s log.

Holloway’s timeline ends here. Or maybe it just gets carried into the future. I thought I’d want to rewrite his parts again, make the plot just a tiny bit more psychedelic and nonsensical because it’s so close to the Beast… but Solgesis put all my fears to rest. Even the formatting and layout is a bit of that special thing I’ve always wanted to try, and it really changes the perspective of the previous chapters. There's a new confession that stands at the heart of Holloway's stories.

Honestly, the only thing that needs urgent working on is the anger at the end of the chapter.

Anger is so hard for me to write sometimes. Not because I don’t connect with it, but because I feel self-conscious writing it. The wildest I felt it was when I tackled 'quiv's chapter 3 and Imera's Turning speech, both in quick succession (before I'd even written draft 1. I'd been taking notes.) Since then... I just thing back to how keenly I'd felt that anger, and I kind of intimidate myself out of it. Kind of like a natural resistence, I quench it from myself. Which is actually hilarious when you think about it. It’s like I’m going I BANISH THEE FROM MY BRAIN because generally, as a person, I dislike feeling and operating on anger. But no worries. I’m going to find a way around it.

Watch me😎.

What Goes Around…

(Now it’s the time for me to start crying some rivers, and, alright, it won’t be visible so I’ll say it: the chapter titles are holding a conversation, guys. They speak to each other. And sometimes it’s both sides of the same coin, like how What Goes Around (comes around) hints here. If you take two chapters, one from the beginning and one from the end (for example 1 and 21) it'll tell you a little secret. Okay, What Goes Around and Rain Through the Universe communicate through their plot, which I can’t spoil but of course it has to do with Madigan and Spica and how they first meet… but there is one title pair that does it best visibly. 

Lemon-Dotted Days and Days in Darkness.

And I hadn’t even planned this. All the parallels I wanted to draw… I feel like they built themselves, guys. They really did, and it makes me so wildly happy I don’t even know how to stop my hands from flailing.

And, with them being 21 chapters, they meet in the middle, on the one unpaired chapter.

Called Toast to the Light.

I friggin’ love everything.

New Sunrise, Forget-Me-Right

Of course, Forget-Me-Right is a play on Scorpion Grass. But it’s also such a gentle name for the chapter, because everything ends here. Lying on their backs, staring out into the universe, and it really, really is over. Just a dark horizon on which stars flare and bloom. And suddenly, that maddened rush to make every sacrifice count, to remember every soul they’ve encountered because the legend says the Beast absorbs you when it kills you – all that suffocating pressure dissipates. Lightness remains. Because they’ve protected each other.

For the first time in my writing journey, blood rushed to my head with such emotion I had to stop writing, which never happens. I had to look up and exclaim, holy fuck. But how could I not, considering how the story ends for the Beast? I am speechless. A lot of gorgeous surprises this draft.

Conclusion□●□

Whew, what a year it's been! As for how 2024 will probably look like, though I don't like making plans: finishing the beta stage for 'quiv, and tackling RoaN and AoS's draft 3. Thaaaat one I'm actually starting on Christmas, when I can (finally!!) reread draft 2 with my mug of hot cocoa (or maybe mulled wine for a change) and, no surprises here, I'm hyper stoked for that<3 <3 <3 I legit can't wait to see where the new draft brings them. I might not have set any expectations for them, but they're vying to keep up with 'quiv and I adore it🤭❤

As for my lovely friends... well, you know by how I spam your tags how much I adore you and wish you happiness forever🤩🥺🥳 I don't know what my activity will look like in the near future, so for now I won't be saying anything, and my semi-hiatus continues. Semi, because you're unforgettable and I crave to see what everyone's been up to and (!!!!) what you've written!

So let's meet in 2024 again, and all the best wishes to you, the reader🥰🥂❤.

#ayearofwriting #2023 #aquiver-aglow #aberration of sunlight

[dduane]

Hi there! I'm not sure if this is something you've talked about before in another post, but I just finished the first draft of my first novel, and I was wondering if you could talk about what your experience was like getting your first novel edited and published. I have this story that I'm excited about but no idea what to do with it now that I've reached "The End," do you have any advice on what my next step ought to be towards eventually getting it published? Thanks in advance!

First of all: thanks for asking. ...And now I have to warn you that I am possibly one of the worst possible people to ask about what their first novel's publication looked like... as it was completely atypical.

Not that that's going to stop me, mind you. (And you know what? I'm inserting a cut here, because this goes on a bit. Warning: contains [calculated] dissing by old friends, pulp non-fiction, unexpurgated language, unexpected awards nominations, and advice that's worth just what you're paying for it.)

What happened with me and my first book goes like this:...

In the late 1970s I was starting to burn out on psychiatric nursing, and was offered a job as assistant to the novelist and Star Trek ["The Trouble with Tribbles"] writer David Gerrold. I took it happily, as I was in a place in my life where I really needed some kind of change. The work with David was part-time; I also occasionally did special duty nursing shifts to help make ends meet.

Now during this period, I was writing for my own amusement (as I'd been doing all my life from about age eight onward). Right then I was working on a project I'd been tinkering with from my late high school years right through college, nursing school, and my first couple/few years of practice as an RN. This was the background worldbuilding for a vaguely Tolkienesque, somewhere-between-late-Medieval-and-early Renaissance fantasy scenario featuring a couple of moderately unusual magic systems, a sexually diverse culture, and a pair of "These Two Idiots"-style protagonists with complex interleaving problems.

While I was working for David, I had a lot of opportunity to observe, close up, what the life and workflow of a career writer looked like. Slowly, over a year or so, the realization crept up on me that what David was doing, I could do too. And it was at this point that I finally admitted to him that I thought I might want to write as well.

David's (as I later discovered, extremely calculated) eyeroll could probably have been seen from space. "Oy, not another one," he moaned. After which I went away from the abortive conversation pretty much resolved never to speak to him about this again... but also with a single thought filling my brain: You fucking supercilious sonofabitch, I'm going to show you that I'm not just another one.

...I'll never be able to thank him enough for that. Fury can be so motivating. :)

In the aftermath I got busy pulling together my background material with much more focused intent, and beating the most significant parts of it into something that started looking like a plot. It came together with surprising speed and unnerving insistence—one of the very few times in my career when a project, once begun, has simply flung me into the writing chair and insisted that it was the most important thing in my life and needed handling now. And when in the fullness of time David went on vacation, leaving me to house-sit at his place in LA, I immediately started using his very early computer to transcribe my novel's so-far-only-handwritten draft material.

I took what I thought was considerable care to cover my tracks... but not quite enough. On his return from vacation, when he was putting out the trash, David found some of my discarded draft pages, read them, and confronted me (with a certain amount of friendly teasing) about what had been going on. Then he said to me, "What I've seen of this thing doesn't look too bad. Let me see it when you're finished, and if it looks good enough, I'll ask one of my publishers if they want to take a look at it."

So that's what happened. I finished my first draft and a polish of it in about six weeks, and passed it to David. He read it and immediately handed it on to his editors at Dell, who were just starting a fantasy line for which they needed product. Two weeks later, they said they liked the novel and made an offer, which I accepted. Not a vast amount, but respectable enough. So there it was, my first sale: this book. Which then got me nominated two years running for the Astounding Award, and opened the door for the sale and publication of So You Want To Be A Wizard, as well as my earliest Star Trek work and my entry into the animation world.

I remember very little about the editing process, except that it was painless. What was not exactly painless was the book's cover, about which...well, the less said here the better. But the book came out to generally good reviews. So, with this series of events behind it, you can see why as regards first-publication stories, I'm a first-class outlier and should definitely not be counted. (Also to be avoided by new writers if at all possible: the experience of having half their strongly-selling first novel's initial print run pulped in the warehouse* because it was taking up room needed by a new book by a world-famous novelist.) (Whom I have long since forgiven, since it wasn't his fault, and...well, what can you do? Shit happens.)

...Anyway, that's more than enough about me. Now let's talk about you.

My first advice about what to do with the novel you've just finished? Stick it in a drawer (literally or figuratively speaking, whichever suits your case better) and don't look at it for at least a month. Two would be better. You can spend those two months thinking about your next moves... because you need to give those some consideration before you do anything else.

The question that you first need to answer is going to at least partially shape what you do next. And it's this:

Are you seriously considering making a career out of writing?

It's not that it can't be done! Of course it can. But it won't be easy... not at all. Anyone who tells you it will is either just outright lying through their teeth, or trying to sell you something. ...Or both.

Be honest with yourself as you consider this. If you aren't, you may be letting yourself in for considerable pain over a prolonged period... and I'd sooner you were spared that, if you can be. In particular, be clear about the difference between the statements "I want to write" and "I want to be a writer." Often enough people like the sound of the lifestyle and what they see as going with it—the signings, the book tours (physical or virtual), the interviews, the best-seller lists—without any real concept of the grueling, day-to-day, weekends-are-for-other-people, why-am-I-making-less-than-minimum-wage-most-of-the-time labor that underpins it.

If you simply want to write and be published—without the concept of a career necessarily being involved, or the lovely shimmering dreamlike vision of Giving Up The Day Job—you now have work pathways available to you that would've been unimaginable in the previous century. Self-publishing makes it possible for you to get your work in front of many, many eyes without necessarily having to submit yourself to the specific set of trials that go with achieving the initial stages of an intended career. Selfpubbing still has significant unique challenges of its own, of course, which have to be evaluated so that you can tell (as the commercials say) if they're right for you.

But if you're thinking of a career in what's usually being referred to these days as "traditional publishing", then you face a number of challenges that don't necessarily come with the self-publishing end of things. In particular: many publishing houses no longer consider manuscripts that come to them un-agented. So you're going to need to find an agent who's willing to represent your work... and this is a task that no longer looks anything like what it did when I found mine. (Or rather, when he found me, having been recommended to me by one of my editors. I've been with him for even longer than I've been with @petermorwood... and that's saying something. But this is yet another way in which my career's been wildly atypical.)

There is so much that could be said about this subject alone—the business of researching agencies to see which one seems like a good fit for you, the art of writing the perfect query letter to get their attention focused on a given book, and so much more—that I could hardly begin to even skim the surface of it here. There are whole websites devoted to shopping for agents, not to mention how to pitch yourself and your work to a given literary agency.

Let me leave this whole subject here for the moment. We can come back to it another time, because right now you need to be thinking this through. ...This I'll say, however. For the past six to nine months I've been pulling together links to various online resources that can be beneficial to new writers just getting started. These will be available as posts over at the FicFoundry.com site that I'm going to be bringing online before summer. I'm hoping to build that into kind of a compendium site or clearing house for online resources on this subject. We'll see how it goes.

Meanwhile, thanks for inquiring about this. You're standing at the first branching of what I'm hoping will be, for you at least, a fascinating variant of the Choose Your Own Adventure genre. :)

More on this later.

("Wait. Did she just call us idiots??")

*Now that we live in the era of just-in-time warehousing, this is something that fortunately doesn't happen much any more... as far as I know. But once upon a time, if somebody's new best-seller was going to the warehouse in its many thousands of copies, and your relatively-less-well-selling book was taking up space that could be used by the other author's "more valuable"/higher-priced titles, your books (5-10K of them, in my case) were simply thrown into a machine and turned into papery mush. And these go on your sales record as "unsold copies". (sigh) Some discussion of this phenomenon can be found over here.

#advice #writing advice #career stories

[thickenmyblood]

I don't know how to thank you. This feels like the end of an era. I can't believe it's been 4yrs since you started posting hiuh and I was instantly hooked. It literally got me through the pandemic. I learned so much from the story and felt I had Neo as a therapist(the best in the world). You must be flooded with asks now but I am really curious how the story formed in your head. It's hard to believe how consistent the story is as you posted chapter by chapter. Did you outline the whole story when you started? did you stick to all the original ideas? if you changed your mind what were they? It really is a master piece - much much better than many published books I read and I hope you will publish someday, if that's what you want.

I'd also offer you my first born to have an epilogue. hopefully lamen with their child(ren) playing on the beach and Nicaise being the doting big brother. they all grew so much and deserve all the happiness. oh and Kastor and Jo and Galen for big family gathering. I'm so proud of all of them.

thank you thank you thank you for all your patience and genius and mostly, generosity.

hello!!!! i'm so happy that my story resonated with you and got you through some tough times. it did the same for me!

It's hard to believe how consistent the story is as you posted chapter by chapter.

thank you!! it will never be as good as it was in my head or as good as I know I could have made it if I had spent more time on it, but for me the most important thing is that it is completed and at least 70% of what I wanted it to be. a win is a win!!!

Did you outline the whole story when you started? did you stick to all the original ideas? if you changed your mind what were they?

i got the idea for a modern au break up fic in 2020 while I was writing and posting wtsioa. i started the story as a 20k one shot and then realized 5k into it or less that it was not going to fit into that word count. the reason was very simple: i did not want a break up fic centered around "miscommunication" in a naive, fluffy way. i did not want to write a fic where the main issue was that one loved the other too much or that they thought the other was cheating when it wasn't true, etc. i wanted to write a break up that felt honest to me, and this meant giving them both issues that felt real, that i saw in myself and in the people around me irl. which meant that it would take them both considerably more than 5k to get over them (if they ever did).

i outlined the fic very roughly. my first drafts . . . they are not it, girl. like, anyone that has read wtsioa knows that. I'm a much better editor than I am a writer, so for hiuh i outlined the main beats (nicaise calls damen after months, damen goes to therapy, nicaise is out of control and some incidents happen, laurent is dating maxime, they get back together). then, i wrote the entire thing in . . . a year? maybe less? then, i made a mistake and got cocky: i edited the first three chapters and started posting on ao3. that's why the fic took so long to post. i had to edit each chapter a lot after the first three were released.

i edited out too many things to count. things you wouldn't believe if I told you now because they make no sense when looking at the finished version. idalia was a pretty big character, and so was jokaste. in the og outline, I debated between claude/heavy drugs for nicaise. i almost named dog NIKANDROS!!!! damen actually punched aktis at the party when he talks shit about laurent . . . which led to him also punching nik. laurent slapping nicaise once. aimeric and damen baking together. then, there were things I wanted to write but couldn't because they didn't feel very real to me, despite being the best self indulgent daydream scenarios ever: damen hunting claude down (yeah, ruth wanted this to happen), dog getting sick, aimeric's EVERYTHING lol, nik and nicaise talking, etc.

thank you for sending this ask and reading the story through all the ups and downs and... lack of updates on my end!!! it has been the best experience ever, knowing that someone out there is reading and cares about what I made. thank you!!!!!!!!

#anon #hiuh #about the epilogue: i feel you #someone asked me what lamen telling nicaise would look like #but I WANNA KNOW WHAT THE PEOPLE WANT OKAY #bc i already know what happens inside my head #some people were pissed about the cut off ending but i think it just gives the story such a hopeful note

[mightymizora]

Hello mighty mizora! Big fan here of your work the way you write is so mesmerizing honestly im always in awe!! I have a small question i hope its not annoying i've asked this question to another writer who i liked once but they were so mean to me back so i understand that maybe its not the best question to be asked but i have ADHD and i need alittle direction so i hope maybe you can give me some (its totally okay if you dont want to ! ) Do you have any pointers to someone who has never wrote anything past school essays and to do lists if they want to start writing fanfiction and have it be nice and expressive? I have so many ideas i write them down write 5 sentences thats like a summray maybe a few sentences of some scenes of romance sorta like a small outline it feels so dry... And i dont know what to do past that... Essays had structures and preferred starting intros and all that but i feel lost when i try and start a story, i know myself and i know once i start i will not shut up but starting feels like a wall and i dont know how to climb yk ?

Hey pal!

Firstly thank you so much and also I'm sorry you had a bad experience with another writer. You've asked this so nicely. And apologies for this being delayed I thought I had clicked post but I'd saved the draft again!

So I'm not going to claim to be an expert in this but the way I approach this is:

I start with what I want to say with a piece. What do I want to explore? What do I hope the reader will take away from it? I then jot those down for myself at the top of the document, just like you describe with your summary! If this changes as I discover things that's okay, but it's kind of my road map.

I usually also start in the middle of some action, or with a line of dialogue. Honestly you don't have to do this at all but the joy of fanfiction is you don't have to do loads of exposition! People know who the characters are and you can dive into things! It means you get stuck right in which I personally like.

I also don't write chronologically! I think we can get so stuck on things. I think of writing a story like pruning a garden, so I might write some "holding sentences" per scene and then work on scenes as they come to me. It's a good way to build up the bits as you are inspired. You can see this really clearly in a piece like Blood and Bone which is very sparse, some of the holding sentences in that fic are still in there.

When it comes to dialogue, I use the actioning method used in acting and I work out what people want to do by saying something. I like when characters don't say things outright, but say a hundred words by what they don't say. A character can say I love you, and it's good, but what if they say I don't want you to leave? What is left in the gaps?

When it comes to description I think I have a long way to go honestly but again. What are people seeing, smelling, tasting, seeing touching? What is their primary sense? Does it evoke anything else for them, or are they entirely in the moment? This can vary from character to character.

Another thing to think of is variant rhythm. Once you have a first draft down, go over it again and look at sentence structure. Can you add variation by changing the length of sentences? Can you tell a story in the rhythms you use? I'm a big fan of long run on sentences in romance showing a character losing control, for example.

And the big secret honestly is... you might well find your writing a bit dry! I find mine dry! I look at it squinting, asking whether the sex is sexy or if it's just way too out there or just completely misses the mark. We only really know when other eyes get to see it.

I hope that's helpful!

#on writing #anons are always open for writing chat honestly #so if you want clarity lmk!

[inkandgeese]

--Writeblr Intro--

Hey there!! I'm Ash (she/her)! I'm a first year architecture student who has always loved writing so I thought i'd join the writing community here!

Some things about me and my writing:

- Because of school, I definitely won't be super consistent with posting! However, I will always come back eventually, I promise

- Most of my stories are fantasy as I just LOVE the idea of magic

- I absolutely adore god awful protagonists. give me main characters that are terrible people, i beg you

- I write for fun!! Because of this, most of my stories aren't super far along in the process as i love to jump around in them

Under the cut will be some short WIP intros!!

Jaded Ashes - a low fantasy/ magical realism novel

Status: Drafting (my current nanowrimo project)

As a senior in high school, Jade wants to leave her small town more than anything. Years of feeling left out and abandoned have left her with nothing but resentment towards this town. However, after picking up a mysterious lighter, Jade starts to see dark creatures that feed off of the negative emotions of the people living there. After one saves her, Jade makes a simple deal with it: It will protect her from any possible harm, and she will help it destroy others of its kind. Working with Elliot, a boy from her school that Jade always tried to avoid, she starts to destroy these creatures little by little. The more time goes on, though, the more Jade can't help but wonder- would it be better to just burn everything down and start again?

- The best way of describing this story is that it is about two incredibly lonely people who desperately want to be seen for who they truly are

- While there ARE magical elements in this story, they almost aren't the focus. The focus is very much on Jade and her mental state. The magical elements are mostly there as a way to express those things in a different way

- This story in general deals a lot with mental illness! It has a very depressed and self destructive main character who does not appreciate it when others tell her what to do

Manic - an adult fantasy novel

current status: brainstorming/revamping

This story is currently undergoing a HUGE revamp, so I unfortunately won't be able to say much but i KNOW i am going to mention mira many many times so i thought i'd at least introduce it!

Mira, a knight, wants more than anything to be a hero. Something that is untouchable by time and remembered forever. However, after being attacked by a monster, Mira realizes a terrible, terrible thing: she herself is being turned into a monster as well. Infected with no chance of a cure, Mira knows what she will do anything to keep herself from dying, even if that includes sacrificing the entire world.

- This is planned to be a trilogy

- A HUGE part of this series is the idea of what makes somebody human and where that line is drawn between human and monster

Some other WIPS:

Bella and Iris

- This is another fantasy novel. In a world in which most gain their magic from plants, two characters gain their magic from death, either from killing or by drawing it from the dead. Without meaning to, Bella and Iris get pulled into a plot between gods that they had never wanted to be involved with in the first place.

Ophelia

- A lighthearted fantasy novella consisting of short vignettes following Ophelia in her small cabin throughout the winter. She meets plenty of mythical creatures in the forest that bring far more problems than help.

#writeblr #writeblr intro #my writing

[steamberrystudio]

04/06/2023

Halloo~oo everyone! Just popping in for a quick tumblr update on GS (trying to be more consistent over on this site! 🤔 ).

In my last update, here, I was incredibly close to finishing the rough draft for Yuu's route. that is complete now. And I've been working on editing. I got sick mid-way through this week (feeling better now) so that slowed me down.

But I am about halfway through with the edit. A little less. Like...45% done editing. Yuu's route is coming in at 115,000 words uncoded at the moment. We'll see where it ends up when the revision is done.

Unlike some other routes I don't think Yuu is going to need to really heavy revision passes. I think it'll need one heavy revision, then a mild line edit and proofreading.

Most of my editing so far has been really focused on continuity and smoothing out character development. I haven't had to do any major shifting around of events.

I have sketched out one CG and have started compiling references for sprite variations (new outfits/hairstyles for Morgan and Yuu). So yeah, that's about where the route is currently. Drafting complete, revising underway! When the revision and proofreading is done, I'll start coding the route in and move to art!

A quick WSC update:

At my last update, I had finished up with Daaz's content for the shared part of the route and was getting ready to move into his exclusive chapters. I'd had a new idea and was considering if it was possible and how it would work.

I did a lot of brainstorming for this idea and have decided to move forward with it. It's added in some new (and cool, imo) lore elements that I'm excited to explore.

Something else I did for this project was start solidifying revision concepts.

For anyone who has not followed me or been with me for my previous projects, my revision process tends to be pretty extensive. I rewrite huge portions, delete massive sections, and inject large amounts of new content. (I don't think this is abnormal but for people not familiar with the development process of a VN it might seem weird to focus so much on revisions.)

I have been essentially plotting out some necessary changes (some of which are substantial) for that part of the process. I have a whole new timeline of edits and everything.

So yeah, that's kind of where WSC is at the moment. Now that I've done a lot of prep work for the end of Daaz's route I'll draft that and move on to finishing up Noel's content!

Anyway, that's all for now. I'm hoping that by my next post here I'll be in the middle of coding Yuu's route!

That's all for this update. See you in a couple of weeks!

#gilded shadows #whenstarscollide #updates #indie otome #amare game

[ambrosiagourmet]

Feel free to ignore this, but I love reading your analysis and was wondering how you start analyzing things? I try to do it myself but I always feel so unconfident in my interpretations and feel scared about posting about them and them being “wrong.”

Just curious to see how you approach your analysis and meta! Have a lovely day!

Ooh, what a good question! I'm happy to share a little, sure.

Under the cut bc it got long hehe 😅

So my first (and probably the most important) response to this is: it's hard to feel 100% sure that you are totally "correct" about this stuff.

There are always going to be other ways to interpret things. There are things you miss, or perspectives you don't consider. There will always be people who disagree. And even if you are as accurate and totally convincing as humanly possible, there always going to be different types of analysis that you can't cover all at the same time!

I think, especially when it comes to like, doing casual analysis for something you love, it really helps to just follow your passion. It's fine to speak confidently about an interpretation that you find compelling, even if you haven't considered every possible angle of how it could be wrong. It's about what speaks to you, after all.

For instance, the conflict-avoidant Falin post (which is currently the analysis post of mine with the most notes) was largely born from an interpretation of Falin that really resonated with me, based on a couple of points I remembered strongly from reading the story. It's definitely not the only way to look at Falin, and I don't think it's like the universally correct interpretation of her character. But it is the interpretation that got ME interested in talking about her, and in turn, resonated with other people, too!

I have plenty of anxiety about this stuff, so I won't pretend that it's just easy to turn off that "what if I'm wrong, though" part of your brain, but I will say it doesn't hurt to try to start writing. You can always draft a post and come back to it, or delete/private it, or reblog it later to add more context or nuance. You aren't shackled to your opinion forever, much as the internet (and anxiety) can make it feel that way.

As to where to actually start with analysis... for me, it's almost always either a detail, a question, or both.

Here's an example of an Idea In Progress I've been thinking about.

While I was grabbing screenshots from the Nightmare chapter, I noticed that Marcille's hairstyle there is similar to one of the chapter covers I'd also just looked at:

So like, that's interesting to me! Especially since the cover was from the chapter where Marcille makes her deal with the Winged Lion. So then I can start to ask like... what does it mean that there's this similarity? I could tie it in to the way I think the Lion kind of infantilizes her, talk about what influence the Nightmare chapter might have had on Marcilles decision. Alternatively, I could ask, are there any other similar times Marcille wears this hairstyle? Any other hairstyles that are repeated at key times?

Any of which could lead to some fun analysis! Alternatively, it can also just be fun to post about the detail without the analysis. Just be like, "hey, look at this weird thing." Other people might chime in with ideas about it, or maybe it will sparks something for you later! Either way, you'll have an easy reference saved for reference. Even if deeper analysis doesn't come, it's still fun to have pointed out. Details and connections are just. They are just great. And Dunmeshi especially has SO much to dig into.

(Oh, also, quick aside here: ignore anyone who tells you the details don't matter and weren't intentional. It fully does not matter. If drawing a connection helps you realize a new meaning in the story - if it inspires and motivates you - it's worth investigating.)

Anyway, the Adventurer's Bible is also a great place to find details to jump off of. The timelines and little blurbs highlight important events or facts about the characters, and you can then go fishing for other times those things come up or are referenced in the story.

In terms of starting from a question, it can also be fun just to spend a little time with something you don't feel like you totally got. I had a great time doing that with the succubus chapter, for instance. If there's a scene you find yourself kind of skimming over because its not clicking for you... go back and try and examine it! Even if it's just a small thing - an expression you missed or a panel with a funny little joke - it can be just as rewarding to try and pay attention to the parts of the story you don't understand as it is to dig into the parts you do.

~

Really, in a lot of ways, I like to use analysis as an excuse to just spend time with a story I care about. It's a way to savor it! And if you can write up those thoughts and ideas, you can share them with others, which can be even better. A dish doesn't have to be perfectly cooked to delicious, after all. Go, with Senshi's blessing, and make good food.

And of course, as with all things creative, never forget about Two Cakes:

#ask #hope this helps + isn't too ramble-y #much love and good luck if you do share stuff!! #writing analysis essays/posts is hard and cool and fun #and I think the more people having fun with it the better

[moonshine-nightlight]

Hi, I'm always very impressed by your world building skills, even in shorter stories! Do you have any advice for aspiring writers on how to build their fantasy world?

So i drafted a response to this in between working just far too much and then my computer crashed and i lost it. Then i was even busier so i never got around to writing it again but i am making some time this weekend, so worldbuilding post - take 2

My main, high level worldbuilding tips are:

Rule of Cool: worldbuild things you think are fun and interesting. not only is that the best way to get ideas you like and are motivated to write about, but other people will also think they're interesting too. have fun with it.

Iceberg theory: know more about the world than ever makes it into the story. people can sense when worldbuilding is shallow, so even if they never see the true depths of the world they can often sense it's there. plus if u know the whole picture, everything the readers do see will seem more coherent

Integration: i heavily integrate the world i'm building into the story i'm telling--so dig into the plot and characters and make sure that the world and the story serve each other well. your world is there to contribute to the story so make sure its fulfilling that purpose

For more specifics about how i personally world build and for some examples from my stories of the above guidelines, see below.

So firstly, i love worldbuilding. i just think its a ton of fun and could easily spend hours just thinking about worlds in my head. (i mean what else is there to do when ur commuting to work, amiright?) i think that does make it easier for me to take the time to do it right and makes the world come through more vividly in my writing. it can get annoying or tedious or be more challenging at times, but since i like it/find world building interesting, i'm more willing to put in the time and effort to whip it into shape and i get less frustrated with that part of the process in general.

i'm also always thinking about world building to some degree in the back of my mind. picking up interesting information, facts, snatches of cool ideas or images or whatever. then i throw all that in like a junk drawer in my brain so when i sit down to more officially write or flesh out a world, i already have spare parts at my finger tips to use or drawn on.

Reading and consuming other art and worlds also makes it easier to make your own, just lik reading is a key part of writing practice. i don't just mean fiction, but just anything about the actual world makes it much easier to make up your own--that can manifest as awe at the fireflies that actually exist or spite that dragons dont. Whether that's random youtube video essays about the history of musicals or drinks or fashion to books and articles and documentaries or just my friend's niche interests (or their regular jobs). i'm always taking worldbuilding notes in the back of my mind.

For a more writing specific example, i read this short guide '50 Ways to Kill a Mermaid' (its locked for AO3 so u hav to sign in to read it) and it was super fun and cool to read that info from a writer who had studied marine biology. then when i was fleshing out Don't Shoot the Messenger a year later, the problem of Satrasi being a sea demon in a fresh water pool and bloating came to my mind because i'd stored that tidbit from the article away for later use.

My personal method for worldbuilding and plot outlining is sort a brainstorming/Q&A i have with myself (i hope this makes sense when i'm done writing this all out lol).

I've mentioned this before but the prompt that inspired Dale was: "You’re pretty sure your boyfriend was replaced by an eldritch being that can barely emulate being human. Weirdly, you enjoy a better relationship with them than your actual boyfriend."

So when that idea grabbed me, i started brainstorming about the world and asking myself questions. Why is the reader with the boyfriend if they don't really like them? What would make someone stay in a relationship like that? Do i want to make this a dark story? And i did not, i wanted it to be fun, so the arranged marriage angle came to mind. And if that's the premise then when is the story? is this our 'past' or another world entirely? diff world means more freedom so i automatically leaned in that direction.

Can the reader tell the 'boyfriend' has been replaced? Are demons a thing people know about? does the reader know that's an option? which is more fun? if the reader is worried about Dale getting caught, that's more room for hijinks so then yes, demons are known, but not common otherwise too many people would notice.

So my plot and worldbuilding are evolving in tandem and informing each other, based on the type of story i want to tell and how the characters i have in mind will react etc.

i run through a lot of ideas and turn them over in my head--trying out diff pieces to see if they fit--and am always willing to drop an idea or save it for another story if i don't think its working for the current one

For iceberg theory, i mentioned above for Dale would be the religions in that world. When i decided to introduce a priest like character (for discovery danger) i knew i needed to focus more on the religions than i previously had noted. the majority of what i came up with isn't int he story, but i think the fact that i know it helps me write when did end up in there, helped make it consistent, and means i can more easily work in allusions to it without having to work so hard those singular times.

For example, i'd decided to call the demon realm "the Depths" early on, which to me already invokes deep water and darkness, so i followed that through to sort height and air and light as being perceived more positively. fire and light are important symbols in this world and they primarily burn their dead--to bury someone below ground would be seen as almost condemning them and someone drowning is also seen as like, not good for their soul because what if it is 'pulled down' rather than 'ascending'. some of this was alluded to in the chapter, but most of it is not. this also helped me come up with the various "by the light" "dawn's ire" and other similar little 'religious' phrases and exclamations different characters use at times.

Meanwhile, in Sacrifice, the people living their are relatively non-religious--thats why they both don't pray to any other deities and it takes 5 years of problems to even bother trying an old god. it's not sacrilege because they're desperate people trying a long shot, not violating or abandoning a different belief. because i wanted the reader's main problem with it all to just be that they didn't think it work.

And why is she a translator? because i wanted to use the idea from that one post that goes around about how ridiculous it is in movies when their translated prophecies rhyme in english. why are they arguing about the translation? because its a dead language so no one really speaks it, that means the people who came up with it were here a century ago or longer. why aren't they here anymore? nomadic so they left and ended up staying away because of a natural disaster elsewhere. why is this town here now? a particular export/resource in this area became valuable enough for people to try to live here. the fact that its a lumber town due to some rare wood native to the area doesn't come up in the story, but i know it and i think that i know that about the town helps it feel more real, makes it easier for me to reach for new details when i need them

and going back to anything can be inspiration, let's talk about the doorlock in the very beginning of Finally Woken. its literally just a magical keypad/number pad but with different colored tiles instead of numbers because i wanted the reader to be able to get in, but i felt it didnt make sense for them to hav a physical key. and i thought it would look cool in Heshi's door and it went well with the fact that he's a glassblower . also, why is Heshi a glassblower? because i frickin' lov blown glass - i just think its so cool and pretty. that helped lead into the sort of artisan economy feel that world has.

Each of these stories has an outline and notes doc at a minimum. the notes doc is where i throw lik pics, inspiration posts, random worldbuilding ideas etc. only much shorter stories or stories that are heavily based in 'modern' world don't hav extensive random notes.

my Dale folder has subfolders for characters and the setting, as well as random worldbuilding files such as "demon summoning/magic" "spiritual belief and org" "fashion - feminine" and so on. Even excluding the plot outline and chapter notes (and not counting pics) i've got like, over 4k of random notes saved. dale is the one i hav the most of that for, but all my fics have some little section with stuff like that jotted down

in the end, i think the best way to sum up all that is with my three original rules of: put stuff u think is cool in your world, known more than you tell to help everything fit together and seem deep, and build your world around your plot and characters because they should all be working together to tell the story you want to tell.

honestly, i could ramble about worldbuilding all day so if anyone has any questions or wants more examples, just let me know ^^

#asks #writing asks #story asks #man did i apparently really want to talk about anything that isn't work or what? #this is why 'rambling' is in my other tumblr username #worldbuilding #fantasy world building #world building #i really do enjoy world building a lot #writing #i rly hope this made some sense #sorry for the delay in answering #i'm still kinda salty my original answer got eaten by my computer #look sometimes ur worldbuilding is because you learned a lot about operetta in a documentary #sometimes its because the idea of a secret corset busk knife is cool #ur guess as to what's gonna show up in dale next #but one of them will and yes that is a threat